36th Annual Auction Catalog, Black and White Gala by Pilchuck Glass School

PILCHUCK GLASS SCHOOL 36TH ANNUAL AUCTION BLACK AND WHITE GALA

PILCHUCK GLASS SCHOOL FOSTERS AND EDUCATES A WORLDWIDE COMMUNITY THAT EXPLORES THE CREATIVE USE OF GLASS IN ART AND DESIGN.

P I LC H U C K G L A S S S C H O O L Pilchuck is an internationally recognized school that offers an in-depth education in glass. The school is located fifty miles north of Seattle, Washington, in the forested foothills of the Cascade Range, overlooking Puget Sound. Each summer, Pilchuck offers a broad spectrum of courses in the use of glass as an expressive material along with annual residencies for emerging and established artists. Pilchuck’s programs, residencies, and events emphasize experimentation, investigation, teamwork, and personal growth. Students and instructors from all over the world and across the United States come to Pilchuck. Since its founding in 1971 by Dale Chihuly, Anne Gould Hauberg, and John H. Hauberg (1916–2002), Pilchuck has been a creative retreat where artists teach artists in a supportive environment. Pilchuck is open to applications from novice, aspiring, and professional artists with the desire and commitment to learn in any of three dozen one-week to three-week courses offered from May to September. The school also invites renowned artists who typically work in media other than glass to expand their art through collaboration and individual research by working with accomplished glassmakers. Fall and spring residencies provide emerging and established artists working in glass the time and space to develop new processes or create fresh bodies of work through individual and collaborative projects.

OCTOBER 24, 2014

Pilchuck’s outreach and special events connect our extended community of artists and supporters. Events take place on campus, in Seattle, and throughout the United States and abroad, showcasing the breadth and depth of contemporary art created with glass.

EV ENI NG PROGRAM

Guest registration

opens at

4:45pm

3rd floor, The Westin Seattle

Cocktail reception and Silent Auction Bidding

opens at

5:00pm

4th floor

Live Auction Preview

opens at

5:00pm

4th floor, Fifth Ave room

Totem Pole silent auction 1

closes at

6:15pm

4th floor, foyer

Buster's Tree House silent auction 2

closes at

6:30pm

4th floor, ballroom

The Lodge silent auction 3

closes at

6:45pm

4th floor, ballroom

Trojan Horse silent auction 4

closes at

7:00pm

4th floor, ballroom

Centerpiece

closes after Live item 20

Live

begins at

ends at

7:15pm

10:00pm

4th floor, ballroom 4th floor, ballroom 4th floor, ballroom

IAN LINDSAY Auctioneer Ian Lindsay is an auctioneer, actor, and acting teacher. He has been honored to assist a wide range of non-profit organizations from around the Puget Sound and across the country, and he is very happy to be back with Pilchuck this year. Last year, Ian spent an amazing week on the Pilchuck campus taking his first small steps as a glass artist in training. Ian had his Seattle International Film Festival debut this year in Decimation, and has recently appeared at the Seattle Children’s Theatre as well as other local theatre venues. He also serves as a lead teacher for the Children’s Theatre’s drama school. A former member of the Seattle Arts Commission, and board member of Seattle’s Shunpike, Ian works to promote the fiscal health of the arts in the Puget Sound region. Ian is proud alum of Seattle University’s Philosophy and Drama programs.

LARA WEASEA Announcer Lara Weasea has been working in and around the arts most of her adult life. She graduated in Interdisciplinary Visual Arts and Art History from The University of Washington, then pursued both a fine arts gallery position with AT.31 Gallery, and a non-profit museum position as the Interpreter for the Museum of Glass for many years. Her arts career has settled her into Traver Gallery, where she is currently the General Manager. As a passionate supporter of the Seattle art community, Lara is thrilled to assist with the Pilchuck Auction this year.

TA BL E OF C ON T E N TS

Live Auction

Evening Program

Your Host

Fund-the-Future

Silent Auction

Welcome Letter

1 – Totem Pole

Items 100–137 46–57

From the Auction Chair

2 – Buster's Tree House

Items 200–225 58–67

Items 1–56 22–45

Emerging Artists in Residence

3 – The Lodge

Items 300–347 68–81

John H Hauberg Fellowship

4 – Trojan Horse

Items 400–445 82–95

2014 Pilchuck Celebrates

12–13

Donors, Sponsors, & Benefactors

14–15

Pilchuck Leadership & Staff

About the Centerpieces

Glossary of Glass Terms

Poleturners Union, Local 1201

Index of Donating Artists

About the Auction

120–125 127 128–131

20–21

F U N D -T H E - F U T U R E

RAISE YOUR PADDLE TO SUPPORT AND ENHANCE PILCHUCK’S FUTURE Tonight, you have a special opportunity, through your generosity, to support our educational programs. Once a three-month summer workshop, today we run yearround offering courses and exhibitions on our picturesque campus north of Seattle and now in our new space in Pioneer Square. We work together with local schools, galleries, museums and universities to pool resources, develop new programs and expand residencies and scholarships. We’re engaging new audiences including youth advocates, critics, curators, collectors as well as leading figures in art, design, architecture, music and science. Pilchuck looks to the future of glass education. Our role is to stay at the forefront of how artists are using glass and to expose them to new ideas and ways of working. Our students and faculty understand the world of contemporary art, digital media and collaboration between disciplines where artists meld techniques and ideas to make powerful new expressions in glass. They want not only to know about the ‘how’ of making glass but also the ‘why’. Goals for this year include updating and modernizing our facilities, as well as enhancing energy efficiency and sustainability. New designs and state-of-the-art facilities will save energy and train artists to apply our improvements to their studios. A robust computer lab and solid IT infrastructure can give artists the capability to previsualize complex designs in three-dimensions. We are continually finding ways to allow students to incorporate digital, sound and image innovations into their work. At Pilchuck, the future of glass is already here. 4

PILCHUCK ALLOWS YOU TO DIALOG WITH A MATERIAL THAT OTHER ARTISTS MIGHT NOT ORDINARILY DO. GLASS IS AN EXTRAORDINARY MATERIAL AND I’D LIKE TO SEE MORE OF IT IN THE GENERAL ART WORLD. B E LL A F E L D M A N Artist in Residence, 2014

YO U R C O N T R I B U T I O N H E L P S :

Expand financial aid to talented ‘diamonds in the rough’ who need the experience of a lifetime to propel them to the next level of their creativity and career. Refresh our facilities, taking the historic traditions of glassmaking into the modern era, create energy efficiency and train our students in the best methods and equipment. Attract the most renowned artists — both traditional and contemporary — to teach, learn, create new works and share their knowledge. Sustain and international community working together to create a lifelong collaborative network of support. Please support Pilchuck’s mission to foster and educate a worldwide community that explores the creative use of glass in art and design.

WELCOME FROM THE EXECUTIVE DIRECTOR & BOARD PRESIDENT JAMES BAKER Executive Director

Dear Friends, Since its founding in 1971, Pilchuck Glass School has been recognized as the preeminent school for the study and creation of works of art in glass. During the past four decades, it has served thousands of aspiring and accomplished artists from around the globe. Today, this prestigious school remains as vibrant and innovative as the day it opened. Its core values are as enduring as its success: to inspire creativity in the making of art, to transform individuals and to develop their personal lives and professional careers, and to build a community of mutually supportive artists.

T I M OT H Y D. N O O N A N Board President

In its thirty-sixth year, the Pilchuck Annual Auction has become a renowned charity auction of glass works created by an international roster of artists. The auction's success is based on the collaboration between artists who generously donate excellent works of art and individuals who wish to purchase these remarkable pieces. Both contribute, the artists because they believe in the mission of a school that has played a formative role in their artistic and professional development, and the purchasers because they are drawn to the beauty of the work. By making a purchase at the auction, or by donating to Fund-the-Future, you are helping to ensure that Pilchuck continues to strengthen its role as the most comprehensive program in the education of aspiring and established artists in glass. All of us at Pilchuck Glass School offer our gratitude for the dedication and work of so many who make this auction possible â&#x20AC;&#x201D; the hundreds of generous artists, the auction chair and committee, the trustees, volunteers, staff . . . and you, for your participation and generous support! We look forward to seeing you at this very special event, celebrating our rich heritage and a vibrant future of artistic experimentation and expression in glass. With sincere thanks,

JAMES BAKER

T I M OT H Y D. N O O N A N

FROM THE 2014 AUCTION CHAIR Welcome to Pilchuck’s 36th annual auction, “Black and White Gala”. What is it that attracts artists from all over the world to Pilchuck to ROGER MACPHERSON President, MacPherson Construction & Design 2014 Auction Chair

take classes, work as artists in residence, become teaching assistants, or simply wash dishes? Why do all different levels of artists — from beginners to professionals — choose to come to Pilchuck to hone their craft and expand their vision? Pilchuck is more than just a school; for most artists, attending Pilchuck marks a significant turning point in their lives and artistic careers. Pilchuck is a international community that is about sharing a passion for glass, where students can learn cutting edge concepts, alongside the most traditional glass techniques, taught by masters of their craft. Pilchuck stands out as having some of the most dedicated staff, revered instructors, and comprehensive facilities and equipment found in the field. The Pilchuck campus is not a just a school, it is an experience that is immersed in creative energy, glass history, and inspiring natural surroundings. I would encourage all artists and supporters to visit campus participate in this experience — you will feel the magic. Once a year Pilchuck picks one day to celebrate, support, and share artwork from Pilchuck’s international roster of artists. I would like thank these amazing artists — both those who donated artwork and those who volunteered — who worked to make this Gala unique. A special thank you goes out to the team that donated their time making our beautiful center pieces. We know that there are many institutions are vying for your support and sincerely thank you for choosing to donate your time, energy, and artwork to Pilchuck. Putting on an event of this stature is no small undertaking. Our auction team has done an amazing assembling a fantastic party to accompany the gorgeous auction pieces that will be available for purchase. I applaud their collective efforts and creativity. I hope that you enjoy the gala and will raise your paddle in support of this incredible school! This is a unique opportunity to acquire art from some of the most important artists in the world, discover new and emerging artists, and take home an artwork or experience that will enrich your life for years to come. Thank you for your support and helping to keep Pilchuck’s magic alive.

ROGER MACPHERSON

2014 PROGRAM

2014 EMERGING ARTISTS IN RESIDENCE The EAiR program supports six artists who are making a transition in their professional lives. Whether moving from academia to a professional studio practice, taking up a new medium, or beginning a new body of work, artists find this independent residency ideal for contemplation, research, and experimentation. Residents have access to Pilchuck studios for kiln forming, flameworking, printmaking, coldworking, and wood and metal working. Apply online by January 7, 2015.

SARAH BRILAND

I R E N A C Z E P C O VA

D AV I D K I N G

Y U K A OTA N I

M AT T H E W P E R E Z

ANNE PETTERS

2014 JOHN H. HAUBERG FELLOWSHIP Named for Pilchuck co-founder John H. Hauberg (1916–2002) — philanthropist, art collector, and important patron of artists — the fellowship was established to encourage collaboration among a group of outstanding artists. Groups of up to six members are invited to utilize the Pilchuck studios and campus environment for research and development of artwork based on a common theme or a collaborative project. Fellows have access to Pilchuck’s Mold & Kiln Shop, Cold Shop, Print Shop, and Wood & Metals Shop. Apply online by October 29, 2014.

ROBIN CASS

AMIE McNEEL

RACHEL MOORE

J A C K I E PA N C A R I

KAIT RHOADS

NORWOOD VIVIANO

2 0 1 4 P I L C H U C K C E L E B R AT E S

CELEBRATING FRED TSCHIDA 2014 Libenský | Brychtová Award Recipient Pilchuck Celebrates continues the school’s long-standing tradition of recognizing extraordinary contributions to the field of contemporary glass by honoring Fred Tschida as the 16th recipient of the Libenský | Brychtová Award. In 1970, Fred began his exploration in glass with Eriks Rudans at St. Cloud State University in Minnesota. While at St. Cloud, he interned with Dale Chihuly at the Rhode Island School of Design where Dale taught him to work with neon. As a MFA candidate at the University of Minnesota he built the school’s first neon studio. He graduated in 1977 and, since that time, his work has been nationally exhibited and is represented in major public and private collections. In 1985, Fred was invited by Dale Chihuly to teach at Pilchuck and establish the school’s neon shop. Along with Deborah Dohne, Fred designed and built a permanent luminous tube fabrication facility in the flat shop. Fred has returned to Pilchuck a dozen times as an artist in residence and instructor. Today, Fred is acclaimed as a leading pioneer of neon as an expressive medium — propelling it through experimentation and creating important artistic innovations. As Professor of Glass Design and Director of the Museum of Luminous Phenomena at Alfred University in New York, he is widely acknowledged as an influential educator. As a leader in Alfred’s renowned glass program and through numerous national workshops and symposia, Fred has inspired new generations of glass artists. 12

E X C E R P TS F R O M T H E A LV O R D S ’ A C C E P TA N C E R E M A R K S

“Tonight, we are all here to celebrate 43 years of the Pilchuck Glass School. Its founders — John Hauberg, Anne Gould Hauberg and Dale Chihuly — had a vision, a vision of what Seattle and the Northwest could become. Perhaps that vision started one hundred years ago when Nellie Cornish opened a small music school that is now Cornish College of the Arts. What that ‘Founding Generation’ saw was a community of symphony halls, opera and ballet performance halls, theaters, museums, parks, musicians, actors, dancers, singers, writers, painters, sculptors and, yes, glass blowers. They saw Seattle as a center for art and culture and they understood that art and culture are part of the foundation of a civil society.

CELEBRATING CHAP AND EVE ALVORD 2014 Pilchuck Patrons of the Arts Award Recipients The Pilchuck Patrons of the Arts Award recognizes individuals who have made a significant impact on the arts communities in Seattle and/or the U.S. and the world, and whose leadership and service have made a lasting difference to our quality of life. Chap and Eve Alvord have demonstrated an unwavering commitment and profound influence on the development and growth of Seattle as a cultural center. The Alvord family’s thoughtful, visionary, and energetic philanthropic work has been remarkable for its breadth and depth. Chap has held trusteeships with Pilchuck Glass School, Bush School, Seattle Repertory Theater, PONCHO, and University of Puget Sound. Eve has also served many organizations as a trustee including Seattle Children’s Theatre, Cornish College of the Arts, Seattle Art Museum, Seattle Symphony, and the Northwest African American Museum. Together they have not only served as advocates for the arts, they have directly supported artists. Their private collection includes works by Ginny Ruffner, Dale Chihuly, Lino Tagliapietra, Toots Zynsky, and Richard Royal.

Who could have dreamed, 43 years ago, that a group of young artists in the rain soaked woods of the Hauberg’s tree farm would start blowing bubbles in molten glass and that with the help of people like Lino Tagliapietra — himself a visionary — Pilchuck would eventually train so many world-class artists? Every time I watch you work I am blown away. You start with molten glass and through a myriad of almost magical techniques you transform it into magnificent works of art. Sadly, many of those ‘founding visionaries’ are passing away. But all of us are the beneficiaries of their vision. Their legacy is on our hands. We have an obligation to them. You, as artists, must continue to strive for perfection in your art form. The rest of us, as supporters, must continue to ensure that future generations understand the importance of their vision. Eve and I are thrilled and honored to receive this Pilchuck Patrons Award. We thank you all for enriching our lives with the beauty of your art and your friendship. Thank you.”

Through recognizing them with this award, we wish to show our deep gratitude to Chap and Eve for all that they have accomplished and continue to contribute through their leadership and support to Pilchuck and to the greater Seattle community.

H E A R T F E LT G R A T I T U D E

AUCTI ON COMMIT TEE

Roger MacPherson, Auction Chair Ellen Bakke Cassandria Blackmore Linda Bonica Daymon Bruck Leigh Canlis Anne Cohen-Ruderman

Deb Gross John Gross Jessica Kramer Havens Allison Kramer Ian Lindsay Nancy MacPherson Stephanie Page

AUCTI ON JURY

C E NT E R P IEC E JU RY

Jo-Anne Birnie Danzker Sarah Traver David Schnuckel

Ben Cobb Jen Elek Ethan Stern

Ryan Matthew Porter Dana Reid Barbara Wortley Cheryl Zahniser Lisa Zerkowitz

AUCT I ON TEA M LEA D E R S

Chris Black, Centerpiece Closers Laura Bowker, Pick Up Room Carolyn Brugge, Glass Handlers Frank Chinn, Volunteer Room Diana Everist Cox, Registration Lori Gregory, Benefactor Registration

Edward Hazen, Packing Room Florence Helliesen, Pilchuck on Display Sue Holbink, Packing Room Stew Law, Bid Spotters Joy Smith, Bid Runners

Sarah Terry, Silent Closers Tracy Vaughn, Greeters and Photo Crew Susan Welch, Table Prep

AUCTION SPONSOR S

Davis Wright Tremaine LLP Gaffer Glass USA Imagine Color Services KP Corporation

MacPherson Construction & Design Chateau Ste. Michelle Studio Matthews The Westin Seattle

ARTISTSâ&#x20AC;&#x2122; TA BLE S P ONSOR S

C OR P OR AT E TAB L E S PO N S O R

Chihuly Garden and Glass Deb and John Gross Steven and Babette Pinsky Schantz Gallery Joan Stonecipher Traver Gallery

Long Shadows Vintners / Allen Shoup Wells Fargo Private Bank Windermere Real Estate / Randy and Marla Heagle

GOLD BENEFACTOR S

Chap and Eve Alvord Rebecca Benaroya Steve Funk Leonard and Norma Klorfine Timothy D. Noonan

S I LV E R B E N E FACTO R S

John and Joyce Price Dorothy Saxe Sue and Martin Solomon Amy Stonecipher Joan Stonecipher

Patty and Jimmy Barrier Anthony F. Cole Patricia Edwards Gail Neuburg Christina Rifkin

Susanne Gee and George Mastrodonato Judy and Stuart Heller Jon and Judith Liebman Barry Morse and Candice Connell Christina Orr-Cahall

Steven Pinsky Ryan Matthew Porter Dana Reid and Larry Hitchon Zoe Schulman Richard and Barbara Wortley

COPPER BENEFACTOR S

Jeffrey Atkin David Austin and Cia Pierpont Ellen Bakke Cassandria Blackmore Chuck Cannon

ABOUT THE CENTERPIECES

2014 CENTERPIECE PROJECT Pilchuck Glass School is honored to recognize Scott Benefield as the 36th Annual Auction centerpiece designer. Scott Benefield is an artist, writer and educator who makes his home outside of Belfast, Northern Ireland. Benefield is a past president of the Board of Directors of the Glass Art Society (GAS) and currently serves on their Advisory Committee. He was awarded that organization’s Lifetime Membership Award in 2010. He has been a fellow at the Center for Creative Glass Center of America and the International Institute of Cane Technology (IICT), and has been an artist-in-residence at North Lands Creative Glass, the Corning Museum of Glass and the Tacoma Museum of Glass. He was the recipient of a Queen Elizabeth Scholarship Trust grant in 2013. His involvement with Pilchuck Glass School goes back to 1986, when he first arrived on campus as a scholarship student. He has returned many times since then as a member of the summer staff in various capacities and as a teaching assistant. He has been teaching classes at Pilchuck since 2005. Benefield continues to lead workshops in the innovative use of traditional cane techniques around the US, Canada, Europe, China and Japan.

