June 19, 2019 - Pittsburgh City Paper by Pittsburgh City Paper

JUNE 19-26, 2019

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

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New McKees Rocks music venue Roxian Theatre installs the marquee for this weekâ&#x20AC;&#x2122;s cover.

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JUNE 19-26, 2019 VOLUME 28 + ISSUE 25 Editor-In-Chief LISA CUNNINGHAM Associate Publisher JUSTIN MATASE Director of Operations KEVIN SHEPHERD Managing Editor ALEX GORDON Senior Writers RYAN DETO, AMANDA WALTZ Staff Writers HANNAH LYNN, JORDAN SNOWDEN Photographer/Videographer JARED WICKERHAM Digital Media Manager JOSH OSWALD Editorial Designer ABBIE ADAMS Graphic Designers JOSIE NORTON, JEFF SCHRECKENGOST Events and Sponsorship Manager BLAKE LEWIS Sales Representatives KAITLIN OLIVER, NICK PAGANO Office Coordinator MAGGIE WEAVER Events and Marketing Coordinator BRYER BLUMENSCHEIN Advertising Sales Assistant TAYLOR PASQUARELLI Circulation Manager JEFF ENGBARTH Featured Contributors REGE BEHE, GAB BONESSO, LISSA BRENNAN, LYNN CULLEN, TERENEH IDIA, CHARLES ROSENBLUM, JESSIE SAGE, STEVE SUCATO Interns SARAH CONNOR, JARED MURPHY, EMILY WOLFE Office Administrator RODNEY REGAN National Advertising Representative VMG ADVERTISING 1.888.278.9866 OR 1.212.475.2529 Publisher EAGLE MEDIA CORP.

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COVER PHOTO: JARED WICKERHAM LOCATION: ROXIAN THEATRE // ROXIANLIVE.COM

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

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THE MUSIC ISSUE

MUSIC MATTERS BY JORDAN SNOWDEN // JSNOWDEN@PGHCITYPAPER.COM

^ CP PHOTO: JARED WICKERHAM

OT A SINGLE DAY goes by in Pittsburgh without some sort of live music. Whether a national touring act like Ariana Grande plays at PPG Paints Arena, a DIY show takes place at The Mr. Roboto Project, or Wallace’s Whiskey room in East Liberty hosts a jazz guitarist during happy hour, live music can be found in this city any night of the week. It has not always been this way: 2019 seems to be marking a musical renaissance in Pittsburgh. Since the start of the year, the city has gotten two new event centers, two record stores, a music venue — with two more to open in the foreseeable future — and an abundance of dance nights (see the full list of new additions starting on page 8). And concerts aren’t just taking place at standard music venues anymore; shows are popping up in clothing stores, bowling alleys, and even plant nurseries (page 24). Some feel, however, that it has become oversaturated. Mike Elko, who runs Elko Concerts, says in a Pittsburgh Post-Gazette article by Scott Mervis that “There are too many venues and too many promoters throwing money at artists

and paying more than their guarantees.” With Pittsburgh’s proximity to major cities like Philadelphia and D.C., we have been lucky that so many national acts have chosen to make tour stops here. But with the addition of the new venues, those major artists come with a price (page 26). So what does that mean for Pittsburgh’s music scene? Moreover, for outsiders looking in, is Pittsburgh making a name for itself as a music city? Not only are more acts coming to perform in the ‘Burgh, but local musicians and bands are traveling outside the city to represent Pittsburgh on a national and international level (page 16), showing that we have more to offer than Wiz Khalifa, Daya, and the late Mac Miller and Jimmy Wapo. (Pittsburgh City Paper even asked local music veterans to recommend new acts and albums, found scattered throughout the music issue.) It’s only halfway through 2019. Who knows where the state of Pittsburgh’s music scene will be six months or even a year from now. But one thing’s for sure, it’s a good time to be a music fan in the city.

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

Local Music Recommendations You may know the more established bands and artists in Pittsburgh, but there’s always great work happening under the radar. City Paper asked a few Pittsburgh musicians to give their thoughts on acts we should be paying attention to.

■ The

Living Street

>> Recommended by Greg Joseph, bassist in The Clarks “The Living Street are the hardest working musicians in Pittsburgh. These guys are doing the hard work to market, promote, and tour. They have a great new album coming out; it’s produced by one of Pittsburgh’s best producers, Jake Hanner. Why haven’t you seen them locally? They are always on the road looking at the big picture.” thelivingstreet.com

CP PHOTO: JARED WICKERHAM

Glenn Strother Project performs at the Roxian Theatre.

THE MUSIC ISSUE

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ITTSBURGH’S music scene looks a lot different than it did a year ago. Since the start of 2019, the ‘Burgh has gotten multiple new concert venues, fresh radio personalities, and a plethora of local music showcases. Here’s a recap of the latest additions:

■ The

Gotobeds

>> Recommended by Sam Matthews, guitar/bass for The S/CKS, The Bats, and currently Ancient Skvlls “The Gotobeds aren’t the newest band, but to me, they’re the quintessential Pittsburgh band. They combine their post-punk influences with a live presentation that channels the drunken abandon of The Replacements in their prime. Their second Sub Pop album Debt Begins at 30 has just dropped, and it’s a ripper.” thegotobeds.bandcamp.com

The show focuses on the local music scene, and Katie O interviews a different musician for each episode. In the past, the podcast has featured Clara Kent, Smokey Bellows, and Chip & the Charge-Ups. Katie O uploads between 2-4 episodes of the podcast per month. iheart.com

■ Roxian Theatre When the McKees Rocks venue Roxian Theatre ﬁrst opened in 1929, it was a vaudeville playhouse and movie theater. In 1980, it became a banquet hall and event center. In 2019, the Roxian re-opened as a midsized concert venue with the hopes of drawing more touring acts to Pittsburgh, and helping to revitalize the McKees Rocks business district. The venue opened in May with a show from jazz fusion band Snarky Puppy, and its upcoming shows feature an array of genres, including Yonder Mountain String Band and Common. 425 Chartiers Ave., McKees Rocks. roxianlive.com

■ 222 Ormsby

PHOTO: STEFANO CECCARELLI

Katie O of Big 104.5 and the Scene Unheard podcast

■ Scene Unheard with Katie O

Local radio jock Katie O, who works with both Big 104.7 and 105.9 The X, started a podcast, Scene Unheard, on iHeartRadio.

You can’t keep 222 Ormsby down. The beloved Mount Oliver DIY space re-opened this spring under new ownership and started hosting events, including live music, zine release parties, open mic nights, and marketplaces. It hasn’t exactly been smooth sailing since then — the borough issued a complaint in April — but it seems most of the kinks have been worked out and shows are planned throughout the summer. Just please, park legally and respect the neighbors. 222 Ormsby Ave., Mount Oliver. CONTINUES ON PG. 10

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222 MAIN STREET • DOWNTOWN IRWIN 724-367-4000 • LAMPTHEATRE.ORG

Established in 1937, The Lamp Theatre tre m boasts a variety of entertainment from movies to concerts and everything inn hat at between. A true community project that ghh was built and currently staffed through volunteer efforts. We look forward too hosting our neighbors and friends att aar! r! The Lamp Theatre throughout the yea year!

JJOIN US FOR THESE UPCOMING SHOWS! U

Hard Days Night Beatles tribute

THE JAGGERZ

AUG 3 - 8pm

Aug 17 - 8pm m

Peace Frog A Tribute to the doors

Aug 9 & 10 8pm

Experience Janis With CC coletti Aug 16 - 8pm

Into The Mystic A Tribute To van Morrison Sept t 14 - 8pm SEPT 13 - 8pm

Completely Unchained The Ultimate Van Halen Tribute

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Saturday, August 17, 2019 Gates Open at 2:00 pm Monroeville Community Park West Tall Trees Ampitheater Free Admission • Free Parking For More Info: www.MonroevilleJazz.org

CP PHOTOS: JARED WICKERHAM

A look inside of the newly remodeled Thunderbird Cafe

Kind of Blue - 2:30 pm Steeltown Horns - 4:00 pm Benny Benack Band - 5:30 pm Pgh Jazz Orchestra - 7:00 pm ■ Thunderbird Cafe

Hosted By:

Presenting Sponsors:

Featuring Food Truck and Full Pint Brewery! Bring your blankets, chairs, and friends

Pittsburghers were bummed to see her go, but thankfully her replacement, Liz Felix, has proven to be an excellent ﬁt for the independent station and its listeners. Felix, who previously worked at stations in Cincinnati and Akron, took over the Evening Mix spot in March and has already garnered new fans by keeping the show true to itself and bringing fresh appreciation for the tremendous talent found in Pittsburgh’s music scene. The Evening Mix on 91.3 WYEP. Mon.Thu., 6-10 p.m. wyep.org

The longtime Lawrenceville bar and music venue is a hot spot for local bands and nationally touring acts. After closing for a couple years, the venue has recently expanded, but still offers an intimate showcase of musical talent. Its grand reopening has gotten pushed back a few times so far, but owners tell CP they plan to open the doors soon. Punk bands, electronic DJs, pop artists, and rock ’n’ roll legends will grace the Thunderbird stage upon its reopening. Its location on Butler Street places it right in the heart of the neighborhood, close to popular bars, restaurants, and shops. Open every day 11-2 a.m. 4053 Butler St., Lawrenceville. thunderbirdmusichall.com

■ Pittsburgh’s Very Own

■ Liz Felix at WYEP

Since 1997, Creative.Life.Support has been providing career resources and ﬁnancial assistance for musicians with classes, summer camps, and other programs. This year, the non-profit

After 12 years on the mic for WYEP, radio host Cindy Howes returned to her home state to take a job at WERS in Boston.

Local music acts got a major boost this year with Pittsburgh’s Very Own, a quarterly live series at Mr. Smalls, curated with the city’s top talent. The event launched in February with a show featuring Mars Jackson, Benji., Isaiah Small, and Clara Kent. The series continues on Aug. 10 with a lineup that includes Inez, Leila Rhodes, Sierra Sellers, and Simone Davis. 8-11:30 p.m. 400 Lincoln Ave., Millvale. $10 advance/$12 at the door. mrsmalls.com

■ Creative.Life.

Support Records

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CP PHOTO: LISA CUNNINGHAM

The Government Center

organization launched Creative.Life. Support Records, a record label to help document and distribute the music produced by participants in its programs. Releases so far have included Liz Berlin (founder of CLS), STARHEADBODY, and Black Coast Royals. 415 Evergreen Ave., Millvale. creativelifesupport.com

■ The Government Center North Side’s already burgeoning music scene got another boost when a new record store, The Government Center, re, there are opened in March. Sure, nd 45s, thousands of LPs and and regular sales and tispecials, but the multih level space is much more than that. It’ss y also part-community space, part-venue,, and generally just a et place for people to get out together and talk about music. 219 E. Ohio St., North h t t Side. facebook.com/thegovtcenter

■ Eddan Sparks Trio: That Was Dope! Showcase Eddan Sparks Trio has been hosting the That Was Dope! Open Mic & Jam Session at Enix Brewery in Homestead, and starting in July, the team plans to take the idea even further with the That Was Dope! Showcase. The event will feature handpicked artists that consistently perform strongly at the brewery’s open mic nights, and each act will get a full 30-minute set. Wed., July 24. Times TBA. 337 E. 8th Ave., Homestead. enix.beer

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■ STACKS Libraries aren’t just about books. Patrons can take second-language classes, rent movies, and even listen to music. The Carnegie Library of Pittsburgh wants to make sure Pittsburghers can enjoy music from local artists, which is why they introduced STACKS, a program that promotes Pittsburgh musicians by making their albums available for streaming and download through the library. The program also pays artists a ﬂat fee of $200 for their work (maki (making that on apps like Sp Spotify would require m more than 23,000 plays.) Anyone can listen to the artists through STACKS, and those with a CLP library card ccan download the mu music for free. stacks. carne carnegielibrary.org

■ Backstage Guitars After ten years in Lawrenceville, Backstage Guitars announced plans to close its retail business this year, putting an end to the neighborhood’s distinctly music-focused shop. But local musicians, both aspiring and established, need not despair. The inventory may be gone, but owner Jason Cook ensures that Backstage Guitars will continue its repair service and lessons for guitar, bass, drums, ukulele, and piano. Open Tue.-Sat. through June. 4123 Butler St., Lawrenceville. backstage guitars.com

Chancelor Humphrey in WAMO studios

■ Keep Pittsburgh Dope After getting his start on 100.7 Star during the weekends, Chancelor Humphrey, best known for his popular Instagram account @KeepPittsburghDope, landed a weekday gig on WAMO (100.1 and 107.3) from 3-7 p.m. From eyes to ears, he’s now keeping Pittsburgh dope through our radio waves. wamo100.com

go-to spot, and Dissolv and FluxCapacitor answered with re:vision, a new weekly dance night at Cattivo, which debuted in June. Every Friday, house, deep house, tech house, progressive, and techno bump from Cattivo’s basement, with the addition of special effects, full-stage sound, and light set up. 8 p.m.-2 a.m. 146 44th St., Lawrenceville. revisionpgh.com

■ Downtown Music

■ UPMC Events Center

Pittsburgh’s downtown music scene is making a comeback. With a project called Music City Downtown, the Pittsburgh Downtown Community Development Corporation and James Street Promotions have been working to bring more live music downtown since the start of the year. See blues bands during Tuesday Blues Day at Wolﬁe’s Pub or jazz at the new Metropolitan Club (formerly Perle). downtowncdc.org

Mainly used for athletics, the recently opened UPMC Events Center in Moon, (part of Robert Morris University), also hosts public speakers, conventions, expos, and concerts with national touring acts. Set to play at the venue this upcoming summer and fall are The Doobie Brothers, AJR, and Sara Bareilles, to name a few. 6001 University Blvd, Moon. upmceventscenter.com/events

on WAMO

■ Preserving Hardcore Half museum, half record store, Preserving Hardcore opened earlier this year in New Kensington. The owner, A.J. Rassau, has spent nearly 20 years in Pittsburgh’s hardcore/metal scene as a promoter, musician, and now, as a historian. In addition to the store, Rassau recently started holding shows at Preserving Hardcore. He hopes to make the spot a substance-free space where music fans of all ages can relax and have fun. 1102 Fourth Ave., New Kensington. preservinghardcore.com

