TANIA LEÓN HECHIZOS for Chamber Orchestra
Hechizos – Performance Instructions Hechizos is performed in the following order 1. Prologue One: Percussion and Keyboards (only) play mm. 1-50; complete stop - long pause, then… 2. Prologue Two: Brass, Percussion and Keyboards (only) play mm. 2-50 complete stop - long pause, then… 3. Hechizos: Entire ensemble (all instruments) plays mm. 1 – End. SCORE in C Duration: ca. 20 minutes
A mi madre, Dora Ferrán
HECHIZOS
Maestoso ( = 68)
Tania León 1994
Fl.
Ob. Cl.1 in A Bs. Cl. 6
6
Prologue Two 2
straight mute
6
7
6
7
Hn. in F straight mute
7
Tpt. in B 6
7
6
straight mute Tbn.
6
Hechizos 3 Prologue One 1
7 7
Prologue Two 2
Bongos with backs of mallets
Agogos
1.
6
Zurdo with backs of mallets
(secco) (rim)
5
Low Timbales with sticks
Perc.
2.
(secco) 5
Low T.Tom
Hechizos 3 Prologue One 1
2
Cel.
6
Guitar
Maestoso ( = 68)
secco 6 5
0
Vn.
5
6
5
Va.
sul pont.
poco a poco ord.
sul tasto, alla punta Vc.
Cb. © Copyright 1995 by Southern Music Publishing Co., Inc. International Copyright Secured. Printed in U.S.A. All Rights Reserved.
6
2
Più mosso (
5
= ca. 76)
Fl.
Ob.
Cl.1 in A
Bs. Cl. 6
4
6
Hn. in F Tpt. in B
Tbn.
1.
Marimba
Perc. / 2.
/
Rim of Tom-tom Roto-tom /
Cel.
7
Guitar
Più mosso ( Vn. 6
Va.
Vc.
Cb.
6
= ca. 76)
3 9
fltg.
ord.
fltg.
ord.
←
= →
Fl.
Ob.
Cl.1 in A sub.
Bs. Cl.
Hn. in F
Tpt. in B Tbn.
1. 6
Perc.
6
Mar.
2.
/
Cel.
5
5
Guitar
←
= →
Vn.
Va.
Vc. II suono reale Cb.
6
4 14
6
6
6
6
6
← =
→
← =
→
Fl. sempre 6
6
6
Ob. sempre 6
Cl.1 in A 3
Bs. Cl. 6
Hn. in F Tpt. in B Tbn.
1.
Perc.
6
6
2.
6
Cel.
6
6
senza Ped. Guitar
Vn.
Va.
Vc.
Cb.
5
( ← =
= 76)
Calmo, statico ( = 52)
→
17 Fl.
Ob.
to B Clarinet Cl.1 in A
to Tenor sax. Bs. Cl.
Hn. in F
Tpt. in B Tbn.
1.
Perc.
Timb. (rim)
2.
Tom-toms
Roto-toms with stick
5
Tom-tom rim with stick
Low tom with B.D. beater
Cel.
Guitar
( ← =
= 76)
Calmo, statico ( = 52)
→
Sempre leggiero, con sord.
Vn.
IV Va.
Vc. / pizz. Cb.
= 80 – 86
6 20
3
Fl.
5
Ob.
Clar. in B
Cl.1 in B
3
Ten. Sax.
3
5
Ten. Sax.
3
Hn. in F Harmon mute
5
Tpt. in B
Tbn. 3
3
1. Perc. 2.
sempre /
Cel.
Guitar
III
A tempo,
Vn.
Va.
gl. Vc.
suono reale Cb.
= 52
7 23
3
3
=
3
Fl.
3
5
3
Ob.
3
3
3
5
Cl.1 in B
3
3
Ten. Sax.
3
Hn. in F
3
3
3
Tpt. in B
Tbn. 3
3
1. Perc.
2.
Cel.
Guitar = Vn. sub. ord.
/ sul pont. (alla punta)
6
6
Va. 5
sul pont. (alla punta) 6
Vc.