AB O UT T HE C E N T E R PI EC ES “Working on the centerpieces with the Poleturners was a distillation of the Pilchuck experience,” he said. “It was educational, productive and positive, with everybody putting their energy towards a common goal.” The austerity of the centerpiece design, with its restrained palette and repetition of simple forms, is meant to enhance rather than dominate the setting. The cylinders become a flexible cluster of patterned lanterns that can be re-arranged at will, adapting to a wide variety of circumstances. PR O D U CT I O N T E AM Centerpiece Designer: Scott Benefield Designer’s Assistant: David Herring Project Manager: Randy Walker Assistant Project Manager: K. Leah Duperreault Coldworkers: Shane Caryl and Niels Cosman Gaffers: David Benyosef and Tyler Kimball

POLETURNERS UNION, LOCAL 1201 Wyatt Amend Josefin Andersson Devin Bannister Jason Bauer Christina Bullard Cailey Buye Alexandra Cannon Rachel Escoe Kevin Fletcher

Merv Frye Amanda Gundy Steven Hagan KT Hancock Chris Harman Jamie Katz Leah Kudel Ira Lujan Kevin Platt

Aaron Quigley Ryan Rodamer Ian Schmidt Allison Siegel Chris Stenzel Austin Stern Joe Tsoulfas Paul van den Bijgaart

Each spring, a group of volunteer glassblowers from around the world gathers on Pilchuckâ&#x20AC;&#x2122;s campus to carry out the vision of the centerpiece designer. This team is fondly known as the Poleturners Union, Local 1201. Thank you, 2014 Poleturners and production team.

T H A N K YO U

Special thanks to Gaffer Glass USA for the generous donation of color used to produce the 2014 Centerpieces and Benefactor gifts.

HOW THE AUCTION WORKS

THANK YOU FOR SUPPORTING PILCHUCK GLASS SCHOOL GET TI NG STA RTED Pre-register your phone at pilchuck.com/events/auction_gala.aspx.

OR Register your phone on the night of the auction with one of the GiveSmart staff members (in red shirts). Look for your “Welcome” text message from GiveSmart. HOW TO BID Using your smartphone, access your personal bidding page by clicking on the link in your Welcome text message.

Search for an auction piece by item number, name of artist, or category and place a bid. Tap on My Bids to see which items you’re winning and losing. B I D BY TEXT Access your Welcome text from GiveSmart.

Click Reply in your Welcome text. To view the current high bid, enter the item number, then press Send. Example: Enter “102,” then press Send. To place a bid, enter the item number and bid amount, then press Send. Example: Enter “102 300” to bid $300 on item number 102, then press Send. To enter a maximum bid, enter the item number and your highest bid amount. GiveSmart will automatically bid for you up to your maximum. DI R ECT D ONATIONS

Click the Donate tab on the GiveSmart homepage OR Text Give, enter the amount, then press Send Example: Text “Give 100,” then press Send. TI P S Watch for outbid notifications and enter higher bid amounts when you are outbid.

There are no guaranteed bids with electronic bidding. A minimum bid has been established for each silent auction item. You may not bid below this amount. If you do not have a mobile device, concierge bidders can bid for you. Look for GiveSmart staff members (in red shirts) on the night of the auction for technical assistance and Concierge GiveSmart bidding.

B I D CAR D S AN D B I D D I N G N U M B E R S You will receive your bid number and table number at registration on auction night. Bid cards will already be at your table for use during the live auction dinner. All sales are recorded and tracked using your assigned bid number. If you registered with a guest, you and your guest will share the same bidder number unless otherwise requested. S I L E N T AUCT I O N All silent auction bidding will be done via electronic bidding, powered by GIveSmart. The four silent sections and centerpiece sale open one week before the auction gala on October 18, 2014 at 5:00 pm. These sections will remain open until the evening of the gala on October 24, 2014. Silent sections close at staggered times throughout the auction gala event (see page 2 in the catalog and the evening program for silent auction closing times).

Each item offered in the silent auction is available for bidding using a smartphone or cell phone. Concierge GiveSmart bidders are available to assist with bidding on the night of the auction gala event. If you are the highest bidder on a silent item at the close of the silent section, your bid constitutes a legal contract to purchase the item. Collect your purchase through the regular checkout process at the end of the live auction. After the silent auction closes, any unsold items will be moved to the purple section of the silent auction for continued bidding. In the event of a dispute over a silent auction bid, oral bids may be taken at the discretion of the auctioneer — but only from those who have already placed bids. The auctioneer will determine the winning bid and the decision will be final. R E M OT E B I D D E R S AN D PR OX Y B I D D E R S If you are set up with electronic bidding through GiveSmart to participate in the silent auction (and not present at the event) you are a remote bidder. If you are set up though Pilchuck’s administrative team (reservations@pilchuck.com) to bid in the live auction (and not present at the event) you will be assigned a proxy bidder. Willing bidders participating in the silent or live auctions remotely will be charged a 10% buyers premium on the sales price of the item.

FUND -THE- F UTUR E Fund-the-Future is an opportunity to support Pilchuck with a monetary gift. This portion of the evening will take place during the Live Auction (after item number 34).

The auctioneer will invite you to hold up your card to pledge $100, $250, $500, $1,000, $5,000, $10,000, $15,000, $25,000, or $50,000 toward this cause. Hold your card in the air until your bidder number is read aloud. Pay for your pledge along with your other auction purchases. You may hold up your auction bid card multiple times to pledge more than one amount. L I V E AUCTION To bid in the live auction, hold your bid card up high with the number facing toward the auctioneer. Either the auctioneer or a bid spotter can accept your bid. The auctioneer reserves the right to reject any bid that is merely a fractional advance over the previous bid. The highest bid acknowledged by the auctioneer is deemed a legal contract with that bidder to purchase the item.

You may preview live auction items in the 5th Avenue Room of The Westin Seattle from 6–8 pm, October 23, 2014 and from 5pm, October 24, 2013 until the start of the live auction. The preview period ends once the live auction begins. CHECKOUT Cash, personal checks, and Visa, MasterCard, and American Express credit cards are accepted as payment for purchases.

All purchases are final. Purchased items must be paid for and removed from the premises by the end of the auction gala event. Items that are not removed or are left in the care of the UPS shipper will be shipped to the purchaser at the purchaser’s expense. There are no exchanges or refunds. SALES TA X A ND TA X DE DU CT IBILIT Y No sales tax is charged on purchases as all items have been donated to Pilchuck Glass School. Pilchuck Glass School is a registered 501(c)(3) charitable organization. If the price you pay for a piece exceeds its fair market value as stated in the auction catalog, the excess portion of the price may be tax deductible as a charitable contribution. Please consult with your tax advisor for details.

S HI PPI N G For your convenience, Pilchuck has arranged for the services of UPS to be available the night of the auction. The UPS Store shippers will pack your purchases in a second box and ship items at standard UPS rates, plus a fee for packing materials and labor. You will have the option to purchase insurance for your artwork, which is highly recommended. A UPS Store representative will be available during the auction, and you will be able to sign up for shipment of your purchases at anytime before or during the event.

Pilchuck Glass School will not ship your auction purchases. If possible, please take all of your purchases home with you. This ensures safe transport for your delicate glass items. Pilchuck volunteers will pack your purchases for you to take home at no extra charge. Once you have made arrangements with the UPS Store, Pilchuck Glass School is not responsible for your artwork and cannot, by shipping company regulations, intervene on your behalf with the shipper or carrier. You must resolve any concerns regarding artwork lost or damaged during shipping by contacting the UPS Store directly. Items left at the auction without shipping instructions will be shipped to the purchaser by Pilchuck at the purchaser’s expense. G E N E R AL R U L ES AN D I N FO R M AT I O N Pilchuck Glass School reserves the right to add or withdraw auction items without notice. Pilchuck has attempted to describe and catalog all items accurately, but all items are offered “as is.” Pilchuck neither warrants nor represents, and in no event shall be responsible for, the correctness of the descriptions, genuineness, authorship, provenance, or condition of the items. No statement made in this catalog, orally at the auction, or elsewhere shall be deemed such a warranty, representation, or assumption of liability. The values listed are estimates of fair market value. Items have not been appraised.

Each person (bidder) issued a bid number assumes all risks and hazards related to the auction and items obtained at the auction. Each bidder agrees to hold harmless from any liability arising therefrom Pilchuck Glass School, its elected and appointed officials, members and employees, the auctioneer, the auction company and its agents and employees, and the event organizers, sponsors, and/or volunteers connected with the auction. All items purchased become the property of the successful bidder once that bidder is acknowledged by the auctioneer and has completed the checkout process. We hope you have an enjoyable evening, thank you for supporting Pilchuck Glass School. 21

LIVE AUCTION begins at

7:15pm

HEIKE BRACHLOW

$1,900

Synthesis XXVII 4 x 3½ x 9 in Signed, 2014 Cast glass

Born and raised in Munich, Germany, Heike Brachlow received her BA in 2004 from the University of Wolverhampton and her MA in 2006 and PhD in 2012 from the Royal College of Art in London. She works primarily as a self-employed artist from her studio at Parndon Mill and as an educator, teaching glass in London and at various summer schools. Brachlow’s often precariously balanced sculptures aim to physically engage: the viewer becomes toucher — invited by words or form, boldly or guiltily. Her work reflects her attraction to movement and transformation, in both color and form.

H EIKE . BRACHLOW@NETWO RK . RCA . AC.UK HEIKEBRACH LOW.CO M BULLSEY EG A LLERY.CO M

P HOTO : ESTER SEG A RRA

MORGAN MADISON

$1,650

Impression #2 28 x 15 in Signed, 2011 Kiln-formed and coldworked glass wall panel

Morgan Madison is an artist based in the Pacific Northwest. He grew up in Denver, Colorado, the second of three brothers, and found his niche in art early on. Drawing was his first love, and it led him to Lewis and Clark College in Portland, Oregon, where he received a BA in studio art. A fateful job in a glass factory after graduation led to his interest in glass as a medium. Today Madison creates work informed by his love of drawing and inspired by place — the colors, textures, design, and landscape that help define the places we live. His work is regularly exhibited in art fairs throughout the country including those held by the American Crafts Council and Bellevue Arts Museum and is represented in numerous private collections. MO RG A N@MO RG A NVA NMA DISO N.CO M MO RG A NVA NMA DISO N.CO M P HOTO : P ROVIDED BY A RTIST

CAPPY THOMPSON

$ 4,000

Pale Blue Pilgrim with Peacock 7½ x 3½ x 7 in Signed, 2014 Diamond- and stone-wheel-engraved glass

Cappy Thompson is an internationally acclaimed Seattle artist known for mythopoetic narratives in vitreous enamels on glass. Her work is included in museum, corporate, and private collections worldwide. Thompson’s public commissions include a curtain wall at Seattle-Tacoma International Airport and a mural at the Museum of Glass, Tacoma. She has been recognized with fellowships from the National Endowment for the Arts and Artist Trust as well as Pilchuck Glass School’s Libenský | Brychtová Award for creative contributions in glass. Thompson has taught extensively and served on the boards of the Bellevue Arts Museum and the Glass Art Society. She is currently a member of Pilchuck’s Artistic Program Advisory Committee. CA P PY @CA P PY TH O MP SO N.CO M CA P PY THO MP SO N.CO M INFO @TRAVERG A LLERY.CO M TRAVERG A LLERY.CO M

JEN ELEK AND JEREMY BERT

$2,400

I Love U 62 x 5½ x 50 in Signed, 2014 Portable channel letters, rechargeable lithium batteries, LED lights Jen Elek creates landscapes of glass by combining color, form, multiple components, and innovative processes. She earned a BFA from the School of Art and Design at Alfred University in 1994. She has worked as a glassblower, metal fabricator, and educator and has been a member of Lino Tagliapietra’s team since 2001. Elek has been an instructor at Pilchuck Glass School and teaches glassblowing workshops throughout the world. Jeremy Bert works primarily with neon and found objects. He has taught two classes on neon light and found object sculpture at Pilchuck. Look! See? The Colors & Letters of Jeremy Bert and Jen Elek is currently a popular exhibition at the Museum of Glass, Tacoma, until January 2015. Elek and Bert work out of their shared studio in South Seattle. JENELEKG LASS@G MA IL .CO M

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JENNIFER UMPHRESS

$ 5,000

Love Me Not 10 x 7 x 9½ in Unsigned, 2014 Lost-wax-cast glass with flameworked components

Jennifer Umphress’s work often draws inspiration from her environment. Born and raised in California, she began working with glass in 2000 while living in Hawaii. She now lives and works in Kingston, Washington, where the Pacific Ocean continues to influence her work. Umphress studied with Cesare Toffolo during a month-long apprenticeship at MuraUnsigned, Italy, and has taken workshops with Robert Mickelsen and Janis Miltenberger. Her work has been shown nationally and Internationally.

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PILCHUCK WOULD LIKE TO THANK ALL OF THE CONTRIBUTING ARTISTS AND VOLUNTEERS. LIVE AUCTION

RIK & SHELLEY EXPERIENCE

$10,000

Libations and Creation

Enjoy libations at Rik and Shelley’s studio and take home a unique collaborative piece that the artists will make in your company. Winner can invite 6 of their friends to attend. Inspired by a life-long fascination with science, technology, and astronautic theory, Rik Allen’s spacecraft and cosmonauts combine blown glass and silver with a rich patina that reflects a sense of an anachronistic future. In 1995, Allen came to the Northwest to work at Pilchuck Glass School, and also become a member of the William Morris sculpture team, specializing in engraving, cutting, and finishing glass sculpture for 12 years. His work is held in many private and public collections, and was most recently featured in a solo exhibition at the Museum of Northwest Art. His work has been featured and reviewed in American Craft Magazine, American Art Collector, Glass Art Magazine, and Launch Magazine. The hot shop’s allure instantly captivated Shelley Muzylowski Allen in her first encounter with hot glass at Pilchuck Glass School. Muzylowski Allen has been awarded Provincial and Canada Council grants and her work is held in collections around the world. She has had a solo exhibition, Modern Menagerie, at the Museum of Northwest Art, and recent solo exhibitions at the Blue Rain Gallery. Muzylowski Allen is currently exhibiting at Habatat Galleries, MI, and also exhibits at Traver Gallery, and Thomas Riley Galleries. In 2012, she was a guest artist at Studio Salvadore in Murano where she collaborated with Davide Salvadore on a series of large-scale sculptures based on an idea inspired at Pilchuck. • Take home a collaborative piece created specially for this event (shipping/mounting not included) • Private studio viewing • Wine, beer, and northwest appetizers

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SUSAN STINSMUEHLEN-AMEND

$ 4,400

Pastoral Kuklos 33 x 3 x 29 in Signed, 2011 Kiln-fired paint on glass, wood support

Susan Stinsmuehlen-Amend is a Pilchuck Glass School board member and was the first woman president of the Glass Art Society. Her work is held in many private collections and public institutions, including the Corning Museum of Glass, Detroit Institute of Arts, the Los Angeles County Museum of Art, the Museum of Arts and Design, New York, and the Oakland Museum of California. She has been awarded two National Endowment for the Arts Fellowships, two Pilchuck Glass School Hauberg Fellowships, a Museum of Glass residency, the 2007 Libenský | Brychtová Award, and a Glass Art Society honorary lifetime membership.

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LAURA DONEFER AND JEFF MACK

$ 6,000

Classico Moderno 13 x 6 x 20½ in Unsigned, 2013 Blown glass with added texture

Laura Donefer has been using glass as her primary medium for more than thirty years, often in combination with diverse materials. Known for her colorful glass baskets, she also explores ideas concerning memory, assault, bereavement, joy, and madness. Every few years, Donefer organizes the Glass Fashion Show, a fantastical spectacle for the international glass community. Jeff Mack is an artist, teacher, and manager of the Toledo Museum of Art's glass program. A graduate of the Bowling Green State University School of Art, he has worked in glass in various contexts for more than twenty years, producing objects for artists and designers, managing teams, and demonstrating, teaching, and exhibiting his work internationally. L AURA DO N@KO S. NET

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FRITZ DREISBACH

$ 6,900

Dichroic Neodymium Cypress Trunk w/ Polychrome Filigree 11 x 9 x 18 in Signed, 1991–2014 Glass Fritz Dreisbach is an independent artist who teaches and makes glass at Island Glass Studio on Whidbey Island, Washington, and is celebrating more than fifty years of working with blown glass. Known as the “Johnny Appleseed of Glass,” Dreisbach has offered hundreds of workshops and lectures at more than 180 institutions in Asia, Europe, and North America. He is currently working on carved glass objects and cameo glass in addition to his Mongos, playful goblets, and “tricks and toys.” Dreisbach’s glass is represented in numerous collections, including those of the Corning Museum of Glass, Hsinchu Cultural Center in Taiwan, the Secondary School of Glassmaking in Kamenický Šenov, the Smithsonian American Art Museum, and the Toledo Museum of Art.

ROB STERN

$10,000

Windstar 18 x 16 x 18 in Signed, 2014 Mold-blown and fabricated glass

Rob Stern has a performing arts background and received an MFA from the University of Miami in 2003. In that year, he established Rob Stern Art Glass in Miami, which executes large-scale architectural projects and original sculpture worldwide. He has attended Pilchuck Glass School for twenty-five consecutive summers and has frequently taught and has served as gaffer there. Stern designed the 2012 Pilchuck Annual Auction centerpieces. He has worked with many artists throughout the world and continues to teach at numerous institutions in the United States and abroad.

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JANUSZ POŹNIAK

$12,000

Sanctuary 14 x 14 x 14 in Signed, 2012 Blown glass

Janusz Poźniak has been blowing glass and exhibiting his work for more than twenty-eight years, participating in numerous exhibitions in the United States and in England. Since 1986 he has been intensively engaged in pedagogical activities, teaching throughout the United States, including the Rhode Island School of Design, Tyler School of Art, Alfred University, PGC Pittsburgh, Pilchuck Glass School, the Corning studio as well as in Scotland, Japan, Australia and Turkey. He has collaborated and worked with many outstanding glassmakers, including Dale Chihuly, Charlie Parriot, Lino Tagliapietra, Ruth King, Dante Marioni, among others. His works are characterized by a high degree of technical difficulty and a perfect execution based on an excellent knowledge of Venetian techniques. JA NUSZP OZNIA K@G MA IL .CO M

MORGAN PETERSON AND ALEXANDRA CANNON

$ 6,500

Black O and White Lines 20 x 4½ x 4½ in Signed, 2014 Blown glass, filigrano con spirale, sandcarving

Morgan Peterson graduated from Massachusetts College of Art and Design in 2006 with a dual BFA. In 2007, she relocated to Seattle and became involved with Pratt Fine Arts Center and Pilchuck Glass School, where she has worked on staff and as a poleturner and teaching assistant. She works at the Museum of Glass, Tacoma. Alix Cannon gained her entry into the amazing world of glassblowing through her work at UrbanGlass. She has since moved to Seattle and immersed herself in glass art, dedicating her time to discovering and investigating the techniques, styles, and processes that make glass unique and limitless. Peterson and Cannon work for many notable artists around the Seattle area, including Nancy Callan and James Mongrain. MO RG A NP ETERSO N83@G MA IL .CO M

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TOM ROWNEY

$ 5,400

Untitled 7 x 7 x 32½ in Signed, 2013 Blown glass

Tom Rowney began his glassmaking career as a trainee with glass artist Nick Mount at the Budgeree Glass Factory in Australia. Following graduation from the Australian National University, Canberra, in 1996, he worked for many fellow glassmakers, including Ben Edols and Kathy Elliot. Rowney has become renowned as one of Australia’s foremost glassblowers, and his great passion is creating contemporary glass forms with precision and accuracy. He continues to be sought for both his teaching and his glassblowing skills by glass studios and artists in Australia and overseas. Rowney exhibits his personal art both nationally and internationally.

