MAKE OUT GOOD

BY HANNAH KINNEY-KOBRE // HKOBRE@PGHCITYPAPER.COM

ACONFESSION: after an ill-fated incident where I couldn’t stop falling asleep during a St. Patrick’s Day movie date to The Departed (the guy could not stop talking about golf), I swore off the movie theater make out forever.

Still, the idea of sucking face in front of the silver screen has certain a romantic sheen, even if it’s one I’ve personally given up on. And fortunately, Pittsburgh has no shortage of appropriate movies showing in theaters on this, the most romantic of all weeks.

But which one is right for you and your beloved? Here’s our verdict:

Excellent Taste, No Notes

Magic Mike’s Last Dance

At last, the long-awaited finale to Steven Soderbergh’s male stripper saga. I will go blue in the face arguing that Magic Mike XXL is a complete masterpiece; if the latest installment is even half as fun, it’ll be the best time you’ll have at the movies all year. Plus, what better way to spend the lover’s holiday than admiring Channing Tatum’s superior dancing ability and doofus charms?

(He really is our Gene Kelly.) In theaters Thu., Feb. 9. magicmikeslastdancemovie.com

Too Cool for Valentine’s Day?

Sunrise: A Song Of Two Humans

Once described by critic Dave Kehr as “the best foreign film ever made in the United States,” F.W. Murnau’s 1927 silent classic Sunrise is the perfect off-beat Valentine’s pick primarily because the romantic conceit is the hero making a plan to murder his wife. Head to Homestead on to see it projected on shimmery 16mm by our pals at Pittsburgh Sound + Image. 8 p.m. Doors at 7:30 p.m. Fri., Feb. 17. Eberle Studios. 229 East Ninth Ave., Homestead. $10. pghsoundandimage.com

Yeah, We Guess This Makes Sense

Titanic

Back in theaters with a 25th-anniversary re-release, this might be the most traditional of all options. It’s got everything: doomed cross-class romance, Kate Winslet’s boobs, Leo at his hottest and in an age-appropriate relationship, and the poignant image of the elderly couple clutching each other as the ship goes under. And while gallons of ink have already been spilled debating the physics of the floating door, the real mystery is the identity of the person who spiked the cast and crew’s chowder with PCP during production. In theaters starting Thu., Feb. 9.

Too Smart for Valentine’s Day?

Pierrot le Fou

Though Godard made Pierrot le Fou after his divorce from French New Wave star Anna Karina, you wouldn’t know it just by watching it. Screening at Row House Cinema as part of their political thrillers series, the film — ostensibly about a couple on the run from Algerian gangsters — is all bright colors and beautiful clothes. It eventually reveals itself to be slyly mournful and selfcritical, marking a turning point in Godard’s career from “a girl and a gun”-style gangster pastiches to more explicitly political and theoretical work. Showtimes vary. Fri., Feb. 10-Thu., Feb. 16. 4115 Butler St., Lawrenceville. $12.57. rowhousecinema.com •

Wand Lori Jakiela started dating, they tried to figure out how to navigate the demands of a new relationship while also making time to write.

One challenge they faced was Jakiela’s large family, which included some family members she wasn’t “super crazy about.” His solution? Stay home and write.

“We need time to write,” Newman told Jakiela. “We don’t need to hang out with your second cousin who says mean shit about you all night. We can stay at home.” They've done that for 22 years.

The necessities of writing — solitude, relationships. Striking a balance between two passions can be tricky. When two writers find a way to work together, collaboratively or not, creativity can be enhanced and feelings deepened, even if egos are occasionally bruised.

Rachael Lippincott and Alyson Derrick met in a class at the University of Pittsburgh. The first draft of their young adult book, She Gets the Girl (Simon & Schuster), was “a copy-and-paste of what had happened to us,” Lippincott says.

“So, to relive those moments was really special before we gave it up to our characters and let it become theirs with

Now married and new parents, Lippincott and Derrick have adjusted to being in a relationship and parenting — Derrick says their four-month-old “stole our shared office” — but the advantages have been many.