Cb.
6
7
sub. ord. 7
5
6
9 5
29 Picc. 5
6
5
5
6
Ob. 6 5 6
Cl.1 in B 6 5 5
Bs. Cl.
+
senza mute
0
slow vibrato
+
0
Hn. in F senza mute Tpt. in B
Tbn.
1.
Perc.
Timb., w/ sticks
2.
Pno.
3
Guitar gl.
gl.
Vn. sub.
5
Va. sub.
5
arco
gl.
Vc.
arco Cb.
10
Meno mosso (
32
= 66)
fltg.
Picc. 4
Ob.
Cl.1 in A Bs. Cl.
+
5
0
+
Hn. in F
Tpt. in B Tbn.
1.
Marimba, med. mallets
Perc. Roto-tom w/ hands
2.
5
Tom-tom
Pno.
Guitar
Meno mosso (
= 66)
pizz.
Vn.
pizz. Va.
pizz.
arco
pizz.
Vc.
pizz. Cb.
arco
pizz.
11 fltg.
6
35 Picc.
Ob. 5
4
6 5
Cl.1 in B 6
Bs. Cl.
Hn. in F con sord. (metal) Tpt. in B con sord. (metal) Tbn.
1. Perc. Timb. sticks Roto-toms Conga Tom-toms
2.
(leggiero) 4
Pno. 4
4
Guitar Strings: PiĂš mosso, ad libitum arco, sul pont. 6
con sordino
5 0
Vn. 6
/
6
5
arco, sul pont. con sordino
5
6
6
Va. 5
/
arco, sul pont. con sordino
6
4
Vc. 5
con sordino
(pizz.)
Cb. /
5
12 39
=
(
= 66)
Picc.
Ob.
Cl.1 in B
Bs. Cl.
7
7
7
7
7
7
Hn. in F
fltg. Tpt. in B
Tbn.
1.
Perc.
Mounted Maracas w/ hands
2.
Roto-toms (w/ sticks)
Pno.
Guitar repeat measure 36, ad lib. Vn. sempre Va. sempre Vc. sempre Cb. sempre
13 fltg.
42 Picc.
5
7
Ob. / Cl.1 in B /
Bs. Cl. / 0
+
Hn. in F
gl.
fltg.
4
Tpt. in B
fltg.
8
Tbn. sub.
Tamb. Perc.
Pno.
Guitar
Vn.
Va.
Vc. Cb.
/
14
Senza misura
fltg.
Meno mosso ( = ca. 64)
Mosso ad libitum 45
breve to Flute
fltg.
Picc.
Ob.
to Cl. in A
Cl.1 in B
Cl. in A
to Ten. Sax. Bs. Cl.
0
+
Hn. in F senza sord. Tpt. in B senza sord. Tbn.
1.
w./ mallets (Zurdo) Rim of Zurdo w/ wood of mallet T.-t., Maracas
= 76 4
4
Perc.
Marimba
2.
Ad libitum to Harpsichord
Pno.
Guitar
Meno mosso ( = ca. 64) Senza misura Vn.
Va.
Vc. Cb.
breve
49
15
Pi첫 mosso ( = 70)
Senza misura lunga
Flute
Fl. 3
5
lunga
5
Ob. / 6
6
lunga
= 64
6
5
Cl.1 in A /
/
simile
5
Ten. Sax.
lunga Hn. in F
Tpt. in B
lunga
straight mute
6
Tbn. 3
lunga 1. Perc. sempre 2.
Poco pi첫 mosso ad libitum
lunga
Harpsichord 5
5
Hpsch.
3
3
/ Poco pi첫 mosso, ad libitum ord. Guitar
Senza misura lunga
senza sord.
Pi첫 mosso ( = 70)
Vn. 5
lunga
/ senza sord.
5
Va. / senza sord. Vc. /
5
l.v.
3
lunga
senza sord. arco Cb. /
5
l.v.
16 52 Fl. 5
/ Ob. /
3
4
sub.
