DAY SALE
CON TEMPORARY ART 11
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 1
OCTOBER
2 012
LONDON
18/09/12 14.24
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 2
18/09/12 14.24
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 3
18/09/12 14.25
CTA_UK_Oct12_Day_FOB_4-7.indd 4
18/09/12 11.41
CTA_UK_Oct12_Day_FOB_4-7.indd 5
18/09/12 11.41
CTA_UK_Oct12_Day_FOB_4-7.indd 6
18/09/12 11.41
CTA_UK_Oct12_Day_FOB_4-7.indd 7
18/09/12 11.41
CTA_UK_Oct12_Day_Lots_8-65.indd 8
17/09/12 17.17
DAY SALE
CON TEMPORARY ART 11
OC TOB ER
2 0 12
2 PM
LONDON
LOTS 101 – 271 Thursday 4 October, 10am – 6pm Friday 5 October, 10am – 6pm Saturday 6 October, 10am – 6pm Sunday 7 October, 12pm – 6pm Monday 8 October, 10am – 6pm Tuesday 9 October, 10am – 6pm Wednesday 10 October, 10am – 2pm
Front cover Jean-Michel Basquiat, Untitled (crown of thorns), circa 1982, lot 130A Back cover Alexander Calder, Untitled, circa 1954, lot 114 Inside front cover Cerith Wyn Evans, Once a Noun, Now a Verb, 2005, lot 124 (detail) Previous pages Tracey Emin, Be Faithful to Your Dreams, 1998, lot 138 (detail) Barnaby Furnas, Red Sea, 2006, lot 121 (detail) Opposite Walead Beshty, Picture Made by my Hand with the Assistance of Light, 2007, lot 107 (detail)
CTA_UK_Oct12_Day_Lots_8-65.indd 9
17/09/12 17.17
101
TAUBA AUERBACH b. 1981 I doubt It/ But I do It (Anagram XII), 2008 gouache on paper 76.2 × 56.7 cm (30 × 22 3/8 in) Signed, titled and dated ‘Tauba Auerbach, 2008, I DOUBT IT/ BUT I DO IT (ANAGRAM XII)’ on the reverse.
Estimate £30,000 –50,000 $47,600 –79,400 €37,900 – 63,200 PROVENANCE Galerie Lange + Pult, Zurich
Acquired from the above by the present owner EXHIBITED Zurich, Galerie Lange & Pult, The World is Mine, 17 January – 14 March 2009
CTA_UK_Oct12_Day_Lots_8-65.indd 10
17/09/12 17.17
CTA_UK_Oct12_Day_Lots_8-65.indd 11
17/09/12 17.17
102
STERLING RUBY b. 1972
103
ADAM McEWEN b. 1965
Spatial Grid / Pelican Bay, 2010
Bomber Harris, 2008
collage on paper
acrylic and chewing gum on canvas
70.5 × 95 cm (27 3/4 × 37 3/8 in)
122 × 91.5 cm (48 × 36 in)
Signed and dated ‘Sterling Ruby 10’ lower right.
This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000
PROVENANCE The Pace Gallery, New York
PROVENANCE Private Collection, France
z‡
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 12
17/09/12 17.17
CTA_UK_Oct12_Day_Lots_8-65.indd 13
17/09/12 17.18
104
RUDOLF STINGEL b. 1956 Untitled, 2006 oil and enamel on canvas 38 × 28 cm (14 7/8 × 11 in) Signed and dated ‘Stingel 2008’ on the reverse.
Estimate £30,000 – 40,000 $47,600 – 63,500 €37,900 –50,600
z
PROVENANCE Massimo de Carlo, Milan
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 14
17/09/12 17.18
105
AARON CURRY b. 1972 The Half Protagonist, 2008 painted wood with Formica board base work: 206 × 153 × 58 cm (81 1/8 × 60 1/4 × 22 7/8 in); with base: 211.3 × 168 × 91.5 cm (84 1/4 × 66 1/8 × 36 in)
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900 PROVENANCE Galerie Daniel Buchholz, Berlin
Private Collection, Germany
CTA_UK_Oct12_Day_Lots_8-65.indd 15
17/09/12 17.18
106
JOSEPHINE MECKSEPER b. 1964 Das Ende des Panoptikums VII, 2007 mirror on wooden board 102 × 102 cm (40 1/8 × 40 1/8 in) Signed and dated ‘J. Meckseper 2007’ on the stretcher bar.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
z
PROVENANCE Arndt & Parnter, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 16
17/09/12 17.18
107
WALEAD BESHTY b. 1976 Picture Made by my Hand with the Assistance of Light, 2007 black and white photogram on gelatin silver paper 171 × 106.5 cm (67 3/8 × 41 7/8 in) This work is accompanied by a certificate of authenticity.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z
PROVENANCE Wallspace Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 17
17/09/12 17.18
108
UGO RONDINONE b. 1964 Giorni Felici, 2006 galvanized chains dimensions variable, minimum: 300 × 500 cm (118 1/8 × 196 7/8 in) This work is number one from an edition of three and is accompanied by a certificate of authenticity.
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000 PROVENANCE Galerie Almine Rech, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 18
17/09/12 17.19
CTA_UK_Oct12_Day_Lots_8-65.indd 19
17/09/12 17.19
109
OSCAR TUAZON b. 1975 Wall, 2009 steel, Plexiglas, glass, silicone, paint 243 × 223 × 99.5 cm (95 5/8 × 87 3/4 × 39 1/8 in) This work is accompanied by a certificate of authenticity.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Balice Hertling, Paris
Acquired from the above by the present owner EXHIBITED Paris, Palais de Tokyo, Dynasty, 11 June–5 September 2010
Beaumont-du-Lac, Centre International d’art ed du paysage de Vassiviere, Oscar Tuazon: Bend it till it Breaks, 15 November 2009 – 14 February 2010
Created with raw industrial materials, Wall is suggestive not only of a Wall, 2009, by the American artist Oscar Tuazon (born in Seattle in 1975) exemplifies his engagement with materiality and spatial tension in his sculptural constructions. Tuazon, who now works in Paris, attended the Whitney Independent Study Program and trained under Vito Acconci. He is now regarded as one of the most significant sculptors of his generation.
minimalist sensibility but also DIY aesthetics and the formal language of architecture. Both space and substance are integral to Tuazon’s work and in this particular sculpture, Tuazon utilizes a broad spectrum of materials. Steel, silicone, Plexiglas and paint are all combined, linked together by a modular geometric structure. This diverse combination of materials engenders a contrasting web of textured layers, both painterly
Tuazon’s structures radically reform the spaces which they occupy. He has suggested that “architecture doesn’t start with function it starts with an idea” (in S. Campagnola, ‘Oscar Tuazon: Formal Concerns,
and reflective, and surfaces through which the sculpture’s steel frame is woven like a thread. This variable movement of material distinguishes the structured outer lines of the sculpture which stand rigid and unmoving.
Utopian Concepts’, Flash Art, no. 271, March–April 2010), and in realigning the boundaries between architecture and sculpture, Tuazon’s forms create a dynamic which challenge and extend our notions of space and environment. The architectural settings which his works inhabit are inescapably forced to adapt – fundamentally, the sculptures mould their surroundings, asserting a fluctuating tension between internal and external, space and limit, balance and instability.
CTA_UK_Oct12_Day_Lots_8-65.indd 20
This duality simultaneously constrains and awakens the space in which the sculpture stands and is a recurrent theme in Tuazon’s sculptures. In many ways, his forms encourage such dialogue not only between sculpture and the surrounding architecture but also the viewer and the space. Typically walls are designed to enclose and restrain – perhaps Wall should be seen as a visual barrier but one constructed to be broken through.
17/09/12 17.27
CTA_UK_Oct12_Day_Lots_8-65.indd 21
17/09/12 17.27
110
GEDI SIBONY b. 1973 A fact of internal property neither in place nor out of place, 2004–06 carpet, plastic, spraypaint 10 × 146 × 70 cm (3 7/8 × 57 1/2 × 27 1/2 in) This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400 PROVENANCE Art:Concept, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 22
17/09/12 17.28
111
DAN COLEN b. 1979 I bought a headache, 2011 grass and dirt on canvas 183.5 × 142.2 cm (72 1/4 × 56 in)
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500
‡
PROVENANCE Private Collection
CTA_UK_Oct12_Day_Lots_8-65.indd 23
17/09/12 17.28
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
112
MARTIN CREED b. 1968 two parts: aluminium, plaster, paint each: 51 × 51 × 26 cm (20 1/8 × 20 1/8 × 10 1/4 in)
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_8-65.indd 24
z Installation view, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, New York, 2007
Photo: Chris Kendall
Work No. 264 (Two protrusions from a wall), 2001
17/09/12 17.28
113
FRANZ WEST
1947–2012
Passtück, 1983 mixed media 17 × 39 × 3 cm (6 3/4 × 15 3/8 × 1 1/8 in)
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Art & Public, Geneva
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 25
17/09/12 17.28
114
ALEXANDER CALDER
1898–1976
Untitled, circa 1954 painted metal and wire standing mobile 17.1 × 14.6 × 7 cm (6 3/4 × 5 3/4 × 2 3/4 in) This work is unique and is registered in the archives of the Calder Foundation, New York, under application number A13178.
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000
‡
PROVENANCE Private Collection, France
CTA_UK_Oct12_Day_Lots_8-65.indd 26
17/09/12 17.28
(actual size)
CTA_UK_Oct12_Day_Lots_8-65.indd 27
17/09/12 17.28
115
JACOB KASSAY b. 1984 Untitled, 2011 acrylic on canvas in artist’s wooden frame 217.2 × 155.6 cm (85 1/4 × 61 1/4 in) Signed and dated ‘Kassay 11’ on the reverse of the stretcher bar.
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500
‡
PROVENANCE Private Collection
CTA_UK_Oct12_Day_Lots_8-65.indd 28
17/09/12 17.28
116
SETH PRICE b. 1973 Untitled, 2006 vacuum-formed high-impact polystyrene over mask 125 × 77.4 × 12 cm (49 1/4 × 30 1/2 × 4 3/4 in) This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
‡
PROVENANCE Galerie Gisela Capitain, Cologne
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 29
17/09/12 17.28
117
JOSH SMITH b. 1976 Untitled, 2005 newspaper and poster collage on wooden panel 122 × 91.5 cm (48 × 36 in) Signed and dated twice ‘Josh Smith 2005’ on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE Fortescue Avenue/Jonathan Viner, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 30
17/09/12 17.28
118
DAN REES b. 1982 Untitled, 2012 plasticine on wood 117 × 122 cm (46 1/8 × 48 in) Signed and dated ‘Dan Rees 2012’ on the reverse.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
z
PROVENANCE T293, Rome
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 31
17/09/12 17.28
119
NATE LOWMAN b. 1979 Monkey in the Middle, 2010 acrylic on canvas (in three parts) each: 35.5 × 35.5 cm (13 7/8 × 13 7/8 in) Each signed ‘Nate Lowman’ on the overlap.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Lehmann Maupin, New York
Acquired from the above by the present owner EXHIBITED New York, Lehmann Maupin, Painting & Sculpture: Foundation for Contemporary Arts Benefit Exhibition, 9 December 2010–9 January 2011
CTA_UK_Oct12_Day_Lots_8-65.indd 32
17/09/12 17.28
CTA_UK_Oct12_Day_Lots_8-65.indd 33
17/09/12 17.28
120
JASON RHOADES
1965 – 2006
Untitled, 2003 PeaRoe ramp and Honda XR50 motorcycle ramp: 154.9 × 129.5 × 299.7 cm (60 7/8 × 50 7/8 × 117 7/8 in); motorcycle: 91.4 × 127 × 76.2 cm (35 7/8 × 50 × 30 in)
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE David Zwirner, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 34
17/09/12 17.28
CTA_UK_Oct12_Day_Lots_8-65.indd 35
17/09/12 17.28
121
BARNABY FURNAS b. 1973
Red Sea, 2006, is an outstanding example from the series of flood
Red Sea, 2006
paintings by the American artist Barnaby Furnas. Now in mid-career,
acrylic and urethane on linen
Furnas has pursued a number of strands in his work, including modernist
350 × 850 cm (137 3/4 × 334 5/8 in) Signed, titled and dated ‘Barnaby Furnas, Red Sea, 1/06, NYC’ on the reverse.
Estimate £120,000 –180,000 $191,000 –286,000 €152,000 –228,000
‡
takes on portraits of historical figures such as Civil War characters, battle scenes and paintings of rock concerts, but it is perhaps for his ‘Flood’ paintings that he is best known and admired. They are made on a monumental scale with a visceral physicality and offer the viewer an
PROVENANCE Marianne Boesky Gallery, New York
intense and immersive experience.
Acquired from the above by the present owner
Red Sea is typical in its fusion of allegory and abstraction and simultaneously invites and resists explanation. On the one hand, the painting suggests Biblical apocalypse and the Sublime in the manner of European history painting and Romanticism, while on the other it draws on the visual language of Abstract Expressionism. In so doing, it powerfully integrates a religious and historical lineage with direct painterly expression. The duality of instantaneous gestural technique and symbolical meaning lend this powerful work a deeply reflective and contemplative character.
CTA_UK_Oct12_Day_Lots_8-65.indd 36
17/09/12 17.28
68965
Red Sea embodies process becoming form. Furnas pours paint onto the canvas allowing his work to continually seek its own form. Traditional compositional boundaries are broken down; the paint becomes a living entity, its movements and moods dictating the work’s visual outcome. There is an ongoing tension between its fluctuating surface and the enigmatic layers which lie beneath. The tranquil background of the light blue sky is enveloped by a frenzied flood of redness. The rich and vibrant red carries with it associations of passion, rage and blood and engulfs the viewer; the composition shifts and pulsates with an extreme immediacy. As Furnas himself has said when creating this painting, “you pour red paint and have this incredible formalist experience… you’ve got a foot in both worlds. It’s really happening” (in Calvin Tompkins, ‘The Pour’, New Yorker, 13 March 2006). .
CTA_UK_Oct12_Day_Lots_8-65.indd 37
17/09/12 17.28
122
WALID RAAD b. 1967 Missing Lebanese Wars, 1996–2003 colour coupler print 114 × 131.5 cm (44 7/8 × 51 3/4 in) This work is number one from an edition of three plus one artist’s proof.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
‡
PROVENANCE Anthony Reynolds Gallery, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 38
17/09/12 17.29
123
SETH PRICE b. 1973 Untitled, 2009 UV-cured inkjet on high-impact polystyrene vacuum-formed over ropes 243.8 × 121.9 cm (95 7/8 × 47 7/8 in) This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200 PROVENANCE Friedrich Petzel Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 39
17/09/12 17.29
detail
124
CERITH WYN EVANS b. 1958
“A work has to have a resonance so that it can move on different levels.”
Once a Noun, Now a Verb, 2005
(Cerith Wyn Evans, ‘Frieze talks to Cerith Wyn Evans’, Frieze, issue 71,
chandelier (Luce Italia), flat-screen monitor, Morse code unit, computer
November–December 2002)
approximately: 250 × 150 × 150 cm (98 3/8 × 59 × 59 in) This work is unique and is accompanied by a certificate of authenticity.
Estimate £70,000 –90,000 $111,000 –143,000 €88,500 –114,000
The bulbs of the chandelier work Once a Noun, Now a Verb from 2005 zΩ
blink out words and sentences in Morse code, and the resulting cryptic messages are transcribed onto a nearby monitor. This particular work is
PROVENANCE Neu Gallery, Berlin
Acquired from the above by the present owner
the largest and most recent of Wyn Evans’s ‘Chandelier’ series and it has appeared in exhibitions around the world. William Stover, curator at the MFA Boston where these works have been exhibited and where there is
EXHIBITED Berlin, Galerie Neu, Cerith Wyn Evans: Once a Noun, Now a Verb, May–July 2005
one in the collection, has described the work as “absolutely beautiful at first; then if you delve into his sources, you realize it is also intellectually brilliant” (in M. Carlock, ‘Words Imagined: Cerith Wyn Evans’, Sculpture, vol. 24 no. 5, June 2005).
CTA_UK_Oct12_Day_Lots_8-65.indd 40
17/09/12 17.30
CTA_UK_Oct12_Day_Lots_8-65.indd 41
17/09/12 17.30
125
CERITH WYN EVANS b. 1958 Eclipse, 2005 negative neon 11 × 34.8 × 2.5 cm (4 3/8 × 13 3/4 × 7/8 in) This work is number four from an edition of ten and is accompanied by a certificate of authenticity signed by the artist.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
♠Ω
PROVENANCE White Cube, London
Acquired directly from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 42
17/09/12 17.31
126
HIROSHI SUGIMOTO b. 1948 Baltic Sea, Rugen, 1997 gelatin silver print 50.6 × 61 cm (19 7/8 × 24 in)
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800 PROVENANCE Friedrich Rosenstiel, Cologne
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 43
17/09/12 17.31
127
JOHN BALDESSARI b. 1931 Prima Facie: Suffering / Strained / Gleeful, 2005 archival digital prints, mounted on board in three parts each: 65.8 × 106.8 cm (25 7/8 × 42 in) This work is unique and is accompanied by a certificate of authenticity.
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000
‡
PROVENANCE Margo Leavin Gallery, Los Angeles
Skarstedt Gallery, New York Acquired from the above by the present owner EXHIBITED Los Angeles, Margo Leavin Gallery, John Baldessari – Prima Facie, 9 April – 14 May 2005
Deurle, Belgium, The Museum Dhondt-Dhaenens, John Baldessari – The Prima Facie Series, 17 September – 3 December 2006 New York, Skarstedt Gallery, Group Show, 9 September – 18 October 2009 LITERATURE John Baldessari – The Prima Facie Series, exh. cat., The Museum Dhondt-Dhaenens, Deurle, Belgium, 2006, p. 9 (illustrated)
CTA_UK_Oct12_Day_Lots_8-65.indd 44
17/09/12 17.31
CTA_UK_Oct12_Day_Lots_8-65.indd 45
17/09/12 17.31
128
JOHN BALDESSARI b. 1931 Horizontal Series: Blind, 2003 archival digital print, mounted on Sintra 99 × 197 cm (38 7/8 × 77 1/2 in) This work is unique.
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500
‡
PROVENANCE Marian Goodman Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 46
17/09/12 17.31
CTA_UK_Oct12_Day_Lots_8-65.indd 47
17/09/12 17.31
129
CINDY SHERMAN b. 1954 Untitled Film Still #1, 1977 gelatin silver print 25 × 20 cm (9 7/8 × 7 7/8 in) Signed, dated and numbered ‘Cindy Sherman 1977 9/10’ on the reverse. This work is number nine from an edition of ten.
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000
‡
PROVENANCE Metro Pictures, New York
Acquired from the above by the present owner EXHIBITED New York, The Museum of Modern Art, Cindy Sherman, 26 February – 11 June 2012 (another example exhibited) LITERATURE Cindy Sherman, exh. cat., The Museum of Modern Art, New York, 2012, p. 102 (another example illustrated)
CTA_UK_Oct12_Day_Lots_8-65.indd 48
17/09/12 17.31
130
RICHARD PRINCE b. 1949 Untitled (Almost Original), 2006 two original illustrations: graphite on paper and oil on cardboard in artist’s metal frame 124 × 134 cm (48 7/8 × 52 3/4 in) Signed and dated ‘Richard Prince 2006’ on the reverse.
