PIANKA PAUL architecture portfolio Rensselaer Polytechnic Institute
CONTENT Spring 2013; Fall 2012
Summer 2012
Fall 2011
Urba[n]ature
Governor’s Hook
Dynamic Horizontal Bands
Purbachal, Dhaka, Bangladesh
New York City, NY
Dundee, UK.
Critic: Jeremy Carvelho
Critic: Mitchell Joachim
Critic: Mark Mistur; Demetrios Comodromos
04
10
16
Spring 2011
Fall 2010
Operatic Operations
Radiant Air Baltic
Istanbul, Turkey
Riga, Latvia
Critic: Sulan Kolatan
Critic: Joe McDonald 24
Spring 2010
Shaker’s Regimen
-Artifact -Pavilion -Museum
Mount Lebanon
Critic: Erik Carver; Andrew Sanders 26
30
URBA[N]ATURE Urbanization that protects nature
LANDSCAPE CONTINUES TO THE SKIN OF THE BUILDING NETWORK OF ROADS
OPENING THROUGH THE EXTERIOR SKIN ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION
RAIN WATER COLLECTION CHAMBER
|
4
The design proposes a continuous woven structure along the river sides, where there is an integration of agricultural with housing and infrastructure. This continuous structure creates a landscape, where it works as an open public spaces, agricultural fields and sometimes become the roof top of a building. Through layering, it links different functions throughout the site. To control the flood and rain water, the drainage system directs the water flow from river and other areas to linked wetlands for collection and purification. As part of the program, bio-gas hills with open plazas at the top are used for energy production, different height of fields are used for agriculture growth, creating social integration by mixing residential apartments for middle and upper class citizen and settlement housing for poor farmers.
WALKING PATHS
OPENING THROUGH THE EXTERIOR ENVELOPE ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION
MIX USE PUBLIC SPACES FOR RESIDENCE
SOME APARTMENTS WITH DOUBLE HEIGHT INTERIOR SPACES OF THE RESIDENTIAL APARTMENT
5
|
The topography of Bangladesh is basically low-lying, flat alluvial land with an extensive network of rivers and channels. The total land area is 147, 570 sq km, where 80% is flatland, and 20% land is 1 meter or less above sea level. Its geographical location makes it prone to heavy rains, floods, and high intensity storms which cause immense loss of life and property almost every year. On top, the snow melt from Himalayas causing the sea water rise and making the extreme Floods more destructive in this deltaic country. The monsoon climate is definitely one of the reasons behind flooding; it brings lush green landscape all year round with rain-bearing winds, warm temperatures and humidity. Flooding also makes the land very fertile. Therefore, agriculture is the single largest producing sector of the economy for this poor country. Because of these natural disasters and seeking for better economic opportunities, many villagers have abandoned agricultural work and forced to move nearby cities, which increases the population density as well as the growth rate of slums or unplanned informal settlements of those areas. As population increases in the cities, problems of sanitation, air and water quality, energy consumption, and need of housing also increases. To reduce this load, areas near the cities are getting introduced with urbanization, which effecting the agricultural lands.
Rainfall totals
Flood prone areas
Flood Depth
|
6
OLD DHAKA INDIGENOUS PATTERN
NEW DHAKA GRID PATTERN
NEW DHAKA INFORMAL LAYOUT
NEW DHAKA PLANNED SCHEME
COEXISTENCE OF PLANNED COEXISTENCE OF PLANNED & NON PLANED & NON PLANED
Height above Sea Level (m)a
SITE
SITE HEIGHT ABOVE SEA LEVEL ~ 8m OR 26ft.
SITE
TOTAL RAINFALL ON SITE~ 150 mm.
SITE
ON AVERAGE THE SITE IS NOT FLOOD PRONE AREA
SITE
SITE FLOOD DEPTH ~ (100-200) cm OR (3-6)ft.
