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FILIPPOS LAGOS philiplagos@hotmail.com +30 698 62 55 297
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Work - Practice Greece , Athens
Sept. 2017 - Oct. 2017
314 Architecture studio / Work for 1 year as Project Architect Participation in : Design process Building permissions Creation of physical models Detailed construction drawings Visiting the site during construction Surveying buildings Cooperation with technicians , construction companies and customers Knowledge of the greek GBR ( General Building Regulation ) info of the studio in case of any recommendation Mob: +30 6947727229 Tel: +30 2130385811 Website: www.314architectutestudio.com email: 314architecturestudio@gmail.com
Greece , Athens
Oct. 2017 - Jan. 2017
314 Architecture studio / Internship for 2 months
Education Greece , Volos
Sept. 2012 - Aug. 2017
University of Thessaly / Department of Architecture mark : 9.04 ( will finish education at June 2018 )
Poland , Bialistok Jan. 2016 - Jun. 2016
Bialistok University of Technology / Faculty of Architecture Erasmus Period
Greece , Athens Sept. 2009 - Jun. 2012
Highschool of Ilioupolis mark : 18.7
Languages English / Î’2 Good use of English and quality communication Greek / Native language
Related to Architecture Possesion and knowledge in use of graphic design board , Wacom Intuos pro medium ( experience of 3 years use ) Intresting in new technologies as leizer cutter and 3D printing Long expirience in physical models cutted by lazer from diferent materials as cardboard and wood . Participation in 3D printing workshop and posetion of certification on it. 5
Interests Drawing Photography ( Workshop for a year and a personal web page ) https://philiplagos.wixsite.com/photo Collage Exhibitions Workshop Travelling ( Europe , Africa ) Competition participations ( Cook 8 / Domes )
Research Exploring upon a trip and a visit in buildings of Carlo Alberto Scarpa in Venice and Verona and in particular in the techniques of materiality, the liquid element, the light and the shadow , and the detail of the construction. Based on the experiential process of touring inside his creations .
Software Auto CAD Rhino - Vray for Rhino Blender ( just the basic ) Google Sketch up Maxon Cinema 4D - Vray for C4D Adobe Creative Suite ( Photoshop - Ilustrator - InDesign - Lightroom ) Microsoft Office Mac OS - Windows Laser Cutter 3D printer - Ultimaker Cura
Other characteristics Cooperation Consistency Analysis Concept Conception idea Designing part Sketches 3D design Render production Project ilustration Concept diagrams Building physical model Presentation
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TABLE OF CONTENTS
historic layers project 01 I page 11
the exhibit project 04 I page 44
the whale
digging in
project 02 I page 22
project 05 I page 52
changes within project 03 I page 36
multilsectioned project 06 I page 62
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deformation project 07 I page 68
deformation project 08 I page 78
PART 1 I ACADEMIC
island shapes
pagoda
project 09 I page 86
project 10 I page 96
PART 2 I PROFESSIONAL
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PART 1 I ACADEMIC
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historic layers small museun at a historic area
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01
historic layers small museun at a historic area Semester : 9 th Volos 2016 Partner:Bravou Studio Coordinator:G. Triantafilidis
By excavating most of Greek cities somebody could find whole ancient ones buried under them. In some cases , where this is feasible and desirable , excavations have been made and they have already come to light . In one of the most central points of Thessaloniki there is such an archeological site , where a large part of the old city is located just next to Navarino Square and one of the most central pedestrian streets ,which started from the famous Gospel of Apostolos (arch) and ended up at the sea. In this area we decided that it would be important to place a small pavilion of about 300 sqm which is consisted of three zones of 100 sqm , one for the permanent exhibition which needs physical light , one for the temporary exhibition with artificial light and one for the small shop and the cafĂŠ . The permanent exhibition will host exhibits from the historical site in which it is located. We also created a path-ramp , which you can follow to roam around the archeological site. According to historic events of Thessaloniki, which we listed in chronological order and in combination with the needs for light that every zone has , in each space we place copper frames at distances - which reminds us of a real timeline . The density of the frames changes every time not only for aesthetic reasons but also to cover the needs of light for every part of the pavilion . The rest of it was created entirely of glass surfaces considering that there should be as much visual contact as possible with the ancient foundings. The pavilion is lifted over them. It is also located in the part of the site that covers the less part of the ancient remains possible. At the same time -*visitors still keeps visual contact with them *even when they ‘re inside the pavilion due to the glass floor. The frame and the pilars that support the whole pavilion are made from metal.