ETHAN STERN

$7,000

Solaris 15 x 4 x 15 in Signed, 2013 Blown and wheel cut glass

Ethan Stern was born in Ithaca, New York, and currently lives in Seattle. He earned his associate’s degree in ceramics at TAFE College in Brisbane, Australia, and his BFA in sculpture and glass from Alfred University. Stern’s work is widely exhibited and is currently featured in the collections of Glasmuseet Ebeltoft in Denmark, the Museum of American Glass in New Jersey, and the Palm Springs Art Museum in California. He has taught sculpture in glass at Penland School of Crafts, Pilchuck Glass School, the Pittsburgh Glass Center, Pratt Fine Arts Center, and the University of Washington.

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KAREN WILLENBRINK-JOHNSEN

$ 8,500

Vulturine Guineafowl 14 x 8 x 22 in Signed, 2014 Fused-powder drawings, sculpted hot glass

A testimony to her love of nature, Karen Willenbrink-Johnsen’s work is the result of countless hours of observation and decades of immersion in the glassworking experience. Along with her husband and collaborator, Jasen Johnsen, she works in their hot-glass studio in Bow, Washington and shows her work in exhibitions and through galleries in this country and abroad. When they are not making glass, the two conduct sculpting workshops worldwide.

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ANNA SKIBSKA

$ 4,000

Soft/Green 20 x 8 x 11 in Signed, 2014 Glass, Anna Skibska Technique

Anna Skibska studied in the Department of Painting at the Academy of Art in Wrocław, Poland. She received her diploma in 1984 and the lifetime achievement Honeycomb Award in Poland in 2014. Skibska's work has been presented at the Museum of Glass, Tacoma and the Dahl Arts Center in Rapid City, North Dakota.

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AMBER COWAN AND LAURA DONEFER $ 4,000

Pilchuck Collaboration 11½ x 8 x 6 in Signed, 2014 Blown glass with cane drawings, hot assembled flameworked additions Amber Cowan revitalizes found glass objects and factory remnants by transforming them into sculptures that pay homage to glass and history. In 2012, she was awarded the Stephen Procter Fellowship by the Australian National University, Canberra. Cowan currently has a solo exhibition at the Museum of Craft and Design in San Francisco. She is a faculty member at Tyler School of Art. Laura Donefer has been using glass as her primary medium for more than thirty years, often in combination with diverse materials. Known for her colorful glass baskets, she also pushes boundaries with work that explores ideas concerning memory, assault, bereavement, joy, and madness. Periodically Donefer organizes a Glass Fashion Show, always a spectacle for the international glass community.

WALT LIEBERMAN AND DICK WEISS “WD40X”

$ 5,500

Amorita 16 x 23 in Signed, 1995 Fired enamels on glass

Walter Lieberman is an internationally known glass painter. He has taught at Haystack Mountain School of Crafts, Penland School of Crafts, Pilchuck Glass School, and Pratt Fine Arts Center. His work is in the collections of the Corning Museum of Glass; the Museum of Glass, Tacoma; Glasmuseum Frauenau; and the Musée des Beaux-Arts de Montréal. He currently lives and works in Seattle and lectures on the history of glass at the Museum of Glass, Tacoma. Dick Weiss received his BA from Yale University. He has been selected for two National Endowment for the Arts craftsman grants, two Hauberg fellowships, and has been an artist in residence at Pilchuck Glass School. Weiss’s work is in the collections of the Corning Museum of Glass and the Victoria and Albert Museum in London. WA LTL@CO P P ER. NET

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STEVE KLEIN

$7,800

Balance 75 19 x 19 x 8 in Signed, 2007 Kiln-formed and blown glass

Steve Klein lives and works in La Conner, Washington. He uses shape, color, line, texture, and the matchless reflection of light that only glass can provide in creating a wide variety of imagery in his work. In his recent work, he seeks to explore what he describes as the fragile state of relationship and balance and to interpret personal visions that make him pause and appreciate what he is experiencing. Klein’s work is in the permanent collections of the Museum of Glass, Tacoma; the Museum of Art and Design, New York; the National Museum of Scotland, Edinburgh; and the Eretz Israel Museum, Tel Aviv.

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NANCY BLAIR AND RICK BARTOW

$ 8,000

Healing Basket — Love 15 x 15 x 22 in Unsigned, 2012 Blown glass

Nancy Blair has exhibited her art both internationally and nationally, and has been commissioned by the Museum of Fine Arts, Boston, The Franklin Mint, and The Women’s National Education Association. Her goddess sculpture was selected for inclusion in Oliver Stone’s movie, The Doors and is a widely published author. Rick Bartow was born in Newport, Oregon, in 1946. He is a member of the Wiyot Tribe of Northern California. His work has been featured in many solo and group exhibitions nationally and internationally. Recent career highlights include completion of We Were Always Here, a twenty-seven-foot sculpture commissioned by the National Museum of the American Indian, on the National Mall in Washington, D.C. NBL A IR 652@EA RTHLINK .NET

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RAVEN SKYRIVER

$ 9,300

Australis 31 x 9 x 19 in Signed, 2014 Blown, sculpted glass

Raven Skyriver is from Lopez Island and started blowing glass at the age of sixteen, learning from Lark Dalton, who also taught him how to build equipment. In 2003, he joined the William Morris team at Karen WillenbrinkJohnsen’s request. Skyriver worked on the team until Morris retired in 2007 and, galvanized by his experience, decided to pursue glass sculpting as a profession. His depiction of marine life is inspired by his island upbringing and informed by the creatures that inhabit this fragile ecosystem. He lives in Stanwood, produces his work in Seattle, and shows his work internationally.

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DANTE MARIONI

$14,000

Purple Leaf 12 x 3 x 25¾ in Signed, 2014 Blown glass

Dante Marioni comes from a family of artists and has been blowing glass since he was fifteen. His flawlessly executed blown glass forms are intensely individual and instantly recognizable, combining a deep reverence for glassmaking tradition with a masterful, and distinctly modern, sense of design. Marioni has participated at Pilchuck Glass School each summer since 1983 and currently serves on the school’s board of trustees. He has received international recognition for his work including the Louis Comfort Tiffany Foundation Award. Marioni’s work is held in the National Museum of Modern Art in Tokyo, the Los Angeles County Museum of Art, the Victoria and Albert Museum, and the White House Collection of American Crafts. WWW.DA NTEMA RIO NI.CO M

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HIROSHI YAMANO

$25,000

Fish Hanger #111 12 x 17 x 52 in Signed, 2006 Blown and sculpted glass with silver leaf engraving and copper plating, stone stand Hiroshi Yamano received an MFA from Rochester Institute of Technology and has exhibited in Australia, Germany, Japan, Switzerland, and the United States. He has received numerous awards, most notably, the 1991 Rakow Commission from the Corning Museum of Glass. Yamano’s work is held in both public and private collections, including those of the American Museum of Glass, the Chrysler Museum of Art, and the Corning Museum of Glass. He is a co-founder of Ezra Glass Studio in Fukui, Japan, and helped establish the formidable glass program at Osaka University of Arts, which he now serves as chairman. He has taught at Pilchuck Glass School many times.

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$ 9,000

NICK MOUNT

Bubble #SB080811 44 x 6 x 8 in Signed, 2011 Blown glass, carved, polished, assembled, Blackwood base

Nick Mount is one of Australia’s most accomplished and celebrated studio glass artists. Since the early 1970s, he has been known for his production, commission, and exhibition work that, beginning in the late 1990s, has comprised an evolving series of sculptural assemblages. Varying in scale and character, the aesthetic of his sculpture has been described as both provocative and playful, intimate and spectacular. Mount’s work is represented in major public and private collections, and his reputation as a generous teacher, demonstrator, and mentor has led to regular stints as an instructor at glass centers around the world. He is co-chair of Pilchuck’s International Council and an ex-officio member of the board of trustees. NICKMO UNTG L ASS@ME .CO M

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EVERY DAY IS SO INSPIRING I CAN BARELY SLEEP. MY THOUGHTS ARE JUST SWIRLING AROUND LIKE THE GLASS. A n d rea D ezso Artist in Residence , 2014

A PERSONAL EXPERIENCE WITH ARTIST KAREN LAMONTE IN VENICE

$ 6,000

Experience Artist Karen LaMonte’s Twin Museum Exhibitions at the 56th Venice Biennale!

Pilchuck Alumnus and Instructor Karen LaMonte is being honored with two museum exhibitions of new work at the 2015 Venice Biennale. The Museo di Palazzo Mocenigro (Museum of Fabrics and Costumes) hosts contemporary art exhibitions, houses a vast compendium of ancient fabrics and clothers from the Correr, Guggenheim, Cini and Grassi collections, and a new section on the history or perfume. The installation will be within this large Gothic palace that just finished a complete renovation and expansion doubling its exhibition space. Since 1861, The Museo del Vetro (Museum of Glass) has exhibited historic and contemporary glass. Now undergoing a major restoration and expansion, this exhibition will be the inauguration of the new contemporary art wing. • Two nights in the exquisite 15th century palazzo Ca Cerchieri Loredon, hosted by Austin Art Projects. • A private tour of both exhibitions with the artist, followed by a fabulous Italian feast at the iconic Hotel Cipriani. Please contact Austin Art Projects for details. Airfare not included. Donated by Austin Art Projects

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BEN EDOLS AND KATHY ELLIOTT

$ 6,500

Engage 3 7½ x 17 in Signed, 2010 Blown and carved glass

Ben Edols and Kathy Elliott have been making and exhibiting work together for twenty years. Edols is the glassblower in the family, and Elliott is the coldworker. Between them, they have taught at Haystack Mountain School of Crafts, Niijima Glass Art Center, Pilchuck Glass School, The Studio of the Corning Museum of Glass, and Toyama = Institute of Glass Art. Their work has been exhibited internationally and is in the collections of the Corning Museum of Glass, the Museum of Arts and Design in New York, the Victoria and Albert Museum, National Gallery of Australia, and the Palm Springs Art Museum, among others.

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JENNY POHLMAN AND SABRINA KNOWLES

$7,000

Liberation Spear 50 x 10½ x 5 in Signed, 2014 Off-hand-sculpted solid glass tips, steel shaft, copper beads, sandblasted pattern Designing, creating, and assembling contemporary forms from molten glass inspired by the ancient, universal language of symbols, Sabrina Knowles and Jenny Pohlman have been storytelling visually for more than twenty years. Their work is in private collections nationwide, as well as in the collections of the American Museum of Glass; the Museum of Glass, Tacoma; the Mobile Museum of Art; and the Racine Art Museum. They have been recognized with a Pratt Fine Art Center Service in the Arts award, a BAGI’s Saxe Fellowship award, residencies at the Museum of Glass, Tacoma, and Wheaton Arts, and scholarships to Pilchuck Glass School. Pohlman is currently on the board of Pratt Fine Arts Center. P O HLMA NKNOWL ES@SP EA KEASY. NET P O HLMA NKNOWL ES.CO M

BENJAMIN MOORE

$14,000

Exterior Fold Trio 14¼ x 14¼ x 17 in Signed, 1996 Blown glass

Benjamin Moore received an MFA from Rhode Island School of Design. He was the recipient of a National Endowment for the Arts grant, is an American Craft Council fellow, and has worked as a designer for Venini in Venice and J&L Lobmeyer Vienna. Moore’s masterpieces simultaneously evoke aspects of historical tradition with the refinement of a unique contemporary aesthetic. He has been affiliated with Pilchuck Glass School for more than thirty years, as its interim executive director, artistic director, faculty member, and member of the board of trustees. He owns Benjamin Moore Inc. and his work is in collections throughout the world.

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ANN WOLFF

$26,000

IDA 14 x 15½ x 4½ in Signed, 2011 Cast glass

Ann Wolff was born in Lübeck, Germany, in 1937. She was a designer at Kosta Boda in Sweden from 1964 to 1978 and a professor in the design department at the Hochschule für Bildende Künste in Hamburg, Germany and taught at Pilchuck. Wolff received the Rakow Commission from the Corning Museum of Glass in 1997, the 2008 Award of Excellence from the Smithsonian American Art Museum, Renwick Collection, Washington, D.C., and a Lifetime Achievement Award from the Glass Art Society in 2011. Her work is shown worldwide and is exhibited in collections including the Victoria and Albert, London; National Museum of Modern Art, Tokyo; DeYoung Museum, san Francisco; Museum of Arts and Design and Metropolitan Museum of Art, New York.

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DALE CHIHULY

$ 40,000

Manganese Blue Soft Cylinder with Mikado Yellow Lip Wrap 23 x 20 x 20 in Signed, 2014 Blown glass Chihuly began his Soft Cylinder series in 1984. This body of work showcases a technique of drawing on glass using a series of colored shards, carefully placed on a hotplate and then gathered onto the molten piece before the final gather of glass from the furnace. These drawings reflect the early influence American Indian trade blankets had on his works, just as the organic shape of each piece is reminiscent of Northwest Coast Indian baskets. This series has continued to evolve, and in the spring of 2014 Chihuly revisited these artworks pushing them in unprecedented ways. The historic foundation of technique is augmented with a contemporary take on color and scale. CHIH ULY.CO M

DAVIDE SALVADORE

$13,000

Chitamarra 6 x 6 x 28 in Signed, 2014 Hand-blown glass

Davide Salvadore is a Muranese maestro descended from generations of glassworkers. He has collaborated with venerated glasshouses such as Venini, Barovier & Toso, Nason & Moretti, and La Murrina, and his work has been exhibited and collected internationally. For Salvadore, working with glass is a way of life, and reverence for glass and its traditions is inherent in everything he does. He combines traditional Italian techniques and elements in his work, which reflects influences such as African tribal imagery, Muranese roads, and glasshouse smokestacks. His tireless quest for perfection and drive to push the boundaries of his material have led him to new ways of thinking about glass and its capabilities. G L ASS@DAVIDESA LVA DO RE .CO M DAVIDESA LVA DO RE .CO M TRAVERG A LLERY.CO M

PRESTON SINGLETARY

$16,000

Moonlit Raven 11 x 4 x 27Â˝ in Signed, 2013 Blown and sandcarved glass, steel and enamel coupling

The art of Preston Singletary has become synonymous with the relationship between European glassblowing traditions and Northwest Native art. His works feature themes of transformation, animal spirits, and shamanism in blown-glass forms and sandcarved Tlingit designs. Throughout his more than thirty years of glassblowing, he has also had opportunities to learn from Italian legends Lino Tagliapietra, Checco Ongaro, and Pino Signoretto. Singletaryâ&#x20AC;&#x2122;s artworks are included in the collections of the British Museum, the Corning Museum of Glass, the Heard Museum, the Mint Museum of Art and Design, the Museum of Fine Arts, Boston, the Seattle Art Museum, and the Smithsonian Institution.

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RICHARD MARQUIS

$ 36,000

Razzle Dazzle Boat 10-1 22 x 5 x 6¼ in Signed, 2010 Fused and wheel-carved glass, slab technique

For almost 40 years, Richard Marquis has been an international leader in the development of studio glass art. He was recently recognized for his contribution with Lifetime Achievement Awards from the Art Alliance for Contemporary Glass and the Glass Art Society. In 2006, Pilchuck Glass School awarded him the Libenský | Brychtová Award. This piece and its pattern reference World War I battleship camouflage patterns, designed to confuse German U-Boats. The technique is based on traditional ceramic slab-construction processes demonstrated in a class with Nick Mount and Dante Marioni at Pilchuck Glass School in 2013.

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LINO TAGLIAPIETRA

$ 59,000

Makah 8¼ x 13½ x 21¾ in Signed, 2007 Blown glass with carved engravings

In 1979, Lino Tagliapietra visited Pilchuck Glass School for the first time, and American glassblowing was changed forever. A native of Murano, Tagliapietra apprenticed with the maestro Archimede Seguso at age twelve and reached the rank of maestro by the time he was twenty-one. He has received numerous awards, including two honorary doctoral degrees. Tagliapietra’s work has been shown and included in many collections including the Biennale di Venezia, the Corning Museum of Glass, the Detroit Institute of Art, the M. H. de Young Memorial Museum, and the Victoria and Albert Museum. He is a recipient of the Rakow Commission from the Corning Museum of Glass and the Libenský | Brychtová Award (formerly the Libenský Award) from Pilchuck. JVECCH IATO @LINOTAG LIA P IETRA .CO M L INOTAG LIA P IETRA .CO M

FUND-THE-FUTURE

Pilchuck Glass School makes a difference in the lives and careers of thousands of individuals by inspiring their creativity and creating transformative experiences. Raise your paddle now. Your gift will make a difference. Our goal is 100% participation from you and everyone here tonight! As you consider the level of your support, please remember that contributions for Fund-the-Future are 100 percent tax-deductible.

DAN FRIDAY AND JASON CHRISTIAN

$ 4,500

Full Circle 24 x 11 x 24 in Signed, 2014 Blown and sculpted glass

Dan Friday and Jason Christian are artists who work together at Dale Chihuly’s glass hotshop, the Boathouse. Each operates his own studio in the Seattle area. In 2014, they both attended Pilchuck Glass School, Friday as an instructor and Christian as a gaffer. Although they have worked together for many years, this is their first collaboration.

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BENJAMIN COBB

$ 3,600

Sutured Pill 12 x 6 x 19¾ in Signed, 2013 Blown glass

Benjamin Cobb worked at multiple studios in the San Francisco Bay area before moving to Seattle. He has also worked at Haystack Mountain School of Crafts, Pilchuck Glass School, and The Studio of the Corning Museum of Glass. Cobb is currently the lead glassblower at the Museum of Glass, Tacoma, and hot-shop manager in the museum’s hot-glass studio. His work is held in the collections of the Museum of Glass, Tacoma, and the Museum of Northwest Art, in La Conner, Washington, where he opened his first museum show this summer. Sutured Pill features Cobb's signature windows, which allow a glimpse into the form.