Rainfall totals
Flood prone areas
Flood Depth
CREATING CORRIDOR SPACE AT THE END OF THE DRAINAGE BRANCH WETLAND NEXT TO THE MAIN DRAINAGE
CIRCULATION THROUGH THE CROSS SHAPE KNOTTED STRUCTURE
WETLAND NEXT TO ONE SIDE OF THE DRAINAGE BRANCH
WETLAND AND AGRICULTURE FIELD NEXT TO THE DRAINAGE BRANCH
WETLAND BOTH SIDE OF THE DRAINAGE BRANCH WETLAND AND AGRICULTURE FIELD BOTH SIDE OF THE DRAINAGE BRANCH
7
|
DOUBLE LAYER SKIN; THE EXTERIOR MONOLITHIC FORM HELPS TO DIRECT THE RAINWATER FOR STORAGE AND TO DRAINAGE
GREEN SPACE
ELEVATED AGRICULTURE FIELD CONTINUED PATH; CONNECTED WITH THE RESIDENTIAL APARTMENT BUILDING
RESIDENTIAL APARTMENTS FOR MIDDLE CLASS AND UPPER CLASS PEOPLE
|
8
INFORMAL SETTLEMENTS FOR POOR PEOPLE
STRAWS LAID ON TOP OF TIN ROOF BAMBOO WOVEN WALL
FARMERS COULD SELL THEIR GOOD AT THE NEARBY MARKET PLACE
PAVED OPEN PLAZA, EXTENDED LANDSCAPE FOR PUBLIC GATHERING
SIMPLE INITIAL STRUCTURE
HOUSING COULD BE DEVELOPED LATER BASED ON THE ABILITY OF THE RESIDENCE
9
|
BIO-GAS PLANT
OPEN LOCAL FARMERS MARKET
GOVERNOR’S HOOK Resilient Waterfront Infrastructure 01
02 04
08
03 07
06
01 GOVERNORS ISLAND NATIONAL MONUMENT 02 SERPENTINE CHANNEL + SEDIMENT CATCHMENT 03 CORAL COAST SOFT INFRASTRUCTURE 04 PARTY TOWER 05 BROADWAY INFRASTRUCTURE + HOUSING
tidal marsh
1
06 BROADWAY BRIDGES 07 TRANSPORTATION HUB BUILDING 08 ATLANTIC STADIUM 09 BROOKLYN BATTERY TUNNEL ENTRANCE + BQE 10 GREENBELT FINGERS
industry
|
10
futu
05
09
10
Residential Buildings Mixed Residential & commercial Buildings
Commercial / Office Buildings Industrial / Manufacturing open Space and Outdoor Recreation Public Facilities & Institutions
Transportation & Utility Parking Facilities Vacant Land All Others or No Data
ure
11
|
RED HOOK
GOVERNORS ISLAND
1839 City of Brooklyn publishes a plan to create streets
1636 Dutch Colonization of New Amsterdam (New York) settled “Roode Hoek” (Red Hook)
1848 the Great Fire of Brooklyn
1637 Walter Van Twiller from Holland purchases Governors Island from the Lanape for 2 ax heads, a string of beads, and a handful of nails 1664 English Conquest of New Amsterdam (Dutch New York)
1600
1776 Forts constructed on Governors Island + Red Hook 1834 Brooklyn is officially a city
1700
RED
1636 - 1776 Red Hook is HOOK settled by Dutch immigrants, who created tidal mill ponds in low lying areas
> 1600’s Governors Island is called the hickory, oak and chestnut trees
1900 1900 - 1950’s Mass urbanization of the East River Shore
1840’s Entrepreneurs built ports along the coast
GOVERNORS “Pagganck” (Nut Island) by the ManhaISLAND tas Indians, who lived on the island, for
2001 22 acres of Governors Island is preserved as a national monument
1883 Brooklyn 1858 water infrastructure Bridge is 1964 BQE established frombuilt completed Ridgewood Reservoir 1990 LIFE magazine named Red 1860 Brooklyn is Hook as “worst” the third largest neighborhood in city in the USA the US
1800
>late 1600’s 1776 - 1783 British BROOKLYN By 1684 all Native Americans were “sold” to occupation of European settlers NY metro area
1918 Governors Island rail road constructed
2000
1936 - 1964 The Brooklyn Queens Expressway is planned and completed costing $137 million
1920’s - 1960’s Red Hook is the busiest freight port in the world
early 1900’s Fill from the excavation for the Lexington Subway line adds 103 acres of Governors Island to total 172 acres in 1912
2007 Design competition to redevelop Governors Island 2001 The US government sells Governors Island to the NY public for $1
1934 - 1968 Robert Moses completes 13 expressways in New York City + Brooklyn
1960’s - 1990’s “Hooverville” is a nickname given to the Red Hook neighborhood due to large numbers of homeless 1966 - 1996 Governors Island is used for the National Coast Guard