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H I S T O R Y THE
IDEA
The idea came from the basic historical points that marked the city of Thessaloniki by placing them in a series according to their chronology.
THE LIGHT CONCEPTION In the beginning, we took the four spaces that needed the pavilion . Each room had different lighting requirements . We put them in a row and create the chart with the amount of lighting .This has helped us to shape the densities of fabrics .
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PL
Through the copper frames there is a glass cover that surrounds the pa
diagram shows the three bas
resting place with view to the pavilion and to historic area main sidewalk historic area
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PATH IN THE HISTORIC AREA ROUTE FOR COFFE PLACE AND SUVENIR SHOP ROUTE FOR THE EXIBITION AREAS
AN
avilion all the way to the best view to the archaeological site . Also, the
sic traffic flows in the space .
section of the pavilion
entrance to pavilion
Navarinou square
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tensiled cable glass panels in the floor metallic beam H section’s copper frames
PAVILION DETAILS Ι Longitudinal section construction detail at the high of the floor
metallic handrail glass panels in the ramps floor vertical metallic beams main metallic beams H section’s
RAMPS DETAILS I Constructional detail in the horizontal direction of the entrance ramp at the height of the floor.
vertical metallic beam H section’s glass vertical panels glass panels in the floor horiszontal metallic beam H section’s copper frames
PAVILION DETAILS ΙΙ Cross section construction detail at the high of the floor
metallic handrail stainless steel planks main metallic beam H section’s vertical metallic beams
RAMPS DETAILS ΙΙ Constructional detail in the cross section of the ramp that leads to the historic area in the high of the floor .
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CAFE
VIEW
At the entrance to the pedestrian area you can see the small cafĂŠ which offers , so much a different view to the ancients, as well as the brass frames of the NavarinoU square .
VIEW
FROM
THE
EXHIBITION
The permanent exhibition opposite to the entrance, where the pavilion has a view to the main pedestrian path leading to the beach, while at the same time you can see the exhibits as close as possible to their natural environment.
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THE
EN
The entrance to the small booth is on the side of the quiet Navarino reflections of the buildings, the archaeological site and the sky, resu
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TRANCE
square. Glass, one of the most basic elements of the area , it creates ulting in a greater degree of urbanization in the urban environment .
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the whale museum of modern art
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Cafe
WC Restaurant
Public Servises - Offices Second Level Plan
Teacher’s Office
Tech-Exhibition
Double High Exhibition
Activities Classroom
First Level Plan
Main Exhibition
Exit to the Twer
Main Auditorium Temporary Exhibition Ground Level Plan
Secondary Auditorium Main Auditorium Underground Souvenir Shop
Toilets Emergency Staircase
Underground Level Plan
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the whale museum of modern art Semester : 9 th Volos 2016 Partners:Stathopoulos , Ioannidis Studio Coordinator:G. Triantafilidis
One of the most important points in the city of Thessaloniki is the site of the DETH . It is an area of approximately 260,000 sqm in which two important buildings of the city are preserved and must be preserved. one of these is the stadium, Pale de sport, and the second one the tower of OTE, which you can see from every spot of the city, something that made it landmark of the city. To this extent, we were planning to design a total renovation of the site where we would include some new buildings in it. These buildings are a five-star hotel, a conference center of 15,000 sqm where it will become the largest congress of the city and in the end a museum of modern art about 7,000 sqm. There are also other functions around this plot, which should be taken into account,such as the future creation of a metro station at one end, the camp on the other side of the land , which it can become also a large exhibition park , the great origin of students in this area of one or more schools in Thessalonica is housed in the opposite part of the Egnatia (central road on the upper part of the plot) and finally the connection of the museum with the other two museums located in the neighboring building blocks. Greater analysis was centered on the museum that was placed at that point so , first to integrate with the other two museums and second to connect to the tower and create a cover for it.He was then turned to look at the rest of the plot and to form with his mouth a pass to the future park on the camp . Its entrance is located on a floor beneath the ground and a tilt is made in front of it , which aims at attracting passers-by . There are five floors in the interior . All the ceilings have a central nucleus in which the risky stair the lifts , toilets for each floor , and a small warehouse . In the second basement is the small amphitheater and the shop , which communicates with the main entrance , which is located below the earth with the large amphitheater and the imposing staircase . On the ground floor there is the exit to the tower and the periodic exhibition while in the first the permanent exhibition , the exhibition of double exhibits and a room suitable for lessons around the subject of art . On the last floor and with a spectacular view is the restaurant , the cafÊ-bar , a media room on new technological products and the museum’s offices .