“I’d say it has brought us closer together and made our personal relationship better,” Derrick says. “Creating stories with another person definitely requires a very open mind, which isn’t something that has always come naturally to me when I’m writing, or fixing something around the house, or trying to learn something new. I’ve always been learning that good things happen when you trust your wife!”

Kristin Kovacic and Jim Daniels have been married for 37 years, having met at a reading at Hemingway’s in Oakland. Daniels has since become one of the most productive and lauded writers in the region, publishing numerous collections of short stories and poetry. Kovacic is an acclaimed essayist and a Pushcart Prize winner.

They’ve been able, in nearly four decades together, to adjust to the demands of family and careers.

“I just can’t think of any instance where one of us has resented the other for our writing time,” Kovacic says. “Maybe when we had little kids at home and we were sharing a lot of childcare and the demands on our time were really attached to that, but I’ve never resented the time Jim is working, and I can’t imagine Jim ever resenting mine.”

Cognizant that time is precious, Kovacic and Daniels don’t share drafts until they have been thoroughly revised and edited. Even then, the process can be tough.

“We understand that some hurt is going to come with it, that it’s painful,” Kovacic says. “We’re going to critique each other’s work carefully, but the person being critiqued knows it’s going to hurt a little bit. I think, at this point, we’ve kind of developed calluses.”

For Jakiela, her husband acts as both a cheerleader and appraiser of her work.

“We can be very honest with each other about our work without coming to blows,” she says, noting that she’s published seven books, and Newman, eight.

“I also love his work,” Jakiela says. “And it sounds really silly, but I couldn’t be in a relationship with someone’s work I didn’t love. I admire him. He’s like a hero to me.”

Jakiela and Newman don’t collaborate. Nor do Daniels and Kovacic, except on “letters to our condo association,” according to Kovacic.

Alternately, the bond between Lippincott and Derrick was forged by their determination to work together. Lippincott had previously collaborated on screenplay adaptions and other mediums, but her work with Derrick living room couch and writing a couple chapters, going on writing dates.”

Derrick admits being intimidated when they first discussed co-writing, especially since Lippincott already had a successful writing career.

“I knew her writing was good and I knew she wrote fast I wasn’t sure if I could keep up with her and her quippy dialogue,” Derrick says, adding,“But once we started writing, something just clicked. It was like I was writing to Rachael and she was writing back to me. It felt a bit like sending love letters back and forth as we exchanged chapters to edit. Writing She Gets the Girl with Rachael made me a much better writer.”

Derrick adds that she might not have been able to write her first solo book, Forget Me Not, scheduled to be published in April, if not for her collaboration with Lippincott.

“It gave me a ton of confidence, and in this industry, I think that goes a long way,” Derrick says.

Lippincott also feels that her partner’s influence adds so much to her life, both personally and professionally.

“Alyson enhances my work in so many ways,” Lippincott says. “Not only because she understands me better than anyone else, but because a lot of her writing strengths are my writing weaknesses. She excels at seeing the bigger picture, revising, figuring out what ‘feels off’ about certain scenes or characters, or moments the voice falters. I write fast and try to revise as I write. I make schedules and hit the gas pedal. Alyson helps me slow down and take in the view, and my writing is all the better for it.” including the University of WisconsinMadison’s inaugural Brittingham Prize in poetry in 1985.

Daniels says he’s comfortable with his level of success, and not “getting inflated all over the country.”

Daniels has published approximately 40 collections of short stories and poems, as well as screenplays since his first book of poetry, Factory Poems, was published in 1979. He’s never made any bestsellers’ lists, but has won awards,

“All of that is a demand on your time, and I’m not a naturally public person. I’m sure that is great on some level, but the amount of writing that gets done in our marriage, and what we have, it’s what matters most.” •

A real life Pittsburgh meet-cute that could have inspired a movie