Pilchuck Glass School 33rd Annual Auction Catalog by Pilchuck Glass School

Celebrating

40 years of inspiring

creativity,

transforming

individuals,

& building

community.

Special thanks to Rob Stern 2011 Centerpiece designer

Special thanks to Beccy Feather 2011 Benefactor gift designer

welcome t o P i l c h u c k G l a s s S c h o o l â&#x20AC;&#x2122;s 3 3 r d A n n u a l A u c t i o n

Dear Friends,

Join us! Raise your paddle to support Pilchuck Glass School. Teaching artists, sharing knowledge, learning through collaboration – these are the core values of Pilchuck Glass School. Artists from over sixty countries congregate at our campus in the foothills above Puget Sound to learn, teach, collaborate, experiment and create.

“Pilchuck” and glass are synonymous. It is difficult to think of another organization so associated with a field of study. Our school has always been an extraordinary place. It takes on special prominence in light of Pilchuck’s fortieth birthday this year and next year’s fiftieth anniversary of the studio glass movement.

Through workshops, residencies, conferences and outreach programs, Pilchuck offers the highest level of education in the diverse uses of glass as a creative material. Your investment in our school directly supports the future of the field.

Throughout the years, Pilchuck’s Annual Auction has represented the highest quality in contemporary glass sculpture. The artists who generously donate their best works of art give back to a school that has supported their professional development. By making a purchase at the auction or by giving to Fund-the-Future, you are playing an important role in ensuring that Pilchuck continues to thrive for the next four decades and beyond.

During the auction, you will have the opportunity to contribute to Pilchuck’s legacy helping to insure that the school will continue to lead the education of artists working in glass.

Here are examples of how your contribution impacts artists:

The incredible vision forty years ago to train artists to make glass, to bring together in one place diverse aesthetic traditions, and to build an open and supportive community always stretching the medium’s creative potential are the foundation of Pilchuck. We deeply appreciate your role in supporting this vision by participating in our auction.

$50,000 provides financial aid for highly talented students to afford this life-changing education.

$25,000 fuels our energy-efficient furnaces to melt glass for students, instructors, assistants and artists in residence.

Finally, we offer thanks for the dedication and work of so many who make this auction possible – the hundreds of generous artists, the auction chairs and committee, the trustees, volunteers, staff…and you!

$10,000 funds honoraria and travel for renowned instructors to lead innovative programs.

$5,000 underwrites creative leaders from a variety of fields to participate as artists in residence.

With sincere thanks,

2011 Fund-the-Future

James Baker

Executive Director

Randy Lert

Board President

Pilchuck Impacts Artists Globally $2,500 supplies materials for artists to learn techniques and hone their vision. $1,000 fine-tunes equipment artists use to create masterpieces. $500 documents artist-teacher demonstrations. $250 provides safety equipment for students.

2011 Auction Committee

Pia Jacobsen Auction Co-chair Benjamin P. Moore Auction Co-chair Debora Moore Auction Co-chair Anne Cohen Ruderman Auction Tour Chair

Bruce Bachmann Linda Bonica Leigh Canlis Sarah Davies

Jessica Deeken Jessica Havens Mickey Mandel Billy O’Neil Dena Rigby Dorothy Saxe Patricia Wallace Laurie Yawn

Heartfelt Gratitude

From the Auction Co-chairs: Welcome! Tonight we not only celebrate Pilchuck Glass School’s 33rd Annual Auction, but also the 40th Anniversary of the school itself. We bring together artists and patrons to enjoy food, wine, friends, and of course, incredible art. This auction represents more than 250 international glass artists with more than 300 pieces of art, in what has become the largest glass art auction in the world.

2011 Auction Jury

John Atzbach Pamela Koss Stephanie Stebich

2011 Auction Volunteer Team Leaders Ed Andersen Chris Black Carolyn Brugge Frank Chinn Diana Everist-Cox Lori Gregory Randi Harper

Florence Helliesen Stewart Law Joy Smith Tracy Vaughn Susan Welch Linda Wojciechowicz

We are grateful to the Hauberg family and we recognize them this evening for their vision in co-founding this school. The Haubergs’ unwavering commitment and generosity has made it possible for this school to become a leader in glass education. The school, now known affectionately as “Pilchuck, ”is a very special place where magic truly happens. We hope you’ll help us ensure the legacy the Haubergs and Dale Chihuly created. Our sincere thanks for your generosity and for sharing in this landmark 40th anniversary year with us.

Special Thanks to Presenting Sponsor Sincerely,

Pia Jacobsen

2011 Auction Co-chair

Benjamin P. Moore 2011 Auction Co-chair

Debora Moore 2011 Auction Co-chair

Gold Benefactors Anonymous (2) Elias and Karyl Alvord Rebecca and Jack Benaroya Jeffrey and Susan Brotman Dale Chihuly and Leslie Jackson Chihuly John and Joyce Price Gladys Rubinstein Suzanne Sheppard Amy Stonecipher Joan Stonecipher Shelley Swerland

We sincerely thank the following sponsors & contributors Auction Sponsors Barrier Motors Chateau Ste. Michelle Facèré Jewelry Art Gallery Gaffer Glass Imagine Color Service K/P Corporation Kip Toner Benefit Auctions Merklin Design Nordstrom Schack Art Center Team Photogenic The Westin Seattle Theo Chocolate Wells Fargo The Private Bank Artists’ Table Sponsors Judy and Jim Bloom Blue Rain Gallery Imago Galleries Linda and Terry Finn Litvak Gallery Steve and Marsha Funk Harold Matzner Paula Stokes and John Sullivan Traver Gallery

Silver Benefactors Evan Bailey Patty and Jimmy Barrier Phelan and Fay Bright Anthony Cole Chris Rifkin Copper Benefactors Brenda and Alan Abramson Charles Bronfman Jamie Constantine and Deborah Wells Katherine and W. Thomas Cook J.P. and Virginia Culpepper Ethel and Gene Daly Dr. Susanne L. Gee and George C. Mastrodonato Gary L. and Cherna Gitnick Rochelle and Robert Gluckstein Deb and John Gross Meredith and Jim Hutchins William and Carol Kaplan Jack and Leslie Kavanaugh Jon and Judith Liebman Janet L. Melk Fay Hauberg Page and Nathaniel B. Page Marilyn Podruzny Dana Reid and Larry Hitchon Norman and Elisabeth Sandler Larry and Randy Sheer Jennifer Snelgrove Marlene West

Pilchuck Auction Tour Contributors Rik Allen and Shelley Muzylowski Allen Margery Aronson John and Cary Atzbach Granite Calimpong Nancy Callan and Julia Ricketts Chateau Ste. Michelle David Chatt Dale and Leslie Jackson Chihuly Greg D. Clark Charles Cohan Dr. David and Jane Davis Jen Elek and Jeremy Bert John Hogan Dante Marioni Marina Marioni Paul Marioni Melvyn and Rosalind B. Poll Janusz Pozniak and Michelle Rak Portland Press Ross Richmond Spafford Robbins Brent Rogers Nordstrom Norman and Elisabeth Sandler Jerry Slipman Theo Chocolate Randy Walker Jenny Wittlinger

for their generous support of Pilchuck Glass School

Table of Contents

Welcome Letter 2

Fund-the-Future 3

Heartfelt Gratitude 4

From the Auction Co-chairs 5

Donors, Sponsors, & Benefactors 6

Auction Evening Program 11

Your Hosts 10

Honorary Family 12

About the Centerpieces 14

About the Benefactor Gifts 15

Poleturners Union, Local 1201 16

The Goblet Project 20

About Pilchuck Glass School 18

Live Auction Items 24-46 Silent Auction Items

Blue Section Items 50-65

Green Section Items 68-86

Yellow Section Items 114-129

Red Section Items 90-110

How the Auction Works 156

Pilchuck Leadership and Staff 162

Glossary of Glass Terms 158

Index of Donating Artists 164

Catalog/invitation: Merklin Design

Artwork & Centerpiece photography: Ben Lerman, unless otherwise noted

Candid photography: Stephen Vest, unless otherwise noted

Friday, October 14, 2011

Kip Toner Auctioneer

4:45 pm Guest registration opens

Pilchuck welcomes back Kip Toner,

3rd floor, The Westin Seattle

one of the premier benefit auctioneers in the nation. Kip is celebrating his 20th year

Your Hosts

Live Auction preview

Ian Lindsay Master of Ceremonies

Fifth Avenue Room, 4th floor

You will be offered Express Pay™ service when you check in. By registering for this service, you can avoid standing in line to pay for your purchases at the end of the night. Ask your Registration Assistant how to sign up.

with Pilchuck, having started as

Ian Lindsay is an auctioneer, actor,

the auctioneer in 1991. He holds

and acting teacher. He has been

the prestigious Benefit Auctioneer

honored to assist a wide range

Specialist (BAS) designation

of non-profit organizations from

from the National Auctioneers

around the Puget Sound and beyond

Association (NAA). The NAA

in raising funds. Ian enjoyed

selected Kip from among its 6,000

co-hosting an auction with Peter

In addition to Fred’s work around

members to write the curriculum

Sagal of NPR’s Wait, Wait, Don’t Tell

the country as a charity auctioneer,

and examination for the BAS course,

Me in Chicago. Recently appearing

he is one of the Pacific Northwest’s

which he now teaches nationwide.

at the Seattle Children’s Theatre,

most in-demand comedy improvisers.

