CONTENTS SITE EXPLORATIONS & ANALYSIS
BUILDING DESIGN PROPOSAL
STREET ARTS PAVILION
ARTS & CRAFTS WORKSHOP
FINAL BUILDING DESIGN
[URBAN ANALYSIS]
[DEVELOPMENT WORKS]
[DEVELOPMENT & DETAIL]
[DEVELOPMENT & DETAIL]
[VISUALS]
SECTION 1
SECTION 1
SECTION 4
SECTION 7
SECTION 1
URBAN CONTEXT
OVERVIEW
Tower Hamlets Analysis...... • General • Political
Site Analysis...... Attitudes Towards Existing Site...... Design Strategy......
Spitalfields Analysis...... • Political • History • Mapping
SECTION 2
PROJECT SITE SELECTION & ANALYSIS Site Analysis...... Existing Site Building Analysis......
SECTION 2
CONCEPT DESIGN & MASTERPLANNING Initial Developmental Design...... Precedent Analysis...... Schematic Layout......
SECTION 3
REVISED DESIGN STRATEGY Design Strategy & Occupational Use...... Initial GA Drawings (WORKING DRAWINGS)...... Area Schedule...... Seasonal Solar Analysis...... Existing vs. Proposed......
SHORT FILM WORKS SECTION 1
FORM FINDING
DESIGN DEVELOPMENT
FINAL VISUALS OF SCHEME
FINAL VISUALS OF SCHEME
Initial Design Development......
Initial design works......
Fusion Thing: The OCCA Collage Poster...... OCCA (Final Scheme) Visuals ......
Fusion Thing: The OCCA Collage Poster...... OCCA Visuals ......
SECTION 5
SECTION 8
REVISED DESIGN STRATEGY
REVISED DESIGN
Troubleshooting & Design Flaws...... Precedent Analysis...... Design Response......
Precedent Analysis...... Service /Program Layout...... Facade Analysis......
DETAIL
SECTION 6
Key Fixings & Joints......
SECTION 9
DETAIL DRAWINGS
Facade Components...... Construction Sequence......
SECTION 2
SECTION 2
FINAL GA DRAWINGS
FINAL GA DRAWINGS
Plans...... Sections......
Initial Developmental Design...... Precedent Analysis...... Schematic Layout......
SITE EXPLORATIONS & ANALYSIS [URBAN DESIGN PROJECT]
contents SECTION 1
URBAN CONTEXT
Tower Hamlets Analysis...... • General • Political Spitalfields Analysis...... • Political • History • Mapping
SECTION 2
PROJECT SITE SELECTION & ANALYSIS Site Analysis...... Existing Site Building Analysis......
01 URBAN CONTEXT
[Fig01]
[Fig02]
THE LONDON BOROUGH OF
TOWER HAMLETS
THE CITY OF
LONDON
TOWER HAMLETS , AT
A GLANCE
Situated on East London’s famous ‘U bend’ of the River Thames, Tower Hamlets is one of the City of London’s most densley populated and diverse boroughs. Though a relatively small borough Tower Hamlets has a large population of approximately 230,000, with more than half that coming from minority ethnic groups.
[Fig01]
The borough has a rich tapestry of communities, culture and heritage. It has been home to many successive waves of long established immigrant communities over the centuries, such as that of the Huguenot refugees (17th Century) , successive Irish weavers (18th-19th Century) and the Ashkenazi Jews (19th-20th Century). The most recent immigrant population to have inherited the borough have been the Bengali community. With nearly one in three of the borough’s population coming from a Bangladeshi background, it comes as no suprise why it has been dubbed the ‘Bangla borough’. As well as the thriving Bangla community, recent years have seen a significant rise in the number of Romanians, Somalis and Lithuanians in the borough. Tower Hamlets has more than 100 different languages been spoken in and around its streets.
