Peter Van Zandt Lane
Danzas Mecรกnicas for wind quintet
Peter Van Zandt Lane
Danzas Mecánicas (2010) For Wind Quintet: • • • • •
Flute Oboe Clarinet in B Horn in F Bassoon
I. Tango II. Vals III. Milonga Approximate Duration: 9 minutes
Performance Notes: Accidentals apply to the octave in which they appear and hold throughout the measure, though in highly chromatic passages courtesy accidentals have been provided. All grace notes occur before the beat. Unless otherwise indicated, trills should be played with the interval of one semitone. Notes on Movement II: After a brief intro in movement II: Vals, instruments split into three independently coordinated groups. Bassoon and horn, flute and clarinet, and solo oboe each play in autonomous, contrasting tempos. Cues for entrances and cutoffs are specifically indicated in the score and parts. The end of the section should continue directly into the coda of the movement without pause. Within the context of the general tempos and cues provided, there is a good deal of flexibility in this movement which relies on the musical intuition of the performers. For any inquiries or requests for materials, please contact the composer: peter@peterlanemusic.com
Cover Art: Lightplay 2 by Adrienne Kane. Used with permission of artist.
Danzas Mecánicas
C SCORE
I. Tango
Flute
Rigid, with momentum q = 116
f
Oboe
3
3
p
ff
mp
3
f
ff
3
f
3
f
3 3 3 3 p ff
Clarinet in Bb
f
Horn in F f p 3 3 Bassoon 3
3
f
Fl.
mf
ff
f p
4
Ob.
3
f
f
f
p
f
p
f
f
Hn.
f
f
Bsn.
p
f
fp ff 3 3
ff
p
f
mf p mf
3
3
3
3
f mp f
f
5
p
p
f
p f
p
p
p
f
mp mf 3 f
p
3 3 p 3
p
mp
mf
5
f
p
mp
f
p
fp
p
p
ff
6
Cl.
ff
p
Peter Van Zandt Lane
3
Copyright © 2010 Peter Van Zandt Lane (BMI)
3
f
2
A
Fl. 8
ff
Ob.
ff
Hn.
ff
Bsn.
mp
3
ff
Cl.
f
3
p
f
mf
mf
mf
f
6
Fl. 3
Ob.
3
Cl.
Hn.
Bsn.
3
3
p
3
ff
ff
7
ff
mf
3
3
3
ff
3
3
ff 3 ff mf
p
ff
ff
12
f
3
mp
ff
mp
mp mp
Fl. 15
Ob.
Cl.
Hn.
mf
p
3
5
mf
p
p
pp
Bsn. 3 5
6
5:3e
fff
3
5:3e fff
5:3e fff
5:3e
fp
mf
mf
fp
fff
B
(2+3+2) Cl. 20
ppp
Hn.
ppp
Bsn.
ppp
4
24
Fl.
Ob.
Cl.
Bsn. Hn.
p
3 p mp
3
28
pp
Hn.
mp
Bsn.
mp
mp
3
3
pp
3
pp
3
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mp
n
pp
3
3
3
3
pp
3
3
p
C
Cl.
3
p
3
3
3
3
mp
p
3
mp
mf
3
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f
f
3
3
mp
3
3
mp
5
Fl.
mp
31
Ob.
Cl.
mp
p
Hn.
f
3
mp
fp
Bsn.
Fl.
35
Ob.
Cl.
Hn.
Bsn.
3
p
3
3
3
p
pp
fp
mf lyrical
3
3
f
3 3 5
mf
5
mp
f
5
f
mp
fp
5
fp
f
5
3
f
3
p
6
Fl. 39
Ob.
Hn.
mp
Fl.
43
Cl.
Hn.
3
3
mf
Bsn.
3
f
mf
3
mf
mf
3
3
3
3
3
3
3
3
3 3 3
3
mf
3 3
mp
3
3
3 3 3 mp mf
f
mp
3
3
Bsn.