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DANNY WHITE AND JIM CLARK

$ 4,200

Johny Do Good 16 x 9½ x 10 in Unsigned, 2013–2014 Glass, mixed media

In 2014, Danny White and Jim Clark collaborated on a series of works representing the execution of an idea without limitations. The results of bringing two minds, two personalities, and two skill sets to the table, their collaborative works amount to more than narrative departures from the traditional; they stand as a special collaborative thought process and a symbol of friendship. White lives and works in Seattle and just completed a residency at Salem State University in Massachusetts. Clark resides in Saskatchewan, just outside of Cupar, where he runs a studio and machine shop. Both artists have been on staff at Pilchuck Glass School, where they first met and began collaborating.

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RÓISÍN DE BUITLÉAR

$2,000

Shadow 10 x 10 x 12 in Signed, 2013 Blown glass and diamond point engraving

Róisín de Buitléar is a visual artist, an alumna of the National College of Art and Design NCAD Dublin Ireland, a pioneer of Irish contemporary glass. Working in the medium since 1984, her public site-specific installations of blown and cast glass draw inspiration from her Irish heritage. Her sculptural blown and cast work can be seen many public collections including: National Museum of Ireland, National Museum of Northern Ireland and American Crafts Council. She lectures, teaches, and exhibits internationally and is an advocate for the promotion of glassmaking. In response to the closing of Waterford Crystal, de Buitléar collaborated with three Irish glass masters

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BEN SHARP

$ 3,500

Aloft 18 x 18 x 16 in Signed, 2012 Blown glass, stainless steel

Ben Sharp began his career as a scientific glassmaker. In 1998, he shifted his focus from scientific to artistic glassmaking. Working with a furnace sparked an interest in molten materials and inspired him to learn other ways of creating with glass. Sharp has taught at Belmont Art Center in Pensacola, Florida, the GoggleWorks Center for the Arts, and The Studio of the Corning Museum of Glass. He received a BFA from Alfred University in 2006 and is currently the head technician at Pilchuck Glass School.

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JACKIE PANCARI

$ 3,000

Reflection Series 9½ x 9½ x 6 in Signed, 2012 Blown glass with latticino

Jackie Pancari earned a BFA from Tyler School of Art and an MFA from Alfred University. She has been an instructor at the College for Creative Studies and Alfred University and has led workshops at Haystack Mountain School of Crafts, Pilchuck Glass School, and the Toyama City Institute of Glass Art. Pancari has received a New York Foundation for the Arts grant, a Frederick Carter Fellowship, a Creative Glass Center of America Fellowship, and a John H. Hauberg Fellowship. She has been an artist in residence at the Museum of Glass, Tacoma, the Seto City Cultural Center in Japan, and Rochester Institute of Technology. Her work has been purchased by museums and published in several books. This series was created at the Museum of Glass, Tacoma. JACKIEPA NCA RI@FRO NTIER.CO M JACKIEPA NCA RI.CO M

APRIL SURGENT

$ 4,500

Home Is Where the Heart Is 18¾ x ¼ x 137⁄8 in Signed, 2014 Cameo-engraved glass

April Surgent started working with glass in Seattle in 1997. She went on to study at the Australian National University, Canberra. In 2003, Surgent met master Czech engraver Jiří Harcuba at Pilchuck Glass School and changed her focus from blown to engraved glass. After completing her studies in Canberra in 2004, she moved back to the Pacific Northwest and set up an engraving studio. Surgent exhibits, teaches, and lectures internationally. In 2013, she traveled to Antarctica with the National Science Foundation and is now focusing on work expressing her experiences in the Antarctic.

A P RILSURG ENT.CO M

TRAVERG A LL ERY.CO M

P HOTO : P ROVIDED BY A RTIST

JEAN-PIERRE CANLIS

$7,800

Miniature Wheat 18 x 4 x 20 in Signed, 2014 Hand-pulled and lampworked glass

Jean-Pierre Canlis created his first Wheat installation in 1996 at Alfred University. It measured 5 feet square. He now creates scaled-down versions as well as large-scale installations of Wheat. Wheat has been featured at SOFA Chicago and Art Palm Beach. Canlis received a BFA from Alfred University in 1996 and attended Pilchuck Glass School every summer during college. There, he was introduced to Dale Chihuly and was a member of the Chihuly team for eight years until 2001, when he began focusing on his own work. In 2009, Canlis was invited to work on the island of Murano. His work can be found in galleries across the world, from Sandra Ainsley Gallery in Toronto to Karen Echt Gallery in Chicago, and is in numerous collections. JP @CA NL ISG L ASS.CO M CA NL ISG L ASS.CO M

STEVE JENSEN

$7,500

Levitating Canoe 27½ x 9 x 14½ in Signed, 2014 Recycled glass, boat resin, salvaged bronze ship components

Steve Jensen has been a working artist in Seattle since the 1980s and has completed dozens of major public art sculptures. His work is represented in museum collections — including the Museum of Northwest Art, Larson Art Museum and Morris Graves Museum of Art — and he has had numerous solo museum and art center exhibitions. Jensen is the recipient of a Morris Graves Fellowship, an artist award from PONCHO, and an exhibition grant from the National Endowment for the Arts.

JENSENSTUDIO S@AO L .CO M

LIVE AUCTION

STEVEJENSENSTUDIO S.CO M

GLASS WEEK IN SAINT PETERSBURG, FLORIDA

$ 5,000

Experience

Enjoy sun, sand, and glass during a week-long Gulf Coast getaway! Enjoy galleries, outdoor markets, boutiques, pier fishing, and world-class whitesand beaches. Voted the number one arts destination for mid-size cities two years in a row, Saint Petersburg is home to an edgy emerging art scene. View Dale Chihuly's permanent large-scale installations in the Morean Arts Center’s Chihuly Collection on Beach Drive. The Glass week includes a glassmaking demonstration at the nearby Morean Arts Center’s Glass Studio & Hot Shop and an accompanying catalog. Renowned glass artist and gallery owner Duncan McClellan will treat you to a fabulous wine-tasting and glass experience at his gallery. Etch your own goblet, view the exhibition, which features more than forty internationally known glass artists, and visit the state-of-the-art hot shop where a featured artist will demonstrate hot-glass techniques. You will then be whisked away on an open trolley for a tour of some of the sixty-five galleries in the city. On Sunday, you will be treated to a special, more intimate demonstration at the Duncan McClellan Gallery by that month’s featured artist or artists and a brunch and lecture at the Museum of Fine Arts, located on Saint Petersburg’s waterfront. • Three-bedroom, two-bath waterfront home with pool, hot tub, and fishing dock, sleeps six • Six tickets to the Morean Arts Center’s Chihuly Collection and Glass Studio & Hot Shop • Glass etching and wine tasting for six with Duncan McClellan • Trolley tour for six of Saint Petersburg galleries • Sunday brunch and lecture for six at the Museum of Fine Arts, Saint Petersburg Valid until October 24, 2015. Restrictions: home subject to mutually agreeable dates; glass weekend with McClellan available on the second weekend of the month, September through May. Airfare not included. Donated by the Chihuly Collection, Duncan McClellan Glass, and Jessica and Todd Havens.

MO REA NA RTSCENTER.O RG

DMG LASS.CO M

VRBO.CO M/ 585300

SCOTT BENEFIELD

$2,400

9 Men's Morris 18 x 14 x 5½ in Signed, 2014 Blown glass, wood

Scott Benefield received an MFA from the Ohio State University in 1990 after spending a year in Sweden on a Fulbright-Hays grant. He has been an artist in residence at the Corning Museum of Glass, the Creative Glass Center of America, the Museum of Glass, Tacoma, and North Lands Creative Glass. Benefield was a visiting scholar at Osaka University of Arts in 2009 and was selected for a Queen Elizabeth Scholarship Trust award in 2013. He is a past president of the Glass Art Society and received its Lifetime Membership Award in 2011. He currently lives and works in Northern Ireland.

INFO @SCOT TBENEFIELD.CO M

SCOT TBENEFIELD.CO M

NANCY CALLAN, JEN ELEK, AND AMY RUFFERT

$2,500

Platter (Venetian Lassie) 15 x 12 x 2 in Signed, 2014 Blown glass

Nancy Callan received a BFA in 1996 from Massachusetts College of Art and Design and currently lives in Seattle, where she is a key member of Lino Tagliapietraâ&#x20AC;&#x2122;s glassblowing team. Her artwork is held in the permanent collections of the Corning Museum of Glass; the Muskegon Museum of Art; the Museum of Glass, Tacoma; and the Shanghai Museum of Glass. Jen Elek earned her BFA in 1994 at the School of Art and Design, Alfred University. She has been a member of Lino Tagliapietra's team since 2001 and currently is featured in an exhibition with Jeremy Bert at the Museum of Glass. Amy Rueffert has worked in glass since 1994. She earned a BFA at Massachusetts College of Art and Design and an MFA at Mills College in Oakland, where she studied with Ron Nagle. Amy Rueffert, Jen Elek, and Nancy Callan made this piece on the Pilchuck Glass School campus in summer 2014.

CAL BREED

$ 6,000

New Beginnings 13 x 13 x 20 in Signed, 2014 Hand-blown glass, incalmo

Cal Breed has been working in glass for twenty years. After receiving a BFA from the Ohio State University in 1997, he went on to receive numerous awards and honors, including the Alabama State Council on the Arts individual artist grant in 2005 and the Corning Award at Pilchuck Glass School in 2007. Breed was featured in the Alabama Public Television documentary Alabama Craft: Tradition and Innovation. His work is in many collections, including those of the Huntsville Museum of Art and the Montgomery Museum of Fine Arts. Presently, he and his wife together own Orbix Hot Glass.

CA L@O RBIX HOTG L ASS.CO M

LOREN WHITE

CA L BREED.CO M

$ 6,500

Raven Model Totem Pole (#3 of #9 in series) 4 x 5 x 16 in Signed, 2013 Cast glass

Loren White saw his first totem pole in 1967, and in the four decades since, he has carved many poles, masks, bentwood chests, house posts, bowls, rattles, and more. His work is in the Boston Museum of Fine Arts, the Museum of Anthropology at the University of British Columbia, the Vancouver Art Museum, and private collections throughout the world. White has collaborated regularly with Rick Bartow, Steve Brown, Joe David, Duane Pasco, and Art Thompson, and has taught Northwest-style carving in Canada and the United States.

P O O KMIS@ICLO UD.CO M

LIVE AUCTION

BELLA FELDMAN

$ 6,000

Break in Case of Emergency 5 x 8 x 12 in Signed, 2014 Steel, blown glass, engraving

A pioneer among women sculptors, sculptor Bella Feldman is still innovating, creating tense and delicate work that conveys concepts ranging from the playful to the gravity of war. Feldman has shown her work in solo and group exhibitions both nationally and internationally since 1973. Her work is represented in numerous outstanding private and museum collections. Feldmanâ&#x20AC;&#x2122;s fifty-year career includes a substantial National Endowment for the Arts grant and thirty-five years as a professor at California College of the Arts.

BELLA@BELLA FEL DMA N.CO M

BELLA FEL DMA N.CO M

$7,500

DOUG RANDALL

The Voyage Reconstructed 45 x 6 x 10 in Signed, 2014 Kilncast glass, drop-formed

Doug Randall has been working professionally with glass for more than forty years. He attended Oregon State University and California State University, Chico, and has studied with many of the pioneers of kiln-formed glass. Randall's work is collected internationally through galleries and has been shown regularly at ArtPalmBeach, Glass Weekend at Wheaton Arts and Cultural Center, and SOFA. When heâ&#x20AC;&#x2122;s not in his studio, Randall can be found in his greenhouse and gardens, growing wonderful organic eatables. The Voyage Reconstructed talks about life's journey and how we often change our thoughts and plans as we move forward through life.

SMP LA NET1953@YA H O O.CO M

FL ICKR.CO M/ P H OTO S/ SMP L A NET

VETRI@VETRIG L ASS.CO M VETRIG LASS.CO M

STINE BIDSTRUP

$ 4,500

Studies in Search of Order and Chaos 9 x 12 x 8 in Signed, 2014 Blown and coldworked glass with two layers of color and patterns (graal technique) Stine Bidstrup is a Danish artist working primarily in glass, video, and installation. She was educated at the Royal Danish Academy of Fine Arts, School of Design, on Bornholm, and Rhode Island School of Design in Providence. Since 2007, Bidstrup has maintained a studio in Copenhagen, exhibited her works internationally, and taught in Denmark and the United States. The objects in the series Studies in Search of Order and Chaos are motivated by the idea of glass as a lens and membrane that distorts, transforms, and reflects an underlying layer of information consisting of different geometric patterns. A combination of digital and handcraft working methods is used to construct intricate patterns, and specific historical references to old Venetian pattern making. MA IL@STINEBIDSTRUP. DK STINEBIDSTRUP.DK

AMIE LAIRD MCNEEL

$ 3,000

Gater Vase 5 18 x 8 x 6 in Signed, 2014 Mold-blown glass

Amie Laird McNeel received a BFA from the Kansas City Art Institute and an MFA from the University of California, Berkeley. She has taught sculpture nationally and is currently an assistant professor in the 3D4M (3-Dimensional Forum) program at the University of Washington. McNeel specializes in combining metal, clay, wood, and glass and has experimented with various materials as an artist in residence at the John Michael Kohler Arts Center, Sheboygan, The Studio at The Corning Museum of Glass, the Pilchuck Glass School, and the Museum of Glass, Tacoma. Her sculpture is in the collections of the Museum of Glass and the John Michael Kohler Arts Center and at Hahn & Loeser Parks in Cleveland and Cincinnati. A MIEMCNEEL@MAC.CO M A MIEMCNEEL .CO M P HOTO : RUSSELL JO H NSO N

JEFF MACK AND MICHAEL STEVENS

$1,500

Retortoli Alzata with Golden Hippocampo 6 x 6 x 8 in Signed, 2014 Blown glass

Jeff Mack is an artist, teacher, and manager of the Toledo Museum of Art's glass program. A graduate of the Bowling Green State University School of Art, he has worked in glass in various contexts for more than twenty years, producing objects for artists and designers, managing teams, and demonstrating, teaching, and exhibiting his work internationally. Michael Stevens is also a graduate of Bowling Green State University. He has worked with many other artists through his involvement with the Toledo Museum of Art and Pilchuck Glass School. Stevens is a principal partner and founder of Gathered Glass Studio in Toledo, Ohio.

MACKCREATIVE@H OTMA IL .O RG

ETSUKO ICHIKAWA

$ 3,800

Trace 3111 22½ x 60 inches Signed, 2011 Glass pyrograph on paper, framed, frame not included in dimensions Etsuko Ichikawa is a Tokyo-born, Seattle-based, multimedia artist. She describes her work as “a continuing investigation of what lies between the ephemeral and the eternal.” Her pyrographs and aquagraphs are drawings made by fire and water, capturing and eternalizing the immediacy of a moment, while her installations and performances are about ever-evolving states of consciousness. Ichikawa’s work has been exhibited internationally, including at the Seattle Art Museum, the Ueno Royal Museum in Tokyo, and Waterhouse & Dodd in New York. She has received grants from the Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, and the Pollock-Krasner Foundation. ETSUKO @ETSUKO ICHIKAWA .CO M

ETSUKO ICH IKAWA .CO M

G A LLERY @WINSTO NWACH TER.CO M

WINSTO NWACHTER.CO M

P HOTO : KP STUDIO S

LIVE AUCTION

ERIKA TADA

$2,000

Rabbitt and Cup 5 x 14 x 14 in Signed, 2011 Kilncast glass

Erika Tada graduated with an MFA from Rochester Institute of Technology in 2005 and received a PhD from Tokyo University of the Arts in 2012. She has attended Pilchuck Glass School as a student (2002), emerging artist in residence (2006), and teaching assistant (2009, 2012). Tada has been an artist in residence at the Corning Museum of Glass and Worcester Center for Crafts, was awarded a fellowship from UrbanGlass, and received Vetro Magazine's best debut artist award at SOFA. Her artwork is shown at galleries throughout Japan and the United States. Tada has held teaching positions at Craft Alliance, Jacksonville University, Rochester Institute of Technology, and Talisman Glass.

LISA ZERKOWITZ

$2,800

Haiku II 9Â˝ x 3Âž x 9 in Signed, 2013 Blown and kilncast glass

Lisa Zerkowitz has a BA in printmaking from the University of California, Santa Barbara, and earned an MA in art education from Rhode Island School of Design while completing the undergraduate program in glass. Her work has been presented in exhibitions at several Pacific Northwest museums, including Bellevue Arts Museum, Tacoma Art Museum, and the Museum of Northwest Art. After attending Pilchuck Glass School as a student, Zerkowitz returned as a teaching assistant, artist assistant, emerging artist in residence, and instructor. As seen in Haiku II, her work is nature-inspired.