TOWER HAMLETS,
TODAY
Tower Hamlets is a borough with many facets and contradictions, where adverse dickensian poverty and immense wealth lie side by side. According to statistics, Tower Hamlets is the City of London’s second most deprived area. Though the continued development of Canary Wharf has brought with it a boost to the borough’s economic growth and the subsequent highly paid jobs for the few, unemployment across the borough’s population has become extremely high and endemic almost, with approximately two in five house holdings living on £15,000 or less. The effects of this poverty are felt thoughout all divisions within the borough from young to old. It has become increasingly evident amongst the youth of its population, whom often drop out turning to crime and offence due to the adverse conditions of poverty. Tower Hamlets will be one of five boroughs chosen to host several events during the 2012 Olympic and Paralympic Games. In preparation for this the borough has therefore been trying to rid itself of its failing and crime-ridden reputation. The borough’s local businesses, residents, voluntary & faith groups and public sector organisations have all come together to form the’Tower Hamlets Partnership’, a local body who’s vision it is to ensure the successful resurgence of the borough as a vibrant and iconic destination for Londoners and tourists alike. [Fig02]
Tower Hamlets is a vibrant and multicultural borough with many attractioins such as its wondrous and captivating markets (on Brick lane, Spitalfields and Columbia road), restaurants [on Brick lane (considered the curry capital of London)], and churches (Christ’s Church). Under the banner of ‘One Tower Hamlets’, The Tower Hamlets Partnership aims to use the borough’s vibrant resources and attractions to bring communities together, improving the quality of life for all thos living, working and visiting the borough.
TOWER HAMLETS LOCAL GOVERNTMENT BOUNDARIES
The Tower Hamlets was created in 1963 from the fusion of the boroughs of Poplar, Stepney and Bethnal Green. It now consists of 19 separate areas which are often referred to as London’s East End.
LONDON DEPRIVATION
2010 CARTOGRAM INDEX
CHILD POVERTY & GCSE SCORES 2010 CARTOGRAM INDEX
POLITICAL, SOCIAL& ECONOMIC , ANALYSIS The layers that form the Tower Hamlets Key Diagram
Tower Hamlets Key Diagram The key diagram shows the strategic elements to the delivery of the Tower Hamlets’ spatial vision.
=
POLITICAL, SOCIAL& ECONOMIC , ANALYSIS
Spitalfields will continue to be a vibrant, diverse and mixed use area. It will continue to be characterised by its diverse ethnic communi- ties and its specialist offer in fashion, arts and restaurants.
SPATIAL STRATEGY (LAP 1&2) ,
SPITALFIELDS ANALYSIS
THE PLACE Spitafields, once the parish of the borough of Tower Hamlets, lies at the heart of the East End. Founded in 1197, it inherits its name from the St. Mary’s Spittel (a then hospital and priory) It is today a diverse and multi cultural ‘historic gateway to the vibrancy of Spitalfields Market, Trumans Brewery and Brick Lane’. [12] It is a designated ‘LAP1&2’ area meaning that it is listed as one of the primary focuses for development in the borough.
THE VISION FOR SPITALFIELDS
Spitalfields vision diagram
Spitalfields will continue to be a vibrant, diverse and mixed use area. It will continue to be characterised by its diverse ethnic communities and its specialist offer in fashion, arts and restaurants. Development in Spitalfields will be sensitive and responsive to the mixed use, fine urban grain character that defines the places in the city fringe. It will conserve the historic fabric and enable the integration of new development to reinforce this unique townscape. Improving Spitalfield’s network of streets and spaces will open up access to its many attractions including Banglatown, Brick Lane Market, Bishops Square and Christ Church. [13]
[Fig21]
ACHIEVING THE VISION PRIORITIES
PRINCIPLES
[14]
The image above is of Bishop Square, one of Spitalfields key landmark areas.