■ Re:vision The underground dance music scene in Pittsburgh craved a reoccurring

■ Crafted Sounds Blog Crafted Sounds, a local music label that began in a University of Pittsburgh dorm room, specializes in releasing music on cassette tapes. Now, the label has a blog to speak on the abundance of music that exists beyond the label. “On this site we hope to maintain a similar ethos found in our label operations as we aim share music that we think you will enjoy as much as we do,” reads the new blog. blog.craftedsounds.net

■ The Marquee Oh, Squirrel Hill, will you ever get your live music venue? Apparently not for the foreseeable future, as The Marquee, a venue set to occupy part of the CONTINUES ON PG. 14

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former Squirrel Hill Theater on Forward Avenue, missed its February opening date due to construction issues. As a result, scheduled shows were cancelled, tickets were refunded, and local music fans are left wondering if the project will ever happen. Finger crossed. 5828 Forward Ave., Squirrel Hill. facebook. com/themarqueepgh

■ Rivers Casino Event Center Found on the second ﬂoor of the Rivers Casino, the new 25,000-square-foot event space is home to trade shows, conferences, conventions, live music events, and more. R&B legends Kool & The Gang headlined the ﬁrst concert at the North Side location in March, while George Clinton and the Parliament Funkadelic graced the stage in early June. See more throwback jams when KC and the Sunshine Band perform in July. 777 Casino Drive, North Side. riverscasino.com/pittsburgh

■ Pizza and Vinyl On Wednesdays at Pizza Taglio, good food and funky tunes merge for a weekly allvinyl pizza party. The event was started in May by DJ Paul Seif, who books parties under the moniker The Vinyl Dept., where attendees can eat, drink, and be merry. In addition to the music, the BYOB restaurant offers no corkage fee on speciﬁc wine/pizza pairings, and a special chef selection pizza. 8 p.m. 126 S. Highland Ave., East Liberty. facebook. com/thevinyldept

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■ Honky Tonk Jukebox Many know of the weekly Banjo Night at the Elks Lodge #339 in the North Side, but this year, the venue launched HonkyTonk Jukebox, a new monthly show featuring country music classics from Willie Nelson, Loretta Lynn, and more, performed by local country and roots musicians. The event is hosted by Jon Bindley of local Americana band, Bindley Hardware Co. The music is also backed by the #339 House Band. 400 Cedar Ave., North Side. facebook.com/honkytonkjukebox

■ Love PGH Music From rock and hip hop, to jazz, blues, bluegrass, and more, a new nonproﬁt initiative called Love PGH Music will help music fans connect with Pittsburgh’s dynamic local music scene. The heart of the initiative is a new website, which includes an interactive events calendar. Pittsburgh musicians can list shows at clubs, theaters, house parties, festivals, nonproﬁt stages, and more. lovepghmusic.com

■ Junction Pittsburgh local DJ Shoe began 2019 with the addition of a new monthly dance party at Brillobox. Junction, occurring every second Saturday of the month, is an open format dance party inspired by events in Philadelphia and New York City. Expect to hear Afrobeat, dancehall, funk, hip hop, house, Jersey club, New Orleans bounce, R&B, soul, trap, and more. 10 p.m.-2 a.m. 4104 Penn Ave., Bloomﬁeld. brilloboxpgh.com

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

Local Music Recommendations

Weird Paul

■R

iCK

>> Recommended by Weird Paul “I don’t really know a lot about who is new on the scene, honestly. I am always so wrapped up in whatever project I am working on, coupled with the fact that I have very little money, means I don’t get to go out much. The only VERY new band I can think of and definitely endorse is R i C K. They are some talented young dudes who play noisy, short, funny speed metal songs. They also have the performance stuff down — they will sell you plates at their shows that you can throw at them while they perform. Reminds me of how much fun it was when I was just starting out back in the ‘80s.” facebook.com/ricktheband

CP PHOTO: JARED WICKERHAM

THE MUSIC ISSUE

ARRIVALS/DEPARTURES BY JORDAN SNOWDEN // JSNOWDEN@PGHCITYPAPER.COM

Listen to our Music Issue as you read! Search for “Pittsburgh City Paper” on Spotify for our Music Issue playlist, featuring musicians from this week’s issue.

NYTIME Thomas Hricik, aka Tenova, tells people he’s from Pittsburgh they usually raise an eyebrow and ask questions. “I could be 5,000 miles away, and I still meet the occasional party promoter wearing a Pittsburgh Pirates hat,” says the house/techno DJ who performs internationally and has much to do with the existence of the after-hours bar, Tilden. “[But] what’s great about the town is that it has something of an unknown, niche type of vibe to it. What’s more is that it’s a relatively unexplored territory for many artists as they’ve never been there. Everybody

wants to know more. The question is, will the scene answer the call?” Those in the hip-hop scene, like Ian Benjamin Welch, aka Benji., and

soulful singer Clara Kent, are working on doing exactly that by performing outside of the city, most notably in larger cities like New York or Austin, which Kent feels are more receptive to new, out-oftown musicians. “[They’re] used to music culture and go out to discover or hear a new band or artist,” says Kent. “When I performed my third show in D.C., I had people anticipating me arriving and purchasing music and really listening to the lyrics.” To date, Benji. has performed in four new cities this year, with ﬁve more cities left to hit before the summer is out. CONTINUES ON PG. 18

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PHOTO: JUSTIN BOYD

The Commonheart

“There’s just something about these shows where the crowd knows this is their only chance to see you for the foreseeable future,” says Benji. “So they give you their all and then some, because you gave them yours, that in all honesty, Pittsburgh crowds still take it for granted when they’re able to see these gems more often than any other city, and usually for free or dirt cheap, in comparison to the quality of the show.” He cites the ultra-low $10 ticket price for the Mr. Smalls Theatre showcase, Pittsburgh’s Very Own, which had Benji. and three other headliners on one bill. “It could’ve easily been a $20-25 ticket and made sense.”

For local artists, performances outside of Pittsburgh are vital to their personal career growth. Clinton Clegg, singer and founder of soul-rock band, The Commonheart, explained that, “Every place has a feel, every crowd has a vibe. You can learn a ton from playing in a city you’ve never been to. Meeting and spending time with folks after the show is always the best way to not only build your fan base but also build a network of relationships and friends in different cities across the country.” It’s a way to experience and gain a full spectrum of what their artistry can really do because, as Hricik points out, the music scene in Pittsburgh can

be a bubble. “Pittsburgh gives you the chance to go way out into left ﬁeld, to get super weird and dig deep into the crates and not worry about what’s trendy or hot,” he says. “That being said, playing in Pittsburgh is awesome, but so is playing in LA, London, Barcelona, Amsterdam, and Kiev. Where real talent begins to show through is being able to ﬁt your sound into each scene and rock a crowd in any city. That versatility and drive for more is something I’d like to see from more artists in Pittsburgh. How is

Follow staff writer Jordan Snowden on Twitter @snowden_jordan

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anybody going to ﬁnd out how great you think your city is if you never leave to tell them about it? Wanna really show love to the city? Carry the torch.” Moreover, when Pittsburgh musicians choose to perform out of town, it enhances what other cities think of Pittsburgh as a whole. Recently, on Kent’s nationwide tour with London-based music company Sofar Sounds, she played in New York City. While the show was successful, she says that when the crowd found out she was from Pittsburgh, all they

mentioned was food and sports. “I intend to change the narrative of this sports town into a conversation about our artists and culture developers here too,” says Kent. “It’s happening as we speak, really. It helps that we have some serious variety and talent as well, and all of us are traveling and connecting all over.” Connor Murray, the founder of the local tapecentered label Crafted Sounds, doesn’t think about that much. “I think this city is learning to thrive without critical attention,” he says. “I feel like when I am out of town or if a band wants to come to Pittsburgh they say, ‘Oh we didn’t have a great time when we were there last.’ Occasionally, I’ll personally book a band that says something like that and by the end of their show, they’ll make some remark about how things have changed in a positive direction. I do not think people know Pittsburgh for what it is now.” Murray adds that after the deaths of Mac Miller and Jimmy Wopo, it’s been quiet to some degree. The critical eyes that were looking here have dis-

CP PHOTO: JARED WICKERHAM

Benji.

appeared, and assume that the talent is gone as well. “I think this kinda pissed off some of the artists here, and now they are working to establish the next era of

Pittsburgh music. Benji., Mars [Jackson], Clara, My Favorite Color, are really pushing for that on the hip hop end. I’d like to think that our label is helping to fuel an indie/alternative resurgence as

well. [But] when people want to look at us, they will.” Benji. believes that Pittsburgh has always been a musical city, but has lacked the wherewithal for longterm sustainability, and it still does to this day. Hricik, who runs in an entirely different music scene than Benji., supports this viewpoint. “Pittsburgh lacks the development that the music scene has in larger cities, particularly with the slow death of the rave scene that’s taken place in the past ﬁve years,” he says. “We went from having homegrown events in the electronic sphere run by independent party promoters almost every weekend to only having a few clubs and the occasional rave pushing our sound. That’s something that is hardly ever talked about, and has massively impacted the musical economy in [the city].” However, Benji. says the scene does, in fact, have a new identity, one he believes existed before the deaths of Miller and Wopo. “If cared for and groomed correctly by the artists, invested and consumed responsibly by those who inhabit it, Pittsburgh can become the new breeding ground for the industry.”

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

Local Music Recommendations

Jenn Wertz

■ Jenn

Wertz

>> Recommended by Liz Berlin of Rusted Root “Jenn Wertz (fellow original Rusted Root member) is not a new artist per se, but after 11 years away from music she has just released her first full production solo album, Take ‘Em As They Come, to much critical acclaim. I’m so proud and excited for her as she dives back into the music world again. Her album is beautiful and she has so much to offer, musically and lyrically!” jennwertz.com

■ Windafire >> Recommended by Liz Berlin of Rusted Root “Windafire is a blossoming young musician who first attended Real Life Music Camp at Mr. Smalls Recording Studio [part of Berlin’s non-profit, Creative Life Support] when he was about 10 years old. One of the most individual humans I’ve known, he has just released a new single “Alive With Pride,” that was recorded this summer at band camp, on the same day as his People’s Pride performance opening for Big Freedia!” windafire.bandcamp.com

THE MUSIC SIC C ISSUE

REACHING OUT BY ALEX GORDON // ALEXGORDON@PGHCITYPAPER.COM

F YOU’VE EVER been to the Pittsburgh

Opera and felt that you really needed to know more about the principal oboist, or became so moved by a performance that you felt compelled to donate before the end of intermission, you’re in luck. The Pittsburgh Opera app, launched in March 2019, includes information for all upcoming shows, full bios of all its staff, videos and photos of performances, audio samples, and much more. The app is part of a growing movement of Pittsburgh cultural organizations using technology to reach new audiences and connect more with their regulars. “It is true that our ticket buyers tend to be a little older than the general population,” says Christian Cox, Pittsburgh Opera’s Director of Marketing and Communication. “But in terms of new audiences, we don’t focus on age, we focus on behavior.” Pittsburgh City Paper reached out to the Pittsburgh Symphony Orchestra

(PSO), Pittsburgh Ballet Theater (PBT), and Pittsburgh Opera to learn how more established, traditional cultural institutions are harnessing modern technology to push their missions forward.

■ Apps Pittsburgh Opera debuted its app this season, with new functionality that allows audience members to engage with the content in real-time during the performance (not during during, though). Cox says the app’s recently introduced features include historical context for a speciﬁc scene in a performance, interviews with the cast, and trivia on the production. Cox says they will continue testing new functions and expanding the app into the future. PSO’s app offers similar functions, such as ticket purchasing, background information on the performers and shows, as well as places to eat and park around Heinz Hall.

■ Accessibility At Pittsburgh Ballet Theater, audiodescriber MaryAnn Graziano provides live narration over headsets provided to patrons with blindness or low vision. PBT continues its efforts to welcome differently-abled people in the forthcoming 50th anniversary season, including a sensory-friendly performance of Beauty and the Beast in February 2020. Accessibility has also become a greater factor in PBT’s educational programming, with specialized dance classes for people living with Parkinson’s Disease and autism spectrum disorders. PSO provides portable FM assistive listening devices and monitors on the side of the stage for audience members with deafness or hearing loss. Pittsburgh Opera offers assistive listening devices, Braille programs, audio commentary, and captioning.

Follow managing editor Alex Gordon on Twitter @shmalexgordon

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■ Production Technology is deeply ingrained in how PSO approaches the production, recording, and sharing of its performances, including live streaming concerts and digitizing its archives. Recently, PSO percussionists and horn players situated backstage used a live feed of conductor Manfred Honeck to keep up with the piece and hit their cues. A similar system is in place for performances of live film scores, in which the conductor has a monitoring system to keep the orchestra in time with the visuals. Next year, the PSO will go even further with the world premiere of World’s Greatest Synth: The Making of the Orchestra, a piece co-commissioned with four other symphony orchestras and debuting in Chicago in March 2020. According to the PSO, the piece integrates “film, animation and prerecorded sound with live performance” and “examines the inner workings of an orchestra.” “World’s Greatest Synth: The Making of the Orchestra flies inside musical instruments to explore the age-old connection of creativity and technology,” says its composer, Mason Bates.

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The Pittsburgh Symphony Orchestra

■ Marketing The necessity and ubiquity of social media marketing isn’t exactly new, but for more traditional cultural institutions, it offers new ways of reaching audiences and providing comprehensive information about their performances. People might not be able to attend every performance

they want to see, but through consistent sharing, the technology can help fans stay engaged and be aware of programming. “[PBT is] hoping to attract audiences of differing abilities and backgrounds as well,” says Katie Drozynski, Media Relations and Content Marketing Manager at PBT. “We’re working to expand our reach

in the area to new neighborhoods and other parts of Western Pennsylvania, connect with more diverse audiences, make opportunities for people of different socioeconomic backgrounds to see ballet and make sure we are inviting to patrons of differing physical and intellectual abilities as well. Ballet is for everyone.”

