2010
01 09
02 28
策展人
Iida Ryuta
Kaneuji Teppei
SHIMURABROS.
Kaneshima Takahiro
Curator
金島隆弘
志村姐弟 金氏徹平 飯田竜太
職人技巧、指尖的輕巧感、以及纖細感。在國外，日本當代藝術的呈現經 常被侷限在次文化要素中，其實依然有許多無法被歸於此類，甚至更帶有 新日本氣質的藝術家逐漸嶄露頭角。他們雖然以物質為立足點，但是和自 1960年代開始的美術運動「物派」有著不同的姿態，與物質接觸關聯，然 後再經過藝術家自身的細膩手工後完成作品。 「物派」的藝術家們比起創造些什麼，他們傾向將「物」重新構築、更注 重「物」和將之包圍的環境，兩者之間相互依存的關係、他們挑戰崩解物 質的既定概念，重新建構新的關係。這種對於「物」的基本取徑，和這次 參展藝術家的製作方法有互通的部份，但是由於「物派」的時代和目前的 時代不同，藝術家對於「物」所持有感覺也因此大相逕庭，最後，兩方的 作品的呈現也有極大的差異。 那麼現今又是什麼樣的時代？本次參展藝術家都出生於1970年代之後，他 們經歷大量生產、大量消費的時代，被包圍在大量商品和情報中成長，對 於物質的重要性、以及該相信什麼，他們可說是生活在全部曖昧不明的意 識中的世代。即使他們的作品的製作過程和「物派」的方法相像，但是由 於對「物」的感受不同，他們所創作出的作品，看來就像是輕巧的現代工 藝; Contemporary Airy Crafts。
此外，以手進行創作，讓物質的存在感和意義呈現更為輕快，這點可說是 日本人獨有的特徵。在中國，越是加上手工，物質就越顯得具有裝飾感， 存在感和意義也變得相當沉重，另外，在重視表面性的韓國，更無法看見 像這類能感受到纖細手工觸感的作品。這樣以新日本人的姿態，卻又以一 絲不苟的手工技巧完成輕巧工藝作品的藝術家們，或許可稱之為21世紀的 「物派」藝術家。 飯田 太以雕刻作為創作手法，仔細地切割書本；金氏徹平利用在身邊的 異質性素材，組合成帶有韻律感的作品；SHIMURABROS.則橫越了不同 領域的創意。在「手感的妙-PART1」當中，展示了在「媒材」和「領域」 間輕盈來回的三組日本藝術家的作品，這些以紙、塑膠、漆、攝影和影像 等不同素材創造的作品錯落在展示空間中。 「手感的妙-PART2」中，創作出不可思議的幻想人型木雕的泉啟司、將 毛巾和書的分段帶的線頭拆解後再建構另一個世界的岩崎貴宏，搭配巧妙 運用紙素材的劉文瑄和將壓克力等科學素材完美組合的林昆穎兩名台灣藝 術家，共同創造了這個展覽，讓木頭、線段、紙張和科學素材等相異「物 質」充滿在這個空間。 這些橫跨「物質」、「媒材」、「領域」，型體相異錯綜複雜的作品群， 新日本人的感覺，以及與之同步的台灣新世代藝術家，由兩者合作而成的 本次展覽，想必將開闢今後新東亞藝術世界的地平線。
The sense of substance and significance of materials becomes more lighthearted through handicraft.
The 21st century, Japan and Taiwan Contemporary Craft Arts Exhibition The skills of professionals, the lightness of fingertips, and the feeling of delicacy; the expression of Japanese contemporary art is often limited to sub-cultural elements. In reality, there are many rising artists who have a new Japanese spirit that cannot be categorized in this category. Although materials are still their basis, but they have positions and contact with the material differing from the “Mono-ha” art movement started in the 1960s, the final artwork is completed only after the fine handiwork of the artist. Instead of creating something, "Mono-ha" artists tend to re-build “materials,” and also pay attention to the environment that surrounds the “materials.” They recreate new relationships based on the interdependent relationship between the two elements and challenging the established concept of collapsing material. This type of basic processing method toward “materials” seems similar to the artists participating in the exhibition, but because the “Mono-ha” era is already unlike the modern era, the modern artists have different feelings toward “materials,” and the expression methods of the artwork are also extremely different. So what kind of era are we in now? The artists participating in this exhibition were all born in the 1970s, where they experienced the eras of mass production and mass consumption, and grew up surrounded by numerous consumer products and information. They lived in an era of ambiguity, where the importance of materials as well as what to believe is a constant issue they faced. Although the production process of their artwork is similar to “Mono-ha,” but they hold different feelings toward “materials” and the artwork they create appears similar to Contemporary Airy Crafts. In addition, handcrafting allows the sense of substance and significance of materials to become more lighthearted, and can be said to be a unique Japanese
characteristic. In China, the more handcrafting involved, the more ornamental the material appears, and the sense of substance and significance becomes more burdensome. This type of artwork which allows the viewer to sense a delicate handcraft touch also cannot be found in Korea which values surface appearances. This type of new Japanese artist that meticulously completes light craftwork by hand may be called the “Mono-ha” artists of the 21st Century. Iida Ryuta sculpts as a creative means, carefully cutting up books. Kaneuji Teppei takes advantage of the heterogeneity of materials and combines them to form rhythmic works. The creativity of SHIMURABROS. extends over various domains. In "The Wonders of Handcraft PART1," the works created from different materials such as paper, plastic, paint, photography, and videos by these three Japanese artists exhibiting the playful exchanges between "media" and "field" are scattered around the exhibition space. In the "The Wonders of Handcraft PART2," Izumi Keiji creates unbelievable wood sculptures of imaginary people; Iwasaki Takahiro takes towels and the threads from book bindings to create a new world; and Taiwanese artists Mia Wen-Hsuan Liu who cleverly uses paper materials as well as Llunc Lin who can create through the perfect combination of scientific materials such as acrylic, gather their works to form this exhibition. Different “materials” such as wood, thread, paper, and scientific materials fill this open space. These different and complex body of artworks that extend over “materials,” “media,” and “fields” exhibit a new Japanese mentality. Along with the two new age Taiwanese artists, the collaboration between the two parties this time in this exhibition this time will open a new horizon for the East Asian art world.