His firm, Kip Toner Benefit Auctions

Village Theatre, Seattle Opera, Taproot

For 10 years, Fred has been a

(KTBA), is one of the largest benefit

Theatre and in Australia’s Adelaide

company member of Seattle’s famed

auction companies in the nation.

Fringe Festival, Ian’s theatrical

“TheatreSports” improv group,

KTBA provides extensive and valuable

work provides grounding for his

and he travels the country emceeing

pre-auction planning assistance as

auctioneering style. Ian also serves

and performing comedy improv

well as at-auction services, including

as a lead teacher for the Seattle

at corporate events. In addition

the live auction assistant auctioneers,

Children’s Theatre drama school.

to his work on stage, Fred runs a

clerk-recorders, bidder recognition

A former member of the Seattle

video and event production company,

equipment, personnel, and the

Arts Commission, and current board

Southdown Creative. To round out his

evening’s computers and cashiers.

member of Seattle’s Shunpike,

busy schedule, he plays percussion

With a staff of twelve auctioneers

Ian works to promote the fiscal

for the musical group Caspar

across the nation and full-time office

health of the arts in the Puget

Babypants. When not entertaining

staff in Seattle, KTBA successfully

Sound region. Ian is proud alum

the masses, Fred can be found

facilitates more than 160

of Seattle University’s Philosophy

in Seattle entertaining his wife

fundraising auctions annually.

and Drama programs.

and two young children.

Fred Northup Master of Ceremonies

5:00 pm Cocktail reception 4th floor

6:00 pm BLUE SECTION Silent Auction closes Ballroom, 4th floor

6:15 pm GOBLET PROJECT Silent Auction closes Ballroom, 4th floor

6:30 pm GREEN SECTION Silent Auction closes Ballroom, 4th floor

6:45 pm RED SECTION Silent Auction closes Ballroom, 4th floor

7:00 pm YELLOW SECTION Silent Auction closes Ballroom, 4th floor

7:15 pm Live Auction begins Ballroom, 4th floor

Centerpiece Silent Auction closes immediately after Live Auction item 20 10:00 pm Live Auction ends

Auction Evening Program Special thanks to Marcus Dunbar

Executive Chef, The Westin Seattle

John Hauberg and Anne Gould Hauberg had an enormous impact on civic and cultural life in Seattle. We honor them for their roles in founding Pilchuck Glass School, along with Dale Chihuly, forty years ago. In addition to John and Anne, we also honor the entire Hauberg family for the roles they have played in developing cultural institutions and supporting leading artists of the Pacific Northwest. We are thrilled to honor the Hauberg family as this year’s Honorary Auction family. John H. Hauberg

Anne Gould Hauberg

John H. Hauberg (1916-2002) was a

Anne Gould Hauberg is noted for her

businessman, civic leader, philanthropist,

personal support of emerging artists

and patron of the arts who helped

in the Northwest and has been quoted

to shape the civic and cultural landscapes

as saying “if you don’t support the artists,

of Seattle for over four decades. He was

you won’t have them.” She has supported

born into a timber family and established

crafts through the Friends of the Crafts

the Pilchuck Tree Farm through extensive

and was involved in the Seattle Municipal

holdings in the Stanwood, Washington area.

Art Commission. She has been deeply

Well ahead of his time, he took an early,

involved in the Seattle Art Museum,

enlightened approach to forest resource

the Tacoma Art Museum and other

management conservation. His visionary style

Northwest arts organizations and is

of leadership led the Seattle Art Museum

an honorary member of Northwest

board through a formative period of growth

Designer Craftsmen. In 2007, the University

to become a self-sustaining institution.

of Washington Libraries’ Artist Images

Honorary Family

Award was renamed the Anne Gould Hauberg Artist Images Award in her honor.

Pilchuck Glass School

The Hauberg Legacy

In 1971, Anne and John supported Dale Chihuly’s vision of a glass-blowing

Anne and John’s daughter, Fay Hauberg Page, reflects on the symbiotic relationship between her family and Pilchuck:

program in the Pacific Northwest. The Haubergs provided a site

for the fledgling program on the Pilchuck Tree Farm as well as crucial financial support. The success of the first summer session led the

Haubergs to continue underwriting the workshops. “Pilchuck School”

was incorporated as a non-profit in 1976 (“Glass” would be added later)

and a permanent campus was constructed on land deeded to the school by the Haubergs. Throughout the 1980s, even as an administrative and

fundraising structure developed, the Haubergs remained deeply involved

in the school’s operations. Their personal leadership and financial support eased Pilchuck’s growing pains and laid the foundation for the school’s long-term success.

“Mom was always sensitive to allowing an artistic or creative person to pursue what they were interested in without trying to squelch it.”

“A lot of the things that my dad and mom touched came to fruition and in positive ways.” “I miss my dad a lot; he had an energy that not too many people had.” “We’re honored to be part of Pilchuck and very grateful so many wonderful people have taken up the banner to carry it on and get it to its 40th year. It’s just amazing – in 1971 no one in their right mind had any idea

that Pilchuck would develop as it has and it is completely due to Dale’s dedication, my mother’s assistance

in supporting creativity and artists, and my dad’s financial and business talents. The school is very lucky that my parent’s had a huge circle of friends and business people who believed in their vision.”

“The concept for the ‘leavessels’ as centerpieces originated in the seasonal budding of leaves, or natural cyclical process of growth and regeneration. The fractal patterns created when leaves nestle, combined with the gestural and jutting effect they create when stacked, provided a dynamic design which yields one of a kind pieces. Metaphorically speaking, over the past forty years Pilchuck has been a place where larger than life leaves (instructors and masters) assist in generating new growth or budding young glass artists. In this process the talent or energy that ensues is exponentially ampliﬁed. This idea has always been at the core of the school’s philosophy.” Rob Stern began his career in glass in 1988 at California State University, San Francisco, and earned a M.F.A. degree in glass sculpture at the University of Miami, Florida. From 1989-1994, Rob worked and designed for the industrial glass-casting studio of John Lewis Glass in Oakland, California. He began attending Pilchuck Glass School in 1989 on a partnership scholarship and has returned annually to train, work and teach. In 1992, he developed a close apprenticeship with Czech glass master Petr Novotny and in 1994 moved to the Czech Republic to work in Novotny’s Ajeto factory. Rob has been an invited artist at the tri-annual International Glass Symposiums in Novy Bor, Czech Republic, in 2003, 2006 and 2009 where he has completed several permanent outdoor sculptures.

About the centerpieces

About the Benefactor gifts “This year’s Benefactor gifts each have a unique aesthetic. The design allows for many variations of the same theme, so each piece is slightly different but all share a common motif.” Beccy Feather, British born, first visited America specifically to study at Pilchuck Glass School. Since then she has returned as a student, teaching assistant and artist’s assistant. Her experiences at Pilchuck propelled her to pursue a M.F.A. degree at Rochester Institute of Technology in upstate New York. Her time on the Pilchuck campus initiated a love of American glass making concepts and community. After completing her studies, Beccy worked at The University of the Arts, Philadelphia as a glass studio supervisor and now works at Wheaton Arts and Cultural Center in Millville, New Jersey.

From 1997-2003 Rob led the glass program at the University of Miami, Florida, as well as leading workshops at numerous universities and glass schools including Penland School of Crafts, North Carolina, Urban Glass, New York, Bildwerk, Germany, and The Glass Furnace, Turkey. In 2003 he established Rob Stern Art Glass Inc. where he and his team execute commissions and architectural projects. Since that time Rob and his studio have been doing custom work for the glass import firm Oggetti, primarily cold-working sculptures by Dino Rosin. Most recently, Rob was selected as the 2011 Pilchuck auction centerpiece designer and led a team of thirty artists in producing more than 100 unique and distinctive centerpieces. We are honored to have Rob Stern as our 33rd Annual Auction Centerpiece designer. Thank you Rob!

