Design by Phillips de Pury & Co.

DE SIGN 7

APRIL

2 0 11

LOND ON

DESIGN 7 APRIL 2 0 11 LONDON U K0 5 0 111

P H I L L I P S D E P U RY.C O M

DESIGN_UK_Apr11_COVER.indd 1

09-03-11 19.16

SALE INFORMATION AUCTION Thursday 7 April 2011, 4pm

CLIENT SERVICES Natalie McFarlane +44 20 7318 4010

VIEWING Friday 1 April, 10am Ð 6pm Saturday 2 April, 10am Ð 6pm Sunday 3 April, 12pm Ð 6pm Monday 4 April, 10am Ð 6pm Tuesday 5 April, 10am Ð 6pm Wednesday 6 April, 10am Ð 6pm Thursday 7 April, 10am Ð 4pm

WAREHOUSE & SHIPPING Cl‡udia Gon•alves + 44 20 7318 4026

VIEWING & AUCTION LOCATION Howick Place, London SW1P 1BB

SELECT ESSAYS Alex Heminway

PHOTOGRAPHY Hayley Giles Peter Hepplewhite Ivan Ingletto Byron Slater

WAREHOUSE & COLLECTION LOCATION 110Ð112 Morden Road, Mitcham, Surrey CR4 4XB SALE DESIGNATION When sending in written bids or making enquiries, please refer to this sale as UK050111 or Design DIRECTOR AND WORLDWIDE HEAD, DESIGN Alexander Payne London +44 20 7318 4052 New York +1 212 940 1268 CONSULTANT Marcus Tremonto New York +1 212 940 1268 DIRECTOR NEW YORK Alex Heminway New York +1 212 940 1269 SPECIALISTS Ben Williams +44 20 7318 4027 Domenico Raimondo +44 20 7318 4016 Marine Hartogs +44 20 7318 4021 Meaghan Roddy New York +1 212 940 1266 Johanna Frydman Paris +33 1 42 78 67 77 Christina Scheublein +49 30 886 250 57 D A

KNIG

HTS

BRID

R O

ST. JAMESÕS PARK

CONSTITUTION HILL

GREEN PARK

BUCKINGHAM PALACE GARDENS P

LA C

BIRD

ING

K WAL CAGE

ST. JAMESÕS PARK HA

GA TE

VE NO

VICTORIA

VIC

TOR

TR IA S

EET

PL HOWICK

ING

PA L

AC E

ABSENTEE AND TELEPHONE BIDS Fulvia Terzaghi tel +44 20 7318 4044 fax +44 20 7318 4035 bids@phillipsdepury.com CLIENT ACCOUNTS Buyer and seller account enquiries +44 20 7318 4010

LY IL

HYDE PARK CORNER

OS GR

CATALOGUES Leslie Pitts +44 20 7318 4039 +1 212 940 1240 catalogues@phillipsdepury.com Catalogues $35/25/£22 at the Gallery

RO AD

PROPERTY MANAGERS Oliver Gottschalk +44 20 7318 4033 Ferran Martin New York +1 212 940 1364

SALE ADMINISTRATORS Megan McGee London +44 207 318 4023 Allison Condo New York +1 212 940 1268

ÕS

CATALOGUER Marcus McDonald +44 20 7318 4014 Alexandra Gilbert +1 212 940 1266

L PA

AM .J ST

GREEN PARK

VA UX

Printed in the United Kingdom, Phillips de Pury & Company

DESIGN_UK_Apr11_COVER_INSIDE.indd 1

09-03-11 19.36

DESIGN_UK_Apr11_LOTS_2-3.indd 3

09-03-11 17.56

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 4

09-03-11 11.14

DE SIGN 7

APRIL

2 0 11

4 PM

LOND ON

LOTS 1 –15 4

Viewing Friday 1 April 2011, 10amÐ 6pm Saturday 2 April 2011, 10amÐ 6pm Sunday 3 April 2011, 12 pmÐ 6pm Monday 4 April 2011, 10amÐ 6pm Tuesday 5 April 2011, 10amÐ 6pm Wednesday 6 April 2011, 10amÐ 6pm Thursday 7 April 2011, 10amÐ 4pm

Front cover Sebastian Brajkovic, ÔLathe VIIIÕ chair, 2008, Lot 64 Inside front cover Charlotte Perriand, Large ÔBahutÕ sideboard, c. 1960, Lot 24 Frontispiece Gio Ponti, Rare wall-mounted sculpture, c. 1946, Lot 126 Inside back cover Jean ProuvŽ, ÔMarcouleÕ bench, c. 1955, Lot 1 Back cover Jean Roy•re, ÔBouquetÕ wall light, 1939, Lot 47

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 5

09-03-11 11.14

JEAN PROUVƒ 1901–1984 ‘Marcoule’ bench, from the CEA building, Marcoule, France, c. 1955 Painted bent sheet steel, oak. Manufactured by Les Ateliers Jean Prouvé, France. 74 × 142 × 44 cm (29 1/8 × 55 7/8 × 17 3/8 in)

Estimate £14,000Ð22,000

$22,700 Ð35,700

16,400 Ð25,800

PROVENANCE CEA building, Marcoule, France LITERATURE Galerie Patrick Seguin and Sonnabend Gallery, Jean Prouvé, Volume

1, Paris, 2007, p. 146 and p. 202; Galerie Patrick Seguin, Jean Prouvé, Volume 2, Paris, 2007, p. 317 and pp. 326–29

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 6

09-03-11 11.15

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 7

09-03-11 11.15

JEAN PROUVƒ 1901–1984 with CHARLOTTE PERRIAND 1903–1999 ÔAfriqueÕ room divider, from the Air France building, Brazzaville, Congo, c. 1952 Painted bent steel, mahogany. Manufactured by Les Ateliers Jean Prouvé, France. 296 × 203 × 22.5 cm (116 1/2 × 79 7/8 × 8 7/8 in), fully extended

Estimate £20,000Ð30,000

$32,500 Ð 48,700

23,500 Ð35,200

PROVENANCE Air France building, Brazzaville, Congo LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

p. 223 for a similar example in Jean Prouvé’s home; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 488

An example of this design was exhibited at ‘Jean Prouvé’, Sonnabend Gallery, New York, 22 February–22 March 2003.

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 8

09-03-11 11.15

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 9

09-03-11 11.15

SERGE MOUILLE 1922–1988 ÔAntonyÕ wall light, from the CitŽ International Universitaire, Antony, France, c. 1955 Painted aluminium, painted tubular aluminium, brass. Manufactured by Atelier Serge Mouille, France. 47 × 37 × 30 cm (18 1/2 × 14 1/2 × 11 7/8 in)

Estimate £5,000Ð8,000

$8,100 Ð13,000

5,900 Ð9,400

PROVENANCE Cité International Universitaire, Antony, France LITERATURE Anthony DeLorenzo, ed., Jean ProuvŽ / Serge Mouille, New York, 1985,

p. 133; Pierre Émile Pralus, Serge Mouille: a French Classic, Saint Cyr au Mont d’Or, 2006, p. 91, and pp. 168–69

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 10

09-03-11 11.15

JEAN PROUVƒ 1901–1984 ÔCompas cafŽtŽriaÕ table, model no. 512, c. 1953 Painted bent sheet steel, laminated wood. Manufactured by Les Ateliers Jean Prouvé, France. 70 × 115 × 80 cm (27 1/2 × 45 1/4 × 31 1/2 in)

Estimate £12,000Ð18,000

$19,500 Ð29,200

14,000 Ð21,100

LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

pp. 73–75; Jean ProuvŽ Constructeur 1901Ð1984, exh. cat., Musée des Beaux-Arts, Paris, 2001, p. 90 for similar examples; Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954, Basel, 2005, pp. 268–69; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, pp. 430–31

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 11

09-03-11 11.15

JEAN PROUVƒ 1901–1984 Row of two lecture hall chairs with adjustable seats, from UniversitŽ de Besan•on, France, 1953 Painted tubular and bent steel, wood, vinyl. Manufactured by Les Ateliers Jean Prouvé, France. 88.5 × 116 × 54.5 cm (34 7/8 × 45 5/8 × 21 1/2 in)

Estimate £5,000Ð8,000

$8,100 Ð13,000

5,900 Ð9,400

PROVENANCE Faculté de Lettres, Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

p. 62; Penelope Rowlands, Jean ProuvŽ, New York, 2002, pp. 50–51; Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954, Basel, 2005, p. 252, fig. 1235.22,2; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 379 and p. 399

Estimate £5,000Ð8,000

$8,100 Ð13,000

5,900 Ð9,400

PROVENANCE Faculté de Lettres, Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

Estimate £5,000Ð8,000

$8,100 Ð13,000

5,900 Ð9,400

PROVENANCE Faculté de Lettres, Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris,

1998, p. 62; Penelope Rowlands, Jean ProuvŽ, New York, 2002, pp. 50–51; Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954, Basel, 2005, p. 252, fig. 1235.22,2; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 379 and p. 399

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 12

09-03-11 11.15

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 13

09-03-11 18.19

CHARLOTTE PERRIAND 1903–1999 Table with articulated joints, from CitŽ Cansado, Cansado, Mauritania, 1958 Lacquered steel, plastic laminate-covered wood, rubber. 75 × 140 × 80 cm (29 1/2 × 55 1/8 × 31 1/2 in)

Estimate £4,000Ð8,000

$6,500 Ð13,000

4,700 Ð9,400

PROVENANCE Cité Cansado, Cansado, Mauritania, Africa

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 14

09-03-11 11.15

CHARLOTTE PERRIAND

1903–1999

Bench with drawer and side table, from CitŽ Cansado, Cansado, Mauritania, 1958 Oak, plastic laminate-covered wood, fabric. 60 × 260 × 70 cm (23 5/8 × 102 3/8 × 27 1/2 in)

Estimate £12,000Ð16,000

$19,500 Ð26,000

14,000 Ð18,800

PROVENANCE Cité Cansado, Cansado, Mauritania, Africa

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 15

09-03-11 11.15

Preparatory drawing for the present lot

CHARLOTTE PERRIAND 1903–1999 Unique monumental ÔBahutÕ sideboard, from the Dr Georges Ferran Estate, Cully, Calvados, France, 1959 Mahogany, plastic, painted sheet steel. Produced by Galerie Steph Simon, France. Together with the original Steph Simon invoice and preparatory drawing plan no. ‘28825’. 82 × 396 × 46 cm (32 1/4 × 155 1/8 × 18 1/8 in)

Estimate £120,000Ð180,000

$195,000 Ð292,000

141,000 Ð211,000

PROVENANCE Dr Georges Ferran Estate, Cully, Calvados, France LITERATURE Jacques Barsac, Charlotte Perriand: Un Art DÕHabiter, 1903Ð1959, Paris, 2005,

pp. 440–41 for similar examples

The present lot was originally purchased on 27 January 1960 by Dr Georges Ferran for his house at 7, rue Jean Mermoz, Savigny-sur-Orge, prior to his move to Cully, Calvados in France.

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 16

09-03-11 11.16

11 SERGE MOUILLE 1922–1988 Pair of ÔTuyauxÕ wall lights, c. 1955 Painted aluminium, painted tubular aluminium, brass. Manufactured by Atelier Serge Mouille, France. Editioned by Galerie Steph Simon, France (2). Each: 22 × 20 × 26 cm (8 5/8 × 7 7/8 × 10 1/4 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Anthony DeLorenzo, ed., Jean ProuvŽ/Serge Mouille,

New York, 1985, p. 111 for a drawing of a similar example and p. 134 for a similar example; Pierre Émile Pralus, Serge Mouille: a French Classic, Saint Cyr au Mont d’Or, 2006, p. 66 for a drawing of a similar example

12 CHARLOTTE PERRIAND 1903–1999 File rack, c. 1958 Moulded plastic, painted metal. Each drawer moulded with ‘MODELE CHARLOTTE PERRIAND/BREVETE S.G.D.G’. 33 × 52 × 39.5 cm (13 × 20 1/2 × 15 5/8 in)

Estimate £3,500–5,500 $5,700 –8,900 €4,100 – 6,500 LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of

Living, New York, 2003, p. 149, fig. 28 and p. 150, fig. 29 for similar examples; Marie Laure Jousset, Charlotte Perriand, exh. cat., Centre Pompidou, Paris, 2005, pp. 160–61 for similar examples; Jacques Barsac, Charlotte Perriand: Un Art dÕHabiter, Paris, 2005, p. 443

13 CHARLOTTE PERRIAND 1903–1999 File rack, c. 1958 Moulded plastic, painted metal. Each drawer moulded with ‘MODELE CHARLOTTE PERRIAND/BREVETE S.G.D.G’. 33 × 52 × 39.5 cm (13 × 20 1/2 × 15 5/8 in)

Estimate £3,500–5,500 $5,700 –8,900 €4,100 – 6,500

LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of

DESIGN_UK_Apr11_THROW Perriand_1-2.indd 2

09-03-11 16.43

DESIGN_UK_Apr11_THROW Perriand_1-2.indd 1

09-03-11 16.43

DESIGN_UK_Apr11_THROW Perriand_1-2.indd 1

09-03-11 16.43

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Anthony DeLorenzo, ed., Jean ProuvŽ/Serge Mouille,

Estimate £3,500–5,500 $5,700 –8,900 €4,100 – 6,500 LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of

Estimate £3,500–5,500 $5,700 –8,900 €4,100 – 6,500

LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of

DESIGN_UK_Apr11_THROW Perriand_1-2.indd 2

09-03-11 16.43

JEAN PROUVƒ 1901–1984 ÔMaternelleÕ primary school desk, model no. 804, c. 1951 Painted bent sheet steel, oak plywood, painted tubular steel, rubber. Manufactured by Les Ateliers Jean Prouvé, France. 47 × 54.9 × 39.4 cm (18 1/2 × 21 5/8 × 15 1/2 in)

Estimate £2,500Ð4,500

$4,100 Ð7,300

2,900 Ð5,300

LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

p. 110; Jean ProuvŽ Constructeur 1901Ð1984, exh. cat., Musée des Beaux-Arts, Paris, 2001, p. 100, fig. 109; Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954, Basel, 2005, p. 35, fig. 23 and p. 220, fig. 1214,2; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, pp. 382, 390 and 392–95

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 17

09-03-11 11.16

JEAN PROUVƒ 1901–1984 ÔCafŽtŽriaÕ demountable table, model no. 511, from the CafŽtŽria des Arts et MŽtiers, CitŽ internationale universitaire, Paris, c. 1953 Painted bent sheet steel, painted tubular metal, oak-veneered wood. Manufactured by Les Ateliers Jean Prouvé, France. 71.5 × 86 × 86 cm (28 × 33 7/8 × 33 7/8 in)

Estimate £25,000Ð28,000

$40,600 Ð45,500

29,300 Ð32,800

PROVENANCE Cafétéria des Arts et Métiers, Cité internationale universitaire,

Paris; Galerie Patrick Seguin, Paris LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris,

1998, p. 83 and p. 85; Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954, Basel, 2005, p. 150, figs. 1123,2–1123,3 and p. 151, fig. 1130.2; Galerie Patrick Seguin and Sonnabend Gallery, Jean ProuvŽ, Volume 1, Paris, 2007, p. 83; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 407 and pp. 456–57

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 18

09-03-11 11.16

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 19

09-03-11 11.16

16 JEAN PROUVƒ 1901–1984 ÔCitŽÕ table, model no. 500, c. 1953 Painted tubular and bent sheet steel, oak. Manufactured by Les Ateliers Jean Prouvé, France. 72 × 150 × 53 × cm (28 3/8 × 59 × 20 7/8 in)

Estimate £4,000–7,000 $6,500 –11,400 €4,700 –8,200 PROVENANCE Bourse Maritime, Paris LITERATURE Peter Sulzer, Jean ProuvŽ: Îuvre Compl•te, Volume 3: 1944Ð1954,

Basel, 2005, p. 232, fig. 1221.3; Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 404 and pp. 412–13

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 20

09-03-11 12.41

17 JEAN PROUVƒ 1901–1984 ÔSCALÕ bed, model no. 450, c. 1952 Painted bent sheet steel, fabric. Manufactured by Les Ateliers Jean Prouvé, France. 60 × 190 × 140 cm (23 5/8 × 74 3/4 × 55 1/8 in)

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700 LITERATURE Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, p. 355 and

p. 365

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 21

09-03-11 12.41

18 LE CORBUSIER 1887–1965 Wardrobe/room divider, from the UnitŽ dÕhabitation, Marseille, France, 1946–52 Oak-veneered wood, oak, painted wood. 155.6 × 200.3 × 47.6 cm (61 1/4 × 78 7/8 × 18 3/4 in)

Estimate £12,000–18,000 $19,500 –29,200 €14,000 –21,100 PROVENANCE Unité d’habitation, Marseille, France LITERATURE Allen Brooks, ed., The Le Corbusier Archive, New York/Paris, 1982–84,

vol. 17, p. 60, plan no. 26.426

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 22

09-03-11 11.17

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 23

09-03-11 11.17

Interior view

19 JEAN PROUVƒ 1901–1984

20 JEAN PROUVƒ 1901–1984

Undulating sun shutters, c. 1964

Ribbed aluminium, tubular aluminium, painted wood, steel. Manufactured by Les Ateliers

Jean Prouvé, France.