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PHOTO: NICK PREZIOSO

Greywalker

THE MUSIC ISSUE

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HEALTHY metal scene, more than almost any other genre, needs .a healthy live-music scene. And in that regard, metal is thriving in Pittsburgh. It has venues ingrained into the culture, festivals that cater to subgenres throughout the year, and most importantly, the bands, fans, and promoters to keep it active. “There’s almost too much going on in our city,” says Evan Thorsen of the melodic death metal band Greywalker, noting that the amount of live shows in Pittsburgh can be overwhelming. “It’s a good problem to have.” Despite its proximity to substantially larger markets, Pittsburgh is no longer overlooked by larger touring acts. Locally, the live metal scene has beneﬁted from the number of venues available not only to accommodate larger, betterestablished acts, but also to promoters of underground metal, such as Blackseed and Steel & Bone working with venues including Howlers, Brillobox, Cattivo, Smiling Moose, and Black Forge. A new generation of bands like the hardcore Enemy Mind or Signs of the Swarm, or the death metal of Derketa or Post Mortal Possessions, Slaves BC’s black metal-inﬂuenced grind, or the experimental riffs of Microwaves and Pyrithe, are shaping the city’s sound. “Community-wise, it’s growing,” says Jason Head, who owns and operates small-run record label Our Ancient

Future. “I think we’re seeing a ton of amazing talent in the people playing metal these days, and it’s starting to make [sub]genres that normally didn’t get good attention ﬁnally seeing the light on them. Particularly, death metal is sort of having a moment right now,” adds Head. The idea of community and the devotion of the fans also combine powerfully in the city’s festivals: the Brewtal Beer Fest, the bi-annual Migration Fest, Skull Fest, Descendants of Crom, and the latest addition, Metal Immortal Festival (starting Fri., June 28). Horehound vocalist Shy Kennedy also organizes Descendants of Crom, a two-day event held at Cattivo every September. She feels that Pittsburgh’s metal culture is doing well because it’s a great place for local and touring bands. “There is an audience here, and it’s a great location for bands to come through and a perfect way to connect our local talent to the national community.” For Metal Immortal Festival organizer Deb Levine, who also fronts power-metal band Lady Beast, organizing a festival was an easy decision. “It’s always a risk, but the reward will be bringing amazing bands to this city, and for those bands to play for the huge crowds they deserve.” As to why Levine feels this city is embracing metal: “Pittsburgh is the city of steel, what’s more heavy metal than that?”

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

Local Music Recommendations

■ Benji. >> Recommended by Konscious Kel “I’d check out Benji. He makes amazing music while being positive and he has this radio hit vibe while staying true to his craft and style. It’s not easy to find a happy medium between your own music tastes and pleasing mass audiences, but he does it really well!” facebook.com/AvatarBenji CP PHOTO: JARED WICKERHAM

Want to be the first to hear about a new show coming to town? Don’t miss our music news and concert announcements every week at pghcitypaper.com.

Which local music venue are you? Take our quiz at pghcitypaper.com and find out if you’re more like Club Cafe or Rex Theater. 24

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THE MUSIC ISSUE

NIGHT OUT AT THE NURSERY BY SARAH CONNOR // INFO@PGHCITYPAPER.COM

N EVENING AT a bowling alley

or an afternoon shopping for plants don’t often feature live music, but a few local businesses have added just that to their repertoire of services. Shadyside Nursery, located on Maryland Avenue, has made live music a summer tradition with its recurring event Weather Permitting. The event brings tunes, food trucks, beer, and family-friendly fun to the nursery every Sunday throughout the summer, with about 150 guests each week. Weather Permitting began in the summer of 2013 with local DJ Pandemic Pete, aka Pete Spynda. He was looking for a way to combine his love of live music with kid-friendly outdoor summer fun. Family-friends of Spynda own the Shadyside Nursery, and after approaching him about starting a series of events at the nursery, Weather Permitting began. “I have a now-ten-year old daughter, but at the time she was only four, and I was trying to create a space that was

accessible to all ages,” Spynda said. “Even at Hartwood Acres, by the time the events there start at sundown, ﬁve-year-old kids are ready for bed. So as I was trying to solve those problems, the idea came to partner with food trucks and bring bands in.” Aside from bringing families with young children out to see live music, another one of Spynda’s favorite aspects of Weather Permitting is utilizing an urban green space. “We built a little stage, and we have plenty of space and a sandbox and squirt guns for the kids,” Spynda said. “It’s a great way to enjoy the summer evenings.” The event is — as the name suggests — weather permitting. Pittsburgh is no stranger to thunderstorms and other bad weather, so when the grey skies strike, music fans looking for something different can head to local clothing stores for an indoor live music experience. Illegal Apparel, a clothing store on East Carson Street, hosts multiple shows each month, most often featuring both touring and local rap artists. Sitting behind the

racks of graphic hoodies and hats, a stage with room for a dancing crowd invites performers such as Pick Patek, Tyco X, and Young Ev to take the mic. Illegal Apparel is not the only store to bring live music to its customers; a boutique in Lawrenceville called Civilization PGH takes a similar approach to live music as does Refresh PGH in Bloomﬁeld. Multiple local bowling alleys also double as music venues. Enix Brewery in Homestead, which features a large bowling alley, has hosted bands such as The Cause, Jim Donovan & the Sun King Warriors, and Beauty Slap. Arsenal Lanes in Lawrenceville occasionally hosts shows, as does Paradise Island Bowl in Neville Island. The Pittsburgh music scene goes beyond traditional concert venues, and there are more options beyond clothing stores, nurseries, and bowling alleys — for example, Market Street Grocery occasionally hosts electronic acts. Anything from a basement to a coffee shop to an ofﬁce building could become a new place to rock out.

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Forget Cash. Stored Cash Value- Provides the same flexibility as a ten-trip pass and will save you from paying an extra $.25 if you use cash. Stored cash value is required in order to purchase a $1 electronic transfer. Cost: Load any value up to $200

Taking it one week at a time. Weekly PassA good short-term option if you plan to ride often throughout a specific week. Receive unlimited rides for a calendar week Sunday through Saturday. Cost: $25.00

Taking it day by day. Day Pass*- Your best option for unlimited rides for one service day. The pass is valid from first tap on a farebox to the end of Port Authority service that same day. Cost: $7.00 Passes are available on a Connectix, the paper version of an electronic smart card, and can be purchased at any ConnectCard Vending Machine.

One day at a time. Single Trip Pass/Single Trip Pass with Transfer- A great option for occasional riders and visitors. Perfect if you just need a one-way ride to or from an event or want to see Downtown Pittsburgh at night from the Monongahela Incline. Cost: $2.50/$3.50

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Rex Theater

BY EMILY WOLFE // INFO@PGHCITYPAPER.COM

ARLIER THIS year, Billboard reported

that eight out of 10 of the largest indie promoters a decade ago have since been acquired by one of two giant promoters: Live Nation and Anschutz Entertainment Group (AEG). Locally, the Midwestern company Promowest, which books more than 100 shows a year at Stage AE, was acquired by AEG late in 2018. And it’s happening consistently in markets across the country, making huge profits for the parent companies. It’s a relatively recent phenomenon, tied to the collapse of the record industry. As album sales plummeted, tour ticket profits became more crucial to artists making ends meet. So everyone — artists, labels, promoters, venues — have had to acclimate and prioritize touring. In Pittsburgh, new venues like The Roxian and the UPMC Events Center have opened up thousands of seats in the growing Pittsburgh concert market, which is great news for the nation’s largest concert promoters, but not so much for regional companies. So how do the smaller companies stay alive? Brian Drusky, the president and owner of Drusky Entertainment, says his company feels a growing pressure from the national level. It’s more difficult, and more expensive, for “mom-and-pop” companies to book acts of the caliber their audiences expect. “There is definitely a change in the

competition in the music scene in Pittsburgh,” Drusky wrote in an email. “There are larger companies that are overpaying for acts on a national level. That makes it hard for us mom-and-pop independent promoters to survive. These are acts that we collectively have booked with success in the past.” Although Drusky’s Pittsburgh-based company advertises itself as “Pittsburgh’s premiere concert promoter,” producing more than 500 concerts a year at venues including Rex Theater, The Smiling Moose, and Carnegie of Homestead Music Hall, it’s still small compared to a company like Live Nation. According to a press release, Live Nation shows attracted 93 million fans in 2018, driving the company’s concerts revenue up 11 percent from 2017. Smaller companies don’t always have access to the same venues as the big promoters. The Roxian, for instance, established an exclusive partnership with Live Nation when it opened in May. And the bigger companies have also started charging more per ticket. Live Nation created a “premium seats” option, charging customers between $5 and $30 extra for the chance to sit at, or near, the end of a row. Larry Webman, an agent at the talent agency Paradigm, told Billboard in May that Live Nation’s plan seems to be working — concert attendees are willing to pay more for aisle seats.

“Lots of artists are doing it — people will pay more for them. You look at the seat map and the aisle seats are all sold,” said Webman. The inflation of ticket prices for “premium” seats first became popular on scalping sites like StubHub, where ticket resellers charged more for seats on the aisle. Promoters and artists are realizing they’re missing out on potential profits by not charging extra for those seats. “If the artist is selling that ticket for $150 and it’s going for $350 on StubHub, the artist isn’t seeing that lift go to their gross,” Webman said. “It’s just coming up with creative ways to help the artist. Dynamic, platinum, and aisle seats across a 30- to 40-date tour, it puts a lot of money in the artist’s pocket.” Because larger promoters are making more money off concerts, they’re paying more for big acts — meaning smaller promoters have to do the same, which raises ticket prices for the consumer. But Drusky says he intends for his company to stay the course, while seeking “new inroads” to figure out how to survive in this evolving landscape of promoters. “We at Drusky Entertainment are making strides at continuing to do what we do, and that is booking good quality shows to the people who have supported us for years,” he says.

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

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WORLD REFUGEE DAY .NEWS.

June 21, 11 a.m.-2 p.m. Market Square, Downtown. Free. ajapopittsburgh.org

REFUGEE RIGHTS

Pro-immigrant groups advocate for drivers’ licenses and in-state college tuition for non-citizens BY RYAN DETO // RYANDETO@PGHCITYPAPER.COM

NDOCUMENTED IMMIGRANTS live, work, and go to school in Penn-

sylvania. They live just like those born in America. They pay taxes and volunteer in their communities. Studies even show that they commit fewer crimes than their native-born neighbors. But there are everyday things that they can’t do legally, and they don’t have access to some of the beneﬁts Pennsylvania residents might take for granted. For example, undocumented immigrants can’t acquire drivers’ licenses in the commonwealth. And for those that need a car for work or to attend school, that means they are breaking the law, and risking deportation almost every day.

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A group of pro-immigrant advocates is trying to change that. The Pennsylvania Immigrant and Citizen Coalition (PICC), along with Pittsburgh groups Bhutanese Community Association of Pittsburgh, Casa San Jose, and many others from across Pennsylvania are advocating for immigration-related bills in Harrisburg. Near the top of their list is a bill allowing non-citizen Pennsylvanians who attend and graduate from Pennsylvania high schools to access in-state college tuition. Sundrop Carter of PICC says, currently, many undocumented immigrants, even DACA-recipients, do not qualify for in-state tuition to Pennsylvania state-run universities, despite the fact many have lived here most of their lives. Carter says that immigrant students that have attended at least two years at a Pennsylvania high school and get their GED or graduate should be eligible for in-state tuition beneﬁts.

the Republican-controlled chambers. She says President Donald Trump has intensiﬁed anti-immigrant rhetoric, making it harder for legislators to even discuss immigration-related bills. Her hope is to see a little bit of progress this session, and maybe gain momentum for the future. “Most representatives don’t really feel the pressure to represent their growing communities of color and Latinx community,” says Carter. “But we think we will see some movement on these bills.” For example, state Rep. Angel Cruz (D-Philadelphia) introduced a bill to provide drivers’ licenses for undocumented immigrants in January, but it has only received eight co-sponsors. Carter is hopeful that the new wave of Democrats that were elected last year could change things. “A lot of the new Democrats are trying to push forward a progressive agenda, and that

“DRIVERS’ LICENSES, TUITION EQUITY, THESE ARE COMMON SENSE THINGS. WE WANT PENNSYLVANIANS WHO GRADUATE FROM HIGH SCHOOL TO GO TO COLLEGE HERE.” “Drivers’ licenses, tuition equity, these are common sense things,” says Carter. “We want Pennsylvanians who graduate from high school to go to college here.” Carter also wants a bill to authorize limited-scope drivers’ licenses for undocumented immigrants. She says the state legislature can authorize nonReal ID compliant drivers’ licenses to undocumented immigrants. Twelve states and Washington, D.C. already offer licenses to undocumented immigrants, and Carter says Pennsylvania should join them. PICC and the immigrant groups are also advocating for an increase in public education funding, for public schools to institute welcoming policies towards immigrants and refugees, codifying exactly how state police interact with federal immigration ofﬁcials, and for the family detention center in Berks County to be shut down. Carter says the ultimate goal is to get these initiatives passed but understands the difﬁculty the bills have in

includes immigration.” State Rep. Sara Innamorato (D-Lawrenceville) is one of those new progressive Democrats, and she says she backs the push to authorize drivers’ licenses for undocumented immigrants. Innamorato’s support marks a changing political landscape, even if slight. Her predecessor, former state Rep. Dom Costa (D-Stanton Heights), regularly sponsored anti-immigrant bills. Innamorato says licenses for undocumented immigrants would help more people participate in the commonwealth’s economy, and other states have ensured the licenses “don’t confer citizenship nor could these licenses be used to vote or apply for public beneﬁts.” “Undocumented immigrants and refugees live, work, and pay taxes in our communities,” says Innamorato. “I support the common-sense legislation that enables these residents to live their daily lives: drive, send their children to school, go to work. Our neighbors deserve to feel safe and empowered, no matter their immigration status.”

Follow senior writer Ryan Deto on Twitter @RyanDeto

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.RESTAURANT REVIEW.