Special thanks to Gaffer Glass

Special thanks to the

for the generous donation

Schack Art Center for providing

of color for this year’s

the space and supplies

auction centerpieces

to produce this year’s

and Benefactor gifts.

Benefactor Gifts.

We are grateful to Beccy Feather for this year’s Benefactor gifts design. Thank you Beccy!

Pilchuck Glass School heartily thanks the incredibly talented members of the 2011 Poleturners Union, Local 1201, who graciously donated their time and energy to create this year’s centerpieces and Benefactor gifts. For ten days, this international group worked tirelessly as a team in Pilchuck’s studios. Their intrepid spirit and vibrant enthusiasm made this ambitious project run smoothly. Rob Stern Centerpiece Designer and Project Manager Beccy Feather Benefactor gift Designer Granite Calimpong Gaffer Richard Royal Gaffer K. Leah Duperreault Assistant Project Manager Kerrick Johnson Coldworking Coordinator Zsuzsanna Korodi Coldworker Jaroslav Sˇára Coldworker

Poleturners Union, Local 1201

2011 Poleturners Doug Craig Lyman Babbitt Phillip Bandura Tim Belliveau David Benyosef Ryan Doolittle Ashley Kristen Lee Driscoll-Perez Ryan Fairweather Scott Fouché Alissa Friedman Chris Giordano Opie Hileman Tyler Kimball Kyle Kraiter Natasha Kuring Sonya Labrie Melanie Long Ryan Mellinger Jamie Perian Morgan Peterson Jen Somerville

photo: Russell Johnson, group photo at the 40th Anniversary reunion

Pilchuck provides the most promising artists in the world with the opportunity to expand their art through collaboration and individual research. During each summer session, two established artists who typically work in media other than glass are invited to work with accomplished glassmakers. Together, they work to interpret and execute the residents’ ideas in glass. Each fall, six emerging artists are provided with the space and time to develop a new process or create a new body of work. Professional artists use Pilchuck’s studios in winter or early spring to generate new or challenging work. The John H. Hauberg Fellowship, a spring residency, encourages collaboration among a group of established artists. Pilchuck’s outreach and special events connect our community of generous supporters and introduce the school to audiences who might not normally visit Pilchuck’s rural campus. During Spring Tours and our annual Open House, visitors to the campus gain a deeper understanding of the school by watching artists work with glass. Participants in our annual Auction Tour are invited into artists’ studios and collectors’ homes, where they have a photo: Russell Johnson

chance to learn about the thriving Seattle art scene. Pilchuck on Display: An International Exhibition of Glass Art and the Pilchuck Annual Auction showcase the breadth and depth of contemporary

About Pilchuck

Pilchuck Glass School is an international center for glass art education located in the foothills overlooking Puget Sound near Stanwood, Washington. Summer courses, residencies, outreach and events comprise the year-round cycle of programs. Each summer, Pilchuck offers a broad range of courses in glass along with residencies for renowned artists and creative leaders from a variety of fields. Courses are designed for aspiring and established artists who bring with them a range of experience and skill levels. Participants from more than sixty countries take part in courses that emphasize professional development and collaboration in an open and supportive learning environment. Since its founding in 1971 by Dale Chihuly, Anne Gould Hauberg and John H. Hauberg (1916-2002), Pilchuck has been a creative retreat where artists teach artists.

art created with glass. Pilchuck, circa 1971

Pilchuck is indeed physically, as well as emotionally

and mentally, a life-changing place. What it taught me was that everything you do is connected. Joey Kirkpatrick

Many glassblowers strive to make the perfect goblet. They often make goblets as an exercise to develop and understand hot glass and to find satisfaction in successfully composing an object of technical complexity. Each part of a goblet is tremendously challenging; creating a perfectly blown foot, the most attenuated avoglio (the connector bit between the cup, stem, and foot), and the thinnest lip. If one takes into consideration the skill-driven goals and the total years of experience that go into each cup, one can begin to appreciate the goblets as artifacts of accomplishment, as well as a learning experience. You can participate in the Goblet Project by purchasing a one-of-a-kind goblet to add to your collection: a fantastic way to support Pilchuck!

The Goblet Project

Goblets by the following artists will be available for bidding the evening of the auction: Eric Anderson Jeff Ballard and Manny Krakowski Granite Calimpong Jason Christian Ben Coombs C. Chad Cully Chuck Lopez Jeff Mack Jon Paden and Jonathon Yao Roger Parramore Lynn Everett Read Michael Schunke Ryan Staub David Schnuckel

goblets shown are by Jeff Ballard and Manny Krakowski

002 - Els VandenEnde

Old Money

005 - April Surgent

4 X 7 X 18 inches Signed - 2010 Fused, coldworked glass

Praha

$2,500

15 x 19.25 x 2 inches Signed - 2011 Cameo engraved glass

Els VandenEnde (1959-2011) was born in the Netherlands. She attended the University of Washington and earned a B.S. degree in physical therapy. VandenEnde began working with glass in 1983 and studied with many notable artists, including Richard La Londe and Catharine Newell. She attended The Studio at the Corning Museum of Glass and Pilchuck Glass School, where she was a teaching assistant for Steve Klein in 2006 and worked and volunteered for several seasons.

$4,250

001 - Italo Scanga

003 - Scott Darlington

Angel with Child

GMO (Hammer)

24 x 20.5 inches Signed - 1990 Acrylic, paper

20 x 30 x 10 inches Signed - 2011 Sculpted hot glass

$2,000

$3,200

Italo Scanga (1932-2001) was born in Lago, Calabria, Italy, and immigrated to the United States in 1947. He received both his B.A and M.A. degrees from Michigan State University in East Lansing, Michigan. In 1976, the University of California, San Diego lured him to California as a visiting professor, hiring him for its faculty permanently in 1978, where he continued to teach for over twenty years. Scanga worked in a variety of media, including sculpture, painting, printmaking, glass, and ceramics. His eclectic range often amazed and confounded fans and critics alike. Scanga has been the subject of well over a hundred solo exhibitions and his works are in the collections of many of the world’s most important museums, including the Metropolitan Museum of Art in New York, Museum of Modern Art in Chicago, and the Albertina Museum in Vienna, Austira.

Scott Darlington has been working with hot glass for twenty-three years. After completing his B.F.A. degree at the Appalachian Center for Crafts he moved to Seattle and worked as an assistant for many different artists. Darlington also worked as the hot shop coordinator at Pilchuck Glass School for seven summers. After nearly ten years in Seattle, he spent four years in Japan as associate professor at the Toyama City Institute of Glass Art. In the spring of 2007 he received his M.F.A. degree in glass from Ohio State University. He was a visiting assistant professor at Bowling Green State University from 2007-2011. He and his family returned to Seattle this summer where he is the glass studio manager at Pratt Fine Arts Center.

Italo Scanga Foundation: info@italoscanga.org www.italoscanga.org

Scott Darlington: scottydarlington@hotmail.com www.scottydarlington.com

April Surgent began working with glass in 1997, at open access hot shop studios in Seattle. She went on to study at the Australian National University, Canberra, Australia, where she earned a B.F.A. degree with honors majoring in glass, graduating in 2004. Changing her focus from blown glass to cameo engraved glass, she returned to her hometown of Seattle and set up a studio where she makes art full time. She exhibits, teaches, and lectures internationally, and in 2008 began teaching a series of short courses with master Czech engraver and mentor, Jiˇrí Harcuba. In 2009 she was awarded one of two Neddy Fellowships, through the generosity of the Behnke Foundation, along with the New Talent award from Urban Glass in New York. Surgent had her first solo museum show at the Bellevue Arts Museum in 2010.