270.5 × 178.1 × 11.4 cm (106 1/2 × 70 1/8 × 4 1/2 in)

Estimate £30,000–45,000 $48,700 –73,100 €35,200 –52,800

PROVENANCE Cameroon

LITERATURE Galerie Patrick Seguin, Jean ProuvŽ, Volume 2, Paris, 2007, pp. 522–23; Peter Sulzer,

Jean ProuvŽ: Îuvre Compl•te, Volume 4: 1954Ð1984, Basel, 2009, pp. 180–81

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 24

09-03-11 18.40

21 JEAN PROUVƒ 1901–1984 Row of three lecture hall chairs with adjustable seats, from the UniversitŽ de Besan•on, France, 1953 Painted tubular and bent steel, wood, vinyl. Manufactured by Les Ateliers Jean Prouvé, France. 88.5 × 166 × 54.5 cm (34 7/8 × 65 3/8 × 21 1/2 in)

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700 PROVENANCE Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

22 JEAN PROUVƒ 1901–1984 Row of three lecture hall chairs with adjustable seats, from the UniversitŽ de Besan•on, France, 1953 Painted tubular and bent steel, wood, vinyl. Manufactured by Les Ateliers Jean Prouvé, France. 88.5 × 166 × 54.5 cm (34 7/8 × 65 3/8 × 21 1/2 in)

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700 PROVENANCE Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

23 JEAN PROUVƒ 1901–1984 Row of three lecture hall chairs with adjustable seats, from the UniversitŽ de Besan•on, France, 1953 Painted tubular and bent steel, wood, vinyl. Manufactured by Les Ateliers Jean Prouvé, France. 88.5 × 166 × 54.5 cm (34 7/8 × 65 3/8 × 21 1/2 in)

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700 PROVENANCE Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

DESIGN_UK_Apr11_THROW prouve_3-4.indd 4

09-03-11 16.44

DESIGN_UK_Apr11_THROW prouve_V2_3-4.indd 3

09-03-11 19.20

DESIGN_UK_Apr11_THROW prouve_V2_3-4.indd 3

09-03-11 19.20

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700 PROVENANCE Université de Besançon, France LITERATURE Galeries Jousse Seguin and Enrico Navarra, Jean ProuvŽ, Paris, 1998,

DESIGN_UK_Apr11_THROW prouve_3-4.indd 4

09-03-11 16.44

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 25

09-03-11 18.40

24 CHARLOTTE PERRIAND 1903–1999 Large ÔBahutÕ sideboard, c. 1960 Oak, oak-veneered wood, painted metal, plastic. Editioned by Galerie Steph Simon, France. Each drawer moulded with ‘MODELE CHARLOTTE PERRIAND/BREVETE S.G.D.G’. 81 × 312 × 46 cm (31 7/8 × 118 7/8 × 18 1/8 in)

Estimate £60,000–100,000 $97,400 –162,000 €70,300 –117,000 PROVENANCE Private Collection, Genes, Italy LITERATURE Jacques Barsac, Charlotte Perriand: Un Art DÕHabiter, 1903Ð1959,

Paris, 2005, pp. 440–41 for similar examples

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 26

09-03-11 11.17

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 27

09-03-11 11.17

25 CHARLOTTE PERRIAND 1903–1999 Three-legged chair, c. 1947 Oak. Produced by L’Equipement de la Maison, Grenoble, France. 67.5 cm (26 1/2 in) high

Estimate £16,000–24,000 $26,000 –39,000 €18,800 –28,100 PROVENANCE Galerie Patrick Seguin, Paris LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of Living, New York,

2003, pp. 172, 179, 217 and 220;Jacques Barsac, Charlotte Perriand: Un Art dÕHabiter, Paris, 2005, pp. 275 for a drawing, 280, 285, 298 and 305; Marie Laure Jousset, Charlotte Perriand, exh. cat., Centre Pompidou, Paris, 2005, p. 109

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 28

09-03-11 11.17

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 29

09-03-11 11.17

26 CHARLOTTE PERRIAND 1903–1999 Rare free-form desk, 1963 Pine. Produced by André Chetaille and editioned by Galerie Steph Simon, France. 69 × 161 × 74 cm (27 1/8 × 63 3/8 × 29 1/8 in)

Estimate £70,000–140,000 $114,000 –227,000 €82,100 –164,000 PROVENANCE The collection of the architect Pierre Maury, France LITERATURE Mary McLeod, ed., Charlotte Perriand: An Art of Living, New York,

2003, p. 109 and p. 220 for similar examples; Jacques Barsac, Charlotte Perriand: Un Art d’Habiter, Paris, 2005, p. 281 for a similar example; Marie Laure Jousset, Charlotte Perriand, exh. cat., Centre Pompidou, Paris, 2005, p. 157 for a similar example

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 30

09-03-11 11.21

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 31

09-03-11 11.21

27 JOSEF HARTWIG 1880–1956 Rare chess set, model no. XVI, c. 1924 Natural and stained pear wood. Produced by Bauhaus Weimar, Germany. Box impressed with ‘HARTWIG/BAUHAUS/WEIMAR/GES,GESCH’. Together with the original box (33). Box: 6.5 × 13.5 × 13.5 cm (2 5/8 × 5 3/8 × 5 3/8 in); tallest piece: 4.6 cm (1 3/4 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Bauhaus-Archiv, Experiment Bauhaus, Berlin, 1988, pp. 400–01 for

a similar example; Magdalena Droste and Bauhaus Archiv, Bauhaus: 1919–1933, Cologne, 1993, p. 94 for a similar example; Magdalena Droste and Peter Hahn, et al., eds., Bauhaus Archive Berlin: The collection, Berlin, 1999, p. 90 for a similar example; Jeannine Fiedler and Peter Feierabend, Bauhaus, Cologne, 2000, p. 633 for a similar example; Anne Bobzin and Klaus Weber, The Bauhaus Chess Set by Josef Hartwig, exh. cat., The Bauhaus Archiv Museum of Design, Berlin, 2006, pp. 21–23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 32

09-03-11 11.21

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 33

09-03-11 11.21

28 POUL HENNINGSEN 1894–1967 ÔPH 3.5/2Õ desk lamp, c. 1927 Painted copper, brass, tubular brass, Bakelite. Manufactured by Louis Poulsen, Denmark. Impressed with ‘PH-3 PATENTED’. 45 cm (17 3/4 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Tina Jørstian and Poul Erik Munk Nielsen, eds., Light Years Ahead,

The Story of the PH Lamp, Copenhagen, 1994, pp. 147–49 and p. 170 for a similar example; Charlotte and Peter Fiell, eds., Designing the 21st Century, Cologne, 2001, p. 321 for a later example; Charlotte and Peter Fiell, eds., 1000 Lights, Vol. 1: 1879 to 1959, Cologne, 2005, p. 317

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 34

09-03-11 11.21

29 POUL HENNINGSEN 1894–1967 ÔPH 4/3Õ desk lamp, c. 1926–27 Painted copper, brass, tubular brass, Bakelite. Manufactured by Louis Poulsen, Denmark. Impressed with ‘PAT APPL’. 54 cm (21 1/4 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Tina Jørstian and Poul Erik Munk Nielsen, eds., Light Years Ahead,

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 35

09-03-11 11.22

The present lot as shown in Art et DŽcoration, May 1932

30 PIERRE CHAREAU 1883–1950 Wardrobe, c. 1929 Mahogany-veneered wood, ivory, brass. 195 × 317.4 × 60 cm (76 3/4 × 125 × 23 5/8 in)

Estimate £18,000–28,000 $29,200 –45,500 €21,100 –32,800 ∑ PROVENANCE Mr and Mrs Dreyfus, Paris LITERATURE Art et DŽcoration, May 1932, illustrated, n.p.

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 36

09-03-11 14.50

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 37

09-03-11 11.22

31 UNKNOWN DESIGNER Table lamp, 1920s Wood, painted wood, perforated folded painted metal, chrome-plated metal, metal, cork. 71.5 cm (28 1/8 in) high

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 38

09-03-11 11.22

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 39

09-03-11 11.22

Private Collection, Paris

The present model in situ, Paris

32 JEAN BESNARD 1889–1958 for ƒMILE-JACQUES RUHLMANN 1879–1933 Unique table lamp, c. 1930 Glazed earthenware, silk. Underside incised with ‘JB’. Together with a certificate of authenticity by Anne Lajoix from the Arts du Feu Occidentaux – Céramiques d’artistes. 91 cm (35 3/4 in) high

Estimate £12,000–15,000 $19,500 –24,400 €14,000 –17,600 PROVENANCE Private Collection, Paris LITERATURE Florence Camard, Ruhlmann, Master of Art Deco, New York, 1984,

p. 149 for a similar example and p. 159

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 40

09-03-11 18.40

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 41

09-03-11 18.40

33 LINE VAUTRIN 1913Ð1997 ‘Comète’ mirror, c. 1958 Talosel resin, coloured glass, mirrored glass. Back of mirror incised with ÔLINE VAUTRINÕ. 50 cm (19 5/8 in) diameter

Estimate £15,000–20,000 $24,400 –32,500 €17,600 –23,500 LITERATURE Line Vautrin and Patrick Mauri•s, Line Vautrin: Miroirs, Paris, 2004,

p. 40 for a similar example

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 42

09-03-11 11.22

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 43

09-03-11 11.22

Photo no. 1557 archives Jean Roy•re, courtesy Galerie Jacques Lacoste

The present lot in situ, Paris

34 JEAN ROYéRE 1902Ð1981 Daybed, c. 1955 Wood, fabric. 76 × 201 × 88 cm (31 1/8 × 79 1/8 × 34 5/8 in)

Estimate £20,000–35,000 $32,500 –56,800 €23,500 –41,000 PROVENANCE Cirilli Family, France; Galerie Jacques Lacoste, Paris

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 44

09-03-11 11.23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 45

09-03-11 11.23

35 LUCIE RIE 1901Ð1995 Large vase with flaring lip, 1967 Mixed clays thrown together to produce an integral spiral. Impressed with artistÕs seal and with Crafts Council exhibition sticker Ô17Õ. 35.5 cm (14 in) high

Estimate £12,000–18,000 $19,500 –29,200 €14,000 –21,100 PROVENANCE Sir Ove and Lady Arup, thence by descent EXHIBITED ÔLucie RieÕ, Crafts Council, Sainsbury Centre for Visual Arts, Norwich,

November 1981; ÔLucie RieÕ, Crafts Council, Victoria and Albert Museum, London, February 1982 LITERATURE John Houston, Lucie Rie, A Survey of Her Life and Work, exh. cat.,

Crafts Council, London, 1981, illustrated p. 44, item 17

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 46

09-03-11 11.23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 47

09-03-11 11.23

Courtesy Galerie Jacques Lacoste

The present lot in situ in the residence of Mr Teyssandier, Brest, France

36 JEAN ROYéRE 1902Ð1981 Pair of ÔTour EiffelÕ panels, c. 1950s Painted bronze, painted tubular bronze, brass (2). Each: 213 × 60 × 2.5 cm (83 3/4 × 23 1/2 × 1 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 PROVENANCE Mr Teyssandier, Brest, France

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 48

09-03-11 11.23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 49

09-03-11 11.23

37 LINE VAUTRIN 1913–1997 ÔGerberaÕ mirror, c. 1955 Talosel resin, coloured glass, mirrored glass. Back of mirror incised with ‘LINE VAUTRIN’. 28.5 cm (11 1/4 in) diameter

Estimate £10,000–12,000 $16,200 –19,500 €11,700 –14,000 LITERATURE Line Vautrin and Patrick Mauriès, Line Vautrin: Miroirs, Paris,

2004, p. 40 for a similar example

38 LINE VAUTRIN 1913–1997 ÔFlammesÕ mirror, c. 1955 Talosel resin, coloured glass, mirrored glass. Back of mirror incised with ‘LINE VAUTRIN’. 38 cm (15 in) diameter

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 LITERATURE Line Vautrin and Patrick Mauriès, Line Vautrin: Miroirs, Paris, 2004,

p. 40 for a similar example

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 50

09-03-11 11.23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 51

09-03-11 11.23

39 JEAN ROYéRE 1902–1981 ÔSerpentinÕ wall light, c. 1945 Painted tubular metal, paper shades. 19.5 × 141 × 21 cm (7 3/4 × 55 1/2 × 8 1/4 in)

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 LITERATURE Charlotte and Peter Fiell, eds., 30s 40s Decorative Art, Cologne,

2000, p. 343 for a drawing; Pierre-Emmanuel Martin-Vivier, Jean Roy•re, Paris, 2002, pp. 147–48 for similar examples

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 52

09-03-11 11.23

40 JACQUES ADNET 1901–1984 Pair of armchairs, 1950s Bamboo, leather, fabric, painted metal (2). Each: 85 cm (33 1/4 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Alain-René Hardy and Gaëlle Millet, Jacques Adnet, Paris, 2009,

p. 211 for a similar example

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 53

09-03-11 11.23

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 54

09-03-11 11.24

41 JEAN ROYéRE 1902Ð1981 Set of six ÔƒcussonÕ dining chairs, c. 1960 Oak, fabric (6). Each: 79 cm (31 1/8 in) high

Estimate £40,000–80,000 $65,000 –130,000 €46,900 –93,800 PROVENANCE Galerie Patrick Seguin, Paris; Galerie Jacques Lacoste, Paris LITERATURE Jean Roy•re, CheminŽes et Coins de Feu, Premi•re SŽrie, Paris,

1946, pl. 34 for a similar example; Charlotte and Peter Fiell, eds., 50s Decorative Art, Cologne, 2000, p. 125; Catherine and StŽphane de Beyrie and Jacques Ouaiss, Jean Roy•re, New York, 2000, p. 103 and p. 167 for a similar examples; Pierre-Emmanuel Martin-Vivier, Jean Roy•re, Paris, 2002, p. 39 and p. 119

DESIGN_UK_Apr11_LOTS_V2_4-55.indd 55

09-03-11 11.24

42 GEORGES JOUVE 1910–1964 Vase, c. 1957 Glazed stoneware. Incised with artist’s mark and ‘JOUVE’. 17 cm (6 3/4 in)

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE Philippe Jousse and Galerie Jousse Entreprise, Georges Jouve, Paris,

2005, pp. 99–100 and p. 289 for similar examples

43 GEORGES JOUVE 1910–1964 Tall bottle, c. 1957 Glazed stoneware. Incised with artist’s mark and ‘JOUVE’. 31 cm (12 1/4 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Pierre Staudenmeyer, La Céramique Française des Années 50, Paris,

2001, p. 100 for similar examples; Philippe Jousse and Galerie Jousse Entreprise, Georges Jouve, Paris, 2005, pp. 21, 71, 73, 74–75, 89, 99–100 and 288–90 for similar examples

44 GEORGES JOUVE 1910–1964 Tall bottle, c. 1957 Glazed stoneware. Incised with artist’s mark and ‘JOUVE’. 33 cm (13 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Pierre Staudenmeyer, La Céramique Française des Années 50, Paris,

2001, p. 100 for similar examples; Philippe Jousse and Galerie Jousse Entreprise, Georges Jouve, Paris, 2005, pp. 21, 71, 73, 74–75, 89, 99–100 and 288–90 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 56

09-03-11 12.46

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 57

09-03-11 12.46

45 JEAN ROYéRE 1902–1981 Low table, c. 1955 Painted iron, marble. 34.6 × 110 × 60 cm (13 5/8 × 43 1/4 × 23 5/8 in)

Estimate £28,000–38,000 $45,500 – 61,700 €32,800 – 44,500 PROVENANCE Galerie Patrick Seguin, Paris; Galerie Jacques Lacoste, Paris LITERATURE Jean Royère, décorateur à Paris, exh. cat., Musée des Arts Décoratifs,

Paris, 1999, p. 117 for a drawing of a similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 58

09-03-11 12.46

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 59

09-03-11 12.47

46 HANS COPER 1920–1981 Cup on stand, c. 1974 Stoneware, black glaze over incised designs, the interior with a cylindrical stem-holder. Impressed with artist’s seal. 12.6 cm (5 in) high

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE Tony Birks, Hans Coper, Yeovil, 2005, p. 192 for a similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 60

09-03-11 12.47

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 61

09-03-11 12.47

47 JEAN ROYéRE 1902–1981 Ten-arm ÔBouquetÕ wall light, c. 1955 Painted tubular metal, paper. 66 × 112 × 56 cm (26 × 44 1/8 × 22 in)

Estimate £35,000–50,000 $56,800 –81,200 €41,000 –58,600 PROVENANCE Ranson Family, Paris LITERATURE Jean Roy•re, dŽcorateur ˆ Paris, exh. cat., Musée des Arts Décoratifs,

Paris, 1999, p.16 and p. 159; Charlotte and Peter Fiell, eds., 30s 40s Decorative Art, Cologne, 2000, p. 387; Charlotte and Peter Fiell, eds., 50s Decorative Art, Cologne, 2000, p. 35; Pierre-Emmanuel Martin-Vivier, Jean Roy•re, Paris, 2002, p. 35 and p. 151

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 62

09-03-11 18.39

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 63

09-03-11 18.39

Courtesy Galerie Jacques Lacoste, Paris

Ansóm Fernandini’s private residence, Ancon, Lima, Peru

48 JEAN ROYéRE 1902–1981 ÔQuilleÕ table and pair of chairs, c. 1955 Painted wood (3). Table: 75.5 × 96 × 96 cm (29 3/4 × 37 3/4 × 37 3/4 in); each chair: 90 cm (35 1/2 in) high

Estimate £30,000–45,000 $48,700 –73,100 €35,200 –52,800 PROVENANCE Ansóm Fernandini, Ancon, Lima, Peru

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 64

09-03-11 18.39

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 65

09-03-11 18.39

49 JACQUES and DANI RUELLAND b. 1926, b. 1933 Table lamp, c. 1960 Glazed earthenware, brass, paper. Underside incised with ‘Ruelland’. 47 cm (18 1/2 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Pierre Staudenmeyer, La CŽramique Fran•aise des AnnŽes 50, Paris,

2001, p. 282 for a similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 66

09-03-11 12.47

50 JEAN ROYéRE 1902–1981 ÔƒcussonÕ armchair, c. 1950 Oak, hide. 87 cm (34 1/4 in) high

Estimate £10,000–16,000 $16,200 –26,000 €11,700 –18,800 PROVENANCE Ms Bribois, personal secretary to Jean Royère, Paris LITERATURE Jean Roy•re, DŽcorateur ˆ Paris, exh. cat., Musée des Arts Décoratifs,

Paris, 1999, p. 111 for a drawing of a similar example; Catherine and Stéphane de Beyrie and Jacques Ouaiss, Jean Roy•re, New York, 2000, p. 75 for a similar example; Pierre-Emmanuel Martin-Vivier, Jean Roy•re, Paris, 2002, p. 144 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 67

09-03-11 12.47

Galerie Jacques Lacoste and Galerie Patrick Seguin, Paris

Present lots in situ, private apartment, Metz, France

51 JEAN ROYéRE 1902–1981

52 JEAN ROYéRE 1902–1981

Set of four ÔBridgeÕ armchairs, c. 1962

ÔBridgeÕ table, c. 1962

Cherry wood, leather, brass (4).

Cherry-veneered wood with marquetry, cherry wood, brass.