3
Cl.1 in A 3
3
3
Ten. Sax. 3
3
3
/
Hn. in F
Tpt. in B
Tbn.
3
Maracas
1.
3
6
Marimba
Perc. 3
2.
3
Congas w/ sticks
Guiro Timbale Roto-toms 3
Hpsch.
3
Guitar
Vn.
Va. 3
/ Vc. pizz. Cb. 3
sempre
5
17
( = 70) ( = 70)
fltg. 58 Fl.
Ob. 3
Cl.1 in A
Ten. Sax. 3
Hn. in F
Tpt. in B
Tbn.
3
3
1.
Perc.
/
/
2.
3
Hpsch.
Guitar
( = 70) ( = 70) Vn.
Va. 3
pizz.
Vc.
arco Cb. 5
3
5
18 fltg.
63 Fl.
fltg. Ob.
fltg. Cl.1 in A
(
= )
Ten. Sax. 4 4
Hn. in F
Tpt. in B
Tbn.
Maracas 1.
Maracas Bongos Castanets Tom-Toms
Rim Zurdo Zurdo
Perc. 2
2
Guiro
2.
4
Hpsch.
Guitar
Vn.
Va.
Vc. /
Cb. /
19
67
( = 70) ( = 70)
fltg.
Fl.
fltg. Ob.
fltg. Cl.1 in A ( =
←
= →
←
= →
3
←
= →
3
←
= →
←
= →
)
to Sop. Sax
Ten. Sax.
9
Hn. in F
Tpt. in B 9
Tbn.
( =
1.
)
Mar.
Perc.
Rim of Tom-tom
2.
Roto-tom ←
= →
to Celesta
Hpsch.
secco
←
= →
Guitar
( = 70) ( = 70)
= 80 – 86 (sempre leggiero) alla punta (sul tasto) (III)
secco
arco Vn.
3
arco Va.
arco Vc.
Cb. /
/
/
20 70
(
= )
(
= )
(
= )
(
= )
(
= )
Fl.
Ob.
Cl.1 in A 3
Sop. Sax.
Hn. in F Tpt. in B Tbn.
1.
6
Perc. (
= )
2.
Guiro
Conga w/ sticks
3
6 6
to Piano
6
Hpsch.
6 6
6
gl.
Guitar 3 0
Vn.
Va.
Vc.
Cb.
gl. 5
21
Senza misura
= 74–76 ←
74
= →
Fl.
Ob.
to Clarinet in B Cl.1 in A
Soprano Sax Sop. Sax.
straight mute Hn. in F
6
/
/
= 74–76 straight mute Tpt. in B 3
Tbn.
1.
Mar.
Rim Zurdo, Zurdo
3
Perc.
secco Maracas, Timbale
2.
Roto Toms
to Marimba
Pno.
lunga 6
gl.
gl.
Guitar
Senza misura
= 74–76
←
= →
Vn.
Va. 6
Vc. 6
Cb.
22 ← =
79
→
(
= 74 – 76)
Fl. 7
6
Ob. 7
6
Cl.1 in A 3
Sop. Sax.
Hn. in F 3 3
Tpt. in B
3
Tbn.
(Maracas) 1.
presto possibile
(Mar.)
(soft mallets)
3
Perc.
marcato 2.
Mar.
7
Piano
6
Pno. 5
senza Ped. Guitar 6
← =
ord. Vn. 6
Va. 6
6
arco Vc.
arco Cb.
I.
→
(
= 74 – 76)
23
Senza misura 15”
82 Fl. 4
4
Ob.
4
Cl.1 in B
Sop. Sax. 7
Hn. in F 4
Tpt. in B 4 4
Tbn.
1. Perc. 2.
6
6
/
15”
Pno.
senza Ped.
Repeat 5X, like sporadic improvisations. Each repeat a different interpretation.
Guitar
Senza misura 15” Vn.
Va.
Vc.
Cb.
24
Allegro ( = ca. 74) 85
( = 116) ( = 116)
Subito più mosso ( = 96)
Fl. 6
6
6 6
Ob.