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IDEA
OF
FORM
With the OTE tower at that point in the field and wanting to include him in the overall form of the museum , which works as a pick point to the museum , while at the same time it is occupied at the view from the last floors in front of the seaside part of the Thessaloniki . For this reason, it was decided that there would be a smooth curve that would include the tower without hiding it completely . This curve is not meant to compete with the height of the tower but to stand harmoniously beside it. Then , wishing to show off this peak decided to make a smooth slant ahead of the entrance which will bring the people to a place quite protected and with a view on the inside patio before leading them inside, and which step will make it more intense to step up into the museum.
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THE
SOURCE
OF
LIGHT
The large glazing in the front area of the building and the smaller ones around the building have the effect of emitting light at night and the central atrium of the building should be visible to the visitors from outside of it .
THE
LIQUID
ELEMENT
In such a museum shape where it is look’s like a marine animal , the water should be used as a material . Also it is basic element of the city, since it is built along the shoreline.
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CONECTION
WITH
THE
MILITARY
CAMP
The camp is located in the adjoining area and has been decided to renovate it as a public park and outdoor area with art exhibits .
THE
IN
At the nucleus of the museum is the central atrium which gives air and designed to have natural light and view to the sea . The two audito exit to th
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THE
EXTERNAL
FACADE
The building as a whole is oriented towards the total area of the DETH , towards the center of the city with a view of the tower , the landmark of Theasalonic , and also facing the view to the sea .
TERIOR
visual contact inside the building. Exhibition rooms and restaurant are oriums are located in the ground level while on this area there is an he tower .
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THE
Initially task was the correct placement of the building blocks in the space . art that need to be build in the hole field . The two existing buildings ( a clos ed and integrated into
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FIELD
These were a conference room, a five-star hotel and the museum of modern sed “pale de sport” stadium and the tower of “OTE” ) have also been adapto the new composition .
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THE
CURVED
LINES
The two existing buildings were both circled in the mean of plan , so we tried to integrate in all the buildings the the same overlays , curved forms with surfaces and curved space-structures .
THE
OPENINGS
Beyond the large glass surfaces there are even smaller openings on the roof and in the exterior skin where they enlight atmospherically the atrium .
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ΟΤΕ
TWER
From the tower of OTE you have the view across the city and at the same time the best view in the whole area of the DETH . From there , there is abetter visual contact with the elevation of the iso curves and the design lines of the plot .
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THE
A
The interior of the museum is also designed to illustrate this curved sculptural gives a better inner feeling . With the same technique , the central staircase the mu
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TRIUM
form of the shell. Thus, a large central atrium that grows on every higher floor e of the area leads to the ground floor, at the beginning of the route inside useum.
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changes within interior design apartment and office
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Living room Bathroom area
WC
Shower room
Dinning room Bedroom
Kitchen Small WC
Entrance hall
Small warehouse
Waiting Presentation area Staircase Working office
Small kitchen Office’s WC
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changes within interior design apartment and office Semester : 8 th Bialistok 2016 Studio Coordinator:Marta Kruk
In Poland and specifically in the city of Białystok the conditions of most of the existing buildings are not very good mainly as a result of the income that is very low . So the city has a great deal of redundancy in buildings that need to be renovated and adaptations to meet the demands of young people who usually have better salaries. In such a typical detached house was the question of designing and shaping the interiorfor two young people in my industry and next to that , connected internally , to have their own office . Because , the pre-existing building guided us through its limitations , such as pillars , openings and entrances to the design we are going to make The basic idea for the apartment was to be divided into two main parts . One is the main hall , a WC and then a loft where the kitchen will be with its world in the middle to look to the living room , the dining room and in the deep the living room with the space for the fireplace . The second would be the couple’s room with a big wardrobe and the bathrooms , which will meet the expectations of a very demanding customer The area of the architectural office would also will be divided into two sections which, however, would have the possibility of unification by means of a tilting glass . The first part of the main hall and the space that would make presentations of the projects and they would discuss with the customer , together with a small kitchen and a WC . The rest would be a well designed office for working with diffuse natural lighting and a large head office that I know from experience that is necessary , with a small space for storage and for printers
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THE
APARTMENT
The logic followed was to unify all the spaces and to have a more open-plan configuration which would bring a new style inside the building.
SELECTION
OF
MATERIALS
There are gray-colored materials to give a more modern look, with the exception of the floor where it is wooden and aims at the unification and warmth of the space while it is came from traditional houses in Poland .
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SECTION
OF
THE
APARTMENT
The design was made in an existing building whose openings were predetermined something that limits  the synthethis of the design .