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{ 關於金氏徹平的創作 }
文章節錄”Path to an Empty Forest”橫濱美術館助理策展人木村繪理子撰
金氏徹平以嶄新獨特的方法呈現多變素材，但是這些素材並沒有失去它們 原本的形式、功能和大眾形像，或是基本作用。這些圖像衝擊感官知覺， 當觀眾在他的作品迷宮中漫遊時，可能會像夢遊仙境裡的愛莉絲ㄧ樣，在 奇幻世界裡感到不知所措，被焦慮和某種懷舊感重重包圍。 在《Sea and Pus》系列中，他先剪下印刷品中被擠壓成的波浪狀的乳液廣 告圖像，然後將這些圖像拼貼在其他照片或是物件上，形成流動液體的圖 像。這些圖像賦予液體一種固體的表現，但同時點出液體的流動特質。 那金氏徹平想透過它的創作傳達什麼呢？當我們接觸他的作品時我們會在 其中投射自身的情感，會感覺到我們正在窺探他最私人的生活和經驗領 域。在《Teenage Fan Club》系列作品中，他把塑膠人偶上的頭髮取下， 重新拼接並創造出一個毛髮怪物。金氏徹平說這靈感來自他看到人們的後 腦杓隨著樂團現場演出搖擺的景象，扭動的人影讓他想起怪獸。他創作的 圖像是以他的實際經驗景象為基礎。他說這些作品是他重現烙印在腦海中 的景象。想像只有在累積的回憶中發揮作用，但是對藝術家來說這種方法 並不特別。如同使用實際材料創作，金氏利用大量記憶的片段的組合當作 素材，並透過篩選來完成作品。所以說，金氏的作品不只是利用實際的素 材而已，它是虛幻及實際的圖像結合，其中某些部份包含的是非物質的回 憶。
{ About works by Kaneuji Teppei }
Article quoted from “Path to an Empty Forest” by Eriko Kimura, the assistant curator of Yokohama Museum of Art
Kaneuji presents varied materials in new and unusual ways but they do not entirely lose their original form, function, public image, or fundamental role. These images rush at the sense, and visitors who wander into his labyrinth may be as bewildered as Alice when she stumbled into the mad world of wonderland, overcome by feelings of anxiety and a kind of nostalgia. In Sea and Pus, he cuts out wave-form images from printed matter (advertisements for facial cream, etc.) and attaches them to other photographs or objects, forming images of floating liquid. These images give liquid a solid presence while relating its qualities as liquid. What is he trying to express through his creative activities? When we approach Kaneuji’s work and project our emotions into it, we have the sense that we are peering into a very private and personal area of his life and experience. There is Teenage Fan Club, for example, in which the hair is removed from plastic figures and reassembled to create hairy monsters. Kaneuji says he got the idea for this piece from his experience of seeing the back of people’s heads swaying to the music of a live band in a club. The writhing crowd reminded him of a monster. His images are based on visions of this kind of occurring in actual experience. Kaneuji says that these visions are reconstruction of landscape imprinted on his mind. Imagination can only work from accumulated memories, however, so there is nothing out of ordinary in an artist using this approach. As in working with physical materials, Kaneuji combines numerous fragments of memory as the materials of collage and makes his art through a process of choosing or discarding them. Kaneuji’s art involves more than actual physical forms. It is created through combinations of fictional and real images, partly made up of insubstantial memories.
