ronald Hunter
is an artist who is fascinated by texture and
the layering method. “I can still see a small yellow dot from a poster from six months ago, buried under two faded orange leaflets; the leaflets themselves also covered by a large stenciled poster with a blue bird. The layers of “street wall posters” fascinate me - with their random shapes and colors, created by accident. Together they form a work of art. Something I also want to reflect in my own work. You might recognize some of the layers of color in the artwork.”
A
1
A
FM001-A
Grey White | Ronald Hunter | suggested size 36 x 24
B
FM007-A
Blue Lots | Ronald Hunter | suggested size 24 x 36
C
FM009-A
Blue Lots Second | Ronald Hunter | suggested size 24 x 36
D
FM008-A
Blue Lots Fields | Ronald Hunter | suggested size 24 x 36
P I C R E ATI VE A RT
B
D
C P I C REAT I V E A R T
2
A
B
C
3
P I C R E ATIVE A R T
D
E
A
FM006-A
Striped Grey and Blue | Ronald Hunter | suggested size 40 x 20
B
FM012 -A
Orange Blue Landscape Lots | Ronald Hunter | suggested size 40 x 20
C
FM013-A
Striped Orange | Ronald Hunter | suggested size 40 x 20
D
FM004-A
Striped Distance | Ronald Hunter | suggested size 24 x 36
E
FM005-A
Pont | Ronald Hunter | suggested size 24 x 36
P I C RE AT I V E A RT
4
A
5
A
FM002-A
Colours Colours | Ronald Hunter | suggested size 36 x 24
B
FM010-A
Blue Black Line | Ronald Hunter | suggested size 36 x 36
C
FM0 1 1 -A
Japan | Ronald Hunter | suggested size 36 x 36
D
FM003-A
Blue Glass Window | Ronald Hunter | suggested size 24 x 36
P I C R E ATI VE A RT
B
D
C
P I C RE AT I V E A RT
6
michael hertog
was born in Montreal in 1951, Michael has
lived in Vancouver most of his life. He pursued independent studies at the University of British Columbia, Emily Carr University of Art & Design, the Federation of Canadian Artists, and the Instituto Nacional de Bellas Artes (Mexico). He has taught painting and creative process at the Federation of Canadian Artists, where he also served on the board of directors from 1998 to 2002. Michael’s work has been exhibited in public and commercial galleries in Canada, the USA and Mexico. He also operated his own gallery in an open studio environment on Granville Island in Vancouver from 2001 to 2007.
A
7
B
P I C R E ATIVE A R T
C
D
E
A
ME004-A
Counterpoint II | Michael Hertog | suggested size 36 x 24
B
ME006-A
Mondrian Revisited | Michael Hertog | suggested size 36 x 36
C
ME001-A
Circles # 7 | Michael Hertog | suggested size 36 x 24
D
ME002-A
Circles # 6 | Michael Hertog | suggested size 36 x 36
E
ME003-A
Drift | Michael Hertog | suggested size 36 x 24
P I C RE AT I V E A RT
8
A
B
Jada’s abstract works are inspired by the abstract expressionist movement. Using the principles of color field painting that was first popularized by Mark Rothko, Jada’s palette is subdued in luscious teals. Her composition uses rich texture and bold brushstrokes.
9
A
JZ001-A
Edge of the Ocean I | Jada | suggested size 24 x 36
B
JZ002-A
Edge of the Ocean II | Jada | suggested size 24 x 36
P I C R E ATIVE A R T
Mark Pulliam
studied drawing and painting at
Brevard Community College and at the University of Central Florida. Pulliam, was born in Cocoa, Florida and at the age of twenty-two he opened his first gallery. Today his paintings can be seen all over the world from presidential suites, resort lobbies and even the occasional film or television shows, and are on display in local galleries and galleries across the world.
A
MP015-A
The Kiss | Mark Pulliam | suggested size 36 x 36
P I C REAT I V E A R T
10
A
11
A
MP012-A
Highwire | Mark Pulliam | suggested size 36 x 24
B
MP003-A
Pose I | Mark Pulliam | suggested size 24 x 36
C
MP004-A
Pose II | Mark Pulliam | suggested size 24 x 36
D
MP007-A
Wirebird I | Mark Pulliam | suggested size 24 x 36
E
MP008-A
Wirebird II | Mark Pulliam | suggested size 24 x 36
P I C R E ATI VE A RT
B
C
D
E
P I C REAT I V E A R T
12
A
B
13
P I C R E ATI VE A RT
C
D
E
A
MP01 3-A
A moment of light | Mark Pulliam | suggested size 24 x 36
B
MP009-A
The History of Losing Zeroes Part I | Mark Pulliam | suggested size 24 x 36
C
MP01 0 -A
The History of Losing Zeroes Part II | Mark Pulliam | suggested size 24 x 36
D
MP005-A
Unwind I | Mark Pulliam | suggested size 24 x 36
E
MP006-A
Unwind II | Mark Pulliam | suggested size 24 x 36
P I C RE AT I V E A RT
14
PI STUDIO - Allison Pearce was born in ReykjavĂk, Iceland in 1971. She took to art at a very young age, it quickly became her passion. At age 16, had her first Gallery showing in a local gallery but founded her current style and personal touch during her formable years at university.