THE
MEETING
The office has a multifunctional space for accommodating customers, waiting and discussing the subject in a less strict environment with the appropriate technical support adjusted .
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SECTION
OF
The two rooms are located next door and they also communicate with a more accessible. The treatment of aesthetics is common wit
SLEEPING
EN
The area of the vault is designed to meet the standards of a modern c to live and in a not ve
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THE
INTERIOR
an internal door so that access from the apartment to the workplace is th characteristic points such as intersections on the walls .
NVIRONMENT
couple with the aesthetic environment in which an architect would want ery low cost budget .
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the exhibit exhibition pavilion for company
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the exhibit exhibition pavilion for company Semester : 8 th Bialistok 2016 Studio Coordinator:Radoslaw Gorski
This particular project is based on the promotion and advertising of a company , and also the design of a company’s exhibition pavilion that will be stand in a square . This construction will be for a big metal production company . Thus the idea of this pavilion was not to create a place but to create a construction that would be the exhibition and the promotion of the company by itself . Then, after this was decided as the main logic of the hole pavilion , a form had to be found , which could support this purpose . Because of the location where it would stand , which was Poland , we ended at the corresponding shape of the facades . These are influenced by the roofs of northern European homes where, due to bad weather and intense snowfall, they have traditional sloping roofs, which usually have sharp slopes to drive snow away . Then , the way in which the construction itself could be the exhibit was researched even more , and I was directed to create these layers of metals that in their entirety create the exhibition form . In this way the optical contact from inside to outside and the other way around will be achieved . Each individual metal part of the construction made from a different kind and color of metal, where the construction creates a sort of catalog of the company. There is also a central diagonal axis that split’s the exhibit into two smaller ones and ends up to the company’s logo. Inside there are also metallic diafragms in which additional materials appear . Apart from that some of them used for presentations or even for projection of some presentation . Finally, there is also a small space inside one of the two blocks, which is camouflaged between two metallic diafragms and there is the personal space of the worker in which there is a desk, a small refrigerator and a closet .
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THE
SHADOW
The role of shade and density of the vertical metallic elements is one of the key features o Also, the shades that are cast beacause of the sun also hav
THE
FA
The differentiation of the views of the exhibit is large and this is the objective , to show tha almost two dimentional but if you put them in the raw the visitor can
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ON
THE
EXIBIT
of this exhibit, since its shape allows it to look like a project that is slowly becoming a volume. ve the same logic with the exhibit and emphasize its features .
ACADES
at the exhibit consists of many layers that make up a new whole . Also the metallic layers are sea the passage from the unit to the total three dimentional exibit .
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THE
DIAGONAL
PATH
Between the two “volumes” there is a path from which the visitor has a different view of the exhibit and in which it guides you a metal line to the floor from one side to the other where the information about the company stand in a metallic vertical surface .
THE
INTERIOR
Inside the building there are metal signs periodical which have explanations and additional details for the company’s materials and a space with a small presentation for the company’s achievements .
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digging in seed storage under surface
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Top of the hill
Residence
Resting place
River
WC Restaurant
Main road
Laboratory space North yard Small yard
Library Library’s yard
Suvenir shop WC
Presentation area
Survey area Seed storage Small yard Entrance Parking
North yard WC
Main yard Auditorium for events Auditorium’s exit
Seed storage
Seed storage
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digging in seed storage under surface Semester : 6 th Volos 2015 Partners:Stathopoulos , Ioannidis Studio Coordinator:I. Stilidis
With regard to the issues of the ever-evolving greenhouse phenomenon, as well as problems regarding the alienation of man by nature and the goods it provides to us, and also the geographic position of our university, we have led to the design of a multi-functional area . This area of 2,000 sq. M. is located at a point outside of Volos, but within the general part of the Thessalian campus, and houses the functions in a building completely beneath the surface of the earth and at a rate of about 15 degrees . The functions are facilities for 20 researchers both for residence and for the labs of them that were designed , a large amount of seed storage well below the ground to maintain smooth temperatures, as well as showrooms and conference areas among them. In addition, there are also spaces specially designed for about 150 visitors, such as schools, etc., with auditoriums , library, small shuvenir shop , also dining areas and a restaurant. The general logic followed is that we choose to build high up the hillside with view to the hole area of the living spaces and the restaurant, while we require the visitor to pass through the entrance and the central corridor that runs between the three main yards so long as he has the possibility to experience a different feeling in a building that is below the ground and its only view is the sky. These yards are scattered between the areas in order to emphasize the situation that is underground and also helps to make the building eco friendly . The areas are positioned according to their use and visitors . For example, in the center between the three courtyards is the library and a quiet place, while near it there is the auditorium and the exit of this that leads to the restaurant. With this building, we are simultaneously combining the research prosses with education and expecting a vast number of visitors . Finally, the storage aims to collect all the samples of Magnesia and Thessalian campus and carry out surveys on their quality.