White Discharge ( figure/green army )系列 塑膠物件 熱熔接著劑 木頭 2008 (上左) L#3 H22 x W13 x L10cm (下) S#3 H9 x W20 x L5cm
(中) #4 H16 x W8 x L8cm
(上右) #10 H20 x W5 x L5cm
(左) Teenage Fan Club #14 塑膠物件 熱熔接著劑 H22 x W13 x L10cm 2008 (右) Teenage Fan Club #12 塑膠物件 熱熔接著劑 H36 x W21 x L12cm 2008
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1978 大阪府出生 2001 京都市立藝術大學美術學部雕刻科畢業 ROYAL COLLEGE OF ART（倫敦）雕刻科交換留學 2003 京都市立藝術大學研究所碩士課程美術研究科雕刻主修畢業
個展 2009 「金氏徹平：融化的都市、空白的森林」橫濱美術館，神奈川 「Tower」Roslyn Oxley 9 gallery，雪梨 「變成態—真實的現代物質性」gallery αM，東京 2008 TEAM 10 金氏徹平『Ghost In The City Lights』」TOKYO WONDER SITE 涉谷，東京 2007 「金氏徹平展 splash & flake」廣島市現代美術館[ MUSEUM STUDIO]，廣島 「smoke & fog」兒玉畫廊，東京 「hole & all」兒玉畫廊，大阪 2006 「飛沫與碎片」兒玉畫廊，大阪 「liquid collage」TAKEFLOOR，東京 「phenomenon」兒玉畫廊，東京 2004 「小動物與大洪水」兒玉畫廊，大阪 「白夜幽靈」兒玉畫廊，東京 2003 「白煙與濃霧」兒玉畫廊，大阪 2002 「空白與漂泊」兒玉畫廊，大阪
聯展 2010 「手感的妙 - Contemporary Airy Crafts from Japan」就在藝術空間，台北 2009 「Re:Membering」Gallery LOOP，首爾，韓國 「MOT COLLECTION 夏季的遊樂場—抓鬼、扮家家酒、猜謎、盪鞦韆」東京都現代 美術館，東京 「WARM UP」民生現代美術館，上海 「Platform 2009 Projects by Invited Curators」KIMUSA/HOKA，首爾 「廣島Art Project 2009 唷!船內探險 吉寶丸 展」廣島市中區及島地區各所 「City-net Asia 2009」Seoul Museum of Art，首爾 「Twist and Shout」Bangkok Art and Culture Centre，曼谷 2008 「MOT 2008年度 解放時刻」東京都現代美術館，東京 2007 「Mixed Signals」Ronald Feldman Gallery，紐約 「ignore your perspective 3」兒玉畫廊，大阪 「VOCA 展2007 現代美術的展望‐新平面作家群」上野的森美術館，東京 「美麗新世界：當代日本視覺文化」Long March Space、Inter Arts Center、東京畫廊＋ BTAP（北京）、廣東美術館（廣州） 「Exhibition as media」神 ART VILLAGE CENTER，兵庫 2006 「ignore your perspective 2」兒玉畫廊，大阪 「With Marcel Duchamp」兒玉畫廊，東京
「大和散熱器製作所閱覽室(viewing room) vol.1」大和散熱器閱覽室，廣島 「ALLLOOKSAME?/ TUTTTUGUALE?: Arte Cina Giappone Corea Art」Sandretto Re Rebaudengo財團（TORINO、義大利） 2005
「Table Tennis Players」[身為藝術單位COUMA的會員]art project room ARTZONE，京都 「ignore your perspective」兒玉畫廊，東京 「橫濱triennale 2005」[身為藝術單位COUMA的會員] 山下埠頭，神奈川
2004
「Art Court Frontier 2004 #2」ARTCOURT Gallery，大阪 「Art in Transit Vol.6」PALACE SIDE HOTEL，京都 「 Re SPORTS (Re OLYMPIC賽會前)」STUDIO EARKA，大阪
2003
「日重」SOWAKA藝廊，京都 「KOBE ART ANNUAL 2003－Grip the Gap－」神 ART VILLAGE CENTER，兵庫
2002
「俯瞰景」neutron，京都
2001
「主張TEN」gallery ARTISLONG，京都
獲獎 2002 京都市立藝術大學創作展 鼓勵獎
1978 Born in Osaka 2001 Graduated from Kyoto City University of Arts, Major in Sculpture Exchange program at Royal Collage of Art, London 2003 Completed the Master Course in Sculpture at Kyoto City University of Arts
Selected Solo Exhibitions 2009 Teppei KANEUJI: Melting City / Empty Forest》，Yokohama Museum of art， Kanagawa 《Tower》，Roslyn Oxley9 Gallery，Sydney, Australia 《METAMORPHOSIS- objects today》 gallery αM,，Tokyo 2008 《TEAM 10 Teppei Kaneuji ‘Ghost In The City Lights’》 TWS shibuya,，Tokyo 《Great Escape》project room sasao， Akita 2007 《splash & flake》Hiroshima City Museum of Contemporary Art (Museum Studio)，Hiroshima 《smoke & fog》Kodama Gallery，Tokyo 《hole & all》Kodama Gallery， Osaka 2006 《splash and flakes》Kodama Gallery，Osaka 《liquid collage》 TAKEFLOOR，Tokyo 《phenomenon》Kodama Gallery，Tokyo 2004 《small animals and great flood》 Kodama Gallery，Osaka 《ghost in the white nights》Kodama Gallery，Tokyo 2003 《smoke/ heavy fog》Kodama Gallery，Osaka 2002 《White/ Drift》Kodama Gallery，Osaka
