인테리어 디자인 포트포리오
DESIGN
interior architecture & design portfolio 2016-19 VOL. 001 SELECTED WORKS
peterlee1.myportfolio.com [ 웹사이트 ]
선별한 작품
인테리어 디자인 ACADEMIC WORK
PROJECT - 1
Peter Lee 2016 - 2019
P 2 - 3
portfolio
Interior Architecture BA InArch
2016 - 2019
TABLE OF CONTENTS
06 15
ANCIENT EGYPT //
16 25
INFRAFAIL //
26 33
FINDULATION //
34 51
KOREAN CULTURAL CENTER //
AFTERLIFE
AMTRAK HIGH SPEED TRAIN
CHIAROSCURO
한인문화회관
ANCIENT EGYPT // AFTERLIFE
PROJECT: INARCH NARRATIVE STUDIO LOCATION: THE FIELD MUSEUM DATE: FALL, 2018
The Ancient Egyptians believed that life on Earth was only one part of an eternal journey which ended, not in death, but in everlasting joy. From everyday artifacts, hieroglyphs, mummies, and to a Book of the Dead, this exhibition demonstrates how the Ancient Egyptians lived and died in preparation of the afterlife.
P 6 - 7
PROJECT - 1
PROJECT - 1 P 8 - 9
[ EXISTING CONDITIONS ]
PROJECT - 1
PERSPECTIVE SECTION
The perspective section to the left shows an overview of the entire exhibit. Upon entering you are greeted by large statues of ancient Egyptian gods with a large digital video screen as a backdrop. This sets the tone for the rest of the exhibit and puts the visitor in an “alternate reality�.
After learning of how the Ancient Egyptians lived and prepared for death, the visitor enters the mastaba which tells the story of the journey to the afterlife through floor to ceiling hieroglyphs. The exhibit is designed to let visitors contemplate on what is beyond life and death regardless of what their beliefs are.
P 10 - 11
The Ancient Egyptians believed that life on Earth was only one part of an eternal journey which ended, not in death, but in everlasting joy.
The Life section of the exhibit contains artifacts from the daily lives of ancient Egyptians and gives us clues to how they lived. As visitors explore through the death section of the exhibit, they can learn about the mummification process and how the ancient Egyptians prepared the bodies for the afterlife.
NEC TILEMATRIX | VIDEO WALL SOLUTION
2
NEC TILEMATRIX VIDEO WALL The Tilematrix Video Wall Screens can be used as a single screen (over the display cases and on the face of the pilasters) or multiple screens. The screens will be recessed so they are flush with the surrounding planes.
1
2
The Tilematrix Video Wall Screens will also act as a secondary light source.
3 1
4
4
CONCRETEWORKS GFRC PANEL The Concreteworks GFRC Wall Panels are used as wall treatments, inside the display cases and the faces of the free standing cases. 2’x4’ panels will be installed for the wall treatment with 3/4” reveal in between each panel. The panels will be cut to size for the display cases.
CONCRETEWORKS | GFRC PANEL
FASTENER WALL SHEATH GFRC PANEL
CAST-IN CLIP WALL STUD
NEC TILEMATRIX VIDEO WALL SOLUTION
CONCRETEWORKS GFRC PANEL
PROJECT - 1
ALTERNATE REALITY The Ancient Egypt Afterlife exhibit is designed to make visitors feel like they are in the afterlife.
P 12 - 13
NEC TileMatrix Video Walls are utilized to display inverted scenes of nature. The video walls are scattered throughout the exhibit and integrated into the display cases to immerse the visitor into an “alternate reality�.
ANCIENT EGYPT: AFTERLIFE AT THE FIELD MUSEUM IN CHICAGO
P 14 - 15
PROJECT - 1
INFRARAIL // REVEALING THE HIDDEN
P 16 - 17
PROJECT - 2
CHICAGO
ST. LOUIS
PROJECT - 2
infra red
Door Opening
Lounging Area
PROJECT: INARCH DETAIL STUDIO LOCATION: AMTRAK HIGH SPEED RAIL DATE: FALL, 2018 Standing Bar Cafe / Bar
Infrarail is a design proposal for a cafe car on the new Amtrak high speed train from Chicago to St. Louis. This proposal draws on concepts from infrared light.
Wheelchair Area Condiments / Waste
Individual Seating
Booth Seating
Eletrical / Emergency ADA Restroom
P 18 - 19
Infrared (IR) light is the part of the EM spectrum that people encounter most in everyday life, although much of it goes unnoticed. It is invisible to human eyes, but people can feel it as heat. The cafe car utilizes backlit acrylic panels to “reveal the hidden” by manipulating objects and people within the train car.