Estimate £80,000 –120,000 $127,000 –191,000 €101,000 –152,000
‡
PROVENANCE Gladstone Gallery, New York
Simon Lee Gallery, London Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 49
17/09/12 17.31
130A
JEAN-MICHEL BASQUIAT
1960–1980
Untitled (crown of thorns), circa 1982 crayon on paper 35.6 × 31.2 cm (14 × 12 1/4 in)
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000
‡
PROVENANCE Larry Gagosian Gallery, Los Angeles
Private Collection
CTA_UK_Oct12_Day_Lots_8-65.indd 50
17/09/12 17.38
CTA_UK_Oct12_Day_Lots_8-65.indd 51
18/09/12 09.23
131
MIQUEL BARCELÓ b. 1957 À Livorno, 2007 mixed media on canvas 65 × 82 cm (25 5/8 × 32 1/4 in) Signed and dated ‘Barceló 07’ on the reverse.
Estimate £90,000 –120,000 $143,000 –191,000 €114,000 –152,000
z
PROVENANCE Galerie Bruno Bischofberger, Zurich
Acquired from the above by the present owner EXHIBITED Hong Kong, Ben Brown Fine Arts, Miquel Barceló: Recent Paintings, Ceramics and Sculpture, 24 May – 29 July 2011
“Chauvet, Africa, still lifes, termites, masks or skulls, everything is linked like archetypes of humanity. For me, it is my everyday, my material and thought for each day. I trace maps of geographies that link all these worlds together.” (Miquel Barceló in E. Mezil, ed., Terramare: Miquel Barceló, Collection Lambert en Avignon, Arles, 2010, p. 241) Throughout his oeuvre, Miquel Barceló has employed the materials that allow him to create the richly textured, expressive canvases highly evocative of the surface of the earth. À Livorno, from 2007, is a beautiful example of the artist’s gift to produce work that is abstract, yet at the same time highly referential. It allows the viewer to be guided in their imagination by those reference points, be they a stone, plant, fruit, or a skull, to contemplate the landscape and its origins. The title À Livorno indicates the place in Italy that inspired the artist and in this painting the sea port of Livorno is beautifully depicted by the pebbles set against the white and yellow background evoking the sunlit landscape and sea. In the artist’s own words: “I like the phenomenology of painting to look like nature”. À Livorno is painted in the traditional technique of the artist which remains a key aspect of Barceló’s practice. He has not succumbed to the new media, but instead prefers to explore and further develop more conventional materials from the earth itself: “Video camera, digital camera… actually I find it a bit pathetic. I really like to find my materials. Also, I always think of the modernity of thought, not of technique” (in E. Mezil, ed., Terramare, 2010, p. 236).
CTA_UK_Oct12_Day_Lots_8-65.indd 52
17/09/12 17.38
CTA_UK_Oct12_Day_Lots_8-65.indd 53
17/09/12 17.38
132
JUAN MUÑOZ 1953–2001 From the Raincoat Drawings, 1989 white chalk on commercial black fabric used to produce raincoats over wooden panel 140 × 100 cm (55 1/8 × 39 3/8 in)
Estimate £35,000 – 45,000 $55,600 –71,500 €44,200 –56,900
z
PROVENANCE Galerie Karsten Greve, Cologne
Phillips de Pury & Company, New York, ‘Contemporary Art Part II’, 12 November 2004, lot 174 Private Collection EXHIBITED Washington, D.C., Hirshhorn, Museum and Sculpture Garden, 18 October 2001 – 13 January 2002
Los Angeles, The Museum of Contemporary Art, 21 April – 28 July 2002 The Art Institute of Chicago, Juan Muñoz, 14 September – 8 December 2002, then travelled to Houston, The Contemporary Arts Museum (1 February – 30 March 2003)
CTA_UK_Oct12_Day_Lots_8-65.indd 54
17/09/12 17.38
133
JUAN MUÑOZ 1953–2001 Clock, 1988 wall-mounted sculpture, welded steel, painted bell and rope 100.3 × 100.3 × 25.4 cm (39 1/2 × 39 1/2 × 10 in)
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000
z
PROVENANCE Galerie Margo Paz, Madrid
Phillips de Pury & Company, New York, ‘Contemporary Art Part II’, 13 May 2005, lot 404 Private Collection
CTA_UK_Oct12_Day_Lots_8-65.indd 55
17/09/12 17.39
134
CANDIDA HÖFER b. 1944 Igreja de São Francisco de Assis Salvador de Bahia I, 2005 colour coupler print 224 × 180 cm (88 1/4 × 70 7/8 in)
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z ‡
PROVENANCE Acquired directly from the artist
Private Collection, USA Private Collection, Europe
CTA_UK_Oct12_Day_Lots_8-65.indd 56
17/09/12 17.39
CTA_UK_Oct12_Day_Lots_8-65.indd 57
17/09/12 17.39
135
WILLIAM KENTRIDGE b. 1955 Learning the Flute, 2003 PAL DVD player, stereo amplifier, two small studio monitors, adjustable pole mount for the LCD projector, blackboard and easel blackboard: 127 × 165.5 × 2 cm (50 × 65 1/8 × 3/4 in); easel: 191 × 112.5 × 95 cm (75 1/4 × 44 1/4 × 37 3/8 in) This work is number eight from an edition of eight.
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000
‡
PROVENANCE Goodman Gallery, Johannesburg
Acquired from the above by the present owner EXHIBITED Johannesburg, Goodman Gallery, Zeno Writing, 8 November 2002 – 4 January 2003 (another example exhibited)
New York, Museum of Modern Art, William Kentridge: Five Themes, 24 February – 17 May 2010 (another example exhibited)
The South African artist William Kentridge is widely recognised for his extraordinarily imaginative animations and films in which he combines the serious and the playful in absorbing and profound works. Having witnessed the dissolution of apartheid first-hand, Kentridge uses these means to bring the ambiguity and subtlety of personal experience to public concerns and issues that are more commonly constrained by narrow and predefined terms. Using film, drawing, sculpture, animation and performance, he transmutes serious South African political discourse into powerful poetic allegories. So it is entirely appropriate that Kentridge should have taken on the stage design of Mozart’s Die Zauberflöte (The Magic Flute), an opera replete with transformations and beguilement overlaying philosophical and political themes. Learning the Flute (2003) is in fact part of Kentridge’s visual preparation for his celebrated production of the opera, which was first staged in 2005 at the Royal Opera House in Belgium. The artist has described how Learning the Flute was a preparatory work for his staging of the opera: “I needed to try to find a language for the production, as a way of making sense of the opera as a whole. I had the idea of a blackboard as sketchpad, on which ideas could be tested. The blackboard as object remains. The film is projected onto a blackboard; it becomes the screen, but in the end I did not use it for the drawings themselves … The images tested out on the blackboard range from the Egyptian (particularly the falcon but also the sphinx in the cage) to the Napoleonic – slightly after Mozart’s time but referring to Schinkel’s great designs for the opera. There is diagrammatic Baroque stage machinery. The 20th century has a look-in through Man Ray’s perfect Masonic objects (the eye on the arm of a metronome).” (www.kappatosgallery.com)
CTA_UK_Oct12_Day_Lots_8-65.indd 58
17/09/12 17.39
CTA_UK_Oct12_Day_Lots_8-65.indd 59
17/09/12 17.39
136
OLAFUR ELIASSON b. 1967 Untitled, 1994 Duratrans and halogen lamp (in three parts) overall: 307 × 296 cm (120 7/8 × 116 1/2 in) This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900
z
PROVENANCE Tommy Lund, Copenhagen
Private Collection
CTA_UK_Oct12_Day_Lots_8-65.indd 60
17/09/12 17.33
137
ELMGREEN & DRAGSET b. 1961 and b. 1969
Appropriating the form of a Prada Store, Prada Marfa is a permanently
Untitled (Prada Marfa), 2007
installed sculpture by the Berlin- and London-based artists Elmgreen
photographic print on Dibond
& Dragset. With their characteristic subversive satirical wit, the artists
160 × 204 cm (62 7/8 × 80 3/8 in) This work is number four from an edition of five plus two artist’s proofs.
Estimate £30,000 –50,000 $47,600 –79,400 €37,900 – 63,200
z†
readjust our understanding of the familiar in their installations and sculptures. The work occupies a space just off U.S. Route 90 about 60km northwest of the city of Marfa, Texas. The installation echoes a Prada store not simply in form but also in content. Real shoes and handbags,
PROVENANCE Galerie Perrotin, Paris
Private Collection, London Acquired from the above by the present owner
donated by Miuccia Prada from the autumn/winter collection of 2005, sit in its window display; the company even allowed the artists to use its trademark. The only departure from reality is that the door of the shop does not open. Upon its completion, the sculpture became the first individual Prada store in Texas. Prada Marfa is an ambitious extension of an earlier work in which Elmgreen & Dragset installed signs in the windows of a Chelsea gallery in New York that read “Prada, Coming Soon”. This work was realised at the time when the influx of designer shops forced the SoHo art scene to relocate to Chelsea.
CTA_UK_Oct12_Day_Lots_8-65.indd 61
17/09/12 17.34
138
TRACEY EMIN b. 1963
“I need art like I need God.” Tracey Emin
Be Faithful to Your Dreams, 1998
blue neon on Plexiglas
Tracey Emin uses neon light to illuminate emotions, memories,
40.5 × 223.5 × 7.5 cm (15 7/8 × 87 7/8 × 2 7/8 in)
feelings and ideas in graphic messages. While neon has its sleazy
This work is from an edition of three plus two artist’s proofs.
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900
connotations, Emin finds it sexy: “It’s spangly, it’s pulsating. It’s out ♠
there, it’s vibrant”. Translating handwriting into blown and bent neon tubing presents a crucial shift of context. This work was one of Emin’s
PROVENANCE Private Collection, Suffolk, UK
first neon works and for her retrospective at the Hayward Gallery,
EXHIBITED London, Hayward Gallery, Tracey Emin: Love is What You Want, 18 May – 29 August 2011
façade of the gallery walls.
CTA_UK_Oct12_Day_Lots_8-65.indd 62
London in 2011, the present lot was prominently displayed on the
18/09/12 10.17
CTA_UK_Oct12_Day_Lots_8-65.indd 63
18/09/12 10.17
139
YAYOI KUSAMA b. 1929 Infinity Nets LNXA, 2011 acrylic on canvas 97 × 130.3 cm (38 1/4 × 51 1/4 in) Signed, titled and dated ‘2011’ on the reverse.
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000 PROVENANCE Sotheby’s, London, ‘Contemporary Art Day Auction’, 30 June 2011, lot 228
Acquired from the above sale by the present owner
CTA_UK_Oct12_Day_Lots_8-65.indd 64
17/09/12 17.34
CTA_UK_Oct12_Day_Lots_8-65.indd 65
17/09/12 17.34
140
UGO RONDINONE b. 1964 Echoes Down the Corridor, 2000 varnished wooden frame, mirrored Plexiglas 136 × 106 × 2.6 cm (53 1/2 × 41 3/4 × 1 in) Signed and dated ‘2000 Rondinone’ on the reverse. This work is number one from an edition of five.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
†
PROVENANCE Galerie Hauser & Wirth & Presenhuber, Zurich
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 66
18/09/12 09.35
141
PAOLA PIVI b. 1971 Untitled (Pearls), 2004 multicoloured transparent pearls on canvas 56 × 54 × 18 cm (22 × 21 1/4 × 7 1/8 in) This work is unique.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z
PROVENANCE Massimo de Carlo, Milan
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 67
18/09/12 09.35
142
ANISH KAPOOR b. 1954 Untitled, 2008 gouache and acrylic on paper 67 × 101 cm (26 3/8 × 39 3/4 in) Signed and dated ‘Anish Kapoor 2008’ on the reverse.
Estimate £30,000 – 40,000 $47,600 – 63,500 €37,900 –50,600
z‡
PROVENANCE Regan Projects, Los Angeles
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 68
18/09/12 09.36
143
YAYOI KUSAMA b. 1929 Petals, 1988 acrylic on canvas 53 × 45 cm (20 7/8 × 17 3/4 in) Signed and dated ‘Yayoi Kusama 1988’ on the reverse.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Gallery Sho, Tokyo
Private Collection, Dublin
CTA_UK_Oct12_Day_Lots_66-141.indd 69
18/09/12 09.36
144
TIM NOBLE & SUE WEBSTER b. 1966 and b. 1967 The Muthafucka, 2000 528 coloured turbo caps, lamps and holders, foamex, electronic light sequencer (24-channel fill and shimmer effect) diameter 244 cm (96 1/8 in)
Estimate £100,000 –150,000 $159,000 –238,000 €126,000 –190,000
zΩ
PROVENANCE Modern Art, London
CTA_UK_Oct12_Day_Lots_66-141.indd 70
18/09/12 09.35
68536
CTA_UK_Oct12_Day_Lots_66-141.indd 71
18/09/12 09.35
145
HARLAND MILLER b. 1964 Too Cool to Die, 2004 oil on canvas 213 × 155 cm (83 7/8 × 61 in) Signed and dated ‘Harland Miller 2004’ on the reverse.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE Acquired directly from the artist by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 72
18/09/12 09.36
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
146
MARK WALLINGER b. 1959 Brown’s (Mr. Harold Brown), 1993 acrylic on canvas 110 × 110 cm (43 1/4 × 43 1/4 in)
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z
PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_66-141.indd 73
18/09/12 09.36
147
STEPHAN BALKENHOL b. 1957 Man with White Shirt and Black Trousers, 2008 painted wood 169 × 25 × 24.5 cm (66 1/2 × 9 7/8 × 9 5/8 in)
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
♠
PROVENANCE Valentina Bonomo, Rome
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 74
18/09/12 09.36
148
GEORG BASELITZ b. 1938 Adler, 1974 watercolour and pencil on paper 29.9 × 21 cm (11 3/4 × 8 1/4 in) Signed and dated ‘G Baselitz Sept. 74’ lower right.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
z
PROVENANCE Private Collection
CTA_UK_Oct12_Day_Lots_66-141.indd 75
18/09/12 09.36
149
JIM LAMBIE b. 1964 The Byrds, 2005 ceramics, handbags with mirror, paint figure: 108 × 116 × 60 cm (42 1/2 × 45 5/8 × 23 5/8 in) This work is unique and is accompanied by a certificate of authenticity.
Estimate £35,000 – 45,000 $55,600 –71,500 €44,200 –56,900
z ‡
PROVENANCE Modern Institute, Glasgow EXHIBITED Glasgow, The Modern Institute/Toby Webster Ltd, The Byrds, 7 October – 11 November 2005
Tate Britain, Turner Prize 2005, 18 October 2005 – 22 January 2006
details
CTA_UK_Oct12_Day_Lots_66-141.indd 76
18/09/12 09.36
CTA_UK_Oct12_Day_Lots_66-141.indd 77
18/09/12 09.36
150
JOSEPH KOSUTH b. 1945 YOU ARE REQUESTED (Z&N) TO SHUT ONE/THE EYE(S), 1987 neon light, two transformers, electric cables 50 × 286 × 6.5 cm (19 5/8 × 112 5/8 × 2 1/2 in) This work is unique and is accompanied by a signed certificate of ownership.
Estimate £70,000 –90,000 $111,000 –143,000 €88,500 –114,000 PROVENANCE Galerie Almine Rech, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 78
18/09/12 09.36
CTA_UK_Oct12_Day_Lots_66-141.indd 79
18/09/12 09.37
151
RAYMOND PETTIBON b. 1957
152
RAYMOND PETTIBON b. 1957
Untitled (the ways of trade are grown…), circa 2000
Untitled (hitting from both sides of the plate…), 2002
gouache and watercolour on paper
ink and watercolour on paper
45.5 × 57 cm (17 7/8 × 22 1/2 in)
60 × 45 cm (23 5/8 × 17 3/4 in)
Signed ‘Raymond Pettibon’ on the reverse.
Signed and dated ‘Raymond Pettibon, 4-02’ on the reverse.
Estimate £18,000 –22,000 $28,600 –34,900 €22,800 –27,800
Estimate £18,000 –22,000 $28,600 –34,900 €22,800 –27,800
PROVENANCE Private Collection, Europe
PROVENANCE Private Collection, Europe
CTA_UK_Oct12_Day_Lots_66-141.indd 80
18/09/12 09.38
CTA_UK_Oct12_Day_Lots_66-141.indd 81
18/09/12 09.38
(i)
153
(ii)
MARTIN KIPPENBERGER
1953–1997
Three works: (i) Untitled (Architektur), 1990; (ii) Klaus Birkel, 1989; (iii) Untitled (Die Einfalt im höchsten Grade), 1990 mixed media on hotel stationery (i) 29.5 × 21 cm (11 5/8 × 8 1/4 in); (ii) 26 × 18 cm (10 1/4 × 7 1/8 in); (iii) 29.5 × 21 cm (11 5/8 × 8 1/4 in) (i) Signed and dated ‘M.K.90’ lower right; (ii) signed and dated ‘M.K.89’ lower right; (iii) signed and dated ‘M.K.90’ lower right.
Estimate £20,000 –25,000 $31,800 –39,700 €25,300 –31,600
z ‡
PROVENANCE Galerie Gisela Capitain, Cologne
Thomas Ammann Fine Art, Zurich Private Collection EXHIBITED Basel, Kunsthalle, Martin Kippenberger, 2 – 15 November 1998
Hamburg, Deichtorhallen, Martin Kippenberger, 11 February – 25 April 1999 Tübingen, Kunsthalle Tubingen, Martin Kippenberger. Schattenspiel im Zweigwerk. Die Zeichnungen, 16 April – 22 June 2003, (ii) and (ii) LITERATURE Martin Kippenberger. Die gesamten Plakate 1977 – 1997, exh. cat., Kunsthaus Zurich, 1998, no. 23 in the leaflet (reproduction in black and white), (i) p. 57, (iii) p. 47
CTA_UK_Oct12_Day_Lots_66-141.indd 82
18/09/12 09.39
(iii)
CTA_UK_Oct12_Day_Lots_66-141.indd 83
18/09/12 09.39
154
JAKUB JULIAN ZIOLKOWSKI b. 1980 Untitled, 2006 mixed media on paper 66 × 50 cm (25 7/8 × 19 5/8 in) Stamped ‘JJZ 06’ lower right.
Estimate £6,000 –7,000 $9,500 –11,100 €7,600 – 8,900
z
PROVENANCE Hauser & Wirth, London
Private Collection, Belgium
CTA_UK_Oct12_Day_Lots_66-141.indd 84
18/09/12 09.39
155
JOHANNES KAHRS b. 1965 Gemälde 1 (good man/bad man), 1993 oil on canvas 200 × 150.5 cm (78 3/4 × 59 1/4 in) Signed, titled and dated ‘Johannes Kahrs 1993 Gemälde 1 (good man/bad man)’ on the reverse.