Selected Group Exhibitions 2010 《Contemporary Airy Crafts》Project Fulfill Art Space，Taipei 2009 《Re: Membering》Gallery LOOP，Seoul，Korea 《MOT Collection: Summer Play Ground》Museum Of Contemporary Art Tokyo，Tokyo 《WARM UP》Minsheng Art Museum，Shanghai，China 《Platform 2009 Projects by Invited Curators》KIMUSA, etc. Seoul，Korea 《Hiroshima Art Project 2009 Kippo Maru: Exploring inside the ship ! 》Kichijima，Naka-ku, Hiroshima City，Hiroshima 《City-net Asia 2009》Seoul Museum of Art，Korea 《Twist and Shout》Bangkok Art and Culture Centre，Bangkok，Thailand 2008 《MOT annual 2008 Unraveling and Revealing》Museum Of Contemporary Art Tokyo，Tokyo 2007 《Mixed Signals》Ronald Feldman Gallery，New York 《All About Laughter: Humor in Contemporary Art》Mori Art Museum，Tokyo 《ignore your perspective 3》Kodama Gallery，Osaka 《VOCA 2007》The Ueno Royal Museum，Tokyo 《Beautiful New World: Contemporary Visual Culture from Japan》Long March Space，Inter Arts Center, TOKYO GALLERY＋BTAP, Beijing／Guangdong Museum of Art，Guangzhon 《Exhibition as media》Kobe Art Village Center，Hyogo 2006 《ignore your perspective 2》Kodama Gallery，Osaka 《With Marcel Duchamp》Kodama Gallery，Tokyo 《DAIWA RADIATOR FACTORY VIEWING ROOM vol.1》Daiwa Radiator Factory Viewing Room， Hiroshima 《ALLLOOKSAME?/ TUTTTUGUALE?: Arte Cina Giappone Corea Arte》Fondazione Sandretto Re Rebaudengo， Trino，Italy 2005 《Table Tennis Players》(as a member of artist unit ‘COUMA’)art project room ARTZONE，Kyoto 《ignore your perspective》Kodama Gallery，Tokyo 《YOKOHAMA 2005: International Triennale of Contemporary Art》(as a member of artist unit ‘COUMA’)， Yamashita Wharf，Kanagawa
2004 《Art Court Frontier 2004 #2》ARTCOURT Gallery，Osaka 《Art in Transit Vol.6》The Palace Side Hotel，Kyoto 《Re SPORTS (Pre-event of Re OLYMPIC)》STUDIO EARKA，Osaka 2003 《NICHIJYU》Gallery Sowaka，Kyoto 《KOBE ART ANNUAL 2003: Grip the Gap》Kobe Art Village Center，Hyogo 2002 《Fukankei》neutron， Kyoto 2001 《Shuchou Ten》gallery ARTISLONG，Kyoto Prizes 2002 Encouragement Prize at“Kyoto City University of Arts Works Exhibition”
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{ 關於志村姊弟的創作 }
「EICON」是希臘語詞彙「等身大尺寸」的意思。「Eicon」借用早期 電影戲謔的表演形式，以特別的高速攝影機來捕捉充滿生命力的身體運 動。在近期導的影片有一藉由個人哲學表達來支配實質身體運動的傾向。 Eicon審視了用古典表演的形式去探索身體與衣服的新層面。這些影像以 每隔0.012秒的速度錄下來，因此提升了戲謔劇在現代電影製作的層級。這 件裝置作品是受設計師岡庭智明(Tomaki Okaniwa)的邀請創作的，並在巴 黎時尚週中Viridi-anne 08年春/夏時裝秀上發表。
{ About works by SHIMURABROS. }
'EICON' : A Greek word that refers to a life-size image. 'Eicon' incorporates an acting style found in early film called slapstick, it employs the use of a special high speed camera in order to reinvigorate the physicality of working motion. There is a tendency in the directing of recent film for personal philosophical expression to have ascendancy over the essence of body movement. Eicon examines the methodology of classical acting exploring new aspects of the body and the garment recording images at 0.012 second intervals thus elevating slapstick in the hierarchy of modern film making. This instillation was born of a collaboration with Tomaki Okaniwa designer of The Viridi-anne and it was shown in conjunction with his Spring/Summer Paris '08 collection.
