This is Punk by ziqian tan

CBGB Bathroom, 1977

CBGB, 1977

THIS IS PUNK

TAN ZI QIAN

I AM AN ANARCHIST I AM AN ANTI-CHRIST WHAT I WANT DON’T KNOW BUT I KNOW HOW TO GET IT

I AM AN ANTI-CHRIST I AM AN ANARCHIST I AM AN ANTI-CHRIST DON’T KNOW WHAT I WANT I AM AN ANARCHIST DON’T KNOW BUT I KNOW HOW GET IT WHAT TO I WANT

庬克文化

陳子謙

蘇 BUT KNOWTO GET IT 我不信耶我是自由主義不知要什麼但知怎麼得到 05

ADM, SINGAPORE 新加坡

In the late1970s,

the so-called developed world had manoeuvred itself into an economic and social dead end: in Britain, unemployment was on the rise and with it the sense of political frustration. 在70年代後期，所謂的發達世界已經進入一個經濟和社會死胡, 在英國,失業率上升,並與它的政治意義上的挫折。

London streets were restless. There were no guns, but there was a lot of hard street action, between punks and skins mostly. For a couple of glorious years, London was the center of the cultural universe with its libertarian sense of enfranchisement. Anyone could do it, and it seemed like almost everyone did - and had fun doing so. 當時的倫敦街道焦躁不安。有很多硬碰硬的街頭行動，朋克和皮膚之間的居多。倫敦成為了庬克文化的宇宙中心。彷服任何人都可成名，幷樂在其中。

The original intention 庬克原本的意圖 of the British Punk cell may have 在於金錢 been to gain cash from chaos 但卻很快地得到 but soon something quite different 完全不同的定義 came of it a whirl of signs and emblems a cacophony of ideologically 庬克變成一個不停盤旋的標誌和徽記 formed meanings that were 幷在思想上形成了 carried into the annihilation of 一個不和諧的意義 meaning with destructive furore Punk is a multi-coded project of 被帶入毀滅的意義 unreconciliation a manifestation 與破壞性風波朋克 determined by music fashion art 是一個多編碼項目 In a way punk is about failure 一個由音樂表現時尚 Punk is an idea not a band Its a real good idea Its about subversion but 庬克是一種想法 in the service of youthful pleasure 它是一個真正的顛覆它抗拒的不只是成功 Its opposed to everything adult 而是所有成功的因素 It’s against not just success but good manners good grooming 像是良好的儀容與舉 any education or skill 止任何教育或技能 Punk is pretty funny like reality 庬克其實很滑稽 itself as exemplified by the 如同現實本身 statement This sentence is a lie 難以被真實化化 Its hard to be authentic

punk manage ment 庬克管理

THE MANAGER

Sex Pistol Manager, Malcom Mclaren,1977

搖滾並不 Rock and roll doesn’t 是一個樂 necessarily 隊, 一個 mean a band. 歌手或一篇歌詞， It doesn’t mean a sing- 而是不斷追求的那 er, and it doesn’t mean 個永恆” a lyric, really. It’s that question of trying to be immortal

McLaren was known in the industry for his cunning, selfpublicity and a business brain that ran rings around Virgin Group’s Richard Branson. Under his management, the Sex Pistols signed with Virgin Records in 1977.

經理人 McLaren在邁凱輪已狡猾，自我宣傳和雍有商業頭腦為名。在他的管理，Sex Pistols 於1977年簽署處女集團。后來幷開啟了這鼓庬克風潮。

Sid Vicious, 1978

pu PUnk music 庬克音樂

James Reid, God Save The Queen, 1977

YOU DON’T WRITE A SONG LIKE GOD SAVE THE QUEEN BECAUSE YOU HATE THE ENGLISH RACE, YOU DO THAT BECAUSE YOU LOVE THEM.

James Reid, Nevermind the Bollocks, here’s the Sex Pistols 1977

THE PISTOLS Sid Vicious memorial march, 1979

Nearly everywhere the Pistols managed to perform, audience members were inspired to form their own bands -- giving rise to the Clash, the Buzzcocks, Siouxsie and Joy Division, among others.

THE PISTOLS 幾乎所有the Sex Pistol到過的表演場所，都有觀眾得到啟發，幷組成自己的樂隊-像是Buzzcocks，Siouxsie和Joy Division，等等都從The Sex Pistols身上找到靈感。

t o i r n e w t o i t Whrioiot f my aerto n n a hit rio w I WWhite a riot I wanna riot White riot t a riot ofte rio i my own wn Whriot t o y annate rito of m I w Whi rio a THE CLASH!

The Clash espoused a worldly viewpoint and a strong, classical rock ‘n’ roll image. They sang about Sandinista and Spain, Grandmaster Flush and Chairman Mao. In two years alone, they released a double album, London Calling, then a triple album, Sandinista!. Controversy dogged their every step until they self-imploded.