6
Cl.1 in B
6
to Bs. Cl.
6
6
Sop. Sax.
senza mute
+
0
Hn. in F 6
6
6
6
Tpt. in B
6
Tbn.
6
1.
Percussion also stops
Perc. Timbale Rim with sticks
secco sempre secco
2.
High Conga Low T-t. Roto Toms
/ Harpsichord
Hpsch./ Pno.
cresc. Piano
Guitar
Allegro ( = ca. 74)
Subito più mosso = 96
( = 116) ( = 116)
Vn.
Va. / Vc.
sul tasto Cb. 6
secco
25 8va
fltg.
90 Fl.
Ob.
Cl.1 in B
Bs. Cl. Harmon mute (stem out)
Hn. in F
Tpt. in B
Tbn.
1.
Perc.
Maracas 2.
4
/
Hpsch./ Pno.
Guitar
Vn.
Va.
Vc.
Cb.
/
26
8va
fltg.
95 Fl. 6
Ob.
Cl.1 in B Bass Clarinet Bs. Cl. 0
+
Hn. in F / Tpt. in B /
Tbn. / 1.
Perc. 5
2.
Hpsch./ Pno.
4
Guitar
Vn. 4
Va.
Vc.
Cb.
4
27 99 Fl.
Ob.
Cl.1 in B
Bs. Cl.
Hn. in F
Tpt. in B
Tbn.
1. Perc.
dim. 2.
Hpsch./ Pno.
Guitar l.v.
Vn. 4
Va.
Vc.
Cb.
4
Poco meno mosso ( = ca. 84 - 88)
28 103 Fl.
3
/ 3
Ob. / 3
Cl.1 in B /
Bs. Cl. 3
/
0 Hn. in F 3
/ Tpt. in B 3
Tbn. /
Tamb. Maracas Agogos
1.
Perc. Maraca 2. Guiro Clave Roto Toms
Harpsichord
Hpsch./ Pno.
=
Guitar
Poco meno mosso ( = ca. 84 - 88) Vn. cresc. Va.
Vc. cresc. pizz. Cb.
slap
gl.
arco
29 107 Fl. 3
3
3
3
Ob.
3
3
Cl.1 in B
Bs. Cl. 3 3 3
Hn. in F
3
Whispa mute
3
Tpt. in B
Tbn. 3
3
1.
Perc. 2.
Hpsch.
to Piano
secco Guitar
Vn.
Va.
Vc.
Cb.
30 111
=
to Picc.
Fl.
Ob.
Cl.1 in B
Bs. Cl.
+ Hn. in F
Tpt. in B
3 3
3
3
6
Tbn.
Mar.
1. Perc.
Bongos Med. T.-t. Clave T.-t. Rim
2.
Guiro
Low T-t. Piano
Pno.
7
secco senza Ped. Guitar
=
col legno
arco, sul tasto
5
Vn. 3
3
col legno
3
3 3
arco, sul tasto
Va. 3
col legno
arco
III
Vc.
pizz.
arco
II
Cb. scorrevole
31
Lively, ritmico ( = 84 – 88)
114 Picc.
Ob.
Cl.1 in B
Bs. Cl.
+ Hn. in F Tpt. in B 3
3
3
3
3
Tbn.
Agogos Zurdo
1.
Mar.
Perc.
2. secco
/
Pno.
Guitar
3
ord. 3
3
/ arco
3
ord. 3
3
/ arco
3
ord.
3
Lively, ritmico ( = 84 – 88)
arco
Vn. 3
3
3
arco
Va. 3 3
3
sul tasto
3 3
/ arco
Vc.
pizz. Cb.
/ arco
pizz.
32 = 117
Piccolo
Picc.
Ob.
Cl.1 in B
Bs. Cl.
Hn. in F
senza sord. Tpt. in B
Tbn.
1.
Perc.
2.
Roto-toms (secco)
3
Celesta Cel. / Pno.
Piano
senza Ped. Guitar
8va
= Vn.