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900
z
PROVENANCE Galerie Almine Rech, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 85
18/09/12 09.39
156
KEITH HARING
1958–1990
Untitled, 1981 acrylic on canvas board 27.9 × 35.6 cm (10 7/8 × 14 in) Signed twice and dated ‘K. Haring’ and ‘Dec. 29 – 81’ on the reverse. This work is accompanied by a certificate of authenticity.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Christie’s, New York, ‘First Open Post-War and Contemporary Art’, 23 September 2009, lot 26
Guy Hepner, Los Angeles Private Collection, UK
CTA_UK_Oct12_Day_Lots_66-141.indd 86
18/09/12 09.39
157
MARTIN KIPPENBERGER
1953–1997
James Dean, 1989 collage on paper and adhesive foil on glass in artist’s frame 98.5 × 67.5 cm (38 3/4 × 26 5/8 in) Signed, titled and dated ‘Affe 89 KIPPENBERGER’ lower right.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z‡
PROVENANCE Thomas Ammann Fine Art, Zurich
Private Collection EXHIBITED Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Martin Kippenberger, 20 July – 22 October 1995
Zurich, Kunsthaus Zurich, Martin Kippenberger: Frühe Bilder, Collagen, Objekte, die gesamten Plakate und späte Skulpturen, 12 September – 15 November 1998 LITERATURE Martin Kippenberger. Die gesamten Plakate 1977 – 1997, exh. cat., Zurich, 1998, no. 23 in the leaflet (reproduction in black and white)
CTA_UK_Oct12_Day_Lots_66-141.indd 87
18/09/12 09.40
158
JIM LAMBIE b. 1964 Untitled, 2007 rug on aluminium with copper sheet, brass sheet, wooden chairs painted in household gloss 220 × 327 × 29 cm (86 5/8 × 128 3/4 × 11 3/8 in)
Estimate £30,000 –50,000 $47,600 –79,400 €37,900 – 63,200
z
PROVENANCE The Modern Institute, Glasgow
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 88
18/09/12 09.40
CTA_UK_Oct12_Day_Lots_66-141.indd 89
18/09/12 09.40
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
159
SEAN LANDERS b. 1962 Le Sculpteur, 2000 oil on canvas 162.6 × 132 cm (64 × 51 7/8 in) Signed, titled and dated ‘Sean Launders “Le Sculpteur” 2000’ on the reverse.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_66-141.indd 90
18/09/12 09.39
160
PAUL McCARTHY b. 1945 17" Double Back to Back Grey Grey, 2007 chocolate, plastic bucket, MDF board and dolly 61 × 64 × 52 cm (24 × 25 1/4 × 20 1/2 in)
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500 PROVENANCE Maccarone, New York
Acquired directly from the above by the present owner EXHIBITED New York, Maccarone, Paul McCarthy’s Chocolate Factory, 15 November– 24 December 2007
CTA_UK_Oct12_Day_Lots_66-141.indd 91
18/09/12 09.39
161
DASH SNOW
1981–2009
Untitled, 2006 diptych: digital colour coupler prints left sheet: 121.9 × 100.3 cm (47 7/8 × 39 1/2 in); right sheet: 125.7 × 98.4 cm (49 1/2 × 38 3/4 in) This work is from an edition of three.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE The Proposition, New York
Phillips de Pury & Company, New York, ‘Contemporary Art Part II’, 1 May 2010, lot 380 Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 92
18/09/12 09.39
162
DASH SNOW
1981–2009
Gimme Head Till I’m Dead, 2007 chair, photography, skull, record player 113 × 78 × 74 cm (44 1/2 × 30 3/4 × 29 1/8 in) Signed on the reverse.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE Contemporary Fine Arts, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 93
18/09/12 09.39
163
MATIAS FALDBAKKEN b. 1973 Newspaper Ad 02, 2007 Lightjet print on Fuji Crystal archival paper 79 × 60 cm (31 1/8 × 23 5/8 in) Signed, titled and dated ‘Matias Faldbakken, Newspaper Ad 02, 2007’ on the reverse.
Estimate £5,000 –7,000 $7,900 –11,100 €6,300 – 8,900
z
PROVENANCE Standard Oslo, Oslo
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 94
18/09/12 09.39
164
GARDAR EIDE EINARSSON b. 1976 Caligula (Kaligula), 2009 acrylic on canvas 152.5 × 122.5 cm (60 × 48 1/4 in) Signed ‘Gardar Eide Einarsson’ on the overlap; further signed, titled and dated ‘Gardar Eide Einarsson, “Caligula (Kaligula)”, 2009’ on the stretcher bar on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Private Collection, France
CTA_UK_Oct12_Day_Lots_66-141.indd 95
18/09/12 09.39
165
OSCAR TUAZON b. 1975
166
STERLING RUBY b. 1972
Basement, 2007
Red, White, Blue, 2005
folded digital colour coupler print
Lambda print, mounted to Plexiglas
15 × 20 × 2 cm (5 7/8 × 7 7/8 × 3/4 in)
164 × 121.5 cm (64 5/8 × 47 7/8 in)
This work is number one from an edition of two plus one artist’s proof.
This work is from an edition of three.
Estimate £4,000 – 6,000 $6,400 –9,500 €5,100 –7,600
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
PROVENANCE Maccarone, New York
PROVENANCE Galerie Christian Nagel, Cologne
Private Collection, France
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 96
18/09/12 09.40
CTA_UK_Oct12_Day_Lots_66-141.indd 97
18/09/12 09.40
167
EILEEN QUINLAN b. 1972
168
WALEAD BESHTY b. 1976
Fahrenheit #12, 2008
two works: Gelatin Silver Contact Print (Los Angeles, California, February 27th 2011,
UV-laminated chromogenic print mounted on Sintra
Ilford Multigrade Fiber), 2011
102.1 × 76.7 cm (40 1/4 × 30 1/4 in)
black and white fibre-based photographic paper
Signed ‘Eileen Quinlan’ on a label affixed to the reverse. This work is
each image: 20 × 25 cm (7 7/8 × 9 7/8 in); each frame: 29 × 34 cm (11 3/8 × 13 3/8 in)
number four from an edition of five.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
z
Estimate £5,000 –7,000 $7,900 –11,100 €6,300 – 8,900 PROVENANCE Sutton Lane Gallery, London
Acquired from the above by the present owner
PROVENANCE Regen Projects, Los Angeles
Fourteen30 Contemporary, Oregon Private Collection, Paris EXHIBITED Oregon, Fourteen30 Contemporary, To Make A Flame: Glen Baldridge, Walead Beshty, Mike Bray, Brendan Fowler, Alex Hubbard, 4 November – 11 December 2011
CTA_UK_Oct12_Day_Lots_66-141.indd 98
18/09/12 09.40
CTA_UK_Oct12_Day_Lots_66-141.indd 99
18/09/12 09.40
169
ROBIN RHODE b. 1976 Motorbike, 2001 colour coupler print on aluminium (in 28 parts) each: 21 × 28 cm (8 1/4 × 11 in); each placed on a back board: 165 × 225 cm (64 7/8 × 88 5/8 in) This work is from an edition of three and is accompanied by a certificate of authenticity.
Estimate £35,000 – 45,000 $55,600 –71,500 €44,200 –56,900
‡
PROVENANCE Carlier Gebauer, Berlin
CTA_UK_Oct12_Day_Lots_66-141.indd 100
18/09/12 09.42
CTA_UK_Oct12_Day_Lots_66-141.indd 101
18/09/12 09.42
170
LOUISE LAWLER b. 1947 Untitled, 1992–96 dye destruction print on museum box 73.6 × 73.6 cm (28 7/8 × 28 7/8 in) Signed, dated and numbered ‘Louise Lawler, 1/5, 1992/96’ on the reverse.
Estimate £8,000 –10,000 $12,700 –15,900 €10,100 –12,600 PROVENANCE Metro Pictures, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 102
18/09/12 09.42
171
CANDIDA HÖFER b. 1944 Bibliothèque Nationale de France, Paris II, 1997 colour coupler print image: 60 × 60 cm (23 5/8 × 23 5/8 in); frame: 87 × 87 cm (34 1/4 × 34 1/4 in) Signed ‘Candida Höfer’ on the reverse. This work is number two from an edition of six.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
PROVENANCE Galerie Karlheinz Meyer, Karlsruhe
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 103
18/09/12 09.42
172
CANDIDA HÖFER b. 1944 Palacio del Congreso Nacional de Buenos Aires I, 2006 colour coupler print image: 236.5 × 180 cm (93 1/8 × 70 7/8 in); frame: 261.5 × 205 cm (102 7/8 × 80 3/4 in) Signed ‘Candida Höfer’ on a label affixed to the reverse. This work is number five from an edition of six.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z
PROVENANCE Galerie Rüdiger Schöttle, Munich
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 104
18/09/12 09.42
CTA_UK_Oct12_Day_Lots_66-141.indd 105
18/09/12 09.42
173
ROBIN RHODE b. 1976 The Fridge (Refrigerator), 2004 colour coupler print (in five parts) each: 45 × 29 cm (17 3/4 × 11 3/8 in) Signed ‘Robin Rhode’ on a label affixed to the reverse. This work is number one from an edition of three.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE Galerie Kamel Mennour, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 106
18/09/12 09.43
CTA_UK_Oct12_Day_Lots_66-141.indd 107
18/09/12 09.43
174
DAVID LaCHAPELLE b. 1963 Deluge, 2006 digital colour coupler prints, Diasec mounted (in three parts) each: 180 × 234.5 cm (70 7/8 × 92 3/8 in); overall: 180 × 703.5 cm (70 7/8 × 276 in) Signed ‘David LaChapelle’ on a studio label accompanying the work. This work is number four from an edition of five plus two artist’s proofs.
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500 PROVENANCE Private Collection EXHIBITED Milan, Palazzo Reale, David LaChapelle, September 2007–January 2008
Tel Aviv Museum of Art, David LaChapelle: Postmodern Pop Photography, 23 July– 20 November 2010 Bratislava, Galeria Mesta, Lost and Found, 14 September–31 October 2011 San Juan, Museo Arte Contemporaneo de Puerto Rico, Nosotros La Humanidad Al Borde, 23 October 2011–25 March 2012 Seoul, Hangaram Design Museum, November 2011–March 2012 Prague, Galerie Rudolfinum, Thus Spoke LaChapelle, 7 December 2011–26 February 2012 (each another example exhibited) LITERATURE David LaChapelle, Florence: Giunti, 2007, pl. 1, pp. 122–23
CTA_UK_Oct12_Day_Lots_66-141.indd 108
18/09/12 09.43
CTA_UK_Oct12_Day_Lots_66-141.indd 109
18/09/12 09.43
175
VIK MUNIZ b. 1961 Don Quixote in his Study, after William Lake Price c. 1890 (from Rebus), 2004 dye destruction print 123.5 × 102.5 cm (48 5/8 × 40 3/8 in) Signed and dated ‘Vik Muniz 2004’ on the reverse. This work is number three from an edition of six plus four artist’s proofs.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE Galeria Elba Benítez, Madrid
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 110
18/09/12 09.53
(i)
(ii)
(iii)
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
176
SARAH LUCAS b. 1962 Four works from Self-Portraits 1990–1998: (i) Divine, 1991; (ii) Got a Salmon On #3, 1997; (iii) Self Portraits with Skull, 1997; (iv) Fighting Fire with Fire, 1996
(iv)
each: inkjet print on Somerset paper each: 56 × 76 cm (22 × 29 7/8 in) or the reverse These works are from an edition of 150.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z
PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_66-141.indd 111
18/09/12 09.54
177
THOMAS RUFF b. 1958 Nudes F.T.04, 2001 colour coupler print 165.1 × 120 cm (65 × 47 1/4 in) Signed, numbered and dated ‘Thomas Ruff, 4/5, 2001’ in pencil on the reverse. This work is number four from an edition of five plus two artist’s proofs.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z ‡
PROVENANCE Marc Jancou Fine Art, New York
Stellan Holm Gallery, New York Sotheby’s, London, ‘Contemporary Art Day Sale’, 8 February 2007, lot 361 Acquired from the above sale by the present owner EXHIBITED Baden-Baden, Staatliche Kunsthalle, Thomas Ruff: 1979 to the Present, 17 November 2001 – 13 January 2002, then travelled to Essen, Museum Folkwang (17 February – 14 April 2002), Oslo, Museet for Samtidskunst (20 January – 5 April 2002), Munich, Städtische Galerie im Lenbachhaus (26 April – 14 July 2002), Dublin, Irish Museum of Modern Art (2 August – 6 October 2002), Vitoria-Gasteiz, Artium, Centro-Museo Vasco de Arte Contemporaneo, (8 October 2002 – 18 January 2003), Porto, Museo de Arte Contemporanea de Serralves (24 January – 20 April 2003), Tate Liverpool (22 May – 6 July 2003) (another example exhibited) LITERATURE Thomas Ruff: 1979 to the Present, Cologne, 2001, p. 240, no. NUD 075 (another example illustrated)
Michel Houellebecq, Thomas Ruff Nudes, A Short Story, Munich, 2003, p. 63 (another example illustrated)
CTA_UK_Oct12_Day_Lots_66-141.indd 112
18/09/12 09.54
178
MASSIMO VITALI b. 1944 Spiaggiona senza moda, 2001 colour coupler print mounted on aluminium 180 × 218.5 cm (70 7/8 × 86 in) This work is number one from an edition of nine and is accompanied by a certificate of authenticity.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z
PROVENANCE Galeria Senda, Barcelona
Acquired from the above by the present owner LITERATURE Massimo Vitali, Massimo Vitali: Landscape with Figures, Göttingen: Steidl, 2004, p. 157
CTA_UK_Oct12_Day_Lots_66-141.indd 113
18/09/12 09.54
179
KRIS MARTIN b. 1972 One Second of My Life, 2004 series of ten lambda prints each: 14 × 14 cm (5 1/2 × 5 1/2 in) This work is from an edition of three plus one artist’s proof and is accompanied by a certificate of authenticity signed by the artist.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z
PROVENANCE Johann König, Berlin
Sies + Höke, Düsseldorf Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 114
18/09/12 09.55
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
180
KEITH TYSON b. 1969 Studio Wall Drawing: The Edges of Things #29: A Molten Purple Tessellation, 2002 colour coupler print, gouache and marker 151.5 × 121 cm (59 5/8 × 47 5/8 in) Signed, titled and dated ‘K. Tyson, Purple tessellation (The edges of things) 2002’ on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Private Collection, UK EXHIBITED London, Tate Britain, Turner Prize, 30 October 2002 – 5 January 2003
CTA_UK_Oct12_Day_Lots_66-141.indd 115
18/09/12 09.55
181
KATY MORAN b. 1975 Untitled 2, 2005 acrylic on MDF board 31.5 × 30 cm (12 3/8 × 11 3/4 in) Signed and dated ‘Katy Moran 2005’ on the reverse.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
PROVENANCE Acquired directly from the artist by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 116
18/09/12 09.55
182
KEITH TYSON b. 1969 Nature Painting, 2005 oil and varnish on aluminium 61 × 61 cm (24 × 24 in) Signed, titled and dated ‘Nature Painting K. Tyson 2005’ on the reverse.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z†
PROVENANCE Haunch of Venison, London
Private Collection, London
CTA_UK_Oct12_Day_Lots_66-141.indd 117
18/09/12 09.55
183
FRANZ WEST
1947–2012
Pass Stuck, 1983 plaster on armature 109.9 × 27.9 × 27.9 cm (43 1/4 × 11 × 11 in)
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z
PROVENANCE Private Collection, Europe LITERATURE Franz West: Proforma, exh. cat., Museum Moderner Kunst, Vienna, 1996, p. 164, illustration N.243
CTA_UK_Oct12_Day_Lots_66-141.indd 118
Franz West with Pass Stuck, 1983
18/09/12 09.55
184
184
FRANZ WEST
185
1947–2012
FRANCIS ALŸS b. 1959
Die Rinder Der … Wer Knorrt Hat’s Leichter IM Leben [Hommage an Pop-Art], 1984
Untitled (La Theorie des Ensembles), 1999
mixed media collage on cardboard
oil, graphite and tape on vellum
32 × 156 cm (12 5/8 × 61 3/8 in)
24 × 21 cm (9 1/2 × 8 1/4 in) Signed and dated ‘Francis Alÿs 1999’ on the reverse. This work is accompanied by
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
a certificate of authenticity.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
PROVENANCE Private Collection, Europe
z
PROVENANCE Goff and Rosenthal, New York
Acquired from the above by the present owner
185
CTA_UK_Oct12_Day_Lots_66-141.indd 119
18/09/12 11.29
186
MARC QUINN b. 1964 Higher Atmosphere, 2006 acrylic on canvas 168 × 255 cm (66 1/8 × 100 3/8 in) Signed, titled and dated ‘Marc Quinn, Higher Atmosphere, 2006’ on the reverse.
Estimate £80,000 –120,000 $127,000 –191,000 €101,000 –152,000
z
PROVENANCE Acquired directly from the artist by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 120
18/09/12 10.04
CTA_UK_Oct12_Day_Lots_66-141.indd 121
18/09/12 10.04
187
ANSELM REYLE b. 1970 Untitled, 2004 mixed media on canvas 135 × 114 cm (53 1/8 × 44 7/8 in) Signed and dated ‘Anselm Reyle 2004’ on the reverse.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z
PROVENANCE Christie’s, London, ‘Post-War and Contemporary Art Day Sale (Afternoon Session)’, 7 February 2008, lot 468
Private Collection, Europe
CTA_UK_Oct12_Day_Lots_66-141.indd 122
18/09/12 10.04
188
ANSELM REYLE b. 1970 Untitled, 2006 mixed media on canvas, acrylic glass 143 × 121 × 15.5 cm (56 1/4 × 47 5/8 × 6 1/8 in)
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900
z†
PROVENANCE The Modern Institute, Glasgow
Modern Collections, London Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 123
18/09/12 10.05
189
PETER HALLEY b. 1953 Small White Prison, 2002 acrylic and Roll-A-Tex on canvas 125 × 102 × 9.5 cm (49 1/4 × 40 1/8 × 3 3/4 in) Signed and dated ‘Peter Halley 2002’ on the reverse.
Estimate £18,000 –25,000 $28,600 –39,700 €22,800 –31,600 PROVENANCE Galeria Senda, Barcelona
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 124
18/09/12 10.05
190
DANIEL BUREN b. 1938 PVC bleu pour un angle, 2003 plastic foil on PVC board (in four parts) overall: 200.1 × 200.1 cm (78 3/4 × 78 3/4 in); each: 95.8 × 95.8 cm (37 3/4 × 37 3/4 in) This work is accompanied by a certificate of authenticity.
Estimate £30,000 – 40,000 $47,600 – 63,500 €37,900 –50,600
z
PROVENANCE Private Collection, Belgium
CTA_UK_Oct12_Day_Lots_66-141.indd 125
18/09/12 10.05
191
BERNAR VENET b. 1941 Arc × 4, 1999 rolled steel 60 × 58 cm (23 5/8 × 22 7/8 in)
Estimate £25,000–35,000 $39,700–55,600 €31,600–44,200
z
PROVENANCE Galerie Karsten Greve, Cologne
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 126
18/09/12 10.05
alternative view
CTA_UK_Oct12_Day_Lots_66-141.indd 127
18/09/12 10.06
192
ROBERT MOTHERWELL
1915–1991
Untitled, 1979 oil and graphite on board 51 × 66.5 cm (20 1/8 × 26 1/8 in) Initialled and dated ‘RM 6 May 79’ upper left.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE The Dedalus Foundation, New York
Marlborough Gallery, New York Mira Godard Gallery, Toronto Hillsboro Fine Art Gallery, Dublin Private Collection, Ireland EXHIBITED Basel, Galeria Joan Prats at the Basel Art Fair, Robert Motherwell, June 1991, n.p. (illustrated)
New York, Marlborough Gallery, Robert Motherwell: Drawings, 16 February–13 March 1999 Denver, Robischon Gallery, Robert Motherwell: Early Drawings, 1963–1976, 13 January– 3 March 2001 Dublin, Hillsboro Fine Art, International Collectibles, 4–27 August 2005 LITERATURE M. Paglia, ‘Slights of Hand: Robischon Salutes Three Generations of New York School Artists’, Denver Westword, 15 February 2001, p. 53 (illustrated)
This work will be included in the forthcoming Robert Motherwell: Paintings and Collages, A Catalogue Raisonné, 1941–1991, to be published by Yale University Press, October 2012.
CTA_UK_Oct12_Day_Lots_66-141.indd 128
18/09/12 10.06
193
ROBERT MOTHERWELL
1915–1991
Grey and Black Open, 1979 acrylic on canvas on board 38 × 76 cm (14 7/8 × 29 7/8 in) Incised ‘Motherwell’ lower right.