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PLANS
OF
All spaces are immersed in the ground and at 4 levels. In the lower ones are the seed sto public and visitors. The residence is higher on the hill, half inside the ground and has a v outside en
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THE
LEVELS
orage while near the entrance and the closest to the surface are the uses that are for the view to the slope. Yards are scattered between the areas to have an optical view to the nvironment.
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THE
LANDSCAPE
O
It is in the countryside and it is just next to a country road very close to stand the extent of the operation , sin
SECTION
OF
The tool of the section was essential for thi  in accordance with the tech
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OF
THE
OPERATION
o the highway. From the side of the road there is no possibility to undernce it is in its larger part, submerged.
F
THE
FIELD
is synthetic idea and was used extensively hnique of the physical model .
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YARDS
DEEP
IN
THE
GROUND
Indoor yards are a very interesting element of the composition as they bring light to the underground areas while simultaneously the shadows during the day are rotated in the walls of them, with interesting ways.
ELEVATION
RAMPS
At night the rooms are illuminated by artificial lighting, which is placed in specific places pointing the life below the earth and emphasizing the points of interest. The elevation to the surface is made entirely with ramps for a smoother transition and the oportunity for great views towards the building.
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multilsectioned section and object modelling
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multilsectioned section and object modelling Semester : 6 th Volos 2015 Studio Coordinator:E. Gavrilou
At this point a research on the concept of section began. The section is an element of interest in every part of our lives that . Every person, regardless of his job, makes daily sections on various items such as food. Going on a knife and cutting a slice of bread is the simplest example to understand the meaning of the section . So we can start to look at the cuts in different portions and on different scales such as the cut in a sweet, the incision in a animal to distinguish the meat coming out of each part, the Computed Tomography in medicine and many more. Even in the artistic sections of the exhibits of Damien Hirst and Andy Elison, who made cuts in animals and fruits, respectively, in the same way. Please note that there are big differences between the way that you can find the information you want to receive. Different result will be represent when the sweet is cut vertical or horizontal. These thoughts led me to deal further with the meaning of the section and to make an object according to it. So, on the occasion of the trips I have been making over the last two years and in combination with my passion for the art of photography that I exercise most during my travels, I decided to make a book that I will present in the series of my photos from these trips. So I took the photos and decided for their number , according to the duration of each trip . Thus, a longer trip to Ethiopia in ten days and then to Rome and Berlin with six and five days respectively, and finally, trips to Cairo and Constantinople for three days each. The magazine has a hole in the center of it and this was the way to combine the meaning of section with this magazine. So by taking the previous data, I made a rectangle for each square-track trip of the same size for each but with a different height depending on the duration of the trip. I put them over the map in the right places for each trip and then I started adding smaller elements to consolidate all of them into one , and then even smaller pieces and make them smoother. At the end a volume of relief with different peaks was created for each trip. Then I flipped this volume upside down and I removed it from the book. With this technique ,in every photo of the book there is a missing piece of it, symbolizing that the journey is not just a picture and the meaning of this , but it is the experiences , the people you meet , and every part of it ,as their civilization, their history and their traditions. These are the reasons why I love traveling.
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THE
FORM
The final form of the volume before it is removed from the parallel book volume is the one shown here. It is composed of 200 iso curves, as well as the photographs of the book, and is an artificial creation , not a copy of an embossed ground.
5 days
Berlin
3 days
6 days
Istanbul Rome
Cairo 3 days
Ethiopia
METHODOLOGY
OF
10 days
THE
PENETRATION
Step by step it appears that the specific composition of this place emerged from the 5 routes that were made, their position on the paper corresponding to each penetration , the size of each hole that differs between each other according and during the route, and also the amount of photos that are in each trip- hole .