Eicon 錄像裝置 左至右 jump (75min) seminude (49min) spin (53min) stamble (54min)
Eicon 錄像裝置外觀 ( 螢幕 控制面板 日本漆器 壓克力 24 x 25 x 5cm )
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Yuka與Kentaro組成的姐弟組，英國Central Saint Martins College研究所畢業，以電影創作為 主，從事媒體藝術或裝置藝術(Installation art)等影像表達活動，於發明新的立體影像裝置的同 時，企圖使影像實體化。
經歷 志村諭佳 1976 橫濱出生 1999 多摩美術大學立體設計科畢業 1999 東京藝術大學美術教育研究會會員 2006 英 Central Saint Martins College研究所 電影 舞台藝術系畢業 志村健太郎 1979 橫濱出生 2003 東京工藝大學影像系畢業
展覽 2010 「手感的妙—Contemporary Airy Crafts from Japan」就在藝術空間，台北 2009 「日常事變」主題展，2009台北國際藝術博覽會，台北 「CODED CULTURES -Exploring Creative Emergences Binational Festival / Austria Japan 2009」FREIRAUM，維也納 「衍生(spin-off)展」BAZAAR COMMUNIYT，橫濱 「創造地帶的藝術家們 vol.1」YOKOHAMA CREACTIVITY CENTER，橫濱 「101TOKYO Contemporary Art Fair 2009」秋葉廣場，東京 「ZAIM FESTA 2009」ZAIM，橫濱 「LYON to YOKOHAMA / LUMIÈRE BROS to SHIMURABROS.」創造空間9001，橫濱 「Hibernation / ART RINK」橫濱紅磚倉庫１號館（橫濱） 2008 「橫濱ART & HOME COLLECTION展 」橫濱HOME COLLECTION，橫濱 「DESIGNTIDE TOKYO 2008 SHIMURABROS.×EXILIM」 東京MIDTOWN HALL，東京 「BankART Bank Under 35 SHIMURABROS.展」BankART StudioNYK，橫濱 「Electrical Fantasista 2008」ZAIM，橫濱 「Breathe」The Viridi-anne 2009 s/s PARIS COLLECTION，藝廊EOF，巴黎 「Nomadology」AirLized Lounge，SFT國立新美術館，東京 2007 「DESIGN TIDE TOKYO 2007」國立競技場，東京 與木村浩一郎合演(collaboration)，TOKYO HIPSTERS CLUB，東京 「日常服藥過量(overdose)」Cai Cinema Adorn Interior Exhibition，AREA Tokyo，東京 2006 「TransGenesis 裝置藝術」捷克科學學院 (Praha) 「TransGenesis 裝置藝術」Galéria 13m3，布拉提拉瓦( Bratislava) 「Gods, Heroes, Man, Chaos」SERIALIZE PERFORMANCE， Charing Cross Window藝廊， 倫敦 「DRABINA JAKUBA-Jacob’s Ladder」Theatre Performance，波蘭
「Homebound –導出去領土化的三個故事」，裝置藝術，倫敦 「With•Out•With」 Robert Sánchez-與Camus MA Scenography合演， Cochran Theatre，倫敦 2002 「Frame&eye」與柴田俊明合演， Navicula Artis Gallery (Saint-Petersburg)／美由紀畫廊 (東京)／藝廊 角(名古屋) 1999 「Short Film」東京藝術大學，大學會館，東京 「多摩美術大學畢業創作展」 原宿QUEST HALL（東京）
電影作品年表 2007 「SEKILALA」Cannes國際電影展SFC 2007 ，巴黎 2006 「SEKILALA」 FAMU Fest 2006 ， 捷克科學學院 (Praha) 2005 「必須為與不可為」柏林國際電影展TALENT CAMPUS 2002 「太過(45分)」Image Forum Festival，東京，展覽
得獎 2008 《YOKOHAMA創造地帶競賽2008：空間創造部門＠9001》得獎 《橫濱triennale連動企劃 招募展：BankART Bank Under 35》 入選 (一般招募，由117位 招募者中選出。) 2003-2004 《必須為與不可為(２８分)》柏林國際電影展TALENT CAMPUS 入選 第６屆《INDIE’S STORY FESTIVAL橫濱上映會Grand Prix/一般部門》 第７名 (出租影帶等、利用日本電視網路傳送。) 2002《太過(45分)》Image Forum Festival YOUNG PERSPECTIVE 入選 2000《沈 (50分)》UP LINK主宰 電影劇本獎
A Sister/Brother artist duo, Yuka and Kentaro create works of motion images in formats such as media art, film and installation.A new expression of imagery is achieved through their inventions. Education Yuka Shimura 1976 Yokohama, Japan 2006 graduated from Central Saint Martins College of Art And Design London, MA Scenography 1999 Membership: the art education Society of Tokyo National University of Fine Arts and Music Kentaro Shimura 1979 Yokohama, Japan 2003 Tokyo Polytechnic University, College of Art Department of Cinema Exhibitions 2010 "Contemporary Airy Crafts from Japan" Project Fulfill Art Space, Taipei 2009 "CODED CULTURES -Exploring Creative Emergences Binational Festival Austria - Japan 2009", ARTIST PRESENTATIONS, YCC, YOKOHAMA, Japan "International Festival for Arts and Media Yokohama 2009: CREAM", NOGEYAMA Zoological Gardens "Live by Play" ART TAIPEI 2009, Taipei World Trade Center Hall 1 (Area A&D), Taiwan "EICON- SHIMURABROS." Taka Ishii Gallery Kyoto, Japan "24FPS WORKSHOP" NOGEDIA