MEDITERRA CAFÉ BY MAGGIE WEAVER MWEAVER@PGHCITYPAPER.COM

EFORE MEDITERRA Café, there was Mediterra Bakehouse. The family-run bakery opened in 2001 with artisan bread and pastries and soon became a household name. Their commitment to baking the “old way” and the stone hearth-baked dark, nutty crust were unprecedented in the city. In the summer of 2018, Mediterra Café opened in Sewickley. The bakery branch took Mediterra’s original principles — simple, fresh baked goods held to high standards — and transformed them into an intimate eatery and gourmet market.

MEDITERRA CAFÉ 430 Beaver St., Sewickley. 412-740-7064 or mediterracafe.com

Both Mediterra operations are run by the Ambeliotis family. Nick Ambeliotis, the founder, has been at the helm since the beginning. His sons, Anthony and Nicholas, handle all bread production and baking; Mike, the oldest and the ﬁrst to join his father, is Mediterra’s general manager. Their sister, Nicole, manages the books and assists in the cafe. Her husband, Garrett, is head of sales. Mediterra Café is fast-casual fancy. The cozy eatery, also a specialty shop, features imported oils and spreads, dry goods, and local products, along with a display of meats and cheeses. Every empty space is ﬁlled, the shelves of gourmet goods just toeing the line between chaotic and enticing. Jacqueline Schoedel, of Smallman Galley concept Josephine’s Toast, leads the kitchen of Mediterra Café. Her minimalist approach to cuisine —

CP PHOTO: JARED WICKERHAM

Avocado toast with cucumber, tomato, radish, herbs and seeds and a farm salad at Mediterra Café

there are only so many things you can ﬁt on one piece of toast — shines on the menu. The list is a mix of simple sandwiches, salad and grain bowls, pizza by the slice, a few options for toast, and for breakfast, there’s French toast, porridge, and baked eggs. I stopped by the cafe at lunchtime on a Friday. The space was alive with a bustling lunch crowd, ﬂying past with to-go containers, bakers balancing trays

of pizza overhead fast-moving baristas, and the soft chatter of friends meeting for a two-hour lunch. I chose to mix breakfast and lunch, picking the breakfast sammie and a cheese board. The cheeseboard alone was memorable. Before opening Mediterra, Nick worked as a cheese and meat importer and his expertise was evident. Each board was selected and cut to order, then paired with slices of a Mediterra baguette.

FAVORITE FEATURES: Crazy Coffee

Bread Art

Kids Menu

Searching for a deconstructed latte? Looking for a rose latte, or one with actual pieces of carrot cake as a garnish? Mediterra has it.

Behind the counter at Mediterra there are nine loaves of bread branded with letters that read “MEDITERRA.” If you don’t already know that bread is their specialty, it’s spelled out for you.

Mediterra welcomes all ages with a kids menu. Treat your little one to a PB&J while you stuff yourself with cheese.

I wanted to love my breakfast sandwich, but it fell short. The makings were all there — a fried egg, cheddar, Sicilian pesto, arugula, and bacon on a ﬂuffy brioche bun — but there was a touch of unexpected sourness from the pesto. It didn’t quite meld with the peppery arugula or sweet bun, instead overpowering the sandwich entirely. Unable to resist the bakery’s pastry case, I ﬁnished off my meal with a housemade take on the Little Debbie classic Zebra Cake. This mix of playfulness and high cuisine was one of my favorite things about Mediterra. Mediterra is inventive without being inaccessible. There are expensive, French cheeses and limited-edition olive oils for sale in the same store that sells coffee with lucky charms and popsicle lemonade. It’s a charming, inviting mix.

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Follow staff writer Maggie Weaver on Twitter @magweav

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BY MAGGIE WEAVER // MWEAVER@PGHCITYPAPER.COM

HE UNSPOKEN pop-up rule —

decorate until there’s no empty space left — is honored at Pittsburgh’s two newest pop-up bars, Red White & Booze and Level Up. Red White & Booze started as Zombie Den, opening for its first run in the Fall of 2018. The space, adjacent to The Original Oyster House, was a dive bar for the undead. The bones of a dive remain in Red White & Booze, but instead of zombies, the bar displays neatly framed pictures that chronicle important U.S. moments. Pieces of history — The Declaration of Independence, Uncle Sam, and posters for Mohammed Ali — hang next to portraits of presidents and football stars. Flags fly from the walls, glowing red, white, and blue under strings of lights that line the ceiling. Outside, a grillmaster, guarded by a bronze soldier, flips burgers and hot dogs. Three signature cocktails — red rum punch, white sangria, and a blue G&T — are menu highlights. They’re delicious (and potent). The sangria, made with tequila instead of brandy, doesn’t taste like wine at all. It is, as the server describes, more of a “wine cocktail,” aka very strong. The red rum punch, made with lots of fruit, sips like a melted popsicle. Level Up, the latest from Pop Up PGH, an ever-rotating bar that’s hit all

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major holidays and Game of Thrones, is now set to the tune of 8-Bit. Every inch of its white walls is covered by fake brick, maps of gamescapes, or giant versions of the games themselves. Cutouts of Bowser, Princess Peach, and other beloved characters are plastered between Nintendo’s signature green pipes; Mario and Luigi wave from behind the bar. Drink and compete on the two fully-functional consoles: a ﬂat-screen displayed Nintendo and a classic arcade machine.

LEVEL UP 268 Forbes Ave., Downtown. 412-471-0400

RED WHITE & BOOZE 20 Market Square, Downtown.

Pop Up PGH’s drink menu has come a long way since it opened Jingle Bar. Both drinks, The Mario Manhattan and the Finish Me! were balanced and clean. The Manhattan left behind a touch of a whiskey burn and the sweetness of Finish Me! leveled nicely with a bitter Aperol end. These two bars have mastered the art of a pop-up. They don’t stay open for long (to quote Level Up: “we’re here for a good time, not a long time”), but the next concept is always close behind, promising to be better than the last.

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.FOR THE WEEK OF JUNE 20

FREE WILL ASTROLOGY BY ROB BREZSNY // INFO@PGHCITYPAPER.COM

CANCER (June 21-July 22): Some traditional astrologers believe solar eclipses are sour omens. They theorize that when the Moon perfectly covers the Sun, as it will on July 2, a metaphorical shadow will pass across some part of our lives, perhaps triggering crises. I don’t agree with that gloomy assessment. I consider a solar eclipse to be a harbinger of grace and slack and freedom. In my view, the time before and after this cosmic event might resemble what the workplace is like when the boss is out of town. Or it may be a sign that your inner critic is going to shut up and leave you alone for a while. Or you could suddenly find that you can access the willpower and ingenuity you need so as to change something about your life that you’ve been wanting to change. So I advise you to start planning now to take advantage of the upcoming blessings of the eclipse.

LEO (July 23-Aug. 22): What are you doing with the fertility and creativity that have been sweeping through your life during the first six months of 2019? Are you witheringly idealistic, caught up in perfectionistic detail as you cautiously follow outmoded rules about how to make best use of that fertility and creativity? Or are you being expansively pragmatic, wielding your lively imagination to harness that fertility and creativity to generate transformations that will improve your life forever?

VIRGO (Aug. 23-Sept. 22): Mythologist Joseph Campbell said that heroes are those who give their lives to something bigger than themselves. That’s never an easy assignment for anyone, but right now it’s less difficult for you than ever before. As you prepare for the joyous ordeal, I urge you to shed the expectation that it will require you to make a burdensome sacrifice. Instead, picture the process as involving the loss of a small pleasure that paves the way for a greater pleasure. Imagine you will finally be able to give a giant gift you’ve been bursting to express.

LIBRA (Sept. 23-Oct. 22): In 1903, the Wright Brothers put wings on a heavy machine and got the contraption to fly up off the ground for 59 seconds. No one had ever done such a thing. Sixty-six years later, American

GEMINI (May 21-June 20): In the next four weeks, you’re not likely to win the biggest prize or tame the fiercest monster or wield the greatest power. However, you could very well earn a second- or third-best honor. I won’t be surprised if you claim a decent prize or outsmart a somewhat menacing dragon or gain an interesting new kind of clout. Oddly enough, this less-than-supreme accomplishment may be exactly right for you. The lower levels of pressure and responsibility will keep you sane and healthy. The stress of your moderate success will be very manageable. So give thanks for this just-right blessing! astronauts succeeded at an equally momentous feat. They piloted a craft that departed from the Earth and landed on the surface of the moon. The first motorcycle was another quantum leap in humans’ ability to travel. Two German inventors created the first one in 1885. But it took 120 years before any person did a back-flip while riding a motorcycle. If I had to compare your next potential breakthrough to one or the other marvelous invention, I’d say it’ll be more metaphorically similar to a motorcycle flip than the moon-landing. It may not be crucial to the evolution of the human race, but it’ll be impressive — and a testament to your hard work.

SAGITTARIUS (Nov. 22-Dec. 21):

SCORPIO

Some children are repelled by the taste of broccoli. Food researchers at the McDonald’s restaurant chain decided to address the problem. In an effort to render this ultra-healthy vegetable more palatable, they concocted a version that tasted like bubble gum. Kids didn’t like it, though. It confused them. But you have to give credit to the food researchers for thinking inventively. I encourage you to get equally creative, even a bit wacky or odd, in your efforts to solve a knotty dilemma. Allow your brainstorms to be playful and experimental.

(Oct. 23-Nov. 21):

In the year 37 AD, Saul of Tarsus was traveling by foot from Jerusalem to Damascus, Syria. He was on a mission to find and arrest devotees of Jesus, then bring them back to Jerusalem to be punished. Saul’s plans got waylaid, however—or so the story goes. A “light from heaven” knocked him down, turned him blind, and spoke to him in the voice of Jesus. Three days later, Saul’s blindness was healed and he pledged himself to forevermore be one of those devotees of Jesus he had previously persecuted. I don’t expect a transformation quite so spectacular for you in the coming weeks, Scorpio. But I do suspect you will change your mind about an important issue, and consider making a fundamental edit of your belief system.

You could be a disorienting or even disruptive influence to some people. You may also have healing and inspirational effects. And yes, both of those statements are true. You should probably warn your allies that you might be almost unbearably interesting. Let them know you could change their minds and disprove their theories. But also tell them that if they remain open to your rowdy grace and boisterous poise, you might provide them with curative stimulation they didn’t even know they needed.

CAPRICORN (Dec. 22-Jan. 19):

AQUARIUS (Jan. 20-Feb. 18): Spank yourself for me, please. Ten sound swats ought to do it. According to my astrological assessments, that will be sufficient to rein yourself in from the possibility of committing excesses

and extravagance. By enacting this humorous yet serious ritual, you will set in motion corrective forces that tweak your unconscious mind in just the right way so as to prevent you from getting too much of a good thing; you will avoid asking for too much or venturing too far. Instead, you will be content with and grateful for the exact bounty you have gathered in recent weeks.

PISCES (Feb. 19-March 20): Your inspiration for the coming weeks is a poem by Piscean poet Henry Wadsworth Longfellow. It begins like this: “The holiest of all holidays are those / Kept by ourselves in silence and apart; / The secret anniversaries of the heart, / When the full river of feeling overflows.” In accordance with astrological omens, Pisces, I invite you to create your own secret holiday of the heart, which you will celebrate at this time of year for the rest of your long life. Be imaginative and full of deep feelings as you dream up the marvelous reasons why you will observe this sacred anniversary. Design special rituals you will perform to rouse your gratitude for the miracle of your destiny.

ARIES (March 21-April 19): Orfield Laboratories is an architectural company that designs rooms for ultimate comfort. They sculpt the acoustic environment so that sounds are soft, clear, and pleasant to the human ear. They ensure that the temperature is just right and the air quality is always fresh. At night the artificial light is gentle on the eyes, and by day the sunlight is rejuvenating. In the coming weeks, I’d love for you to be in places like this on a regular basis. According to my analysis of the astrological rhythms, it’s recharging time for you. You need and deserve an abundance of cozy relaxation.

TAURUS (April 20-May 20): I hope that during the next four weeks, you will make plans to expedite and deepen your education. You’ll be able to make dramatic progress in figuring out what will be most important for you to learn in the next three years. We all have pockets of ignorance about how we understand reality, and now is an excellent time for you to identify what your pockets are and to begin illuminating them. Every one of us lacks some key training or knowledge that could help us fulfill our noblest dreams, and now is a favorable time for you to address that issue.

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PITTSBURGH CITY PAPER JUNE 19-26, 2019

.ART . .

OLD SPORT BY AMANDA WALTZ AWALTZ@PGHCITYPAPER.COM

HERE WAS A time when I showed

horses competitively, both as a 4-H kid and in rodeos. While I left that life — partly because of allergies, partly because avowed horse people are insufferable – I still feel drawn to equine art. As 30 Rock character Jack Donaghy once declared, “We know what art is! It’s paintings of horses!” To some degree, I am part of that “we.” This holds true for A Sporting Vision, the latest exhibition at the Frick Pittsburgh. On view through Sept. 8, the collection spans 200 years of oil paintings depicting the intimate relationship between humans and horses in pre-automated England. It also illustrates how growing industrialization and other factors changed that relationship, as horses went from pulling carriages and chasing foxes to carrying jockeys to the ﬁnish line. To drive this home, the exhibit is separated into three key themes: the hunting of “In Pursuit,” the horse racing and coach driving of “In Motion,” and the provincial scenes of “Animal, Man Country.” Taken from the private collection of the late Paul Mellon, and organized by the Virginia Museum of Fine Art, the show focuses mainly on horses, as well as other animals familiar to hunting and farm life, including hounds, cows, and pigs (there’s also some wildlife thrown in for good measure). Even so, the Frick’s chief curator and director of collections, Sarah Hall, believes the show’s appeal extends beyond dog and pony people, as the romantic scenes of English life would please any Anglophile taken with Jane Austen, Emily Brontë, or Downton Abbey. To that end, A Sporting Vision evokes complicated feelings, as most of the pieces are limited to showing the exploits of wealthy gentry from the 18th and 19th centuries. There’s also the animal rights factor, as fox hunting remains a major theme throughout (it’s worth mentioning that people still fox hunt in the U.K., despite it being banned). Both themes are especially prominent in Sir Mark Masterman Sykes’s Hounds with Huntsmen by Henry Bernard Chalon and The Death of the Fox by John Nost

CP PHOTO: AMANDA WALTZ

The Joy of the Chase or The Rising Woman and the Falling Man, 1780. John Collet

Sartorius. In the former, a hired man, shovel in hand, stands in the foreground with his working dog and horse, the background a ﬂurry of well-bred hounds and fox hunters giving chase. In the latter, a hunter, surrounded by his excited hounds, triumphantly hoists a dead fox above his head. Even horse racing and steeplechase, both of which appear here, still generate controversy for animal cruelty, as horses have either died or suffered severe injuries as a result of racing. Still, while examining each painting, it’s amusing to realize that interests now synonymous with so-called “horse girls” was once a key part of upper-class performative masculinity. While women rarely appear in the show, there are a few exceptions, most notably in The Joy of the Chase, or The Rising Woman and

the Falling Man. The painting by John Collet shows a stylish woman in the midst of a stag hunt, smiling smartly at a fallen male rider as she urges her mount to jump over him.