SPITALFIELDS , ITS
HISTORY
c
17th-19th
The Huguenot (French protestant) population begin to flee France in attempt to escape persecution from King Louis XIV of France (grandson of Henri IV), whom strongly believed that the religous minority posed a threat to him and the monarchy. Opposed to the French regime Charles II of England offered sanctuary to the displaced Huguenot refugee community. Between 16811710 as many as 50,000 Huguenots sought refuge in England, with many settling in Spitalfields in Tower Hamlets, where dickensian living conditions meant that food and housing were cheaper. The Huguenots had a huge impact on Spitalfields, making their presence felt prodominantly in the silk industry, so much so that it was commonly known as ‘Weaver Town’. The Huguenots were amongst the first of a lineage of immigrant communities to thrive and make the borough their own. The Spitalfields’ Hugenot community is largely responsible for the many houses and buildings that are in the area today. By the 1700 over 9 churches were erected up in the area. In time, the prosperity of the silk industry began to decline, and by the 1840s much of the Huguenot community had moved outward from the city to the suburbs, leaving the area in a state of abject poverty.
SPITALFIELDS, HISTORY
IN PICTURE
c
19th-20th
SPITALFIELDS, HISTORY
IN PICTURE
c
20th-21st
SPITALFIELDS , GEOGRAPHICAL
MAPPING
ENVIRONMENT &PLANNING
STATUTORY LISTED BUILDINGS
Current Planning Applications
Grade I Listed Buildings
Decided Planning Applications
Grade II Listed Buildings Grade II* Listed Buildings Locally Listed Buildings
ENVIRONMENT &PLANNING
Conservation Areas
02
PROJECT SITE SELECTION & ANALYSIS
THE SITE, OSBORN
STREET
OS BORN S TREET . THE OSBORN STREET WAREHOUSES SITE BOUNDARY
RD
WH
I TECHAPEL
..
Address:15 To 25, Osborn Street, E1 Though situated in the conservation area of Brick Lane, The Osborn street site has become an undesirable run down forgotten space in recent years. The abandoned derelict warehouses owned by the ‘Old Truman Brewery’ now collects rust, graffiti and scrap objects from passers by. overtime the dismal conditions of the site has attracted an increasing number of squaters whom dwell in what remains of the Warehouses.
THE SITE, OSBORN
STREET
WhiteChapel Art Gallery EDF Energy Substation
THE SITE
THE OSBORN STREET WAREHOUSES Address:15 To 25, Osborn Street, E1 The derelict Site lies between an old EDF Energy Substation on its North side, and the recently extended Whitechapel Art Gallery on its South side. The old Energy Station is currently undergoing redevelopment works which will its owner (EDF) to fit in contemporary new machinery within it. The abandoned Site has been identified and selected by the Spatial Strategy Framework as a primary primary redevelopment space.
THE SITE, HIERACHY
& PRESENCE
WhiteChapel Art Gallery EDF Energy Substation
THE SITE
Height Line
THE OSBORN STREET WAREHOUSES
The Site is shadowed by two dominant buildings on its North and South side. In terms of height and volumes The Site is the least dominant space across the length of the street.
THE SITE, ENVIRONMENT
Pedestrian Flow Car Flow
The Site is surrounded by a network of paths. Cars and Pedestrians move in and around it throughout the day and night. Squaters whom dwell on the site for shelter, dealers and Artists from the Art gallery, residents of the buildings nearby- all are constantly moving around.
THE SITE
OSBORN STREET , SEASONAL
SOLAR ANALYSIS
THE SITE, EXISTING
A
A
B
SITE PHOTOS
C
C B D
E D
E
THE SITE, BUILDING
ANALYSIS / EXISTING USES
A
The derelict open space now collects rust, graffiti and scrap objects from passers by.
B
Though not within the site boundary the adjacent building to it is an unused and abandoned funeral store awaiting re-use.
C
‘Warehouse 1’ is the second largest and most derelict of the Warehouse and Garage spaces on site.It is the building in which most of the squaters dwell.
D E F G
‘Warehouse 2’ is the smallest of the Warehouse and Garage spaces on site. It like Warehouse 1 can be entered from space ‘A’ just off Osborn street. This building is also not within the site boundary but is believed to be owned by the same individuals/Organisation as ‘Block B’. These spaces are the garage and service spaces that facilitate the three main Warehouses 1(Block C),2(Block D) & 3(Block G) ‘Warehouse 3’ is the largest of the Warehouse and Garage spaces on site.