HISTORY development timeline |
12
1966 - 1996 Governors Island is used for the National Coast Guard
Queensboro Bridge
Williamsburg Bridge
Manhattan
Brooklyn Bridge Brooklyn Battery Tunnel
|
BROOKLYN HEIGHTS
WILLISAMSBURG
278 FORT GREEN
PARK SLOPE GOWANUS Prospect Park
278 GREEN WOOD
LOWER
13
Brooklyn Navy Yard
GOVERNORS ISLAND RED HOOK
BAY RIDGE
The Governor's Hook encompasses the south Brooklyn neighborhood of Red Hook and Governors Island. It focuses on the issue of storm water retention in the Brooklyn waterfront and feeds into a large research area of sea level affecting coastal areas and cities. The design proposes an investigation of adaptive reuse of former military vessels to create a riparian buffer zone that deals with issues of surges and flood management in New York Harbor. Instead of keeping the water out, the infrastructure is designed to let the water in.
495
UPPER BAYBridge
STATEN ISLAND
THE SITE
MANHATTAN
495
EAS T RI VER
Queens Midtown tunnel
HU D RIV SON ER
Brooklyn is the most populous of New York City’s five boroughs, with approximately 2.5 million residents, and the secondlargest in area. Since 1896, Brooklyn has had the same boundaries as Kings County, which is now the most populous county in New York State and the second-most densely populated county in the United States, after New York County (Manhattan). It is also the westernmost county on Long Island. Brooklyn was an independent city until it was annexed by New York City in 1898. It continues to maintain a distinct culture. Many Brooklyn neighborhoods are ethnic enclaves where particular ethnic groups and cultures predominate. Brooklyn’s official motto is Eendraght Maeckt Maght. Written in the (early modern spelling of the) Dutch language, it is inspired by the motto of the United Dutch Provinces and translated “Unity makes strength”. The motto is displayed on the borough seal and flag, which also feature a young robed woman bearing fasces, a traditional emblem of republicanism. Brooklyn’s official colors are blue and gold. (wikipedia.com)
Central Park
BROOKLYN
|
14
nB kly oo Br nnel Tu er y att
COLUMBIA STREET WATERFRONT DISTRICT Fort Jay
278
COBBLE HILL
Atl ant ic
Bas in
Governors Island National Monument
CARROLL GARDENS
Brooklyn Cruise Terminal
red hook + governors island
Ikea
Erie Basin
15
|
278
an al
RED HOOK
Coffey Park
Go wa na sC
UPPER BAY
The horizontal concrete bands imply a solid wall but have unique penetrations to provide a porous and solid juxtaposition of material. This dynamic motion confronts the urban waterfront, transitions into the facade and is embedded into the Tay River. A fluid language between context and building envelope literally flow into the river to capture the rise and fall of the water’s tide. Thus, the stepped waterfront is a variable use system which affords users to interact with the site and the river as they change.
V&A MUSEUM DUNDEE DUNDEE, SCOTLAND, UK
ITZLI CEJA + PIANKA PAUL DESIGN DEVELOPMENT FALL 2011
LOCATION PLAN
REVISIONS N0. DATE
DESCRIPTION
1
9/19/11
PRELIMINARY 1
2
10/13/11
PRELIMINARY 2
3
10/26/11
MIDTERM
4
11/16/11
AFTER MIDTERM
5
12/09/11
FINAL REVIEW
DYNAMIC HORIZONTAL BANDS SCALE : 1 : 500 DRAWING TITLE SITE PLAN
DRAWING NUMBER
A-100
V&A MUSEUM DUNDEE DUNDEE, SCOTLAND, UK
The facade consists of corbelled prefabricated concrete units that are post-tensioned with horizontal cables to create stabilization. The exterior facade is covered with a layer of insulation and steel panels. The resulting openings are sealed with glass bricks to allow an ambient interior lighted condition. The filtered light prevents damage to the museum pieces inside.