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900 PROVENANCE The Dedalus Foundation, New York
Knoedler & Co., New York Galerie Klüser, Munich Hillsboro Fine Art, Dublin Private Collection, Ireland EXHIBITED Leverkusen, Museum Morsbroich, Motherwell, 17 October 2004–30 January 2005, p. 76 (illustrated)
Munich, Galerie Bernd Kluser, Robert Motherwell: Paintings, Collages, Works on Paper, 4 May–30 July 2005 Dublin, Hillsboro Fine Art, Summer Exhibition, 7 June–6 July 2007 LITERATURE R. Stiftel, ‘Stürmisches Schwarz’, Westfälischer Anzeiger, 21 December 2004, p. 298
This work will be included in the forthcoming Robert Motherwell: Paintings and Collages, A Catalogue Raisonné, 1941–1991, to be published by Yale University Press, October 2012.
CTA_UK_Oct12_Day_Lots_66-141.indd 129
18/09/12 10.06
194
CLAIRE BARCLAY b. 1968 Let Loose, 2007 aluminium, leather, acetal, silkscreen on paper 430 × 95 × 196 cm (169 1/4 × 37 3/8 × 77 1/8 in)
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Doggerfisher, Glasgow
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 130
18/09/12 10.06
195
CALLUM INNES b. 1962 Twelve Indentified Forms, 2004 oil on canvas 105 × 95 cm (41 3/8 × 37 3/8 in) Signed and dated ‘Callum Innes 04’ on the overlap; further signed, titled and dated ‘Callum Innes, Twelve Identified Forms 2004’ on the stretcher bar.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
z‡
PROVENANCE Jensen Gallery, Auckland
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 131
18/09/12 10.06
196
TAKASHI MURAKAMI b. 1962 Superflat Monogram (White), 2004 acrylic on canvas on panel 60 × 60 cm (23 5/8 × 23 5/8 in)
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000
‡
PROVENANCE Marianne Boesky Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 132
18/09/12 10.06
197
TOM SACHS b. 1966 Nazi Bondage Babe, 2002 synthetic polymer on canvas 152 × 184 cm (59 7/8 × 72 1/2 in)
Estimate £50,000 –70,000 $79,400 –111,000 €63,200 – 88,500 PROVENANCE Sperone Westwater, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 133
18/09/12 10.06
198
YOSHITMOTO NARA b. 1959 Live Skulls, 2003 coloured pencil on paper 24 × 32.8 cm (9 1/2 × 12 7/8 in)
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800 PROVENANCE Tomio Koyama Gallery, Tokyo
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 134
18/09/12 10.06
199
INKA ESSENHIGH b. 1969 Manmade Garden, 2001 oil on board 182.9 × 213.4 cm (72 × 84 in) Signed, titled and dated ‘Inka Essenhigh’ on the reverse.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
‡
PROVENANCE Victoria Miro, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 135
18/09/12 10.07
200
JOHN BOCK b. 1965 Die Sieben Samurai, 2001 trousers, shirts, coloured sweaters, wooden wall-mounted clothes rack, wooden hangers, Hantarex TV screen, electrical cables dimensions variable
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
PROVENANCE Gio Marconi, Milan
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 136
18/09/12 10.08
201
NAM JUNE PAIK
1932–2006
Untitled, 1989 inkjet on canvas (in two parts); two tin cars and two videos 267 × 246 × 22 cm (105 1/8 × 96 7/8 × 8 5/8 in) Signed and dated ‘Paik ’89’ lower left.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Guy Pieters Gallery, Knokke
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 137
18/09/12 10.08
202
ANDRÉ BUTZER b. 1973 Untitled, 2008 oil on canvas 230 × 320 cm (90 1/2 × 125 7/8 in) Signed ‘A. Butzer’ lower right.
Estimate £15,000 –25,000 $23,800 –39,700 €19,000 –31,600
z
PROVENANCE Patrick Painter Inc., Santa Monica
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 138
18/09/12 10.08
CTA_UK_Oct12_Day_Lots_66-141.indd 139
18/09/12 10.08
203
ERWIN WURM b. 1954 Untitled, 2008 acrylic, wood, textile 77 × 44 × 23 cm (30 3/8 × 17 3/8 × 9 in) This work is unique.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
♠ ‡
PROVENANCE Private Collection, Switzerland
CTA_UK_Oct12_Day_Lots_66-141.indd 140
18/09/12 10.06
204
INKA ESSENHIGH b. 1969 Sunshine, 2004 oil on canvas 193 × 178 cm (75 7/8 × 70 1/8 in) Signed, titled and dated ‘Inka Essenhigh 2004 Sunshine’ on the reverse.
Estimate £40,000 –50,000 $63,500 –79,400 €50,600 – 63,200 PROVENANCE Victoria Miro, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_66-141.indd 141
18/09/12 10.07
205
THOMAS ZIPP b. 1966 Margit, 2003 oil on canvas 110 × 70 cm (43 1/4 × 27 1/2 in) Signed, titled and dated ‘Margit Thomas Zipp 03’ on the reverse.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z†
PROVENANCE Marc Jancou Fine Art, New York
Phillips de Pury & Company, New York, ‘Contemporary Art Part II’, 17 November 2006, lot 188 Acquired from the above sale by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 142
18/09/12 11.13
206
DAN ATTOE b. 1975 Accretion #36 (You Are Not Alone), 2006 oil on canvas on panel, and oil painted wooden sculpture painting: 92 × 121.7 cm (36 1/4 × 47 7/8 in); sculpture: 13 × 4 × 4 cm (5 1/8 × 1 5/8 × 1 5/8 in) Signed and dated ‘Dan Attoe, May 2006’ on the reverse.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
‡
PROVENANCE Peres Projects, Los Angeles
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 143
detail
18/09/12 11.13
207
TONY OURSLER b. 1957 Blue Transmission, 2000 video projection, wood and glass sculpture dimensions variable
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
Ω
PROVENANCE Lisson Gallery, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 144
18/09/12 11.13
208
ANDRÉ BUTZER b. 1973 Walt N, 2006 oil on canvas 260 × 200 cm (102 3/8 × 78 3/4 in) Signed ‘A. Butzer’ lower right; further signed and dated ‘A. Butzer ’06’ on the reverse.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200
z
PROVENANCE Galerie Max Hetzler, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 145
18/09/12 11.14
209
JONATHAN MEESE b. 1970 Die Totale Frau, 2004–05 oil, plastic sword, cardboard and newspaper on canvas 120 × 100.5 cm (47 1/4 × 39 5/8 in) Initialled and dated ‘JM 2004 2005’ lower right; further signed and dated ‘Meese 2004–2005’ on the reverse.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z
PROVENANCE Galerie Krinzinger, Vienna
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 146
18/09/12 12.02
210
ANDRÉ BUTZER b. 1973 Friedens – Siemens XIII, 2003 oil on canvas 300 × 210.5 cm (118 1/8 × 82 7/8 in) Signed ‘A. Butzer’ lower right; further signed, titled and dated ‘A. Butzer ’03 “Friedens – Siemens” XIII’ on the reverse.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z ‡
PROVENANCE Patrick Painter Gallery, Santa Monica
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 147
18/09/12 11.14
211
CHRISTOPH RUCKHÄBERLE b. 1972 Untitled (Schachspieler), 2005 oil on canvas 190 × 250 cm (74 3/4 × 98 3/8 in)
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
PROVENANCE Galerie Kleindienst, Leipzig
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 148
18/09/12 11.14
212
AXEL GEIS b. 1970 Untitled, 2007 oil on canvas 205 × 122 cm (80 3/4 × 48 in) Signed, titled and dated on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Galerie Jan Wentrup, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 149
18/09/12 11.14
213
JONATHAN MEESE b. 1970 Nietzsche, Hallo, 2006 oil and mixed media on canvas 80.5 × 60 cm (31 3/4 × 23 5/8 in) Initialled and dated ‘JM 06’ lower right; further signed, titled and dated ‘JMeese 06, NIETZSCHE, HALLO’ on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Contemporary Fine Arts, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 150
18/09/12 11.14
214
WILHELM SASNAL b. 1972 Untitled (Record Player), 2002 oil on canvas 24.4 × 29.8 cm (9 5/8 × 11 3/4 in) Signed and dated ‘Wilhelm Sasnal 2002’ on the overlap.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Private Collection, Germany
Private Collection, UK
CTA_UK_Oct12_Day_Lots_142-219.indd 151
18/09/12 11.14
215
RAFAEL BUJNOWSKI b. 1974 Window, 2001–05 oil on canvas 145 × 145 cm (57 1/8 × 57 1/8 in)
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
z
PROVENANCE Raster Gallery, Warsaw
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 152
18/09/12 11.14
216
GREGOR HILDEBRANDT b. 1974 Der Garten (Einstürzende Neubauten), 2008 cassette tape laid on canvas 292 × 192 cm (114 7/8 × 75 5/8 in) Signed, titled and dated ‘Gregor Hildebrandt “Der Garten (Einstürzende Neubauten)” 2008’ on the reverse.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z
PROVENANCE Galerie Jan Wentrup, Berlin
Private Collection
CTA_UK_Oct12_Day_Lots_142-219.indd 153
18/09/12 11.14
(iii)
(i)
(ii)
(vi)
(vi)
(v) (vii)
217
MARTIN EDER b. 1968 Seven works: Diana and Charles, 1997 watercolour on paper smallest: 17.6 × 20.7 cm (6 7/8 × 8 1/8 in); largest: 26.6 × 18.5 cm (10 1/2 × 7 1/4 in) Each signed and dated ‘Martin Eder 1997’ in the margin; (v) and (vii) are further titled.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE Jesco von Puttkamer, Berlin
Private Collection, Germany Private Collection, UK
Various titles: (i) Diana and Charles, (ii) Diana and photographer, (iii) Yacht, (iv) Driver Diana, (v) Diana at hotel, (vi) Elton John, (vii) Crash
CTA_UK_Oct12_Day_Lots_142-219.indd 154
18/09/12 11.15
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
218
KAREN KILIMNIK b. 1955 Snow Reports, 1998 crayon and pastel on paper 88.5 × 65.5 cm (34 7/8 × 25 3/4 in) Dated ‘January 20 ‘98 1.40pm January 21 98’ lower right.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100 PROVENANCE Private Collection, UK
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
219
KAREN KILIMNIK b. 1955 Demi’s not Smitten with Him, 1998 crayon on paper 88 × 65.5 cm (34 5/8 × 25 3/4 in) Dated ‘January 1998 215 pm January 20 ’98’ lower right.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100 PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_142-219.indd 155
18/09/12 11.15
220
WILLIAM N. COPLEY
1919–1996
Untitled, 1965 acrylic on canvas 91 × 121 cm (35 7/8 × 47 5/8 in)
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Nolan/Eckman Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 156
18/09/12 11.15
221
KIKI SMITH b. 1954 Untitled, 2001 ink and coloured pencil on Nepalese collage paper 235 × 156 cm (92 1/2 × 61 3/8 in) Signed and dated ‘Kiki Smith 2001’ lower right.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900 PROVENANCE Private Collection
CTA_UK_Oct12_Day_Lots_142-219.indd 157
18/09/12 11.15
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
222
WIM DELVOYE b. 1965 Delft Shovel (B), 1990 enamel on metal shovel with wooden handle 154 × 35 × 20 cm (60 5/8 × 13 3/4 × 7 7/8 in) Signed, titled and dated ‘Wim Delvoye, Delft Shovel (B), 1990’ on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_142-219.indd 158
18/09/12 11.15
THIS WORK IS BEING SOLD ON BEHALF OF THE PEN SHELL PROJECT
223
WIM DELVOYE b. 1965 Mum, Keys are You Know Where, 1996 inkjet print on fabric 270 × 394 cm (106 1/4 × 155 1/8 in) Signed, titled and dated ‘W Delvoye “Mum…” 1996’ on the reverse.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z
PROVENANCE Private Collection, UK
CTA_UK_Oct12_Day_Lots_142-219.indd 159
18/09/12 11.15
224
WOLFGANG LAIB b. 1950 Rice House, 1988 aluminium, wood, wax sticks and rice aluminium house: 55 × 55 × 23 cm (21 5/8 × 21 5/8 × 9 in)
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE André Simoens, Knokke
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 160
18/09/12 11.21
225
SAM FRANCIS
1923–1994
Untitled, 1978 acrylic and ink on paper 31.5 × 46.5 cm (12 3/8 × 18 1/4 in) Signed and dated ‘Sam Francis 1978’ on the reverse.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE Private Collection, France
CTA_UK_Oct12_Day_Lots_142-219.indd 161
18/09/12 11.21
226
MARTIN BOYCE b. 1967 Two works: Untitled, 2008 silkscreen print on paper each: 79.8 × 59.8 cm (31 3/8 × 23 1/2 in) Each signed, dated and numbered ‘Martin Boyce 08 5/10’ lower margin. These works are number five from an edition of ten.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
z
PROVENANCE Ikon, Birmingham
Private Collection, Europe
CTA_UK_Oct12_Day_Lots_142-219.indd 162
18/09/12 11.22
CTA_UK_Oct12_Day_Lots_142-219.indd 163
18/09/12 11.22
227
ANISH KAPOOR b. 1954 Shadow III portfolio, 2009 the complete portfolio of nine colour etchings on Somerset textured soft white paper each: 72.5 × 96.5 cm (28 1/2 × 37 7/8 in) Each signed and numbered ‘Anish Kapoor, 10/39’ on the reverse. This work is number 10 from an edition of 39 plus six artist’s proofs and one printer’s proof. Published by The Paragon Press.
Estimate £30,000 – 40,000 $47,600 – 63,500 €37,900 –50,600
z†
PROVENANCE Private Collection, New York
CTA_UK_Oct12_Day_Lots_142-219.indd 164
18/09/12 11.22
CTA_UK_Oct12_Day_Lots_142-219.indd 165
18/09/12 11.23
228
MICHELANGELO PISTOLETTO b. 1933 Frattali, 1999–2000 acrylic on mirror 58 × 75 cm (22 7/8 × 29 1/2 in) Signed, titled and dated ‘Pistoletto 1999/2000 Frattali’ on the reverse. This work is unique and is accompanied by a certificate of authenticity signed by the artist.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
z
PROVENANCE Centro d’Arte Fuoriuso, Pascara, Italy
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 166
18/09/12 11.23
229
CY TWOMBLY
1928–2011
Roman Notes VI (from Roman Notes), 1970 colour offset lithograph 86.5 × 69 cm (34 × 27 1/8 in) Signed and dated ‘Cy Twombly 70’ on the reverse. This work is from an edition of 100 plus 10 artist’s proofs and published by Neuendorf Verlag, Hamburg.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE Private Collection, Europe
CTA_UK_Oct12_Day_Lots_142-219.indd 167
18/09/12 11.23
230
DAMIEN HIRST b. 1965 A Single Unique Butterfly from The Souls On Jacob’s Ladder Take Their Flight, 2008 colour photogravure etching on 400gsm Velin Arches paper 119.6 × 108.4 cm (47 1/8 × 42 5/8 in) Signed, dated and inscribed ‘Damien Hirst U.P. 2008’ lower margin. This work is unique, registered in the Damien Hirst Archive under number ‘DHS 10381’, published by The Paragon Press, 2008 and is accompanied by a certificate of authenticity.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE Galerie Guy Pieters, Knokke-Heist
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 168
18/09/12 11.23
231
TOM WESSELMANN 1931–2004 Smoker Banner, 1971 11 colours and transparent sewn vinyl and plastic 110 × 110 cm (43 1/3 × 43 1/3 in) This work is a trial proof aside from the signed and numbered edition of 30 and is published by Multiples, Inc.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000 PROVENANCE Private Collection, Florida LITERATURE Tom Wesselmann: Graphics 1964–1977, exh. cat., Institute of Contemporary Art, Boston, April–June 1978, p. 18 (illustrated)
CTA_UK_Oct12_Day_Lots_142-219.indd 169
18/09/12 11.23
232
TOM WESSELMANN
1931–2004
Monica Nude with Cézanne, 1993 colour silkscreen on museum board 101.5 × 144.7 cm (39 7/8 × 56 7/8 in) Signed and numbered ‘Wesselmann 82/90’ lower right. Published by International Images.
Estimate £9,000 –15,000 $14,300 –23,800 €11,400 –19,000
†
PROVENANCE Private Collection, Berlin
CTA_UK_Oct12_Day_Lots_142-219.indd 170
18/09/12 11.23
CTA_UK_Oct12_Day_Lots_142-219.indd 171
18/09/12 11.23
233
RACHEL WHITEREAD b. 1963 12 Objects, 12 Etchings, 2010 the complete portfolio of twelve etchings on Somerset Velvet White paper each image: 24.8 × 24.8 cm (9 3/4 × 9 3/4 in); each sheet: 39.8 × 38.2 cm (15 5/8 × 15 in) Each signed ‘Rachel Whiteread’ lower right; each numbered ‘10/42’ on the reverse. This portfolio is number 10 from an edition of 42 plus nine artist’s proofs and two printer’s proofs and is published by Charles Booth-Clibborn, The Paragon Press, London.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z †
PROVENANCE Private Collection, London
CTA_UK_Oct12_Day_Lots_142-219.indd 172
18/09/12 11.24
234
PETER DOIG b. 1959 Untitled (Photos 1–9), 2000 the complete portfolio of nine works: Chromogenic prints each: 67 × 101 cm (26 3/8 × 39 3/4 in) or the reverse Signed, titled, numbered and dated ‘Peter Doig 5/12 2000 photos 1–9’ on the reverse. This work is number five from an edition of 12.
Estimate £18,000 –22,000 $28,600 –34,900 €22,800 –27,800
z †
PROVENANCE Patrick Painter Inc., Los Angeles
CTA_UK_Oct12_Day_Lots_142-219.indd 173
18/09/12 11.26
235
DAMIEN HIRST b. 1965 Butterfly Etching (Portfolio of 12), 2009 the complete portfolio of twelve colour etchings contained in a portfolio box each sheet: 47 x 39.1 cm (18 1/2 × 15 3/8 in); each image: 30 × 24.5 cm (11 3/4 × 9 5/8 in) Each signed ‘Damien Hirst’ right lower margin, numbered and stamped ‘5/45 Hirst’ in the left lower margin. Although the prints are from an edition of 45, only seven complete portfolios were assembled for which these portfolio boxes were designed.
Estimate £28,000 –35,000 $44,500 –55,600 €35,400 – 44,200
z†
PROVENANCE Private Collection London
CTA_UK_Oct12_Day_Lots_142-219.indd 174
18/09/12 11.27
CTA_UK_Oct12_Day_Lots_142-219.indd 175
18/09/12 11.27
236
237
DAMIEN HIRST b. 1965
DAMIEN HIRST b. 1965
Gold Thioglucose, 2008
Oleoylsarcosine, 2008
colour silkscreen on pure gold leaf and silkscreen on Somerset tub paper
unique two-inch spot etching with 48 different colour spots on Hahnemühle paper
75.5 × 95.5 cm (29 3/4 × 37 5/8 in)
85 × 62.5 cm (33 1/2 × 24 5/8 in)
Signed ‘Damien Hirst’ lower right in pencil. Numbered ‘20/45’ on lower left in
Signed ‘Damien Hirst’ lower right. This work is unique and is registered in the
pencil. This work is number 20 from an edition of 45.