Door Opening
FLOOR PLAN
LUMINII MATRIX PLUS | HIGH EFFICIENCY GRID LED PANEL A flexible LED backlighting system that provides even illumination with minimal cavity depth. The unique design allows it to be directly mounted onto a surface. TECHNICAL INFORMATION MODEL:
Matrix Plus (SO)
LEDS/UNIT:
144
LUMENS AT 30K:
832 LM
POWER
POWER
CONSUMPTIONK:
6.1 W
LUMENS PER WATT:
6.1 W
DIMENSIONS:
12” X 12”
3FORM CHROMA | LIGHT DIFFUSION ACRYLIC
Avalanche D01 - 01%
Paperwhite D02 - 20%
Powder D03 - 40%
LED STRIP LIGHTS LUMINII Matrix Plus lined along the exterior wall. Each light is programmed to shine a unique color
Transparent Panel A transparent panel will diffuse the light evenly across its surface. It will also reveal the structure behind it
Polar D03 - 50%
PROJECT - 2
MANIPULATION The TileMatrix LED backlighting system is programmed to have the lights constantly changing from pink and blue hues [colors of the IR spectrum].
P 20 - 21
Although the light is the main design component, how the light manipulates the objects and people in the train car is also a point of focus. The lighting will give all objects and people a purplish pink hue regardless of their skin color.
ZIPLINE 001 | CUSTOM TASK LIGHTING LED Task Light A task light is included in the space for people who need to work
High Gloss Acrylic The light fixture extends 18� horizontally so the material needs to be light-weight but sturdy
Charging Station A different iteration of the light base includes a USB port to charge phones
TABLETOP + CUPHOLDER | INDIVIDUAL & BOOTH SEATING The furniture design was kept to a minimal to draw attention to the light and how it changes the objects and people in the train car.
+
The design draws inspirataion from the IPhone 5 beveled edge and a standard petri dish.
SEAT GRAB HANDLE | ERGONOMIC HANDLE
Flat Handle
Half-round Handle
[Above] are different variations of the seat grab handle for standing passengers. There is a flat, half-round and round handle to see which has the best grip.
Round Handle
Beveled End Cap 2x Set Screws High Gloss Acrylic
PROJECT - 2
BASE CONNECTION | 360 SWIVEL WITH USB PORT
USB Port Metal Clamps
P 22 - 23
1” Fastener
AMTRAK: HIGHSPEED TRAIN FROM CHICAGO TO ST. LOUIS
P 24 - 25
PROJECT - 2
FINDULATION
PROJECT - 3 “In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.”
P 26 - 27
- Libba Bray
1:4 CHIAROSCURO The challenge was to design a “space within a space” utilizing design concepts from the Baroque period. Findulation was inspired by Bernini’s columns for the altar at St. Peters Basilica and draws on concepts from chiaroscuro. The light frame and the fins allow light to pass through casting shadows onto the person inside.
P 28 - 29
PROJECT - 3
P 30 - 31
PROJECT - 3
1:1
P 32 - 33
PROJECT - 3
KOREAN CULTURAL CENTER // 한인문화회관 PROJECT: INARCH FINAL STUDIO LOCATION: CHICAGO, IL DATE: SPRING, 2019
Han is a complex emotion, a condition marked by deep sorrow and a sense of incompleteness. On the other hand, it gives a sense of hope, an ability to silently endure hardships and suffering. It is intensely personal yet felt collectively by both old and new generations. With rectilinear forms, simplicity and materials, this design proposal draws on concepts of traditional korean architecture and shapes them through a modern lens.
P 34 - 35
PROJECT - 4
FULTON / RANDOLPH MARKET
GOOGLE FEDERALES
MORGAN STATION
901 W LAKE
DUCK DUCK GOAT
WE WORK
SITE ANALYSIS The fulton market district has historically been home to food packers and distributors in an area that has had an industrial presence since 1880. The area did not have “L” transit access until the Morgan Street Stop openeded in 2012. Driven by the newly available public transportation, the area saw a surge in new restaurants and additional amenities in subsequent years. These changes were followed by an interest from companies looking for non-traditional, openloft office space; In stark contrast with area’s industrial past.