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PAGE
VIEW
The hole in combination with the photos creates an interesting comment on the photo, the subject and the journey in general, while prompting the viewer to observe some other elements from the whole of the photo and how they are interact with the hole . ( child on the road to Turmi South Ethiopia )
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deformation home and office for a familly
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ceilling of the building with chimney and the slopes
floor with bedrooms and baths
ground floor’s slab creates balconies in the floor level
ground floor with smaller and bigger yards
position of the field wih two party walls , in city with lower buildings
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deformation home and office for a familly Semester : 7 th Volos 2015 Partners : Ioannidis Studio Coordinator:T. Kanarelis , D. Filippitzis
The original idea began with a workshop on the physical models , the general representation of spatial situations, entrances , protected or open spaces. So, exploring the architect’s possibilities, while at the same time gradually conceiving the expression of space and the interpretation of the composition, I began to synthesize small spatial situations. Then we began to compose areas on a field that was in urban landscape, in dimensions of 9x22 meters with the big sides being party wall . I decided to create a canvas that would be slightly rotated and would create trapezoid shapes which I consider to be more interesting. These original models of states and places have slowly evolved into open and closed spaces in which I integrated the building program. I decided that it would fit in such an environment , to turn the house all the way in and look into a central courtyard. Then, with the curve and the diagonals, I created a situation that can be described as an entrance , which directs you to a path from which you take a glimpse of the ​​ yard through a dense vertical structure. Apart from the rest of the house, there is the office which also serves for bussines appointments . In the oposit facade there is the entrance of the house. At that point there is a staircase that leads you up to the floor and a walkway overlooking the courtyard, which leads to the kitchen, which is separated from the living room with a wall in the middle of the space. There is also the dining room which is located in the back yard and has metal structures to let a touch of the outside environment come in . There is also a sheltered backyard in this courtyard. Near the entrance there is a small quiet library and WC of the ground floor. On the upper floor there are three rooms, one master with a private bathroom and two balconies, one to the courtyard and one to the road. The other two bedrooms share a larger bath and a balcony that has views in both directions. After the main project was designed , the next step was the construction plans . So the materials to be used were desided . That was the visible concreet in and out of the building and the corten metal in the metalic constructions. The use of visible concrete made it harder to construct it , and had to design more details about everything that had to be placed in the concrete so that it did not appear anything on the clear wall surface (cables, water, heating, stairs and metal constructions). Finally, plans were designed in detail, such as trunks, rails, details of fireplaces, stairs, ect .
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DUAL-ASPECT
PLAN
Besides the small courtyards on the facades of the building there is also a central courtyard where the whole building is oriente the old Athenian houses.
SMALLER
FLOOR
On the first floor the closed area is smaller than the ground floor and there are 3 small balconies for the rooms of the house whi contact either with the main courtyard or with the road.
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ed as it was in
CONSTRUCTION
ich have visual
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From the idea and the design to the construction there is a very large gap. The plans of the foundations, ground floor and ceiling, as well as the designation of the area with the rails , are essential for an architect to be in contact with the civil engineer and the workers, since the plans for durability, manufacturing capacity, and cost delimitation should be produced after a number of culculations and measure of the static system that is going to be used . In addition, the construction of a building with visible concrete, in both sides , requires special treatment, since it is necessary to create two walls, one next to the other, with insulating material between them . So there must be a very detailed plans in order to be designed in advance everything , cause it must pass through the walls so as not to be seen anything else but a clear concreet surface and also to avoid mistakes and imperfections in the construction.
THE
ENTRANCE
The entrance area is designed in such a way as to invite the visitor with architectural designs both in the plan and in the volume design specifically with the logic of the curve which is on one side of the entrance. This movement pushes the guest in front of the courtyard from which he gets a glimpse and he chooses either going to the office or at home.
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THE
SMALL
BACKYARD
From the back facade you can see the small courtyard that has been splited between the volumes . Behind the middle volume, which extends up to the edge of the field , their is barbecue instalations and cooking facilities. This view is also covered with metal structures that are partly transparent and have the ability to move in their axes one behind the other .
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BALCONIES
FIREPLACE
In the balconies instead of a protective barrier there is a concrete construction to make the inhabitants sit.
Near the heating instulation there is also a fireplace that needs a good design because it is a hole in the exterior shell.
main yard big balcony
backyard
sidewalk
back road
SECTION
OF
This complexity in the volumes of the design has resulted in the most efficient lighting of the b walls, thus revealing the rough
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AIR
MOVEMENT
STAIRCASE
To make the fireplace profitable, you need special air intakes and expenses and proper chimney design.
The staircase is made up of individual stairs, self-designed , which are screwed over to the visible concrete wall in wich screws have been placed during the construction of the wall.
master’s bedroom bacony ceilling
office yard
entrance
sidewalk
front road
MAIN
YARD
building throughout the day, while at the same time it casts intense shadows on the concrete surface left by the shuttering.