ITZLI CEJA + PIANKA PAUL
ELEVATOR CORE
FIRE EXIT SERVICE ENTRANCE PUBLIC CIRCULATION
5 m .25 m
DESIGN DEVELOPMENT FALL 2011
LOCATION PLAN
DYNAMIC HORIZONTAL BANDS
CONCRETE WALL UNIT GLASS BLOCK UNIT
DRAWING TITLE FACADE DIAGRAMS
|
16
03
DYNAMIC HORIZONTAL BANDS
A museum that becomes a art
17
|
V&A MUSEUM DUNDEE DUNDEE, SCOTLAND, UK
11
GALLERIES
12
OBJECT PREPARATION
13
OBJECT STORAGE
14
STORAGE
15
MACHINE ROOM
ITZLI CEJA + PIANKA PAUL
A-300
DESIGN DEVELOPMENT FALL 2011
A-301
LOCATION PLAN
B4
B3 B2 12
B1 13 14
15
F1
REVISIONS N0. DATE
11
E1
A3
A2 A1
DESCRIPTION
1
9/19/11
PRELIMINARY 1
2
10/13/11
PRELIMINARY 2
3
10/26/11
MIDTERM
4
11/16/11
AFTER MIDTERM
5
12/09/11
FINAL REVIEW
A’-301
D1
DYNAMIC HORIZONTAL BANDS
C1
SCALE : 1 : 200 DRAWING TITLE 2ND FLOOR PLAN
DRAWING NUMBER
A-102
A’-300
FL
FL
FL
FL
FL
ROOF
3
2
1
GROUND
HIGH TIDE
LOW
TIDE
|
18
GRAVEL METAL GRAVEL STOP ROOFING MEMBRANE TREATED WOOD NAILER
STEEL ANGLE ROOF DECK
FL
ROOF
PURLIN
RAFTER GLASS ROOF
FASTENING PLATES
FL
3
EXPANSION STRIP GLASS BLOCKS RIGID INSULATION PRECAST CONCRETE UNITS PRECAST CONCRETE STAIRS
FL
2
LIGHT GAUGE FRAME PLASTER ON TOP OF SHEETROCK SUPPORT WIRE
CASTELATED BEAMS
FL
1
PRECAST CONCRETE WHITE PANEL LIGHT WEIGHT CONCRETE STEEL JOIST
STEEL DECK STEEL CAP MORTER JOINTS
FL
GROUND
TENSILE REINFORCEMENT
PRECAST CONCRETE STEPS CONCRETE PILES
HIGH TIDE
LOW TIDE
FL
FL
FL
FL
FL
ROOF
3
2
1
GROUND
HIGH TIDE
LOW
19
|
TIDE
A-500
WALL SECTION
DRAWING NUMBER
SCALE : 1 : 40
DRAWING TITLE
DYNAMIC HORIZONTAL BANDS
MIDTERM
AFTER MIDTERM
12/09/11
5
DESCRIPTION
PRELIMINARY 1
11/16/11
PRELIMINARY 2
10/26/11
FINAL REVIEW
9/19/11
10/13/11
1
2
3
4
N0. DATE
REVISIONS
LOCATION PLAN
FALL 201
DESIGN DEVELOPMENT
ITZLI CEJA + PIANKA PAUL
DUNDEE, SCOTLAND, UK
V&A MUSEUM DUNDEE
WEAR COURSE
|
20
In order to create a dynamic space, the concept of dynamic horizontal bands was incorporated into every aspect of the museum; the site, the facade, the roof. These general affects are inherent to the museum’s enclosure. Additionally, museum curating and circulation are unique to this building because they follow the logic of the dynamic horizontal bands. In order to differentiate, the cores and floor plates juxtapose the facade; the floors act as varied viewing plates that allow the user to literally move from main circulation embedded into the facade onto the plates. This motion repeats itself and in order to move through the building, one must always return to the facade in order to walk to the next plate. Certain wall elements are further extruded into shelves to house curated museum pieces.