Damien Hirst archive under UP11144.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE Private Collection, New York
CTA_UK_Oct12_Day_Lots_142-219.indd 176
z†
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z†
PROVENANCE Private Collection, New York
18/09/12 11.27
CTA_UK_Oct12_Day_Lots_142-219.indd 177
18/09/12 11.28
238
GRAYSON PERRY b. 1960 Map of Nowhere, 2008 etching on woven paper 153 × 113 cm (60 1/4 × 44 1/2 in) Signed and numbered ‘Grayson Perry 8/15’ in pencil on the reverse. This work is number eight from an edition of 15. Published by The Paragon Press, London.
Estimate £18,000 –22,000 $28,600 –34,900 €22,800 –27,800
z†
PROVENANCE Private Collection, London
CTA_UK_Oct12_Day_Lots_142-219.indd 178
18/09/12 11.28
239
DAMIEN HIRST b. 1965 Psalm print: Benedictus Dominus, 2009 silkscreen print with glaze and diamond dust 109.5 × 108 cm (43 1/8 × 42 1/2 in) Signed and numbered ‘Damien Hirst 23/50’ lower left. Stamped Hirst lower right. This work is number 23 from an edition of 50.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z†
PROVENANCE Private Collection, Cologne
CTA_UK_Oct12_Day_Lots_142-219.indd 179
18/09/12 11.28
240
KEITH HARING
1958–1990
Untitled 2, 1985 lithograph on wove paper image: 81 × 99.5 cm (31 7/8 × 39 1/8 in); frame: 102.5 × 121 cm (40 3/8 × 47 5/8 in) Signed and dated ‘EP K.Haring 85’ lower right. This work is from an edition of 60 plus 15 EPs and is published by Matthieu Litho, Switzerland.
Estimate £5,000 –7,000 $7,900 –11,100 €6,300 – 8,900 PROVENANCE Private Collection, London
241
DAMIEN HIRST b. 1965 Dark Rainbow, 2009 mixed media sculpture work: 44 × 41 × 11 cm (17 3/8 × 16 1/8 × 4 3/8 in); with stand: 55 × 41 × 25 cm (21 5/8 × 16 1/8 × 9 7/8 in) Signed and numbered ‘Damien Hirst 9/40’ on the reverse. This work is number nine from an edition of 40 and is produced by Other Criteria, London.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800
z †
PROVENANCE Private Collection, Switzerland
CTA_UK_Oct12_Day_Lots_142-219.indd 180
18/09/12 11.24
242
TAKASHI MURAKAMI b. 1962 Petit Panda, 2009 polyester, acrylic and plastic 55 × 41 × 30 cm (21 5/8 × 16 1/8 × 11 3/4 in) This work is number 62 from an edition of 150 and is accompanied by a certificate of authenticity signed by the artist.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200 PROVENANCE Private Collection, Tokyo
CTA_UK_Oct12_Day_Lots_142-219.indd 181
18/09/12 11.24
243
ANDY WARHOL
1928–1987
Sunset and Evening Shoe gouache, ink and pencil on paper image: 18 × 23 cm (7 1/8 × 9 in); frame: 34.2 × 40 cm (13 1/2 × 15 3/4 in) Signed ‘Andy Warhol’ lower right.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
‡
PROVENANCE Private Collection, Switzerland
CTA_UK_Oct12_Day_Lots_142-219.indd 182
18/09/12 11.24
244
DAVID HOCKNEY b. 1937 Celia Making Tea, 1982 photographic collage on board 63 × 53 cm (24 3/4 × 20 7/8 in) Signed, titled, numbered and dated ‘David Hockney, Celia making tea, New York Dec 1982, #5’ lower centre.
Estimate £7,000 –9,000 $11,100 –14,300 €8,900 –11,400
z
PROVENANCE Richard Gray Gallery, Chicago
Nishimura Gallery, Tokyo Acquired from the above by the present owner LITERATURE David Hockney, Cameraworks, London, Thames & Hudson, 1984, pl. 82 (illustrated in colour)
CTA_UK_Oct12_Day_Lots_142-219.indd 183
18/09/12 11.25
245
ANDY WARHOL
1928–1987
$ (1), circa 1982 colour screenprint on paper mounted on foam board 87.6 × 55.9 cm (34 1/2 × 22 in) This work is accompanied by a photograph certificate stamped by the Andy Warhol Art Authentication Board Inc. and numbered 116.122.
Estimate £35,000 – 45,000 $55,600 –71,500 €44,200 –56,900 PROVENANCE Michael Emms, Atlanta
Private Collection of Rudolf Budja, Austria
CTA_UK_Oct12_Day_Lots_142-219.indd 184
18/09/12 11.25
246
JOAN MITCHELL
1925–1992
Trees IV, 1994 colour lithograph on paper 144 × 210 cm (56 3/4 × 82 5/8 in) Signed, numbered and dated ‘11/34 Joan Mitchell 1944’ lower right. This work is number 11 from an edition of 34 and is published by Tyler Graphics Ltd, New York.
Estimate £9,000 –12,000 $14,300 –19,100 €11,400 –15,200
†
PROVENANCE Private Collection, Paris
247
JOSEPH BEUYS
1921–1986
Unionpack für Feuerstelle coal briquet and plastic in Plexiglas case 12 × 38 × 16 cm (4 3/4 × 14 7/8 × 6 1/4 in) Signed and titled ‘Joseph Beuys, für Feuerstelle’. This work is from an edition of three.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z
PROVENANCE Galerie Edition Staeck, Heidelberg
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 185
18/09/12 11.25
248
ANDY WARHOL
1928–1987
Two works: Campbell’s Onion Soup Box, 1986 synthetic polymer paint and silkscreen ink on canvas each: 50.8 × 50.8 cm (20 × 20 in) These works are accompanied by certificates of authenticity from the Andy Warhol Foundation for the Visual Arts, Inc. and numbered PA 90.014 and PA 90.010 respectively.
Estimate £60,000 – 80,000 $95,300 –127,000 €75,900 –101,000 PROVENANCE Private Collection, Germany
CTA_UK_Oct12_Day_Lots_142-219.indd 186
18/09/12 11.25
CTA_UK_Oct12_Day_Lots_142-219.indd 187
18/09/12 11.25
249
CHRISTO b. 1935 Wrapped Walk Ways: Two Parks Project (Project for Ueno Park, Tokyo, Japan and Sonsbeek Park, Arnheim Netherlands), 1970 collage with pencil, fabric, wax crayon, photograph, staples, map and tape 71 × 56 cm (27 7/8 × 22 in) This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £25,000 –35,000 $39,700 –55,600 €31,600 – 44,200 PROVENANCE Galleria Sperone, Turin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 188
18/09/12 11.25
CTA_UK_Oct12_Day_Lots_142-219.indd 189
18/09/12 11.26
250
ZAO WOU-KI b. 1921 Untitled, 1981 watercolour on paper 37 × 27.7 cm (14 5/8 × 10 7/8 in) Signed in Chinese and Pinyin ‘ZAO’ lower right.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300
z ‡
PROVENANCE Galerie Kutter, Luxembourg
Private Collection, Luxembourg Christie’s, Paris, ‘Art Contemporain’, 8 December 2010, lot 101 Acquired from the above sale by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 190
18/09/12 11.30
251
KIM TSCHANG-YEUL b. 1929 Untitled, circa 1978–80 oil on canvas 162.5 × 130.3 cm (63 7/8 × 51 1/4 in) Signed [in Korean] ‘Kim Tschang-Yeul’ on the overlap.
Estimate £70,000 –90,000 $111,000 –143,000 €88,500 –114,000 PROVENANCE Fondation Veranneman, Kruishoutem
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 191
18/09/12 11.30
252
REZA DERAKSHANI b. 1952 Two works: Untitled from the series The Rose & The Nightingale, 2007 oil and glaze on canvas in artist’s frame each overall: 80 × 70 cm (31 1/2 × 27 1/2 in) (i) Initialled and dated ‘D ‘07’ lower right; (ii) initialled and dated ‘D ‘07’ lower left.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100 PROVENANCE Acquired directly from the artist by the previous owner
Private Collection, London
CTA_UK_Oct12_Day_Lots_142-219.indd 192
18/09/12 11.30
CTA_UK_Oct12_Day_Lots_142-219.indd 193
18/09/12 11.30
THIS LOT IS SOLD WITH NO RESERVE
253
HASSAN HAJJAJ b. 1961 Gossiping, 2000 colour coupler print in the artist’s wooden frame with inset accumulation of matchboxes 65 × 86.5 cm (25 5/8 × 34 in) Signed, titled [in English and Arabic], numbered and dated ‘”GOSSIPING” HASSAN HAJJAJ 5/10 2000’ on the reverse of the backing. This work is number five from the edition of 10.
Estimate £3,000 –5,000 $4,800 –7,900 €3,800 – 6,300
z
r
PROVENANCE Acquired directly from the artist by the previous owner LITERATURE L.Ball-Lechgar, ‘Street chic: Hassan Hajjaj’, Canvas, vol. 4, May/June 2008, pp. 148 – 49 (another work from the edition illustrated)
CTA_UK_Oct12_Day_Lots_142-219.indd 194
18/09/12 11.30
THIS LOT IS SOLD WITH NO RESERVE
254
SAMIRA ALIKHANZADEH b. 1967 #10 Family Album, 2008 acrylic, inkjet print, mirror and charcoal on MDF board 79.5 × 119.5 cm (31 1/4 × 47 in) Signed in Farsi, numbered and dated ‘Samira 1/3, 2008’ lower right. This work is number one from an edition of three plus one artist’s proof.
Estimate £3,000 –5,000 $4,800 –7,900 €3,800 – 6,300
r
PROVENANCE Private Collection, Paris
CTA_UK_Oct12_Day_Lots_142-219.indd 195
18/09/12 11.31
255
ROKNI HAERIZADEH b. 1978 Nine works: Let yourself be fucked and scream with joy! (Fictionville), 2009 mixed media on paper each: 21 × 29.5 cm (8 1/4 × 11 5/8 in) or the reverse Each signed in Farsi and English and dated ‘Rokni Haerizadeh 2009’ on the reverse; each further titled ‘Let yourself be fucked…with joy’ on the backing.
Estimate £15,000 –20,000 $23,800 –31,800 €19,000 –25,300 PROVENANCE Galerie Thaddaeus Ropac, Paris
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 196
18/09/12 11.31
CTA_UK_Oct12_Day_Lots_142-219.indd 197
18/09/12 11.32
256
CHÉRI SAMBA b. 1956 J’aime la couleur, 2003 acrylic and glitter on canvas 135 × 194.5 cm (53 1/8 × 76 5/8 in) Signed, titled and dated ‘J’aime la couleur, Chéri Samba, Oct. 2003’ lower right.
Estimate £18,000 –25,000 $28,600 –39,700 €22,800 –31,600 PROVENANCE Private Collection, France
CTA_UK_Oct12_Day_Lots_142-219.indd 198
18/09/12 16.09
CTA_UK_Oct12_Day_Lots_142-219.indd 199
18/09/12 16.09
257
MAX VITYK b. 1964 Silver Bullet, 2009 acrylic, spray paint, enamel on canvas 149.5 × 199.5 cm (58 7/8 × 78 1/2 in) Signed ‘M. Vityk’ lower left; further signed, titled [in Cyrillic and English] ‘M. Vityk, Silver Bullet, 2009’ on the reverse.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200 PROVENANCE Acquired directly from the artist by the present owner EXHIBITED Kiev, Triptych Gallery, Silver and Black, 8 August – 2 Sepember 2009
Lviv Palace of Art, Lviv, US Art Days in Ukraine, November 2010 Kiev, M17 Contemporary Art Center, Max Vityk, 15 – 18 May 2012 LITERATURE Vityk, exh. cat., Modern Art Research Institute, Kiev, 2011, p. 53
CTA_UK_Oct12_Day_Lots_142-219.indd 200
18/09/12 11.30
258
OLEG TISTOL b. 1960
“The theme of stereotypes was continued by Oleg Tistol in his painting
Stranger #17, 2012
series National Geography (1998–2004) where he combined the local and
140 × 120 cm (55 1/8 × 47 1/4 in)
the foreign, the authentic and the borrowed, the ethnic and the global
Signed [in Cyrilic], dated and numbered ‘O. Tistol 2012 #17’ lower left; further
problematic. The sources of this series were the old illustrated magazines
signed, titled [in Cyrilic] and dated ‘O. Tistol 2012 “Stranger #17”’ on the reverse.
with ethnographic photos of different tribes. National exoticism was
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
viewed here as the contemporary strategy of selling local brands in the
‡
global market.” PROVENANCE Art-agent Ukr Gallery, Kiev
CTA_UK_Oct12_Day_Lots_142-219.indd 201
(B. Groys in G. Sklyarenko, Oleg Tistol’s Khudfond: Several Words about the Beauty of Stereotypes, Kiev, 2009)
18/09/12 11.31
259
DUBOSSARSKY & VINOGRADOV b. 1964 and b. 1963 Night Blues, 2003 triptych: oil on canvas overall: 195 × 435 cm (76 3/4 × 171 1/4 in) Signed and dated ‘Dubossarsky Vinogradov 2003’ lower right.
Estimate £40,000 – 60,000 $63,500 –95,300 €50,600 –75,900 PROVENANCE Galerie Krinzinger, Vienna
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 202
18/09/12 11.31
CTA_UK_Oct12_Day_Lots_142-219.indd 203
18/09/12 11.31
260
KOSTYA TOTIBADZE b. 1969 Birthday, 2010 oil on canvas 101 × 141 cm (39 3/4 × 55 1/2 in) Signed ‘Kostya Totibadze’ lower right; further signed, titled [in Cyrillic] and dated ‘Totibadze K., 2010, “Birthday”’ on the reverse.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
‡
PROVENANCE Acquired directly from the artist by the present owner EXHIBITED Moscow, Atlas Art Gallery, Gallery at Mosfilm, Georgy and Konstantin Totibadze. Painting, 20 – 31 May 2010 LITERATURE Russian Art Magazine, 2010, no. 1, p. 77
Georgy and Konstantin Totibadze. Painting, exh. cat., Atlas Art Gallery, Moscow, 2010
CTA_UK_Oct12_Day_Lots_142-219.indd 204
18/09/12 11.31
CTA_UK_Oct12_Day_Lots_142-219.indd 205
18/09/12 11.31
261
GOGI TOTIBADZE b. 1967 Forest, 2011 ink on paper 150.5 × 290 cm (59 1/4 × 114 1/8 in) Signed in Georgian ‘Gogi Totibadze’ lower edge.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
‡
PROVENANCE Acquired directly from the artist by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 206
18/09/12 11.31
CTA_UK_Oct12_Day_Lots_142-219.indd 207
18/09/12 11.32
262
GAVIN TURK b. 1967 Rubbish Print, 2005 synthetic polymer paint on canvas 180.5 × 250 cm (71 1/8 × 98 3/8 in) Signed, titled and dated ‘Gavin Turk Rubbish Print 2005’ on the reverse.
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE Galerie Krinzinger, Vienna
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 208
18/09/12 11.32
263
REBECCA HORN b. 1944 Lolita, 1997 leather glove, ostrich egg and copper rod in Plexiglas box 107 × 70 × 35 cm (42 1/8 × 27 1/2 × 13 3/4 in)
Estimate £20,000 –30,000 $31,800 – 47,600 €25,300 –37,900
z
PROVENANCE Galerie Franck + Schulte, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 209
18/09/12 11.32
264
KATHARINA GROSSE b. 1961 Untitled, 2002 spray paint on aluminium 188 × 125 cm (74 × 49 1/4 in) Dated ‘2002’ on the reverse.
Estimate £8,000 –12,000 $12,700 –19,100 €10,100 –15,200
z
PROVENANCE Galerie Conrads, Düsseldorf
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 210
18/09/12 11.35
265
KATJA STRUNZ b. 1970 Aktive Stagnation, 2005 rusted and powder coated steel 200 × 167 × 30.2 cm (78 3/4 × 65 3/4 × 11 7/8 in) Signed, titled and dated ‘K. Strunz, Aktive Stagnation, 2005’ in the portfolio with installation instructions.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z ‡
PROVENANCE Galerie Giti Nourbakhsch, Berlin
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 211
18/09/12 11.35
266
VANESSA BEECROFT b. 1969 VB43.035.all, 2000 digital print on C-type paper 128.3 × 181 cm (50 1/2 × 71 1/4 in) This work is number one from an edition of six.
Estimate £10,000 –15,000 $15,900 –23,800 €12,600 –19,000
z‡
PROVENANCE Gagosian Gallery, New York
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 212
18/09/12 11.36
267
BARNABY HOSKING b. 1976 Reclining Figure, 2005 DVD, cold cast bronze, velvet screen figure: 27 × 167 × 57 cm (10 5/8 × 65 3/4 × 22 1/2 in); screen: 140 × 249.5 cm (55 1/8 × 98 1/4 in); DVD duration: 10 mins Signed ‘Barnaby Hosking’ on stretcher bar on the reverse of the screen. This work is number one from an edition of five plus two artist’s proofs. This work is accompanied by a certificate of authenticity signed by the artist.
Estimate £4,000 – 6,000 $6,400 –9,500 €5,100 –7,600
z Ω
PROVENANCE Max Wigram Gallery, London
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 213
18/09/12 11.36
(i)
268
(ii)
VIK MUNIZ b. 1961 Four works: (i) Romario; (ii) Ronaldo; (iii) Boniek; (iv) Raul from Pictures of Chocolate, 2004 digital colour coupler prints (i) 150 × 118 cm (59 × 46 1/2 in); (ii) 150 × 118 cm (59 × 46 1/2 in); (iii) 156 × 128 cm (60 1/2 × 50 3/8 in); (iv) 147.5 × 129 cm (58 × 50 7/8 in) Each signed and dated ‘Vik Muniz 2004’ on a label affixed to the reverse. These works are an artist’s proof from an edition of five.
Estimate £25,000 –30,000 $39,700 – 47,600 €31,600 –37,900 PROVENANCE Private Collection, London
CTA_UK_Oct12_Day_Lots_142-219.indd 214
z
(iii)
18/09/12 11.36
(iv)
CTA_UK_Oct12_Day_Lots_142-219.indd 215
18/09/12 11.36
269
ROBERT LONGO b. 1953 Two works: (i) Study for Sword of the Pig, 1983; (ii) Body of a Comic, 4 New Works for Los Angeles, 1984 mixed media on paper (i) 77 × 112 cm (30 3/8 × 44 1/8 in); (ii) 112 × 77 cm (44 1/8 × 30 3/8 in) (i) Signed, dated and titled ‘Study for sword of the pig, Robert Longo 83’ in the margin; (ii) signed, dated and titled ‘Body of a Comic, 4 New Works for Los Angeles, Robert Longo 84’ in the margin. These works are accompanied by a certificate of authenticity.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800 PROVENANCE Galleria Mazzoli, Modena
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 216
18/09/12 11.36
PROPERTY FROM THE KIT FINANCE COLLECTION
270
HANS OP DE BEECK b. 1969 Yves-Pascal, 2008 laser-hardened 3-D resin print, metal plinth, Perspex case, plastic and wood overall: 195.7 × 70 × 70 cm (77 × 27 1/2 × 27 1/2 in); figure: 74 × 25 cm (29 1/8 × 9 7/8 in) Titled ‘YVES-PASCAL’ on the underside of the base. This work is number one from an edition of three.
Estimate £6,000 – 8,000 $9,500 –12,700 €7,600 –10,100
z‡
PROVENANCE Xavier Hufkens, Brussels
Acquired from the above by the present owner
CTA_UK_Oct12_Day_Lots_142-219.indd 217
18/09/12 11.37
271
IVÁN NAVARRO b. 1972 DIE (Prototype), 2009 neon light, painted black plywood, mirror, one-way mirror 61.5 × 61 × 61 cm (24 1/4 × 24 × 24 in) This work is number one from an edition of three plus one artist’s proof and is accompanied by a certificate of authenticity signed by the artist.