004 - Chuck Lopez

Loci Set 34 x 4 x 4 inches Signed - 2011 Blown glass, murrini, steel mounts

$4,100 Originally from Denver, Colorado, Chuck Lopez has been working with glass for over twenty years. He has a background in computer science, mathematics, and received a B.A. degree in philosophy from the University of Colorado in 1995, and a M.F.A. degree from Alfred University in 1999. He is the glass studio technician at Pratt Fine Arts Center, where he also teaches regularly. Lopez has a long-standing association with Pilchuck Glass School as a student, instructor, artist in residence, and auction centerpiece designer. He has been awarded grants and residencies from Pilchuck, PONCHO, ArtistTrust, and Creative Glass Center American at Wheaton Arts. His work is shown nationally. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

Bullseye Gallery: gallery@bullseyeglass.com www.bullseyegallery.com April Sargent: sargent-april@hotmail.com www.aprilsargent.com

006 - Shelley Muzylowski Allen

Soladite 27 x 17 x 8 inches Signed - 2011 Blown, off-hand sculpted glass, horse hair, steel, leather

$8,500 Shelley Muzylowski Allen’s work has been exhibited and collected internationally and most recently has been placed in the collection of Sir Elton John. This past year she has had solo shows at Traver Gallery in Seattle and Blue Rain Gallery in both Scottsdale, Arizona, and Santa Fe, New Mexico. She has also exhibited and been a guest artist at the Museum of Glass, Tacoma, Museum of Northwest Art in La Conner, the International Festival of Glass in Stourbridge, England, Toyama Institute of Glass Arts in Japan, and in Nuutajarven, Finland. Originally from Canada, Shelley holds a B.F.A. degree from the Emily Carr Institute of Art and Design, Vancouver, British Columbia. Shelley and her husband, Rik Allen, work in a hot glass studio located on their Skagit Valley property. Traver Gallery: traver@travergallery.com www.travergallery.com

011 - Catherine Chalmers

007 - Jean-Pierre Canlis

Leaf Cutter Ant Series: Suite of Two

Outrigger Backwash 7.5 x 31 x 7 inches Signed - 2011 Blown glass

30 x 22.5 inches Signed - 2011 Intaglio, embossing

$5,000 J.P. Canlis grew up a competitive surfer in Hawaii, his primary passion, until he was introduced to glassblowing in high school in 1991. Now his glass is a reflection of his time spent in the ocean. Canlis received a B.F.A. degree from Alfred University and attended Pilchuck Glass School during the summers where he was introduced to Dale Chihuly. He was a member of Chihuly’s team for eight years and opened his own studio, Canlis Glass, in 2005. Canlis’ work can be found in numerous public spaces across the world such as Hotel 1000 in Seattle and in private collections that include that of the Crown Prince of Dubai. Canlis Glass: jp@canlisglass.com www.canlisglass.com

$2,000 008 Cassandria Blackmore

Glazios IV 9 x 54 x 2 inches Signed - 2011 Reverse painted glass

$4,500 Cassandria Blackmore is acclaimed for her unconventional approach to reverse painting. She was the recipient of the Hauberg Fellowship for glass painting. In 2011, her work will debut in Asia with a solo show in Singapore. Blackmore’s recent comissions include a large scale permanent installation for the lobby of the new Waldorf Astoria. Her work is in the public collections of Neiman Marcus, Lexus Corporation, Four Seasons, University of Washington, MGM Center, Floyd and Delores Jones Playhouse, Pacific Central Bank, The Hilton, Opryland, The Peninsula Hotel, City of Seattle, Washington State Arts Commission, The Yellowstone Private Collection and Deloitt Consulting, among others. Cassandria Blackmore: cassandria@blackmorestudios.com www.cassandriablackmore.com

010 - Alex Gabriel Bernstein

Amber Twist 22.5 x 6 x 3 inches Signed - 2008 Cast and cut glass 009 - Paul Marioni

Ghost 29 X 12.25 X 8 inches Signed - 2005 Blown glass

$8,000 Paul Marioni is seventy years old and has spent over forty years working in glass. He has been honored with three National Endowment for the Arts grants, a Lifetime Achievement Award from the Glass Art Society, and the Libensk´y Award. Marioni has two children and one grandchild.

$8,500 Alex Bernstein is the department head of glass at the Worcester Center for Crafts, in Worcester, Massachusetts. He has also taught at the Cleveland Institute of Art, Rochester Institute of Technology (RIT), The Studio at the Corning Museum of Glass, and Penland School of Crafts. Bernstein holds a M.F.A. degree in glass sculpture from the School of American Crafts at RIT. He has mounted several solo shows at Chappell Gallery, New York, Sandra Ainsley Gallery, Toronto, and Prism Contemporary, Chicago. His work is held in many collections, including Corning Museum of Glass, Glasmuseum Frauenau in Germany, BurchfieldPenney Art Center, Buffalo, Rochester Institute of Technology, Mellon Financial Corporation, Wachovia Corporation, and Bascom-Louise Fine Art Gallery. Traver Gallery: traver@travergallery.com www.travergallery.com

Catherine Chalmers holds a B.S. degree in engineering from Stanford University and a M.F.A. degree in painting from the Royal College of Art, London. She has exhibited around the world at MoMA affiliate P.S.1 , New York, MASS MoCA, North Adams, Corcoran Gallery of Art, Washington, D.C., Yerba Buena Center for the Arts, San Francisco, Museum of Contemporary Photography, Chicago, Kunsthalle Basel, Kunthalle Vienna, and MoCA Taipei, among others. Her work has appeared in a variety of publications, including the New York Times, ArtNews, Artforum, Flash Art, Blind Spot, the Sunday Telegraph, London, the Independent on Sunday, London, Harper’s, and Discover, and has been featured on PBS, CNN, CBS, BBC, and NPR. She has published two books, Food Chain: Encounters Between Mates, Predators and Pray (Aperture, 2000) and American Cockroach (Aperture, 2004). In 2010 she received a Guggenheim Fellowship and in 2011 she was an artist in residence at Pilchuck Glass School. She lives and works in New York City. Catherine Chalmers: cgchalmers@hotmail.com www.chatherinechalmers.com

012 - Heike Brachlow

Theme and Variations VII 6 x 6 x 6 inches Signed - 2010 Cast glass

$2,200 Born and raised in Munich, Germany, Heike Brachlow began working with glass in Rotorua, New Zealand as an apprentice in a small studio. She received her B.A. degree in 2004 from the University of Wolverhampton and both her M.A. degree in 2006 and recently completed Ph.D. degree from the Royal College of Art. Brachlow explores the interaction of color, form and light in solid transparent glass. She makes her own glass colors by adding metal oxides to the glass batch, creating a palette of subtle tones and polychromatic color. Her work reflects her attraction to movement and transformation. She recently won the Jerwood Makers Open award. Bullseye Gallery: gallery@bullseyegallery.com www.bullseyegallery.com Photo: Ester Segarra

017 - Boyd Sugiki

Skyward 39.5 x 7.5 x 7.5 inches Signed - 2010 Blown glass

$5,900 Punahou School in Honolulu provided Boyd Sugiki with his introduction to glass. He received a B.F.A. degree in glass from California College of Arts and Crafts and a M.F.A. degree from Rhode Island School of Design. Sugiki has been an instructor, teaching assistant, and staff member at Pilchuck Glass School since he first was a student in 1987. He lives and works in Seattle.

014 - Ulrica Hydman-Vallien

Traver Gallery: traver@travergallery.com www.travergallery.com

Ladybird and Babyman 12 x 12 inches Signed - 2011 Acrylic

Photo: Michael Seidl

$3,000 013 - Jeff Ballard

Cradle 18 x 14 x 12 inches Signed - 2011 Blown, sculpted glass, wood, found objects

$2,400 Jeff Ballard earned a B.F.A. degree in glass from the University of Illinois in 2000. After college Ballard took on jobs as head designer, gaffer, and production manager at various glass studios in New Mexico, Texas and Oregon. He currently resides in Eugene, Oregon, where he is an instructor at the Eugene Glass School and the University of Oregon Craft Center. He has attended Pilchuck Glass School as a scholarship student, teaching assistant, poleturner, and several times as artist in residence. He has worked and exhibited internationally in Turkey, Czech Republic, Finland and South Korea. Most recently he was an instructor at the Glass Furnace in Istanbul. Ballard’s most recent work utilizes blown and sculpted glass to achieve astonishingly realistic pillow sculptures. Sometimes these pillows are accompanied by other sculpted objects which reveal an allegory of dreaming. In other works he explores the relationship between objects and materials and the types of feelings they evoke. Jeff Ballard Glass: jballard210@gmail.com wwwjeffballardglass.com

Ulrica Hydman-Vallien has been working as a designer and artist for Kosta Boda in Sweden since 1972. She has also worked as a freelance designer for many companies around the world. She taught at Pilchuck Glass School in 1980-1987 and 2011. Hydman-Vallien has her own painting studio and is represented in many museums around the world including the National Museum of Modern Art Tokyo, Japan, Museum of Modern Art, Stockholm, Sweden, Corning Museum of Glass, New York, Victoria & Albert Museum, London, United Kingdom, and Museé des Artes Décoratifs in Paris, France. Ulrica Hydman-Vallien: ulricahv@uhv.se www.uhv.se

018 - David Willis

flame 19 x 29 x 7 inches Signed - 2009 Lampworked glass, archival digital print

$6,500

015 - Thoryn Ziemba

Arroyos 16 x 13 x 4 inches Signed - 2011 Hot-sculpted, cold-sculpted glass

$3,000 Thoryn Ziemba received his B.F.A. degree from the Appalachian Center for Craft in 2010. He was also awarded a Windgate Fellowship that year. This year he worked as a cold shop coordinator at Pilchuck Glass School. Ziemba presently lives in Santa Fe, New Mexico. Thoryn Ziemba: one1three@gmail.com www.thorynziemba.com www.pippincontemporary.com

016 - Jay Macdonell

Formulation 37.5 x 10 x 6.5 inches Signed - 2011 Blown glass, cane, incalmo

$5,600 Jay Macdonell is a classically trained glassblower who has served Pilchuck Glass School in various capacities, including as instructor and gaffer. His work is inspired by the rich natural beauty of the Pacific Coast and the bounty of color in his family garden. Macdonell’s work is in public and private collections, including the Clairage Collection and the collection of Sir Elton John.