GLASS ROOF ENCLOSURE
V&A MUSEUM DU
DUNDEE, SCOTLAND,
ITZLI CEJA + PIANKA PAUL
DESIGN DEVELOPM FALL
CORE
LOCATION PL
FACADE STEPPED ROOF EMBEDDED FACADE STAIR MAIN CIRCULATION ADA SITE CIRCULATION
REVISIONS N0. DATE
DESCRIPT
1
9/19/11
PRELIMIN
2
10/13/11
PRELIMIN
3
10/26/11
MIDTERM
4
11/16/11
AFTER MID
5
12/09/11
FINAL REV
DYNAMIC HORIZONT BANDS
SCALE : 1 : 5 DRAWING TITLE SITE PLAN
DRAWING NUMB
A-100
V&A
DUN
CORE
WALL ELEMENTS and BEAMS
FLOOR PLATE
IT C + PI PA
DE DE
LO
PILES
RE N0.
1 2 3 4 5
D H B
DR
S D
21
|
|
22
Physical Models
23
|
OPERATIC OPERATIONS
The Opera house driven from minimal surfaces
Inside of the 1
SEATING
2
STAGE
|
24
By studding cell iteration, the initial design goal was to produce a variety of spaces through attractor points across the grated mat morphologies. The tessellation of the cells helped to create an urban park consists of opera houses, theater, shopping places, administrative buildings and parking garage. Because the site encompasses a large urban exterior span that meets the subway station underground. The main opera house acts as a monument connecting the existing the Republic Monument of Taskim Square and other parts of the connected form abutting edge mimics the residential row housing to create distinct neighborhood parks/ lawns.
4 6 1
SEATING
2
STAGE
4
DRESSING ROOMS
5
REHEARSAL ROOM
6
TICKET OFFICE
7
LOBBY
5
1
4
The main opera main opera
2
1
25
|
7
A term
Since Riga, Latvia has a distinctive quality of light, the concept of the terminal is to create a dynamic skin by parametric modeling that will respond to the light. Parametrically the skin could be open both horizontally and vertically and three attractor points control the openings. The vertical openings are highest around the middle of the terminal and it decreases as it moves towards the piers and the horizontal openings are the opposite. The extruded skin will help to prevent direct light into the building. Both the Schengen and Non-Schengen sides of the terminal are identical that the entire passenger could enjoy the same experience. The arrivals people are greeted by the grand scale arrival zone and it gives them a friendly welcome.
SECTION: A-A’
SECTION : A - A’ SECTION: B-B’
|
26
AIR BALTIC TERMINAL, RIGA RADIANT AIR BALTIC
minal where the performative skin respond to the light
EXTERIOR SKIN
STRUCTURAL GRID
FLOOR SLAB
MULLION
COLUMNS
SCALE = 1:1000
27
|
M
M
M
M
M
A B737-500
olPoint
olPoint BoardingContr
olPoint
B737-500
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
4.5720 4.5720
BoardingControlPoint
BoardingControlPoint
B737-500
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
4.5720
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
B737-500
BoardingControlPoint
BoardingControlPoint
4.5720
BoardingControlPoint
BoardingContr
B737-500
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
4.5720
BoardingControlPoint
olPoint
BoardingContr
BoardingContr
BoardingControlPoint
BoardingControlPoint
Point
BoardingControl
BoardingControlPoint
BoardingControlPoint
Point
BoardingControl
Point
BoardingControlPoint
BoardingControl
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
4.5720
SCALE = 1:1000
2 nd FLOOR PLAN B’
|
28 M
M
M
M
M
M
M
Point
B737-500
4.5720
4.5720
W BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
BoardingControlPoint
PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint
00
4.5720
B737-500
S B737-500
B737-500
C’ 4.5720
4.5720
B737-5
4.5720
B737-500
4.5720
B737-500
4.5720
B737-500
4.5720
B737-500
0
B737-500
BoardingControl
PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint
TAXI STAND
4.5720
4.5720
4.5720 4.5720
OFFICES
A’ AIR SIDE
SECURITY CHECK
N TICKET AND BOARDING PASS CHACK IN
E LANDSIDE
F-70
F-70
A
4.5720
B737-500
4.5720
B737-500
4.5720
B737-50
B737-500
BoardingControlPoint
B737-500
4.5720
00
B737-500
B737-500
B737-500
M
B737-500
4.5720
B737-5
4.5720
B737-500
B737-500
B737-500
B737-500
4.5720
0
4.5720
B737-50
B737-500
4.5720 4.5720
B737-500
B737-500
4.5720
B B737-500
B737-500
M
B737-500
C AIR SIDE
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
InmigrationControlPoint
BUS STAND
LAND SIDE
4.5720
4.5720
DUTY FREE
FOOD AND BEVERAGE
RETAIL
BAR
RESTROOMS
29
|
SHAKER’S REGIMEN
Dance pavilion: performance driven from Shaker comm SHAKER COMMODE SHAKER TOWN COLLECTION LOCATION: HANCOCK SHAKER VILLAGE DATE : 1830
SHAKER ARTI-
The three performances and affects inherent in the Shaker commode are: heat stack, obscuration, and multiple flow. Similar to heat stack, the odors travel from the commode through holes, metal tubes and the chimney and released in the air. This type of commode was mainly used in the infirmary because of the hygienic quality of this. The odors also had a chance to travel from different part of the commode. The shakers used tri-folded screen for privacy.
09 MULTIPLE FUNCTIONS
HEAT STACK
OBSCURATION
|
PIANKA PAUL AD3 2010 ERIK CARVER
30
mode
The Horizontal two-way frame structure of the pavilion will arrive from the performance of the artifact (Commode). It also helps to bring the natural light inside as well as the ventilation in to the space. The overall structure of the pavilion will represent the heat stack where the hot air from the dance floor will rise up and the cool air will come from the bottom. The panels from the overhangs and the walls will be obscure that those obscured the sun and the view from others. The program is separated into three-separated area to create different airflows. They are, a big enclosed open roof dance hall, a open small dance hall shaded by a overhang, and the enclosed area including the rest rooms, storage and the kitchen.
31
|
SHAKER’S REGIMEN
Shaker museum: performance driven from Shaker co
The concept of the museum arrive from the three performance of the shaker Commode, heat stack, obscurity and multiple flow. The design of the museum assisted the exhibition of shaker culture at varying scales: artifacts, family, village, and the society. The tower act as core and it is a unusual space in the museum, where there is a indoor garden at the ground level. Being inside the tower, a person will feel holy because of the darkness and the little light comes from the top and from the opening in the facade. The tower also creates a heat stack effect. The façade of the museum is perforated metal and it creates obscurity. The size of the holes depends on the side of the museum. Southern side has smaller holes then northern side. The openings allow day light but prevents direct sunlight into the museum. The inverted pyramid shape also help shading the building.
11
|
32
ommode
A
14. LOBBY/ TICKETS 15. LOUNGE/ CAFE
14
7.
COLLECTION STORAGE
8.
LOADING DOCK
9.
FREIGHT LIFT
17.
FIRE STAIRS
18.
ELEVATOR
17
8
B
9
B’
18
15
7
A’
33
|
LEVEL : 1
GALLERY SEQUENCE NORTH ELEVATION
EXHIBITION ADMINISTRATION PUBLIC AMENITY STORAGE
INTERIOR CIRCULATION
SECTION : B - B’
STRUCTURE
GIRDER = W-SHAPE JOIST = OPEN WEB STEEL JOIST COLUMN = SQUARE TUBING FOUNDATION = CONCRETE NATURAL VENTILATION THROUGH NEGATIVE SPACE
|
34
35
|
PIANKA PAUL pianka.paul@gmail.com TEL: 515-612-0917