Estimate £12,000 –18,000 $19,100 –28,600 €15,200 –22,800 PROVENANCE Robert Goff Gallery, New York
Acquired from the above by the present owner EXHIBITED New York, Robert Goff Gallery, Missing: Work by Titus Kaphar, Iván Navarro, Trevor Paglen, Courtney Smith, Noh Suntag, 2 – 27 February 2010
CTA_UK_Oct12_Day_Lots_142-219.indd 218
18/09/12 11.37
CTA_UK_Oct12_Day_Lots_142-219.indd 219
18/09/12 11.37
PHILLIPS de PURY & COMPANY
Simon de Pury
Michael McGinnis
Dr. Michaela de Pury
Olivier Vrankenne
Chairman
Senior Director and Worldwide Head
Senior International Director
Senior International Specialist
CONTEMPORARY ART, LONDON
Peter Sumner
George O’Dell
Henry Allsopp
Matt Langton
Head of Evening Sale, London
Head of Day Sale, London
Senior Specialist, London
Specialist, London
Henry Highley
Karen Levy
Helen Rohwedder
Junior Specialist, London
Junior Specialist, London
Junior Specialist London
CONTEMPORARY ART, NEW YORK
Zach Miner
Sarah Mudge
Jean-Michel Placent
Corey Barr
Benjamin Godsill
Head of Evening Sale, New York
Head of Day Sale, New York
Senior Specialist, New York
Specialist, New York
Specialist, New York
CTA_UK_Oct12_Day_Backmatter_220-237.indd 220
18/09/12 11.41
CONTEMPORARY ART, WORLDWIDE
Laura Garbarino
Thomas Dryll
Edouard de Moussac
Shirin Kranz
Senior International Specialist, Milan
Senior Specialist, Paris
Specialist, Paris
Specialist, Berlin
Katie Kennedy Perez
Niklaus Kuenzler
Bérénice Chef
Svetlana Marich
Maya McLaughlin
Specialist, Geneva
Specialist, Zurich
Specialist, Brussels
Specialist, Moscow
Specialist, Los Angeles
PRIVATE CLIENT SERVICES
Michael Berger-Sandhofer
Philae Knight
Private Client Services
Private Client Services
CTA_UK_Oct12_Day_Backmatter_220-237.indd 221
18/09/12 11.42
GUIDE FOR PROSPECTIVE BUYERS
Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative
BUYING AT AUCTION
value only and should not be assumed to be operative. It is essential that, prior to any
The following pages are designed to offer you information on how to buy at auction at
intended use, the electrical system is verified and approved by a qualified electrician.
Phillips de Pury & Company. Our staff will be happy to assist you. Symbol Key CONDITIONS OF SALE
The following key explains the symbols you may see inside this catalogue.
The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the auction. Bidders are strongly encouraged to read them as they outline the legal
O Guaranteed Property
relationship between Phillips de Pury & Company, the seller and the buyer and describe the
The seller of lots with this symbol has been guaranteed a minimum price. The guarantee
terms upon which property is bought at auction. Please be advised that Phillips de Pury &
may be provided by Phillips de Pury & Company, by a third party or jointly by us and a
Company generally acts as agent for the seller.
third party. Phillips de Pury & Company and third parties providing or participating in a guarantee may benefit financially if a guaranteed lot is sold successfully and may incur
BUYER’S PREMIUM
a loss if the sale is not successful. A third party guarantor may also bid for the guaranteed
Phillips de Pury & Company charges the successful bidder a commission, or buyer’s
lot and may be allowed to net the financial remuneration received in connection with the
premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer
guarantee against the final purchase price if such party is the successful bidder.
as part of the total purchase price at the following rates: 25% of the hammer price up to and including £25,000, 20% of the portion of the hammer price above £25,000 up to and including
∆ Property in which Phillips de Pury & Company has an Ownership Interest
£500,000 and 12% of the portion of the hammer price above £500,000.
Lots with this symbol indicate that Phillips de Pury & Company owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.
VAT No Reserve
The buyer’s premium may attract a charge in lieu of VAT. Please read carefully the
r
VAT AND OTHER TAX INFORMATION FOR BUYERS section in this catalogue.
is the confidential value established between Phillips de Pury & Company and the seller and
Value added tax (VAT) may be payable on the hammer price and/or the buyer’s premium.
Unless indicated by a , all lots in this catalogue are offered subject to a reserve. A reserve
r
below which a lot may not be sold. The reserve for each lot is generally set at a percentage 1 PRIOR TO AUCTION
of the low estimate and will not exceed the low pre-sale estimate.
Catalogue Subscriptions If you would like to purchase a catalogue for this auction or any other Phillips de Pury &
z Property Subject to the Artist’s Resale Right
Company sale, please contact us at +44 20 7318 4010 or +1 212 940 1240.
Lots marked with z are subject to the Artist’s Resale Right calculated as a percentage of the hammer price and payable as part of the purchase price as follows:
Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high
Portion of the Hammer Price (in EUR)
and low estimate range should, in our opinion, offer a chance of success. However, many
From 0 to 50,000
Royalty Rate 4%
lots achieve prices below or above the pre-sale estimates. Where ‘Estimate on Request’
From 50,000.01 to 200,000
3%
appears, please contact the specialist department for further information. It is advisable to
From 200,000.01 to 350,000
1%
contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale
From 350,000.01 to 500,000
0.5%
estimates do not include the buyer’s premium or VAT.
Exceeding 500,000
0.25%
Pre-Sale Estimates in US Dollars and Euros
The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more, subject to a
Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction
maximum royalty per lot of EUR 12,500. Calculation of the Artist’s Resale Right will be based
catalogues may also be printed in US dollars and/or euros. Since the exchange rate is
on the pounds sterling/euro reference exchange rate quoted on the date of the sale by the
that at the time of catalogue production and not at the date of auction, you should treat
European Central Bank.
estimates in US dollars or euros as a guide only. ∑ Endangered Species
Catalogue Entries
Lots with this symbol have been identified at the time of cataloguing as containing
Phillips de Pury & Company may print in the catalogue entry the history of ownership of a
endangered or other protected species of wildlife which may be subject to restrictions
work of art, as well as the exhibition history of the property and references to the work in art
regarding export or import and which may require permits for export as well as import.
publications. While we are careful in the cataloguing process, provenance, exhibition and
Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the
literature references may not be exhaustive and in some cases we may intentionally refrain
Conditions of Sale.
from disclosing the identity of previous owners. Please note that all dimensions of the property set forth in the catalogue entry are approximate.
†, §, ‡, or Ω Property Subject to VAT Please refer to the section entitled ‘VAT AND OTHER TAX INFORMATION FOR BUYERS’
Condition of Lots
in this catalogue for additional information.
Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition.
2 BIDDING IN THE SALE
The absence of reference to the condition of a lot in the catalogue entry does not imply
Bidding at Auction
that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips
Bids may be executed during the auction in person by paddle or by telephone or prior to the
de Pury & Company may provide condition reports. In preparing such reports, our
sale in writing by absentee bid. Proof of identity in the form of government-issued
specialists assess the condition in a manner appropriate to the estimated value of the
identification will be required, as will an original signature. We may also require that
property and the nature of the auction in which it is included. While condition reports are
you furnish us with a bank reference.
prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at
Bidding in Person
the pre-sale exhibitions and recommend, particularly in the case of any lot of significant
To bid in person, you will need to register for and collect a paddle before the auction begins.
value, that you retain your own restorer or professional advisor to report to you on the
New clients are encouraged to register at least 48 hours in advance of a sale to allow
property’s condition prior to bidding. Any prospective buyer of photographs or prints
sufficient time for us to process your information. All lots sold will be invoiced to the name
should always request a condition report because all such property is sold unframed,
and address to which the paddle has been registered and invoices cannot be transferred to
unless otherwise indicated in the condition report. If a lot is sold framed, Phillips de Pury
other names and addresses. Please do not misplace your paddle. In the event you lose it,
& Company accepts no liability for the condition of the frame. If we sell any lot unframed,
inform a Phillips de Pury & Company staff member immediately. At the end of the auction,
we will be pleased to refer the purchaser to a professional framer.
please return your paddle to the registration desk.
Pre-Auction Viewing
Bidding by Telephone
Pre-auction viewings are open to the public and free of charge. Our specialists are available
If you cannot attend the auction, you may bid live on the telephone with one of our
to give advice and condition reports at viewings or by appointment.
multilingual staff members. This service must be arranged at least 24 hours in advance of
CTA_UK_Oct12_Day_Backmatter_220-237.indd 222
18/09/12 11.42
DIALOGUES BETWEEN ART & DESIGN
AUCTION 16 OCTOBER 2012
NEW YORK
Viewing 6 – 15 October Phillips de Pury & Company 450 Park Avenue New York 10022 Enquiries +1 212 940 1268 Catalogues +1 212 940 1240
PHILLIPSDEPURY.COM GEORGE CONDO Girl with Purple Dress, 19 8 6 (detail) Estimate $2 0 0,0 0 0 – 3 0 0,0 0 0
CTA_UK_Oct12_Day_Backmatter_220-237.indd 223
18/09/12 11.42
the sale and is available for lots whose low pre-sale estimate is at least ÂŁ500. Telephone
Credit Cards
bids may be recorded. By bidding on the telephone, you consent to the recording of your
As a courtesy to clients, Phillips de Pury & Company will accept American Express, Visa,
conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and
MasterCard and UK-issued debit cards to pay for invoices of ÂŁ50,000 or less. A processing
VAT, which we can execute on your behalf in the event we are unable to reach you
fee will apply.
by telephone. Collection Absentee Bids
It is our policy to request proof of identity on collection of a lot. A lot will be released to the
If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury
buyer or the buyer’s authorized representative when Phillips de Pury & Company has received
& Company will be happy to execute written bids on your behalf. A bidding form can be
full and cleared payment and we are not owed any other amount by the buyer. After the auction,
found at the back of this catalogue. This service is free and confidential. Bids must be
we will transfer all lots to our fine art storage facility located near Wimbledon and will so advise
placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the
all buyers. If you are in doubt about the location of your purchase, please contact the Shipping
lowest possible price taking into account the reserve and other bidders. Always indicate
Department prior to arranging collection. We will levy removal, interest, storage and handling
a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be
charges on uncollected lots.
accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.
Loss or Damage Buyers are reminded that Phillips de Pury & Company accepts liability for loss or damage to lots for a maximum of seven days following the auction.
Employee Bidding Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the
Transport and Shipping
reserve when submitting their absentee bids and otherwise comply with our employee
As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand
bidding procedures.
carry only. We do not provide packing, handling or shipping services directly. However, we will coordinate with shipping agents instructed by you in order to facilitate the packing,
Bidding Increments
handling and shipping of property purchased at Phillips de Pury & Company. Please refer to
Bidding generally opens below the low estimate and advances in increments of up to 10%,
Paragraph 7 of the Conditions of Sale for more information.
subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment.
Export and Import Licences
UKÂŁ50 to UKÂŁ1,000
by UKÂŁ50s
Before bidding for any property, prospective bidders are advised to make independent
UKÂŁ1,000 to UKÂŁ2,000
by UKÂŁ100s
enquiries as to whether a licence is required to export the property from the United
UKÂŁ2,000 to UKÂŁ3,000
by UKÂŁ200s
Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply
UKÂŁ3,000 to UKÂŁ5,000
by UKÂŁ200s, 500, 800 (eg. UKÂŁ4,200, 4,500, 4,800)
with all import and export laws and to obtain any necessary licences or permits. The denial
UKÂŁ5,000 to UKÂŁ10,000
by UKÂŁ500s
of any required licence or permit or any delay in obtaining such documentation will not
UKÂŁ10,000 to UKÂŁ20,000
by UKÂŁ1,000s
justify the cancellation of the sale or any delay in making full payment for the lot.
UKÂŁ20,000 to UKÂŁ30,000
by UKÂŁ2,000s
UKÂŁ30,000 to UKÂŁ50,000
by UKÂŁ2,000s, 5,000, 8,000
Endangered Species
UKÂŁ50,000 to UKÂŁ100,000
by UKÂŁ5,000s
Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,
UKÂŁ100,000 to UKÂŁ200,000
by UKÂŁ10,000s
whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may
above UKÂŁ200,000
at the auctioneer’s discretion
require a licence or certificate prior to exportation and additional licences or certificates upon importation to any country outside the European Union (EU). Please note that the
The auctioneer may vary the increments during the course of the auction at his or her
ability to obtain an export licence or certificate does not ensure the ability to obtain an
own discretion.
import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to
3 THE AUCTION
placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import
Conditions of Sale
licences or certificates as well as any other required documentation. The denial of any
As noted above, the auction is governed by the Conditions of Sale and Authorship
required licence or certificate or any delay in obtaining such documentation will not justify
Warranty. All prospective bidders should read them carefully. They may be amended by
the cancellation of the sale or any delay in making full payment for the lot. Please note that
saleroom addendum or auctioneer’s announcement.
lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips de Pury & Company does not accept liability for errors or for
Interested Parties Announcement
failing to mark lots containing protected or regulated species.
In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips de Pury & Company will make an announcement in the saleroom that interested parties may bid on the lot.
IMPORTANT NOTICES Items Sold under Temporary Admission
Consecutive and Responsive Bidding; No Reserve Lots The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the
We wish to draw your attention to changes recently made to items sold under temporary admission (originally called temporary importation). The cancelling or refunding of applicable VAT is now subject to items being exported from the EU within 30 days of payment, rather than 90 days from the date of sale as previously required. For up-to-date information on this matter, please refer to the section entitled VAT and Other Tax Information for Buyers below.
auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.
Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC�) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK.
4 AFTER THE AUCTION Payment Buyers are required to pay for purchases immediately following the auction unless other arrangements have been agreed with Phillips de Pury & Company in writing in advance of the sale. Payments must be made in pounds sterling either by cash, cheque drawn on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate
r 8IFSF UIF CVZFS JT B OPO &6 CVTJOFTT 1IJMMJQT EF 1VSZ $PNQBOZ SFRVJSFT FWJEFODF PG the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. r 8IFSF UIF CVZFS JT BO &6 7"5 SFHJTUFSFE CVTJOFTT 1IJMMJQT EF 1VSZ $PNQBOZ SFRVJSFT the above as well as the business’s VAT registration number in the form of a governmentissued document or paperwork from the local EU tax/VAT office showing the VAT number.
policy not to make or accept single or multiple payments in cash or cash equivalents in excess of the local currency equivalent of US$10,000. Payment must be made by the invoiced party only.
These details can be scanned and emailed to us, or alternatively they can be faxed or mailed. If these requirements are not met, we will be unable to cancel/refund any applicable VAT.
CTA_UK_Oct12_Day_Backmatter_220-237.indd 224
21/09/12 14.26
EVENING & DAY
EDITIONS AUCTIONS 29 OCTOBER 2012
NEW YORK
Phillips de Pury & Company 450 Park Avenue New York 10022 Enquiries +1 212 940 1220 Catalogues +1 212 940 1240
PHILLIPSDEPURY.COM JASPER JOHNS Target (ULAE 147), 1974 Estimate $180,000 – 250,000 ANDY WARHOL Marilyn Monroe (Marilyn), 1967 Estimate $ 60,000 – 80,000 © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society(ARS), New York CY TWOMBLY Natural History Part I Mushrooms portfolio, 1974 Estimate $ 80,000 – 120,000 PABLO PICASSO Minotaur aveugle guide fillette dans la nuit, from La suite Vollard, 1934 Estimate $70,000 – 90,000 © 2012 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
CTA_UK_Oct12_Day_Backmatter_220-237.indd 225
18/09/12 11.42
VAT AND OTHER TAX INFORMATION FOR BUYERS
r 5IF JNQPSU 7"5 DIBSHFE PO UIF IBNNFS QSJDF BOE BO BNPVOU JO MJFV PG 7"5 PO
The following paragraphs provide general information to buyers on the VAT and certain
symbol) under the Auctioneer’s Margin Scheme.
the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω other potential tax implications of purchasing property at Phillips de Pury & Company. This information is not intended to be complete. In all cases, the relevant tax legislation
In each of the above examples, where the appropriate conditions are satisfied, no VAT
takes precedence, and the VAT rates in effect on the day of the auction will be the rates
will be charged if, at or before the time of invoicing, the buyer instructs Phillips de Pury &
charged. It should be noted that, for VAT purposes only, Phillips de Pury & Company is not
Company to export the property from the EU. If such instruction is received after payment, a
usually treated as agent and most property is sold as if it is the property of Phillips de Pury
refund of the VAT amount will be made.
& Company. In the following paragraphs, reference to VAT symbols shall mean those symbols located beside the lot number or the pre-sale estimates in the catalogue (or
Where the buyer carries purchases from the EU personally or uses the services of a third
amending saleroom addendum).
party, Phillips de Pury & Company will charge the VAT amount due as a deposit and refund it if the lot has been exported within the timelines specified below and either of
1 PROPERTY WITH NO VAT SYMBOL
the following conditions are met:
Where there is no VAT symbol, Phillips de Pury & Company is able to use the Auctioneer’s Margin Scheme, and VAT will not normally be charged on the hammer price.
r 'PS MPUT TPME VOEFS UIF "VDUJPOFFS T .BSHJO 4DIFNF PS UIF OPSNBM 7"5 SVMFT Phillips de Pury & Company is provided with appropriate documentary proof of
Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will
export from the EU within three months of the date of sale. Buyers carrying their
charge an amount in lieu of VAT at 20% on the buyer’s premium. This amount will form part
own property should obtain hand-carry papers from the Shipping Department to
of the buyer’s premium on our invoice and will not be separately identified.
facilitate this process.
2 PROPERTY WITH A † SYMBOL
r 'PS MPUT TPME VOEFS UFNQPSBSZ BENJTTJPO 1IJMMJQT EF 1VSZ $PNQBOZ JT QSPWJEFE
These lots will be sold under the normal UK VAT rules, and VAT will be charged at 20%
with a copy of the correct paperwork duly completed and stamped by HMRC which
on both the hammer price and buyer’s premium.
shows the property has been exported from the EU via the UK within 30 days of payment date. It is essential for shippers acting on behalf of buyers to collect
Where the buyer is a relevant business person in the EU (non-UK) or is a relevant business
copies of original import papers from our Shipping Department. HMRC insist that
person in a non-EU country then no VAT will be charged on the buyer’s premium. This is
the correct customs procedures are followed and Phillips de Pury & Company will not
subject to Phillips de Pury & Company being provided with evidence of the buyer’s VAT
be able to issue any refunds where the export documents do not exactly comply with
registration number in the relevant Member State (non-UK) or the buyer’s business status
governmental regulations. Property subject to temporary admission must be
in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence
transferred to another customs procedure immediately if any restoration or repair
not be provided then VAT will be charged on the buyer’s premium.
work is to be carried out.
3 PROPERTY WITH A § SYMBOL
Buyers carrying their own property must obtain hand-carry papers from the Shipping
Lots sold to buyers whose registered address is in the EU will be assumed to be remaining
Department, for which a charge of £20 will be made. The VAT refund will be processed once
in the EU. The property will be invoiced as if it had no VAT symbol. However, if an EU buyer
the appropriate paperwork has been returned to Phillips de Pury & Company. Phillips de
advises us that the property is to be exported from the EU, Phillips de Pury & Company will
Pury & Company is not able to cancel or refund any VAT charged on sales made to UK or EU
re-invoice the property under the normal VAT rules.
private residents unless the lot is subject to temporary admission and the property is exported from the EU within 30 days of payment date. Any refund of VAT is subject to a
Lots sold to buyers whose address is outside the EU will be assumed to be exported from
minimum of £50 per shipment and a processing charge of £20.
the EU. The property will be invoiced under the normal VAT rules. Although the hammer price will be subject to VAT, the VAT will be cancelled or refunded upon export. The buyer’s
Buyers intending to export, repair, restore or alter lots under temporary admission should
premium will always bear VAT unless the buyer is a relevant business person in the EU
notify the Shipping Department before collection. Failure to do so may result in the import
(non-UK) or is a relevant business person in a non-EU country, subject to Phillips de Pury &
VAT becoming payable immediately and Phillips de Pury & Company being unable to refund
Company receiving evidence of the buyer’s VAT registration number in the relevant Member
the VAT charged on deposit.