A SPORTING VISION AT THE FRICK PITTSBURGH Continues through Sept. 8. 7227 Reynolds St., Point Breeze. Free. thefrickpittsburgh.org

Even so, it’s difﬁcult to deny the level of skill in each piece. This especially applies to featured artist George Stubbs, whose obsession with studying and painting horses would put even the most hardcore horse girl to shame (he literally wrote the book on horse anatomy in 1766). His attention to detail

Follow senior writer Amanda Waltz on Twitter @AWaltzCP

PGHCITYPAPER.COM

regarding the equine physiognomy is on full display in six paintings, all with impressive, nearly photographic renderings of large, expressive eyes, mouths chomping at bits, and musculature highlighted by sleek, shiny coats. The anatomically correct paintings of Stubbs and others aren’t the only style represented. Some works are less concerned with accuracy, bordering on cartoonish folk art (The Final Lengths of the Race for the Doncaster Gold Cup by John Frederick Herring, Sr. brought to mind the 2003 French animated feature The Triplets of Belleville). Whatever impression A Sporting Vision leaves with the viewer, the various works, with their often lively scenes and naturalist details, contribute to a vivid narrative about a bygone time during which horses played an essential role.

•

.LITERATURE.

THE WORLD BY NIGHT BY REGE BEHE CPCONTRIBUTORS@PGHCITYPAPER.COM

HERE ARE no personal revelations

in Anjali Sachdeva’s short-story collection, All the Names They Used for God (Spiegel & Grau). If there are any references to her life or her family, they are discreet and known only to the author. Sachdeva is instead a keen and curious observer who relies on technology to collect “bits and pieces of information that just come to me in a streamof-consciousness way,” she says. “Those pieces of information influence the way the story develops. It’s interesting for me to think about if I would have been writing in a pre-internet era, how would these stories have been different, because it would have taken me weeks and weeks of library research to find the same information.” Sachdeva will appear with Clare Beams and Tess Allard on Fri., June 21 at White Whale Bookstore in Bloomfield to promote the paperback release of All the Names They Used for God, which recently won the Chautauqua Prize for significant contributions to literary arts. A lifelong resident of Western Pennsylvania who lives in Squirrel Hill, Sachdeva teaches English and creative writing at the University of Pittsburgh and in a low-residency program at

PHOTO: THURNER PHOTOGRAPHY

Anjali Sachdeva

ANJALI SACHDEVA 7 p.m. Fri., June 21. White Whale Bookstore, 4754 Liberty Ave., Bloomfield. 412-224-2847 or whitewhalebookstore.com

Randolph College in Virginia. Many of her ideas come while on hiking trips; she’s traversed rugged backcountry trails in Iceland, Kenya, Mexico, and Canada. “There’s a trail, but there’s not anything else,” Sachdeva says. “I’m one of those people who, while hiking, prefers not to see anyone else, to enjoy the solitude of it. And I think part of

why I like that is there’s some element of risk or danger to a backcountry hike. Obviously you’re not hoping that anything bad happens to you, but it’s not the same as taking a nice walk through Frick Park.” The stories are part-Aesop, partUrsula K. Le Guin — fantastic and surreal

and yet grounded by Sachdeva’s lucid prose. Each story is a unique work of imagination: the young woman living alone in the Ozarks who seeks solace in a cave in “The World By Night”; the secret desires of the seafarer in “Robert Greenman and the Mermaid”; the two school girls abducted by Boko Haram in the title story, who escape by using magic learned from a sex worker. Sachdeva wrote All the Names Used for God in reaction to a story she read a year after the Nigerian girls had first been kidnapped by the terrorists. “I was reading about what the girls’ lives were like once they came home,” she says. “I think we like to imagine they escape and come home and their lives are back to normal, but in fact they face pretty significant problems and even prejudice in their home communities.” Some of the stories — notably “Manus” and “Pleiades” — are closer to true science fiction. But Sachdeva’s intent is to address questions that often cannot be answered by logic or reason. “I think that’s why I’m drawn to speculative fiction,” she says. “It’s like once you take the real world and twist it a little bit, to me, that actually makes the questions clearer. Like somehow by taking a step back from reality, it lets you look at questions head-on that may be a little too daunting in a realistic context.”

•

BETWEEN THE LINES Pulitzer Prize-winning writer Fredrik Logevall, author of Embers of War: The Fall of an Empire and the Making of America’s Vietnam (Random House), will speak as part of the Vietnam War Speaker Series at Heinz History Center. 7 p.m. Thu., June 20. 1212 Smallman St., Strip District. $20. 412-454-6000 or heinzhistorycenter.org

Follow featured contributor Rege Behe on Twitter @RegeBehe_exPTR

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SEVEN DAYS OF CONCERTS WAR

SATURDAY, JUNE 22 Contrary to the name, when War started in 1969, its mission was to “spread a message of brotherhood and harmony.” Speaking out against racism, hunger, gangs, crimes, and turf wars, the group’s instruments and voices were their weapons, their songs their ammunition. But even though the lyrics often were politically charged, the band’s California roots shone through their music with sunny, laid-back melodies, like in the 1975 release, “Why Can’t We Be Friends,” or the hit track, “Low Rider.” Melding funk, soul, Latin, jazz, and blues, War joins Patti Labelle, Charles Lloyd, and more during the Pittsburgh International Jazz Festival. 7:15 p.m. Liberty Avenue Stage II, 980 Liberty Ave., Downtown. Free. pittsburghjazzfest.org PHOTO: DANIEL ATILANO

War

FULL LIST ONLINE pghcitypaper.com

THURSDAY JUNE 20 JAZZ JESSICA LEE, MARK STRICKLAND. Engine House No. 25. 6 p.m. Lawrenceville. ERIN BURKETT, VIRGIL WALTERS, ERIC SUSOEFF. Eighty Acres Kitchen & Bar. 5:30 p.m. Monroeville.

THE SPILL CANVAS. Rex Theater. 7 p.m. South Side. GREENBEARD, LADYKILLER. Gooski’s. 9 p.m. Polish Hill. RE•ISSUE. Southern Tier Brewing Co. 5 p.m. North Side.

MULTI GENRE

ROCK YES, ASIA. Stage AE. 5:30 p.m. North Side.

LITHICS, THE GOTOBEDS, WISTERIA, TRVSS. Babyland. 8:30 p.m. Oakland.

BRIAN GENOVESI. Moondog’s. 7 p.m. Blawnox.

PUNK/METAL

EARTH, HELMS ALEE. Spirit. 7 p.m. Lawrenceville.

JAZZ IN THE GARDEN. Phipps Conservatory and Botanical Gardens. 7 p.m. Oakland.

MACSEAL, POOL KIDS, OVERO. Mr. Roboto Project. 7 p.m. Bloomfield.

TERESA HAWTHORNE AND LEGACEE LIVE. Wallace’s Whiskey Room. 7 p.m. East Liberty.

POP

MAKAYA MCCRAVEN. August Wilson African American Cultural Center. 8 p.m. Downtown.

FRIDAY JUNE 21

LOVELYTHEBAND. Stage AE. 7 p.m. North Side.

THE SMOKING POPES, THE ATARIS. The Smiling Moose. 8 p.m. South Side. THE WILD FEATHERS. Jergel’s. 8 p.m. Warrendale.

INDIE

KOZ. Il Pizzaiolo. 8 p.m. Warrendale.

SPETTRO, SOULGO. Market St. Grocery. 8 p.m. Downtown.

ELECTRONIC

COVERS

RE:VISION. Cattivo. 8 p.m. Lawrenceville.

DAVID AND PAPPY (FROM THECAUSE). Mike’s Beer Bar. 7 p.m. North Side.

DARYL SHAWN. Backstage Bar. 5 p.m. Downtown.

SATURDAY JUNE 22

SHINING STAR. Rivers Casino. 7 p.m. North Side.

JAZZ

THE SWEET JUDYS. Oaks Theater. 7:30 p.m. Oakmont.

ERIC DEFADE. Sugar & Smoke. 6 p.m. Bloomfield.

LUCARELLI JAZZ. Trax Farms. 12 p.m. Washington.

FESTIVAL

THE ACES, HELENE MILAN. Cioppino Restaurant & Cigar Bar. 7 p.m. Strip District.

OLGA WATKINS BAND. NOLA on the Square. 8 p.m. Downtown.

OUTLAW MUSIC FESTIVAL (COUNTRY). KeyBank Pavilion. 3 p.m. Burgettstown.

REGGAE THE FLOW BAND. Wallace’s Whiskey Room & Kitchen. 7 p.m. East Liberty.

ACOUSTIC ROBYN HITCHCOCK. Club Cafe. 7 p.m. South Side.

RICH ZABINSKI TRIO. Fresco’s. 7 p.m. Wexford.

PHOSPHORESCENT. Rex Theater. 8 p.m. South Side.

BOILERMAKER. Enix Brewing. 8 p.m. Homestead.

COUNTRY/FOLK

PUNK/METAL

DYLAN LEBLANC. Club Cafe. 8 p.m. South Side.

SWISS ARMY. Cattivo. 7 p.m. Lawrenceville.

BENNY BENACK. Wolfie’s Pub. 8 p.m. Downtown.

EVENING OF CHAMBER MUSIC. Temple Emanuel. 7:30 p.m. South Hills.

BRIAN REYBURN (FROM HER LADYSHIP). Bierport. 8 p.m. Lawrenceville.

BLUES

ACOUSTIC

COLD SHOULDER, SWING LOW. Preserving Hardcore. 7 p.m. New Kensington.

LYNN SPEAKMAN QUINTET. Kingfly Spirits. 7 p.m. Strip District.

CLASSICAL

S.M. WOLF. Howlers. 9 p.m. Bloomfield.

KEB’ MO’. The Palace Theatre. 8 p.m. Greensburg.

MICHAEL LINDNER. Il Pizzaiolo. 7 p.m. Mount Lebanon.

ROCK

THE SHAMELESS HEX. Hop Farm Brewing. 8 p.m. Lawrenceville.

DAN GETKIN AND THE TWELVE SIX. Pittsburgh Community Broadcast Center. 6:30 p.m. South Side. STALEMATE. Mr. Smalls Theatre. 7 p.m. Millvale.

PGHCITYPAPER.COM

THE SWEATY ALREADY STRING BAND. Scratch Food & Beverage. 8 p.m. Troy Hill.

KRIMEWATCH, PEACE TALKS. The Shop. 8 p.m. Lawrenceville. JAKETHEHAWK, BLACK SPIRIT CROWN. Gooski’s. 9 p.m. Polish Hill.

COUNTRY THE GATLIN BROTHERS. The Palace Theatre. 7:30 p.m. Greensburg

POP THE SUMMERCAMP. Club Cafe. 10:30 p.m. South Side.

MULTI GENRE LOFI DELPHI, PADDY THE WANDERER, THE SUN CHAMPS. Howlers. 9 p.m. Lawrenceville.

BLUES RIVER CITY BLUES QUARTET. Cioppino Restaurant & Cigar Bar. 7 p.m. Strip District. MISS FREDDYE’S BLUES BAND. Moondog’s. 8 p.m. Blawnox.

ROCK BAD BOOKS. Rex Theater. 8 p.m. South Side. DONNIE IRIS AND THE CRUISERS. Carnegie Library Music Hall. 7 p.m. Munhall.

DVE ROCKER (ROCK). Stage AE. 5 p.m. North Side.

PUNK CAUGHT ON SIGHT. Mr. Roboto Project. 6 p.m. Bloomfield.

ACOUSTIC BROOKS WEST. The Full Pint Wild Side Pub. 8 p.m. Lawrenceville.

FAYE WEBSTER. Club Cafe. 7 p.m. South Side.

SUNDAY JUNE 23

HAPPY CLOUDS. Refresh PGH. 6 p.m. Garfield.

ELECTRONIC

COVERS

STACEY “HOTWAXX” HALE. Remedy Restaurant and Lounge. 9 p.m. Lawrenceville.

HIP HOP

DESPERADO. Crafthouse Stage & Grill. 9 p.m. Whitehall.

FOLK

THE BLACK MADONNA. Hot Mass. 12 a.m. Downtown.

THE SHINERS. Baja Bar and Grill. 2 p.m. Fox Chapel.

JAZZ MARY LOU WILLIAMS. City of Asylum. 6 p.m. North Side.

PHOTO: ADAMA JALLOH

NUBYA GARCIA

Nubya Garcia

SUNDAY, JUNE 23

There’s been a resurgence of jazz-influenced genres in the U.K., and London-based saxophonist and composer, Nubya Garcia, is one of the driving forces. Creating music that belongs more on musty dancefloors than in country clubs, Garcia’s strain of modern jazz gives a nod to her upbringing with Caribbean parents. It’s mostly minimal in instrumentation (mostly Garcia on tenor sax with a backing rhythm section), but the compositions are engrossing and just the right amount of complex. Witness this burgeoning talent at the Pittsburgh International Jazz Festival. 2 p.m. Liberty Avenue Stage I, 980 Liberty Ave., Downtown. Free. pittsburghjazzfest.org

EXPERIMENTAL SAAJTAK. Spirit. 9 p.m. Lawrenceville.