THE CLASH! The Clash的音樂帶有一個較世俗的觀點，與一個強大古典搖滾形象。他們唱著關於桑地諾和西班牙，薌沖洗並毛主席。在兩年間，他們發行了London Calling，和sandinista！兩張專集，都被受爭議。

The cover of the album London Calling features a photograph of Paul Simonon smashing his bass guitar against the stage at The Palladium in New York City.

Give ‘Em Enough Rope, 1978 The Clash, 1979

London Calling的專輯封面是Paul Simonon 正在砸他的低音吉他的照片。這是在紐約的一場演唱會。

011

Joe Strummer, 1981

London Calling,1978

The Clash, concert flyer, 1981

What followed the 70s was an influx of inspired D.I.Y band who genuinely felt anyone could play guitar. Bands such as the Ramones (first from left) eventually had their sounds widely imitated. 70年代起，許多被庬克風潮感染的青少年都紛紛組成樂隊。那一貫自己來的風格釀就了后來的庬克音樂。如來自美國的 the Ramones 。

The Ramones at CBGB, 1978

The Ramones, 1981 Talking Heads, 1981 Blondies, 1981

Buzzcock, 1979

013

012 Sham 69, 1979

PUnk

fashion 庬克服飾

尖頭髮和皮夾克已 SPIKED HAIR AND成為 LEATHER JACKETS新的 HAD BECOME THE庬克

Sex by Malcolm McLaren and Vivienne Westwood, 1979

ITS ST Y SELF GLE LE I -MA TRA EFU CON DE CO HSE LLY S OF NVEN D AN BEA TIO WHD GL UTY NS PO ILE AMO THE CKET PICK UR GR CO ING THE OUN OLES FRO CEN PR D ST T UN M TUR EVIO YLE DER Y US OF Following a December 3 TV appearance during which Sex Pistols cursed crotchety host Bill Grundy, UK tabloids ran lurid headlines - THE FILTH AND THE FURY! - and vandals began attacking the storefront of Sex. The Sex Pistols on Bill Grundy’s show, 1979

繼12月3日在電視上亮相的Sex Pistols 詛咒嘮叨的主持人Bill Grundy，英國小報聳人聽聞的標題跑-污物與騷動！過后Sex便成為反庬克風化者的攻擊對像。

Boy, 1979

BOY

By 1978, one of the hippest King’s Road spots to have emerged for punk apparel was Boy. The shop attracted some kids going for the skinhead look, as popularized by neo-Nazis in the National Front. Boy’s owner John Krivine featured such garb as T-shirts with dried animal blood.

BOY 到1978年，英皇道其中一個最時尚的朋克服裝景點就是Boy。這家商店吸引了許多想要走庬克Skinhead風的孩子們。Boy的老闆John Krivine等功能的外衣為“T-恤衫幹動物血，死亡與樣機照片，Gary Gilmore [剛剛在猶他州被處決]和珠寶製成的，皮下注射器和避孕的數據包.

PUnk 18

PUNK POETS

By 1976, punk poets like John Cooper Clarke became the support act for many seminal punk bands such as the Sex Pistols, Buzzcocks and Joy Division. His biting, satirical, political and very funny verse delivered in a rapid-fire performance style. Before long, John was held his own gigs and drew huge crowds of fans.

Many punk poets were also punk muscians themselves Prominent Punk poets of the mid 70s include Richard Hell, the Medway Poets, John Cooper Clarke and Patti Smith.

Literature 庞克詩人

s n i ’s s

許多朋克詩人也朋克音樂家自我著名詩人的朋克70 年代中期，包括理查德地獄，在梅德韋詩人約翰庫珀克拉克和帕蒂史密斯。

Richard Hell,1982

Jim Carroll,1979

John Cooper Clarke,1981

到1976年的到來和朋克，他最初的支持行為對許多開創性的朋克樂隊，例如性手槍，Buzzcocks和Joy Division。尖刻，諷刺，政治和非常有趣的詩發表在速射表演風格。不久，約翰是他自己的演出，領銜人山人海的

Patti Smith,1980

y d o eb

m t o s s i r fo hr

c s u

d e di

s e j but not mine

Article on the Ramones, Punk Magazine, Issue 3, 1976

First issue of Punk Magazine, 1976

THE PUNK MAGAZINE

庬克雑誌

From the very first issue, the magazine embodied its unique style. Articles about bands alternated with cartoons, references to TV culture, and features bristling with rebellious teen attitude. There is little doubt that it was Punk Magazine that fleshed out the term “punk rock”and linked it with the music at CBGB.

從第一刊，該雜誌以其獨特的風格體現。文章帶相間的卡通，電視文化的參考，並具有插滿叛逆青少年的態度。毫無疑問，庬克這個名稱是朋克雜誌將其鏈接與當時CBGB的音樂。

bibliography 參考書目

BOOKS

書

PUNK 365, Holly George Warren

No One is Innocent

Made in the UK: The Music of Attitude,1977-1983, Janette Beckman

WEBSITES

網站

http://www.wsc.ma.edu

http://hoagy-articles.blogspot.com

http://www.beyondhollywood.com

http://thinkexist.com

http://www.richardhell.com

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