State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the
6 VAT REFUNDS FROM HM REVENUE & CUSTOMS
buyer’s premium.
Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company, it may be possible to seek repayment from HMRC. Repayments in this manner are limited to businesses
4 PROPERTY SOLD WITH A ‡ OR Ω SYMBOL
located outside the UK and may be considered for example for Import VAT charged on the
These lots have been imported from outside the EU to be sold at auction under temporary
hammer price for lots sold under temporary admission.
admission. Property subject to temporary admission will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20%, marked by ‡ and Ω
All claims made by customers located in another member state to the UK will need to be
respectively, on the hammer price and an amount in lieu of VAT at 20% on the buyer’s
made under a new mechanism from 1 January 2010. The process prior to 1 January 2010 is no
premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should
longer in operation.
notify the Client Accounting Department before the sale. If you are located in an EU member state other than the UK you will now need to apply for a Where lots are sold outside the Auctioneer’s Margin Scheme and the buyer is a relevant
refund of UK VAT directly to your local tax authority. This is done via submission of an
business person in the EU (non-UK) or is a relevant business person in a non-EU country
electronically based claim form which should be accessed through the website of your local
then no VAT will be charged on the buyer’s premium. This is subject to Phillips de Pury &
tax authority. As a result, your form may include VAT incurred in a number of member
Company receiving evidence of the buyer’s VAT registration number in the relevant Member
states. Furthermore, from 1 January 2010 you should only submit one form per year, rather
State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax
than submitting forms throughout the year.
Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium.
Please note that the time limits by which you must make a claim have been extended. When making a claim for VAT incurred in another EU member state any claim will still be made on
5 EXPORTS FROM THE EUROPEAN UNION
a calendar year basis but must now be made no later than 30 September following that
The following types of VAT may be cancelled or refunded by Phillips de Pury & Company on
calendar year. This effectively extends the time by which claims should be made by three
exports made within three months of the sale date if strict conditions are met:
months (e.g., for VAT incurred in the year 1 January to 31 December 2010 you should make a claim to your local tax authority no later than 30 September 2011). Once you have submitted
r 5IF BNPVOU JO MJFV PG 7"5 DIBSHFE PO UIF CVZFS T QSFNJVN GPS QSPQFSUZ TPME VOEFS
the electronic form to your local tax authority it is their responsibility to ensure that
the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).
payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest on the unpaid amounts.
r 5IF 7"5 PO UIF IBNNFS QSJDF GPS QSPQFSUZ TPME VOEFS UIF OPSNBM 7"5 SVMFT (i.e., with a † or a § symbol).
If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC (the rules for those located outside of the EU have not changed). Claim forms are only
The following type of VAT may be cancelled or refunded by Phillips de Pury & Company
available from the HMRC website. Go to http://www.hmrc.gov.uk/index.htm, and follow
on exports made within 30 days of payment date if strict conditions are met:
Quick Links, then Find a Form. The relevant form is VAT65A. Completed forms should be
CTA_UK_Oct12_Day_Backmatter_220-237.indd 226
18/09/12 11.42
EVENING SALE
CONTEMPORARY ART AUCTION 15 NOVEMBER 2012
NEW YORK
PHILLIPSDEPURY.COM CHRISTOPHER WOOL Untitled (P 492), 20 0 5 Estimate $1,0 0 0,0 0 0 – 1,50 0,0 0 0
CTA_UK_Oct12_Day_Backmatter_220-237.indd 227
18/09/12 11.43
returned to: HM Revenue & Customs, VAT Overseas Repayment Directive, Foyle House,
CONDITIONS OF SALE
Duncreggan Road, Londonderry, Northern Ireland, BT48 7AE, (tel) +44 2871 305100 (fax) +44 2871 305101.
The Conditions of Sale and Authorship Warranty set forth below govern the relationship between bidders and buyers, on the one hand, and Phillips de Pury & Company and sellers,
You should submit claims for VAT to HMRC no later than six months from the end of the 12
on the other hand. All prospective buyers should read these Conditions of Sale and
month period ending 30 June (e.g., claims for the period 1 July 2009 to 30 June 2010 should
Authorship Warranty carefully before bidding.
be made no later than 31 December 2010). 1 INTRODUCTION Please note that refunds of VAT will only be made where VAT has been incurred for a
Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale
business purpose. Any VAT incurred on articles bought for personal use will not be
and Authorship Warranty; (b) additional notices and terms printed in other places in this
refunded.
catalogue, including the Guide for Prospective Buyers, and (c) supplements to this catalogue or other written material posted by Phillips de Pury & Company in the saleroom,
7 SALES AND USE TAXES
in each case as amended by any addendum or announcement by the auctioneer prior to
Buyers from outside the UK should note that local sales taxes or use taxes may become
the auction.
payable upon import of lots following purchase. Buyers should consult their own tax advisors.
By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips de Pury & Company and the seller contract with the buyer. 2 PHILLIPS de PURY & COMPANY AS AGENT Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Phillips de Pury & Company may own a lot, in which case we will act as agent for that company, or Phillips de Pury & Company or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips de Pury & Company in relation to each lot is partially dependent on information provided to us by the seller, and Phillips de Pury & Company is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips de Pury & Company is available for inspection by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company at our absolute discretion. Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 BIDDING AT AUCTION (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips de Pury & Company.
CTA_UK_Oct12_Day_Backmatter_220-237.indd 228
18/09/12 11.43
DAY SALE
CONTEMPORARY ART AUCTION 16 NOVEMBER 2012
NEW YORK
PHILLIPSDEPURY.COM TOM WESSELMANN Study for Bedroom Painting #69, 19 8 3 Estimate $150,0 0 0 – 20 0,0 0 0
CTA_UK_Oct12_Day_Backmatter_220-237.indd 229
18/09/12 11.43
(b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury &
A W CH OL DA DU GO GE HE R MI JU KE SIM LO CH KIP BO MC RIC SE IND MO R BL TE CE TH EL MO LIL WH
and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.
Company may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the ‘Absentee Bid Form’, a copy of
(f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’,
which is printed in this catalogue or otherwise available from Phillips de Pury & Company.
‘returned to owner’ or ‘bought-in’.
Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and value added
(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of
tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which
Sale and Authorship Warranty as if sold in the auction.
does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee
6 PURCHASE PRICE AND PAYMENT
bid must be received at least 24 hours in advance of the sale. In the event of identical bids,
(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s
the earliest bid received will take precedence.
premium, plus any applicable value added tax (VAT) and any applicable resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer price up to and including
(c) Telephone bidders are required to submit bids on the ‘Telephone Bid Form’, a copy of
£25,000, 20% of the portion of the hammer price above £25,000 up to and including £500,000
which is printed in this catalogue or otherwise available from Phillips de Pury & Company.
and 12% of the portion of the hammer price above £500,000. Phillips de Pury & Company
Telephone bidding is available for lots whose low pre-sale estimate is at least £500. Phillips
reserves the right to pay from our compensation an introductory commission to one or more
de Pury & Company reserves the right to require written confirmation of a successful bid
third parties for assisting in the sale of property offered and sold at auction.
from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder
(b) VAT is payable in accordance with applicable law. All prices, fees, charges and
consents to the recording of the conversation.
expenses set out in these Conditions of Sale are quoted exclusive of VAT.
(d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder
(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us
accepts personal liability to pay the purchase price, as described more fully in Paragraph 6
an amount equal to the resale royalty provided for in those regulations and we undertake to
(a) below, plus all other applicable charges unless it has been explicitly agreed in writing
the buyer to pay such amount to the artist’s collection agent. In circumstances where (i) we
with Phillips de Pury & Company before the commencement of the auction that the bidder is
are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the
acting as agent on behalf of an identified third party acceptable to Phillips de Pury &
nationality of the artist, we will identify the lot with the symbol z next to the lot number and will
Company and that we will only look to the principal for such payment.
invoice the resale royalty to the buyer. If we subsequently determine that the nationality of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund to the
(e) By participating in the auction, whether in person, by absentee bid or on the telephone,
buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect the
each prospective buyer represents and warrants that any bids placed by such person, or on
resale royalty on a particular lot, we become aware that information provided to us prior to the
such person’s behalf, are not the product of any collusive or other anti-competitive
auction concerning an artist’s nationality was incorrect and the artist is entitled to the resale
agreement and are otherwise consistent with federal and state antitrust law.
royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an invoice.
(f) Arranging absentee and telephone bids is a free service provided by Phillips de Pury &
(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately
Company to prospective buyers. While we undertake to exercise reasonable care in
following the auction regardless of any intention to obtain an export or import licence or
undertaking such activity, we cannot accept liability for failure to execute such bids except
other permit for such lot. Payments must be made by the invoiced party in pounds sterling
where such failure is caused by our wilful misconduct.
either by cash, cheque drawn on a UK bank or wire transfer, as follows:
(g) Employees of Phillips de Pury & Company and our affiliated companies, including the
(i)
Phillips de Pury & Company will accept payment in cash provided that the total
auctioneer, may bid at the auction by placing absentee bids so long as they do not know the
amount paid in cash or cash equivalents does not exceed the local currency
reserve when submitting their absentee bids and otherwise comply with our employee
equivalent of US$10,000.
bidding procedures. (ii) Personal cheques and banker’s drafts are accepted if drawn on a UK bank and the 5 CONDUCT OF THE AUCTION (a) Unless otherwise indicated by the symbol
buyer provides to us acceptable government-issued identification. Cheques and
r
, each lot is offered subject to a reserve, which
banker’s drafts should be made payable to “Phillips de Pury & Company Limited”.
is the confidential minimum selling price agreed by Phillips de Pury & Company with the
If payment is sent by post, please send the cheque or banker’s draft to the
seller. The reserve will not exceed the low pre-sale estimate at the time of the auction.
attention of the Client Accounting Department at Howick Place, London SW1P 1BB and ensure that the sale number is written on the cheque. Cheques or
(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a
banker’s drafts drawn by third parties will not be accepted.
lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips de Pury & Company shall have no liability whatsoever for any such action taken by the
(iii) Payment by wire transfer may be sent directly to Phillips de Pury & Company. Bank transfer details will be provided on the Invoice for purchased lots.
auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips de Pury & Company provided
(e) As a courtesy to clients, Phillips de Pury & Company will accept American Express,
that the bidder does not know the reserve placed on the lot.
Visa, MasterCard and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee will apply.
(c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may
(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received the
place one or more bids on behalf of the seller up to the reserve without indicating he or she is
Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not obliged to
doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is
release a lot to the buyer until title in the lot has passed and appropriate identification has
offered without reserve, unless there are already competing absentee bids, the auctioneer
been provided, and any earlier release does not affect the passing of title or the buyer’s
will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a
unconditional obligation to pay the Purchase Price.
bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve
7 COLLECTION OF PROPERTY
lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale
(a) Phillips de Pury & Company will not release a lot to the buyer until we have received
estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there
payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding
is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.
amounts due to Phillips de Pury & Company or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such
(d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For
other terms as we in our sole discretion shall require, including completing any anti-
the benefit of international clients, pre-sale estimates in the auction catalogue may be
money laundering or anti-terrorism financing checks. As soon as a buyer has satisfied
shown in US dollars and/or euros and, if so, will reflect approximate exchange rates.
all of the foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or
Accordingly, estimates in US dollars or euros should be treated only as a guide.
+44 (0) 207 318 4082 to arrange for collection of purchased property.
(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the
(b) The buyer must arrange for collection of a purchased lot within seven days of the date of
auctioneer will be the buyer and the striking of the hammer marks the acceptance of the
the auction. After the auction, we will transfer all lots to our fine art storage facility located
highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk
near Wimbledon and will so advise all buyers. Purchased lots are at the buyer’s risk,
CTA_UK_Oct12_Day_Backmatter_220-237.indd 230
18/09/12 14.17
AGNES MARTIN ALBERTO GIACOMETTI ALEX KATZ ALLEN RUPPERSBERG ANDY WARHOL ANTONY GORMLEY BRICE MARDEN BRUCE NAUMAN CHIHO AOSHIMA CHRIS BURDEN CHRISTOPHER WOOL CHUCK CLOSE CINDY SHERMAN CLAES OLDENBURG CY TWOMBLY DAMIEN HIRST DAVID HOCKNEY DAVID SALLE DAVID WOJNAROWICZ DONALD BAECHLER DONALD JUDD DONALD SULTAN DUANE MICHALS ED RUSCHA ELLEN GALLAGHER ELLSWORTH KELLY FELIX GONZALES-TORRES FRANK STELLA GEORG BASELITZ GEORGES BRAQUE GERHARD RICHTER GRACE HARTIGAN GUNTHER FORG HELEN FRANKENTHALER HENRI MATISSE JACKSON POLLOCK JAKE AND DINOS CHAPMAN JAMES ROSENQUIST JASPER JOHNS JEFF KOONS JENNY HOLZER JIM DINE JOAN MIRÓ JOHN BALDESSARI JOHN COPLANS JOSEF ALBERS JOSEPH BEUYS ANNOUNCING JULIAN OPIE JULIO LARRAZ KARA WALKER KAREN KILMINIK KATARINA FRITSCH KEHINDE WILEY KEITH HARING KEN PRICE KIKI SMITH LARRY ZOX LAURIE SIMMONS LEE KRASNER LESLEY DILL LISA YUSKAVAGE LOUISE BOURGEOIS LOUISE NEVELSON LUCIEN FREUD LUCIO FONTANA LYNN CHADWICK MARC CHAGALL MARCEL BROODTHAERS MARCEL DUCHAMP MARTIN EDER MARTIN KIPPENBERGER MARTIN LEWIS MEG CRANSTON MIKE BIDLO MUIRHEAD BONE ODILON REDON PABLO PICASSO PAT STEIR PAUL KLEE PAUL MCCARTHY PHILIP GUSTON RAYMOND PETTIBONE RICHARD ANUSZKIEWICZ RICHARD ARTSCHWAGER RICHARD DIEBENKORN RICHARD ESTES RICHARD SERRA RICHARD TUTTLE ROBERT GOBER ROBERT GOODNOUGH ROBERT INAUGURAL AUCTION 2013 INDIANA ROBERT LONGO ROBERT MANGOLD ROBERT MORRIS ROBERT OPEN FOR CONSIGNMENTS MOTHERWELL ROBERT RAUSCHENBERG ROBERT RYMAN ROMARE BEARDEN ROY LICHTENSTEIN SALVADOR DALI SAM FRANCIS SIGMAR POLKE SIR PETER BLAKE SOL LEWITT SOPHIE CALLE TAKASHI MURAKAMI TERRY FROST TERRY WINTERS TOM OTTERNESS TOM WESSELMANN VICTOR VASARELY VIJA LONDON NEW YORK FORD WASSILY NEWKANDINSKY YORK CELMINS VIK MUNIZ VITO ACCONCI WALTON WAYNE Robert Kennan Kelly Troester Cary Leibowitz THIEBAUDOld Master WILLIAM DE Editions KOONING ARMAN BRIDGET Contemporary RILEY Editions EDVARD MUNCH to Contemporary Old Master to Modern Editions +44 207 318 4010 +1 212 940 1221 +1 212 940 1222 ELMGREEN &rkennan@phillipsdepury.com DRAGSET EMIL NOLDE FRANCIS BACON GHADA AMER GIORGIO ktroester@phillipsdepury.com cleibowitz@phillipsdepury.com MORANDI GRAYSON PERRY HENRI DE TOULOUSE-LAUTREC JAMES WHISTLER PHILLIPSDEPURY.COM LILI TSCHUDI LUDWIG KIRCHNER M.C. ESCHER MAN RAY OTTO DIX RACHEL WHITEREAD PAUL GAUGUIN RICHARD HAMILTON SYBIL ANDREWS TRACEY EMIN
W E N
EDITIONS LONDON
CTA_UK_Oct12_Day_Backmatter_220-237.indd 231
18/09/12 14.17
including the responsibility for insurance, from (i) the date of collection or (ii) seven days
as can reasonably be obtained on a forced sale basis and to apply the proceeds to any
after the auction, whichever is the earlier. Until risk passes, Phillips de Pury & Company will
amount owed to Phillips de Pury & Company or any of our affiliated companies after the
compensate the buyer for any loss or damage to a purchased lot up to a maximum of the
deduction from sale proceeds of our standard vendor’s commission, all sale-related
Purchase Price paid, subject to our usual exclusions for loss or damage to property.
expenses and any applicable taxes thereon.
(c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap
10 RESCISSION BY PHILLIPS de PURY & COMPANY
purchased lots for hand carry only. We do not provide packing, handling, insurance or
Phillips de Pury & Company shall have the right, but not the obligation, to rescind a sale
shipping services. We will coordinate with shipping agents instructed by the buyer, whether
without notice to the buyer if we reasonably believe that there is a material breach of the
or not recommended by Phillips de Pury & Company, in order to facilitate the packing,
seller’s representations and warranties or the Authorship Warranty or an adverse claim is
handling, insurance and shipping of property bought at Phillips de Pury & Company. Any
made by a third party. Upon notice of Phillips de Pury & Company’s election to rescind the
such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for
sale, the buyer will promptly return the lot to Phillips de Pury & Company, and we will then
acts or omissions of third party packers or shippers.
refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips de Pury &
(d) Phillips de Pury & Company will require presentation of government-issued
Company and the seller with respect to such rescinded sale.
identification prior to release of a lot to the buyer or the buyer’s authorized representative. 11 EXPORT, IMPORT AND ENDANGERED SPECIES LICENCES AND PERMITS 8 FAILURE TO COLLECT PURCHASES
Before bidding for any property, prospective buyers are advised to make their own enquiries
(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of
as to whether a licence is required to export a lot from the United Kingdom or to import it
the auction, the buyer will incur a late collection fee of £50, storage charges of £10 per day
into another country. Prospective buyers are advised that some countries prohibit the
and pro rated insurance charges of 0.1% of the Purchase Price per month on each
import of property made of or incorporating plant or animal material, such as coral,
uncollected lot. Additional charges may apply to oversized lots. We will not release
crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age,
purchased lots to the buyer until all such charges have been paid in full.
percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations
(b) If a purchased lot is paid for but not collected within six months of the auction, the buyer
of the countries concerned. It is solely the buyer’s responsibility to comply with these laws
authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by
and to obtain any necessary export, import and endangered species licences or permits.
auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s
Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of
reasonable discretion. The proceeds of such sale will be applied to pay for storage charges
the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips de
and any other outstanding costs and expenses owed by the buyer to Phillips de Pury &
Pury & Company has marked in the catalogue lots containing potentially regulated plant or
Company or our affiliated companies and the remainder will be forfeited unless collected by
animal material, but we do not accept liability for errors or for failing to mark lots containing
the buyer within two years of the original auction.
protected or regulated species.