Ob.
mf
Cl.
mp
3
D
46 Fl.
Ob.
pp
Cl.
mf
f
mp
f
f
f
mf
mp
Fl. 50
Ob.
Cl.
ff
p
ff
p
ff
Hn.
mp
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Bsn. fff
ff
p
ff
p
ff
p
ff
p
ff
p
ff
p
5
5
6
ff
ff
ff
ff
p
ff
p
5
f
f
mf
mf
Hn. pp mp Bsn. f
7
8
53
Fl.
Ob.
ff
p
ff
Hn.
p
Bsn.
ff
p
mf
E
ff
ff
mf
Cl.
ff
6
6
Hn.
Bsn.
f
fff
fff
ff
ff
ff
6
f
p
p
3
7
n
3
3
f
3
3
3
3
f 3
3
n
ff
mf
Fl. Ob.
p
ff
ff
57
ff ff fff 6 6 3 3 6
Cl.
Fl.
61
Ob.
Cl.
3
3
ff
ff
mf
Hn.
Bsn.
ff
Cl.
Hn.
Bsn.
ff
ff ff
f
5
3
3
mf
mf
ff
9
ff ff mf ff
3
3
Fl. 64
f
ff
ff
Ob.
ff
f
f f
3
5
3
5
ff
mf
mf
ff
ff ff
10
Fl. 67
Ob.
Cl.
Bsn.
Fl. 70
mp
mp
f
Cl.
Hn.
Bsn.
ff ff
f
3
f
f
Ob.
Hn.
3
ff
ff
mp
mp
3
3
fp
f
6
3
fp
f
p
f
p
3
3
3
f
f
3
p
f
fp
f
p
f
3
ffff
3
3
3
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3
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11
Fl.
73
(2+3+2)
ppp
Ob.
Cl.
ppp
Hn.
3
ppp
Bsn.
Ob.
Cl.
Hn.
Bsn.
3
3
3
3
3
3
p
3
p
3
3
3
3
3
pp
ppp
ppp
3
pp
3
3
p
mp
p mp 3 3 p mp
ppp
77
Fl.
3
ppp
12
II. Vals
Slow, Delicate q = 40
Fl.
81
Ob.
pp
pp
pp
p
Bsn.
pp
mp
p
pp
p
ppp
3
pp
mp
p
ppp
Hn.
p
84
Cl.
Fl. Ob.
p
p
p
7
mf
5
p 3
Bsn.
Hn.
mp
Cl.
pp
pp
p
pp
p
p
p p
6
pp
6 pp
3
3
3
ppp
ppp
ppp ppp
3
3
mf
ppp
13
NOTE: Throughout section F, instruments are divided into three groups (bassoon+horn, flute+clarinet, and solo oboe). Each group plays in an independant tempo. The parts do not align, but are coordinated by cues notated in each group for entrances.
F
Hn.
q = c.a. 96
87
p
Bsn.
p
Hn. 92
p
Bsn.
p
CUE flute and clarinet entrance here on first cycle of the ostinato.
mp
mp
3
p
p
mp
p
mp
93 Fl. 3
pp with uncoordinated, sporadic mf on single notes or groups of notes.
mp
mp
Continue to repeat ostinato until flute and clarinet drop out. Finish section, and move on to section G without pause.
pp
p
Cl. 3
pp
Wait for cue to begin from Horn. After two repetitions of the line, CUE oboe solo.
q = c.a. 60
Continue to repeat until cut-off cue from oboe. Stop immediately. 3
3
14
Very Slow and Lyrical, with a flexible tempo q = 30-48 Wait for cue from flute. Begin to play at your own leisure.
101
Ob.
Cl.
mp
3
mf
p
3
6
3
A Tempo q = 40
mp
Bsn. p
5
3
pp
pp
n
Attacca
pp
Wait 10-15 seconds, then cut-off flute and clarinet-- preferably at an abrupt moment.