After receiving a B.A degree from the University of California, Berkeley in social science, with a minor in conservation and resource studies, in 1992, David Willis began flameworking in 1994. Drawing from an intense interest in the natural world, Willis’ work addresses the relationship between people and nature, on an individual, personal, and societal level. His work is included in public, private, and museum collections, both nationally and internationally. He lives and works in Eugene, Oregon with his wife Erika and his dogs Easy and Holly. David Willis: www.davidwillisglass.com Heller Gallery: www.hellergallery.com Imago Galleries: info@imagogalleries.com www.imagogalleries.com

This piece was created this summer at Pilchuck, specifically for the auction. Traver Gallery: traver@travergallery.com www.travergallery.com

020 - Michael Glancy

79 AD 11 x 5 x 5 inches Signed - 2008 Deeply engraved blown glass, copper

$25,000 Extraordinarily beautiful and elegant, Michael Glancy’s sculptures reveal his exacting struggles towards perfection. Drawing inspiration from natural macro- and micro-environments, Glancy translates cellular landscapes into elegant jewel-toned sculptural objects. Made with blown and plate glass, copper, bronze, silver, and gold, his works reference science, biology, molecular physics, and mathematics. Glancy’s process of electroforming metal and glass is both magical and scientific, so much so that he walks a fine line between alchemy and art. The hand-carved surface details—intricate and complex—are extraordinary in skill.

023 - C. Miguel Unson 022 - Armelle Bouchet O’Neill

Cocoon 8.5 x 11.5 x 8.5 inches Signed - 2010 Blown, carved glass

$1,900

Barry Friedman Ltd.: contact@barryfriedmanltd.com www.barryfriedmanltd.com

021 - Danny White

Umpire 019 – Dante Marioni

Leaf 44 x 8 x 4 inches Signed - 2011 Blown glass

$16,000 Dante Marioni comes from a family of artists and has been blowing glass since he was fifteen. Through the process of making his vessels, he has joined the centuries-long artistic conversation about classical design, proportion and aesthetics that dates back to the first Renaissance artists who rediscovered classical antiquity. Marioni has participated at Pilchuck Glass School each summer since 1983 and currently serves on the school’s board of trustees. Among his many awards is the Louis Comfort Tiffany Foundation Award. His work is held in the National Museum of Modern Art in Tokyo, Los Angeles County Museum of Art, Victoria and Albert Museum, and the White House Collection of American Crafts.

Traver Gallery: traver@travergallery.com www.travergallery.com

11 X 10 X 4 inches Signed - 2010 Sculpted glass

$1,700 Danny White received his B.F.A. degree in painting from Bowling Green State University. He has found a deep understanding of glass as a material by approaching it much as he would painting. “My goal is to enable these works to emit the same energy and imagination I thrive on while I create them.” White’s aesthetic and knowlegde of the color palette bring his works to life. His glass sculptures radiate an energy that makes them intriguing, not just for their composition, but for their form and face. Danny White: iamdannywhite@gmail.com

Armelle Bouchet O’Neill is a French-born artist who has lived and worked in Seattle since 2009, after completing her studies at the Danish Design School. She was selected for the Lino Tagliapetra Award to attend Pilchuck Glass School in 2007 and the Takako Sano Grant from the Glass Art Society to attend the Glass Art Society conference in Portland, Oregon in 2008. She was a recipient of the Art Bridge Fellowship from the Pratt Fine Arts Center in Seattle. She recently completed a residency at the Museum of Glass in Tacoma. The inspiration for her recent work stems from the research of the microcosmic architecture of insects and also from varying forms of metamorphosis: vegetal and animal. O’Neil uses glass as a vehicle for this exploration by exploiting intrinsic optical properties as well as the potential for myriad textures; her work draws from the natural world. Often matte, translucent and distressed, she seeks to challenge the viewer’s perceptions of the origin of the piece. Armelle Bouchet O’Neill: armellebouchet@gmail.com www.armellebouchet.com Photo: Daniel Fox

Pentecost 18.5 x 18.5 x 0.5 inches Signed - 2010 Flame-worked, kiln-formed Bullseye glass

$4,250 C. Miguel Unson was a Pilchuck Glass School emerging artist in residence in 2010, and Pentecost was created during that residency. Unson earned his B.A. degree from Carleton College in Minnesota and his M.S. degree from Pratt Institute in Brooklyn. He has studied at Bullseye Glass Company, Danmarks Designskole in Copenhagen, Penland School of Crafts, and UrbanGlass. C. Miguel Unson: miguelunson@gmail.com www.miguelunson.com

024 - Ethan Stern

Static Coast 13 x 14 x 3 inches Signed - 2011 Blown, engraved glass

$5,000 Ethan Stern holds a B.F.A. degree from Alfred University and currently owns a glass studio in Seattle. In 2010 Stern received the Best Emerging Artist award from the Museum of Glass and in 2009 he was one of the emerging artists in the Museum of American Glass’ Rising Stars exhibition. He has been an instructor at Pilchuck Glass School, Appalachian Center for Craft, Hilltop Artist in Residence, and Pratt Fine Arts Center. His work is exhibited throughout the United States and abroad. Ethan Stern: estern54@gmail.com www.ethanstern.com Photo: Russell Johnson

029 - Nancy Blair

Luna Sings a Love Story

026 - David Schnuckel

17 x 5 x 14 inches Signed - 2008 Kiln-cast glass

The Eye Can’t See What Smells Like Trouble

$9,000

31 x 6.75 inches Signed - 2011 Blown glass, spray paint, Sharpie, Crayola ink

$7,500

025 – Rik Allen

Tilliam Cruiser 13 x 12 x 11 inches Signed - 2011 Blown glass, silver

$4,800 Rik Allen was born in Providence, Rhode Island. Allen, a former member of the William Morris sculpture team, has had numerous solo exhibitions including the Science Fiction Museum and Hall of Fame at EMP Museum, Blue Rain Gallery, Traver Gallery, Foster/White Gallery, and Thomas Riley Galleries. His works are in the collections of Museum of Glass, Tacoma, and Jeff Bezos, among many others. His work has been featured in numerous publications including American Craft Magazine and Glass Magazine, and including the New Glass Review. He and his wife, Shelley Muzylowski Allen, share glass and sculpture studios and their Washington country home. Together they teach internationally and locally including Pilchuck Glass School. Traver Gallery: traver@travergallery.com www.travergallery.com

028 - György Gáspár

Goodbye Fukushima

David Schnuckel earned a B.F.A. degree from Anderson University in 2003 and a M.F.A. degree in glass from Rochester Institute of Technology in 2010. He has exhibited internationally, lectured and demonstrated stateside and abroad in glass facilities in South Korea, Japan, and Ireland. As an educator, Schnuckel has been an adjunct professor at Alfred University from 2008 to 2010 and a visiting assistant professor with the glass program at Rochester Institute of Technology from 2010 to 2011. His work can be found in several museum and private collections, including former President Bill Clinton. Recently, he has been nominated for the 2011 Louis Comfort Tiffany Biennial Award. David Schnuckel: d.schnuckel@gmail.com www.davidschnuckel.com

8.66 X 15 X 8.66 inches Signed - 2011 Kiln-cast, hand-polished opal glass

$8,500

027 - Shunji Omura

Sphere Series 13 x 13 x 7.5 inches Signed - 2011 Hot-sculpted glass

$8,750 Shunji Omura began blowing glass at Tokyo Glass Art Institute and spent three years there. He then went to Cambridge, England and finally back to Japan where he attended the Nijima Glass Art Center and stayed for four years. In 1994 he opened his own studio and has been making his work there for the past eighteen years. Omura has taught at Pilchuck Glass School, University of Hawaii, and Namsoul University in Seoul, South Korea. He is currently teaching at Tokyo Glass Art Institute and Musashino Art University. Shunji Omura: shunji@omura-glass.com www.omura-glass.com