BUILDING DESIGN PROPOSAL [URBAN DESIGN PROJECT]
contents OVERVIEW
SECTION 1
Site Analysis...... Attitudes Towards Existing Site...... Design Strategy......
SECTION 2
CONCEPT DESIGN & MASTERPLANNING Initial Developmental Design...... Precedent Analysis...... Schematic Layout......
SECTION 3
REVISED DESIGN STRATEGY Design Strategy & Occupational Use...... Initial GA Drawings (WORKING DRAWINGS)...... Area Schedule...... Seasonal Solar Analysis...... Existing vs. Proposed......
This summer a derelict warehouse site on Osborn Street (Spitalfields, Tower Hamlets) will be transformed into a centre of unique structures celebrating the rich and diverse east london community through arts, crafts and sports.
The abandoned warehouse site on Osborn street has become a forgotten space overtime. Though situated in the conservation area of Brick Lane it still remains derelict, collecting rust, scrap objects from passers by and graffiti, which is perhaps its only merit. I believe there is beauty to be found in the derelict and abandoned. The aesthetics of ageing walls with peeling paint has a certain desired quality about it. It is for this reason that Iintend to retain a large proportion of the existing site, creating temporary builds (housing an arts pavilion,crafts workshop/internet hub,skate&bike vert ramp and restaurant) within the vacant or extremely decaying spaces within the site. The Osborn Center of Culture and Arts (OCCA) is my remedy to the countless years of neglect the site has been subjected to.
01
PROJECT OVERVIEW [SITE ANALYSIS]
SITE ANALYSIS HAZARDOUS ZONES .
SITE BOUNDARY
S TREET OS
HAZARDOUS ASBESTOS ROOFING
BORN
According to the Land Registryan, 55% of all industrial type properties in the UK have an asbestos cement roof. With age comes deterioration and the panels can become porous and be prone to leaks, creating additional problems because they become weakened considerably, yet show little sign of this from the outside. When broken, an asbestos cement panel can release fibres and therefore, if working on a panel, it is strongly advised that breathing masks be worn to protect the lungs from asbestos fibres. One of the biggest dangers comes with fire, because although they don’t burn, the panels can explode in extreme heat and shower the surrounding area with invisible asbestos fibres. It is advisable to replace it with an alternative material, rather than trying to patch it with other products that don’t quite match the outline of the original. [01]
CRACKING & BOWING WALLS There are several walls within the existing site that suffer from cracking and bowing. Down below are listed the potential causes of this:[01] • Age / settling, shifting, expansive soils, and outside pressures, can cut the lifespan of the buiding down considerably.
.
•
S TREET OS
BORN
Frontal View of Site (East Facing)
Settling / Loose backfill that has been placed around the site can exert extra pressure on the walls, creating cracks, especially if that backfill is comprised of lots of dense clay materials. [02]
THESE DESIGNATED AREAS OF WEAKENED WALLS MUST EITHER BE REPLACED OR GIVEN ADDITIONAL SUPPORT.
Rear View of Site (West Facing)
SITE ANALYSIS EXISTING SERVICES K
L
M SITE BOUNDARY
. S TREET OS
3
A
BORN
B C D E
I G
H
2 J 1
F
1 E
2 D
C
3
B
A
. S TREET OS
BORN
Frontal Internal View of Site (East Facing)
Rear Internal View of Site (West Facing)
Existing Entrance Lobby & Storage Space for Warehouse ‘2’. Existing Storage space for Warehouse ‘1’ Existing Garage Space. Warehouse 2 Open Storage Space. Warehouse 1’s existing Core has in it Toilet and Office Space.
F G
Existing Kitchen & Office Space.
H I J
Existing Office Space.
K
Existing Office and Small Kitchen Space.
L
Warehouse 3’s existing Storage Space.
M
Toilet and Storage Space
Existing Toilet and Storage Space.
Existing Storage Space and Kitchen Space. Existing Stair & Lift Core to Warehouse 1’s Open Space First Floor level.
