JOHN MUSTO Later The Same Evening
An Opera inspired by Five Paintings of Edward Hopper
An Opera inspired by Five Paintings of Edward Hopper
Libretto by Mark Campbell
An Opera inspired by Five Paintings of Edward Hopper
Piano Vocal Score
Libretto by Mark Campbell
Piano Vocal Score Full Score
Characters
Elaine O’Neill, soprano. A young, somewhat self-possessed woman in an unhappy marriage with Gus. She is all about the illusion of a perfect marriage and the outward appearance of it, but has lately begun to question even that.
Gus O’Neill, bass-baritone. Also unhappy in his marriage with Elaine and in his career. He thought having the right job and the right wife were the key to happiness. Now he just wants to escape.
Estelle Oglethorpe, mezzo. Recently widowed, sweet and unused to her new status.
Ruth Baldwin, soprano. A ballet dancer and very beautiful.
Ronaldo Cabral, baritone. A very charming man who enjoys life.
Sheldon Segal, tenor. An older Jewish man in love with his wife Rose, but constantly grouchy.
Rose Segal, soprano. Sheldon’s wife, smarter than he is, and loving in her own way.
Thelma Yablonski, mezzo. An usher at a Broadway theatre; a little tough, but also selfdeprecating and romantic.
Jimmy O’Keefe, tenor. A young gay man visiting from Lynchburg, thrilled to see THE Broadway show.
Valentina Scarcella, coloratura-soprano. A very elegant woman from Parma who speaks very little English and is unused to American culture.
Joe Harland, baritone. A young man very ardently in love with Ruth Baldwin.
Synopsis
Later the Same Evening was inspired by five Edward Hopper paintings: “Room in New York,” “Hotel Window,” “Hotel Room,” “Two on the Aisle” and “Automat.” The opera imagines the lives of the figures in these paintings and connects them as characters both directly and tangentially on one evening in New York City in 1932.
A young married couple in their apartment avoids the encroaching estrangement in their marriage she by playing the piano, he by reading the newspaper before she angrily leaves to see a Broadway musical without him. At the same time in a hotel lobby, a recently widowed older woman nervously awaits her date who will be taking her to a Broadway musical.
And in a hotel room, a young woman composes a letter to her boyfriend telling him that she is leaving New York and returning to Indianapolis after a failed career as a dancer. All three women see their changing lives through a window.
Minutes later, these women intersect with others in the audience of a Broadway musical: a young man from Lynchburg visiting New York for the first time, an older Jewish couple whose bickering is a form of love, an elegant woman from Italy confounded by the musical and her new country, and a young man who plants an engagement ring on a theatre seat for his girlfriend who happens to be a dancer from Indianapolis. As the houselights dim, the strangers are connected as an audience watching the musical only to break apart again outside the theatre in the pouring rain.
Later in an automat, the usher from the theatre muses about her work and the odd excitement of city life. She encounters the young man with the engagement ring and they leave the automat together.
Duration 75:00
Premiered November 15, 16, 17, 18, 2007, Kay Theatre, Clarice Smith Performing Arts Center, University of Maryland
Commissioned by the University of Maryland and the National Gallery of Art
Conductor: Clen Cortese
Director: Leon Major
Original Cast: Claire Kuttler (Elaine O'Neill), Andrew Adelsberger (Gus O'Neill), Melissa Schiel (Estelle Oglethorpe), Onyu Park (Ruth Baldwin), Eric C. Black (Ronaldo Cabral), Jenna Lebherz (Thelma Yablonski), Adam Hall (Jimmy O'Keefe), Jenny Chen (Valentina Scarcella)
Flute (doubling Piccolo) Oboe (doubling English Horn) Clarinet in Bb Bass Clarinet in Bb Bassoon
2 Horns in F Trumpet in Bb Trombone
Percussion (2 Players)
Marimba, Xylophone, Glockenspiel Snare Drum, Bongos, Tom-tom Temple Blocks, Maracas, Claves, mounted “Taps” Crash Cymbals, Suspended Cymbal, Hi-hat
Piano
Strings*
*May be performed with single strings
Entrance Music (optional)
Mark Campbell
Scene1.
Scene1. Restlessly (e =168) Restlessly (e =168)
For Judith and Leon Major
John Musto
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Runninglate.Youhavetogonow.
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late.Peoplecanbelate.
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Wheredoyougetyourenergy?
whatifIputoutafortunetobuyherthisring.
It'scalledClancy's.
Waltz Tempo (h. = 63)
Waltz Tempo (h. = 58)
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Pouringfromthesky.
Rain!Fallinghard.
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Rain!Fallingfast.
Rain!Fallingfast.
Rain!
Rain!Fallingfast.
Rain!Fallingfast.
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Pouringfromthesky.
Pouringfromthesky.
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penthouse,Onthe
penthouse,Onthe
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Rain!Fallingfast,
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Rain!Fallingfast,
RainPouring
Onthepenthouse,
Onthepenthouse,
Rain!Fallinghard,
Rain!Fallinghard,
fromthesky.
Downthesidesof
Downthesidesof
Rain!Fallinghard,
Rain!Fallingfast,
Rain!Fallinghard,
Rain!Fallingfast,
awnings,
awnings,
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Ontheflophouse,
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Rain!Fallingfast,
Rainfalling
quees,
quees,
park.Pouringfromthe
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fromthesky.
fromthesky.
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house,Ontheflop
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penthouse,Onthe
penthouse,Onthe
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flophouse,Inthe
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Pouring
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Rain!Fallingfast,
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fallinghard,Rain
hard,Rainfalling
hard,Rainfalling
sky.Rainfalling
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fallinghard,Rain
fallinghard,Rain
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hard,Rainfalling
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Rainfallingfast,
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fallinghard,Rain
Ontheawnings
Ontheawnings
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Ontheawnings
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quees.
quees.
quees.
quees.
quees.
Tothesidewalk,Tothestreet,
Tothesidewalk,Tothestreet,
walk,Tothestreet,
walk,Tothestreet,
sidewalk,Tothestreet,
sidewalk,Tothestreet,
gutters,Throughthegrates,
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ters,Throughthegrates,
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She'ssuretogetsomebigaward.
Thinkofitasablessing!
Marriageisfordeadpeople.
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HaveacupofJava?
mosso (q =54)
home.Bushwick.
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itstopped.