György Gáspár, a Hungarian glass artist, has been teaching at the Moholy Nagy University of Art and Design in Budapest since 2006 where he has been the head of the glass department since 2010. In 2009 he was awarded the Noemi Ferenczy Prize, the largest prize awarded by the Hungarian Government. Gáspár places his work in the self-styled Geo-Pop artistic genre. His work is based upon casting and coldworking. His work can be found in European museums, galleries, and many private collections. György Gáspár: gaspar.gyorgy@yahoo.com www.gyorgygasper.eu

Nancy Blair’s mostly narrative sculptures and mixed media works include glass, ceramics and found objects. She has exhibited her art both internationally and nationally, and has been commissioned by the Museum of Fine Arts, Boston, The Franklin Mint, Women’s National Education Association, and the United States Olympic Equestrian Museum. Her goddess sculpture was selected for inclusion in Oliver Stone’s movie, The Doors. Traver Gallery: traver@travergallery.com www.travergallery.com

030 - Richard Royal

Optical Lens 23 x 17 inches Signed - 2008 Blown glass

$14,000 Richard Royal, native of the Northwest and resident of Seattle, is recognized internationally as one of the most skilled and talented glassblowers in the American studio glass movement. Royal began working as a hot glass sculptor in 1978 at the Pilchuck Glass School. He worked his way through the ranks to find himself as one of Dale Chihuly’s main assistants, which consequently led to Royal’s emergence in the fine art glass world in the early 1980s. Royal has been exhibiting his work internationally in solo and group exhibitions for over thirty years. Royal’s work is included in renowned public and private collections worldwide. He continues to teach as both a guest artist and teacher at various universities and at Pilchuck. Richard Royal Studio: rroyal@earthlink.net www.richardroyal.com Photo: Richard Royal

034 - Jen Elek

Jack 18 x 24 x 24 inches Signed - 2009 Blown glass

031 - Klaus Moje

Untitled 8, 1993 #6 17.5 X 17.38 X 2.13 inches Signed - 1993 Kiln-formed, cold-worked glass

$16,000 Few artists have had such a broad and clear impact on the development of a medium as Klaus Moje has had on kiln-formed glass. In 1983, Moje founded what would become Australia’s premier center for talent in glass art: the Glass Workshop at the Canberra School of Art, Australian National University. Since then, Moje has received the Rakow Commission from Corning Museum of Glass, along with Lifetime Achievement Awards from UrbanGlass and the Glass Art Society. His work is represented in dozens of public collections in Europe, Australia, Japan and the United States. Moje’s art has been the subject of major museum retrospectives that have toured Germany, Australia and the United States in 1995, 2008 and 2009. Bullseye Gallery: gallery@bullseyegallery.com www.bullseyegallery.com

032 - Motohide Takagi

night sky 3 x 14 x 11 inches Signed - 2010 Cut, blown glass, enamel paint

$3,000 Motohide Takagi was born in Nagoya, Japan. He works at Utatsuyama Craft Workshop in Kanazawa, Japan. Motohide Takagi: glamourousglass0824@gmail.com

033 - Yuki Uchimura

Exist “time” 13.7 x 6.9 x 6.9 inches Signed - 2007 Kiln-cast glass

$3,500 Yuki graduated from Tokyo Glass Art Institute in 1983. He taught at Pilchuck Glass School, Urban Glass Studio in New York, Centro Studio Ventro in Venice and Rochester Institute of Technology. He currently serves as the associate professor at Osaka University of Art. His work can be found in the collections of Corning Museum of Glass, Sao Paulo Museum, and Lausanne Decorative Museum. Yuki Uchimura: yuki-glass-yuki@jcom.home.ne.jp

$4,000

036 - Mark Zirpel

Jen Elek combines soft forms, humor and innovative processes to create landscapes of color and light, primarily using handblown glass, neon and steel as her mediums. Elek graduated with a B.F.A. degree in 1994 from the School of Art and Design at Alfred University. In 1995 she moved to Seattle where she has had the opportunity to work with many notable artists. Since 2001, she has been a member of Lino Tagliapietra’s glassblowing team. Elek exhibits and teaches glassblowing classes internationally. Her work was recently featured in the group show Convergence Zone at Bellevue Arts Museum. She maintains a studio in south Seattle with her husband and fellow artist, Jeremy Bert.

12 x 23.5 x .125 inches Signed - 2011 Photo-sandblast, enamels, glass

Traver Gallery: traver@traverygallery.com www.travergallery.com

Odonata

$4,000

035 - Jennifer Umphress

Anomaly 31 x 21 x 21 inches Signed - 2011 Flame-worked glass

$4,200

Mark Zirpel began working at Pilchuck Glass School in the summer of 1994 as the print shop coordinator. He has since worked as coldshop coordinator, a brief stint in the store, as an emerging artist in residence (EAIR), as a coordinator for the EAIR program, as a professional artist in residence (PAIR) and twice as faculty. He has served on the board of trustees of Pilchuck Glass School since 2007. In 2008 Mark Zirpel was hired by the University of Washington as the Dale Chihuly Endowed Chair of Glass, charged with introducing the material of glass into their three dimensional program. Zirpel holds a B.F.A. degree from the University of Alaska in drawing and a M.F.A. degree from the San Francisco Art Institute in printmaking. Mark Zirpel: mzirpel@u.washington.edu

Jennifer Umphress was born and raised in California, and in 1991 after visiting Hawaii and falling in love with its beauty it became her home. She began her career in glass in 2000 working and apprenticing in a small studio retail shop in the Islands. Umphress expanded her knowledge by attending Sundance Art Center in Santa Cruz, California, and studying traditional concepts of glass, in Murano, Italy, under Cesare Toffolo. Since then she has had the opportunity to take workshops from Robert Mickelsen, Janis Miltenberger and Richard LaLonde. In 2006 she relocated to Kingston, Washington, hoping that the Northwest will provide as much influence for her as Hawaii has. Umphress’ work is constantly changing and evolving, but she still draws her biggest influence from the islands and ocean that surrounded her for so long. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

042 - Debora Moore

040 - Benjamin Edols and Kathy Elliott

Reclining Leaf 4.5 x 29 x 8 inches Signed - 2007 Blown, carved glass

037 – Bertil Vallien

Echo 1

$9,000

6.75 x 21 x 5.75 inches Signed - 1998 Cast glass

$12,000 Bertil Vallien is most renowned as the great master of sandcasting. His metres-long ships are prized by collectors, and his work is represented in the leading museums of the United States, Europe and Japan. Early on he discovered that glass is a difficult material. He says, “but one that offers a richness of possibility with its marriage of extremes: heat and cold, light and dark.” The idea of cast ship forms and the symbolic idiom he employs came to him in the late eighties. The ship is a perfect vessel for the expression of loneliness. It is evocative of femininity, adventure, catastrophe, a thin protective shell that demands the absolute respect of all aboard. It is a society in isolation, a self-contained world afloat on the sea.

Ben Edols and Kathy Elliott produce luminous, elegantly blown or solidworked carved glass vessels and sculptures reminiscent of the graceful curves and proportions of the large palm leaves that fall from the trees near their home in Australia. “We wanted to create sculptural forms with a beautiful tension and sense of rhythm, while at the same time exploiting the wonderful qualities of the glass, especially its ability to display color and texture through light,” says Elliott.

038 - Doug Randall

Journey Beyond 10 x 6 x 44 inches Signed - 2011 Kiln-cast, drop-formed, cold-worked glass

$6,500 Doug Randall attended Oregon State University and holds a degree in environmental science. He has worked with glass art for thirty-seven years. Randall has studied glass at California State University, Chico, Pilchuck Glass School and has worked at the Bullseye Glass Company. His work is in galleries throughout North America, shown routinely at SOFA, Wheaton Arts and Cultural Center, other national shows and is collected internationally. Randall’s Small Planet Studio is located in Portland, Oregon, where he lives and works. Matzke Fine Art: matzke@camano.net www.matzkefineart.com

Traver Gallery: traver@travergallery.com www.travergallery.com

039 - Kerrick Johnson

Lure

041 - Richard Whiteley

Outline 14.75 x 14.625 x 5 inches Signed - 2010 Cast glass

$11,500 Richard Whitely is head of the Glass Workshop at the School of Art, Australian National University in Canberra where he also received a B.V.A. degree. He earned a M.F.A. degree from the University of Illinois, Urbana. “The works are built from the inside out; voids are ordered first and external structures are built to encapsulate these spaces. The works explore space using glass as a substrate activated by light. The material qualities of glass transparency and translucency are the agents within the work that create dialog between voids and solids.” Bullseye Gallery: gallery@bullseyeglass.com www.bullseyegallery.com