MOMOTARO
2
4
3
3" 15'-616
3" 15'-616
5
3" 15'-616
LEE
LEE Drawn
Checked
PETER
Designed PETER
7
6
3" 15'-616
COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019
1
3" 15'-616
3" 15'-616
RESTAURANT
UP
108
107
FIRE STAIR 2
111
1" 17'-28
A3
110
A2
A4
111 A3 8'
PROVIDE FULL INSULATION & ACOUSTICAL SEALANT IN NEW WALLS AT RESTROOM 106 & 107
A2
32’
112
STORAGE
110 A3
CLEAR
KITCHEN
LOUNGE
B
107
2 A5.2
60
"
WOMEN'S RESTROOM
UP
106
1 A4.1
EQ
1" 17'-28
64’
PRODUCED BY AN AUTODESK STUDENT VERSION
A2
901 W LAKE STREET, CHICAGO, IL 60607
1" 23'-12
3" 14'-1016
1" 6'-616
A
A1
109
KOREAN CULTURAL CENTER CHICAGO
3" 10'-118
SECONDARY ENTRANCE
FIRST FLOOR PLAN
1" 30'-58
" 4'-3
NEW WALLS AROUND KITCHEN/PREP TO BE 3-5/8" @ 12" OC.C, FULL INSLUATION & TWO LAYERS OF TYPE 'X' GYP. BD. EACH SIDE WITH ACOUSTICAL SEALANT AT TOP & BOTTOM
COURTYARD 113
CLEAR
5'-8"
103
101
BREAK ROOM
102
104. LOADING DOCK
111. STORAGE
POCHE LEGEND:
105. FIRE STAIR 1
112. LOUNGE
HONED GRANITE SLAB
POLISHED GRANITE SLAB
A5 3" 15'-016
110. FIRE STAIR 2
1" 30'-58
1" 44'-62
A1
Description
ARCHITECTURAL EXHIBIT
103
14'-113 8"
104
MOVING EXHIBIT
24" THICK WALL FOR IN-WALL DISPLAY CASE
1" 23'-12
1" 22'-72
LOADING DOCK
A5
A2
109. W LAKE ENTRY
103. BREAK ROOM
FIRST FLOOR CONSTRUCTION PLAN
A2
4'-3 "
8'
3'
A2 104
1" 21'-12
1" 17'-28
A3 UP
CLEAR
11" 61'-616
105
E
102. EXHIBIT 2
1" 8'-816
FIRE STAIR 1 105
108. RESTAURANT
GENERAL NOTES: 1. ALL NEW WALL TO BE SANDED & PRIMED. COORDINATE WITH OWNER. 2. ALL TRIM JOINTS TO BE CAULKED. 3. ALL NEW WALLS TO BE 3'58" METAL STUDS @ 16" OR 12" OCC WITH (1) LAYER TYPE 'X' GYP. BD. EACH SIDE, U.N.O. 4. PROVIDE METAL IN WALL BLOCKING BEHIND ALL NEW MILLWORK, VERIFY LOCATIONS IN FIELD WITH ARCHITECT & OWNER.
4 A5.2
UP
106
107. KITCHEN
101. EXHIBIT 1
" 60
106
D
14'-1015 16"
EQ
1" 17'-28
MEN'S RESTROOM
100. LOBBY
100
3 A5.2 12" THICK WALL
Date
ALIGN
LOBBY EX
C
5'-0"
A1
1" 31'-44
EX
1 A5.2
5/11/19
106. RESTROOMS
F
LEE
LEE Checked
PETER Drawn
SCALE: 18" = 1'-0"
Designed PETER
FIRST FLOOR CONSTRUCTION PLAN
COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019
PRODUCED BY AN AUTODESK STUDENT VERSION
1
PROJECT - 4
EX
113. COURTYARD
A3.1 Sheet
5
of
10
4
3
5
7
6
LEVEL 3
PRODUCED BY AN AUTODESK STUDENT VERSION
BUILDING SECTION PRODUCED BY AN AUTODESK STUDENT VERSION
29'-0"
901 W LAKE STREET, CHICAGO, IL 60607
2
KOREAN CULTURAL CENTER CHICAGO
PRODUCED BY AN AUTODESK STUDENT VERSION
1
LEVEL 2 15'-0"
32’
64’
LEVEL 1
10
PETER
COLUMBIA COLLEGE CHICAGO INARCH FINAL STUDIO, SPRING 2019
of
LEE
7
LEE
Sheet
Checked
5/11/19
A4.1
Drawn
Date
SCALE: 3/16" = 1'-0"
Designed PETER
Description
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
4
3 3" 15'-616
5
3" 15'-616
7
6
3" 15'-616
3" 15'-616
3" 29'-08
3" 16'-416
CLASSROOM
203
204
CHILDREN'S ROOM
" 4'-3
1" 31'-118 GALLERY
3" 15'-616
SECOND FLOOR PLAN
A1
1" 22'-72
205
A
32’
DOWN
204A
A2 201
206
A4
207 A3
206
205
A4
STORAGE
A4
207
A3 8'
PANTRY
202
A2
64’
PRODUCED BY AN AUTODESK STUDENT VERSION
B
204B
3'
STORAGE
FIRE STAIR 2
A3
A2
CLEAR
A2
A2 202
901 W LAKE STREET, CHICAGO, IL 60607
2
KOREAN CULTURAL CENTER CHICAGO
1
201 16'-1015 16"
UP
A1
CAFE 200