02
CONCEPT DESIGN & MASTERPLANNING
INITIAL DEMOLITION STRATEGY
SEASONAL SOLAR ANALYSIS
03 REVISED DESIGN STRATEGY
REVISED DESIGN STRATEGY PROPOSED DEMOLITION & RE-USE ZONES
I
PROPOSED DEMOLITION ZONES PROPOSED RE-USE ZONES THE SITE
H
B
A
G
F B
E
B D
C
.
.
S TREET OS
BORN
Frontal External View of Site (East Facing)
S TREET OS
BORN
Frontal Internal View of Site (East Facing)
=
80% RETAINED / 20% DEMOLISHED
A
The asbestos roofing will be removed due to potential hazardous risks the deterioration of its panels could cause.
B
Walls will removed to create access for pedestrian across the proposed site.
C
The external Lobby and Storage spaces will be removed to create open space for a proposed Pavilion.
D
The existing core with toilet and storage space will be reused in new Center building proposal.
E
The existing Kitchen Space will be retained and used for the proposed restaurant space in the new building center.
F
The existing toilet spaces will be kept and used as the new Public toilet space in the new center proposal.
G
The existing Stair and Lift core will be retained and used as the main circulation core for the new center.
H
The existing office space will be retained for use in the new center proposals.
I
The existing toilet space will be kept and used as public toilets in the proposed building scheme.
STRUCTURAL PLUG-IN STRATEGY
Aerial View of Proposed Site (Post Demolition) with Structural Plugin dotted above.
The Structural Portal Frame will give the needed support to existing bowing and weakend site wall structure, whilst providing the structural shell for the new center’s services.
SCHEMATIC PROGRAMME & OCCUPATIONAL USE
Small Theatre& Cinema Arts& Installations Pavilion
Extreme Sports Vert Ramp
Restaurant
Art Workshop
MIXED-USE
Osborn Center of Culture & Arts
local community
tourists students street artists
Arts&Sports Shop
Coffee&Bar Workshop Dance Studio .
skateboarders
BMX
roller bladers
dancer/performer
Public Toilets
S TREET OS
families
USERS
BORN
schools
Frontal External View of Proposed Site (East Facing)
DESIGN DEVELOPMENT PHASES
EXISTING ABANDONED WAREHOUSE SITE
INITIAL SCHEMATIC LAYOUT
CUREENT SCHEMATIC LAYOUT
GROUND FLOOR PLAN (DEVELOPMENT) G
H
F
I
E
D C
J
A
Theatre and Cinema Space
B C D E
Theatre Storage Space
F G
Restaurant Kitchen Space.
H I J
Arts and Sports Shop Storage Space
Men’s Public Toilet. Women’s Public Toilet. Restaurant and Dining
Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)
Arts and Sports Shop. Coffe and Bar Workshop (with free access to wifi)
K
Arts Workshop.
P
Arts Pavilion Structure.
B NOT TO SCALE
A Osborn Street
K P
All Plans and Sections are still Working Drawings at this stage.
FIRST FLOOR PLAN (DEVELOPMENT) G
H
F
I
E
L
Osborn Street
Theatre and Cinema Space
E
Restaurant and Dining
F G
Restaurant Kitchen Space.
H I L
Arts and Sports Shop Storage Space
Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)
Arts and Sports Shop. Restaurant Roof Terrace
M N O
Dance Studio 1&2
P
Arts Pavilion Structure.
Men’s Changing room and Shower Women’s Changing room and Shower
M N
A
A
P
NOT TO SCALE
O M
All Plans and Sections are still Working Drawings at this stage.
ROOF PLAN (DEVELOPMENT) G
A
Theatre and Cinema Space
E
Restaurant and Dining
G
Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)
I J
Arts and Sports Shop.
K
Arts Workshop.
Coffe and Bar Workshop (with free access to wifi)
I
E
L
J NOT TO SCALE
Osborn Street
A
K P
All Plans and Sections are still Working Drawings at this stage.
OSBORN ST.
A B
Theatre and Cinema Space
C
Public Toilets (Men & Womens)
Theatre and Cinema Storage Space
D E
Restaurant and Bar Space
F
Extreme Sports Vert Ramp.