9 REMEDIES FOR NON-PAYMENT
12 DATA PROTECTION
(a) Without prejudice to any rights the seller may have, if the buyer without prior agreement
(a) In connection with the management and operation of our business and the marketing
fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the
and supply of auction related services, or as required by law, we may ask clients to provide
auction, Phillips de Pury & Company may in our sole discretion exercise one or more of the
personal information about themselves or obtain information about clients from third parties
following remedies: (i) store the lot at Phillips de Pury & Company’s premises or elsewhere at
(e.g., credit information). If clients provide us with information that is defined by law as
the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment
‘sensitive’, they agree that Phillips de Pury & Company and our affiliated companies may use it
of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render
for the above purposes. Phillips de Pury & Company and our affiliated companies will not use or
such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the
process sensitive information for any other purpose without the client’s express consent. If you
date payment became due until the date the Purchase Price is received in cleared funds; (v)
would like further information on our policies on personal data or wish to make corrections to
subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in
your information, please contact us at +44 20 7318 4010. If you would prefer not to receive details
the possession of Phillips de Pury & Company and instruct our affiliated companies to
of future events please call the above number.
exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and
(b) In order to fulfill the services clients have requested, Phillips de Pury & Company may
apply the proceeds to the amount owed to Phillips de Pury & Company or any of our affiliated
disclose information to third parties such as shippers. Some countries do not offer
companies after the deduction from sale proceeds of our standard vendor’s commission, all
equivalent legal protection of personal information to that offered within the EU. It is
sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or
Phillips de Pury & Company’s policy to require that any such third parties respect the
private sale, with estimates and a reserve set at Phillips de Pury & Company’s reasonable
privacy and confidentiality of our clients’ information and provide the same level of
discretion, it being understood that in the event such resale is for less than the original
protection for client information as provided within the EU, whether or not they are located
hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall
in a country that offers equivalent legal protection of personal information.
together with all costs incurred in such resale; (vii) commence legal proceedings to recover
By agreeing to these Conditions of Sale, clients agree to such disclosure.
the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer
13 LIMITATION OF LIABILITY
against any amounts which we or any of our affiliated companies may owe the buyer in any
(a) Subject to sub-paragraph (e) below, the total liability of Phillips de Pury & Company, our
other transactions; (ix) release the name and address of the buyer to the seller to enable the
affiliated companies and the seller to the buyer in connection with the sale of a lot shall be
seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take
limited to the Purchase Price actually paid by the buyer for the lot.
such other action as we deem necessary or appropriate. (b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, (b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over the
any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether
buyer’s property which is in our possession upon notification by any of our affiliated
orally or in writing, in information provided to prospective buyers by Phillips de Pury &
companies that the buyer is in default of payment. Phillips de Pury & Company will notify the
Company or any of our affiliated companies or (ii) accepts responsibility to any bidder in
buyer of any such lien. The buyer also irrevocably authorizes Phillips de Pury & Company,
respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury &
upon notification by any of our affiliated companies that the buyer is in default of payment,
Company or any of our affiliated companies in connection with the conduct of the auction or
to pledge the buyer’s property in our possession by actual or constructive delivery to our
for any other matter relating to the sale of any lot.
affiliated company as security for the payment of any outstanding amount due. Phillips de Pury & Company will notify the buyer if the buyer’s property has been delivered to an
(c) All warranties other than the Authorship Warranty, express or implied, including any
affiliated company by way of pledge.
warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law.
(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de Pury & Company to instruct any of our affiliated companies in possession of the buyer’s property
(d) Subject to sub-paragraph (e) below, none of Phillips de Pury & Company, any of our
to deliver the property by way of pledge as the buyer’s agent to a third party instructed by
affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond
Phillips de Pury & Company to hold the property on our behalf as security for the payment of
the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss
the Purchase Price and any other amount due and, no earlier than 30 days from the date of
or damage is characterised as direct, indirect, special, incidental or consequential, or for
written notice to the buyer, to sell the property in such manner and for such consideration
the payment of interest on the Purchase Price to the fullest extent permitted by law.
CTA_UK_Oct12_Day_Backmatter_220-237.indd 232
18/09/12 11.43
(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability
(b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company reserves
of Phillips de Pury & Company or any of our affiliated companies to the buyer in respect of
the right, as a condition to rescinding any sale under this warranty, to require the buyer to
any fraud or fraudulent misrepresentation made by any of us or in respect of death or
provide to us at the buyer’s expense the written opinions of two recognized experts
personal injury caused by our negligent acts or omissions.
approved in advance by Phillips de Pury & Company. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our
14 COPYRIGHT
expense. If Phillips de Pury & Company agrees to rescind a sale under the Authorship
The copyright in all images, illustrations and written materials produced by or for Phillips
Warranty, we shall refund to the buyer the reasonable costs charged by the experts
de Pury & Company relating to a lot, including the contents of this catalogue, is and shall
commissioned by the buyer and approved in advance by us.
remain at all times the property of Phillips de Pury & Company and, subject to the provisions of the Copyright, Designs and Patents Act 1988, such images and materials may not be used
(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a
by the buyer or any other party without our prior written consent. Phillips de Pury &
claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips
Company and the seller make no representations or warranties that the buyer of a lot will
de Pury & Company in writing within three months of receiving any information which
acquire any copyright or other reproduction rights in it.
causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the
15 GENERAL
authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips de Pury
(a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1
& Company in the same condition as at the time of its auction and is able to transfer good
above, and Authorship Warranty set out the entire agreement between the parties
and marketable title in the lot free from any third party claim arising after the date of
with respect to the transactions contemplated herein and supersede all prior and
the auction.
contemporaneous written, oral or implied understandings, representations and agreements. (d) The buyer understands and agrees that the exclusive remedy for any breach of the (b) Notices to Phillips de Pury & Company shall be in writing and addressed to the
Authorship Warranty shall be rescission of the sale and refund of the original Purchase
department in charge of the sale, quoting the reference number specified at the beginning
Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against
of the sale catalogue. Notices to clients shall be addressed to the last address notified by
Phillips de Pury & Company, any of our affiliated companies and the seller and is in lieu of
them in writing to Phillips de Pury & Company.
any other remedy available as a matter of law. This means that none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable for loss or damage
(c) These Conditions of Sale are not assignable by any buyer without our prior written
beyond the remedy expressly provided in this Authorship Warranty, whether such loss or
consent but are binding on the buyer’s successors, assigns and representatives.
damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.
(d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part. (e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of Third Parties) Act 1999 by anyone other than the buyer. 16 LAW AND JURISDICTION (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with English law. (b) For the benefit of Phillips de Pury & Company, all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips de Pury & Company shall retain the right to bring proceedings in any court other than the Courts of England. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips de Pury & Company.
AUTHORSHIP WARRANTY Phillips de Pury & Company warrants the authorship of property in this auction catalogue for a period of five years from date of sale by Phillips de Pury & Company, subject to the exclusions and limitations set forth below. (a) Phillips de Pury & Company gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot; or (v) there has been no material loss in value of the lot from its value had it been as described in the heading of the catalogue entry.
CTA_UK_Oct12_Day_Backmatter_220-237.indd 233
18/09/12 11.43
PHILLIPS de PURY & COMPANY CHAIRMAN
DIRECTORS
Simon de Pury
ADVISORY BOARD
Sean Cleary
Maria Bell
Finn Schouenborg Dombernowsky
Janna Bullock
CHIEF EXECUTIVE OFFICER Bernd Runge
Patricia G. Hambrecht
Lisa Eisner
Vanessa Kramer
Lapo Elkann
Alexander Payne
Ben Elliot
Olivier Vrankenne
Lady Elena Foster H.I.H. Francesca von Habsburg Marc Jacobs
SENIOR DIRECTORS
Ernest Mourmans
Michael McGinnis
Aby Rosen
Dr. Michaela de Pury
Christiane zu Salm Juergen Teller Princess Gloria von Thurn und Taxis Jean Michel Wilmotte Anita Zabludowicz
WORLDWIDE HEAD OF BUSINESS DEVELOPMENT and GENERAL COUNSEL
MANAGING DIRECTORS Finn Schouenborg Dombernowsky, Europe
Patricia G. Hambrecht
Sean Cleary, New York
OFFICE OF THE CHAIRMAN
OFFICE OF THE CHIEF EXECUTIVE OFFICER
Harmony Hambly-Smith, London +44 20 7318 4099
Eloise Ashcroft +44 20 7318 4047
INTERNATIONAL SPECIALISTS Berlin Brussels
Shirin Kranz, Specialist, Contemporary Art +49 30 880 018 42 Olivier Vrankenne, International Senior Specialist +32 486 43 43 44 Bérénice Chef, Specialist, Contemporary Art +32 473 12 27 06
Buenos Aires & London Geneva Istanbul London Los Angeles Milan
Brooke Metcalfe, International Specialist, Contemporary Art +44 777 551 7060 Katie Kennedy Perez, Specialist, Contemporary Art +41 22 906 8000 Deniz Atac, Consultant +90 533 374 1198 Dr. Michaela de Pury, International Senior Director, Contemporary Art +49 17 289 736 11 Maya McLaughlin, Specialist, Contemporary Art +1 323 791 1771 Laura Garbarino, Senior International Specialist, Contemporary Art +39 339 478 9671
Moscow
Svetlana Marich, Head of Representative Office +7 495 225 88 22
Paris
Thomas Dryll, Senior Specialist, Contemporary Art +33 1 42 78 67 77 Edouard de Moussac, Specialist, Contemporary Art +33 1 42 78 67 77
Porto Zurich
Maura Marvão, Consultant, Contemporary Art + 351 917 564 427 Niklaus Kuenzler, Specialist, Contemporary Art +41 79 533 90 00
WORLDWIDE OFFICES NEW YORK
NEW YORK
LONDON
450 Park Avenue, New York, NY 10022, USA
450 West 15 Street, New York, NY 10011, USA
Howick Place, London SW1P 1BB, United Kingdom
tel +1 212 940 1300 fax +1 212 940 1378
tel +1 212 940 1200 fax +1 212 924 3185
tel +44 20 7318 4010 fax +44 20 7318 4011
BERLIN
ISTANBUL
MOSCOW
Auguststrasse 19, 10117 Berlin, Germany
Meclisi Mebusan Caddesi, Deniz Apartmani No. 79/8
TSUM, Petrovska str., 2, office 524, 125009 Moscow, Russia
tel +49 30 8800 1842 fax +49 30 8800 1843
Beyoglu 34427, Istanbul, Turkey
tel +7 495 225 88 22 fax +7 495 225 88 87
tel +90 533 3741198 PARIS
BRUSSELS rue Jean Baptiste Colyns 72, 1050 Brussels, Belgium
LOS ANGELES
6 avenue Franklin D. Roosevelt, 75008 Paris, France
tel +32 486 43 43 44
7285 Woodrow Wilson, Los Angeles, CA 90068, USA
tel +33 1 42 78 67 77 fax +33 1 42 78 23 07
tel +1 323 791 1771 ZURICH
GENEVA 23 quai des Bergues, 1201 Geneva, Switzerland
MILAN
Restelbergstrasse 89, 8044 Zurich, Switzerland
tel +41 22 906 80 00 fax +41 22 906 80 01
via Vincenzo Monti 26, 20123 Milan, Italy
tel +41 79 533 90 00
tel +39 339 478 9671
CTA_UK_Oct12_Day_Backmatter_220-237.indd 234
18/09/12 11.43
SPECIALISTS and DEPARTMENTS CONTEMPORARY ART Michael McGinnis, Senior Director and Worldwide Head, Contemporary Art
+1 212 940 1254
Joseph Carlucci, Business Director
+1 212 940 1366
DESIGN Alexander Payne, Director and Worldwide Head, Design
+44 20 7318 4052
LONDON Domenico Raimondo +44 20 7318 4016 Ben Williams +44 20 7318 4027 Marine Hartogs +44 20 7318 4021
LONDON Peter Sumner, Head of Evening Sale +44 20 7318 4063 George O’Dell, Head of Day Sale +44 20 7318 4093 Paul de Bono, Business Director
+44 20 7318 4070
Marcus McDonald Annabelle Wills
+44 20 7318 4095 +44 20 7318 4019
Henry Allsopp Henry Highley Matt Langton Karen Levy Helen Rohwedder
+44 20 7318 4060 +44 20 7318 4061 +44 20 7318 4074 +44 20 7318 4082 +44 20 7318 4042
NEW YORK Alex Heminway, New York Director +1 212 940 1268 Marcus Tremonto Meaghan Roddy
+1 212 940 1268 +1 212 940 1266
Larkin Erdmann Tamila Kerimova Charlotte Salisbury Simon Tovey
+44 20 7901 2909 +44 20 7318 4065 +44 20 7318 4058 +44 20 7318 4084
Alexandra Gilbert Lauren Sohn
+1 212 940 1265 +1 212 940 1268
PHOTOGRAPHS Vanessa Kramer, Director and Worldwide Head, Photographs
NEW YORK Zach Miner, Head of Evening Sale +1 212 940 1256 Sarah Mudge, Head of Day Sale +1 212 940 1259 Corey Barr Benjamin Godsill Jean-Michel Placent
+1 212 940 1234 +1 212 940 1333 +1 212 940 1263
Peter Flores Joshua Friedman Laura González Jed Moch Alexandra Raponi Alyse Serrell Amanda Stoffel Jonathan Winter
+1 212 940 1223 +1 212 940 1392 +1 212 940 1216 +1 212 940 1301 +1 212 940 1292 +1 212 940 1303 +1 212 940 1261 +1 212 940 1252
LONDON Lou Proud, Head of Photographs, London +44 20 7318 4018 Sebastien Montabonel +44 20 7318 4025 Alexandra Bibby +44 20 7318 4087 Rita Almeida Freitas Emma Lewis
+44 20 7318 4062 +44 20 7318 4092
NEW YORK Shlomi Rabi +1 212 940 1246 Caroline Deck +1 212 940 1247 Sarah Krueger +1 212 940 1225 David Rimoch Carol Ehlers, Consultant
MODERN and CONTEMPORARY EDITIONS Cary Leibowitz, Worldwide Co-Director Kelly Troester, Worldwide Co-Director
+1 212 940 1243
+1 212 940 1222 +1 212 940 1221
+1 212 940 1245 +1 212 940 1245
PARIS Jonas Tebib, Consultant Specialist +33 1 42 78 67 77
NEW YORK Audrey Lindsey +1 212 940 1285 Jannah Greenblatt +1 212 940 1332
EXHIBITIONS Arianna Jacobs
LONDON Robert Kennan, Head of Sales +44 20 7318 4010
+44 20 7318 4054
PRIVATE SALES Susanna Brockman
+44 20 7318 4041
JEWELS NEW YORK Nazgol Jahan, Worldwide Director +1 212 940 1283 Joanna Bengoa Brittany Gersh
+1 212 940 1302 +1 212 940 1365
PRIVATE CLIENT SERVICES
CLIENT DEVELOPMENT
MUSEUM SERVICES DEPARTMENT
Michael Berger-Sandhofer +44 20 7318 4048 Carina Brun +44 20 7318 4066 Philae Knight, New York +1 212 940 1313 Sara Tayeb-Khalifa, New York +1 212 940 1383
Marya Oja, Worldwide Head
NEW YORK Lauren Shadford +1 212 940 1257 Cecilia Wolfson +1 212 940 1258
LONDON Isadora Tharin Linda Pyke
ART and PRODUCTION
NEW YORK Carolyn Bachman Holly Bawden Carly Murphy
COMMUNICATIONS and MARKETING
Mike McClafferty, Art Director LONDON Mark Hudson, Deputy Art Director Andrew Lindesay, Sub-Editor Tom Radcliffe, Production Director
CTA_UK_Oct12_Day_Backmatter_220-237.indd 235
NEW YORK Andrea Koronkiewicz, Studio Manager Orlann Capazorio, US Production Manager Steven Mosier, Graphic Designer Fernando Dias de Souza, Graphic Designer Jeff Velazquez, Production Artist
LONDON Fiona McGovern, Communications and Marketing Alex Godwin-Brown, Communications and Marketing Manager
NEW YORK Trish Walsh, Marketing Manager Tiana Webb-Evans, Director of Communications
18/09/12 11.43
SALE INFORMATION AUCTION Day Sale, Thursday 11 October 2012, 2pm VIEWING Thursday 4 October, 10am – 6pm Friday 5 October, 10am – 6pm Saturday 6 October, 10am – 6pm Sunday 7 October, 12pm – 6pm Monday 8 October, 10am – 6pm Tuesday 9 October, 10am – 6pm Wednesday 10 October, 10am – 2pm VIEWING & AUCTION LOCATION Howick Place, London SW1P 1BB WAREHOUSE & COLLECTION LOCATION 110–112 Morden Road, Mitcham, Surrey CR4 4XB SALE DESIGNATION When sending in written bids or making enquiries, please refer to this sale as UK010612 or Contemporary Art Day Sale
8
P
Catalogues $35/€25/£22 at the Gallery
D A
HYDE PARK CORNER
CATALOGUES catalogues@phillipsdepury.com
C
MA
LY
TH
Jon Stonton +44 207 318 4098
Emma Miller +44 20 7318 4039 +1 212 940 1291
IC
2
L
KNIG
HTS
BRID
LL
ST
PROPERTY MANAGER
IL
’S
Simon Tovey +44 20 7318 4084
L PA
ES
SALE ADMINISTRATOR
AM .J ST
GREEN PARK
E
M
A
LL
GREEN PARK
GE
ST. JAMES’S PARK CONSTITUTION HILL
G
R O
S
V
EN
O
BUCKINGHAM PALACE GARDENS P
ABSENTEE & TELEPHONE BIDS
BIRD
LA C
E
BU
tel +44 20 7318 4045 fax +44 20 7318 4035
CK
ING
6
K WAL
ST. JAMES’S PARK HA
M
GA TE
OS GR
Anna Ho +44 20 7318 4044
CAGE
R
Susanna Brockman +44 20 7318 4041
VE NO
bidslondon@phillipsdepury.com
R
CLIENT ACCOUNTS
GD
NS VIC
TR IA S
EET
PL HOWICK
RO AD
VICTORIA
TOR
Jason King, Director +44 20 7318 4086 PA L
AC E
Buyer Accounts: Carolyn Whitehead +44 20 7318 4020
ING
HA
M
Seller Accounts: Surbjit Dass +44 20 7318 4072
CK
CLIENT SERVICES
BU
Lucinda Newman, Natasha Pryce, Rebecca Tooby-Desmond
VA UX
H
A
LL
BR
ID
GE
+44 20 7318 4010 Viewing and Auction location
WAREHOUSE & SHIPPING Lydia Stewart +44 207 318 4050 Tess Contla +44 207 318 4026 Jan Navratil +44 207 318 4081 Elisa Sciandro +44 207 318 4077 PHOTOGRAPHY Hayley Giles
Warehouse and collection location
Printed in the United Kingdom, Phillips de Pury & Company
CTA_UK_Oct12_Day_Backmatter_220-237.indd 236
18/09/12 11.43
CONTEMPORARY ART
UNDER THE INFLUENCE AUCTION 13 DECEMBER 2012
LONDON
Phillips de Pury & Company Howick Place London SW1P 1BB +44 20 7381 4010 | godell@phillipsdepury.com Catalogues +1 212 940 1240 | +44 20 7318 4039
PHILLIPSDEPURY.COM HARLAND MILLER Incurable Romantic Estimate £5,0 0 0 –7,0 0 0
CTA_UK_Oct12_Day_Backmatter_220-237.indd 237
18/09/12 11.43
Miquel Barceló, À Livorno, 2007, lot 131 (detail)
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 238
18/09/12 14.25
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 239
18/09/12 14.25
P H I L L I P S D E P U RY.C O M
CTA_UK_Oct12_Day_cover-cvr ins singoli+flap.indd 240
18/09/12 14.24