Blue Phaleonopsis - Branch 19 x 16 x 4 inches Signed - 2011 Sculpted glass

$7,000 Debora Moore has been an instructor at Pilchuck Glass School. She is a member of the African American Design Archive and the Cooper-Hewitt National Design Museum. Her work was in the Artistry of Orchids exhibition at the Smithsonian Institute in Washington, D.C. She was awarded an artist in residence at the Abate Zanetti School in Murano, Italy in 2005. Moore received the Rakow Commission in 2007, including a podcast in the Corning Museum of Glass Meet the Artist series. In 2009 she exhibited at Tacoma Art Museum’s 9th Northwest Biennial and in 2010 she participated in a group show at Glasmuseet Ebeltoft in Denmark. Debora Moore: debora@deboramoore.com www.deboramoore.com

40 x 12 x 6 inches Signed - 2010 Glass, stainless steel

$7,500 After graduating from the Appalachian Center for Craft in 2002 with a B.F.A. degree in glass and a minor in Art History, Kerrick Johnson moved to Chattanooga, Tennessee to build his own studio and business. He started by doing coldwork for artists such as Curtiss Brock and Greg Fidler, while simultaneously developing and refining his own glass work. Johnson has received several awards and grants, has been a part of the Pilchuck Glass School staff as the cold shop coordinator, worked on projects such as this year’s auction centerpieces and for Artist in Residence Bruce Mau.

Kerrick Johnson: kerrick@kerrickjohnson.com www.kerrickjohnson.com

047 - Davide Salvadore

Spingarpa “OCI”

043 - Benjamin P. Moore

Interior Fold Set 20.5 x 5 inches Signed - 1996 Blown glass

$10,000 Benjamin P. Moore, 2006 Libensk´y Award recipient, is a pioneer in the American studio glass movement and a key player in establishing Seattle as a center for contemporary glass. He was first introduced to glass at California College of the Arts and pursued his M.F.A. degree at Rhode Island School of Design. Wanting to further his skills as a glassblower, Moore worked at the famous Venini factory on the island of Murano. He was responsible for bringing Checco Ongaro and Lino Tagliapietra to Pilchuck Glass School, the first Venetian masters to teach at the school. From 1974 to 1987, he was Pilchuck’s creative and educational director. Moore lives and works in Seattle and continues to be active on the Pilchuck Board of Trustees. Recently, along with fellow board member, Dante Marioni, he collaborated on an architectural lighting project in Australia, as well as having taught together at Northlands Creative Glass Center in Scotland. Moore also taught this past summer at Pilchuck’s Session 5. Benjamin P. Moore: bpm@benjaminmooreglass.com www.benjaminmooreglass.com

12 X 17.5 X 28 inches Signed - 2009 Blown, cut glass

$25,000

044 - Joey Kirkpatrick and Flora C. Mace

Zanfirico Peach 15 x 17.5 x 17 inches Signed - 1997 Blown glass, zanfirico cane pick-up

$14,000 A diverse body of work has been created through the thirty-year collaboration of Joey Kirkpatrick and Flora C. Mace that includes blown glass vessels with applied imagery as well as sculpture fabricated with wood, glass and other mixed media. Both Kirkpatrick and Mace have lectured and taught extensively throughout the world. Their work is included in many collections and museums worldwide, including the Corning Museum of Glass, the Detroit Institute of Arts, The Hokkaido Museum of Modern Art, Japan, the Metropolitan Museum of Art and the Seattle Art Museum. Kirkpatrick served on the Pilchuck Board of Trustees for sixteen years. Joey Kirkpatrick and Flora C. Mace: joeyandflora@yahoo.com www.kirkpatrick-mace.com

046 - Gregory Grenon

Zebra Woman 54.6 x 53.25 inches Signed - 2009 Oil on plate glass

$19,000 045 – Preston Singletary

Canoe Journey 18 x 5 x 5 inches Signed - 2011 Blown, sandcarved glass

$12,000 The art of Preston Singletary has become synonymous with the relationship between European glass blowing traditions and Northwest Native art. His artworks feature themes of transformation, animal spirits and shamanism through elegant blown glass forms and mystical sand carved Tlingit designs. Recognized internationally, Singletary’s artworks are included in museum collections across America and Europe. He maintains an active schedule by teaching and lecturing internationally. In 2009, the Museum of Glass,Tacoma, launched a major mid-career survey of his work, entitled Preston Singletary: Echoes, Fire, and Shadows, which is currently on a national tour. Singletary was awarded an honorary Doctor of Arts degree in 2010 from the University of Puget Sound.

Although Gregory Grenon is largely self-taught and developed many of his techniques on his own, when living in Detroit, he studied painting at Wayne State University and at the Society of Arts and Crafts (now the Center for Creative Studies). He describes his experience working at Landfall Press in Chicago—a fine arts press—as the most critical to his learning about making rigorous art. At Landmark, Grenon worked directly with many major artists who had been invited to produce art prints. Grenon’s work has been featured in solo exhibitions in Oregon, Washington, New York City, Chicago, New Orleans. His work has entered major collections such as the New York Public Library, Seattle Art Museum, Microsoft Corporation Art Collection, the Portland Museum of Art, and the Boise Art Museum. Traver Gallery: traver@travergallery.com www.travergallery.com Gregory Grenon: gregory@gregorygrenon.com www.gregorygrenon.com Photo: Bill Bachhuber

A descendant in a long line of glassworkers, Davide Salvadore has lived on the Venetian island of Murano since he was born in 1953. At a very early age, he followed his grandfather, Antonio, and his grandfather’s friend - the respected maestro Alfredo Barbini - into the island’s world-famous glass factories. As a youth, he assisted at several prestigious glass houses, including Venini and Barovier & Toso, before joining his mother in the family business of designing and selling glass jewelry. In 1987, Salvadore founded his own studio on Murano, which he continues to operate today. Using equipment he designed and built himself, he creates passionately expressive one-of-a-kind sculptures that push the boundaries of centuries-old traditions.

048 - Hiroshi Yamano

Fish Hanger #25 45 x 10 x 8 inches Signed - 2003 Blown, sculpted glass, silver leaf engraving, copper plating, metal stand

$35,000 Hiroshi Yamano began his serious study of glass at California College of the Arts. He continued his studies at the Tokyo Glass Art Institute and received his M.F.A. degree from Rochester Institute of Technology. He is recognized as one of Japan’s foremost and most innovative glass artists. Yamano is co-founder of Ezra Glass Studio in Fukui, Japan, and helped establish the formidable glass program at Osaka University of Arts, for which he now serves as chairman. He has taught at Pilchuck Glass School many times. Traver Gallery: traver@traverygallery.com www.travergallery.com

050 - Cappy Thompson and Dick Weiss

Mom’s Plate: A Collaboration 2.5 x 14 inches Signed - 2010 Terra cotta, white slip, underglaze

$1,200 Cappy Thompson is an internationally acclaimed Seattle artist known for her mytho-poetic narratives on glass using the grisaille (or gray-tonal) painting technique. Her pieces are included in museum, corporate and private collections, as well as public commissions world-wide. Thompson has taught extensively and currently serves on Pilchuck Glass School’s Artistic Program Advisory Committee.

049 - Dale Chihuly

Silvered Soft Cylinder with Tangerine Lip Wrap 18 x 18 x 14 inches Signed - 2010 Blown glass

$32,000 Dale Chihuly was born in 1941 in Tacoma, Washington and became captivated by glass while pursuing a bachelor’s degree in interior design from the University of Washington. He moved on to study in the hot glass program at the University of Wisconsin, and continued his studies at the Rhode Island School of Design in Providence, where he eventually joined the faculty. In 1971, Chihuly co-founded the legendary Pilchuck Glass School. In 1976, a car accident left Chihuly without sight in one eye. This, along with a shoulder injury a few years later, limited his physical ability to blow glass. Refining a collaborative system developed in his earliest years as a glassblower and harkening back to teams of glassblowers in Murano, Italy, Chihuly works with a team that includes master glassblowers from around the world. He often uses his vigorous drawings to communicate his vision for a specific work. Pushing the limits of the material, he has led his team in the creation of pieces that surpassed all expectations – in the use of color, technique and scale. Dale Chihuly: www.chihuly.com

Dick Weiss recieved his B.A. degree from Yale University. His distinguished career includes two National Endowment for the Arts craftsman grants, two Hauberg Fellowships, and selection as an artist in residence at Pilchuck Glass School. His works are included in collections and major commissions in the United States and Canada. Weiss lives and works in Seattle and shows nationally and internationally.