Each: 99 cm (39 in) high

75 × 92 × 92 cm (29 1/2 × 36 1/4 × 36 1/4 in)

Estimate £6,000–10,000 $9,700 –16,200 €7,000 –11,700

Estimate £5,000–8,000 $8,100 –13,000 €5,900 –9,400

PROVENANCE Private Collection, Metz, France; Galerie Jacques Lacoste and

Galerie Patrick Seguin, Paris

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 68

09-03-11 12.48

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 69

09-03-11 12.48

Archive Galerie Patrick Seguin, Paris; Galerie Jacques Lacoste, Paris

53 JEAN ROYéRE 1902–1981 Pair of five-arm ÔBouquetÕ wall lights, c. 1948 Painted tubular metal, paper (2). Each: 43 × 84 × 42 cm (17 × 33 × 16 1/2 in)

Estimate £38,000–48,000 $61,700 –78,000 €44,500 –56,300 PROVENANCE Galerie Patrick Seguin, Paris; Galerie Jacques Lacoste, Paris LITERATURE Pierre-Emmanuel Martin-Vivier, Jean Roy•re, Paris, 2002, p. 39

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 70

Preparatory drawing for the model of the present lot

09-03-11 18.54

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 71

09-03-11 18.54

54 JACQUES QUINET 1918–1992 Rare table lamp, c. 1957 Bronze, paper. 55 cm (21 5/8 in) high

Estimate £12,000–15,000 $19,500 –24,400 €14,000 –17,600 EXHIBITED ‘Jacques Quinet’, Galerie Chastel-Maréchal, Paris, 9 September–18 October 2008 LITERATURE Vue gŽnŽrale du grand salon de la rue Fortuny, Paris, 1953, p. 46; Bureau directorial

d’Aquitaine-Chimie, c™tŽ salon, Paris, 1957, p. 125 and p. 127; Mod•le identique, bureau du PDG dÕAquitaine-Chimie, 1957. p. 176; Bruno Foucart and Jean-Louis Gaillemin, Les DŽcorateurs des annŽes 40, Paris, 1998, p. 221; Guitemie Maldonado, Jacques Quinet, Paris, 2000, p. 125 and p. 127; Jacques Quinet, exh. cat., Galerie Chastel-Maréchal, Paris, 2008, illustrated pp. 16–17

The present lot corresponds with plan no. 1543 in the Jacques Quinet Archives.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 72

09-03-11 12.58

55 JEAN ROYéRE 1902–1981 ÔPŽrouÕ sideboard, c. 1956 Oak, oak-veneered wood, brass. 90.5 × 250 × 49.8 cm (35 5/8 × 98 3/8 × 19 5/8 in)

Estimate £15,000–20,000 $24,400 –32,500 €17,600 –23,500 LITERATURE Catherine and Stéphane de Beyrie and Jacques Ouaiss, Jean Roy•re,

New York, 2000, p. 139

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 73

09-03-11 12.58

56 JACQUES QUINET 1918–1992 Console, c. 1969 Lacquered wood. 92.7 × 180 × 40 cm (36 1/2 × 70 7/8 × 15 3/4 in)

Estimate £10,000–12,000 $16,200 –19,500 €11,700 –14,000 EXHIBITED ‘Jacques Quinet’, Galerie Chastel-Maréchal, Paris, 9 September –

18 October 2008 LITERATURE Guitemie Maldonado, Jacques Quinet, Paris, 2000, p. 184; Jacques

Quinet, exh. cat., Galerie Chastel-Maréchal, Paris, 2008, illustrated pp. 30–31 and p. 60

The present lot corresponds with plan no. 6219 in the Jacques Quinet Archives.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 74

09-03-11 12.58

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 75

09-03-11 12.58

57 JIM PARTRIDGE and LIZ WALMSLEY b. 1953, b. 1952 ÔBlock SeatÕ, 2009 Scorched and polished oak. 46 × 75 × 39 cm (18 1/8 × 29 1/2 × 15 3/8 in)

Estimate £2,500–3,500 $4,100 –5,700 €2,900 – 4,100 ♠ PROVENANCE Collection of the artists, UK EXHIBITED ‘Sitting and Looking’, Dovecot Studios, Edinburgh, 10 July–4 September 2010;

‘Sitting and Looking’, Ruthin Craft Centre, Wales, 17 September– 28 November 2010 LITERATURE Alison Britton and Katherine Swift, Jim Partridge, London, 2003, p. 104 for

similar example; ‘Front Runners’, The Independent Magazine, 2004, p. 37, fig. 4 for a similar example

An example of ‘Block Seat’ is in the permanent collection of the Victoria and Albert Museum, London.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 76

09-03-11 12.58

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 77

09-03-11 12.58

58 DAVID ADJAYE b. 1966 ÔType IV Ð GalileeÕ bench, 2007 Hassan green granite. From the edition of five plus two artist’s proofs. From the Monoforms series. 60 × 110 × 45 cm (23 5/8 × 43 1/4 × 17 3/4 in)

Estimate £18,000–25,000 $29,200 –40,600 €21,100 –29,300 PROVENANCE Acquired directly from the artist; Private Collection, London EXHIBITED David Adjaye, ‘Monoforms’, Casa dell’Architettura, Rome, 13 February–11 March 2008;

‘The Russian Design Show’, Moscow, 1 June–1 July 2008 LITERATURE David Adjaye ÔMonoformsÕ, exh. cat., London, 2007, p. 51 and pp. 53–54; Sophie Lovell,

Limited Edition: Prototypes, One-Offs and Design Art Furniture, Basel, 2009, p. 216 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 78

09-03-11 12.58

59 SHIRO KURAMATA 1934–1991 ÔJust in TimeÕ clock, c. 1986 Melamine board, twigs, wool yarn, nylon string. Back with paper label ‘“Just in Time” 1986/designed by Shiro Kuramata’. 52 × 37 × 7.5 cm (20 1/2 × 14 1/2 × 3 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Shiro Kuramata 1934Ð1991, exh. cat., Hara Museum of Contemporary

Art, Tokyo, 1996, p. 70, fig. 24 and p. 181

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 79

09-03-11 12.58

60 DAVID ADJAYE b. 1966 ‘Type IV – Galilee’ bench, 2007 American walnut. From the edition of ten plus two artist’s proofs. From the Monoforms series. 60 × 110 × 45 cm (23 5/8 × 43 1/4 × 17 3/4 in)

Estimate £12,000–18,000 $19,500 –29,200 €14,000 –21,100 PROVENANCE Acquired directly from the artist; Private Collection, London EXHIBITED David Adjaye, ‘Monoforms’, Casa dell’Architettura, Rome, 13 February–11 March 2008;

‘The Russian Design Show’, Moscow, 1 June–1 July 2008 LITERATURE David Adjaye ‘Monoforms’, exh. cat., London, 2007, p. 51; Sophie Lovell, Limited Edition:

Prototypes, One-Offs and Design Art Furniture, Basel, 2009, p. 216 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 80

09-03-11 13.00

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 81

09-03-11 13.00

61 LONNEKE GORDIJN and RALPH NAUTA b. 1978, b. 1980 ÔFragile Future 3.5Õ, 2010 Modular lighting object. Electrical components, phosphorus-bronze, LED lights, dandelion seeds. Number eight from the edition of eight, plus four artistÕs proofs. Front is stamped with ÔFF 3.5 8 / 8Õ. 154 × 52.5 × 32 cm (60 5/8 × 20 5/8 × 12 1/2 in)

Estimate £7,000–9,000 $11,400 –14,600 €8,200 –10,500 ♠ LITERATURE Rob Hasting, ÔWhat do you get for the museum with everything?Õ, The

Independent, 12 October 2010, n.p. for a similar example; Alex Coles, ÔPavilion of Art and

Design adds to the ClanÕ, The Art Newspaper, 14 October 2010, n.p. for a similar example

ÔFragile FutureÕ was awarded the ÔLight of the FutureÕ award by the German Design Council in 2008. It also received the first prize in the Dutch art competition ÔArtipartiÕ and the Young Talent Prize of ÔStitching MS-ResearchÕ. A similar example from the same series appeared in the exhibition ÔIn Praise of ShadowsÕ at the Victoria and Albert Museum, London, 19Ð27 September 2009.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 82

09-03-11 18.39

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 83

09-03-11 13.00

Detail

62 INGO MAURER b. 1932

Markus Tollhopf, Hamburg

ÔFlammandes HerzÕ light from the Energie CafŽ, Bremen, Germany, 2000 Shattered glass, gas valves, bent sheet copper, painted metal. 143 × 90.5 × 62.5 cm (56 1/4 × 35 5/8 × 24 5/8 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 ♠ PROVENANCE Energie Café, Bremen, Germany; Artcurial, Design, Hôtel

Dassault, Paris, 28 November 2006, lot 189

Detail of the present lot working in situ at the ‘Energie Café’, Bremen

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 84

09-03-11 13.00

63 ATELIER VAN LIESHOUT ÔPrick Lamp (Thin)Õ, 2004 Reinforced fibreglass, foam. Produced by Atelier Van Lieshout, The Netherlands. Number five from the edition of six. Underside with metal label with signature and ‘6 / 5 /AVL 001609’. 150 cm (59 in) high, 50 cm (19 3/4 in) diameter

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000 ♠ LITERATURE Jennifer Allen, Aaron Betsky and Rudi Laermans, et al.,

Atelier Van Lieshout, Rotterdam, 2007, pp. 54–55, 280–281 and 290 for a similar design; Meghan Dailey, ‘In the Studio’, Art + Auction, April 2008, p. 58 for a similar design; Sophie Lovell, Limited Edition: Prototypes, One-Offs and Design Art Furniture, Basel, 2009, p. 171

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 85

09-03-11 13.00

64 SEBASTIAN BRAJKOVIC b. 1975 ÔLathe VIIIÕ chair, 2008 Bronze, silk embroidered upholstery. Produced by Landowski, France. Number five from the edition of eight. One leg incised with ‘SB’ and stamped with ‘Landowski Fondeur 2009’. 105 × 140 × 85 cm (41 3/8 × 55 1/8 × 33 1/2 in)

Estimate £40,000–60,000 $65,000 –97,000 €47,000 –70,000 LITERATURE Sophie Lovell, Limited Edition: Prototypes, One-Offs and Design Art

Furniture, Basel, 2009, pp. 188–89 for similar examples; Gareth Williams, Telling Tales: Fantasy and Fear in Contemporary Design, exh. cat., Victoria and Albert Museum, London, 2009, p. 71, fig. 40

Number one from the edition of eight of the ‘Lathe VIII’ chair is in the permanent collection and was also included in the exhibition ‘Telling Tales: Fantasy and Fear in Contemporary Design’, Victoria and Albert Museum, London, 14 July – 18 October 2009.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 86

09-03-11 13.00

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 87

09-03-11 13.00

65 RON ARAD b. 1951 ÔTwo Legs & a TableÕ, 1990 Patinated mild steel, polished stainless steel. Number two from the edition of 20 plus five artist’s proofs. Produced by Ron Arad and One Off Ltd., London. 76.5 × 300 × 105 cm (30 1/8 × 118 1/8 × 41 3/8 in)

Estimate £60,000–80,000 $97,400 –130,000 €70,300 –93,800 ♠ ‡ PROVENANCE Gad Marciano Gallery, Geneva LITERATURE Ron Arad: Sticks & Stones: One Offs & Short Runs, exh. cat., Vitra

Design Museum, Weil am Rhein, 1995, p. 119 for a similar example; Ron Arad, exh. cat., Ben Brown Fine Arts, Hong Kong, 2010, n.p. for a similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 88

09-03-11 18.20

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 89

09-03-11 18.20

66 COLIN PEARSON 1923–2007 Large ÔWingedÕ vase form, 1992 Stoneware, thrown and assembled, layered blue and grey glazes. Impressed with artist’s seal and with paper label ‘T35’. 43 cm (17 in) high, 54 cm (21 1/4 in) diameter

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE Sabine Runde, Vier Elemente Drei LŠnder Moderne Keramic aus der

Sammlung Freudenberg, Frankfurt Am Main, 1992, p. 155 for a similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 90

09-03-11 13.01

67 ALEV SIESBYE b. 1938 Bowl, 1984 Stoneware, dark blue glaze with a masked chevron design beneath the lip. Incised ‘Alev 84’. 37 cm (14 1/2 in) diameter

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 ♠

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 91

09-03-11 13.01

68 PHILIP MICHAEL WOLFSON b. 1958 Prototype ÔOrigamiÕ chair, designed 1991, executed 2007 Folded and welded sheet steel. Produced by Patrick Brillet/The Apartment Design & Art Gallery, Ltd., UK. From the ‘left’ edition of eight. Underside incised with ‘p m wolfson’. 70 cm (27 1/2 in) high

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 ♠ PROVENANCE Patrick Brillet Fine Art, Ltd., London EXHIBITED ‘Super Design’, No. 1, The Piazza, London, 9 –14 October 2007 LITERATURE Robert Klanten, et al., eds., Desire: The Shape of Things to Come,

Berlin, 2008, p. 86, fig. 1

There are eight ‘right’ examples and eight mirror image ‘left’ examples, of which the present lot is one of the ‘left’ examples.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 92

09-03-11 13.01

69 PHILIP MICHAEL WOLFSON b. 1958 Unique prototype ÔWall curveÕ console, 2008 Bent, welded and lacquered aluminium. Produced by Patrick Brillet/The Apartment Design & Art Gallery, Ltd., UK. 95 × 150 × 32 cm (37 3/8 × 59 × 12 1/2 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 ♠ PROVENANCE Patrick Brillet Fine Art, Ltd., London EXHIBITED ‘Super Design’, No. 1, The Piazza, London, 15 October–18 October

2008

This work is the prototype for the edition of eight produced in lacquered carbon fibre.

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 93

09-03-11 13.01

70 CHARLES TREVELYAN b. 1974 Ô(On a) Limb (Graphite)Õ light, 2010 Plywood, steel, fibreglass, Jesmonite, bamboo fibre, marble powder, graphite, lacquer, wax, magnets. Number six from the edition of eight plus four artist’s proofs. 227 × 60 × 67 cm (89 3/8 × 23 5/8 × 26 3/8 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 94

09-03-11 13.01

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 95

09-03-11 13.01

71 BABS HAENEN b. 1948 Vase form, 1993 Folded multi-coloured and embossed porcelain. Impressed with artist’s seal and incised ‘BABS HAENEN ’93’, with paper label ‘542 Haenen 1993’. 28.5 cm (11 1/4 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Mark Del Vecchio, Postmodern Ceramic, London, 2001, p. 86 for a

similar example

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 96

09-03-11 13.02

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 97

09-03-11 13.02

72 FERNANDO and HUMBERTO CAMPANA b. 1961, b. 1953 ÔSonia DinizÕ chair, c. 2003 Carpet, rubber, EVA, fabric, stainless steel. Produced by Estudio Campana, Brazil. Number five from the edition of 12 plus four artist’s proofs and two prototypes. Together with a certificate of authenticity from Estudio Campana. 78.7 cm (31 in) high

Estimate £28,000–35,000 $45,500 –$56,800 €32,800 – € 41,000 ♠ PROVENANCE Acquired directly from the artists LITERATURE Campana Brothers, Complete Works (So Far), New York, 2010, p. 177 and p. 268

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 98

09-03-11 13.02

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 99

09-03-11 13.02

73 PAAVO TYNELL 1890–1973 Monumental ceiling light, 1940s Brass, painted brass, perforated brass, textured glass. Manufactured by Taito Oy, Finland. Top of base impressed with ‘140/8/TAITO TT/MADE IN FINLAND.’ 177.2 cm (69 3/4 in) drop, 99.1 cm (39 in) diameter

Estimate £15,000–20,000 $24,400 –32,500 €17,600 –23,500 Ω

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 100

09-03-11 13.02

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 101

09-03-11 13.02

74 PAAVO TYNELL 1890–1973 Desk lamp, c. 1949 Perforated brass, brass, wood, painted metal, fabric. Manufactured by Taito Oy, Finland. Underside impressed with ‘0 / YTAITOA / B/5066’. 41 cm (16 1/8 in) high

Estimate £2,500–3,500 $4,100 –5,700 €2,900 – 4,100

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 102

09-03-11 13.02

75 JULES WABBES 1919–1974 Unique desk, 1960 Chrome-plated metal, onyx. 74.5 × 190 × 90 cm (29 1/4 × 74 3/4 × 35 1/2 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 PROVENANCE Mr Manguin, Brussels LITERATURE J.J. Wabbes, exh. cat., Galerie Les Années 50, Brussels, 2001,

pp. 14–16 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 103

09-03-11 13.02

76 WIM RIETVELD 1924–1985 Standard lamp, 1950s Painted tubular metal, painted aluminium. Manufactured by Gispen, The Netherlands. 190 cm (74 3/4 in) high

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE André Koch, Struck by Lighting, Rotterdam, 1994, p. 129, fig. 219b

for drawings of similar examples; Ed van Hinte, Wim Rietveld Industrieel Ontwerper, Rotterdam, 1996, p. 73

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 104

09-03-11 13.03

77 BRUNO MATHSSON 1907 –1988 ÔSuperellipseÕ dining table, c. 1964 Rosewood-veneered wood, tubular chrome-plated metal. Manufactured by Fritz Hansen, Denmark. 70.5 × 419.8 × 139.7 cm (27 3/4 × 165 1/4 × 55 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 LITERATURE Karl-Gustaf Gester, Bruno Mathsson: En klassiker bland modernister,

Stockholm, 1986, p. 33, and pp. 30 and 61 for similar examples

DESIGN_UK_Apr11_LOTS_V2_56-105.indd 105

09-03-11 13.03

78 JENNIFER LEE b. 1956 Pot, ÔDark, angled amber ellipse, thick rust bandÕ, 1990 Hand-built coloured stoneware. Painted with ‘JL’. 23.5 cm (9 1/4 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 ♠ ‡ EXHIBITED ‘Contemporary British Ceramics by Jennifer Lee’, Graham Gallery,

New York, 6 April–31 May 1991 LITERATURE Illustrated www.jenniferlee.com

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 106

09-03-11 15.50

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 107

09-03-11 15.50

79 POUL KJ®RHOLM 1929–1980 Screen, model no. PK111, c. 1956 Oregon pine-laminated wood. Manufactured by E. Kold Christensen, Denmark. Impressed with manufacturer’s mark. 140.2 cm (55 1/8 in) high, variable length

Estimate £25,000–30,000 $40,600 –48,700 €29,300 –35,200 LITERATURE Christoffer Harlang, Keld Helmer-Petersen and Krestine Kjærholm,

eds., Poul Kj¾rholm, Copenhagen, 1999, p. 88 and p. 177; Michael Sheridan, The Furniture of Poul Kj¾rholm: Catalogue RaisonnŽ, New York, 2007, pp. 84–87

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 108

09-03-11 15.50

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 109

09-03-11 15.50

80 WIM RIETVELD 1924–1985 Set of eight ÔPyramideÕ chairs, c. 1960 Laminated wood, painted bent sheet metal (8). Each: 81 cm (31 7/8 in) high