L ISA@LISA ZERKOWITZ .CO M

LISA ZERKOWITZ .CO M

I@BRYA NO H NO.CO M

BRYA NO H NO G A LLERY.CO M

P HOTO : MIKE SEIDL

I ALWAYS LEAVE PILCHUCK FEELING LIKE I KNOW MYSELF A LITTLE BETTER. Jay n ie Sanchez Staff, 2014

LIVE AUCTION

TOTEM POLE Silent Auction 1 closes at

6:15pm

100

SHANDRA MCLANE, MARTIN DEMAINE, $1,000 ERIK DEMAINE, PETER HOUK The Littleton Tree 7 x 22 in Unsigned, 2013 Screen-printed blown glass

SH A NDRA@SQ UA MRIVERSTUDIO S.CO M SQ UA MRIVERSTUDIO S.CO M

101

JULIANA WISDOM

$ 600

Scale For Doctor Thomas Story Kirkbride 15½ x 2 x 17 in Signed, 2012 Fused glass and high fire enamel

JBWISDO M@G MA IL .CO M JULIA NAWISDO M.CO M

102

ALEX GIBSON

$ 650

A Long Walk 6 x 6 x 11 in Signed, 2014 Blown, engraved and enameled glass

A L EX@DISP LACEDA K .CO M DISP LACEDA K .CO M

103

AIMEE SONES

Florence Refinery 10½ x 8 x ½ in Unsigned, 2013 Kiln-formed, coldworked glass

$ 580

104

ROY BRUNO

$ 500

Gavia Crescentia LIV 25 x 4 x 6 in Signed, 2011 Blown, coldworked glass

ROY. P.BRUNO @CO MCAST. NET

105

L IG H TA RT. BIZ

GABRIELLA BISETTO

$200

Individual piece from The Ocean Within (60% of Body Weight is Water) 5 x 5 x 5 in Signed, 2013 Blown and cast hot glass

G A BRIELLA .BISET TO @UNISA .EDU. AU

106

JENNIFER CRESCUILLO

$ 600

Middle Mississippi 11 x 5 x 7 in Signed, 2014 Hot worked, cold worked, engraved, and assembled glass and stone

CRESCUILLO @G MA IL .CO M JENNIFERCRESCUILLO.CO M

107

JOHN VOLPACCHIO JACK WALSH (ETCHING)

$ 800

Pilchuck Party Platter 18 x 18 x 4 in Signed, 2014 Blown glass incalmo, sandblasted design

JO H NVO L PACCH IO @YA HO O.CO M G L ASSBLOWING A RTIST.CO M

TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM

108

KEVIN BOYLAN

$770

Young Buck 7 x 20 x 20 in Signed, 2014 Blown, sculpted glass

BOY LA N. KEVIN@G MA IL .CO M

109

KEVINBOY L A NG L ASS.CO M

ASHLEY “5 NAMES” DRISCOLL-PEREZ $750

Canary Lips and Rainbow Rolls 7 x 3 x 6 in Signed, 2013 Blown glass

ASH LEY KP EREZ@YA HO O.CO M

A KLDP.BLO G SP OT.CO M

P HOTO : P ROVIDED BY A RTIST

110

NICK ASHMAN

$ 950

Tangled 5 x 5 x 10½ in Unsigned, 2014 Lampworked borosilicate glass

NICK@G LASSINHA ND.CO M G LASSINHA ND.CO M JURORS CH OIC E AWA R D

111

MARLO CRONQUIST

$1,500

Cerchio Bianco e Nero 9 x 3 x 20 in Signed, 2014 Blown, sandblasted glass, murrine

MA RLO CRO NQ UIST@G MA IL .CO M MA RLO CRO NQ UIST.CO M P H OTO : P ROVIDED BY A RTIST

112

SCOTT MCDOUGALL

$ 500

Suzie the Hungry Hippochondriac 9 x 5 x 4½ in Signed, 2013 Blown glass, multi colored cane roll-up with beads

SCOT T_ BRA NDO N_ MCDEE@H OTMA IL .CO M

113

SCOT TMCDO UG A LL .CA

LORI SCHINELLI

$ 950

Pele’s Cup 4¾ x 4¾ x 8 in Signed, 2014 Engraved, kiln-sculpted glass

SCHINELLI@MAC.CO M LO RISCHINELLI.CO M P HOTO : P ROVIDED BY A RTIST

114

KANAMI OGATA

$ 493

Gravityless Room 4 x 4 x 6 in Signed, 2012 Sandcast glass, copper

O O KA NA MI@G MA IL .CO M WWW.FL ICKR.CO M/ P H OTO S/ 23425834@N 08

115

RACHEL ESCOE

$ 400

China Rainbow Mountain Series 13 x 4 x 7½ in Signed, 2013 Blown and carved glass

RUBY RESHA L@YA HO O.CO M

TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM

RACH ELESCO E .WEEBLY.CO M

116

NICHOLAUS CLAWSON

$150

Blue Tooth 4 x 4½ x 5 in Unsigned, 2014 Hot-sculpted glass

SY DF 01011@HOTMA IL .CO M

117

NICH O LAUSCLAWSO N.CO M

JAYNE CORNELIS

$ 850

Forest Faerie 18 x 11 x 1 in Signed, 2014 Kiln-formed glass, framed, suspended in the frame

FIREDUP G L ASSA RTS@G MA IL .CO M FIREDUP G L ASSA RTS.CO M

118

KATHLEEN FRUGÉ-BROWN

$1,200

Study for Lewis River 31½ x 1 x 13 in Signed, 2009 Vitreous enamel on steel

KFRUG EBROWN@YA H O O.CO M

KATHLEENFRUG EBROWN.CO M

RO B@RO BSCH O UTENG A LLERY.CO M RO BSCH O UTENG A LLERY.CO M

119

DAVID KING

$ 500

Reticello Bottle 3 x 3 x 10 in Unsigned, 2014 Blown glass

KING . DAVIDJO H N@G MA IL .CO M

DAVIDJO HNKING .CO M

120

JOYCE R. CAMPBELL

$ 850

Shhh... 24 x 1 x 72 in Unsigned, 2014 Neon

JOYCERCA MP BELL@G MA IL .CO M

121

CHRIS STENZEL

$ 800

The Artifact 14 x 6 x 7 in Signed, 2014 Hot-sculpted glass

122

TEGAN HAMILTON

$ 880

Lepidoptera 4 x 4 x 5 in Signed, 2014 Hot-sculpted glass, enamels

G L ASS@TEG A NHA MILTO N.CO M

123

TEG A NHA MILTO N.CO M

RYAN RODAMER

$ 800

Explorer 6 x 7 x 10 in Signed, 2013 Blown, hot-sculpted, and coldworked glass

TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM

124

MATTHEW T EATON

$750

Ray Gun 12 x 6 x 9 in Signed, 2014 Blown glass, metal

MO LTENME@G MA IL .CO M MAT TH EWTEATO N.CO M

125

ROSITA STÅHL

$ 500

Pisum 20 x 4 x 20 in Signed, 2014 Blown, sandblasted glass

G L AS@RO SITASTA H L .CO M RO SITASTA HL .CO M

126

JASON BLANDFORD

$200

Vessel of Interest 1½ x 17¼ x 21 in Signed, 2012 Serigraph, pen and ink, acrylic

NICKLESBL A NDFO RD@G MA IL .CO M

127

DANNY KALDERON

$ 400

Pomegranate 19 x 19 x 2 in Signed, 2014 Kilncast glass

DA NNY @KA L DERO NMD.CO M

KA LDERO NMD.CO M

128

EIJI SHIGA

$750

Flow 7½ x 9 x 5 in Signed, 2013 Blown glass

STUDIO _ KIRLO @Y BB.NE . JP SKY.G EO CITIES. JP/ STUDIO _ KIRLO/

129

HAL WATROUS

$ 525

Colorless,tasteless,odorless 8 x 2½ x 8 in Unsigned, 2014 Lampworked glass

L A MP WO RKER2320@G MA IL .CO M

130

EMLYN STRZEMPKA

$ 350

Guillermo 6 x 3 x 10 in Unsigned, 2014 Hot-sculpted glass

EMLY NA RT@G MA IL .CO M EMLY NA RT.CO M

131

KELLY HOWARD

$ 825

Untitled 8 x 8 x 10 in Signed, 2014 Blown glass

KH G LASS@G MA IL .CO M KELLY HOWA RDG L ASS.CO M

TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM

132

LUCY PULS

$200

Showerhead 4 x 4 x 4 in Unsigned, 2012 Cast leaded glass with activated iron and binder

LUCY @LUCY P ULS.CO M LUCY P ULS.CO M

133

ALEX MCDERMOTT

$ 550

Shell Vessel 8 x 8 x 8 in Signed, 2013 Kilncast crystal, blown vessel

ME@A LEX MCDERMOT T.CO M

A LEX MCDERMOT T.CO M

P HOTO : DA NIEL FOX

134

DONNA MCCORD

$280

Blue Multi-Gather Vessel 6 x 6 x 11 in Signed, 2013 Blown glass

MCCO RDG L ASS@G MA IL .CO M

135

GABRIEL BLOODWORTH

MCCO RDG LASS.CO M

$ 650

Drop-out 5 x 5 x 20 in Signed, 2014 Blown glass

GTBLO O DWO RTH@G MA I.CO M

SP RING FIEL DHOTG LASS.CO M

136

AMANDA LEE PATENAUDE

$750

Lover En Danger 11 x 8 x 9 in Signed, 2014 Blown glass

A MA NDA LPATENAUDE@G MA IL .CO M

137

VALERIE POHORSKY

$777

Smokey Cat Shrimp Cocktail Ashtray 6 x 6 x 4 in Signed, 2014 Blown and hot-sculpted glass

VP O HO RSKY @YA HO O.CO M VA L ERIEP O HO RSKY.WEEBLY.CO M

THIS IS THE BEST SITUATION I CAN IMAGINE TO FOSTER NEW TECHNIQUES IN GLASS. STAFF IS AMAZING, FOOD IS WONDERFUL, AND A GREAT ENVIRONMENT. THANK YOU! A mb er Bar ney Student, 2014

TOTEM POLE SILENT AUCTION 1 CLOSES AT 6 :15PM

BUSTER'S TREE HOUSE Silent Auction 2 closes at

6:30pm

200

RYAN TANNER

$ 500

Unready Signed, 2014 Flameworked glass, engraved

TA NNERJRYA N@G MA IL .CO M

201

RYA NTA NNER.INFO

KILEY M. BRANSON

$150

F-Stop Signed, 2014 Aluminum camera parts, wire

202

LESLIE GOLDSTEIN AND PEG GYLDENEGE

$ 592

The Tale Unsigned, 2014 Fine silver metal clay, fused silver chain, lamp worked Bullseye glass disks.

L AG O LDSTEIN@CO MCAST. NET

203

LESLIE GOLDSTEIN

L ESLIEG O L DSTEIN.CO M

$ 660

Colors, Lines and Dots Unsigned, 2014 Lampworked Bullseye glass, fused fine silver, and coated 49-strand steel wire

LAG O LDSTEIN@CO MCAST. NET

LESLIEG O LDSTEIN.CO M

204

REIKO F. NOJIMA

$ 480

Blue Gingko Heart Sutra Necklace Unsigned, 2014 Slumped and engraved glass gilded with platinum

REIKO @REIKO.LIT TL EWING . JP

205

REIKO.LIT TL EWING . JP

DOLORES BARRETT

$1,750

Vitrique Bracelet Signed, 2014 Fused and slumped opalescent glass

BA RRET TA RT@VERIZO N. NET

BA RRET TA RT. NET

P HOTO : P ROVIDED BY A RTIST

206

DIANE STENDAHL

$ 350

Glassblowing Mini Tool Pendant Unsigned, 2014 Gold-plated, sterling silver, lost-wax process

DA MO L ASI@HOTMA IL .CO M DA MO LASI.CO M P HOTO : RICK P H A RO H

207

LESLIE THIEL

$175

Pulchuck Fiddleheads Unsigned, 2014 Hard lampworked glass, black onyx, sterling coated cable, sterling silver

L ESLIESG L ASS@YA H O O.CO M

BUSTER'S TREE HOUSE SILENT AUCTION 2 CLOSES AT 6 :30 PM

P RO CTO RA RTG A LLERY.CO M

208

KIM EDWARDS

$ 400

Dodecahedron – Necklace Unsigned, 2013 Borosilicate glass, sterling silver, glass chainmaille

LO NETREESTUDIO @G MA IL .CO M LO NETREESTUDIO.CO M

209

DIANE STENDAHL

$ 350

Gold Diamond Shears Unsigned, 2014 Gold-plated sterling silver

BLACKCURACAO @HOTMA IL .CO M DA MO LASI.CO M P HOTO : RICK P H A RO H

210

HEATHER JOY PUSKARICH

$200

Muse Bracelet Unsigned, 2013 Recycled glass, decals

H EATHER@H EATHERJOY P.CO M H EATHERJOY P.CO M STA FF@MO RG A NG L ASSG A LLERY.CO M

211

MO RG A NG LASSG A LLERY.CO M

SARAH AKHTAR COOPER

$200

The Uptown Lariat Unsigned, 2014 Molten glass, hand wire wrapping

SA RA H ACO O P ER@YA H O O.CO M

VERREDESIG NSSO DO.CO M

212

ALEX STANYON

$ 575

Two Striped Beads Unsigned, 2014 Kiln-formed and cold worked glass

A L EX@STA NYO N.CO M

213

TIA KRAMER

$1,150

Ascending Series Necklace Unsigned, 2011 Oxidized sterling silver, waterproofed handmade paper

TIA@TIA KRA MERJEWELRY.CO M

214

HAL WATROUS

TIA KRA MERJEWEL RY.CO M

$225

Mozambique Necklace Unsigned, 2013 Lampworked glass

L A MP WO RKER2320@G MA IL .CO M

215

BETH ADAMS

$200

Heart of the Desert Signed, 1995 Molded, antique sterling silver

BA DA MS7554@AO L .CO M BETH A DA MSA RTWO RKS.CO M HA NNIG A NA DA MS.CO M

BUSTER'S TREE HOUSE SILENT AUCTION 2 CLOSES AT 6 :30 PM

216

FRANK HANNIGAN

$200

Avatar Signed, 2014 Hand-carved sterling silver

H A NNIG A NA DA MS.CO M

217

MARINA MARIONI

$ 500

Conflict Free Signed, 2014 Sterling silver, cubic zirconium

MA RINA MA RIO NI@H OTMA IL .CO M MA RINA MA RIO NI.CO M FACEREJEWEL RYA RT.CO M

218

K. LEAH DUPERREAULT

$ 500

Connected Unsigned, 2014 Blown, cut and polished glass

G L ASSDUCK@ME .CO M

219

JULIE CONWAY

$ 370

Argento Necklace Signed, 2013 Blown glass, sterling silver

INFO @ILLUMINATAG LASS.CO M P HOTO : A RTIST P ROVIDED IMAG E

ILLUMINATAG LASS.CO M

220

JERRY RAPHAEL

$ 475

A Bowtie, Some Hotlinks and Some Studs Unsigned, 2014 Flameworked glass

JERRY R10@AO L .CO M

221

ALANA NICOLE

$750

Ruby and Diamond Hamsa Necklace & Red Jade Bracelet Signed, 2014 Necklace: wire; bracelet: glass beads

JEWELRY BYA LA NA NICO LE@G MA IL .CO M ETSY.CO M/ SHO P/JEWEL RY BYA LA NA NICO L

222

ALANA NICOLE

$ 300

Green Bracelet Trio Unsigned, 2014 Hand Beaded

JEWELRY BYA LA NA NICO LE@G MA IL .CO M ETSY.CO M/JEWELRY BYA LA NA NICO LE

223

ALANA NICOLE

$ 650

Jade and Diamond Buddha Unsigned, 2013 Wire

JEWELRY BYA LA NA NICO LE@G MA IL .CO M ETSY.CO M/ SHO P/JEWEL RY BYA LA NA NICO LE

BUSTER'S TREE HOUSE SILENT AUCTION 2 CLOSES AT 6 :30 PM

224

MARGE LEV Y

$286

Red Letter Day Signed, 2014 Wood beads, elastic cord

225

MA RG EL EV Y @CO MCAST. NET

FACEREA RT@G MA IL .CO M

FACEREJEWELRYA RT.CO M

P HOTO : L A RRY LA NCASTER

ANNA SKIBSKA

$ 400

Victorian Signed, 2014 Czech glass beads, oxidized metal, rubber foam

A NNASKIBSKA@A NNASKIBSKA .CO M

A NNASKIBSKA .CO M

THIS WAS ONE OF THE BEST WEEKS OF MY LIFE. IF I COULD DO IT ALL OVER AGAIN I WOULDN’T CHANGE A THING. A A RON BA IGE LM A N Gaffer Hands on Tomorrow, 2014

BUSTER'S TREE HOUSE SILENT AUCTION 2 CLOSES AT 6 :30 PM

THE LODGE

Silent Auction 3 closes at

6:45pm

300

IRA LUJAN

$1,500

Man Wolf Transmutation 7 x 3 x 10 in Signed, 2014 Blown and hot-sculpted glass

301

TYLER KIMBALL

$1,200

White Moiré Bottle 6 x 6x 30 in Signed, 2013 Glass

TEKE224@HOTMA IL .CO M TY LERP KIMBA LL .CO M P HOTO : E .G . SCH EMP F

302

TIM YARDIC

$1,200

Nizhoni III 20 x 20 x 4 in Signed, 2014 Kiln-fused glass

TYA RDIC@SBCG LO BA L .NET FACEBO O K .CO M/ PAG ES/ YA RDIC- G LASSWO RKS/113535598662333

303

C. GYORI

The Glance 10 x 6½ x 10½ in Signed, 2014 Glass, kilnformed and cameo engraved

GYO RI2102@H OTMA IL .CO M A RTFUL HO ME .CO M A RTFULHO ME .CO M/A RTIST/ C- GYO RI/ 8149

$1,050

304

JOE TSOULFAS

$2,500

Friend of the Devil 19 x 7 x 10 in Signed, 2014 Sculpted hot glass, sandblasted, metal

CHA KRAG LASS@H OTMA IL .CO M

305

P H OTO : HEESA NG BY UN

JASON KARTEZ

$1,200

Relax/Danger 24 x 24 x 30 in Unsigned, 2012 Blown glass, sandblasted (Pictured: one item, front and back)

JASO NKA RTEZ@G MA IL .CO M

306

LEE CAMPBELL

$1,200

Feather Box 10 x 4Â˝ x 3 in Signed, 2014 Cast bronze, kiln cast glass

L EE .CA MP BELL40@G MA IL .CO M

307

NAOKO TAKENOUCHI

$1,800

Earth, Sea & Air #58 11 x 5 x 11 in Signed, 2014 Blown glass with murrine, sandblasted

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

308

BILL MATULICH

$1,800

Blue Rondo 23 x 8½ x 2½ in Signed, 2011 Kiln-formed glass

BILLMATUL ICH@MAC.CO M

309

LANCELOT S. FRASER

$1,850

Cru Bot Twelve 9 x 6 x 15 in Signed, 2014 Blown and hot-sculpted glass

310

RACHEL RADER

$ 900

Specimen 12B, Weapon of War 12 x 2½ x 1 in Unsigned, approximately 6,500–7,000 BCE Carved banded strattite sourced from crystal clusters below the crystal pyramids

IBEL IEVE@A NCIENT TRUTHINVESTIG ATO RS.CO M A NCIENT TRUTH INVESTIG ATO RS.CO M

311

SPENCER PITTENGER

$1,500

Submarine 15 x 5 x 8 in Signed, 2014 Hot-sculpted glass, oil paint

SP ENCER@SP ENCERP IT TENG ER.CO M SP ENCERP IT TENG ER.CO M

312

JOHNATHON SCHMUCK

$ 895

Floresta do Astral 5 x 3 x 7 in Signed, 2014 Fused, blown, and coldworked glass

JTSCHMUCK@H OTMA IL .CO M

313

SCH MUCKG LASS.CO M

MICHAEL L . DRAKE

$2,100

Peering into the Night 10 x 2½ x 7½ in Signed, 2014 Sandcast hot glass

MICHA ELDRA KEIS@G MA IL .CO M

314

ANNETTE TAMM

$1,450

In the Beginning . . . 16 x 4 x 24 in Signed, 2013 Glass, gold foil, glass paints, fused and laminated

A .TA MM@FRO NTIER.CO M LUMENA ERIES.CO M

315

HEATHER KREMEN

$2,000

Thinker 6¾ x 7x 9½ in Signed, 2014 Coldworked cast glass

KREM 0094@G MA IL .CO M

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

FACEBO O K .CO M/ G REENINFINITIG L ASS

316

MELISSA MISODA

$1,200

Aurora Fade Vessel 10 x 10 x 22 in Signed, 2014 Blown glass

MEL ISSA@MELISSA MISO DA .CO M MELISSA MISO DA .CO M P HOTO : P ROVIDED BY A RTIST

317

PAT DE CARO

$1,400

Invisible 25 x 20 in Signed, date unknown Charcoal

PATDECA RO @EA RTH LINK .NET

PATDECA RO.CO M

P H OTO : KEN WAG NER

318

WYATT AMEND

$1,300

Propulsion Drone #12 10 x 6 x 6 in Signed, 2014 Wheel-thrown stoneware

DUBSA LUBS@G MA IL .CO M FACEBO O K .CO M/ WYAT TA MENDCERA MICS P RIMAVERA FINEA RT.CO M

319

KT HANCOCK

Fuocoso Stone 8 x 8 x 18 in Unsigned, 2014 TIG welded cold rolled steel, blown glass