SCHOOL, Yokohama, Tokyo "CODED CULTURES -Exploring Creative Emergences Binational Festival Austria - Japan 2009",Freiraum(MUSEUMS QUARTIER Vienna), Austria "SPIN OFF", COMMUNITY BAZAAR, Yokohama, Japan "The Artists of Creative Core Area vol.1", YokohamaCreativecityCenter / YCC, Yokohama, Japan "101 TOKYO Contemporary Art Fair 2009", AKIBA SQUARE, Tokyo, Japan ''ZAIM FESTA 2009'', ZAIM, Yokohama, Japan ''LYON to YOKOHAMA / LUMIÈRE BROS to SHIMURABROS.'', Creative space 9001, Yokohama, Japan ''Hibernation / ART RINK'' directed by SHIMURABROS, Yokohama Red Brick Warehouse No. 1, Yokohama, Japan 2008 ''YOKOHAMA ART & HOME COLLECTION'' at YOKOHAMA HOME COLLECTION, Yokohama, Japan "DESIGNTIDE TOKYO 2008 SHIMURABROS. × EXILIM" , Tokyo Midtown Hall, Tokyo, Japan "BankART Bank Under 35 / SHIMURABROS. exhibition", BankART Studio NYK, Yokohama, Japan "Electrical Fantasista 2008" ZAIM, Yokohama, Japan "BREATHE" collaborate with The Viridi-anne 2009 s/s Paris collection, Gallery ÉOF, Paris, France "AirLized Lounge "Nomadology" at SFT/ The National Art Center, Tokyo, Japan 2007 "DESIGN TIDE TOKYO 2007", Design Tide Main Exhibition, Tokyo, Japan "collaborate with Koichiro Kimura", Tokyohipstersclub, Tokyo, Japan "Cai Cinema Adorn Interior Exhibition", Area Tokyo, Tokyo, Japan "SEKILALA", Festival International du Film de Cannes SFC, Cannes, France 2006 "TransGenesis Installation", main building of the Czech Academy of Sciences, prague,Czech "24FPS Workshop", Galéria 13m3, bratislava, Slovakia "Gods, Heroes, Man, Chaos", Serialized Performance, Charing Cross Window Gallery, London,UK "DRABINA JAKUBA - Jacob’s Ladder", theater Performance, Poland "Homebound -3 story house-wide performance- installation", London,UK "With•Out•With", collaborated with Robert Sánchez-Camus MA Scenography, Cochrane Theatre, London,UK 2002 "Frame&eye" collaborate with a painter Toshiaki Shibata, Navicula Artis Gallery, St. Peterburg, Russia Gallery Miyuki, Ginza, Japan; Gallery Bankaku, Nagoya, Japan 1999 "Video Short", The Museum of Tokyo National University of Fine Arts and Music, Tokyo, Japan "Guraduation Works 1999", Harajuku Quest Hall, Tokyo, Japan Filmography as Directors 2006 "SEKILALA", Festival International du Film de Cannes SFC, Paris, France; FAMU Fest, Czech; Czech Academy of Sciences, prague,Czach
2005
"Ought to do or Ought not to do", the 55th BERLIN INTERNATIONAL FILM FESTIVAL, BERLINALE TALENT CAMPUS, Bellin,Germany 2002 "Amari-ni" 45 minutes, Image Forum festival, Tokyo, Japan
Grant, Awards & Publications 2009 Art Division, Excellence Prize: SEKILALA,Certificate (Minister of Education, Culture, Sports, Science and Technology Prize), in the 2009 [13th] Japan Media Arts Festival. "MMY" Commission work,"International Festival for Arts and Media Yokohama CREAM "HIBERNATION" Public Art (Commission), Yokohama Red Brick Warehouse Number 1( Yokohama Arts Foundation ) "YOKOHAMA Creative core areas competition 2008 : Creative space@9001", Yokohama, Japan; ''BankART Bank Under 35 / SHIMURABROS. exhibition'', BankART Bank Under 35 public offerring, Yokohama, Japan 2003-2004 "SUBEKARAKUSURUBEKARAZU(Ought to do or Ought not to do)’28 minutes, No.1 audience prize in Yokohama / No.7 prize in Indie's Movies Festival Japan / Rental video and Broadcast on a national network inJapan 2000 "Chinbotsu:Sinker" 50 minutes, Screenplay awards at Up Link co. Tokyo
