IDSN Project C

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fresh HOME September 2013

Stuck on Color or Lighting ?

Your go-to magazine for learning about the Principles & Elements of Design


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Table of Contents Line

PRINCIPLES OF DESIGN

Texture

Harmony

ELEMENTS

Balance

Emphasis Light Color Space

Massing Rhythm Proportion Scale

Shape Form http://fineartamerica.com/featured/howth-sunset-patrick-horgan.html


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Design Thesis I have always loved to match vibrant colors with softer tones and to give something old a fresh, new look. I want my designs to make people feel homey yet cheerful under any circumstance. The atmosphere in which we live in should make us feel happy and at ease; that’s what you’ll learn to do through the elements and principles of design given in this magazine.

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All about Me! Hi! My name is Helene, and I grew up right outside of Washington DC in Northern Virginia. I’ve always been a “girly-girl” and have loved matching “pretty things” with “pretty things.” Ever since I was a little girl I’ve always decorated my room and whatever else my parents would let me get my hands on. This Magazine is my inspiration on how I would decorate and design.


Line Straight Horizontal Straight Vertical Curved Flowing


Straight Horizontal Horizontal lines, like vertical, provide strength but also represent calmness and a feeling of repose. They are used to elongate a wall, and often seen in cornices, dadoes, bookshelves, and long, low pieces of furniture. http://1.bp.blogspot.com/_DBC1i9nqhKc/TFrbyW0LRAI/AAA AAAAAIrU/v76IMeDlhlM/s1600/Amanda+Nisbet+2.jpg


Straight Vertical Vertical lines tend to add strength, height, and dignity. Usually seen on columns or the exterior of a building.

http://havenandhome.blogspot.com/search? updated-max=2011-10-05T06:34:0005:00&max-results=12


Curved Flowing This fun staircase is a perfect example of a curved flowing line. It represents a graceful, relaxed, and soft feeling. The staircase exaggerates the living room and makes it more interesting.

http://media-cacheak0.pinimg.com/originals/e1/6a/77/e16a777d3750f589e5c22e3c1bafc3c4.jpg


Texture Implied Texture Non Reflective Reflective


Implied Texture Although this wallpaper looks like it would feel rough like a woven tapestry it’s actually smooth, which is exactly what implied texture is; texture on a surface that only appears to be physical texture, but is not. Wallpaper is also a good idea for bathrooms, because it is so easy to clean. http://www.thibautdesign.com/collection/roomse t.php?patternID=958&productID=5532


Non Reflective Rugs are perfect non reflective texture, they soak up the light coming in and add warmth to any room. If you’re designing on a budget and want to be smart, stick with a cotton rug because they are easiest to clean.

http://www.zanui.com.au/Staffordshire-Stripe-Cotton-Rug90377.html


Reflective Countertops are the best examples for reflective texture. When light hits them the light will reflect off of it, creating a brighter room.

http://www.architectureartdesigns.com/32delightful-backsplash-design-ideas-forimprovement-of-contemporary-kitchen/


Light Art Floor Lamps Table Lamps


Color Monochromatic Direct Complementary Double Complementary


Monochromatic Mono meaning one, is different shades and tints of one single color. Here the monochromatic color is pink in the room. It creates a look of both business and put together.

http://www.lonny.com/magazine/April+2013/uRq UAPwVlR6/1#40


Direct Complementary Direct complementary colors are the colors on opposite ends of each other on the color wheel. Here we see a blue painted room with an orange dresser. Although completely opposite colors, it’s still attractive to the eye.


Double Complementary Double complementary color scheme is the same as using two complementary colors in the room. Here there’s purple and yellow, and green and red.


Space Positive Space Negative Space Crowding Territoriality


Positive Space The positive space in this room is the space being taken up, so the couch, the side table, and the little coffee table.

http://www.desiretoinspire.net/blog/2008/9/13/wink s.html


Negative Space The negative space in the room shown is the space where there is nothing there, so between the love seat and the wall/bookcases.

http://propertymarketupdate.co.uk/2011/09/03/141-interior-design-saturday-–-space/


Crowding Territoriality Crowding generally happens in areas such as the dining room, living room, or kitchen where people are able to be grouped together in restricted areas. Territoriality is the personal attachment to territory or space.


Shape Abstract Geometric Dynamic


Abstract Abstract shapes are representations of real life images or objects in a different view. I love the contrast here with the abstract painting that reminds of a forest or garden against the white walls and furniture.

http://www.architecturaldigest.com/decor/2013-06/readerbathroom-renovation-slideshow_slideshow_After:-Houston_4


Geometric The two-dimensional shapes on the wallpaper show the geometric shape. They used different octagons and squares on the wallpaper.


Dynamic Dynamic shapes imply movement. The mirror on top of the doors and the lamp in the room above the couch are great examples of dynamic shapes. They lead the eye in a certain direction.


Form Geometric Abstract Non-Objective


Geometric Geometric forms are seen everywhere throughout this room. The painting, two couches, the rug, and the pillows all show geometric form.

http://www.homedit.com/transform-interior-decorusing-geometric-shapes/


Abstract Abstract forms are similar to a certain object, but altered to make it more interesting or unique. Like this chair is similar to the Mona Lisa with the frame and everything.

http://www.treehugger.com/sustainableproduct-design/transformer-furniture-chairturns-into-mona-lisa.html


Non-objective This chair is an example of a non-objective form. Which means it has organic lines that create abstract objects or furniture in a three dimensional aspect.

http://www.myvibemylife.com/2013/03/16/shell-curiosity/


Balance Visual Symmetry Visual Asymmetry Visual Radial Symmetry


Harmony Unity through Color Variety through Color Variety through Modern-Old


Emphasis Focal Point-Visual Focal Point-Structural


Massing Actual Density Optical Density


Rhythm Repetitive Contrast Transitional/Flowing


Proportion Object in Proportion with Space Objects NOT in Proportion with Space


Scale Human Scale Symbolic Scale


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