METAL A MOMENT IN POMPEII. Black Forge Coffee House. 6:30 p.m. Allentown. THE ROYAL BARBEQUE (ALL-DAY EVENT). Royal Place. 1 p.m. Overbrook.

MONDAY JUNE 24

ALTERNATIVE/INDIE

ROCK

SPENCER KRUG. Club Cafe. 8 p.m. South Side.

STEVEN PAGE TRIO. Jergel’s. 8 p.m. Warrendale. JULIANA HATFIELD. Club Cafe. 8 p.m. South Side.

LOVE YOUR FRIENDS. Mr. Roboto Project. 6 p.m. Bloomfield.

WEDNESDAY JUNE 26 ELECTRONIC

HIP HOP/RAP

BLUES

MIR FONTANE, MY FAVORITE COLOR. The Smiling Moose. 7 p.m. South Side.

JAZZ

GRENDEL. Cattivo. 8 p.m. Lawrenceville

ROGER HUMPHRIES TRIO. Savoy. 6 p.m. Downtown.

CLASSICAL

POP NEW KIDS ON THE BLOCK. PPG Paints Arena. 7:30 p.m. Downtown.

ROCK/PUNK AVANTIST, THE ZELLS, SWITHER. Howlers. 7 p.m. Bloomfield. MADISON LATELY. Rex Theater. 6:30 p.m. South Side. MINDSCAN, BODY FARM. The Rock Room. 7 p.m. Polish Hill.

FOLK WILL VARLEY, MARSHALL LEWIS. Club Cafe. 8 p.m. South Side.

JIMMY ADLER. Wolfie’s Pub. 6 p.m. Downtown.

TUESDAY JUNE 25 ROCK CATFISH AND THE BOTTLEMEN. Stage AE. 7 p.m. North Side.

Electric Scooter Rideshare

THE MIDNIGHT. Stage AE. 7 p.m. North Side.

INSTRUMENTAL COLLABORATIVE PIANO FESTIVAL GALA CONCERT. Kresge Theater. 7 p.m. Oakland.

ROCK CHON. Mr. Smalls Theatre. 7:30 p.m. Millvale.

SMILE EMPTY SOUL. Hard Rock Cafe. 8 p.m. Station Square.

THE NËRD HËRDËRS, LUXURY MACHINE. Howlers. 8 p.m. Bloomfield.

FOLK

ALTERNATIVE/INDIE

ZIGGY ALBERTS. Rex Theater. 7 p.m. South Side.

CAVETOWN. Rex Theater. 7 p.m. South Side.

JAZZ

FOLK

STEVEE WELLONS BAND. Katz Plaza. 5 p.m. Downtown.

NATHAN ANGELO. Club Cafe. 8 p.m. South Side.

These listings are curated by Pittsburgh City Paper’s music writer Jordan Snowden and include events from our free online listings. Submit yours today at www.pghcitypaper.com/submitevent

Download the app and start riding today! PITTSBURGH CITY PAPER JUNE 19-26, 2019

CP PHOTO: JARED MURPHY

.ARTS.

Juan José Fernández

BACKSTAGE BY LISSA BRENNAN // CPCONTRIBUTORS@PGHCITYPAPER.COM

NAME: Juan José Fernández, Greenﬁeld TITLE: Comics Community Organizer WHAT IS A COMICS COMMUNITY ORGANIZER? It manifests in a lot of ways. I partner with a bunch of different people and organizations, but at the heart of it, the goal is to motivate comics making and reading in Pittsburgh, particularly across the whole spectrum of what comics as a medium can actually do — not just focused on a pop-culture, solely entertainment space. WHAT DOES THIS ENTAIL? A Carnegie Library of Pittsburgh book club, reading a different comic or graphic novel every month. The ﬁrst Wednesday of the month, a get-together at Kaibur Coffee, leading people through comicsmaking exercises for two hours. Comics made during that time are included in a monthly zine available for free. I run, as the managing editor, the website Comics Workbook. This was started by [Pittsburgh-based cartoonist] Frank Santoro, who’s not involved

PGHCITYPAPER.COM

anymore and passed the baton to me. That space is for comics makers by comics makers: reviews, essays on having a day job and making comics, making comics about depression, how you do autobiographical comics, artist proﬁles, daily strips ... All of this is infrastructure building for people to make and disseminate work and also come together. WHAT INITIALLY ATTRACTED YOU TO COMICS? Comics were the way I found myself becoming an active reader. I’m from Venezuela and when I came to the U.S., I really struggled with reading. I would read Garﬁeld and Spider-Man and was reading more and more and more, but I wasn’t a maker. HOW DID THAT CHANGE? I discovered Copacetic Comics in Squirrel Hill, run by Bill Boichel. Bill gave me a brochure for this school in Vermont, the Center for Cartoon Studies. I was reading more and more comic books, and I

was really enamored by this brochure. “Wait, there’s so many different ways to approach comics making!” I went to Vermont, did a two-year MFA while selfpublishing, then came back to Pittsburgh. HOW HAS DOING THIS PROFESSIONALLY CHANGED HOW YOU APPROACH COMICS AS A READER? I experience them differently but still with tons of pleasure, reading, and making. The pleasure that I got when reading comics originally was always in deconstructing and reconstructing, and I continue to experience that. When working with a student, I like to break apart their work in my mind to understand what is useful for me to tell them. When I’m experiencing something I’m reading, it’s like, “What’s this doing really well? Wow, this really is ﬁring on all cylinders!” I love formalism intersecting with intuition. IS THE EXPECTATION THAT EVERYONE PARTICIPATING IN ACTIVITIES WILL BECOME A COMICS ARTIST? The idea is to push comics-making as

a practice in combination with other things that you do in your life. It supplements and augments and allows you a deeper, richer experience of life itself. Learning to play an instrument can enrich your life and enrich how you experience music. Learning comics allows you to have a much deeper way of experiencing narrative, visual culture, writing, drawing, all of those things. It gives you a way of kind of capturing your life in books. WHAT DO PEOPLE NEED TO KNOW ABOUT COMICS? In this explosion of content using the medium of comics, there’s a comic out there for everybody. If you want to read a biography of André the Giant, that exists. If you want to read a comic exploring a philosophical treatise on Heidegger, that exists. If you want to read autobiographical comics by immigrants, that exists. DO YOU THINK PEOPLE KNOW THAT? I wish more people knew that.

•

PHOTO: NATHAN J. SHAULIS/PORTER LOVES PHOTOGRAPHY

Joshua Reiman’s “#glassseagull”

.ART.

GLASS FEELING BY HANNAH LYNN // HLYNN@PGHCITYPAPER.COM

UE TO ITS fragility, glass is not usually seen as a playful or interactive medium. There is always the lingering childhood fear of breaking your mom’s favorite vase. But a new exhibit at the Pittsburgh Glass Center (PGC) upends that feeling. Idea Furnace Retrospective features the work of 17 artists who completed PGC’s Idea Furnace program, which allows non-glass artists to try their hand at the medium with the help and instruction of glass artists. The exhibit, on view through July 29, highlights work from artists who poke fun at social media, pay tribute to forgotten history, and explore the limits and functions of the medium. The ﬁrst pieces visitors see when entering the exhibit are part of sculptural artist Joshua Reiman’s “Extreme Vanity” series, featuring three works meditating on the human ego and its relationship to social media. “#glassseagull” features a taxidermy seagull perched atop rockshaped glass and staring at an iPhone running an endless loop of its Instagram feed. He writes in his description that he chose a seagull as a human stand-in because, like humans, it will “steal food, raise a family, shit everywhere, and glide around everybody else.” Another Reiman piece lets visitors stick their head through a hole in a table to be surrounded by four shining glass heads. Sound artist Ranjit Bhatnagar’s piece

achieves the tricky task of making instruments out of the glass. The “Urchin Drums” sit stationary on the shelves, but visitors can put on headphones and watch a video on an iPad of the drums being played. (Not having the visitors play the drums themselves is probably a good call.) The work plays with the notably “unmusical” qualities of the hollow glass sphere.

IDEA FURNACE RETROSPECTIVE Continues through July 29. Pittsburgh Glass Center. 5472 Penn Ave., Friendship. Free. pittsburghglasscenter.org

One of the most visually striking pieces in the collection is an installation honoring the Radium Girls of the early 20th century, female factory workers who contracted radiation poisoning from the luminous paint used on watch dials. Created by writer and artist Savannah Schroll Guz, the piece began in 2012 as a short story, then a graphic novel (an excerpt hangs next to the glass work), and at the PGC, an open casket with the radiumgreen glass body of a woman dressed in a beaded green quilt. It’s a more noble burial for the many women whose deaths were often blamed on other causes like syphilis before the companies involved admitted the damage done by their product.

Because the artists involved with the exhibit had never worked with glass before, many of the pieces are experimental, as if they were testing out the limits of the material and seeing how it can expand their personal craft. Braddockbased abstract sculptor Alyssa Kail used the opportunity to create a self-portrait capturing changes in her life, centered on a particularly meaningful haircut. Two glowing glass powder printed portraits sit on either side of a severed glass braid, lying on a table like an altar offering. Alisha Wormsley, another local artist, is known for working in an array of forms, from ﬁlm to collage. Her pieces involve stained-glass geometric shapes, framing portraits of Black women like a shrine. In her statement, Wormsley says that she likes trying new mediums because “it’s like traveling interdimensionally.” All of the labels for the artwork are written by the artists and explain their intentions, inspirations, and how they handled the process of making art out of unfamiliar material. It makes the gallery feel more welcoming to see that even these experienced artists can try something new without knowing how or if it will work out. Most of the pieces in the gallery are not for touching, but at the front, there is a table with imperfect glass pieces and molds — glass spoons, a disembodied leg — for visitors to touch and examine. It’s all part of the learning process.

•

PITTSBURGH CITY PAPER JUNE 19-26, 2019

PHOTO: PETER PRATO/A24

Jonathan Majors and Jimmie Fails in The Last Black Man in San Francisco

.FILM.

THE LAST BLACK MAN IN SAN FRANCISCO BY HANNAH LYNN // HLYNN@PGHCITYPAPER.COM

HERE’S A SPECIFIC pain in loving a place that’s changing — or has already changed — beyond recognition. At this point, no city, big or small, is safe from rejuvenation, gentriﬁcation, restoration, displacement, or whatever other words are used to describe the replacement of lived-in places with the garish sleekness of new apartments. The ﬁlm The Last Black Man in San Francisco is about characters grappling with their struggle to keep living in a city where the Black population is shrinking, and the average rent for a one-bedroom apartment is $3,700. The movie is directed by Joe Talbot, roughly based on the life of his childhood friend Jimmie Fails (who stars in the movie, as a character named Jimmie Fails). Both are San Franciscans whose families have lived in the city for generations and now have to contend with the fact that what they know and love is, if not gone, completely changed. (For reference, Talbot is white and Fails is Black.) Jimmie is living with his best friend Montgomery (Jonathan Majors) in Hunter’s Point, one of the last predominantly Black neighborhoods in San Francisco. The house is barely big

enough for Jimmie, Montgomery, and his grandpa (Danny Glover). Jimmie fantasizes about having his own place, speciﬁcally the towering Victorian house where his family once lived in the heart of the city, formerly known as the “Harlem of the West.” The family lost the house years ago, but Jimmie visits the house bi-weekly to do repairs, gardening, and paint touch-ups, much to the annoyance of its current residents. Jimmie tells anyone who will listen, including a Segway tour group, that the house is special because his grandpa built it himself in the 1940s. He feels he has a right to the house, even when it goes up for sale for $4 million. When the current owners also lose the house, Jimmie and Montgomery begin squatting. They do so as long as they can until reality (a realtor) catches up. Jimmie has to reckon with the fact that you can never really own a place. The movie is a sweeping and visually stunning story that captures the friction of a changing city. Some aspects are speciﬁc to San Francisco, others are echoed in a place like Pittsburgh, where the tech industry is also reshaping the city. At a bus stop, a butt-naked man sits down

next to Jimmie, and when a party bus of drunk bros drive by, they start chanting at him. Jimmie identiﬁes more with the naked man. When Jimmie rides his skateboard down a main drag, he’s met with stares from businessmen. Even when he makes it into the old house, Jimmie is ﬁlled with the feeling that maybe a millionaire deserves to live in it more.

THE LAST BLACK MAN IN SAN FRANCISCO Directed by Joe Talbot. Starring Jimmie Fails, Jonathan Majors. Opens Fri., June 21.

The ﬁlm spends a lot of time exploring the effects of a changing city, but it’s actually more about Jimmie and Montgomery’s tender friendship. They’re a bit of an odd couple, in that Jimmie is naturally cool and Montgomery is not. Jimmie wears a ﬂannel and rides a skateboard, and Montgomery runs alongside it in his socks and sandals. But the two have a friendship that runs deep. Montgomery supports Jimmie’s efforts with the house until the very end. In return, Jimmie is encouraging of the play Montgomery is writing. When

Follow staff writer Hannah Lynn on Twitter @hanfranny

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they hug, they hug hard. While The Last Black Man is a sometimes staggering effort, it’s also imperfect. The movie is bursting at the seams with how many topics it wants to cover — how much it wants the audience to feel — that it sometimes becomes overwrought. They squeeze in, for example, the shooting death of an old friend from Hunter’s Point, but don’t weave it into the story enough to make a statement about gun violence, other than to provide melancholic material for the characters. The music choices, while often poignant, can also come off as affected, like when Joni Mitchell’s “Blue” plays over a scene of ﬁve men ﬁghting. The movie’s critique of the new version of the city is not always as biting as it could be, it’s closer to a resigned acceptance. Spitting venom at the tech bros won’t bring the old San Francisco back, and it’s their city now, too. It will come for us all one day. You’ll either be priced out of your neighborhood or city, or you’ll become the one pricing someone else out. Maybe both. Maybe, one day, the tech bubble will burst, and its employees will get priced out and decry the loss of their city.

•

.COMEDY.

