PEIHAN WEN Portfolio + 886 913 556 597 mail@peihanwen.com
Selected works 2006-2011 Made in 2012, for web viewing only. MA Image and Communication Goldsmiths, University of London BA Graphic Communication Shih Hsin University, Taipei
PEIHAN WEN Design
DONG MU HEALTH 2010 CIS DESIGN Dong Mu Health is an organic company in Taiwan. We did the whole series of corporate design from logo, packaging to website for them. It’s a group work graduation project for BA degree show. 東牧健康事業 是台灣生機飲食的通路商, 因對在地原料 的了解及銷售優勢, 未來希望自創品牌以提供消費者更 便宜且優質的產品. 2010 年的畢業專案, 我們為他設計了 一系列形象設計, 從企業標識, 包裝到網頁設計.
PEIHAN WEN Publication
‘CRAP ART’ BOOK 2008 38 pages/ A6 size print/ Glue Binding without Wire Used magazines, flyers, warps... Those paper materials people consider as wastes after their original uses. Combined the technique of collage and drawing, to explore the possibilities of graphic and color combinations. 收集各式紙質刊物包裝等, 已失去原使用價值的現成物/ 剩餘物創作, 結合拼貼塗鴉及個人想像, 探索色彩圖像與 材質外的其他可能.
PEIHAN WEN Flash
WE ARE STARDUST 2010 16 pages/ flash interactive book Hand-painted style electronic book, with interactive abilities. A kind of transformed zine which contains personal emotions and feelings, made of random thoughts and daily doodles. 互動式電子書, 內容結合手作個人誌的質感, 試圖摹擬 摩登世代的思鄉情懷.
PEIHAN WEN Photography, Paining and Installation
SELF 2006 - 2010 1998 + self portrait + self in 3D Self exploration in different forms. Summer 1998, had been the most influential year of how I become today, my personality and everything. The piece ‘self in 3D’ is contributing to the idea of 3D glasses in real life, from ‘The Science of Sleep’ by Michel Gondry. 探索自我的三種形式. 1998年的夏天, 從此改變我的人 生 性格和思考. 立體形態的自我, 一種幽默和對現代社 會的反思, 獻給扁平世代的創造力.
PEIHAN WEN Graphic
DARKROOM GRAPHIC +“if you could love me sometimes” BOOK 2011 prints/ size varied, 26 pages/ 13*18.5 cm Film scratching, darkroom drawing and experiment with enlarger. 放大機的圖像實驗. 在底片上刻上小小的字 , 紙和藥 水. 期待不確定的驚喜.
PEIHAN WEN Photography installation
BARELYANYWHERE 2011 36 images/ 165cm/ acrylic, alumni, projectors ( Memory, fragment, lost, imagination, uncertain, dream texture. )
Barelyanywhere presents the drifting uncertainness. The installation itself is an automatic collage system, associated with the interattraction, dialogue, immersion, and juxtaposition. These images escape their given definitions, and reform themselves to new collages. It constantly attempts to structure a time-space quality, express an uncertain yet apparent reality. 他們說 藝術是存在的實踐. 試著拼湊, 落於意識與理智 外, 那些不存在的存在.
PEIHAN WEN Graphic
SEND YOU A POSTCARD 2011 - 2012 87 pieces/ 107mx148mm It’s an on and off project ,meant to share her feelings with her families and friends far away, during her stay in London. It’s a ‘mail art’ never been sent, or you can call it ‘one man performance show in practice’. 沒有特定風格, 每張明信片都是一次的情緒轉移, 對一個 不同的人. 沒有寄出的’郵寄藝術’, 或許能稱作’閉鎖 式的行為藝術練習’.
more works please visit www.peihanwen.com
â–ľ