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 LITERATURE Ed van Hinte, Wim Rietveld Industrieel Ontwerper,

Rotterdam, 1996, p. 73

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 110

09-03-11 15.51

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 111

09-03-11 15.51

Pierre Jeanneret in a room with shutters inside the Assembly, Chandigarh

81 LE CORBUSIER and PIERRE JEANNERET 1887–1965, 1896–1967 Shutter, from Chandigarh, India, 1952–56 Aluminium. 289 × 43.5 × 7 cm (113 3/4 × 17 1/8 × 2 3/4 in)

Estimate £30,000–50,000 $48,700 –81,200 €35,200 –58,600 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 260 for a detail

82 LE CORBUSIER and PIERRE JEANNERET 1887–1965, 1896–1967 Shutter, from Chandigarh, India, 1952–56 Aluminium. 289 × 43.5 × 7 cm (113 3/4 × 17 1/8 × 2 3/4 in)

Estimate £30,000–50,000 $48,700 –81,200 €35,200 –58,600 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 260 for a detail

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 112

09-03-11 15.51

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 113

09-03-11 15.51

83 PIERRE JEANNERET 1896–1967 Set of four ÔCrossÕ armchairs, from Chandigarh, India, 1952–56 Teak, leather (4). Each: 76.5 cm (30 1/8 in) high

Estimate £30,000–45,000 $48,700 –73,100 €35,200 –52,800 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 568

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 114

09-03-11 15.51

84 PIERRE JEANNERET 1896–1967 Set of four ÔCrossÕ armchairs, from Chandigarh, India, 1952–56 Teak, leather (4). Each: 76.5 cm (30 1/8 in) high

Estimate £30,000–45,000 $48,700 –73,100 €35,200 –52,800 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 568

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 115

09-03-11 15.51

85 PIERRE JEANNERET 1896–1967 Table, from Chandigarh, India, 1952–56 Teak. 71 × 152.5 × 90 cm (28 × 59 7/8 × 35 1/2 in)

Estimate £40,000–70,000 $65,000 –114,000 €46,900 –82,100 PROVENANCE Administrative Building, Chandigarh, India; Galerie Patrick

Seguin, Paris LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 583

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 116

09-03-11 15.51

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 117

09-03-11 15.51

86 PIERRE JEANNERET 1896–1967 ÔLibraryÕ chair, from Chandigarh, India, 1952–56 Teak, cane. Back of seat painted with ‘H.Sc.C (A) 181’. © F.L.C. / ADAGP, Paris, 2011

77 cm (30 1/4 in) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 PROVENANCE Administrative Building, Chandigarh, India LITERATURE Norma Evenson, Chandigarh, Los Angeles, 1966, pl. 78;

Kiran Joshi, Documenting Chandigarh: Volume 1, Ahmedabad, 1999, p. 225, fig.3; Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 576

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 118

‘Library’ chairs in situ, Chandigarh yacht club, 1950s

09-03-11 15.51

87 PIERRE JEANNERET 1896–1967 Desk, from Chandigarh, India, 1952–56 Teak. 70 × 153 × 166 cm (27 1/2 × 60 1/4 × 65 3/8 in)

Estimate £35,000–55,000 $56,800 –89,300 €41,000 – 64,500 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 576

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 119

09-03-11 18.21

‘Visitors’ armchairs in situ, Chandigarh yacht club, 1950s

88 PIERRE JEANNERET 1896–1967 Pair of low ‘Visitor’ armchairs, from the High Court Chandigarh, India, 1952–56 Teak, hide. Stretcher of one chair painted with ‘87’, stretcher of the other chair painted with ‘31’ (2). Each: 75.5 cm (29 3/4 in) high

Estimate £35,000–45,000 $56,800 –73,100 €41,000 –52,800 PROVENANCE High Court, Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 567

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 120

09-03-11 15.52

89 PIERRE JEANNERET 1896–1967

90 91 PIERRE JEANNERET 1896–1967

Coffee table, from Chandigarh, India, 1952–56

‘Visitor High high court’ Court’sofa, sofa,from fromChandigarh, Chandigarh,India,, 1952–56 India, 1952–56

Teak, glass.

Hide, teak. Front stretcher painted with ‘ ’. Hide, teak. Front stretcher painted with ‘79’.

38 .5 × 119 × 45.6 cm (15 1/8 × 46 3/4 × 17 7/8 in)

75.5 × 157.5 × 85 cm (29 3/4 × 62 × 33 1/2 in)

Estimate £12,000–16,000 $19,500 –26,000 €14,000 –18,800

Estimate £20,000–30,000 $32,500 –48,700 €23,500 –35,200 Estimate £20,000–30,000

PROVENANCE Chandigarh, India

PROVENANCE High Court, Chandigarh, India Chandigarh, India

LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

EXHIBITED Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre LITERATURE

Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 588

Jeanneret: LITERATURE The Indian Eric Touchaleaume and Gerald Moreau, Le Adventure – Design-Art-Architecture, Paris, 2010, p. 567 Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 567

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 121

09-03-11 15.52

91 PIERRE JEANNERET 1896–1967 Coffee table, from Chandigarh, India, 1952–56 Teak. 41 cm (16 1/8 in) high, 65.5 cm (25 3/4 in) diameter

Estimate £7,000–10,000 $11,400 –16,200 €8,200 –11,700 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 588

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 122

09-03-11 15.52

92 PIERRE JEANNERET 1896–1967

93 PIERRE JEANNERET 1896–1967

ÔConfŽrenceÕ armchair, from Chandigarh, India, 1952–56

Desk, from Chandigarh, India, 1952–56

Teak, wicker.

Teak, leather. One side painted with indecipherable text.

82 cm (32 1/4 in) high

71.5 × 123 × 84 cm (28 1/8 × 48 3/8 × 33 1/8 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000

Estimate £12,000–18,000 $19,500 –29,200 €14,000 –21,100

PROVENANCE Chandigarh, India

LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, pp. 562–63

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 572

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 123

09-03-11 15.52

94 PIERRE JEANNERET 1896–1967 © F.L.C. / ADAGP, Paris, 2011

Pair of ÔBridgeÕ armchairs, from Chandigarh, India, 1952–56 Teak, hide (2). Each: 89 cm (35 in) high

Estimate £14,000–24,000 $22,700 –39,000 €16,400 –28,100 PROVENANCE Chandigarh, India LITERATURE Le Corbusier, My Work, London, 1960, p. 241; Eric Touchaleaume and

Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure Ð Design-Art-

Examples of the present model in the High Court,

Architecture, Paris, 2010, p. 567

Chandigarh, 1950s

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 124

09-03-11 15.53

95 PIERRE JEANNERET 1896–1967

95 PIERRE JEANNERET 1896–1967 Hide, teak. One leg painted with ‘56’.

Bench, from Chandigarh, India, 1952–56

Bench, from Chandigarh, India, 1952–56 85 × 140 × 59 cm (33 1/2 × 55 × 23 1/4 in) Hide, teak. One leg painted with ‘56’.

Estimate £8,000–14,000 $13,000 –22,700 €9,400 –16,400 85 × 140 × 59 cm (33 1/2 × 55 × 23 1/4 in) PROVENANCE Chandigarh, India Estimate £8,000–14,000 $13,000 –22,700

€9,400 –16,400

EXHIBITED PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 566 Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 566

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 125

09-03-11 18.22

96 PIERRE JEANNERET 1896–1967 ÔKangourouÕ lounge chair, from Chandigarh, India, c. 1960 Teak, cane. 55 cm (21 5/8 in) high

Estimate £25,000–45,000 $40,600 –73,100 €29,300 –52,800 PROVENANCE Chandigarh, India; Galerie Patrick Seguin, Paris LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 570

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 126

09-03-11 15.53

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 127

09-03-11 15.53

97 PIERRE JEANNERET 1896–1967

98 PIERRE JEANNERET 1896–1967

Stool, from Chandigarh, India, 1952–56

Teak, wicker. Underside painted with ‘G.19’.

Teak, wicker. Underside painted with ‘G.4’.

68.5 cm (27 in) high

Estimate £3,500–6,500 $5,700 –10,500 €4,100 –7,600

PROVENANCE Chandigarh, India

LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 559

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 128

09-03-11 15.53

99 PIERRE JEANNERET 1896–1967 Double-sided file rack, from Chandigarh, India, 1952–56 Teak. One side painted with ‘C.P.0.8’, and the other side painted with ‘C.P.0.()’. 71 × 121.5 × 36.5 cm (27 7/8 × 47 7/8 × 14 3/8 in)

Estimate £16,000–24,000 $26,000 –39,000 €18,800 –28,100 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, pp. 194–95 and p. 596

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 129

09-03-11 15.53

100 PIERRE JEANNERET 1896–1967 Pair of chairs, from Chandigarh, India, 1952–56 Teak, cow hide (2). Each: 69 cm (27 1/8 in) high

Estimate £35,000–55,000 $56,800 –89,300 €41,000 – 64,500 PROVENANCE Chandigarh, India LITERATURE Le Corbusier, My Work, London, 1960, p. 241; Eric Touchaleaume and

Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure Ð Design-ArtArchitecture, Paris, 2010, p. 559

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 130

09-03-11 15.53

101 PIERRE JEANNERET 1896–1967 Pair of chairs, from Chandigarh, India, 1952–56 Teak, cow hide (2). Each: 69 cm (27 1/8 in) high

Estimate £35,000–55,000 $56,800 –89,300 €41,000 – 64,500 PROVENANCE Chandigarh, India LITERATURE Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre

Jeanneret: The Indian Adventure Ð Design-Art-Architecture, Paris, 2010, p. 559

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 131

09-03-11 15.53

102 PIERRE JEANNERET 1896–1967 Pair of ÔBridgeÕ armchairs, from Chandigarh, India, 1952–56 Teak, hide (2). Each: 89 cm (35 in) high

Estimate £14,000–24,000 $22,700 –39,000 €16,400 –28,100 PROVENANCE Chandigarh, India LITERATURE Le Corbusier, My Work, London, 1960, p. 241; Eric Touchaleaume and

Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure Ð Design-ArtArchitecture, Paris, 2010, p. 567

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 132

09-03-11 18.22

103 LE CORBUSIER 1887–1965 Wall light, from la Maison du BrŽsil, CitŽ Internationale Universitaire, Paris, 1956–59 Painted steel, fluorescent tube, aluminium, plastic. 9.5 × 69 × 5 cm (3 3/4 × 27 1/8 × 2 in)

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 PROVENANCE La Maison du Brésil, Cité Internationale Universitaire, Paris

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 133

09-03-11 15.54

104 GAETANO PESCE b. 1939 ÔProiezione DinamicaÕ light panel, 1963 Plastic, painted wood. From the series of three. Reverse signed in pencil with ‘Gaetano Pesce 1963’. 150 × 150 × 14 cm (59 × 59 × 5 1/2 in)

Estimate £15,000–20,000 $24,400 –32,500 €17,600 –23,500

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 134

09-03-11 15.54

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 135

09-03-11 15.54

105 VERNER PANTON 1926–1998 ÔConversationÕ chair, model series no. S 420, c. 1967 Fabric, tubular chrome-plated metal. Manufactured by Gebrüder Thonet GmbH, Germany and fabric woven by Unika Vaev, Denmark. 62 × 145 × 76 cm (24 3/8 × 57 1/8 × 29 7/8 in)

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 LITERATURE Niels-Jørgen Kaiser, Verner Panton, Basel, 1986, n.p.; Charlotte and

Peter Fiell, eds., 60s Decorative Art, Cologne, 2000, p. 295; Alexander von Vegesack and Mathias Remmele, eds., Verner Panton: The Collected Works, Weil am Rhein, 2000, p. 215 and p. 252 for examples from the series; Fundação Armando Alvares Penteado, Iluminar, 1920Ð2004, Sao Paulo, 2004, pp. 212–13

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 136

09-03-11 15.54

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 137

09-03-11 15.54

106 GINO MAROTTA b. 1935 Unique ÔViola dÕamoreÕ wall light, 1967 Methacrylate, painted metal. Back inscribed with ‘GINO MAROTTA 67/VIOLA D’AMORE’. 54 cm (21 1/4 in) diameter, 4.5 cm (1 3/4 in) deep

Estimate £30,000–40,000 $48,700 – 65,000 €35,200 – 46,900 ♠ PROVENANCE Private Collection, UK LITERATURE Fulvio and Napoleone Ferrari, Light: Lamp 1968Ð1973: The New Italian

Design, Turin, 2002, illustrated fig. 162

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 138

09-03-11 15.54

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 139

09-03-11 15.54

Quasar Khanh with family in the Pneumatic Apartment at the Triennale of Design, Milan, 1968.

107 QUASAR KHANH b. 1934 ÔRelaxÕ chaise lounge, model no. 11, c. 1968 Inflatable plastic, chrome-plated metal rings. Manufactured by Aero Space, France. Reverse with plastic manufacturer’s label ‘AERO SPACE/®/ QUASAR/PATENTS PENDING/MADE IN FRANCE’. 60 × 160 × 70 cm (23 5/8 × 63 × 27 1/2 in)

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400 LITERATURE Quasar, sales catalogue, Paris, 1968, n.p.; Blow Up 233, 1986, pp. 67–

71, for further reading; Philippe Decelle, Diane Hennebert and Pierre Loze, LÕUtopie du Tout Plastique 1960Ð1973, exh. cat., Fondation pour l’architecture, Brussels, 1994, p. 84; Carey Zesiger, ‘A designer back in Vietnam’, International Herald Tribune, 6 August 1996 for further reading; Sean Topham, WhereÕs my Space Age? The Rise and Fall of Futuristic Design, Munich, 2003, p. 99 for similar examples in the Pneumatic Apartment; Charlotte and Peter Fiell, eds., Domus Vol.VI 1965Ð1969, Cologne, 2006, p. 420 for similar examples in the Pneumatic Apartment; Alastair Gordon, Spaced Out: Crash Pads, Hippie Communes, Infinity Machines, and Other Radical Environments of the Psychedelic Sixties, New York, 2008, p. 105 for similar examples in the Pneumatic Apartment; Tom DiChristopher ‘Quasar Khanh: A Retrospective’, Asia Life HCMC, June 2010, pp.®56–60 for an article on the artist

The following three lots are from the archive of Aero Space, France, and have been inflated for the first time for this auction. Each has its own repair kit.

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 140

09-03-11 15.55

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 141

09-03-11 15.55

108 QUASAR KHANH b. 1934 ÔChesterfieldÕ sofa, model no. 10, c. 1968 Inflatable plastic, chrome-plated metal rings. Manufactured by Aero Space, France. Reverse with plastic manufacturer’s label ‘AERO SPACE/®/ QUASAR/PATENTS PENDING/MADE IN FRANCE’. 63 × 173 × 96 cm (24 3/4 × 68 1/8 × 37 3/4 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Quasar, sales catalogue, Paris, 1968, n.p.; Blow Up 233, 1986, pp. 67–

71, for further reading; Philippe Decelle, Diane Hennebert and Pierre Loze, LÕUtopie du Tout Plastique 1960Ð1973, exh. cat., Fondation pour l’architecture, Brussels, 1994, p. 85; Carey Zesiger, ‘A designer back in Vietnam’, International Herald Tribune, 6 August 1996 for further reading; Sean Topham, WhereÕs my Space Age? The Rise and Fall of Futuristic Design, Munich, 2003, p. 99; Charlotte and Peter Fiell, eds., Domus Vol.VI 1965Ð1969, Cologne, 2006, p. 420 for an example in the Pneumatic Apartment; Alastair Gordon, Spaced Out: Crash Pads, Hippie Communes, Infinity Machines, and Other Radical Environments of the Psychedelic Sixties, New York, 2008, p. 105 for an example in the Pneumatic Apartment; Tom DiChristopher ‘Quasar Khanh:

Pneumatic Apartment at the Triennale of Design, Milan, 1968

A Retrospective’, Asia Life HCMC, June 2010, pp 56–60 for an article on the artist

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 142

09-03-11 15.55

109 QUASAR KHANH b. 1934 ÔApolloÕ chair, model no. 15, c. 1968 Inflatable plastic, chrome-plated metal rings. Manufactured by Aero Space, France. Reverse with plastic manufacturer’s label ‘AERO SPACE/®/ QUASAR/PATENTS PENDING/MADE IN FRANCE’. 79 cm (31 1/8 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Quasar, sales catalogue, Paris, 1968, n.p.; Blow Up 233, 1986, pp. 67–

71, for further reading; Philippe Decelle, Diane Hennebert and Pierre Loze, LÕUtopie du Tout Plastique 1960Ð1973, exh. cat., Fondation pour l’architecture, Brussels, 1994, p. 85; Carey Zesiger, ‘A designer back in Vietnam’, International Herald Tribune, 6 August 1996 for further reading; Sean Topham, WhereÕs my Space Age? The Rise and Fall of Futuristic Design, Munich, 2003, p. 99; Charlotte and Peter Fiell, eds., Domus Vol.VI 1965Ð1969, Cologne, 2006, p. 420 for an example in the Pneumatic Apartment; Alastair Gordon, Spaced Out: Crash Pads, Hippie Communes, Infinity Machines, and Other Radical Environments of the Psychedelic Sixties, New York, 2008, p. 105 for an example in the Pneumatic Apartment; Tom DiChristopher ‘Quasar Khanh: A Retrospective’, Asia Life HCMC, June 2010, pp 56–60 for an article on the artist

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 143

09-03-11 15.55

110 VERNER PANTON 1926–1998 ÔWonderlampÕ, model no. TYP H, c. 1970 Plastic, nylon, metal. Produced by J. Lüber, Switzerland. 46 cm (18 1/8 in) diameter, variable drop

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Alexander von Vegesack and Mathias Remmele, eds., Verner Panton:

The Collected Works, Weil am Rhein, 2000, p. 290; Charlotte and Peter Fiell, eds., 1000 Lights, Vol. 2: 1960 to Present, Cologne, 2005, p. 193

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 144

09-03-11 15.55

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 145

09-03-11 15.55

111 RAYMOND LOEWY 1893–1986 Bedroom set, c. 1968 Moulded plastic, plastic-laminated wood. Manufactured by Doubinsky & Frères, France. Comprising double-drawer unit, single-drawer unit, and vanity unit (3). Double-drawer unit: 66 × 104 × 43 cm (26 × 41 × 17 in); single-drawer unit: 66 × 54 × 43 (26 × 21 1/4 × 17 in); vanity unit: 96.5 × 103.5 × 43 cm (38 × 40 3/4 × 17 in)