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deformation movable unit of accommodation
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transparent protectors
tensiled fabric
aluminum poles
metalic joints
room areas doors
furniture
platform room areas
area of technical support
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deformation movable unit of accommodation Semester : 7 th Volos 2015 Studio Coordinator: Î?. Stilidis
With the ever-increasing pollution of the planet, overheating is becoming more and more perseptible . Over the years, much of the land near the equator will continue to create difficult conditions for the people there. In addition to annihilation of distances, more and more people are beginning to travel all over the world and certainly for many , deserts is an idyllic place they would like to see close to. As a result, tourists are increasing in these areas. On the occasion of a lesson, a unit designed to create accommodation for those in deserts, whether tourists or even indigenous ones . This unit has been designed to meet a person’s basic needs (shelter, food and water, relaxation, and weather protection in a desert) while fully working with solar energy without burdening the environment. Its placement is massive with helicopters that receive a box and spread it at different points in the desert. As I said before , this is a box in which there is everything someone is needed , is easy to set up the tent , which is above the platform in which the four main spaces are located. The instructions for setting it up are placed on the platform. The areas below the platform’s surface are the sleeping area, the kitchen, the WC and a storage space where the batteries are stored and other mechanical installations as well as free space for storing the tent and some inflatable furniture for rest. The tent consists of four simple elements that are connected. These are the aluminum poles , a tensiled fabric , the transparent covers for the openings on the four sides, and some metallic joints that make a bond of the tent with the rest of the platform. Finally, the design of the form of this unit has resulted from a simplification of the curved sand volumes that make up the desert. This unit can accommodate from one to eight visitors who will stay in it and the next day continue their journey.
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THE
ROOMS
The holes, which are the basic functions of the unit, are found in separate positions below the surface and the access is done with stairs . By placing sub-surface uses, givinf the opportunity to be closed during the day and the whole interior being in the same level where many visitors can rest.
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LIGHTING During the night, there is little artificial lighting in specific areas, with the aim of distinguishing the elements and the levels of the unit, while at the same time saving the greatest energy and the better integration of the unit into its natural landscape with minimal interference.
VISUAL
CONTACT
The doors in the floor, below in which the rooms are found are used to partially privacy of the people in the bathrooms. The folding of the doors helps in the better function of the unit .
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MULTI-
This construction is flexible in demands and functions depending on the visitor. Thus, it is possible to chan possibility that at least two of the four spaces are out of use to place on the surface specially desig
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-SHAPE
nge the form in its interior according to which spaces are more public or private . In addition there is the gned inflated seats where visitors can rest in different ways or even to combine them in a bigger unit.
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PART 2 I PROFESSIONAL
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island shapes renovation on existing house
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the typical unit house in greek islands
extrude it vertical
seperating the flours
cut and reduce the top from all sides
ventilation dominant expand openings
surrounded porch - path of sun - finished
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island shapes renovation on existing house Semester : 11 th Athens 2017 Disigning Team : 314 Studio Publication : Designboom , Divisare , Domes
In this particular project my contibution was in the fields of brain storming and the holle design prosses and also produce a huge amount of “ as build “ plans since it was a coplete renovation and only some pillars and beams ceapt from the previous house . The studio is dealing with a refurbishment of a summer house on a cliff of the west of Corfu island in Greece. The land sets on a steep cliff covered in olive trees and surrounded by the sea. The house is located on the edge of a cliff like a lighthouse having a spectacular panoramic view of the Ionian Pelagos. The remote location of the house provides tranquillity and at night the absence of artificial light to the close area provides a tremendous view of the stars. Due to that the property will be called “The Midnight Stars”.Main goal of this refurbishment was a new design embracing Corfu’s vernacular architecture transformed by a more contemporary design language. The introduction of the arch was the main component for its design. Due to the decomposition of the traditional typology and the rate of repetition of the arch element we created a minimal contemporary form. The plot expands to a 6 000 square meters area and the building is total 300 square meters. The studio tried to stay on these circumstances without affecting any of the natural environment.The main entrance located in the ground floor of the house leads to an open plan space surrounded by a series of arches making it an extrovert area with a monolithic composition. The living room along with the kitchen and dining room are located there. The existing columns are clad with mirrored panels in a triangular form. The original volume of the pillars is thus decomposed rendering it light weight and transparent as it also reflects the view and the surrounding landscape. We used natural materials as white cement plastered floors and walls, in a pattern that reminds a ruined stone wall. Outside the house the patio and the swimming pool are made by uncoated concrete. Facing the swimming pool there are the master bedroom and a guest room. The interior of the house was designed with curved ceilings and in this way the intersections of domes and arches created this contemporary design. Leading to the upper level, the studio designed a more closed volume which allows the rest areas to have their privacy but always keeping in mind the orientation for the appreciation of the breath-taking views from the bedrooms towards the sunset.