Restaurant roof terrace
E
A
B
C
D
F
All Plans and Sections are still Working Drawings at this stage.
A G OSBORN ST.
H
Theatre and Cinema Space Galleria Pedestrian Walk through Art Workshop
I J
Art Workshop storage space
K
Existing Toilet Space
Existing Toilet Space
L M
Toilet Space.
N
Arts and Installations Pavilion Structural Skin
Dance Studio 1&2
M
L
K
N A H G
I
J
All Plans and Sections are still Working Drawings at this stage.
ARTS’ PAVILION [DEVELOPMENT & DETAIL]
contents SECTION 4
FORM FINDING
Initial Design Development......
SECTION 5
REVISED DESIGN STRATEGY Troubleshooting & Design Flaws...... Precedent Analysis...... Design Response......
DETAIL
SECTION 6
Key Fixings & Joints......
04
FORM FINDING (DEVELOPMENT DRAWINGS)
05 REVISED DESIGN STRATEGY
DESIGN FLAWS
No primary structural support means that the pavilion is extremely unstable and may even topple.
The current form has severe drainage issues. Rainwater will collect in the exposed pockets, damaging the Artworks and any electricals.
Health & Safety issues may arise if passers by try to climb the structure, making it even more prone to collapse with added weight of individuals on its surface. Its unconventional form will need over a hundred custom made unique joints and fixings, which will be costly.
The Art canvases have no encasing and so are left exposed unprotected against elements such as sunlight, rain and air pollution. Making them extremely prone to corrosion and decay.
Its unconventional form will mean that it takes longer to erect on site.
PRECEDENT, SOLAR CANOPY (EARTH CENTER) ANALYSIS
The Solar Canopy is located in the Doncaster Earth Centre, a large-scale visitor attraction on a 300-acre site in one of the most environmentally devastated areas in the country. Feilden Clegg Bradley Architects master planned the scheme and designed the entrance building, the Planet Earth Gallery and the Solar Canopy.
The Solar Canopy is a 925sqm photovoltaic solar collector, currently the largest solar collector in the UK. The structure is a geometrically complex space frame constructed of larch poles joined by steel nodes, of which no two nodes are identical.
DESIGN RESPONSE PV SOLAR GLAZING / BOX SECTION 2x2m FLAT ROOF GRID.
SPACEFRAME STRUCTURAL 2x2m SUPPORT GRID.
CHAOTIC SPACE FRAME CANOPY.
ART DISPLAY PANELS.
SUPPORTS.
ADAPTED PAVILION DESIGN
06 PAVILION DETAIL
A STREET ARTS PAVILION STRUCTURAL SYSTEM ANALYSIS.
The arts pavilion will be constructed using the method and technique of the classic space frame design, invented by Dr. Mengeringhausen consisting of spherical nodes and circular hollow sections. Specifically the pavilion will be assembled using the Kugel Knoten (KK) system, typically used in double layer applications. The KK-System provides great strength-to-weight performance with excelent spanning capabilities.
A: typical spherical node (45mm radius) B: typical circular hollow sections (30mm radius)
KK-System Typical Detail.
B
STREET ARTS PAVILION STRUCTURAL FITTINGS SYSTEM.
A The arts pavilion will display works of art from local and resident artists. To achieve this the artwork will be sandwiched between two panes of supported point glass connected together by stainless steel Spider Routel fittings, giving the impression of the works of art floating.
D
C
A: B: C: D:
supported point glass designated art work zone Exploded Spider Routel Fitting typical Spaceframe KK-System.
B
ARTS & CRAFTS WORKSHOP [DEVELOPMENT & DETAIL]
contents SECTION 7
DESIGN DEVELOPMENT Initial design works......
SECTION 8
REVISED DESIGN
Precedent Analysis...... Service /Program Layout...... Facade Analysis......
SECTION 9
DETAIL DRAWINGS
Facade Components...... Construction Sequence......