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 PROVENANCE Private Collection, Paris LITERATURE Philippe Decelle, Diane Hennebert and Pierre Loze, LÕUtopie du Tout

Plastique 1960Ð1973, exh. cat., Fondation pour l’architecture, Brussels, 1994, p. 71 for a similar example; Yvonne Brunhammer and Marie-Laure Perrin, Le Mobilier Fran•ais: 1960Ð1998, Paris, 1998, p. 129 for a similar example

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 146

09-03-11 15.56

112 JEAN-PIERRE VITRAC b. 1944 Adjustable table lamp, c. 1970 Stainless steel. Manufactured by Verre Lumière, France. 77 cm (30 1/4 in) high, 113.5 cm (44 3/4 in) diameter, fully extended

Estimate £12,000–15,000 $19,500 –24,400 €14,000 –17,600 LITERATURE Kathryn Heisinger and George Marcus, Design Since 1945, exh. cat.,

Philadelphia Museum of Art, 1983, p. 67, pl. 42 and p. 150; Charlotte and Peter Fiell, eds., 1000 Lights, Vol. 2: 1960 to Present, Cologne, 2005, p. 207

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 147

09-03-11 15.56

113 VITTORIO INTROINI b. 1935 Pair of adjustable library systems, model no. P700, c. 1969 Chrome-plated steel. Manufactured by Saporiti, Italy. Each with four manufacturer’s labels ‘proposals/1053 gallarate – via post porte, 2’ (2). Each: 233 × 65 × 36 cm (91 3/4 × 25 1/2 × 14 1/8 in)

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000 ♠ LITERATURE Kathryn Heisinger and George Marcus, Design Since 1945, exh. cat.,

Philadelphia Museum of Art, 1983, p. 126, fig.®III–32

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 148

09-03-11 15.56

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 149

09-03-11 15.56

PRIVATE APARTMENT FOR MR AND MRS STURME CASTELLI BY ANNA CASTELLI FERRIERI, VIA F.LLI BRONZETTI 25, MILAN

ÒI continue on my own way, conscious of the responsibility I take upon myself whenever I add a new presence to an already overcrowded physical worldÓ ANNA CASTELLI FERRIERI

One word – plastics – must have been the catalyst for Kartell, the prominent Italian furniture manufacturer now known for its acrylic chairs. Founded in 1949 by Giulio Castelli and his wife Anna Castelli Ferrieri, the company championed innovation and style in equal measures and became a progenitor of postwar Italian modernism. “Together they took great risks,” wrote curator Emilio Ambasz, who included designs by Anna Castelli Ferrieri in his seminal 1972 exhibition ‘Italy: The New Domestic Landscape’ at the Museum of Modern Art in New York. Long before her experiments in polypropylene, Ferrieri worked with humbler materials – bent sheet steel, walnut, fabric – and®harder edges. Following her graduation from Milan’s prestigious Polytechnic Institute in 1943, Ferrieri joined the studio of architect Franco Albini, “her maestro”. Between spring 1946 and summer 1947, Ferrieri’s sister-in-law and husband commissioned Ferrieri to refurbish their Milan apartment at Via F.lli Bronzetti 25. With typical brio, the young architect designed the Sturme-Castelli’s apartment top to bottom; she included in it designs by Franco Albini as well as her own. The apartment and its furnishings (Lots 114 –119) demonstrate the lessons taught to her by Albini. As Julie Iovine has written, “…reduction, function and rigorous beauty remained for her a lifetime philosophy.”® (All citations: Julie Iovine, ‘Anna Castelli Ferrieri, Force in Postwar Modern Italian Design’, The New York Times, 28 June 2006, n.p.)

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 150

09-03-11 15.56

Interior views of Via F.lli Bronzetti 25, Milan, showing designs by Anna Castelli Ferrieri including examples from Lots 115 –119, c. 1947

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 151

09-03-11 15.56

Preparatory drawing with specifications for lot 114

114 ANNA CASTELLI FERRIERI b. 1918 Unique wall-mounted flower box, c. 1946 Painted bent sheet metal, enamelled tubular metal. Produced by Ditta Pietro Crespi, Italy. Together with a copy of the original preparatory drawing and a copy of the original invoice for the metalwork. 65 × 60 × 35 × cm (25 1/2 × 23 5/8 × 13 3/4 in)

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 152

09-03-11 15.56

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 153

09-03-11 15.56

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 154

09-03-11 15.56

115 FRANCO ALBINI 1905–1977 Unique sofa set, c. 1946 Walnut, fabric. Produced by Turri Amilcare Fu Stefano, Italy. Comprising one sofa and three armchairs, and a copy of the original invoice from Turri Amilcare Fu Stefano. Together with a certificate of authenticity from the Franco Albini archive (4). Sofa: 91 × 183 × 95 cm (35 7/8 × 72 × 37 3/8 in); each armchair: 91.5 cm (36 in) high

Estimate £18,000–24,000 $29,200 –39,000 €21,100 –28,100 LITERATURE Federico Bucci and Fulvio Irace, eds., Franco Albini: Zero Gravity,

exh, cat., Costruire le modernità, Milan, 2006, p. 22 and p. 211 for similar examples; Franco Albini and Franca Helg, Design, exh. cat., Fragile Galerie, Milan, 2009, fig.®16 for a similar example

DESIGN_UK_Apr11_LOTS_V2_106-155.indd 155

09-03-11 15.56

Preparatory drawings with specifications for the lots

116 ANNA CASTELLI FERRIERI b. 1918

117 ANNA CASTELLI FERRIERI b. 1918

Unique set of six dining chairs, c. 1946

Unique extendable dining table, c. 1946

Walnut, fabric. Together with a copy of the original preparatory drawing (6).

Walnut-veneered wood, walnut, painted metal. Together with a copy of the

Each: 86.5 cm (34 1/8 in) high

original preparatory drawing. 74.5 × 299.8 × 99.7 cm (29 3/8 × 78 1/4 × 39 1/4 in), fully extended

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 156

09-03-11 16.22

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 157

09-03-11 16.22

Preparatory drawing with specifications for lot 118

118 ANNA CASTELLI FERRIERI b. 1918 Unique room divider and pair of wall lights, c. 1946 Room divider: walnut-veneered wood, painted tubular metal, painted metal; wall lights: painted metal. Metal work for room divider produced by Ditta Pietro Crespi, Italy. Lights manufactured by Lumi, Italy. Together with a copy of the original preparatory drawing and a copy of the original invoice for the metalwork (3). Room divider: 333 × 245 × 75 cm (131 1/8 × 96 1/2 × 29 1/2 in); each wall light: 80 cm (31 1/2 in) long, 14.5 cm (5 3/4 in) diameter

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 158

09-03-11 16.22

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 159

09-03-11 16.22

119 ANNA CASTELLI FERRIERI b. 1918 Unique modular wall-mounted console, c. 1946 Walnut-veneered wood, painted tubular metal. Metal produced by Ditta Pietro Crespi, Italy. Together with a copy of the original preparatory drawing and a copy of the original invoice for the metalwork (3). Each unit: 59 × 80 × 54 cm (23 1/4 × 31 1/2 × 21 1/4 in)

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 160

09-03-11 16.22

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 161

09-03-11 16.22

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 162

09-03-11 16.23

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 163

09-03-11 16.23

120 GIO PONTI 1891–1979 Rare mirror, c. 1946 Painted papier-mâché, mirrored glass. Manufactured by Dal Monte, Italy. Reverse signed in pen with ‘Dal Monte – Faenza’. Together with a certificate of authenticity from the Gio Ponti Archives. 65 × 6 × 53 cm (25 1/2 × 2 1/4 × 20 1/8 in)

Estimate £15,000–20,000 $24,400 –32,500 €17,600 –23,500 LITERATURE Stile, February 1947, for an article on the papier-mâché series;

Ugo La Pietra, ed. Gio Ponti, New York, 2009, p. 158 for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 164

09-03-11 16.23

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 165

09-03-11 16.23

121 CARLO SCARPA 1906–1978 Pair of wall lights, c. 1935 Filigrana specchiato glass, metal. Produced by Venini, Italy (2). Each: 23.7 × 42 × 31 cm (9 3/8 × 16 1/2 × 12 1/4 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Anna Venini Diaz de Santillana, Venini Catalogue RaisonnŽ 1921Ð1986,

Milan, 2000, p. 259 for an example of the chandelier; Franco Deboni, Venini Glass, Its history, artists and techniques, Vol. 1, Milan, 2007, pl. 155 for an example of the chandelier

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 166

09-03-11 16.23

122 GIO PONTI and TOMMASO BUZZI 1891–1979, 1900–1981 Rare pair of armchairs, 1930s Burl-veneered walnut, fabric. Together with a certificate of authenticity from the Gio Ponti archives (2). Each: 74 cm (29 1/8 in) high

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 167

09-03-11 16.23

123 PIETRO CHIESA 1892–1948 Coffee table, 1940s Rosewood, glass. Manufactured by Fontana Arte, Italy. Underside impressed with ‘FX/1III’. 39.5 × 97 × 49.7 cm (15 1/2 × 38 1/8 × 19 5/8 in)

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000 LITERATURE Roberto Aloi, Esempi: Di Arredamento Moderno, Moderno Di Tutto Il

Mondo, Milan, 1956, fig. 8 for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 168

09-03-11 17.31

124 GIO PONTI 1891–1979 Mirror, c. 1939 Coloured and clear glass, mirrored glass, brass. Manufactured by Venini, Italy. Back impressed with ‘VENINI/MURANO’. 56.5 cm (22 1/4 in) high, 49 cm (19 1/4 in) wide

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE Cornelio Brandini, Gio Ponti: Arte Applicata, exh. cat., Centro

Internazionale di Brera, Milan, 1987, p. 14, fig. 78 for a similar example; Anna Venini Diaz de Santillana, Venini Catalogue RaisonnŽ 1921Ð1986, Milan, 2000, p. 242, pl. 44 D/74 for a similar example; Franco Deboni, Venini Glass, Its history, artists and techniques, Vol. 1, Milan, 2007, pl. 44 D/74 for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 169

09-03-11 16.23

125 GIO PONTI 1891–1979 Rare wall-mounted sculpture, c. 1946 Painted papier-mâché. Manufactured by Dal Monte, Italy. Together with a certificate of authenticity from the Gio Ponti Archives. 18 × 26 × 17 cm (7 × 10 1/4 × 6 3/4 in)

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400 LITERATURE Stile, February 1947, for an article on the papier-mâché series; Lisa

Licitra Ponti, Gio Ponti: The Complete Works 1923Ð1978, London, 1990, p. 46 and p. 136 for similar ceramic examples; Laura Falconi, Gio Ponti: Interni, Oggetti, Disegni 1920Ð1976, Milan, 2004, pp. 103, 151, and 165 for similar ceramic examples; Ugo La Pietra, ed. Gio Ponti, New York, 2009, pp. 77, fig. 182, 170, fig. 358, 172, fig. 360 for similar ceramic examples

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 170

09-03-11 16.25

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 171

09-03-11 16.25

126 GIO PONTI 1891–1979 Rare wall-mounted sculpture, c. 1946 Painted papier-mâché. Manufactured by Dal Monte, Italy. Together with a certificate of authenticity from the Gio Ponti Archives. 15 × 26.5 × 9 cm (5 7/8 × 10 3/8 × 3 1/2 in)

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400 LITERATURE Stile, February 1947, for an article on the papier-mâché series; Lisa

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 172

09-03-11 16.26

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 173

09-03-11 16.26

127 GIO PONTI 1891–1979 Rare female bust, c. 1946 Painted papier-mâché. Manufactured by Dal Monte, Italy. Reverse signed with ‘Dal Monte-Faenza’. Together with a certificate of authenticity from the Gio Ponti Archives. 37 cm (14 1/2 in) high

Estimate £7,000–9,000 $11,400 –14,600 €8,200 –10,500 LITERATURE Stile, February 1947, for an article on the papier-mâché series

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 174

09-03-11 16.26

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 175

09-03-11 16.26

128 MAX INGRAND 1908–1969 Standard lamp, c. 1957 Tubular brass, painted metal, glass, fabric. Manufactured by Fontana Arte, Italy. 181 cm (71 1/4 in) high

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 LITERATURE Fontana Arte sales catalogue, Fontana Arte: Illuminazione, Milan,

1960s, n.p.

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 176

09-03-11 16.26

129 FAUSTO MELOTTI 1901–1986 Mirror, c. 1950 Glazed earthenware, mirrored glass. Underside painted with ‘PARMA ITALY’. Together with a certificate of authenticity from the Fausto Melotti Archives. 71.5 × 9 × 59 cm (28 1/2 × 3 1/2 × 23 1/4 in)

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 177

09-03-11 16.26

130 MAX INGRAND 1908–1969 Mirror, c. 1955 Mirrored glass, brass, painted metal. Manufactured by Fontana Arte, Italy. Back of mirror with partial manufacturer’s paper label ‘GALVANIT/FONTANA/ITALY/REGISTRATO/LUIGI FONTANA & C.S.p./MILANO•TORINO•GENOVA•CANTÙ•MESS/SPECCH/LLO CON PROTEZION/GARANTISCE’. 82 cm (32 1/4 in) high

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 LITERATURE Vitrum, Lastre di vetro e cristallo, Milan, 1950s, n.p.

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 178

09-03-11 16.26

131 MAX INGRAND 1908–1969 Ceiling light, model no. 1933, c. 1960 Brass, glass. Manufactured by Fontana Arte, Italy. 104 cm (41 in) drop

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 PROVENANCE Galleria Babuino Novecento, Rome LITERATURE Fontana Arte sales catalogue, Fontana Arte: Illuminazione, Milan,

1960s, p. 34; Pierre Emmanuel and Martin Vivier, Max Ingrand, Du Verre ˆ la Lumi•re, Paris, 2009, p. 212 and p. 253

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 179

09-03-11 16.27

132 MAX INGRAND 1908–1969 Rare chandelier, c. 1957 Brass, clear glass, frosted glass, painted metal. Manufactured by Fontana Arte, Italy. 40 cm (15 3/4 in) drop, 65 cm (25 1/2 in) diameter

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000 LITERATURE Pierre-Emmanuel Martin-Vivier, Max Ingrand, Du Verre ˆ la

Lumi•re, Paris, 2009, p. 177 for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 180

09-03-11 16.29

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 181

09-03-11 16.29

133 GIO PONTI 1891–1979 Rare armchair, c. 1954 Walnut, fabric. Manufactured by Cassina, Italy. Together with a certificate of authenticity from the Gio Ponti archives. 79 cm (31 1/8 in) high

Estimate £4,500–5,500 $7,300 –8,900 €5,300 – 6,500 LITERATURE Penny Sparke, Italian Design: 1870 to the Present, London, 1988, p. 97

for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 182

09-03-11 16.29

134 GIO PONTI 1891–1979 Console, c. 1948 Walnut-veneered wood, brass. Manufactured by Ambrosini Mobili, Italy. 75.4 × 114.5 × 40.4 cm (29 3/4 × 45 1/8 × 15 7/8 in)

Estimate £10,000–15,000 $16,200 –24,400 €11,700 –17,600 LITERATURE Ugo La Pietra, ed., Gio Ponti, New York, 2009, p. 136 for a similar

example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 183

09-03-11 16.29

135 MAX INGRAND 1908–1969 Large chandelier, model no. 2073, c. 1958 Coloured glass, frosted glass, tubular brass, brass, painted metal. Manufactured by Fontana Arte, Italy. 114 cm (44 7/8 in) drop, 53 cm (20 7/8 in) diameter

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Fontana Arte sales catalogue, Fontana Arte: Illuminazione, Milan,

1960s, p. 29; Domus, 424, March 1965, n.p., Fontana Arte advert; Fontana Arte sales catalogue, Semestrale no. 2, Milan, 1968, p. 49; Laura Falconi, Fontana Arte: Una Storia Trasparente, Milan, 1998, p. 216, fig. 127; Pierre Emmanuel Martin Vivier, Max Ingrand, Du Verre ˆ la Lumi•re, Paris, 2009, p. 222 for a similar example

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 184

09-03-11 16.29

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 185

09-03-11 16.29

136 CARLO MOLLINO 1905–1973

137 CARLO MOLLINO 1905–1973

Pair of ÔLutrarioÕ stools, from the Lutrario Ballroom, Turin, 1959

Painted tubular iron, painted iron, Resinflex, brass. Produced by Doro, Italy.

Painted tubular iron, painted iron, Resinflex, brass. Produced by Doro,

Underside of one chair with decal paper label ‘SC INTERNATIONAL/poltrone

Italy (2).

& arredi’ (2).