KTHA NCO CKA RTIST@G MA IL .CO M KTHA NCO CK .CO M

$2,500

320

RICHARD GLENN

$1,100

Through the Forest 24 x 16 x 2 in Signed, 2014 Kiln-formed etched glass, enamel, paint, pigment

RICH A RD@REL ICSO FG L ASS.CO M RELICSO FG L ASS.CO M

321

STEVE IMMERMAN

$2,000

Exposure 23 7½ x 1¾ x 7½ in Signed, 2009 Kiln-formed glass

DO CIMMER@CH A RTER. NET CLEA RWATERG L ASS.CO M

322

MAGGIE MCCAIN

$1,200

Airstream Cloud 8 x 5 x 9 in Unsigned, 2014 Blown and sculpted glass

MAG G IEMCCA IN@G MA IL .CO M

323

MAG G IEMCCA IN.CO M

STEVE HAGAN

$1,200

Tomato and Onion Compote 12 x 12 x 12 in Signed, 2014 Blown and sculpted glass

STEVEHAG A NDESIG NS@YA HO O.CO M

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

STEVEHAG A NDESIG NS.CO M

324

JASON ELLIOTT

$ 950

Trio 12 x 8 x 8 in Signed, 2014 Flameworked borosilicate glass

JL EG LASS@G MA IL .CO M

325

JASON CHAKRAVARTY

$1,050

Frank's Wild Years 14 x 3 x 4 in Signed, 2009 Cast glass

JASO NCH A KRAVA RTY @G MA IL .CO M JASO NCH A KRAVA RTY.CO M

326

CATHY CHASE

$ 800

Duet 10 x 4 x 13 in Signed, 2014 Cast glass

CHASE_ CATH Y @HOTMA IL .CO M

327

CATHYCHASE .CO M

TIMOTHY BELLIVEAU

$1,400

Global City 7 x 7 x 16 in Signed, 2010 Blown and sculpted hot glass

TIM@BEEKING DO M.CA

FUTUREFO REST. NET

328

MIKEY COZZA

$1,400

Raindrop 7 x 7 x 11 in Signed, 2014 Blown glass

MICH A ELTCOZZA@G MA IL .CO M

329

MICHA ELCOZZAG LASS.CO M

LYN BISHOP

$1,800

Lyn’s Orchid Hybrid 11 x 4 x 15 in Unsigned, 2014 Pate de Verre

LY N4CBISH O P @G MA IL .CO M

330

LY NBISH O P G L ASS.CO M

LAUREN GROSSMAN

$2,500

Hindsight 7 x 7 x 10 in Signed, 2013 Blown glass, copper inclusions; cast iron base with lambskin lining

L AUREN@L AURENG RO SSMA N.CO M

L AURENG RO SSMA N.CO M

INFO @P LATFO RMG A LLERY.CO M P LATFO RMG A LLERY.CO M

331

KIM SHARP

$ 500

Tribute to the Maker’s #2 12 x 2 x 18 in Signed, 2014 Kilncast glass, turned wood

KIM.LY LE .SHA RP @G MA IL .CO M

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

332

MARKUS EMILSSON

$2,150

Royal Meltdown 9 x 78 x 12 in Signed, 2013 Top: Double Swedish overlay, deep cut on diamond wheel and fire polished Bottom: Freehand-blown glass Sculpture put together with UV glue

INFO @MA RKUSEMILSSO N.SE

333

MA RKUSEMILSSO N.SE

ANNA BOOTHE

$2,400

Blossom 6½ x 6¾ x 3½ in Signed, 2012 Kilncast, polished and assembled lead crystal

A NNA@A NNA BO OTHE .CO M A NNA BO OTHE .CO M P HOTO : RICK ECH ELMEY ER

334

NATALIE LEGENER

$1,000

The Royal Deck 15 x 6 x 3 in Signed, 2014 Flat glass, paint, wood

NATA L IE . LEG ENER@G MA IL .CO M

335

NICK DAVIS

Mean Machine 2.0 7 x 23 x 16 in Signed, 2014 Glass, steel

NRDG LASS1@G MA IL .CO M

$1,200

336

ERIN DICKSON

$1,200

What were the skies like when you were young? 8½ x 1 x 8½ in Unsigned, 2014 Waterjet-cut float glass, fused

ERIN. DICKSO N@SUNDERLA ND. AC.UK

ERINDICKSO N.CO.UK

JUROR S C H OIC E AWA R D

337

COLIN SATTERFIELD

$ 500

Colorado Series 12 x 12 x 12 in Signed, 2014 Murrine roll-up

CO LINSAT TERFIEL D.CO M

338

LYDIA BOSS

$1,200

Boxer II 7 x 7 x 13 in Unsigned, 2014 Blown and silvered glass, digital print

LY DBO SS@G MA IL .CO M LY DBO SS.CO M

339

JEFF HEATH

$1,250

Vessel Study 8 x 8 x 24 in Signed, 2014 Flameworked glass

JH EAT1117@G MA IL .CO M

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

340

ZACHARY VELKOFF

$ 900

Movin’ Doin’ It 27 x 12 x 8 in Signed, 2014 Neon, vinyl, aluminum composite material

341

JAMES BAKER

$ 400

Ebb Tide, Elliott Bay, near Seattle, Washington 16 x 12 in Signed, 2013 Color photograph, framed

JA MESBA KERSTUDIO @G MA IL .CO M

342

KATRINA HUDE

P HOTO : P ROVIDED BY A RTIST

$ 3,700

The Gift 4 x 10 x 14 in Signed, 2012 Blown glass

KATA LKS@G MA IL .CO M KATRINA HUDE .WEEBLY.CO M

343

RYAN BLYTHE

$2,000

Dream Boat 12 x 12 x 17 in Signed, 2014 Hot-scupted glass, steel

RYA N@RA INIERG LASSSTUDIO.CO M

RA INIERG LASSSTUDIO.CO M

344

PATRICIA WEYER

$ 3,600

Turquoise Trail 10 x 12 x 8½ in Signed, 2013 Graal technique, four-color overlay, bead drawing, turquoise lip wrap

TESUQ UEG LASSWO RKS@G MA IL .CO M

345

DEBORAH CARLSON

$2,600

Cascade 8 x 3 x 14 in Signed, 2012 Blown, hand-sculpted, and kilncast glass

DC@DEBO RA HCA RLSO N.CO M DEBO RA H CA RLSO N.CO M

346

BRYNHILDUR THORGEIRSDOTTIR

$1,800

Creature I ´14 15 x 3½ x 4¾ in Signed, 2014 Glass, concrete, color

BRY NHIL DURTH@G MA IL .CO M

347

BRY NH IL DUR.CO M

WESTON LAMBERT

$2,000

Riverbend 5 x 11 x 6 in Signed, 2014 Kilncast, engraved, enameled, laminated, and coldworked glass

WESTO NLA MBERT@G MA IL .CO M WESTO NLA MBERT.CO M DAVID@JA M415.CO M

THE LODGE SILENT AUCTION 3 CLOSES AT 6 :45PM

JA M415.CO M

TROJAN HORSE Silent Auction 4 closes at

7:00pm

400

SHANNON BRUNSKILL

$1,700

The Sandwich Generation 16 x 12 x 4 in Signed, 2011 Cast glass, found objects

401

SH A NNO NBRUNSKILL@G MA IL .CO M

SH A NNO NBRUNSKILL .CO M

MA RY @MA RY TO MASG A LLERY.CO M

MA RY TO MASG A LLERY.CO M

JP LONG

$ 6,500

Augmented Sphere 2 24 x 12 x 12 in Signed, 2003 Blown glass, steel

JP SCULP TURE@YA HO O.CO M

402

JP LO NG A RT.CO M

MIYOSHI BAROSH

$1,500

Selection of Meats 30 x 22 in Signed, 2014 Vitreograph, framed

403

MIYO SHIBA RO SH@MAC.CO M

MIYO SH IBA RO SH.CO M

G A LLERY @LUISDEJESUS.CO M

LUISDEJESUS.CO M

YUMIKO NODA OSAMU NODA , PAUL CUNNINGHAM, DARIN DENISON Untitled 8 x 12 x 19 in Signed, 2012 Hot-sculpted glass

Y UMIKO @NIIJIMAG L ASS.CO M

NIIJIMAG LASS.CO M

$ 3,000

404

CARMEN VETTER

$2,600

Seek 21 x 21 x 1¾ in Signed, 2014 Kiln-formed glass

CA RMENVET TER@G MA IL .CO M

CA RMENVET TERSTUDIO.CO M

INFO @TRAVERG A LLERY.CO M

TRAVERG A LL ERY.CO M

P HOTO : DA N KVITKA

405

YUKI UCHIMURA

$ 3,000

Exist “the Floating Vessel” 5 x 5 x 10 in Signed, 2012 Kilncast glass

Y UKI.G LASS.Y UKI@G MA IL .CO M

406

C. MIGUEL UNSON

$2,000

Proposal to Designate Boundaries 4 x 17 x 17 in Signed, 2013 Cast and slumped glass

MIG UELUNSO N@G MA IL .CO M

407

MIG UELUNSO N.CO M

RICK AND JANET NICHOLSON

$ 3,200

Black as Night 16 x 6 x 15 in Signed, 2014 Free hand blown and hot-sculpted glass

JA NET@NICHO LSO NBLOWNG LASS.CO M NICHO LSO NBLOWNG LASS.CO M

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

408

DAVID PATCHEN

$7,900

Bloom 20 x 10 x 17 in Signed, 2014 Blown and hot-sculpted glass, murrine

DAVID@DAVIDPATCHEN.CO M

409

DAVIDPATCHEN.CO M

JUSTIN PARKER

$ 3,600

Red Gun Drip 11½ x 7½x 14½ in Signed, 2013 Blown and solid-sculpted hot glass

JUSTIN@ESQ UE- STUDIO.CO M

ESQ UE- STUDIO.CO M

P HOTO : BO O NE SP EED P H OTO G RA P HY

410

ANDI KOVEL

$ 4,000

Nevermore 24 x 11½ x 10½ in Signed, 2013 Bold blown and hand-sculpted glass, steel base

A NDI@ESQ UE- STUDIO.CO M

ESQ UE- STUDIO.CO M

P HOTO : BO O NE SP EED P H OTO G RA P HY

411

MARITA DINGUS

Girl in Yellow Party Dress 20 x 9 x 2 in Unsigned, 2006–2014 Cast glass, mixed media

MA RITA DINUS@G MA IL .CO M

$ 800

412

MEGAN STELLJES

$1,500

Sailing 5 x 5 x 11 in Signed, 2014 Glass, decal

MEG A N.STELLJES@G MA IL .CO M MEG A NSTELLJES.CO M VETRI@VETRIG L ASS.CO M VETRIG LASS.CO M

413

HELEN TEGELER

$1,300

Split 4 15 x 2½ x 15 in Signed, 2014 Fused glass

H ELENTEG ELER@G MA IL .CO M

414

HELENTEG ELER.CO M

ABI SPRING

$2,500

Water Glass 2 1 x 11½ x 16 in Signed, 2014 Kiln-formed color-shift glass, enamels

A BI@A BISP RING .CO M

A BISP RING .CO M

JUROR S C H OIC E AWA R D

415

RYO SEKINO

$700

Goblet Set of three: each 3½ x 3½ x 9½ in Signed, 2014 Blown glass

INFO @RYO SEKINO.CO M RYO SEKINO.CO M

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

416

KRISTOFF KAMRATH

$2,058.90

Momento Mori (Sic Transit Gloria Mundi) 8 x 6 x 8 in Signed, 2013 Hot mold-blown, coldworked glass

KRISTO FFKA MRATH .CO M

417

CRYSTAL STUBBS

$ 6,000

Trinity 23 x 13 x 13 in Signed, 2012 Hot-sculpted, solid glass, cast lead crystal bases

CRYSTA LSTUBBSG LASS.CO M

KIRRA@KIRRA .CO M

KIRRAG A LLERIES.CO M

418

JUSTIN GINSBERG

$ 4,200

A Mile of Glass Coiled into a Box 16 x 16 x 4 in Signed, 2013 5280' of hand pulled glass fibers

JUSTIN. ELLIOT.G INSBERG @G MA IL .CO M JUSTING INSBERG .NET RO 2A RT.CO M

419

SASHA TEPPER-STEWART

P HOTO : P ROVIDED BY A RTIST

$1,400

Apis 11 x 2½ x 10 in Signed, 2014 Hot-sculpted glass

SASH ATEP P ERSTEWA RT@G MA IL .CO M

SASH ATEP P ERSTEWA RT.CO M

MRIFFKIND@KIT TRELLRIFFKIND.CO M KIT TRELLRIFFKIND.CO M

420

MARK LEPUTA

$ 5,000

Perpetual Light 12½ x 9½ x 8½ in Signed, 2014 Blown glass, coldworked and epoxied

ML EP UTA@H OTMA IL .CO M MA RKLEP UTA .CO M

421

PATRICK COLLENTINE

$ 800

Directional Arrow Series, Turn Here 20 x 20 x 4 in Unsigned, 2014 Illuminated neon sculpture

TESLA NEO N@G MA IL .CO M TESL A NEO N.CO M

422

JEFF BALLARD

$2,700

Hung Up 22 x 11 x 13 in Signed, 2014 Blown glass pillow, etched and solid worked glass, wood, found pitchfork

JBA LLA RD210@G MA IL .CO M

JEFFBA LLA RDG LASS.CO M

P HOTO : KELLY LYO N

423

LAURA MURDOCH

$2,500

Jade Emperor 18 x 18 x 4 in Signed, 2014 Thrice-fired and patterned, fused, slumped, and buffed flat bullseye glass

LJMFAST5@G MA IL .CO M MURDO CH G LASS.CO M

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

424

RUTH ANN WHITE

$2,400

The Endless Spill of Particles 3 x 19 x 36 in Unsigned, 2013 Pate de verre, fused and carved glass sheet, antique tray

425

KARINA GUEVIN, CEDRIC GINART

$ 6,000

The King Garden 8 x 8 x 36 in Signed, 2014 Flameworked glass

INFO @KA RINAG UEVIN.CO M KA RINAG UEVIN.CO M SA NDRA A INSL EYG A LLERY.CO M

426

$ 5,700

ANTOINE PIERINI

Weightlessness 35 x 14 x 28 in Signed, 2014 Hot glass, carved with diamond disk

P IERINI.FR

427

KELLY O’DELL

$ 5,500

Whisper 13 x 14 x 14 in Signed, 2013 Blown and sculpted glass

KELLSO DELL@HOTMA IL .CO M

KELLYO DELLG L ASS.CO M

428

ERIKA KOHR ISLAND

$1,900

The Seedlings 4½ x 6½ x 7 in Unsigned, 2010 Handblown, sculpted, sandcarved glass

ERIKA@KO H R.O RG

429

ERIKA ISLA NDG L ASS.CO M

SCOTT DARLINGTON

$ 3,500

Chochin (Ramen) 12 x 12 x 22 in Signed, 2013 Blown glass, graal

SCOT TY DA RL INGTO N@H OTMA IL .CO M

430

SCOT TY DA RL INGTO N.CO M

CHUCK LOPEZ

$1,800

Thales 4 x 6 x 18 in Signed, 2014 Blown glass, murinni

CHUCKLO P EZ57@YA HO O.CO M

VETRI@VETRIG LASS.CO M

VETRIG L ASS.CO M

431

KARSTEN OAKS

$ 4,000

Arc 12 x 6 x 12 in Unsigned, 2014 Cold-constructed optic glass

CO NTACT@KA RSTENOA KS.CO M

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

KA RSTENO A KS.CO M

432

CHERYL ZAHNISER

$ 900

Pilchuck Owl 22 x 10 x 22 in Signed, 2014 Fired enamels on spectrum white glass

CHERY L _ ZA H NISER@YA H O O.CO M CH ERY L ZA H NISER.CO M A L KIA RTS.CO M

433

LAURA L GOODWIN

$2,800

L’Estate Rosa (Ruby Summertime) 6½ x 2½ x 8 in Signed, 2014 Blown, solidworked, cast, cut, and polished glass

MA RY @TH EWILLIA MA NDJO SEP H G A LLERY.CO M THEWILLIA MA NDJO SEP H G A LLERY.CO M

434

JASON B. GAMRATH

$7,500

Macro Flora 12 x 12 x 12 in Signed, 2014 Glass, steel

JASO N@JASO NG A MRATHG LASS.CO M

JASO NG A MRATHG LASS.CO M

INFO @H A BATAT.CO M HA BATAT.CO M

435

ANDREA DEZSÖ

$1,000

Ghost Chandelier 24 x 13 in Signed, 2012 Vitreograph, framed

A NDREA DEZSO @G MA IL .CO M A NDREA DEZSO.CO M MA RG O L IS@NA NCY MA RG O LISG A LLERY.CO M NA NCY MA RG O L ISG A LLERY.CO M

436

EVERETT HIRCHE

$1,250

Bow Time 3 x 15 x 8 in Signed, 2014 Veil cane roll-up, carved on lathe

EMH IRCHE@G MA IL .CO M

437

STEVE KLEIN AND MAX BENJAMIN

$ 4,700

Untitled Diptych 1 x 43 x 18 in Signed, 2014 Kiln-formed glass

DKSK@EA RTH LINK .NET MA X MBENJA MIN.CO M

438

$2,200

AMY RUEFFERT

Pear (Dalmation) 14 x 5½ x 5½ in Signed, 2011 Blown, fused and cold worked glass, decals

A MY RUEFFERT@MAC.CO M A MY RUEFFERT.CO M

439

MANNY KRAKOWSKI

$2,200

Constructions and Frameworks 13 x 9 x 27½ in Signed, 2014 Sculpted glass, blown glass, wood, hardware, shoelace