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FLOUR PLAN
GROUND PLAN
BASEMENT PLAN 90
SURROUNDED
AREA
The nature is the most important factor of every design because it was there before the building , so we trying to connect these two and combine them in a single unit that the guest will feel close to the nature but also protected from this .
PROCESS
OF
CONSTRUCTION
This is an example of the very detailed and spesific drawings that we was about to compleet in order to achive the best result in the building when it is complited . Also these plans are very helpfull for the engineers and the workers in ordes to understund better their part and reduce the mistakes to minimum .
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THE
SE
Is one of the most important tools to use in many project in my way of thinking and as we can see the sha and tradition houses founded in greek islands and these houses have bee
MATER
The precise use of materials in the interior but also in the exterior creats the simple and very sm the moon from the sea with pall
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ECTION
apes that used in the fasades are also founded in the interior design too. Their origin is from some typical en build many years ago , and that leeds to become part of our tradition .
IALISM
mooth feeling of the house that reminds the freth breeze in the clear summer sky and the rize of colors close to white and blue .
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AT
THE
SUM
Light and shadow have for one more time the leading role in the prosses of design . Espesialy in this pro also combine the colores and textures with the ty
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MMER
NIGHTS
oject with the use of light we try to express the simple and very important language of the openings and ypical white houses founded in isands like Paros .
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pagoda block of flats
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pagoda block of flats Semester : 11 th Athens 2017 Disigning Team : 314 Studio Publication : Biennale , Designboom , Divisare
In this project I also whorked in the fields of brain storming I made a research on shapes and things from chinese design , gardening , and way of buiding . Furthermore I was part of the holle design prosses and also produce a huge amount of “ as build “ plans . In this project all the metallic constuctions to support eich floor and also perimetricaly to give the presision of very thin slubs was product of the metallic hiden construction . Finaly while this projecti is being building durring this year was part of my work to visit two times per month the field and check for any mistakes or giving advices to the constuction manager . The apartment building h34 is located in a plot of eight hundrend square meters in Attica, in the area of Voula, at a distance of 80 meters from the coastline. The architecture of the building is influenced by traditional Asian architecture and, in particular, by the particular typology of the Japanese pagoda. Thus, through a fragmentary transformation and degradation of the formula of this typology, we reconstruct the building on the basis of programmatic, synthetic and ecological parameters. The elements of this language, such as the Japanese lilies and the cultivation of traditional Asian trees, are applied to the architecture of the surrounding area of the building. The building is built on four levels. 3 bedroom apartments with the latest to make use of the roof and swimming pool and ground floor two-storey house with exclusive use of the surrounding garden and the second swimming pool. According to the bioclimatic design of the building, thin metal rods with reference to black bamboo, act as shadows that protect the building from heat but do not conceal the view, while providing the required privacy to the users. Finally, high-quality insulating systems, solar collectors and photovoltaic panels, as well as the installation of a geothermal system, contribute to the creation of an energy-efficient energy management of the dwelling and its designation as an A + energy class building.
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THE
P
In terms of plan the filed is seperated diferently in eich floor. The first two floors are one big apartment wit the roof garden with the private pool in the roof belong to t
THE
LO
In Athens there is a big road that starts from Pireus and leads to the Southern subur this road in a very quiet place where
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PLANS
th private pool and entrance . The next twi floors has one apartment in each floor while the last floor and the final apartment that also haw the best view to the sea .
CATION
rbs of Athnes . This road is next to the sea durring the hole time . One block next to this block of flats has been designed .
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THE
FACADES
A very sipme design logic aplyied in the facades of the buiding . Most of the openings became long and other very small and square and hide behind some curtunes that have been placed in the facades of the East protecting also the building from the sun .
THE
USE
OF
PLANTS
A very important part of the design is the use of different plans that combine the urban minimal character of the building with the more natural and ecological according to the chinese culture .
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THE
COLORES
Apart from white the main colores that have been used was part of the chinese gardens . So red wood and vivid green trees and plants in combination with semi-transparent diafragms are the main components of the materiality and colors .
THE
VIEW
After the third floor the view to the sea is amazing and one of the most important things in this building is the orientation an the view that has to the sunset while landing in the Aegeon Pelagos .
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FILIPPOS LAGOS philiplagos@hotmail.com +30 698 62 55 297
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