THREE WOMEN, ONE MIC BY GAB BONESSO CPCONTRIBUTORS@PGHCITYPAPER.COM

RACEY WILLIAMSON is becoming

a force in the Pittsburgh comedy scene. Her show “Three Women, One Mic” debuted in February, featuring improv by Williamson and two other female comedians, Samantha Bentley and Shaun McCarthy. With Bentley, she also co-founded BentWilli Entertainment, a public relations company for local comedians offering marketing, design, and project management services. Pittsburgh City Paper spoke with the local comedian and talent manager about her journey. WHEN DID YOU FIRST FALL IN LOVE WITH COMEDY? I’ve always had an appreciation for comedy, but I fell deeply in love with it in 2016. That’s when I fully realized comedy is a coping mechanism that I rely heavily on to thrive. It helps me

Tracey Williamson

ﬁght anxiety and depression. When I thought I was ready to give up on this world — and when I thought this world had given up on me — I threw all of my frustrations, sadness, and anger into comedy. To my surprise, it transformed into something amazingly positive. YOU WEAR MANY HATS IN THE SCENE. YOU ARE A COMIC, PRODUCER, AND MANAGER. WHAT INSPIRED YOU TO DO MORE THAN JUST PERFORM? It all happened so naturally. I felt the need

to give birth to something. I wasn’t quite sure what, but I knew it was in gestation. I met Samantha Bentley while performing at a charity event and reached out to her about a year or so later to ask her to work on a project with me. I wanted to produce a different type of comedy show. Samantha and I play off of each other so well. I wanted to tap into that, but we can also be a bit much … When I met Shaun McCarthy, I knew she was the missing link. The birth of “Three Women, One Mic” was my awakening. I realized my production and management skills outweigh my stand-up comic skills. And that’s OK. I mean, don’t get me wrong, I’m funny AF, but the business end is where I shine brightest. Sam and I co-founded BentWilli Entertainment, LLC to handle the serious side of comedy, and I manage Samantha through the company.

crowd work, or improvisation. The weirdest topic we got so far was “Uncle Frank and Aunt Bruce.” I still don’t know what that means, but we improvised our way through it, and it worked. (Check it out on the BentWilli YouTube channel!) I pitched the idea for the show to Don Mahaney, owner of Scratch Food & Beverage in Troy Hill, and we performed our ﬁrst show there this past February. The show was a hit and we had a blast doing it. We’ve had four shows since and have more in the works. We’re also working on a podcast and a project with ﬁlmmaker Chris Ivey of Hyperboy Media.

I HAVE BEEN ONLINE STALKING YOU SINCE YOU CREATED “THREE WOMEN, ONE MIC.” CAN YOU TELL US MORE ABOUT THAT PROJECT? “Three Women, One Mic” is BentWilli’s ﬁrst completed project. The audience submits the topics and we respond. We have no idea what’s coming at us or what’s coming out of us. Our response may come through relatable stories,

WHEN CAN WE SEE ONE OF YOUR PRODUCTIONS IN PITTSBURGH? “Three Women, One Mic” will be recoding our comedy talk show podcast in front of a live audience at Sugar and Smoke Southern Kitchen bi-weekly June 26 through Aug. 21.

THREE WOMEN, ONE MIC facebook.com/BentWilliEntertainment; bentwillientertainment.com coming soon

•

Follow featured contributor Gab Bonesso on Twitter @gabbonesso

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WED., JULY 3 BILLY BOB THORNTON AND THE BOXMASTERS 6 P.M. JERGEL’S RHYTHM GRILLE WARRENDALE. Minors must be accompanied by an adult. $28-45 724-799-8333 or ticketfly.com.

THU., JULY 4 CELEBRATE AMERICA PITTSBURGH! 12 P.M. POINT STATE PARK DOWNTOWN. Free event. www.celebrateamericapgh.com

THU., JULY 4 4TH OF JULY CELEBRATION 2 P.M. HEINZ FIELD NORTH SHORE. Free event. heinzfield.com

THU., JULY 4 JULY 4TH FIREWORKS BLOWOUT 6 P.M. CARNEGIE SCIENCE CENTER NORTH SHORE. $49-79. 412-237-3400 or carnegiesciencecenter.org.

FRI., JULY 5 AN EVENING OF MAGIC AND MUSIC: PHAT MAN DEE + TANYA SOLOMON 7 P.M. CLUB CAFÉ SOUTH SIDE. 21 and up. $10. 412-431-4950 or ticketweb.com/opusone.

FRI., JULY 5 FASCINATING FIREFLIES WITH A PARK RANGER

WED., JULY 3 BILLY BOB THORNTON AND THE BOXMASTERS JERGEL’S RHYTHM GRILLE WARRENDALE. 7 P.M. THUNDERBIRD CAFÉ & MUSIC HALL LAWRENCEVILLE. 21 and up. $20. 412-331-1050 or roxianlive.com

SAT., JULY 6 BLINK-182 & LIL WAYNE 7:30 P.M. KEYBANK PAVILION BURGETTSTOWN. $24-137. 412-431-0773 or brownpapertickets.com.

SAT., JULY 6 STACKED LIKE PANCAKES 7:30 P.M. MR. SMALLS THEATRE MILLVALE. $10. 412-421-4447 or mrsmalls.com.

SAT., JULY 7 SHAKESPEARE IN THE PARK 4 P.M. GRAND PAVILLION HARTWOOD ACRES MANSION. Free event. alleghenycounty.us/parks

8 P.M. DEER LAKES PARK RUSSELLTON. Free event. alleghenycounty.us/parks

SAT., JULY 7 SONS OF TEXAS

FRI., JULY 5 SAY AHH (A TRIBUTE TO POSION)/ HIGH N DRY (A TRIBUTE TO DEF LEPPARD).

5:30 P.M. CRAFTHOUSE SOUTH HILLS. Minors must be accompanied by an adult. $12-14. 412-653-2695 or ticketfly.com.

6 P.M. JERGEL’S RHYTHM GRILLE WARRENDALE. Minors must be accompanied by an adult. $12-25. 724-799-8333 or ticketfly.com.

FRI., JULY 5 BILLY PRICE BAND & THE NIGHTHAWKS

SAT., JULY 7 “WEIRD AL” YANKOVIC 8 P.M. BENEDUM CENTER DOWNTOWN. $39.50- 294.25. 412-456-6666 or trustarts.org.

SAT., JULY 7 CHILLENT & THE GOODFOOTS 8 P.M. THUNDERBIRD CAFÉ & MUSIC HALL LAWRENCEVILLE. 21 and up. $10.

412-331-1050 or roxianlive.com

MON., JULY 8 SOL STUDIO DANCE CAMP 9 A.M. TRUST ARTS EDUCATION CENTER DOWNTOWN. Students grades 4-6. $125-150. 412-456-6666 or trustarts.org.

MON., JULY 8 FAMILY FUN DAY AT THE POOL 1 P.M. BOYCE PARK PLUM. Free event. alleghenycounty.us/parks

MON., JULY 8 THE DJ PROJECT CAMP 9 a.m. TRUST ARTS EDUCATION CENTER Downtown. Students grades 4-6. $125-150. 412-456-6666 or trustarts.org.

TUE., JULY 9 BOILERMAKER JAZZ BAND 5 P.M. AGNES KATZ PLAZA DOWNTOWN. Free event. 412-456-6666 or trustarts.org.

TUE., JULY 9 SHAMIE ROYSTON QUINTET 8 P.M. GREER CABARET THEATER DOWNTOWN. $25-35 412-456-6666 or trustarts.org.

TUE., JULY 9 ALEXANDRA KAY 7:30 P.M. HARD ROCK CAFE STATION SQUARE. Minors must be accompanied by an adult. $10-12. 412-481-ROCK or ticketfly.com.

FOR UPCOMING ALLEGHENY COUNTY PARKS EVENTS, LOG ONTO WWW.ALLEGHENYPARKS.COM PITTSBURGH CITY PAPER JUNE 19-26, 2019

SEVEN DAYS OF ARTS+ENTERTAINMENT

PHOTO: CARNEGIE SCIENCE CENTER

^ Fri., June 21: Snowball Day

THURSDAY JUNE 20 TALK One year after the tragic killing of Antwon Rose II, the community will reconvene and hopefully get some insight from one of America’s most prominent philosophers and social activists. Cornel West has taught at Harvard and Yale and has written books on race and politics. West frequently discusses the issues of poverty and American’s failing in tackling that issue. He visits the Pittsburgh

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Theological Seminary for a moderated discussion with local activist Jasiri X and author Bakari Kitwana. Donations are accepted and will go to the 2nd Annual Antwon Rose II Birthday Celebration. 7-9 p.m. 616 N. Highland Ave., East Liberty. Free. Facebook search “1Hood Media”

FRIDAY JUNE 21 FILM Most people probably don’t know that much about John DeLorean beyond the

car that bears his name, but there’s a lot there: bankruptcy, cocaine, celebrity friendships, lots of law suits, and great eyebrows. As someone puts it in the new documentary Framing John DeLorean, “[He] was the leading man Hollywood producers dream of, and he was real.” The film tells DeLorean’s story through archival footage, talkinghead interviews, and re-enactments featuring Alec Baldwin in the title role. Learn about the man behind one of the most absurd designs in American automobile history when Framing John DeLorean comes to Harris Theater. Multiple showings. Continues through

Thu., June 27. 809 Liberty Ave., Downtown. $8. cinema.pfpca.org

FUNDRAISER Alzheimer’s is a disease that has affected millions, and medical professionals and scientists have had a tough time mitigating many of its horrific symptoms. And that is all the more reason to help fund awareness for the care, support, and research efforts of the Alzheimer’s Association and its Longest Day Campaign. On the year’s longest day, the Flip Off Alzheimer’s Pinball Contest will be held at Kickback Cafe. Participants will play a machine

GET ON THE WATER THIS SUMMER! Kayak & Stand-Up Paddleboards Rentals available Daily, Weekend & Weekly Rates

1130 S. Braddock Ave. www.3riversoutdoor.com

LANDMARKS PRESERVATION RESOURCE CENTER - A program of the Pittsburgh History & Landmarks Foundation Foundation

JOIN US AT THE LANDMARKS PRESERVATION RESOURCE CENTER FOR ONGOING WORKSHOPS AS WE CONTINUE PROGRAMMING ON ARCHITECTURE, HISTORY, DESIGN, URBAN PLANNING, AND OTHER TOPICS RELATED TO HOW CITIES FUNCTION AND HISTORIC PRESERVATION AS A TOOL OF COMMUNITY DEVELOPMENT.

CP PHOTO: JARED WICKERHAM

^ Tue., June 25: Wasi Mohamed

chosen by the tournament director, and the longest game wins. Players can play as many times as they want, and the proceeds go to the Alzheimer’s Association. 10 a.m.-9 p.m. 4326 Butler St., Lawrenceville. $5 suggested donation per game. Facebook search “Flip Off Alzheimer’s Pinball Tournament”

SNOWBALLS What can you do with a snowball in the summer? Use it for admission to the Carnegie Science Center. Bring your winter keepsake to the science center on Friday for Snowball Day and name your own admission price for the day. Then, join other snowball-savers and launch them into the Ohio River. 10 a.m. 1 Allegheny Ave., North Side. Name your price. carnegiesciencecenter.org ^ Sat., June 22: Dangerously Live Comedy Talk Show ILLUSTRATION: CLAY BENNETT, REPRINTED WITH PERMISSION

SATURDAY JUNE 22

TUESDAY, JUNE 25 • 6:00 PM – 7:30 PM LECTURE: ABANDONED AMERICA: STATES OF DISREPAIR PRESENTER: MATTHEW CHRISTOPER AUTHOR & PHOTOGRAPHER

STAGE Originating in Britain, CluedUpp is a detective game intended to bring the board game Clue to life — but on a large, citywide scale. Sneaky Finders is the name of Pittsburgh’s take on CluedUpp, and it’s centered on a fictional town called Millingham. The game is inspired by 1920’s film, and players are encouraged to dress in their fanciest clothes that would fit in at a party at Jay Gatsby’s. Multiple prizes are awarded throughout the game, including for fastest team, best fancy dress, and best team name. 10 a.m.-1 p.m. Multiple locations. $46 per team of six adults. cluedupp.com CONTINUES ON PG. 50

Join author and photographer Matthew Christopher for an exploration of ruins across our cities and countryside, as he shares a hauntingly beautiful portrait of the abandoned America around us. From steel mills and industrial sites to schools, churches, prisons, homes, and more, Matthew’s work provides a glimpse into lost worlds that few get to visit ﬁrsthand. With his travels broadening to ancient sites in Romania, Greece, and India, we’ll learn more about the phenomenon of abandoned sites across the globe and discuss why preservation of our heritage is a concern everywhere, not just in our own communities. ABOUT THE PRESENTER: Matthew Christopher’s two books, “Abandoned America: Dismantling the Dream” and “Abandoned America: The Age of Consequences” and his website, also titled Abandoned America, have chronicled the stories of modern ruins across the United States and gained international attention. Matthew has an MFA in Fine Art Photography from Rochester Institute of Technology and has taught photography at a college level and now teaches photography workshops.