Each: 44.5 × 41.5 × 28.5 cm (17 1/2 × 16 3/8 × 11 1/4 in)

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 PROVENANCE Lutrario Ballroom, Turin, Italy PROVENANCE Lutrario Ballroom, Turin, Italy

LITERATURE Rossella Colombari, Carlo Mollino: Furniture Catalogue, Milan, 2005,

p. 90, fig 133; Fulvio Ferrari and Napoleone Ferrari, The Furniture of Carlo Mollino,

New York, 2006, p. 153, fig. 269, pp. 154–55, fig. 272, and p. 231; Fulvio Ferrari and

Napoleone Ferrari, eds., Carlo Mollino: Arabesques, exh. cat., Galleria Civica d’Arte

Moderna e Contemporanea, Milan, 2007, pp. 95–97, figs. 137, 140, 141, and 144

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 186

09-03-11 16.30

138 GINO SARFATTI 1912–1985 Rare pair of table lamps, model no. 594, c. 1962 Painted folded sheet metal. Manufactured by Arteluce, Italy. Diffuser of one lamp with manufacturer’s paper label ‘AL MILANO/ARTELUCE’ (2). Each: 11.5 cm (4 1/2 in) high

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 187

09-03-11 16.30

139 FONTANA ARTE Rare occasional table, model no. 2230, c. 1964 Painted glass, turned brass. Manufactured by Fontana Arte, Italy. 58 cm (22 7/8 in) high, 85 cm (33 1/2 in) diameter

Estimate £12,000–18,000 $19,500 –29,200 €14,000 –21,100 LITERATURE Fontana Arte Illuminazione, Fontana Arte sales catalogue, Italy, 1960s,

n.p. for similar examples

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 188

09-03-11 16.30

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 189

09-03-11 16.30

140 GIO PONTI 1891–1979 Set of four door handles, c. 1935 Coloured glass, brass. Manufactured by Venini, Italy (4). Each: 10.5 × 18 × 3 cm (4 1/4 × 7 × 1 1/8 in)

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Stile, Volume 5–6, May–June 1941, p. 61

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 190

09-03-11 16.30

141 ANGELO MANGIAROTTI b. 1921 Rare dining table, c. 1959 Onyx, turned brass. Manufactured by Bernini, Italy. Underside with manufacturer’s label with ‘Bernini’. 72.5 cm (28 1/2 in) high; 129.5 cm (51 in) diameter

Estimate £16,000–22,000 $26,000 –35,700 €18,800 –25,800 ♠ LITERATURE Domus, November 1963, p. 42 for similar examples; Irene de Guttry

and Maria Paola Maino, Il Mobile Italiano Degli AnniÕ 40 e Ô50, Roma-Bari, 1992, p. 201, fig. 10 for similar examples; Irene de Guttry and Maria Paola Maino, Il Mobile Italiano Degli Anni Õ40 e Õ50, Roma-Bari, 1992, p. 201, fig. 10 for similar examples;Charlotte and Peter Fiell, eds., Domus Vol. IV 1955Ð1959, Cologne, 2006, pp. 546–548 for similar examples; Charlotte and Peter Fiell, eds., Domus Vol. V 1960Ð1964, Cologne, 2006, pp. 430–431;Ugo Alfano Casati, ed., Angelo Mangiarotti: Matter and Sense, Chicago, 2007, np. for similar examples

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 191

09-03-11 16.30

142 OSCAR TORLASCO Rare table lamp, 1950s Brass, tubular brass, painted brass, painted metal. Manufactured by Lumi, Italy. Rim of base impressed with ‘BREVETTATO’. 59.5 cm (23 3/8 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 LITERATURE Domus, 433, December, 1965, p. 318 for a similar example; Charlotte

and Peter Fiell, eds., 1000 Lights, Vol. 1: 1879 to 1959, Cologne, 2005, p. 523

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 192

09-03-11 16.31

143 GIO PONTI and PIETRO CHIESA 1891–1979, 1892–1948 Two side tables, c. 1942 Ebonised wood, mirrored glass. Manufactured by Fontana Arte, Italy (2.) Largest: 40 × 53 × 21 cm (15 3/4 × 20 7/8 × 8 1/4 in)

Estimate £5,000–7,000 $8,100 –11,400 €5,900 –8,200 LITERATURE Stile, vol. 5–6, May–June 1941, n.p.; Irene de Guttry and Maria Paola

Maino, Il Mobile Italiano Degli Anni Õ40 e Õ50, Roma-Bari, 1992, p. 233, fig. 10

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 193

09-03-11 16.31

144 ANGELO LELLI Standard lamp, 1950s Painted tubular metal, Perspex, marble, brass. Manufactured by Arredoluce, Italy. 196.9 cm (77 1/2 in) high

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 Ω

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 194

09-03-11 16.31

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 195

09-03-11 16.31

145 ANGELO LELLI Standard lamp, c. 1955 Perspex, marble, painted tubular metal, brass. Manufactured by Arredoluce, Italy. 83 in (211 cm) high

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000 LITERATURE Charlotte and Peter Fiell, eds., 1000 Lights, Vol. 1: 1879 to 1959,

Cologne, 2005, p. 546

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 196

09-03-11 16.31

146 UNKNOWN DESIGNER Wall-mounted coat rack, Italy, 1960s Painted wrought iron. 197 × 89.5 × 8 cm (77 1/2 × 34 3/4 × 3 1/8 in)

Estimate £2,500–3,500 $4,100 –5,700 €2,900 – 4,100

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 197

09-03-11 16.31

147 ARREDOLUCE Set of four large wall lights, 1960s Frosted glass, metal. Manufactured by Arredoluce, Italy. Each light with manufacturer’s paper label ‘MADE IN ITALY/ARREDOLUCE MONZA’ (4). Each: 60 × 26 × 19 cm (23 5/8 × 10 1/4 × 7 1/2 in)

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 198

09-03-11 16.31

148 AFRA and TOBIA SCARPA b. 1937, b. 1935 Rare ÔTorcelloÕ desk, c. 1979 Walnut-veneered wood, metal. Manufactured by Stildomus, Italy. Interior of tambour storage unit impressed with ‘StilDOMUS/TORCELLO/Afra e Tobia Scarpa’. 85.5 × 130 × 67 cm (33 5/8 × 51 1/8 × 26 3/8 in)

Estimate £4,000–6,000 $6,500 –9,700 €4,700 –7,000

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 199

09-03-11 16.31

149 LUIGI CACCIA DOMINIONI b. 1913 Rare ÔMikadoÕ lamp, c. 1962 Frosted glass, brass, tubular brass, lacquered metal, marble. Produced by Azucena, Italy. 110 cm (43 1/4 in) high, 59.5 cm (23 1/2 in) diameter

Estimate £8,000–12,000 $13,000 –19,500 €9,400 –14,000 ♠ LITERATURE Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 189

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 200

09-03-11 16.32

150 GINO SARFATTI 1912–1985 Pair of wall lights, model no. 226, c. 1959 Tubular chrome-plated metal. Manufactured by Arteluce, Italy (2.) Each: 89 × 32 × 26 cm (35 × 12 5/8 × 10 1/4 in)

Estimate £3,000–5,000 $4,900 –8,100 €3,500 –5,900 LITERATURE Galerie Christine Diegoni, Gino Sarfatti, Paris, 2008, p. 76

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 201

09-03-11 16.32

151 OSVALDO BORSANI 1911–1985 Lounge chair and ottoman, model no. P103, c. 1966 Leather, painted metal. Manufactured by Tecno, Italy. Underside of each with manufacturer’s paper label with ‘Tecno/Milano’ (2). Chair: 80 cm (31 1/4 in) high; ottoman: 42 × 66 × 57 cm (16 1/2 × 26 × 22 1/2 in)

Estimate £3,000–4,000 $4,900 – 6,500 €3,500 – 4,700 LITERATURE Ottagono, October, 1969, n.p. for an advertisement; Giuliana

Gramigna and Fulvio Irace, Osvaldo Borsani, Rome, 1992, p. 344

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 202

09-03-11 16.32

152 CORRADO CORRADI DELLÕACQUA 1905–1982 Unique coffee table, 1950s Walnut, marble. Manufactured by Azucena, Italy. 41.5 × 109 × 64 cm (16 3/8 × 42 7/8 × 25 1/8 in)

Estimate £6,000–8,000 $9,700 –13,000 €7,000 –9,400

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 203

09-03-11 16.32

153 LORENZO BURCHIELLARO b. 1933 Two vases, 1980s Painted copper, etched copper, stainless steel sheets. Underside of one incised with ‘BURCHIELLARO’ and the other with ‘Lorenzo Burchiellaro’ (2). Tallest: 45.3 cm (18 1/4 in) high

Estimate £2,000–3,000 $3,200 – 4,900 €2,300 –3,500 ♠

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 204

09-03-11 16.32

154 VENINI Pair of large ceiling lights, 1960s Clear and coloured glass, tubular brass, brass. Produced by Venini, Italy (2). Each: 130 cm (51 1/8 in) drop

Estimate £7,000–9,000 $11,400 –14,600 €8,200 –10,500 ♠

DESIGN_UK_Apr11_LOTS_V2_156-207.indd 205

09-03-11 16.32

INDEX

Adayje, D.

58, 60

Adnet, J.

Albini, F. Arad, R.

115 65

Arredoluce 147 Atelier van Lieshout

63 Quinet, J.

Besnard, J.

Borsani, O.

151

Brajkovic, S.

Rietveld, W.

Burchiellaro, L. Buzzi, T.

Rie, L.

54, 56

Roy•re, J.

153

76, 80

34, 36, 39, 41, 45, 47, 48, 50, 51, 52, 53, 55

Ruelland, J. 49

122

Ruelland, D. 49 Ruhlmann, ƒ-J. 32

Campana, F. 72 Campana, H. 72 Chareau, P. Chiesa, P.

30 123, 143

Coper, H. 46 Corradi DellÕAcqua, C. Caccia Dominioni, L. Castelli Ferrieri, A. Fontana Arte Gordjini, L.

152 149

114, 116, 117, 118, 119

139 61

Jeanneret, P.

Sarfatti, G.

138, 150

Scarpa, A.

148

Scarpa, T.

148

Scarpa, C.

121

Siesbye, A.

81, 82, 83, 84, 85, 86, 87, 88,

89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99,

Torlasco, C.

142

100, 101, 102

Trevelyan, C.

Jouve, G.

42, 43, 44

Tynell, P.

Khanh, Q.

107, 108, 109

Unknown designer

73, 74 31, 146

Kj¾rholm, P. 79 Haenen, B. 71 Hartwig, J.

Kuramata, S.

Henningsen, P.

28, 29

Introini, V.

Vautrin, L. Venini

Le Corbusier Lee, J.

Ingrand, M.

128, 130, 131, 132, 135 113

18, 81, 82, 103

33, 37, 38

154

Vitrac, J-P.

112

Lelli, A.

144, 145

Wabbes, J. 75

Loewy, R. 111

Walmsley, L. Wolfson, P. M.

Mangiarotti, A. Marotta, G.

68, 69

141

106

Mathsson, B.

Maurer, I.

Melotti, F.

129

Mollino, C.

136, 137

Mouille, S.

3, 11

Nauta, R.

Panton, V.

105, 110

Patridge, J.

Pearson, C.

Perriand, C. 2, 8, 9, 10, 12, 13, 24, 25, 26 Pesce, G. Ponti, G.

104 120, 122, 124, 125, 126, 127, 133,

134, 140, 143 ProuvŽ, J. 1, 2, 4, 5, 6, 7, 14, 15, 16, 17, 19, 20, 21, 22, 23

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 206

10-03-11 15.06

GUIDE FOR PROSPECTIVE BUYERS

de Pury & Company may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the

BUYING AT AUCTION

property and the nature of the auction in which it is included. While condition reports are

The following pages are designed to offer you information on how to buy at auction at

prepared honestly and carefully, our staff are not professional restorers or trained

Phillips de Pury & Company. Our staff will be happy to assist you.

conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant

CONDITIONS OF SALE

value, that you retain your own restorer or professional advisor to report to you on the

The Conditions of Sale and Authorship Warranty which appear later in this catalogue

property’s condition prior to bidding. Any prospective buyer of photographs or prints

govern the auction. Bidders are strongly encouraged to read them as they outline the legal

should always request a condition report because all such property is sold unframed,

relationship between Phillips de Pury & Company, the seller and the buyer and describe the

unless otherwise indicated in the condition report. If a lot is sold framed, Phillips de Pury

terms upon which property is bought at auction. Please be advised that Phillips de Pury &

& Company accepts no liability for the condition of the frame. If we sell any lot unframed,

Company generally acts as agent for the seller.

we will be pleased to refer the purchaser to a professional framer.

BUYERÕS PREMIUM

Pre-Auction Viewing

Phillips de Pury & Company charges the successful bidder a commission, or buyer’s

Pre-auction viewings are open to the public and free of charge. Our specialists are available

premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer

to give advice and condition reports at viewings or by appointment.

as part of the total purchase price at the following rates: 25% of the hammer price up to and including £25,000, 20% of the portion of the hammer price above £25,000 up to and including

Electrical and Mechanical Lots

£500,000, and 12% of the portion of the hammer price above £500,000.

All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any

VAT

intended use, the electrical system is verified and approved by a qualified electrician.

Value added tax (VAT) may be payable on the hammer price and/or the buyer’s premium. The buyer’s premium may attract a charge in lieu of VAT. Please read carefully the ‘VAT

Symbol Key

AND OTHER TAX INFORMATION FOR BUYERS’ section in this catalogue.

The following key explains the symbols you may see inside this catalogue. O Guaranteed Property

1 PRIOR TO AUCTION

The seller of lots with this symbol has been guaranteed a minimum price. The guarantee

Catalogue Subscriptions

may be provided by Phillips de Pury & Company, by a third party or jointly by us and a

If you would like to purchase a catalogue for this auction or any other Phillips de Pury &

third party. Phillips de Pury & Company and third parties providing or participating in a

Company sale, please contact us at +44 20 7318 4010 or +1 212 940 1240.

guarantee may benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. A third party guarantor may also bid for the guaranteed

Pre-Sale Estimates

lot and may be allowed to net the financial remuneration received in connection with the

Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high

guarantee against the final purchase price if such party is the successful bidder. In this

and low estimate range should, in our opinion, offer a chance of success. However, many

catalogue, if property has O◊ next to the lot number, the guarantee of minimum price has

lots achieve prices below or above the pre-sale estimates. Where ‘Estimate on Request’

been fully financed by third parties.

appears, please contact the specialist department for further information. It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale

∆ Property in which Phillips de Pury & Company has an Ownership Interest

estimates do not include the buyer’s premium or VAT.

Lots with this symbol indicate that Phillips de Pury & Company owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

Pre-Sale Estimates in US Dollars and Euros Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction catalogues may also be printed in US dollars and/or euros. Since the exchange rate is

•

No Reserve

•

Unless indicated by a , all lots in this catalogue are offered subject to a reserve. A reserve

that at the time of catalogue production and not at the date of auction, you should treat

is the confidential value established between Phillips de Pury & Company and the seller and

estimates in US dollars or euros as a guide only.

below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

Catalogue Entries Phillips de Pury & Company may print in the catalogue entry the history of ownership of a

♠ Property Subject to the ArtistÕs Resale Right

work of art, as well as the exhibition history of the property and references to the work in art

Lots marked with ♠ are subject to the Artist’s Resale Right calculated as a percentage of

publications. While we are careful in the cataloguing process, provenance, exhibition and

the hammer price and payable as part of the purchase price as follows:

literature references may not be exhaustive and in some cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all dimensions of the

Portion of the Hammer Price (in EUR)

property set forth in the catalogue entry are approximate.

From 0 to 50,000

Royalty Rate 4%

From 50,000.01 to 200,000

Condition of Lots

From 200,000.01 to 350,000

Our catalogues include references to condition only in the descriptions of multiple works

From 350,000.01 to 500,000

0.5%

(e.g., prints). Such references, though, do not amount to a full description of condition.

Exceeding 500,000

0.25%

The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips

The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more, subject to a

IMPORTANT NOTICES Items sold under temporary admission

• Where the buyer is a Non-EU business, we require evidence of the business status

We wish to draw your attention to changes recently made to items sold under temporary

by means of the company identification, Certificate of Incorporation, Articles of

admission (originally called temporary importation). The cancelling or refunding of

Association, or government-issued documents showing that the company exists.

applicable VAT is now subject to items being exported from the European Union within 30 days of payment, rather than 90 days from the date of sale as previously required. For

• Where the buyer is an EU VAT registered business, we require the above as well

up-to-date information on this matter, please see the ‘VAT and Other Tax Information for

as the business’s VAT registration number in the form of a government-issued

Buyers’ section below.

document or paperwork from the local EU tax/VAT office showing the VAT number.

Identification of business or trade buyers

These details can be scanned and emailed to us, or alternatively they can be faxed or mailed.

As of January 2010 in the UK, HMRC have made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding

If these requirements are not met, we will be unable to cancel or refund any

buyer’s premium for lots with symbols for businesses outside the UK.

applicable VAT.

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 207

10-03-11 15.06

maximum royalty per lot of EUR 12,500. Calculation of the Artist’s Resale Right will be based

3 THE AUCTION

on the pounds sterling/euro reference exchange rate quoted on the date of the sale by the

Conditions of Sale

European Central Bank.

As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. All prospective bidders should read them carefully. They may be amended by

†, §, ‡, or Ω Property Subject to VAT

saleroom addendum or auctioneer’s announcement.

Please refer to the section entitled ‘VAT AND OTHER TAX INFORMATION FOR BUYERS’ in this catalogue for additional information.

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such

∑ Endangered Species

lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or

This property may require an export, import or endangered species license or permit.

a party providing or participating in a guarantee on the lot, Phillips de Pury & Company will

Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the

make an announcement in the saleroom that interested parties may bid on the lot.

Conditions of Sale. Consecutive and Responsive Bidding 2 BIDDING IN THE SALE

The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.

Bidding at Auction

The auctioneer may further bid on behalf of the seller up to the amount of the reserve by

Bids may be executed during the auction in person by paddle or by telephone or prior to the

placing consecutive bids or bids in response to other bidders.

sale in writing by absentee bid. Proof of identity in the form of government-issued identification will be required, as will an original signature. We may also require that

4 AFTER THE AUCTION

you furnish us with a bank reference.

Payment Buyers are required to pay for purchases immediately following the auction unless other

Bidding in Person

arrangements have been agreed with Phillips de Pury & Company in writing in advance of

To bid in person, you will need to register for and collect a paddle before the auction begins.

the sale. Payments must be made in pounds sterling either by cash, cheque drawn on a UK

New clients are encouraged to register at least 48 hours in advance of a sale to allow

bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate

sufficient time for us to process your information. All lots sold will be invoiced to

policy not to make or accept single or multiple payments in cash or cash equivalents in

the name and address to which the paddle has been registered and invoices cannot be

excess of the local currency equivalent of US$10,000.

transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company staff member immediately. At the end of the

Credit Cards

auction, please return your paddle to the registration desk.

As a courtesy to clients, Phillips de Pury & Company will accept Visa, MasterCard and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee will apply.

Bidding by Telephone If you cannot attend the auction, you may bid live on the telephone with one of our

Collection

multilingual staff members. This service must be arranged at least 24 hours in advance of

It is our policy to request proof of identity on collection of a lot. A lot will be released to the

the sale and is available for lots whose low pre-sale estimate is at least £500. Telephone

buyer or the buyer’s authorized representative when Phillips de Pury & Company has received

bids may be recorded. By bidding on the telephone, you consent to the recording of your

full and cleared payment and we are not owed any other amount by the buyer. After the auction,

conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and

we will transfer all lots to our fine art storage facility located near Wimbledon and will so advise

VAT, which we can execute on your behalf in the event we are unable to reach you

all buyers. If you are in doubt about the location of your purchase, please contact the Shipping

by telephone.

Department prior to arranging collection. We will levy removal, interest, storage and handling charges on uncollected lots.

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury

Loss or Damage

& Company will be happy to execute written bids on your behalf. A bidding form can be

Buyers are reminded that Phillips de Pury & Company accepts liability for loss or damage to

found at the back of this catalogue. This service is free and confidential. Bids must be

lots for a maximum of five days following the auction.

placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate

Transport and Shipping

a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be

As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand

accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the

carry only. We do not provide packing, handling or shipping services directly. However, we

event of identical bids, the earliest bid received will take precedence.

will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips de Pury & Company. Please refer to

Employee Bidding

Paragraph 7 of the Conditions of Sale for more information.

Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the

Export and Import Licences

reserve when submitting their absentee bids and otherwise comply with our employee

Before bidding for any property, prospective bidders are advised to make independent

bidding procedures.

enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply

Bidding Increments

with all import and export laws and to obtain any necessary licences or permits. The denial

Bidding generally opens below the low estimate and advances in increments of up to 10%,

of any required licence or permit or any delay in obtaining such documentation will not

subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments

justify the cancellation of the sale or any delay in making full payment for the lot.

set below may be lowered to the next bidding increment. Endangered Species UK£50 to UK£1,000

by UK£50s

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

UK£1,000 to UK£2,000

by UK£100s

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may

UK£2,000 to UK£3,000

by UK£200s

require a licence or certificate prior to exportation and additional licences or certificates

UK£3,000 to UK£5,000

by UK£200s, 500, 800 (i.e., UK£4,200, 4,500, 4,800)

upon importation to any country outside the European Union (EU). Please note that the

UK£5,000 to UK£10,000

by UK£500s

ability to obtain an export licence or certificate does not ensure the ability to obtain an

UK£10,000 to UK£20,000

by UK£1,000s

import licence or certificate in another country, and vice versa. We suggest that prospective

UK£20,000 to UK£30,000

by UK£2,000s

bidders check with their own government regarding wildlife import requirements prior to

UK£30,000 to UK£50,000

by UK£2,000s, 5,000, 8,000

placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import

UK£50,000 to UK£100,000

by UK£5,000s

licences or certificates as well as any other required documentation. The denial of any

UK£100,000 to UK£200,000

by UK£10,000s

required licence or certificate or any delay in obtaining such documentation will not justify

above UK£200,000

at the auctioneer’s discretion

the cancellation of the sale or any delay in making full payment for the lot.

The auctioneer may vary the increments during the course of the auction at his or her own discretion.

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 208

10-03-11 15.06

ph ot ogr aph s

AUCTION 9 APRIL 2011 450 PARK AVENUE Viewing 2 Ð 8 April

Phillips de Pury & Company 450 Park Avenue New York 10022 Enquiries +1 212 940 1245 | photographs@phillipsdepury.com Catalogues +1 212 940 1240 | +44 20 7318 4039

Ph Ill IPs d EPURy.COm CINdy sh ERmAN Untitled #278, 1993 (detail) Estimate $200,000-300,000

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 209

10-03-11 15.06

VAT AND OTHER TAX INFORMATION FOR BUYERS

• The import VAT charged on the hammer price and an amount in lieu of VAT on the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω

The following paragraphs provide general information to buyers on the VAT and certain

symbol) under the Auctioneer’s Margin Scheme.

other potential tax implications of purchasing property at Phillips de Pury & Company. This information is not intended to be complete. In all cases, the relevant tax legislation

In each of the above examples, where the appropriate conditions are satisfied, no VAT

takes precedence, and the VAT rates in effect on the day of the auction will be the rates

will be charged if, at or before the time of invoicing, the buyer instructs Phillips de Pury &

charged. It should be noted that, for VAT purposes only, Phillips de Pury & Company is not

Company to export the property from the EU. If such instruction is received after payment, a

usually treated as agent and most property is sold as if it is the property of Phillips de Pury

refund of the VAT amount will be made.

& Company. In the following paragraphs, reference to VAT symbols shall mean those symbols located beside the lot number or the pre-sale estimates in the catalogue (or

Where the buyer carries purchases from the EU personally or uses the services of a third

amending saleroom addendum).

party, Phillips de Pury & Company will charge the VAT amount due as a deposit and

1 PROPERTY WITH NO VAT SYMBOL

the following conditions are met:

refund it if the lot has been exported within the timelines specified below and either of Where there is no VAT symbol, Phillips de Pury & Company is able to use the Auctioneer’s Margin Scheme, and VAT will not normally be charged on the hammer price.

• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, Phillips de Pury & Company is provided with appropriate documentary proof of

Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will

export from the EU within three months of the date of sale. Buyers carrying their

charge an amount in lieu of VAT at 20% on the buyer’s premium. This amount will form part

own property should obtain hand-carry papers from the Shipping Department to

of the buyer’s premium on our invoice and will not be separately identified.

facilitate this process.

2 PROPERTY WITH A † SYMBOL

• For lots sold under temporary admission, Phillips de Pury & Company is provided

These lots will be sold under the normal UK VAT rules, and VAT will be charged at 20%

with a copy of the correct paperwork duly completed and stamped by HM Revenue &

on both the hammer price and buyer’s premium.

Customs which shows the property has been exported from the EU via the UK within 30 days of payment date. It is essential for shippers acting on behalf of buyers to

Where the buyer is a relevant business person in the EU (non-UK) or is a relevant business

collect copies of original import papers from our Shipping Department. HM Revenue

person in a non-EU country then no VAT will be charged on the buyer’s premium. This is

& Customs insist that the correct customs procedures are followed and Phillips de

subject to Phillips de Pury & Company being provided with evidence of the buyer’s VAT

Pury & Company will not be able to issue any refunds where the export documents do

registration number in the relevant Member State (non-UK) or the buyer’s business status

not exactly comply with governmental regulations. Property subject to temporary

in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence

admission must be transferred to another customs procedure immediately if any

not be provided then VAT will be charged on the buyer’s premium.

restoration or repair work is to be carried out.

3 PROPERTY WITH A § SYMBOL

Buyers carrying their own property must obtain hand-carry papers from the Shipping

Lots sold to buyers whose registered address is in the EU will be assumed to be remaining

Department, for which a charge of £20 will be made. The VAT refund will be processed once

in the EU. The property will be invoiced as if it had no VAT symbol. However, if an EU buyer

the appropriate paperwork has been returned to Phillips de Pury & Company. Phillips de

advises us that the property is to be exported from the EU, Phillips de Pury & Company will

Pury & Company is not able to cancel or refund any VAT charged on sales made to UK or EU

re-invoice the property under the normal VAT rules.

private residents unless the lot is subject to temporary admission and the property is

Lots sold to buyers whose address is outside the EU will be assumed to be exported from

minimum of £50 per shipment and a processing charge of £20.

exported from the EU within 30 days of payment date. Any refund of VAT is subject to a the EU. The property will be invoiced under the normal VAT rules. Although the hammer price will be subject to VAT, the VAT will be cancelled or refunded upon export. The buyer’s

Buyers intending to export, repair, restore or alter lots under temporary admission should

premium will always bear VAT unless the buyer is a relevant business person in the EU

notify the Shipping Department before collection. Failure to do so may result in the import

(non-UK) or is a relevant business person in a non-EU country, subject to Phillips de Pury &

VAT becoming payable immediately and Phillips de Pury & Company being unable to refund

Company receiving evidence of the buyer’s VAT registration number in the relevant Member

the VAT charged on deposit.

State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the

6 VAT REFUNDS FROM HM REVENUE & CUSTOMS

buyer’s premium.

Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company, it may be possible to seek repayment from HM Revenue & Customs (‘HMRC’). Repayments in this manner

4 PROPERTY SOLD WITH A ‡ OR Ω SYMBOL

are limited to businesses located outside the UK and may be considered for example for Import

These lots have been imported from outside the EU to be sold at auction under temporary

VAT charged on the hammer price for lots sold under temporary admission.

admission. Property subject to temporary admission will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20%, marked by ‡ and Ω

All claims made by customers located in another member state to the UK will need to be

respectively, on the hammer price and an amount in lieu of VAT at 20% on the buyer’s

made under a new mechanism from 1 January 2010. The process prior to 1 January 2010 is no

premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should

longer in operation.

notify the Client Accounting Department before the sale. If you are located in an EU member state other than the UK you will now need to apply for a Where lots are sold outside the Auctioneer’s Margin Scheme and the buyer is a relevant

refund of UK VAT directly to your local tax authority. This is done via submission of an

business person in the EU (non-UK) or is a relevant business person in a non-EU country

electronically based claim form which should be accessed through the website of your local

then no VAT will be charged on the buyer’s premium. This is subject to Phillips de Pury &

tax authority. As a result, your form may include VAT incurred in a number of member

Company receiving evidence of the buyer’s VAT registration number in the relevant Member

states. Furthermore, from 1 January 2010 you should only submit one form per year, rather

State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax

than submitting forms throughout the year.

Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium.

Please note that the time limits by which you must make a claim have been extended. When making a claim for VAT incurred in another EU member state any claim will still be

5 EXPORTS FROM THE EUROPEAN UNION

made on a calendar year basis but must now be made no later than 30 September

The following types of VAT may be cancelled or refunded by Phillips de Pury & Company on

following that calendar year. This effectively extends the time by which claims should be

exports made within three months of the sale date if strict conditions are met:

made by three months (e.g. for VAT incurred in the year 1 January to 31 December 2010 you should make a claim to your local tax authority no later than 30 September 2011). Once you

• The amount in lieu of VAT charged on the buyer’s premium for property sold under

have submitted the electronic form to your local tax authority it is their responsibility to

the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).

ensure that payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest

• The VAT on the hammer price for property sold under the normal VAT rules

on the unpaid amounts.

(i.e., with a † or a § symbol). If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC The following type of VAT may be cancelled or refunded by Phillips de Pury & Company

(the rules for those located outside of the EU have not changed). Claim forms are only

on exports made within 30 days of payment date if strict conditions are met:

available from the HMRC website. Go to http://www.hmrc.gov.uk/index.htm, and follow

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 210

10-03-11 15.06

Quick Links, then Find a Form. The relevant form is VAT65A. Completed forms should be

CONDITIONS OF SALE

returned to: The Conditions of Sale and Authorship Warranty set forth below govern the relationship HM Revenue & Customs

between bidders and buyers, on the one hand, and Phillips de Pury & Company and sellers,

VAT Overseas Repayment Directive

on the other hand. All prospective buyers should read these Conditions of Sale and

Foyle House

Authorship Warranty carefully before bidding.

Duncreggan Road Londonderry

1 INTRODUCTION

Northern Ireland

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale

BT48 7AE

and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to this

(tel) +44 2871 305100

catalogue or other written material posted by Phillips de Pury & Company in the saleroom,

(fax) +44 2871 305101

in each case as amended by any addendum or announcement by the auctioneer prior to the auction.

You should submit claims for VAT to HMRC no later than six months from the end of the 12 month period ending 30 June (e.g. claims for the period 1 July 2009 to 30 June 2010 should

By bidding at the auction, whether in person, through an agent, by written bid, by telephone

be made no later than 31 December 2010).

bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

Please note that refunds of VAT will only be made where VAT has been incurred for a business purpose. Any VAT incurred on articles bought for personal use will not be refunded.

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips de Pury & Company and the seller contract with the buyer.

7 SALES AND USE TAXES Buyers from outside the UK should note that local sales taxes or use taxes may

2 PHILLIPS de PURY & COMPANY AS AGENT

become payable upon import of lots following purchase. Buyers should consult their

Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated in

own tax advisors.

this catalogue or at the time of auction. On occasion, Phillips de Pury & Company may own a lot, in which case we will act in a principal capacity as a consignor, or may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips de Pury & Company in relation to each lot is partially dependent on information provided to us by the seller, and Phillips de Pury & Company is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips de Pury & Company is available for inspection by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidderﾃ不 own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company at our absolute discretion. Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 BIDDING AT AUCTION (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips de Pury & Company. (b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury &

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 211

10-03-11 15.06

Company may, if so instructed by the bidder, execute written absentee bids on a bidderÕs

c) If the ArtistÕs Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us

behalf. Absentee bidders are required to submit bids on the ÔAbsentee Bid FormÕ, a copy of

an amount equal to the resale royalty provided for in those regulations and we undertake to

which is printed in this catalogue or otherwise available from Phillips de Pury & Company.

the buyer to pay such amount to the artistÕs collection agent. In circumstances where (i) we

Bids must be placed in the currency of the sale. The bidder must clearly indicate the

are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the

maximum amount he or she intends to bid, excluding the buyerÕs premium and value added

nationality of the artist, we will identify the lot with the symbol ♠ next to the lot number and

tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which

will invoice the resale royalty to the buyer. If we subsequently determine that the nationality

does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at

of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund

the lowest possible price taking into account the reserve and other bidders. Any absentee

to the buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect

bid must be received at least 24 hours in advance of the sale. In the event of identical bids,

the resale royalty on a particular lot, we become aware that information provided to us prior

the earliest bid received will take precedence.

to the auction concerning an artistÕs nationality was incorrect and the artist is entitled to the

resale royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an

which is printed in this catalogue or otherwise available from Phillips de Pury & Company.

invoice.

Telephone bidding is available for lots whose low pre-sale estimate is at least £500. Phillips de Pury & Company reserves the right to require written confirmation of a successful bid

(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately

from a telephone bidder by fax or otherwise immediately after such bid is accepted by the

following the auction regardless of any intention to obtain an export or import licence or

auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder

other permit for such lot. Payments must be made by the invoiced party in pounds

consents to the recording of the conversation.

sterling either by cash, cheque drawn on a UK bank or wire transfer, as follows:

(d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder

(i) Phillips de Pury & Company will accept payment in cash provided that the total amount

accepts personal liability to pay the purchase price, as described more fully in Paragraph 6

paid in cash or cash equivalents does not exceed the local currency equivalent of

(a) below, plus all other applicable charges unless it has been explicitly agreed in writing

US$10,000.

with Phillips de Pury & Company before the commencement of the auction that the bidder is

(ii) Personal cheques and bankerÕs drafts are accepted if drawn on a UK bank and the buyer

acting as agent on behalf of an identified third party acceptable to Phillips de Pury &

provides to us acceptable government-issued identification. Cheques and bankerÕs drafts

Company and that we will only look to the principal for such payment.

should be made payable to ÒPhillips de Pury & Company LimitedÓ. If payment is sent by post, please send the cheque or bankerÕs draft to the attention of the Client Accounting

(e) Arranging absentee and telephone bids is a free service provided by Phillips de Pury &

Department at Howick Place, London SW1P 1BB and ensure that the sale number is written

Company to prospective buyers. While we undertake to exercise reasonable care in

on the cheque. Cheques or bankerÕs drafts drawn by third parties will not be accepted.

undertaking such activity, we cannot accept liability for failure to execute such bids except

(iii) Payment by wire transfer may be sent directly to Phillips de Pury & Company. Bank

where such failure is caused by our wilful misconduct.

transfer details will be provided on the Invoice for purchased lots.

(f) Employees of Phillips de Pury & Company and our affiliated companies, including the

(e) As a courtesy to clients, Phillips de Pury & Company will accept Visa, MasterCard and

auctioneer, may bid at the auction by placing absentee bids so long as they do not know the

UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee will apply.

reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures.

(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not obliged to

5 CONDUCT OF THE AUCTION (a) Unless otherwise indicated by the symbol

release a lot to the buyer until title in the lot has passed and appropriate identification has , each lot is offered subject to a reserve, which

is the confidential minimum selling price agreed by Phillips de Pury & Company with the

been provided, and any earlier release does not affect the passing of title or the buyerÕs unconditional obligation to pay the Purchase Price.

seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. 7 COLLECTION OF PROPERTY (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a

(a) Phillips de Pury & Company will not release a lot to the buyer until we have received

lot for sale (including after the fall of the hammer) if he or she believes there may be error or

payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding

dispute and take such other action as he or she deems reasonably appropriate.

amounts due to Phillips de Pury & Company or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such

other terms as we in our sole discretion shall require, including completing any anti-money

he or she considers appropriate. In order to protect the reserve on any lot, the

laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all of the

auctioneer may place one or more bids on behalf of the seller up to the reserve without

foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or +44 (0) 207 318

indicating he or she is doing so, either by placing consecutive bids or bids in response

4082 to arrange for collection of purchased property.

to other bidders. (b) The buyer must arrange for collection of a purchased lot within five days of the date of the (d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For

auction. After the auction, we will transfer all lots to our fine art storage facility located near

the benefit of international clients, pre-sale estimates in the auction catalogue may be

Wimbledon and will so advise all buyers. Purchased lots are at the buyerÕs risk, including the

shown in US dollars and/or euros and, if so, will reflect approximate exchange rates.

responsibility for insurance, from (i) the date of collection or (ii) five days after the auction,

Accordingly, estimates in US dollars or euros should be treated only as a guide.

whichever is the earlier. Until risk passes, Phillips de Pury & Company will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid,

(e) Subject to the auctioneerÕs reasonable discretion, the highest bidder accepted by the

subject to our usual exclusions for loss or damage to property.

auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk

and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.

purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether

(f) If a lot is not sold, the auctioneer will announce that it has been ÔpassedÕ, ÔwithdrawnÕ,

or not recommended by Phillips de Pury & Company, in order to facilitate the packing,

Ôreturned to ownerÕ or Ôbought-inÕ.

handling, insurance and shipping of property bought at Phillips de Pury & Company. Any such instruction is entirely at the buyerÕs risk and responsibility, and we will not be liable for

(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of

acts or omissions of third party packers or shippers.

Sale and Authorship Warranty as if sold in the auction. (d) Phillips de Pury & Company will require presentation of government-issued 6 PURCHASE PRICE AND PAYMENT

identification prior to release of a lot to the buyer or the buyerÕs authorized representative.

(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyerÕs premium, plus any applicable value added tax (VAT) and any applicable resale royalty

8 FAILURE TO COLLECT PURCHASES

(the ÔPurchase PriceÕ). The buyerÕs premium is 25% of the hammer price up to and including

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of

£25,000, 20% of the portion of the hammer price above £25,000 up to and including £500,000

the auction, the buyer will incur a late collection fee of £50, storage charges of £10 per day

and 12% of the portion of the hammer price above £500,000.

and pro rated insurance charges of 0.1% of the Purchase Price per month on each uncollected lot. Additional charges may apply to oversized lots.

(b) VAT is payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of VAT.

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 212

(b) If a purchased lot is paid for but not collected within six months of the auction, the buyer

10-03-11 15.06

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 213

10-03-11 15.06

authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by

12 DATA PROTECTION

auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s

(a) In connection with the management and operation of our business and the marketing

reasonable discretion. The proceeds of such sale will be applied to pay for storage charges

and supply of auction related services, or as required by law, we may ask clients to provide

and any other outstanding costs and expenses owed by the buyer to Phillips de Pury &

personal information about themselves or obtain information about clients from third parties

Company or our affiliated companies and the remainder will be forfeited unless collected by

(e.g., credit information). If clients provide us with information that is defined by law as

the buyer within two years of the original auction.