Va.
Vc. 3
Cb. 3
33
lunga
121 Picc.
Ob.
Cl.1 in B
Bs. Cl.
lunga Hn. in F
Tpt. in B
Tbn.
Marimba Maracas
1.
Perc. 7
2.
Cel./ Pno.
3
3
Marimba/ maracas/ Roto-tom
5
lunga
Piano
n
/
Guitar
lunga Vn. /
n
/
n
/
n
/
n
Va.
Vc.
arco Cb.
34 125
Senza misura, poco allegro
Picc.
Ob. Senza misura (lirico, moderato) 3
4
3
Cl.1 in B
Bs. Cl. 2
Adagio +
3
0
0
+
3
0
+
Hn. in F (slow hand gliss.) Tpt. in B Tbn.
1.
Perc.
Sempre allegro (leggiero) 2.
1
Celesta 3
to Piano
Cel. Piano
senza Ped.
5
(Calmo andante)
Guitar
Senza misura, poco allegro Vn. senza vib. Va.
Vc.
Cb.
dolce
35 127
= 76 – 80
( =
)
( =
)
( =
)
fltg.
fltg.
Picc.
Ob.
Cl.1 in B
Bs. Cl.
+
0
Hn. in F
+
0
gl.
Tpt. in B gl.
con sord.
gl.
Tbn. 3
1.
Maracas Timbales
Perc. 2.
Roto-toms Conga Low Tom
w/ sticks
5 3
Pno.
Guitar (as fast as possible)
= 76 – 80 Vn.
gl.
con sord.
gl.
pizz.
arco
gl.
pizz.
Va. l.v. con sord. 3
pizz. gl.
gl.
pizz.
arco
Vc.
pizz. gl.
Cb. 6
arco
gl.
36
= 131
= fltg.
fltg.
fltg.
Picc. 5
Ob.
Cl.1 in B
Bs. Cl.
0
+ gl.
Hn. in F
gl.
gl.
w/ metal mute Tpt. in B gl. Tbn.
gl.
gl.
gl.
Bongos Agogos Maracas Cast. Tom-toms
1.
Perc. 6
2.
Pno.
Guitar
=
=
gl. Vn.
arco
gl.
Va.
arco
gl.
Vc.
pizz. Cb.
gl.
arco
gl.
pizz.
l.v.
arco
134
37
Senza misura (Allegro ad lib.) fltg.
to Flute
Picc.
Ob.
Cl.1 in B
Bs. Cl. cresc. = 132 11
= 160 0
29
0
0
Hn. in F
= 160
= 132 11
Tpt. in B
Tbn.
1.
Perc.
2.
Pno.
Guitar
Senza misura (Allegro ad lib.) Vn.
= 80 Va.
Vc. = 80 Cb.
pizz.
29
0
38 136
= 80
=
Fl.
Ob.
Cl.1 in B
Bs. Cl.
Hn. in F Tpt. in B senza sord. Tbn.
1.
Mar.
Perc.
2.
Celesta
Pno.
Guitar
= 80 Vn.
Va.
Vc.
Cb.
=
39 139
Senza misura, ca. 9”
ca. 7”
Fl.
Ob.
Cl.1 in B
Bs. Cl.
Hn. in F
Tpt. in B
Tbn.
Maracas 1.
Cast. Guiro as fast as possible
at 3rd repeat
Perc.
2.
Marimba, Timbales Maraca, Roto-toms
as fast as possible
Cel.
l.v. Guitar
Senza misura, ca. 9”
ca. 7”
Vn. / Va.
Vc.
Cb.
40 141
= 80
Senza misura =
Fl.
Ob.
Cl.1 in B
Bs. Cl.
0
as fast as possible senza mute Hn. in F molto as fast as possible Tpt. in B molto
Tbn.
1. Perc. 9
2.
Cel.
Guitar
= 80 Vn.
Va.
Vc.
con sord. Cb.
=
Senza misura
41 144
= 88
=
Fl.
Ob.
Cl.1 in B Bs. Cl.