THIS LECTURE IS FREE AND OPEN TO THE PUBLIC. RSVPS ARE APPRECIATED: MARYLU@PHLF.ORGOR 412-471-5808 EXT. 527. 744 REBECCA AVENUE

WILKINSBURG, PA 15221

412-471-5808

PITTSBURGH CITY PAPER JUNE 19-26, 2019

CALENDAR, CONTINUED FROM PG. 49

PHOTO: KATHRYN HYSLOP PHOTOGRAPHY

^ Sat., June 22: Wizardvue

WIZARDS The portal to WizardVue is opening once again. This small borough, normally known as Bellevue, reveals its true magic only once a year. Take potions, defense against the dark arts, and herbology at Flamecrest Academy (Bellevue Elementary), compete in Wizard Idol, learn the tactics of Flying Broomball, and find your magical house. Soak up the magic before it’s gone. 11 a.m. Lincoln Ave., Bellevue. Free. wizardvue.org

COMEDY How does one cope with a shit-forbrains president? For local talk show host and comedian John McIntire, it’s the Dangerously Live Comedy Talk Show dedicated to Donald “very stable genius” Trump, with special guests councilwoman-elect Bethany Hallam and Wilkinsburg Mayor Marita Garrett. Pittsburgh Post-Gazette advice columnist Natalie Bencivenga will also be on hand

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to “advise on how to maintain stability while the genius is in charge.” 8 p.m. Bricolage, 937 Liberty Ave., Downtown. $20 (cash only). Search Facebook for “Very Stable Genius”

SUNDAY JUNE 23 EVENT Vampires, stay home! The Allegheny SolarFest revolves around that big yellow orb shining brightly in the sky. (Well, most days. It is Pittsburgh, after all.) Come jam to bands Timbeleza, Buffalo Rose, and Tiger Maple String Band, while learning how you can switch to solar-powered energy. There will also be food trucks and an electric vehicle car show. 11 a.m. Frick Environmental Center, 2005 Beechwood Blvd., Squirrel Hill. Free. Search Facebook for “Allegheny SolarFest”

EVENT The Mattress Factory’s Urban Garden Party is the event that keeps on giving. On Friday night, the adults drink and dance into the night at one of the city’s most popular events of the year. But today? Today is for the kids. The annual Community Garden Party is the museum’s way of thanking neighbors for their support with a free family-friendly celebration. There will be face painting, bubbles, flower crowns, and a dance floor for kids of all ages. 1 p.m. 500 Sampsonia Way, North Side. Free. mattress.org

COMEDY Enjoy a night of comedy and music when Steel City Improv presents Evan Sherwin: Debut and Farewell. Described as the “bard of South Highland Avenue,” Sherwin performs real-life stories spun into original songs, all accompanied by live guitar and jazz piano. Steel City Improv fans may remember Sherwin from the venue’s 2018 song-and-dance

event featuring Folding the Universe, a team of musical theater improv performers. 8-9:30 p.m. 5950 Ellsworth Ave., Shadyside. $10. steelcityimprov.com

MONDAY JUNE 24 EVENT It’s not easy making a living as an artist, which is why many end up applying for grants and other funding resources to make their work. But not every artist is good with grant proposals, which is why the Greater Pittsburgh Arts Council is hosting Let’s Talk About Art Baybee: How to Pitch Your Work. Anne Mulgrave, the Council’s director of grants and accessibility, will help artists of any discipline get descriptive and pitch their work. 6 p.m. 810 Penn Ave., Downtown. Pay what you can. pittsburghartscouncil.org

: Lisa Dillman

^ Mon., June 24

TALK

EVENT

Continuing with its Art of Translation Series, which explores the field of literary translation, Alphabet City will host Lisa Dillman, whose work focuses on translating the works from Spanish and Catalan. Her most recent works include Such Small Hands by Andrés Barba and Dog by Pilar Quintana. The event will feature readings by Dillman, followed by a discussion. 7 p.m. 40 W. North Ave., North Side. Free. alphabetcity.org

Last year, Wasi Mohamed and the Islamic Center of Pittsburgh were named Pittsburghers of Year by the Pittsburgh City Paper for their generosity and message of unity following the Tree of Life shooting. Now Mohamed, who serves as executive director of the center, will be honored with the 2019 New Person of the Year Award by the Thomas Merton Center, which works to create a more peaceful and just world by addressing war, poverty, racism, classism, economic and environmental justice, and human rights. The award ceremony will take place at the National Association of Letter Carriers Hall. 6-9 p.m. 841 California Ave., North Side. $40. thomasmertoncenter.org

TUESDAY JUNE 25

FUNDRAISER Attack Theatre has been putting on adventurous, genre-bending dance performances since 1995 — this year’s The Rube Goldberg Variations, for example, adopted the concept of the titular machines and paired them with Bach. To celebrate another winning season and to look forward to its next, the company is hosting Attack Theatre: We’re On A Boat!, a cruise on the three rivers featuring light food, a cash bar, and plenty of nautical puns (hull of a good time, ferrytale ending, etc.). Submit your own boat pun when buying your ticket online for a chance to win an all-access pass to Attack’s forthcoming 25th season. 5:30 p.m. Lock Wall One Marina, 2 23rd St., Strip District. $35. attacktheatre.com

WEDNESDAY JUNE 26 DANCE Performance artist Moriah Ella Mason will present Embodying Queerness, a new dance theater piece at The Space Upstairs. Mason will reflect on queer and Jewish identity in the diaspora through an open process workshop, no formal dance or movement experience necessary. The event will examine texts on queerness and how people experience queerness in their bodies and includes meditative and collaborative movement explorations. Those interested are encouraged to wear loose, comfortable clothes and bring water and a notebook. 7-9 p.m. 214 N Lexington St., Point Breeze. thespaceupstairs.org • PITTSBURGH CITY PAPER JUNE 19-26, 2019

PITTSBURGH CITY PAPER

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Propel Schools, a network of 13 public charter schools, has issued a request for proposals to artists and art programs to deliver classes as part of our CreativeArts program. Full and part-time proposals will be considered. The deadline is June 28. For more information, visit www. propelschools.org and see “Contracting Opportunities” in the “Contact Us” dropdown menu or enter https:// bit.ly/2WR5qTF in your browser.

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HELP WANTED Phipps Conservatory will be holding OPEN INTERVIEWS for GUEST SERVICE ASSOCIATES (PT) every Thursday from 10 am -3 pm from June 20 –July 25. Permanent positions, as well as seasonal opportunities for the upcoming holiday season, are available. Interested candidates should come to the Welcome Center located at One Schenley Park, Pittsburgh, PA 15213, with a cover letter and resume. For more information, visit https:// www.phippsjobs.org.

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NAME CHANGE

IN The Court of Common Pleas of Allegheny County, Pennsylvania: No. GD-19-6048. In re petition of Brittnay Lashaun Cowan for change of name to Brittany Lashaun Cowan To all persons interested: Notice is hereby given that an order of said Court authorized the ﬁling of said petition and ﬁxed the 28th day of June, 2019, at 9:45 a.m., as the time and the Motions Room, City-County Building, Pittsburgh, PA, as the place for a hearing, when and where all persons may show cause, if any they have, why said name should not be changed as prayed for

IN The Court of Common Pleas of Allegheny County, Pennsylvania: No. GD19-7750. In re petition of Lauren Elizabeth Walkowski for change of name to Lauren Elizabeth Black. To all persons interested: Notice is hereby given that an order of said Court authorized the ﬁling of said petition and ﬁxed the 11th day of July, 2019, at 9:45 a.m., as the time and the Motions Room, City-County Building, Pittsburgh, PA, as the place for a hearing, when and where all persons may show cause, if any they have, why said name should not be changed as prayed for

IN The Court of Common Pleas of Allegheny County, Pennsylvania: No. GD19-2174, In re petition of Francine Shapera parent and legal guardian of Riley Alexandra Forrisi, for change of name to Riley Alexandra Shapera. To all persons interested: Notice is hereby given that an order of said Court authorized the ﬁling of said petition and ﬁxed the 2nd day of July, 2019, at 9:45 a.m., as the time and the Motions Room, City-County Building, Pittsburgh, PA, as the place for a hearing, when and where all persons may show cause, if any they have, why said name should not be changed as prayed for Attorney for the Petitioner Michael J. Machen, Esq. 310 Grant Street Suite 823 Pittsburgh PA 15219 412-973-8008

PPG Industries, Inc. seeks Sr Systems Analyst to work in Pittsburgh, PA to provide Oracle-based solutions incl. technical expertise in apps dvlpmnt, maintenance, & implementation of Oracle EBS R12. Speciﬁc duties incl.: collab’ing w/customers, staff members, IT colleagues, & other stakeholders to understand detailed customer req’ts & sys. interfaces; providing tech specs; & dvlpng & deploying viable sys. solutions. Will be req’d to simultaneously handle both complex project & production support work. Send resume & cvr ltr to: PPG Industries, Inc., Corporate Human Resources, Attn: MPHR36W100, One PPG Place, Pittsburgh, PA 15272.

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Lung Cancer?

NOW HIRING! Pittsburgh City Paper advertising department is seeking a Senior Account Executive. In this role, you will identify and develop new business opportunities; keep and grow existing client relationships; offer solutions that help clients achieve their business goals, close business and meet set sales targets. 3+ years of sales experience in the Pittsburgh Market required.

Please send resume to justin@pghcitypaper.com No phone calls please. • Pittsburgh City Paper is an Equal Opportunity Employer.

YOU SUCK

BY BRENDAN EMMETT QUIGLEY // WWW.BRENDANEMMETTQUIGLEY.COM

ACROSS

1. “The Ballad of Buster Scruggs” filmmakers 6. Story with a headshot 9. Permeate throughout 14. Let 15. Spotify playlist, e.g. 16. Brigadier General Yeager (first woman to command a U.S. Army infantry division) 17. Strings in the orchestra 18. Sonar sounds made while drunken? 20. Promotional gimmick 21. Actress Ortiz 22. Crucial 23. Has to lift weights at the gym? 28. Offensively smelly 29. Row of Staples 33. Geisha accessory 36. Rings around the aloha shirt collar 37. Reading spot 38. Viral video trend that involves people wearing trash bags, and an alternate title for this puzzle 43. “My Dog Has Fleas” instrument 44. Ballerina’s bend 45. The Man upstairs 46. Big buttes 48. Bohr of physics 49. Insect knows for sure?

55. Place for pampering 58. Affirmative that is a homophone of a pronoun 59. Former rep Olympia 60. Promote canonized folk with a boot in the rear? 64. Chef Deen 65. Moral value 66. Chickens do it 67. Core 68. “Christina’s World” painter 69. Thing sucked out during a 38-Across (and from the theme answers) 70. Programmable thermostats

DOWN

12. Instinctive motive 13. No problem 19. Hydrocarbon ending 24. Judge 25. Relating to the ears 26. Cod-filled meal served in slices 27. Trigonometric term 30. Diss track, e.g. 31. Corporate picture 32. ___ out a living (scraped by) 33. Egg, in biology 34. Make, as a 26-Down 35. Tops the cake 39. Letters on some fighter jets

40. Yankee or Oriole, briefly 41. Jaunty tune 42. Clinton’s secretary of defense 47. Slacker’s posture 48. LL Cool J procedural 50. “Indeedy” 51. Totally pointless 52. Mad Lib requests 53. Baby screecher 54. Contents of Room 101 in “1984” 55. Render useless, as polls 56. “Too bad!” 57. Bit of soreness 61. Drummer’s set 62. See 10-Down 63. Neighbor of Jor. LAST WEEK’S ANSWERS

1. Prickly plants 2. Vegetable-oil component 3. Page of Hollywood 4. “You think I’m joking” 5. Illness with farm origins 6. Maker of the X1 series 7. Sequel’s sequel’s number 8. Ventura County city 9. Francis, in Roma 10. With 62-Down, rum drink 11. Spot for an oversleeper

PITTSBURGH CITY PAPER JUNE 19-26, 2019

PEEPSHOW A sex and social justice column BY JESSIE SAGE // PEEPSHOWCAST@GMAIL.COM

YING ON MY bed, I talk to a new

phone sex client. I am trying to feel out his desires. I ask him about his past, his sexual experiences, and his unfulfilled fantasies. We casually discuss his feelings about his body, what turns him on, and what he thinks about when he masturbates. One of the interesting parts of the job is how candid people will be when they feel like they have little to lose. My husband, who overheard this part of my conversation while grabbing something from his closet, later jokes, “Every time I hear you talking to phone sex clients it sounds like you’re conducting a job interview.” Taken out of context, this might sound disparaging. After all, there is nothing particularly arousing about job interviews, at least not the ones that I’ve been on. Yet, there is some truth to his remark. In fact, the observation that phone sex involves something like an interview process reveals something important about really hot dirty talk: intimate knowledge of what turns both you and your partner on is crucial. Words are powerful; they can cut deep in both positive and negative ways (hearing a particular word or phrase, for example, may be a shortcut to orgasm for one person, and an instant turnoff for another). I ask my

new clients a ton of questions because the answers to these questions shape the way I talk to them: what words I use for our body parts, how and what sex acts to describe, and the tone of the interaction. Something I have learned from talking to so many people is that what works for one will not necessarily work for another. The only way to know what will work is to very actively communicate with your partner, to ask

them questions, and to be open and receptive to their answers. And to reciprocate with answers of your own. This is perhaps why the idea of dirty talk is often so scary. We are not taught to talk about sex in meaningful ways in our culture. Learning to work through the awkwardness of these conversations, however, can lead to really exciting conversations and possibilities. Dirty talking can be a way to explore desires you may

not be ready to act out yet, to open up lines of communication, and get to know your partner better. They may surprise you! Here are a few tips I have picked up from spending thousands of hours on phone sex lines. First, allow yourself to experiment with language without fear of judgement. Learning to dirty talk is akin to learning a new language, and you cannot learn a new language without a few awkward encounters. This also means that you should extend to your partners the same freedom to explore. Second, while the words themselves are important, also think about the way that they are delivered. Slowing down the pace and elongating words is often a way to shift a dialogue from everyday speech to sexy dialogue. Third, if you are not yet ready to do this with another person or don’t yet know what to say, practice on your own. Listen to audio erotica on websites like literotica.com or the subReddit r/gonewildaudio. Find stories and fantasies that turn you on, and then practice repeating those phrases or talking through similar scenarios. And lastly, remember that talking dirty is fun! The phone sex market exists because people want to feel free to express their desires. Doing so within the context of your own relationships can be really worthwhile.

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JESSIE SAGE IS CO-HOST OF THE PEEPSHOW PODCAST AT PEEPSHOWPODCAST.COM. HER COLUMN PEEPSHOW IS EXCLUSIVE TO PITTSBURGH CITY PAPER. FOLLOW HER ON TWITTER @PEEP_CAST. HAVE A SEX QUESTION YOU’RE TOO AFRAID TO ASK? ASK JESSIE! EMAIL INFO@PGHCITYPAPER.COM. QUESTIONS MAY BE CONSIDERED FOR AN UPCOMING COLUMN.

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