MA NNY @MA NNY KRA KOWSKI.CO M

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

MA NNY KRA KOWSKI.CO M

440

JIMMY ANDEREGG

$2,500

Full Metal 6¼ x 5 x 13½ in Signed, 2014 Engraved glass

JIMMY RA@Q.CO M

441

A NDEREG G G L ASS.CO M

STEVE FUNK AND PAUL NELSON

$2,500

Rhapsody 19 x 11 x 9½ in Unsigned, 2013 Blown glass

SH FUNK@CO MCAST. NET FUNK- G L ASS.CO M

442

RYO SEKINO

$1,200

Untitled 6 x 6 x 27 in Signed, 2014 Blown glass

INFO @RYO SEKINO.CO M RYO SEKINO.CO M

443

JASEN JOHNSEN

$1,000

Skull Panel 11 x 3 x 6 in Signed, 2014 Blown and sculpted glass

JASEN@WILLENBRINKJO HNSEN.CO M

WILLENBRINKJO HNSEN.CO M

444

KIM HARTY

$1,000

Old Venetian Glass, Plate 21 13 x 19 in Signed, 2013 Digital print, framed

KIMHA RTY @G MA IL .CO M KIMHA RTY.CO M

445

PARTY FOR 15 AT KAIT RHODES’ STUDIO $ 800

Have an intimate event for you and your friends at artist Kait Rhoads’ studio in the historic Bemis Building, near to Safeco Field. The view from the fourth floor looking north toward Seattle is perfect for a sunset party amidst Kait Rhoads artwork. Includes parking, beer, wine & hors d’oeuvres. Valid until October 24, 2015. Party to be scheduled at a mutually agreeable date around events in the SODO area. Kait received her BFA from Rhode Island School of Design in 1993, her MFA from Alfred University in 2001 and in the same year she received a Fulbright grant to study sculpture in MuraUnsigned, Venice. She uses traditional Italian techniques as a base to create sculpture, vessels and jewelry. BEMISBUILDING .CO M

KA ITRHOA DS.CO M

I WAS ABLE TO REFINE MY UNDERSTANDING OF WHAT MOTIVATES MY WORK. Morga n M ad iso n Student, 2014

TROJAN HORSE SILENT AUCTION 4 CLOSES AT 7:00 PM

Chicago

November 4 - 9, 2014

Brunch Reception: Saturday, November 8

Please contact AAP for details

Exhibition location: Moonlight Studios

1446 W Kinzie Street, Chicago IL 60642

760.895.8658 www.austinartprojects.com info@austinartprojects.com

This page: Oben Abright Michael 2014, blown and cast glass, oil paint, cement, 51 x 24 x 24 inches, photo: Taylor Sherrill Following page detail: Karen LaMonte Kabuki 2013, cast glass, ed of 3 + 2 AP, 59 3/4 x 31 3/4 x 21 inches, photo: Martin Polak

OBEN ABRIGHT

KAREN LaMONTE Ukiyo | Chicago November 4 - 9, 2014 Reception: Friday November 7, please contact AAP for details Exhibition location: Zhou B Art Center 1029 W 35th Street, Chicago IL 60609

760.895.8658 www.austinartprojects.com info@austinartprojects.com

Austin Art Projects congratulates Pilchuck Glass School on another successful year and also Pilchuck alum Karen LaMonte on her two solo exhibitions during the 2015 Venice Biennale! Museo del Vetro (Museum of Glass) Fondamenta Giustinian 8, 30121 Murano

Museo di Palazzo Mocenigo (Museum of Fabrics & Costumes) Santa Croce 1992, 30135 Venezia

Proud Supporter of the Pilchuck School of Glass

Celebrating 40 years of Helping our Clients and Friends

Realize their Success and Achieve their Goals

Kirkland | (425) - 250 - 0051 | http://www.vwc-cpa.com/

Step into my office. Then step into your new home.

MICHELE ANDERSON

Mortgage Consultant 206-595-2499 Michele.Anderson@homestreet.com NMLS ID# 583049

Chihuly Garden and Glass is proud to support Pilchuck Glass School and the many artists they inspire. CHIHULYGARDENANDGLASS.COM

Sculpture Objects Functional Art + Design Fair November 7-9 Navy Pier Opening Night Preview Thursday, November 6

Silvia Levenson, David Richard Gallery

sofaexpo.com

GLASS AT PILCHUCK: MAKING HISTORY NOW ON VIEW AT SEATTLE ART MUSEUM Don’t miss this installation from SAM’s collection of contemporary glass by artists who were inspired by their time at the Pilchuck School of Glass. Get tickets at visitsam.org. Pink Macchia Single (detail), 1986, Dale Chihuly, American, b. 1941, blown glass, 17 1/2 x 26 x 25 in., Seattle Art Museum, Gift of Jon and Mary Shirley, in honor of the 75th Anniversary of the Seattle Art Museum, 2005.209, © Dale Chihuly, Photo: Paul Macapia.

Proud Supporter of the Pilchuck School of Glass

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Studio Matthews is pleased to support Pilchuck Glass School with the design of this yearâ&#x20AC;&#x2122;s auction materials

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ITEM #447 ÂŠ2014 CHATEAU STE. MICHELLE, WOODINVILLE, WA 98072

May we suggest some art for your cellar?

The Artist Series from Chateau Ste. Michelle celebrates the inspired collaboration between artisan winemaking and fine art. A Bordeaux-style blend of great elegance, power and longevity, the Artist Series Meritage is artfully crafted from premiere vineyards in Washington state's Columbia Valley. The Artist Series from Chateau Ste. Michelle will add an element of fine art to your wine collection. Inspiration. Tradition. Collection. A

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Dustin Yellin & eric Fischl Narratives in Glass

Act of Drawing etsuko ichikawa Act of Drawing

september 10 - october 30 Winston W채chter Fine Art

203 Dexter Ave N Seattle, WA 98109 206.652.5855 gallery@winstonwachter.com www.winstonwachter.com

Lightness Lightnessof ofofBeing—New Being—New Being—NewSculpture—Howard Sculpture—HowardBen BenTré Tré Lightness Sculpture—Howard Ben Tré Lightness of Being—New Sculpture—Howard Ben Tré September September13,13,2014 2014– –January January4,4,2015 2015 September 13, 2014 January 4, September 13, 2014Ben– –BenTré January 4, 2015 2015 Organized Organized byby Howard Howard Tré Organized by Howard Ben Tré Sponsored Sponsored by Art Art Alliance Alliance forfor Contemporary Glass Glass Organized byby Howard Ben TréContemporary Sponsored by Art Alliance for Contemporary Glass

Sponsored by ArtTré, Alliance for Contemporary Glass 1/2 1x/28xx88xinches. Howard Howard Ben Ben Tré, The The Lightness Lightness of Being of Being #6,#6, 2008. 2008. Cast Cast glass, glass, cast cast bronze, bronze, andand patina; patina; 87 87 8 inches. Howard Ben Tré, The Lightness of Being #6, 2008. Cast glass, cast bronze, and patina; 87 1/2 x 8 x 8 inches. Courtesy Courtesy of the of the artist artist 1/2 x 8 x 8 inches. Howard Ben Tré, The Lightness of Being #6, 2008. Cast glass, cast bronze, and patina; 87 Courtesy of the artist Courtesy of the artist

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Proud Supporters of the Pilchuck School of Glass

We are proud to support Pilchuck Glass School in its efforts to inspire creativity, transform individuals, and build community.

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glass glass glass art art society society BecomeaamemBer memBer Become Become a memBer TheGlass GlassArt ArtSociety Societyisisan aninternational international non-profit non-profit organization The The Glass Art Society is an international non-profit organization foundedinin1971. 1971.We Westrive striveto tostimulate stimulate communication communication among among artists, founded artists, founded in 1971. We strive to stimulate communication among artists, educators,students, students,collectors, collectors,gallery gallery and and museum museum personnel, personnel, educators, educators, students, collectors, gallery and museum personnel, artcritics, critics,manufacturers, manufacturers,and andall allothers others interested interested in in and and involved art involved art critics, manufacturers, and all others interested in and involved with the production, technology, and aesthetics of glass. with withthe theproduction, production,technology, technology,and and aesthetics aesthetics of of glass. glass. GASoffers offers manygreat great memberbenefits benefits including four four online issues GAS issues GAS offersmany many greatmember member benefits including including four online online issues GASnewsper per year,access access tothe the Member Directory, Directory, free classified ofof classified ofGASnews GASnews peryear, year, accessto to theMember Member Directory, free free classified listings on the GAS website, domestic shipping and printing discounts listings discounts listingson onthe theGAS GASwebsite, website,domestic domestic shipping shipping and and printing printing discounts with FedEx, domestic insurance benefits and much more. with withFedEx, FedEx,domestic domesticinsurance insurancebenefits benefits and and much much more. more.

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June 5-7, 2015 5-7,2015 2015 June5-7, June Interface: Glass, Art, and Technology Interface:Glass, Glass,Art, Art,and and Technology Technology Interface:

The 44th annual GAS conference will feature prominent and emerging The44th 44thannual annualGAS GASconference conferencewill willfeature feature prominent prominent and The and emerging emerging artists from around the world in demos, lectures, and panels. artistsfrom fromaround aroundthe theworld worldin indemos, demos, lectures, lectures, and and panels. panels. artists Visit www.glassart.org for more information. Visitwww.glassart.org www.glassart.orgfor formore moreinformation. information. Visit

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Imagine is honored to support Pilchuck Glass School

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Primitive — Elegant III A collaboration between Preston Singletary and Dante Marioni Premiering at SOFA Chicago at the Navy Pier November 7 – 9, 2014 Opening Night Preview: Thursday, November 6th, 7 – 9 pm Untitled Blown and sand-carved glass 16.25" h x 10" d

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THANK YOU PILCHUCK! Encouraging artists worldwide of all disciplines to explore the medium of GLASS. ( Also... a big part of the Best Seattle Tour Ever ~ with Schantz Galleries!! March 2015 )

Exhibiting at SOFA Chicago, Lino Tagliapietra, Fenice Installation (detail) 2014

photo: Russell Johnson

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Congratulations to the Pilchuck Glass School and it’s creative founder Dale Chihuly for their spectacular international success and recognition.

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Proud Supporter of the Pilchuck School of Glass

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THANKS

FO UN DERS

Dale Chihuly Anne Gould Hauberg John H. Hauberg (1916â&#x20AC;&#x201C;2002)

B OAR D OF TRUSTEES

Timothy D. Noonan, President C. Kent Carlson, Vice President Dana M. Reid, Vice President Amy Stonecipher, Secretary John R. Price, Treasurer Randy Lert, Past President Ellen S. Bakke Patty Barrier Rebecca Benaroya Cassandria Blackmore Daymon Bruck Leigh Canlis Leslie J. Chihuly Anthony F. Cole Fritz Dreisbach Steven Funk Deb Gross Judy Heller

David Kaplan Steve Klein Stephen J. Kutz Jon C. Liebman Roger MacPherson Carol Maione Mickey J. Mandel Dante Marioni Benjamin P. Moore Ann M. Morrison Barry W. Morse Bruce M. Morse Tina Orr-Cahall Fay H. Page Steven Pinsky Scott Rabinowitz Anne Cohen Ruderman Norman B. Sandler Dorothy Saxe

R. Bryce Seidl Larry Sheer Allen Shoup Elizabeth A. Sicktich Preston L. Singletary Ethan M. Stern Susan Stinsmuehlen-Amend Joan W. Stonecipher April Surgent Patricia A. Wallace Richard Wortley Mark Zirpel James Baker, Ex Officio Corinne Cowan, Ex Officio Nick Mount, Ex Officio Durk Valkema, Ex Officio

Y EAR -ROUND STA F F

Rebecca Arday, Education Coordinator Tina Aufiero, Artistic Director James Baker, Executive Director Angie Battalio-Bunker, Development Coordinator Margo Beaver, Special Events Assistant Jennifer Elek, Senior Operations Technician Carlos Esparza, Marketing and Communications Coordinator Whitney Hazzard, Director of Development Justin Parisi-Smith, Campus Operations Coordinator

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Kerry Schmidt, Buildings and Grounds Coordinator Liesl Schubel, Registrar Chris Seidl, Staff Accountant Ben Sharp, Studio Technician Kim Sharp, Storekeeper and Supplies Coordinator Talia Silveri, Special Events Manager Jan Spangler, Director of Finance Cecily Stern, Grant Writer Harold Watrous, Buildings and Grounds Assistant

L EG ACY SOCIETY

William B. and Ann Burstiner Anne Gould Hauberg David Kaplan and Glenn Ostergaard Darle and Pat Maveety

Benjamin Moore Janel Neiman Timothy D. Noonan David Pollart

Ryan Matthew Porter Megan Pursell Dorothy Saxe Mathilde Brown Swanson

The Legacy Society was established as a means of securing the future for Pilchuck Glass School and ensuring that upcoming generations of artists have the opportunity to benefit from the education and inspiration Pilchuck offers. By making a planned gift, you are nourishing future growth, exploration, and education of artists working in the world of glass art. Through your thoughtful generosity, your gift will allow others to explore their creativity in glass within a vibrant community of artists. If you would like to become a member of the Legacy Society, at any level, please contact Whitney Hazzard, Director of Development, at (206) 621-8422, extension 27.

TRUSTEE CIRCLE

Cindy Abrahamson, Edmonds, WA Tom Alberg, Seattle, WA Chap Alvord, Seattle, WA Dale Anderson, Palm Beach, FL Doug Anderson, Palm Beach, FL Parks Anderson, Seattle, WA Jeffrey Atkin, Bellevue, WA Carol Auerbach, Jupiter, FL Bruce R. Bachmann, Glencoe, IL Patricia M. Baillargeon, Seattle, WA Daniel Baty, Seattle, WA Alan G. Benaroya, San Diego, CA David Bennett, Poulsbo, WA Alan Black, Seattle, WA Adelaide Blomfield, Seattle, WA Betty L. Blount, Seattle, WA Gretchen M. Boeing, Clyde Hill, WA Linda Bonica, Seattle, WA Thomas Bosworth, Seattle, WA Ron Brill, Atlanta, GA Susan Brotman, Medina, WA Jeannie Butler, Seattle, WA Dale Chihuly, Seattle, WA Corinne E. Cowan, Bellevue, WA Anne E. Croco, Seattle, WA Ron Crowell, Ashland, OR Sherry Davidson, Asheville, NC Sarah Davies, Seattle, WA Michelle DiJulio, Mercer Island, WA Manya Drobnack, Mercer Island, WA Kate Elliott, Bend, OR Robert Fisher, Pomona, NY Gary Glant, Seattle, WA Vicki Glant, Seattle, WA Katherine Gray, Los Angeles, CA Judy Greenstein, Mercer Island, WA

Mark T. Haley, Tacoma, WA Mark Hamilton, Seattle, WA Lee Harris, Chicago, IL Mila Hart, Solvang, CA Anne Gould Hauberg, Bellevue, WA Jim Henderson, San Francisco, CA Johanne B. Hewitt, Tacoma, WA John Hewitt, Tacoma, WA Henry L. Hillman, Portland, OR C. David Hughbanks, Seattle, WA Paul Isaki, Seattle, WA Spence Jackson, Austin, TX Phillip Jacobson, Issaquah, WA Gaylord Kellogg, Seattle, WA Duff Kennedy, Seattle, WA Joey Kirkpatrick, Seattle, WA Frank R. Kitchell, Seattle, WA Leonard Klorfine, Philadelphia, PA Bill Kopman, Palm Beach Gardens, FL Fraeda Kopman, Palm Beach Gardens, FL Jackie Kotkins, Seattle, WA Stephen J. Kutz, Seattle, WA Jack Lenor Larsen, East Hampton, NY David Leland, Seattle, WA Dan Levitan, Seattle, WA Christina Lockwood, Seattle, WA Dianne Loeb, Seattle, WA Ruby Smith Love, Seattle, WA Stuart Mandel, Medina, WA Darle Maveety, Palo Alto, CA Josiah G. McElheny, Brooklyn, NY JJ McKay, Seattle, WA Ginny Meisenbach, Seattle, WA William Morris, Stanwood, WA Robert L. Ness, Seattle, WA Babo Olanie, Seattle, WA

Sean O'Neill, Seattle, WA Christina Orr-Cahall, Seattle, WA John Otter, Mercer Island, WA Nathaniel B. Page, Seattle, WA H. Stewart Parker, Seattle, WA Laura Partridge, University Place, WA Benson Pilloff, Chapel Hill, NC Francine Pilloff, Chapel Hill, NC David Pollart, Mercer Island, WA Warren G. Poole, Portola Valley, CA Ryan Matthew Porter, Seattle, WA Rodney Proctor, La Conner, WA Doug Raff, Seattle, WA John D. Ritchie, Vancouver, WA J. Thurston Roach, Seattle, WA Connie Rogel, Port Ludlow, WA Betsy Rosenfield, Lake Forest, IL Doug Rowan, Kirkland, WA Randy Rubenstein, Seattle, WA Ginny Ruffner, Seattle, WA Eric Russell, Gig Harbor, WA Sheri Schultz, Seattle, WA Erick Shirley, Vail, CO John B. Simpson, Port Ludlow, WA Samuel H. Smith, Seattle, WA Sue Solomon, Mineral Ridge, OH Susan Steinhauser, Los Angeles, CA Linda Stone, Bellevue, WA Mathilde Brown Swanson, Des Moines, IA Richard Swanson, Des Moines, IA Robert Thurston, Seattle, WA Richard L. Weisman, Seattle, WA Laura Whitaker, Vashon, WA Peter Wright, Seattle, WA Cheryl Zahniser, Seattle, WA

Comprised of all past trustees of Pilchuck Glass School since the founding of the board in 1988, the Trusteeâ&#x20AC;&#x2122;s Circle recognizes and engages individuals who have been integral to the schoolâ&#x20AC;&#x2122;s growth and development. Today they serve as advocates in the communities which they live while often remaining active and generous supporters of the school. 121

THANKS

L EADERSHIP COUNCI L

Victoria M. Ahmadizadeh Rik Allen Shelly Muzylowski Allen Chap and Eve Alvord Elias and Karyl Alvord James Anderegg Dorothy Anderson Jeff and Brenda Atkin Carol Auerbach and Albert Berger Tina Aufiero David Austin Bruce Bachmann James Baker and Laura Dixon Ellen Bakke Jeff Ballard Patty and Jimmy Barrier Rick Bartow Rebecca Benaroya Loretta Bennett Stine Bidstrup Cassandria Blackmore Nancy Blair Cal Breed Jeffrey and Susan Brotman Shannon and Scott Brunskill Jean-Pierre and Leigh Canlis Alexandra Cannon

Deborah Carlson Kent and Sandra Carlson Chateau Ste. Michelle Dale and Leslie Chihuly Jim Clark Benjamin Cobb Adam G. Cohen Michele and Martin Cohen Katherine and W.T. Cook Corning Incorporated Foundation Amber Cowan Scott Darlington Kirk and Elizabeth Day Anthony Di Re Laura Donefer Fritz Dreisbach Benjamin Edols Jen Elek Bella Feldman Daniel Friday Steven and Marsha Funk Jason B. Gamrath Kathy Alvord Gerlich Justin Ginsberg Glass Alliance of Los Angeles Laura L. Goodwin Deb and John Gross

Lauren Grossman Karina Guevin K.T. Hancock Lee and Tarie Harris Anne Gould Hauberg Sue Hauberg Jessica and Todd Havens Judy and Stuart Heller Katrina Hude Etsuko Ichikawa Jean K. Lafromboise Foundation Steve Jensen Mike and Diane Johansson George and Jane Kaiser David Kaplan and Glenn Ostergaard Steve Klein Leonard and Norma Klorfine Sabrina Knowles Andi Kovel Stephen J. Kutz and Courtney Womack Karen LaMonte Mark Leputa Walt Lieberman Jon and Judith Liebman J.P. Long Roger and Nancy MacPherson Carol Maione and Brian Marks

The Leadership Council recognizes donors to Pilchuck Glass School who make a major commitment ($2,500 and above) to the school. This support includes one-time gifts within a calendar year and annual gifts that meet the highest priority needs of Pilchuck, including undesignated funds and those designated for program areas, equipment or facilities. Their generosity forms the foundation of our annual fundraising effort and for their generous support we are enormously grateful!