2008
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飯田出生於1981年，日本靜岡縣。於日本大學藝術學部美術學科雕刻組在 學時，獲得「第22回圖像評展」大獎，其他尚有北野財團教育復興雕刻獎 學生受賞等數個獎項。2007年個展「Fact of Accumulation07」(grafmedia gm，大阪)和「oratorical inventory-雄辯的目錄-」(Bunkamura Gallery Arts & Crafts / Gallery +，東京 )等，踏實地持續舉辦引起話題的展覽； 2008年以和田中義久(圖像設計師)共同組成的藝術家組合--Nerhol身份， 舉辦初次個展(CALM & PUNK GALLERY，東京)，更加拓展活動領域。 飯田 太除了以個人身分表現，也積極的在其他領域創作，不時嘗試新方 向。
“選擇書本作為創作媒材的原因:書擁有物質及資訊的意識，書是行為與直 接的欲望的聯繫，書是普遍及大家都有的東西。”
飯田將日常生活中出現的 紙張和書本作為材料，以雕刻手法創作作品。飯 田的創作方式選擇解放書本中文字與文章被賦與的既定使命：它的典型的 功能、它的厚度及易讀性。他從根本改變我們對書和文字的既定概念。
{ About works by Iida Ryuta }
Iida Ryuta was born in 1981 in Shizuoka. As a sculpture student at Nihon University College of Art, he won the grand prize in the 22nd Exhibition of Graphic Art Hitotsubo-ten, and a Kitano Foundation scholarship. His career has grown from strength to strength, with works shown at various venues and exhibitions, such as graf media gm, Fact of Accumulation 07, Osaka 2007, Bunkamura Gallery Arts & Crafts and Gallery +, Tokyo 2006 and more. He teamed up with Yoshihisa Tanaka, a graphic designer at Coil, to form the unit[ Nerhol ], which exhibited at Tokyo's Calm and Punk Gallery. Iida is always searching for new points of inspiring intersection between his own practice and that of artists and domains which he actively relates to. “A thing having a sense of material and a sense of information, A thing for which the act relates a direct desire, A thing which is common and anybody has, It is a book which I choose as material." Iida uses paper and books, common everyday objects as material for his sculpture. Iida's approach to his chosen medium liberates the letters and text from the programmatic nature of the book, whose typical function and being revolves around its thickness and readability. In this way, he fundamentally changes our stereotypical conceptions of what books and letters are.
souce ( Taipei vogue ) / magazine / 225 x 280 x 15 mm / 2009
ichi ( la vie 169 10 ) / magazine / 225 x 280 x 15 mm / 2009
visible, invisible ( ryu Taipei sisaku) / book / 240 x 195 x 21 mm / 2009
visible, invisible ( Y,M gogo no kisen ) / book / 210 x 125 x 12 mm / 2009
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1981
靜岡縣出身 現住青森縣八戶市
2004
日本大學藝術學部美術學科雕刻課程畢業
2009
八戶短期大學常駐講師
2007
靜岡縣立沼津商業高等學校常駐講師
2006
日本大學藝術學部美術學科 臨時職員
個展 2008
TSCA kashiwa /takuro someya contemporary art /同等物
2007 「fact of accumulation 07蓄積的事實」graf media gm osaka，中ノ島，大阪 「oratorical inventory目 ] bunkamura gallery arts&crafts，涉谷，東京 「ryuta iida in sfera exhibition-kyoto.o7-」sfera archive，sfera exhibition，三條，京都 2006 「ryuta iida solo」 2005 (g) good design company，惠比壽，東京 「第22回平面一坪展」金獎受賞個展，加第昂花園(recruit)，東京 2004 「ryuta iida exhibition -news paper&steel-」日本大學藝術學部 ，A&D gallery，東京
聯展 2010 「手感的妙—Contemprary Airy Crafts from Japan」就在藝術空間，台北 2009
第一回所澤雙年展美術展「引 線」 參加 第12回岡本太郎現代藝術賞 入選，川崎市岡本太郎美術館
2008 「 字展」gallery its，代官山，東京 「森」第3回展「-opening kukui-」kukui café，惠比壽，東京( 施井泰平，沼晋太郎， 飯田竜太 ) 「 字展-巡回１-」ito-hen，本庄，大阪 「 字展-巡回2-」gallery 0 cero-WANDERVOGEL CORP，廣島( 井上陽子,武井実子, 西 舘朋央 ,to-kichi) 「gg lock festival」Bank ART mini，橫濱，東京 「藝術作品」gallery ROCKET，青山，東京 「森」第2回展「-CAP BOOK MARKET-」 「art fea 」ART HOME ARCHITECTURE 參加 Nerhol第1回展「-souce-」calm&punk gallery，麻布，東京(田中義久, 飯田竜太 ) 2007 「B.T.A.P 5th aniversary exhibition」B.T.A.P東京畫廊，北京 「little press 07」cow books，南青山，東京 「25x4=□」 尾崎真悟,大平龍一,柴田鑑三,飯田竜太 ，B.T.A.P東京畫廊，銀座，東京 「yume jyuya exhibition」And A 涉谷、大阪 ADAPTER,imaitoonz,古 ジュン,福井利佐,SYMBOLON, 田潔,重松淳,HUDSON POWELL,米持岳士, 飯田竜太 「your handwrighting] Collex speak for，惠比壽，東京 2006 「雅詩特爾(音譯) 合美術研究所20周年記念展出品」三島文化中心，靜岡 「北野教育振興彫刻 生 20周年記念受賞者彫刻展」日本大學藝術學部(江古田校園) 「hertlamd karuizawa drawing biennale 2005」入選出品 田美術館，輕井澤，長野