07 INITIAL DEVELOPMENT DESIGN
08 REVISED DESIGN STRATEGY
PRECEDENT, LE 2-22,MONTREAL (CANADA) Le 2-22, designed by Aedificia, a team of architects, designers, engineers and communication specialists, has become the gateway to Montreal’s arts and entertainment district. Its eye-catching façade - an innovative twin walled skin the outer glass layer of which is designed to fully retract in the summer revealing a wooden envelope beneath with punched openings that reads like an abstract tapestry - to its large-scaled recessed angular entrance that frees up the sidewalk for dense pedestrian traffic, which the area experiences during festivals. The space created by superimposing the two materials is used for multimedia installations.
The 2-22 is a green building aiming for LEED certification has been achieved at a cost of $ 20 million. The 2-22 has received a grant of $ 5 million under the program “Imagining-Building Montreal 2025” and the transfer of land from the City of Montreal.
CoffeE & Bar Workshop (with free access to wifi) ART & CRAFTS WORKSHOP (for children aged 5-15) DANCE STUDIOS MEN’S & WOMEN’S CHANGING ROOMS & WCs
WORKSHOP
GROUND FLOOR PLAN
A E H
B F G
C
A B
Main Entrance
C D
Coffee Bar Kiosk
E F G H
Arts and Sports Shop Side Entrance
Coffee and Bar Workshop (with free access to wifi)
Stair & Lift Core
Arts Workshop. Fire Exit Art Workshop Storage
D NOT TO SCALE
WORKING DRAWING
FIRST FLOOR PLAN
I
P
O
J
N
I
M
L
K
D I J
Stair & Lift Core
K
Men’s Toilet
L
Men’s Changing Room
M
Men’s Shower Room
N O P
Women’s Shower Room
Dance Studio 1&2 Seating Area.
Women’s Changing Room Women’s Toilet
D NOT TO SCALE
WORKING DRAWING
Collaboration between emerging and established artists
KnoxOut Paint/Spray medium (Air Cleaning Paint)
Plywood Panels as Canvas
Facade for The Arts & Crafts Workshop
FACADE DAY & NIGHT ANALYSIS
09:00
17:30
20:30
09
ARTS & CRAFTS WORKSHOP DETAILING
FINAL BUILDING DESIGN [URBAN DESIGN PROJECT]
contents SECTION 1
FINAL VISUALS OF SCHEME Fusion Thing: The OCCA Collage Poster...... OCCA (Final Scheme) Visuals ......
SECTION 2
FINAL GA DRAWINGS Plans...... Sections......
01 FINAL VISUALS OF SCHEME
02 FINAL GA DRAWINGS
GA PLAN KEY 1
Street Arts Pavilion
2
Theatre and Cinema Space
2a
Theatre Storage Soace.
3 3a
Women’s Toilet
5e 5f 5g
Dance Studio 1
Men’s Toilet
5h
Women’s Shower & Changing Room.
4 4a 5
Restaurant
6
Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Bladers).
6a
Sports & Arts Shop.
5a 5b 5c
Workshop Storage Space.
5d
Coffee & Snack Kiosk.
Kitchen Space Arts & Crafts Workshop for 5-12 year olds.
Unisex Toilet. Coffee Bar Workshop (with free access to wifi)
Dance Studio 2 Men’s Shower & Changing Room.
4a
2a
2
3
3a
4
1
6
5a
5b
5
5c
6a
CULTURAL CENTER GROUND FLOOR MASTERPLAN
5d 1:100 SCALE
ARTS & CRAFTS WORKSHOP GROUND FLOOR
5a
5 5c
6a
5d 5b
1:50 SCALE
ARTS & CRAFTS WORKSHOP FIRST FLOOR
5f
5h
5e
5g
1:50 SCALE
SHORT FILM WORKS [URBAN DESIGN PROJECT]
contents SECTION 1
FINAL VISUALS OF SCHEME Fusion Thing: The OCCA Collage Poster...... OCCA Visuals ......
SECTION 2
FINAL GA DRAWINGS
Initial Developmental Design...... Precedent Analysis...... Schematic Layout......
01
CHRONOGRAMS (MAPS OF FILM)
02
SCENE EXTRACTS FROM SHORT FILM (HI-RES & 3D ANAGLYPH)