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L EA D ERSHIP COU NC IL C ONT.

Dante Marioni Mark and Carol Hyman Fund Richard Marquis Amie Laird McNeel Pamela Merriman and Sonja Ross Charles and Colleen Mills Benjamin Moore John and Mitzi Morris Bruce and Judy Morse Barry Morse and Candice Connell Nick Mount Laura Murdoch Cody F. Nicely Rick and Janet Nicholson Yumiko Noda Timothy D. Noonan Karsten Oaks Kelly Oâ&#x20AC;&#x2122;Dell Nathaniel and Fay Hauberg Page Jackie Pancari Justin Parker David Patchen Michele and Kyle Peltonen Morgan Peterson Antoine Pierini Steven and Babette Pinsky Jenny Pohlman

David Pollart and Linda Struthers Leigh Power Janusz Pozniak John and Joyce Price Rodney Proctor and Lynn Ries Doug Randall Buffy Redsecker and Alan Chung Dana Reid and Larry Hitchon Chickie and Steve Rosen Tom Rowney David and Anne Cohen Ruderman Larry Sadkin Davide Salvadore Norman B. and Elisabeth Sandler Dorothy Saxe R. Bryce and Chris Seidl Ben Sharp Larry and Randy Sheer Allen and Kathleen Shoup Elizabeth Sicktich and Douglas Barker Preston Singletary Anna Skibska Raven Skyriver Abi Spring Rob Stern Ethan Stern Susan Stinsmuehlen-Amend

Paula Stokes and John Sullivan Amy and Michael Stonecipher Joan W. Stonecipher Crystal Stubbs April Surgent Lino Tagliapietra The Caryll M. & Norman F. Sprague Foundation Theo Chocolate Cappy Thompson Joe Tsoulfas Yuki Uchimura Jennifer Umphress Carmen Vetter Patricia Weyer William and Gail Weyerhaeuser Danny White Loren White Karen Willenbrink-Johnsen Ann WĂślff Richard and Barbara Wortley Hiroshi Yamano Lisa Zerkowitz

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T H A N K YO U T O O U R 2 0 1 4 S U M M E R S TA F F

I N ST R UCTORS

Rik Allen Shelley Muzylowski Allen Rebecca Arday Scott Benefield Stine Bidstrup Armelle Bouchet O'Neill Heike Brachlow Nancy Callan Jonathan Chapman Patrick Collentine Brian Corr Amber Cowan Kéké Cribbs Fred Curtis Róisín de Buitléar Niko Dimitrijevic

Mel Douglas Timothy Edwards Dan Friday Cédric Ginart Karina Guévin Jin Won Han Jim Harmon Carrie Iverson Jessica Julius Silvia Levenson Robert Lewis Walter Lieberman Jeff Mack Kelvin Mason Christopher McElroy Amie McNeel

Lynn Everett Read Erica Rosenfeld Amy Rueffert Nathan Sandberg David Schnuckel Ryo Sekino Raven Skyriver Aimee Sones Anjali Srinivasan Susan Stinsmuehlen-Amend Brynhildur Thorgeirsdóttir Richard Whiteley Kathryn Wightman David Willis Benjamin Wright

Sarah Gilbert Justin Ginsberg Jeremy Hansen Marina Hanser Josh Hargrave Chris Harman John Hedrick David Hering Otis (Opie) Hileman Anna-Karin Johansson Hideaki Kakurai Shahid Khan Jessica Landau Austin Littenberg Morgan Madison JW May Emily McBride Maggie McCain Meadhbh McIlgorm Katie Miller Dan Mirer Joanne Mitchell Harrison Neel Jesse Nelson Kenta Ohigashi Dawn Passineau

Morgan Peterson Madeline Prowd Megan Randall Michiko Sakano Rui Sasaki Jeremy Scidmore Benjamin Sharp Danny Shipley Alison Siegel Joseph Sircoulomb Aoife Soden Andrea Spencer Michael Stevens Erika Tada Kazuki Takizawa Erin Taylor Sasha Tepper-Stewart Brad Turner Kat Twomey Wes Valdez Ron Vincent Sunny Wang Rachel Wright Tadashi Yamamoto Jon Yao Jeff Zimmer

Jason Christian Scott Darlington John Hogan Manny Krakowski Sam McMillen

Treg Silkwood Daryl Smith Megan Stelljes Robert Stern

TEACHING ASSISTA NTS

Deborah Adler Victoria Ahmadizadeh Brittany Arnold Orion Becker Nicole Berger Annette Blair Jason Blandford Aaron Blendowski Gabriel Bloodworth Lydia Boss Antoine Brodine Shannon Brunskill Brandyn Callahan Alix Cannon Ned Cantrell Julie Conway Mikey Cozza Miguel Unson Erin Dickson Eric Edner Tomonori Egawano Beccy Feather Jean Fernandes Jason Forck Raya Friday David Frigon-Lavoie

GAFFE RS

Aaron Baigelman Jeffrey Ballard Annette Blair Courtney Branam Granite Calimpong 124

ARTISTS IN RESID E NC E

Miyoshi Barosh Cris Bruch Stephen Cartwright Andrea Dezso Laura Donefer

Bella Feldman Nina Katchadourian Amos Kennedy Jr. Ruth King Lili Maya

Tivon Rice James Rouvelle Whiting Tennis

Anna Mlasowsky Amanda Patenaude Leana Quade Keunae Song Megan Stelljes

Csilla SzilĂĄgyi Elizabeth Thompson Celeste Wilson

Hayley Fowler Lancelot Fraser Jay Galbreath Alex Gibson Henry Gibson Morgan Gilbreath Justin Ginsberg Brianna Gluszak Clare Grimes Michael Hernandez Zane Hettinga Everett HirchĂŠ Alexandra Horenberg Kristoff Kamrath Justin Kern Melissa Kistler Sophie Krauza Jessica Landau Natalie Legener Zachary Lorenzetti Monir Madkour Kelvin Mason Emily McBride Maggie McCain Conor McClellan Donna McCord Meadhbh McIlgorm Alec Miller William Miller Paige Morris Alexander Morrison James Mulholland Jason Murphy Andrew Najarian Rasmus Nossbring Jesus Olivero

Jessica Ostrander Amanda Patenaude Neal Paustian Cal Peak Michelle Pennington Lisa Piaskowy Val Pohorsky Dominic Pradetto Leana Quade Jonathan Rafael Hannah Rarick Yashodhar Reddy Katharena Rentumis Thomas Roubal Katrina Rudolph Jaynie Sanchez Anika Sanders Colton Scally Kari Schneider David Schnuckel Evan Seeling Kim Sharp Kevin Sindler Lusia Stetkiewicz Lauren Stewart Mary Stillwaggon Emlyn Strzempka Ryan Tanner Helen Tegeler David Townsend Galen Turner Kat Twomey Kayla Wiles

ARTIST ASSISTA N TS

Adam Cohen Michael Hernandez James Labold JP Long Charles Matthey

S UMMER STA F F

Victoria Ahmadizadeh James Akers Wyatt Amend Jimmy Anderegg Nicole Anderegg Josefin Andersson Brendan Andrews Amber Archdale Rachel Arday Rebekah Birkan Christopher Bogle Lydia Boss Kevin Boylan Scott Brunskill Shannon Brunskill Dahlia Bushwick Abigail Carroll Jim Clark Nicholaus Clawson Spencer Cleland Charles Cohan Sarah Cohen Sander Cole Gabriel Cosma Greg Crooks Marguerite Crooks Abram Deslauriers Dick Ditore Richard Dobrzeniecki Ruby Dorchester David Drake Dillon Dunbar Jason Elliott Jared Ellis Jean Fernandes Kelsey Finnie

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GLOSSARY OF GLASS TERMS BITS Pieces of molten glass snipped off a blowpipe or punty and applied hot to a glass form.

MOLDBLOWN Glass formed into a shape by being blown into a mold, typically made of wood, metal, or plaster.

CANE Thin rods of glass, usually with a twisted pattern in multiple colors used to add pattern to blown glass.

MURRINE Patterned glass cane cut into sections in order to form small disks that are used in decorating glass or constructing glass forms.

DICHROIC Manufactured glass that is one color when seen by reflected light and another color when light shines through it. The effect can be achieved by applying a dichroic coating to glass that otherwise would not have this property. ELECTROPLATE The process of adhering metal to glass by dipping the glass into an electrically charged solution.

OVERLAY A thin layer of clear or colored glass on the outside of a piece. OFF-HAND Formed freehand on the end of a punty or blowpipe. No mold is used.

ETCH To create a design by cutting away the surface of finished glass with a tool or by treating it with acid.

PÂTE DE VERRE From French, meaning “glass paste.” The paste is made from crushed glass and enamel paint. It is applied to the surface of a mold and fired in a kiln at high temperature.

FLAMEWORKING OR LAMPWORKING The process of using a gas-fueled torch or lamp to heat glass rods for sculpting, blowing, and beadmaking.

ROLL-UP In this process, multiple pieces of flat glass are fused into a tile. The tile is reheated, rolled up onto a gather, and then blown into a three-dimensional object.

FUSE To melt together two or more pieces of glass in a kiln.

SANDBLAST To blow or blast sand onto a piece, etching away layers of glass. Masking is used to create patterns.

GRAAL A glassblowing technique wherein a thick “blank” or core form is blown, usually with two or more layers of color. The blank is then engraved, bringing out the underlying color, much as is done with a cameo. The engraved blank is subsequently reheated and blown to its full shape.

SANDCAST To ladle hot glass into a formed mold made of specialized sand.

HOT CAST To ladle hot glass from a furnace into a mold made of sand, steel, or plaster. INCALMO A glassblowing process that joins two or more bubbles of hot glass together, resulting in defined bands of color in a vessel or object. INSCISO A technique for patterning the surface of glass by creating deep incisions, usually with handengraving tools. KILN A high-temperature electric oven used for casting, fusing, and slumping glass. KILNCAST The use of a mold, usually plaster, filled with crushed glass, which is melted in a kiln to produce a solid glass form. LAMINATE To use heat or glue to join pieces of glass. LAMPWORKING See flameworking. LOST WAX A method of casting whereby a wax or waxcoated model is embedded in clay and then baked so that the wax melts and is “lost,” leaving a mold into which hot glass is poured. The mold must be broken in order to retrieve the cast object.

SCAVO Corrosive chemical material applied to the surface of hot glass that gives the final piece a matte finish. SCRUFFITTO The technique of adding color to the surface of glass and then scratching it away, causing a reverse image to appear. SHARD A small fragment of glass. Colored shards may be melted into a piece for decoration. SLUMP To heat a sheet of glass in a kiln until it is soft enough to assume the shape of a mold without becoming molten. SMALTI A soft, intensely colored Venetian glass that is chipped into squares for use in creating traditional mosaics. THREADS Thin strands of glass, usually colored, that may be added to the glass in a variety of ways for different effects. VITREOGRAPHY The process of creating a print from a glass plate. WRAP A strand of glass, typically but not always of a contrasting color, applied hot to a vessel. ZANFIRICO A multi-colored cane made by gathering a bundle of rods of different colors, and heating it until it is soft. The bundle is attached to two pontils and elongated by drawing. At the same time, the bundle is twisted to produce a spiral pattern. Zanfirico, is a synonym for vetro a retorti.

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I N D E X O F D O N AT I N G A R T I S T S

ARTI STS

IT E M #

PAGE #

ART I STS

ITEM #

PAG E #

Adams, Beth

215

Branson, Kiley

201

Amend, Wyatt

318

Breed, Cal

Anderegg, Jimmy

440

Bruno, Roy

104

Ashman, Nick

110

Brunskill, Shannon

400

Baker, James

341

Campbell, Lee

306

Ballard, Jeff

422

Canlis, Jean-Pierre

Barosh, Miyoshi

402

Cannon, Alexandra

Barrett, Dolores

205

Carlson, Deborah

345

Bartow, Rick

Chakravarty, Jason

325

Benefield, Scott

Chase, Cathy

326

Benjamin, Max

437

Chihuly, Dale

Bert, Jeremy

Christian, Jason

Bidstrup, Stine

Clark, Jim

Bisetto, Gabriella

105

Clawson, Nicholaus

116

Bishop, Lyn

329

Cobb, Benjamin

Blair, Nancy

Collentine, Patrick

421

Blandford, Jason

126

Conway, Julie

219

Bloodworth, Gabriel

135

Cooper, Sarah Akhtar

211

Boothe, Anna

333

Cornelis, Jayne

117

Boss, Lydia

338

Cowan, Amber

Boylan, Kevin

108

Cozza, Mikey

328

Brachlow, Heike

Crescuillo, Jennifer

106

128

ARTISTS

IT E M #

PAGE #

ART I STS

ITEM #

PAG E #

Cronquist, Marlo

111

Elek, Jen

Cunningham, Paul

403

Elek, Jen

Darlington, Scott

429

Elliott, Jason

324

Davis, Nick

335

Escoe, Rachel

115

de Buitléar , Róisín

Feldman, Bella

De Caro, Pat

317

Fraser, Lancelot

309

Demaine, Martin

100

Friday, Daniel

Demaine, Erik

100

Frugé-Brown, Kathleen

118

Denison, Darin

403

Funk, Steve

441

Dezsö, Andrea

435

Gamrath, Jason

434

Dickson, Erin

336

Gibson, Alex

102

Dingus, Marita

411

Ginart, Cedric

425

Donefer, Laura

Ginsberg, Justin

418

Donefer, Laura

Glenn, Richard

320

Drake, Michael

313

Goodwin, Laura

433

Dreisbach, Fritz

Grossman, Lauren

330

Driscoll-Perez, Ashley

109

Guevin, Karina

425

Duperreault, K. Leah

218

Gyori, Colleen

303

Eaton, Matthew

124

Hagan, Steven

323

Edols, Ben

Hamilton, Tegan

122

Edwards, Kim

208

Hancock, KT

319

Eiji, Shiga

128

Hannigan, Frank

216

129

I N D E X O F D O N AT I N G A R T I S T S

ART I STS

IT E M #

PAGE #

ART I STS

ITEM #

PAG E #

Harty, Kim

444

Markus, Emilsson

332

Heath, Jeff

339

Marquis, Richard

Hirche, Everett

436

Matulich, Bill

308

Houk, Peter

100

McCain, Maggie

322

Howard, Kelly

131

McCord, Donna

134

Hude, Katrina

342

McDermott, Alex

133

Ichikawa, Etsuko

McDougall, Scott

112

Immerman, Steve

321

McLane, Shandra

100

Ira, Lujan

300

McNeel, Amie

Island, Erika

428

Misoda, Melissa

316

Jensen, Steve

Moore, Benjamin

Johnsen, Jasen

443

Mount, Nick

Joyce, Campbell

120

Murdoch, Laura

423

Kalderon, Danny

127

Nelson, Paul

441

Kamrath, Kristoff

416

Nicholson, Rick and Janet

407

Kartez, Jason

305

Noda, Yumiko

403

Kimball, Tyler

301

Noda, Osamu

403

King, David

119

Nojima, Reiko

204

Klein, Steve

437

O'Dell, Kelly

427

Klein, Steve

Oaks, Karsten

431

Knowles, Sabrina

Ogata, Kanami

114

Kovel, Andi

410

Pancari, Jackie

Krakowski, Manny

439

Parker, Justin

409

Kramer, Tia

213

Patchen, David

408

Kremen, Heather

315

Patenaude, Amanda

136

Legener, Natalie

334

Peg, Gyldenege

202

Leputa, Mark

420

Peterson, Morgan

Leslie, Goldstein

202

Pierini, Antoine

426

Leslie, Goldstein

203

Pittenger, Spencer

311

Levy, Marge

224

Pohlman, Jenny

Lieberman, Walt

Pohorsky, Valerie

137

Long, JP

401

Pozniak, Janusz

Lopez, Chuck

430

Puls, Lucy

132

Mack, Jeff

Puskarich, Heather Joy

210

Mack, Jeff

Rader, Rachel

310

Madison, Morgan

Randall, Doug

Marioni, Dante

Raphael, Jerry

220

Marioni, Marina

217

Rhoads, Kait

445

130

ARTISTS

IT E M #

PAGE #

ART I STS

ITEM #

PAG E #

Rodamer, Ryan

123

Tamm, Annette

314

Rowney, Tom

Tanner, James (Ryan)

200

Rueffert, Amy

Tegeler, Helen

413

Rueffert, Amy

438

Tepper-Stewart, Sasha

419

Ryan, Blythe

343

Thiel, Leslie

207

Salvadore, Davide

Thompson, Cappy

Satterfield, Colin

337

Thorgeirsdottir, Brynhildur

346

Schinelli, Lori

113

Timothy, Belliveau

327

Schmuck, Johnathon

312

Tsoulfas, Joe

304

Schulman, Alana

221

Uchimura, Yuki

405

Schulman, Alana

222

Umphress, Jennifer

Schulman, Alana

223

Unson, C. Miguel

406

Sekino, Ryo

442

Velkoff, Zachary

340

Sekino , Ryo

415

Vetter, Carmen

404

Sharp, Ben

Volpacchio, John

107

Sharp, Kim

331

Walsh, Jack

107

Singletary, Preston

Watrous, Hal

214

Skibska, Anna

Watrous , Hal

129

Skibska, Anna

225

Weiss, Dick

Skyriver, Raven

Weston, Lambert

347

Sones, Aimee

103

Weyer, Patricia

344

Spring, Abi

414

White, Danny

St책hl, Rosita

125

White, Loren

Stanyon, Alex

212

White, Ruth Ann

424

Stellejs, Megan

412

White, Danny

Stendahl, Diane

206

Willenbrink-Johnsen, Karen

Stendahl, Diane

209

Wisdom, Juliana

101

Stenzel, Chris

121

Wolff, Ann

Stern, Rob

Yamano, Hiroshi

Stern , Ethan

Yardic, Tim

302

Stevens, Michael

Zahniser, Cheryl

432

Stinsmuehlen-Amend, Susan

Zerkowitz, Lisa

Strzempka, Emlyn

130

Stubbs, Crystal

417

Surgent, April

Tada, Erica

Tagliapietra, Lino

Takenouchi, Naoko

307

131

132

THANK YOU FOR YOUR SUPPORT

133

T HA NK YO U TO O U R G E NE ROUS SP ONSORS The ArtsFund Foundation

Catalog design, Studio Matthews Artwork and centerpiece photography, Ben Lerman Summer session photography, Alec Miller, and Peter Kuhnlein at KP-Studios All proceeds benefit Pilchuck Glass School

134

Corning Incorporated Foundation

Jean K. LaFromboise Foundation