「hertland roppongi」六本木hertland，六本木，東京 2005 「Masking tape exhibition」roba roba cafe 東京、金澤、倉敷、大阪 藝術作品kukui café，惠比壽，東京 「森」第1回展( 施井泰平,内沼晋太郎,飯田竜太 ) 「教職員展]日本大學藝術學部 所澤校舍，琦玉 「AndA spring&summer opening exhibition」And A 涉谷、大阪 「tanants 展」公開 在制作，graf media gm，大阪 「Masking tape exhibition」roba roba cafe 東京，金澤，倉敷，大阪 2004
[第22回一坪展]選拔10人展 六本木(recruit)，六本目，東京 「sculpture 10」雕刻10人展 2003，練馬美術館
得獎 2009
第12回岡本太郎現代藝術賞 入選
2007
TDC 2007提名 《Nerhol/Souce book》藝術作品
2006
TDC 2006入選《ラーメンズ講演制作物/good design company》藝術作品
2005
「Hertland drawing biennale」入選
2004
TDC 2004提名《飯田 太作品集》藝術作品
TDC 2006提名《oratorical type/Nerhol》藝術作品
第22回平面一坪展 金獎 北野教育振興雕刻獎
1981 born in Shizuoka / JAPAN 2004 Graduated Nihon univercity colledge of art (sculpture) SOLO EXHIBITIONS 2008 [ewiges equivalent] tsca kashiwa,takuro someya contemporary art/kashiwa/chiba 2007 [ryuta iida in sfera exhibition-kyoto.o7-] sfera archive,sfera exhibition/sanjyo/kyoto [fact of accumulation 07] graf media[GM],graf/nakanoshima/osaka [oratorycal inventory 07] Bunkamura gallery,bunkamura/shibuya/tokyo 2006
[ryuta iida solo] (g) good design company/ebisu/tokyo
2005
[22th Hitotubo-ten]grand prix solo show gurdian gurden ginza(recruit company)/tokyo
2004
[ryuta iida exhibition -news paper&steel-] Nihon university colledge of art /A&D gallery/tokyo/JAPAN
GROUP EXHIBITIONS 2010 [Contemprary Airy Crafts from Japan ] Project Fulfill Art Space, Taipei 2009 “The 12th Taro Okamoto Award for Contemporary Art" Exhibition /kawasaki/kanagawa/21 artists [Hikikomisen] “Tkorozawa biennale Art Exhibiton” /tokorozawa/saitama/ 36 artists 2008 [SOUCE] Nerhol art exhibition /Yoshihisa Tanaka &Ryuta Iida calm&punk gallery /azabu/tokyo 2007 [25x4=□]with 3 artists : Ryuichi ohira,Shingo ozaki,Kanzow shobata Tokyo gallery/tokyo/japan/ [your hand writing] with 23 artists Collex speak for/ebisu/tokyo/JAPAN [yume jyuya exhibition]with 10artists And A shibuya/osaka/JAPAN 2006 [AndA spring&summ yashi,ryuta iida And A shibuya/osaka/JAPAN [tanants group show]open work 4/27~5/18 graf media gm/osaka/JAPAN [art unit {mori} exhibition ] shii taihei,shintaro uchinuma,ryuta iida kukui cafe/ebisu/tokyo/JAPAN/ 2005 [kitano foundation 20th sculpture exhibition] Nihon university colledge of art(egota campas) [astale-art education art&design 20th group show]mishima bunka center 4th hall/shizuoka /JAPAN [hertlamd karuizawa drawing biennale 2005 ] Wakita museum of art/karuizawa/nagano/JAPAN [hertland roppongi]group show roppongi hills hertland/roppongi/tokyo/JAPAN 2004 [22th Hitotubo-ten]group show with 10 artists gurdian gurden ginza(recruit company)/tokyo 2003 [sculpture 10] with 10 artists Nerima art museum [tets ohnari/masaaki morizono/ryuta iida group show] step by step gallery harajyuku(tokyo) AWARD 2009 [The 12th Taro Okamoto Award for Contemporary Art" Exhibition ] Taro Award nominate (only 21 artists) 2005 [Hertland drawing biennale ]winner(only 50 artists) 2004 [22th grafic hitotubo-ten ] grand prize winner 2003 [Kitano foundation sculptuer student ] The holder of a scholarship