Hn. in F
Tpt. in B
Tbn.
1.
Perc.
as fast as possible 2.
to Piano
Cel.
Guitar
= 88 con sord. Vn.
con sord. Va.
(senza sord.) Vc.
Cb.
=
42 147
Meno mosso
Fl.
Ob. 3 3
Cl.1 in B
Bs. Cl. 3
Adagio +
0
0
+
3
0
+
3
Hn. in F straight mute metal Tpt. in B 3 3
Tbn.
Maracas Cast. Guiro 1.
as fast as possible
Perc. 2.
Pno.
molto vibr.
Guitar
Meno mosso
3
senza sord.
3
Vn. 3
Va. 3
Vc. 3
Cb. 3
150
Senza misura
Calmo fltg.
43
= 92 – 96
fltg.
Fl.
Ob.
Cl.1 in B
5
Bs. Cl. 5
/ Hn. in F rall. Tpt. in B
= 80 3
Tbn.
Tamb. Cast. w/ Mallets Agogo Tom-tom
1.
5
Perc.
2.
Pno.
Calmo Guitar
Senza misura
= 92 – 96
Vn.
/ Va.
Vc.
Cb.
44 5
152 Fl.
Ob.
Cl.1 in B 5
Bs. Cl. 5 5
+
3
5
0
3
+ 6
Hn. in F 3
3
3
Tpt. in B 3
3
3
con sord. Tbn.
Rim of Zurdo
1.
3
Perc.
Tom-toms
3
3
2.
Pno.
Guitar
Vn. poco a poco dim. Va.
con sord. Vc.
Cb.
Rim of Zurdo
Zurdo
3
154
6
5
poco rall.
7
45 6
Fl.
Ob. = 88
5
Cl.1 in B
7
6
= 74 fltg.
Bs. Cl. 5
5 3
3
6
3
3
3
3
Hn. in F
6
Tpt. in B 3
3
Tbn.
1.
3 3
3
3
Perc.
3
2.
Piano
3
Cel.
3
Guitar
poco rall. Vn.
Va.
Vc.
Cb.
46
Senza misura
156 Piccolo
fltg.
Picc.
Andante (senza misura)
fltg.
Ob.
fltg. Cl.1 in B
Bs. Cl.
Hn. in F Tpt. in B Tbn. brushes
Agogo T.-t.
1.
Perc.
Bongo
as fast as possible
2.
sempre = 66 to Celesta
Pno.
Poco adagio l.v. Guitar
Senza misura Vn.
Va.
Vc.
Cb.
Lively ( 157
47
= 92)
5:
5:
Picc. 5:
Ob.
5
Cl.1 in B 7:
Bs. Cl.
(Presto – moderato)
+0
Hn. in F
senza sord. Tpt. in B
senza sord. Tbn.
Marimba Maracas
1.
Perc.
2.
sempre
Cel.
Guitar
Lively ( Vn.
Va.
Vc.
Cb.
= 92)
48
5:
5:
160
+
+
Picc.
5: Ob.
Cl.1 in B
n Bs. Cl.
Hn. in F
Tpt. in B
Tbn.
1.
Perc.
2.
Cel.
Guitar = 80 – 86 con sord., sul pont. Vn. sempre leggiero = 92 senza sord., sul pont.
5
6
Va. 5
= 92 con sord., sul pont.
Vc. 3
senza sord. pizz. Cb.
49
Senza misura
Breve
163 (Presto - leggiero) Picc.
3
3
Ob. 3
2
Cl.1 in B /
/
Bs. Cl.
/ = 92 - 96
5
6
0
Hn. in F molto = 92 - 96 Tpt. in B molto 3 = 92 - 96 Tbn. molto
3
Castanet Bongo
1. Perc.
Timbale
2.
Breve
Cel.
Allegro
accel.
open strings Breve slap stop
3
Guitar gl.
Senza misura Vn.
leggiero
Breve
gl. sempre cresc.
Va.
Vc. end with slap stop
= 100 Cb. slap