‘sensitive’, they agree that Phillips de Pury & Company and our affiliated companies may use it for the above purposes. Phillips de Pury & Company and our affiliated companies will not use or

9 REMEDIES FOR NON-PAYMENT

process sensitive information for any other purpose without the client’s express consent. If you

(a) Without prejudice to any rights the seller may have, if the buyer without prior agreement

would like further information on our policies on personal data or wish to

fails to make payment of the Purchase Price for a lot in cleared funds within five days of the

make corrections to your information, please contact us at +44 20 7318 4010. If you would

auction, Phillips de Pury & Company may in our sole discretion exercise one or more of the

prefer not to receive details of future events please call the above number.

following remedies: (i) store the lot at Phillips de Pury & Company’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial

(b) In order to fulfil the services clients have requested, Phillips de Pury & Company may

payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer

disclose information to third parties such as shippers. Some countries do not offer

or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum

equivalent legal protection of personal information to that offered within the European

from the date payment became due until the date the Purchase Price is received in cleared

Union (EU). It is Phillips de Pury & Company’s policy to require that any such third parties

funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property

respect the privacy and confidentiality of our clients’ information and provide the same level

which is in the possession of Phillips de Pury & Company and instruct our affiliated

of protection for client information as provided within the EU, whether or not they

companies to exercise a lien over any of the buyer’s property which is in their possession

are located in a country that offers equivalent legal protection of personal information.

and, in each case, no earlier than 30 days from the date of such notice arrange the sale of

By agreeing to these Conditions of Sale, clients agree to such disclosure.

such property and apply the proceeds to the amount owed to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds of our standard

13 LIMITATION OF LIABILITY

vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell

(a) Subject to sub-paragraph (e) below, the total liability of Phillips de Pury & Company, our

the lot by auction or private sale, with estimates and a reserve set at Phillips de Pury &

affiliated companies and the seller to the buyer in connection with the sale of a lot shall be

Company’s reasonable discretion, it being understood that in the event such resale is for

limited to the Purchase Price actually paid by the buyer for the lot.

less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal

(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company,

proceedings to recover the hammer price and buyer’s premium for that lot, together with

any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether

interest and the costs of such proceedings; or (viii) release the name and address of the

orally or in writing, in information provided to prospective buyers

buyer to the seller to enable the seller to commence legal proceedings to recover the

by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts

amounts due and legal costs.

responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury & Company or any of our affiliated companies in connection with the

(b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over the

conduct of the auction or for any other matter relating to the sale of any lot.

buyer’s property which is in our possession upon notification by any of our affiliated companies that the buyer is in default of payment. Phillips de Pury & Company will notify the

buyer of any such lien. The buyer also irrevocably authorizes Phillips de Pury & Company,

warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips

upon notification by any of our affiliated companies that the buyer is in default of payment,

de Pury & Company, our affiliated companies and the seller to the fullest extent permitted by

to pledge the buyer’s property in our possession by actual or constructive delivery to our

law.

affiliated company as security for the payment of any outstanding amount due. Phillips de Pury & Company will notify the buyer if the buyer’s property has been delivered to an

(d) Subject to sub-paragraph (e) below, none of Phillips de Pury & Company, any of our

affiliated company by way of pledge.

affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss

or damage is characterised as direct, indirect, special, incidental or consequential, or for

Company to instruct any of our affiliated companies in possession of the buyer’s property

the payment of interest on the Purchase Price to the fullest extent permitted by law.

to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips de Pury & Company to hold the property on our behalf as security for the payment of

(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability

the Purchase Price and any other amount due and, no earlier than 30 days from the date of

of Phillips de Pury & Company or any of our affiliated companies to the buyer in respect of

written notice to the buyer, to sell the property in such manner and for such consideration

any fraud or fraudulent misrepresentation made by any of us or in respect of death or

as can reasonably be obtained on a forced sale basis and to apply the proceeds to any

personal injury caused by our negligent acts or omissions.

amount owed to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related

14 COPYRIGHT

expenses and any applicable taxes thereon.

The copyright in all images, illustrations and written materials produced by or for Phillips de Pury & Company relating to a lot, including the contents of this catalogue, is and shall

10 RESCISSION BY PHILLIPS de PURY & COMPANY

remain at all times the property of Phillips de Pury & Company and, subject to the provisions

Phillips de Pury & Company shall have the right, but not the obligation, to rescind a sale

of the Copyright, Designs and Patents Act 1988, such images and materials may not be used

without notice to the buyer if we reasonably believe that there is a material breach of the

by the buyer or any other party without our prior written consent. Phillips de Pury &

seller’s representations and warranties or the Authorship Warranty or an adverse claim is

Company and the seller make no representations or warranties that the buyer of a lot will

made by a third party. Upon notice of Phillips de Pury & Company’s election to rescind the

acquire any copyright or other reproduction rights in it.

sale, the buyer will promptly return the lot to Phillips de Pury & Company, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the

15 GENERAL

refund shall constitute the sole remedy and recourse of the buyer against Phillips de Pury &

(a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1

Company and the seller with respect to such rescinded sale.

above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and

11 EXPORT, IMPORT AND ENDANGERED SPECIES LICENCES AND PERMITS

contemporaneous written, oral or implied understandings, representations and

Before bidding for any property, prospective buyers are advised to make their own enquiries

agreements.

as to whether a licence is required to export a lot from the United Kingdom or to import it into another country. Prospective buyers are advised that some countries prohibit the

(b) Notices to Phillips de Pury & Company shall be in writing and addressed to the

import of property made of or incorporating plant or animal material, such as coral,

department in charge of the sale, quoting the reference number specified at the beginning

crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age,

of the sale catalogue. Notices to clients shall be addressed to the last address notified by

percentage or value. Accordingly, prior to bidding, prospective buyers considering export

them in writing to Phillips de Pury & Company.

of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws

and to obtain any necessary export, import and endangered species licences or permits.

consent but are binding on the buyer’s successors, assigns and representatives.

Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot.

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 214

(d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable

10-03-11 15.06

for any reason, the remaining provisions shall remain in full force and effect. No failure by

AUTHORSHIP WARRANTY

any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

Phillips de Pury & Company warrants the authorship of property in this auction catalogue for a period of five years from date of sale by Phillips de Pury & Company, subject to the

(e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of

exclusions and limitations set forth below.

Third Parties) Act 1999 by anyone other than the buyer. (a) Phillips de Pury & Company gives this Authorship Warranty only to the original buyer of 16 LAW AND JURISDICTION

record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not

(a) The rights and obligations of the parties with respect to these Conditions of Sale and

extend to (i) subsequent owners of the property, including purchasers or recipients by way

Authorship Warranty, the conduct of the auction and any matters related to any of the

of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property

foregoing shall be governed by and interpreted in accordance with English law.

created prior to 1870, unless the property is determined to be counterfeit (defined as a forgery made less than 50 years ago with an intent to deceive) and has a value at the date of

(b) For the benefit of Phillips de Pury & Company, all bidders and sellers agree that the

the claim under this warranty which is materially less than the Purchase Price paid; (iii)

Courts of England are to have exclusive jurisdiction to settle all disputes arising in

property where the description in the catalogue states that there is a conflict of opinion on

connection with all aspects of all matters or transactions to which these Conditions of Sale

the authorship of the property; (iv) property where our attribution of authorship was on the

and Authorship Warranty relate or apply. All parties agree that Phillips de Pury & Company

date of sale consistent with the generally accepted opinions of specialists, scholars or

shall retain the right to bring proceedings in any court other than the Courts of England.

other experts; or (v) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of

the catalogue or which were at such time deemed unreasonably expensive or impractical to

in connection with proceedings in any court by facsimile transmission, personal service,

use.

delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of

(b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company reserves

the bidder or seller known to Phillips de Pury & Company.

the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips de Pury & Company. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips de Pury & Company agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips de Pury & Company in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips de Pury & Company in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips de Pury & Company, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law. This means that none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 215

10-03-11 15.06

PHILLIPS de PURY & COMPANY

Chairman

Directors

Advisory Board

Simon de Pury

Sean Cleary

Maria Bell

Finn Schouenborg Dombernowsky

Janna Bullock

Patricia G. Hambrecht

Lisa Eisner

Alexander Payne

Lapo Elkann

Olivier Vrankenne

Ben Elliot

Chief Executive Officer Bernd Runge

Lady Elena Foster H.I.H. Francesca von Habsburg Marc Jacobs

Senior Directors

Ernest Mourmans

Michael McGinnis

Aby Rosen

Dr. Michaela de Pury

Christiane zu Salm Juergen Teller Princess Gloria von Thurn und Taxis Jean Michel Wilmotte Anita Zabludowicz

INTERNATIONAL SPECIALISTS

Berlin Brussels

Shirin Kranz, Specialist, Contemporary Art +49 30 880 018 42 Olivier Vrankenne, International Senior Specialist +32 486 43 43 44 Katherine van Thillo, Consultant +32 475 687 011

Buenos Aires & London

Brooke de Ocampo, International Specialist, Contemporary Art +44 777 551 7060

Geneva

Katie Kennedy Perez, Specialist, Contemporary Art +41 22 906 8000

London

Dr. Michaela de Pury, International Senior Director, Contemporary Art +49 17 289 73611

Los Angeles Milan Moscow

Maya McLaughlin, Specialist, Contemporary Art +1 323 791 1771 Laura Garbarino, International Senior Specialist, Contemporary Art +39 339 478 9671 Svetlana Marich, Specialist, Contemporary Art +7 495 225 88 22

GENERAL COUNSEL

MANAGING DIRECTORS

Patricia G. Hambrecht

Finn Schouenborg Dombernowsky, London/Europe Sean Cleary, New York (Interim)

WORLDWIDE OFFICES

NEW YORK

LONDON

BERLIN

450 Park Avenue, New York, NY 10022, USA

Howick Place, London SW1P 1BB, United Kingdom

Auguststrasse 19, 10117 Berlin, Germany

tel +1 212 940 1300 fax +1 212 940 1227

tel +44 20 7318 4010 fax +44 20 7318 4011

tel +49 30 8800 1842 fax +49 30 8800 1843

NEW YORK

PARIS

GENEVA

450 West 15 Street, New York, NY 10011, USA

6 avenue Franklin D. Roosevelt, 75008 Paris, France

23 quai des Bergues, 1201 Geneva, Switzerland

tel +1 212 940 1200 fax +1 212 924 5403

tel +33 1 42 78 67 77 fax +33 1 42 78 23 07

tel +41 22 906 80 00 fax +41 22 906 80 01

MOSCOW TSUM, Petrovska str., 2, office 524, 125009 Moscow, Russia tel +7 495 225 88 22 fax +7 495 225 88 87

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 216

10-03-11 15.06

bric

BRAZIL RUSSIA INDIA CHINA AUCTIONS APRIL 2011 LONDON Evening 14 April Day 15 April Phillips de Pury & Company Howick Place London SW1P 1BB Enquiries +44 207 318 4054 Catalogues +44 20 7318 4039 / +1 212 940 1240

Ph ILLIPSDEPUr y.COm hÉLIO OITICICA Relevo Espacial, 1959, constructed 1991 Estimate £300,000–400,000

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 217

10-03-11 15.06

SPECIALISTS AND DEPARTMENTS CONTEMPORARY ART Michael McGinnis, Senior Director +1 212 940 1254 and Worldwide Head, Contemporary Art LONDON Peter Sumner, Head of Sales, London +44 20 7318 4063 George OĂ&#x2022;Dell, Head of Day Sale +44 20 7318 4093 Judith Hess Matt Langton Raphael Lepine Ivgenia Naiman

+44 20 7318 4075 +44 20 7318 4074 +44 20 7318 4078 +44 20 7318 4071

Paul de Bono Catherine Higgs Henry Highley Helen Rohwedder Charlotte Salisbury

+44 20 7318 4070 +44 20 7318 4089 +44 20 7318 4061 +44 20 7318 4042 +44 20 7318 4058

NEW YORK Zach Miner, Head of Evening Sale +1 212 940 1256 Sarah Mudge, Head of Day Sale +1 212 940 1259 Roxana Bruno Jeremy Goldsmith Timothy Malyk Jean-Michel Placent

+1 212 940 1229 +1 212 940 1253 +1 212 940 1258 +1 212 940 1263

Peter Flores Alexandra Leive Winnie Scheuer Alyse Serrell Amanda Stoffel Roxanne Tahbaz

+1 212 940 1223 +1 212 940 1252 +1 212 940 1226 +1 212 940 1303 +1 212 940 1261 +1 212 940 1292

PARIS Edouard de Moussac + 33 1 42 78 67 77

MODERN AND CONTEMPORARY EDITIONS NEW YORK Cary Leibowitz, Worldwide Co-Director +1 212 940 1222 Kelly Troester, Worldwide Co-Director +1 212 940 1221 Joy Deibert Jannah Greenblatt

PHOTOGRAPHS Vanessa Kramer +1 212 940 1243 Worldwide Director, Photographs LONDON Lou Proud, Head of Photographs, London +44 20 7318 4018 Sebastien Montabonel +44 20 7318 4025 Alexandra Bibby Rita Almeida Freitas Emma Lewis

LONDON Domenico Raimondo +44 20 7318 4016 Ben Williams +44 20 7318 4027 Marine Hartogs +44 20 7318 4021 Marcus McDonald

+44 20 7318 4014

Megan McGee

+44 20 7318 4023

NEW YORK Alex Heminway, New York Director +1 212 940 1269 Marcus Tremonto Meaghan Roddy

+1 212 940 1268 +1 212 940 1266

Alexandra Gilbert Allison Condo

+1 212 940 1266 +1 212 940 1268

PARIS Johanna Frydman +33 1 42 78 67 77 BERLIN Christina Scheublein +49 30 886 250 57

ART AND PRODUCTION Mike McClafferty, Consultant Art Director LONDON Mark Hudson, Deputy Art Director Andrew Lindesay, Sub-Editor Tom Radcliffe, Production Director

+44 20 7318 4087 +44 20 7318 4087 +44 20 7318 4092

NEW YORK Shlomi Rabi +1 212 940 1246 Caroline Shea +1 212 940 1247 Deniz Atac Carol Ehlers, Consultant Sarah Krueger

+1 212 940 1245 +1 212 940 1245 +1 212 940 1245

BERLIN Christina Scheublein +49 30 886 250 57 JEWELS Nazgol Jahan, Worldwide Director +1 212 940 1283 NEW YORK Carmela Manoli +1 212 940 1302 Sharla Phernetton

DESIGN Alexander Payne, Director +44 20 7318 4052 and Worldwide Head, Design

+1 212 940 1333 +1 212 940 1332

+1 212 940 1365

LONDON Ardavan Ghavami, Head of Jewelry, Europe +44 20 7318 4064 Rose Curran +44 20 7318 4032 THEME SALES Henry Allsopp, Worldwide Director +44 20 7318 4060 LONDON Arianna Jacobs +44 20 7318 4054 Lisa de Simone +44 20 7318 4090 Eleanor Crabtree Tamila Kerimova

+44 20 7318 4040 +44 20 7318 4085

NEW YORK Corey Barr +1 212 940 1234 Steve Agin, Consultant +1 908 475 1796 Stephanie Max

+1 212 940 1301

PRIVATE SALES LONDON Anna Ho +44 20 7318 4044 OFFICE OF THE CHAIRMAN Anna Furney, New York +1 212 940 1238 Harmony Johnston, London +44 20 7318 4099

MARKETING & COMMUNICATIONS LONDON Giulia Costantini, Head of Communications Fiona McGovern, Communications Assistant NEW YORK Trish Walsh, Marketing Manager Anne Huntington, Communications Manager

NEW YORK Andrea Koronkiewicz, Studio Manager Steven Mosier, Graphic Designer Kelly Sohngen, Graphic Designer Orlann Capazorio, US Production Manager

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 218

10-03-11 15.06

SALE INFORMATION AUCTION Thursday 7 April 2011, 4pm

CLIENT SERVICES Natalie McFarlane +44 20 7318 4010

WAREHOUSE & SHIPPING Cl‡udia Gon•alves + 44 20 7318 4026

VIEWING & AUCTION LOCATION Howick Place, London SW1P 1BB

SELECT ESSAYS Alex Heminway

PHOTOGRAPHY Hayley Giles Peter Hepplewhite Ivan Ingletto Byron Slater

KNIG

HTS

BRID

R O

ST. JAMESÕS PARK

CONSTITUTION HILL

GREEN PARK

BUCKINGHAM PALACE GARDENS P

LA C

BIRD

ING

K WAL CAGE

ST. JAMESÕS PARK HA

GA TE

VE NO

VICTORIA

VIC

TOR

TR IA S

EET

PL HOWICK

ING

PA L

AC E

ABSENTEE AND TELEPHONE BIDS Fulvia Terzaghi tel +44 20 7318 4044 fax +44 20 7318 4035 bids@phillipsdepury.com CLIENT ACCOUNTS Buyer and seller account enquiries +44 20 7318 4010

LY IL

HYDE PARK CORNER

OS GR

CATALOGUES Leslie Pitts +44 20 7318 4039 +1 212 940 1240 catalogues@phillipsdepury.com Catalogues $35/25/£22 at the Gallery

RO AD

PROPERTY MANAGERS Oliver Gottschalk +44 20 7318 4033 Ferran Martin New York +1 212 940 1364

SALE ADMINISTRATORS Megan McGee London +44 207 318 4023 Allison Condo New York +1 212 940 1268

ÕS

CATALOGUER Marcus McDonald +44 20 7318 4014 Alexandra Gilbert +1 212 940 1266

L PA

AM .J ST

GREEN PARK

VA UX

Printed in the United Kingdom, Phillips de Pury & Company

DESIGN_UK_Apr11_BACKMATTER_V2_206-219.indd 219

10-03-11 15.06

DESIGN_UK_Apr11_BACK_220-221.indd 220

10-03-11 15.46

DESIGN_UK_Apr11_BACK_220-221.indd 221

10-03-11 15.46

DE SIGN 7

APRIL

2 0 11

LOND ON

DESIGN 7 APRIL 2 0 11 LONDON U K0 5 0 111

P H I L L I P S D E P U RY.C O M

DESIGN_UK_Apr11_COVER.indd 1

09-03-11 19.16