200. CAFE LIBRARY 208
1" 17'-28
210A A2
A2
5'-815 16"
211
14'-113 8"
214
OFFICE 3
MULTIPURPOSE ROOM
213
A2
A2 3" 16'-616
OFFICE 2 212 3" 14'-316
A2
OFFICE 1 211
A2
LIBRARY
210
209 A2
3" 14'-316
3" 32'-08
F
212. OFFICE 2
205. CHILDREN’S
213. OFFICE 3
POCHE LEGEND:
1" 23'-12
SERVICE CORRIDOR
1" 22'-72
4'-3
"
212
211. OFFICE 1
204. CLASSROOM
1" 28'-98
A1
206. FIRE STAIR 2
214. SERVICE CORRIDOR
207. STORAGE
215. FIRE STAIR 1
WOOD FLOORING
Description
A4 210B
213
SECOND FLOOR CONSTRUCTION PLAN
1" 17'-28
214
8'
A4
DOWN
CLEAR
A3
210. MR ROOM
203. GALLERY
215
5/11/19
A3.2
SECOND FLOOR CONSTRUCTION PLAN SCALE: 18" = 1'-0"
Sheet PRODUCED BY AN AUTODESK STUDENT VERSION
1
209. CONFERENCE
GENERAL NOTES: 1. ALL NEW WALL TO BE SANDED & PRIMED. COORDINATE WITH OWNER. 2. ALL TRIM JOINTS TO BE CAULKED. 3. ALL NEW WALLS TO BE 3'58" METAL STUDS @ 16" OR 12" OCC WITH (1) LAYER TYPE 'X' GYP. BD. EACH SIDE, U.N.O. 4. PROVIDE METAL IN WALL BLOCKING BEHIND ALL NEW MILLWORK, VERIFY LOCATIONS IN FIELD WITH ARCHITECT & OWNER.
UP
FIRE STAIR 2 215
E
201. PANTRY 202. STORAGE
A3
D
208. LIBRARY
Date
C
1" 32'-44
1" 17'-28
MILLWORK TO MATCH EXTERIOR PANELS. G.C. TO PROVIDE NECESSARY BRACKETS & CONNECTORS TO INSTALL FLOATING SHELVING
6
of
10
P 36 - 37
LONGITUDINAL SECTION
1
BUILDING SECTION
0"
BUILDING SECTION The Korean Cultural Center has a mainly open plan centered around a double height atrium that is visible from all areas of the building. A grand stair seating connects the first and second levels and has a large skylight to provide natural daylight.
P 38 - 39
PROJECT - 4
PROJECT - 4
THE COURTYARD ma dang
A courtyard can be found in most traditional Korean architecture. It was typically located in the center of the building and was used as a communal space where most interactions and activities occured.
P 40 - 41
In the Korean Cultural Center Chicago, the atrium acts as a “Courtyard� and ties all of the spaces together. The Courtyard doubles as a lounging area and a performance space and is visible from all areas of the building.
P 42 - 43
PROJECT - 4
Ax on 1
2
3
5 4
6
7
8
1. WOOD PLANK CEILING 2. TIMBER BEAMS 3. OAK WOOD PANELS 4. BRICK MASONRY 5. SHEER TEXTILE 6. BIRCH PLYWOOD 7. PAINTED GYPSUM BOARD 8. HONED GRANITE FLOOR SLABS
P 44 - 45
PROJECT - 4
뜀칄 bu chae A buchae is a traditional Korean fan, typically made of paper and wood. The buchae, originally used to keep cool on a hot day, was used for ceremonies, performances and was used to identify social class. An accent piece made of multiple fans is hung on the back wall behind the cafe bar. The lightness of the paper is in stark contrast with the masonry wall that it sits on. Since the building is mainly open, it can get pretty lively. The cafe is a place where one can find a moment of calm.
Cafe Perspective
P 46 - 47
PROJECT - 4
P 48 - 49
PROJECT - 4
PROJECT - 4 TOP SET SCREW ELBOW BRACKET 3/8” FASTENER ROD BRACKET
OAK WOOD BOOK SHELF
BOTTOM SET SCREW
P 50 - 51
MULLION
MILLWORK DETAIL
peter lee peterwlee.design@gmail.com 224 392 7488 peterlee1.myportfolio.com [ 웹사이트 ]
peter lee peterwlee.design@gmail.com 224 392 7488 peterlee1.myportfolio.com [ 웹사이트 ]