Today, Allison Pearce paints from her home in Toronto, Canada. Interlacing her traditional hand with contemporary design, she captures the essence of nature’s glory with her decorative color palette and appreciation of the outdoors. Inspired by nature she finds much of her motivation hiking and camping in the late summer days.
A
B 15
P I C R E ATIVE A R T
C
A
PA678-A
Aurora | PI Studio - Allison Pearce | suggested size 27 x 27
B
PA790-A
Sundried and Spotted | PI Studio - Allison Pearce | suggested size 40 x 20
C
PA689-A
Earthscape | PI Studio - Allison Pearce | suggested size 36 x 24
P I C REAT I V E A R T
16
A
C
D
17
P I C R E ATIVE A R T
B
E
F
A
PA673-A
Oribis Blue on Green | PI Studio - Allison Pearce | suggested size 27 x 27
B
PA674-A
Oribis Orange and Blue | PI Studio - Allison Pearce | suggested size 27 x 27
C
PA672-A
Organic I | PI Studio - Allison Pearce | suggested size 40 x 20
D
PA679-A
Organic II | PI Studio - Allison Pearce | suggested size 36 x 12
E
PA612-A
Geometrics I | PI Studio - Allison Pearce | suggested size 18 x 18
F
PA613-A
Geometrics II | PI Studio - Allison Pearce | suggested size 18 x 18
P I C RE AT I V E A RT
18
A
B
Ruth Palmer
was born and raised in Edinburgh, Scotland, Palmer
now resides in Calgary, Canada. While her primary influence is spiritual, her art is also influenced by the richness of Manet’s impressionist works and what she deems “the colorful play and balance” of Kandinsky’s. Like Kandinsky, for whom spiritual influences counted heavily, there’s a certain intentional separation with Palmer’s art that allows viewers to participate in creating the artwork. The disunion is repaired when the painted form connects to the viewer’s soul. Ruth’s works are extremely popular in print, particularly in the design market and hospitality industry.
19
P I C R E ATI VE A RT
A
RP009-A
Serene Clearing I | Ruth Palmer | suggested size 36 x 36
B
RP010-A
Serene Clearing II | Ruth Palmer | suggested size 36 x 36
C
RP012-A
Lines of Distinction I | Ruth Palmer | suggested size 36 x 36
D
RP013-A
Lines of Distinction II | Ruth Palmer | suggested size 36 x 36
E
RP011-A
Wondering | Ruth Palmer | suggested size 36 x 24
F
RP014-A
Lines of Distinction III | Ruth Palmer | suggested size 36 x 12
C
D
E
F
P I C RE AT I V E A RT
20
A
B
C
D
E
F
21
P I C R E ATI VE A RT
G
H
I
J
A
RP01 5-A
Love Transformed I | Ruth Palmer | suggested size 24 x 40
B
RP01 6-A
Love Transformed II | Ruth Palmer | suggested size 24 x 40
C
RP01 7-A
Love Transformed III | Ruth Palmer | suggested size 24 x 40
D
RP01 8-A
Time Marches On I | Ruth Palmer | suggested size 24 x 40
E
RP01 9-A
Time Marches On II | Ruth Palmer | suggested size 24 x 40
F
RP020-A
Time Marches On III | Ruth Palmer | suggested size 24 x 40
G
RP023-A
Instant Song I | Ruth Palmer | suggested size 36 x 36
H
RP02 1 -A
Literature of Peace I | Ruth Palmer | suggested size 36 x 20
I
RP02 2 -A
Literature of Peace II | Ruth Palmer | suggested size 36 x 20
J
RP024-A
Instant Song II | Ruth Palmer | suggested size 36 x 36
P I C RE AT I V E A RT
22
Thomas Gress
was born in Wisconsin, Mr. Gress has been painting
since childhood. After a successful career in the music industry, which is featured in many publications, Tom turned to painting full time and is a Governor’s Arizona Artist of the Year Nominee. He favors painting representational as well as abstract art. His representational paintings are known for a realistic painterly style. The abstract art Mr. Gress creates, is based on good design and intelligent use of color with movement.
A
B
23
P I C R E ATIVE A R T
C
D
F
E
G
A
TG003-A
Darkened Emotion | Thomas Gress | suggested size 36 x 24
B
TG005-A
Devotion II | Thomas Gress | suggested size 24 x 36
C
TG008-A
Layered Poetry I | Thomas Gress | suggested size 24 x 36
D
TG004-A
Devotion I | Thomas Gress | suggested size 24 x 36
E
TG009-A
Layered Poetry II | Thomas Gress | suggested size 24 x 36
F
TG006-A
Material Movement I | Thomas Gress | suggested size 36 x 24
G
TG007-A
Material Movement II | Thomas Gress | suggested size 36 x 24
P I C RE AT I V E A RT
24
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