Busker Fantasy by Peter Van Zandt Lane

Peter Van Zandt Lane

Busker Fantasy For percussion ensemble

Peter Van Zandt Lane

Busker Fantasy Composed for the Purchase College Percussion Ensemble (2011)

For Five Percussionists

Approximate Duration: 9 minutes

Instrument List: Soloist: plastic paint buckets (4), tin cans (5), large metal pipe, medium-large pans (2), a large (750ml) glass bottle, and an old bicycle (without front wheel). Percussion 1: concert bass drum, floor tom, brake drum, medium almglocken (5), guiro, castanets, small triangle, crash cymbal, and vibraphone. Percussion 2: concert bass drum (shared), concert toms (3), temple blocks (5), medium-small triangle, ratchet, suspended cymbal, and marimba. Percussion 3: water gong, singing bowls (2), rototoms (3), bell tree, claves, medium-large triangle, and xylophone. Percussion 4: tam-tam, floor tom, brake drum, nipple gongs (3), bongos (2), guiro, castanets, large triangle, and crotales.

PERFORMANCE NOTES: Accidentals apply only in the octave in which they appear and carry through the measure. In highly chromatic passages, courtesy accidentals have been provided. Soloist: Paint buckets should be of similar size, though slight variation is acceptable. Tin cans should be arranged in ascending size. Pans should be of a resonant quality, not too thick. The glass bottle (San Pellegrino bottles work well) should be half-filled with water, which provides timbral inflections when rotated and struck. These inflections are loosely notated and should be performed ad libitum. The bicycle should be set up upside-down (on its handlebars), and is notated with three sounds: two on the upper and lower bars of the bike frame (high and low), and the sound of a wooden stick in the spokes as the wheel is spun. This “ratchet” effect in the bike spokes occurs in two possible ways: one, the wheel is spun and continues with the stick loosely making contact with the spokes until the wheel stops, or two, the wheel is spun and then muted (grab the wheel to stop it) in the notated rhythm to achieve a specific duration of the sound. The soloist’s role in this piece is not only musical, but also theatrical. Any elements of the urban street performance tradition should be used to highlight the contrasting musical context in which it occurs. This may include (but is not limited to) the general shabbiness of the soloist’s instruments, the ad hoc manner in which they are assembled, the performer’s choice of attire, and the overall “showiness” of player’s performance approach.

PROGRAM NOTES: Busker Fantasy is a concerto for street performer with a backdrop of standard orchestral instruments. While researching the possibility of using found objects in the context of a percussion ensemble piece, I quickly realized that many of the most effective non-traditional percussion instruments exist in an established idiom and tradition of their own: buskers. Instead of mixing together these kinds of instruments (paint buckets, cookware, bicycle parts) with traditional instruments, I chose to set them apart; I thought it would be interesting to use the idea of a concerto to create a counterpoint between the tradition of orchestral percussion and street performance. Busker Fantasy was composed in the summer of 2011 for the Purchase College Percussion Ensemble.

To request materials, or for any inquiries about this piece, please contact the composer: peter@peterlanemusic.com.

PERCUSSION LEGEND:

! Solo Percussion

Percussion 1

Percussion 2

Percussion 3

Percussion 1

metal pipe

brake drum

bass drum

concert toms

" " "

) ( lift

sink

tam-tambrake floor drum tom bass drum floor tom Percussion 4

almglocken

" " " " "

rototoms

nipple gongs brake drumalmglocken

"" " ""

" "" "

guiro

ratchet

bike frame

metal pans

" " " " "

" "

)

glass bottle

temple blocks

singing bowls

water gong

" " " ""

" # " #

bass drum floor tom

tin cans

paint buckets

castanets

BEATER KEY:

"' - wooden sticks " - med. xylophone mallets ! " - soft yarn mallets $ " - med. yarn mallets % " - hard yarn mallets & " - hand #

* " , " + " ) " (

triangle

claves

- bow - triangle beaters - soft bass drum/tam tam mallets - hard bass drum/tam tam mallets - hard bass drum/tam tam mallets

(Beater indications are recommendations, subject to the intuition of the performer.)

triangle

guiro castanets guiro" castanets "crash "

bongos

# #

wheel spin (with stick in spokes)

crash

suspended cymbal

bell tree

" ##

" "

triangle triangle

Busker Fantasy Composed for the Purchase College Percussion Ensemble

Peter Van Zandt Lane

Solo Percussion

Percussion 1

Calm, poised q = 48-52

3 !" 4

Percussion 3

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*Transposing pitched instruments are notated in playing (not sounding) range. Copyright ÂŠ 2011 Peter Van Zandt Lane (BMI)

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Subdued < K x = x > (q = 108)

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