3
p
f
G
109
Hn.
mf
105
Ob.
15
III. Milonga
112
Fl.
Ob.
Lively, with momentum q=180
ff
ff
Cl.
Hn.
Bsn.
ff
fff
fff
ff
fp
fff
fp
ff
ff
mf
Bsn.
mf
Hn.
Fl.
Cl.
117
Ob.
fp
n
ppp
ff
mp
16
H
121
Fl.
Ob.
mp
Cl.
Hn.
mp
Bsn.
Ob.
Cl.
Hn.
Bsn.
mp p
p
f
Fl. 125
fp
mf
mp
mf
mp mp
130 Fl.
Ob.
f
Cl.
f
Hn.
f
mp
Bsn. f
mf
Ob.
Cl.
Hn.
p
Bsn.
ff
mp
f
f
f
f
ff
sf p
mp
mf
p
mf
mf
ff
p
17
ff
ff
mp
135 Fl.
mf
ss.
ff
gli
f
J
18
140 Fl. fff
Ob.
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Cl.
mp
mp
p
p
mp
p
fff
Bsn.
pp
Hn.
pp
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Fl. 146
Ob.
Cl.
pp
mf
mp
p
mp
3
p Bsn. Hn.
5
mp
p
151 Fl.
19
mp
Ob.
p
Hn.
Bsn.
Cl.
mf
Cl.
mf
Bsn.
mf
mp
mp
Hn.
5 mp
mf
mp
mf
mp
mf
mf
f
ff
mf
ff
mf
mf
mp
Ob.
p
mf
156
Fl.
f
mf
s. glis
f
ff
f
ff
K
20
Fl. 161
Cl.
mp
mp
p
Hn.
Ob.
p
p
p
pp
pp
p
mp lyrical (open) Bsn.
Fl.
165
Ob.
Cl.
Hn.
pp
p
Bsn.
pp
L Relaxed, only a bit
Fl. 169
Ob.
21
f
Cl.
p
f
mp
f
f
Bsn. f heavy Ob.
Ob. 178
mf
f
3
mp
Bsn.
mp
174
Bsn.
f
Hn.
3
f
mp
f lyrical
f
22
Fl. 182
Ob.
Hn.
Bsn.
pp
Cl.
pp
pp
pp
pp
M
Fl.
186 Gaining momentum
ff
Ob.
ff
Cl.
ff
ff mf Bsn. Hn.
ff
mf
mp
mf
mp
mp
mf
mf
23
Fl.
192
Ob.
Cl.
mp
f
mp
mp
f
f Bsn. f Fl. mf
Ob.
f
ff Bsn. ff
mf
p
f
mf
f
mf
ff
mf
mf
ff
ff
mf
f
mf
mf
f
f
mf
f
mf
f
mf
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ff f fff
mf
mf
mf
ff
f
fff
f
f
mf
Hn.
mf
Cl.
f
mf
f
Hn.
198
ff
f
fff
fff fff
N
24
204 Fl. fp mp Ob.
p
Hn.
Bsn.
Cl.
209
mf
Bsn.
mf
mf
mp
mp
mf
mf
mp
mp
mf
mf
mf
Hn.
mp
mp
mf
5
Cl.
p
Fl. Ob.
p
mf
mf
f
mf
s.
glis
f
Fl. 214
Ob.
Cl.
Hn.
f
f
Bsn.
ff
ff
ff
Fl.
219
f
Ob.
f
Cl.
f
f Bsn. Hn.
f
mp
ff
mp
f
ff
O
ff
ff
mf
ff
f
ff
25
f
f
f fff f
ff
f
26
Fl.
224
Ob.
Cl.
Hn.
p
Bsn.
f
Fl. 229
fff
Ob.
fff
Cl.
fff
fff Bsn. Hn.
fff
f
f
mp
f
f
mf
mp
mf
(open)
ffff
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