054 - Susan Stinsmuehlen-Amend 053 - Carmen Vetter

Nude Branch

Lacunae

24 x 33 x 3 inches Signed - 2010 Kiln-fired paint, restoration glass, wood

21 x 42.5 x 1.75 inches Signed - 2010 Kiln-formed glass 052 - John de Wit

Long time friends, Cappy Thompson and Dick Weiss began a series of collaborative paintings on clay during a residency at Pottery Northwest. There is to be an exhibition of their terra cotta pieces at Traver Gallery in Tacoma next spring.

051 - Beccy Feather

Mine

Mod Vase Pair

Traver Gallery: traver@travergallery.com www.travergallery.com

7 x 6 x 6 inches Signed - 2011 Blown glass

22.5 x 12 x 4 inches Signed - 2009 Blown glass, glass paint, silver foil

$1,500 Beccy Feather, British-born, first visited America specifically to study at Pilchuck Glass School. Since then she has returned as a student and teaching assistant. Her experiences at Pilchuck propelled her to pursue a M.F.A. degree at Rochester Institute of Technology in upstate New York. Her time on the Pilchuck campus initiated a love of American glass making concepts and community. Feather now works at Wheaton Arts and Cultural Center in Millville, New Jersey. Beccy Feather: beccyfeather@gmail.com www.ultrashiny.com

$3,600 Born in 1952, John de Wit attended Califonia State University, Chico studying sociology and ceramics, graduating with a B.A. degree in sociology in 1976; he continued his education with studies in ceramics and glass. In 1977, John began working for the prestigious Orient & Flume Art Glass Company in Chico, California. De Wit moved to Washington State in the early 1980s to open his workshop on Whidbey Island where he has engaged himself for the last twenty-five years using the “vessel as canvas.” He is credited with the development of using glass paints with the glassblowing process, and recognized as a leading glass artist and teacher throughout the world. De Wit recently won the Gold Prize at the 5th Cheongju International Craft Competition in Korea. His work is in the collections of the Boeing Corporation, Microsoft, Carnegie-Mellon Bank, the di Rosa Preserve, and the Corning Museum of Glass. Foster/White Gallery: seattle@fosterwhite.com www.fosterwhite.com Photo: Russell Johnson

$3,900 Carmen Vetter creates bas-relief panels that reflect her interest in both optical perception and artistic intuition. By layering various textures of frit and powdered glass in multiple firings, Vetter builds complex surfaces resulting in vibrant contrasts of light, color and luster. “I am interested in the juxtaposition of opposites: give and take, push and pull. The dynamics of relationship are an ongoing theme in my work.” Vetter was a finalist in Bullseye’s Emerge 2006 and 2008 and was included in New Glass Review 31. Traver Gallery: traver@travergallery.com www.travergallery.com Photo: Paul Foster

$4,400 Susan Stinsmuehlen-Amend, a past board member of the Glass Art Society and an Honorary Life Member, served as the first woman president from 1984-86. Her work in glass and mixed media, architectural glass, hot glass and public art is included in many private collections and public institutions including Los Angeles County Museum of Art, Detroit Institute of the Arts, Oakland Museum of California, Museum of Art and Design, New York, and City of Los Angeles among others. StinsmuehlenAmend has taught at Pilchuck Glass School for many years (1980, 2005, 2007-08, 2011) and has been a visiting artist at Rhode Island School of Design, Rochester Institute of Technology, Tyler School of Art, California College of the Arts, California State University, San Bernadino and Fullerton, Massachusetts College of Art, Ohio and Illinois Universities, Pittsburgh Glass Center, and numerous other glass and public art conferences. A Trustee Emeritus of The American Craft Council, she currently serves as Chair of the Arts Commission for the City of Ojai, California. She is a past recipient of two National Endowment for the Arts Fellowships, Pilchuck Glass School Hauberg Fellowship, 2007 Libensk´y Award, and 2006 artist residencies at Pilchuck and the Museum of Glass, Tacoma, Washington. Traver Gallery: traver@travergallery.com www.travergallery.com

056 - Rob Stern

Ellipse 29 X 9 X 9 inches Signed - 2011 Sculpted glass

$5,000 Rob Stern discovered glassmaking at San Francisco State University. He fostered that interest through study and apprenticeships around the world and by assisting numerous artists and masters at Pilchuck Glass School and abroad. Stern holds a M.F.A. degree from the University of Miami in Coral Gables, Florida. He now teaches worldwide, frequently travels abroad to make his work, and owns and operates Rob Stern Art Glass in Miami. Stern was a teacher at Pilchuck in the summer of 2009 and was an interim professor at the University of Texas at Arlington in 2010. Most recently, Stern was selected as the 2011 Pilchuck Auction centerpiece designer and lead a team of thirty artists in producing over 100 unique and distinctive centerpieces.

059 - Bruce Mau

Incomplete Manifesto for Growth

058 - Steve Klein

Shelter 3 8.4 x 16 x 16 inches Signed - 2010 Kiln-formed glass

Rob Stern: info@robsternartglass.com www.robsternglass.com

$6,400

055 - Walter Lieberman

057 - Veruska Vagen

Red Beach

Venetian After Deblaas, 19th Century

15 x 9.5 x 4 inches Signed - 2005 Blown glass, fired enamels, ceramic decals

$4,500 Walter Lieberman is an internationally known glass painter. He has taught at Pilchuck Glass School, Penland School of Crafts, Haystack Mountain School of Crafts and Pratt Fine Arts Center. His work is in such collections as Corning Museum of Glass, Museum of Glass, Tacoma, Frauenau Glasmuseum, and the Musée Des Beaux Artes, Montreal. He currently lives and works in Seattle and is a lecturer on the History of Glass at the Museum of Glass, Tacoma. Traver Gallery: traver@travergallery.com www.vetriglass.com

17.5 x 11 x 1.5 inches Signed - 2011 Dot de verre

$5,400 With a B.F.A. degree in painting and love of art history, Veruska Vagen first came to Pilchuck Glass School in 1987 as a teacher’s assistant for an enameling class. She joined the William Morris Studio in 1993 serving as archivist, at the same time discovering the unique material used to develop her dot de verre technique. Vagen’s work has been exhibited nationally and internationally, most recently at Idriss New Art Glass in Berlin, Germany and the Clear and Present: Works in Glass by 12 Artists exhibition this summer at LewAllen Galleries in Santa Fe, New Mexico. Veruska Vagen: www.veruskavagen.com

Steve Klein currently maintains a studio in southern California where he produces his distinctive kiln-formed and blown work. Klein teaches his approach to kilnworking throughout the United States, Europe and Asia. He has taught at Pilchuck Glass School, Corning Museum of Glass, Northlands Creative Glass and Bullseye Glass Company, as well as many private studios. He exhibits in the United States and European galleries. Klein’s work is in the permanent collections of the Museum of Art and Design, New York, the Museo del Vidrio, Spain, The Eretz Israel Museum, Tel Aviv, The Museum of Scotland, Edinburgh, and Tsinghua University Museum, Beijing. “My recent work seeks to explore, and have fun with the fragile state of balance and to interpret personal visions that cause me to pause and appreciate what I am experiencing.” Bullseye Gallery: gallery@bullseyeglass.com www.bullseyegallery.com

21.5 x 21.5 inches Signed - 2011 Embossed paper

$2,000 World-leading visionary, innovator, designer, and author, Bruce Mau is committed to creative, healthy, ecological and economic abundance. Informed by twenty-five years of studio experience in design innovation and collaboration with some of the world’s leading artists, institutions and businesses, Mau has made the simple commitment to connect his life and work to education and human development. As co-founder of Bruce Mau Live, this new initiative is committed to developing purposeful projects in education, health, leadership, and security. photo: Bruce Mau

060 - Ann Wåhlström

Madras XII 16 x 11 inches Signed - 2007 Blown glass

$3,300 Ann P. Wåhlström was born in 1957 in Stockholm, Sweden. She produced her own glass work from 1982 to 1985 before working as a designer for Kosta Boda in Sweden from 1985 to 2005. She is currently based in Stockholm, where she works independently as a designer and artist. She has been both a teacher at Pilchuck Glass School and a visiting artist at the Museum of Glass in Tacoma several times. Recently, she has been involved in a large glass installation for a visual concert of Steve Reich’s composition, Different Trains. Ann Wåhlström: ann@annwahlstrom.com www.annwahlstrom.com

Photo: Russell Johnson

061 - Sabrina Knowles and Jenny Pohlman

065 - Fritz Dreisbach

Opalino Mauve Cypress Trunk Mongo

To Give is to Grow 41 x 7 x 7.5 inches Signed - 2011 Off-hand sculpted, blown glass, ferrous and non-ferrous metals, beads

22.5 x 11.5 x 11.5 inches Signed - 2003 Hot glass

$7,200

$4,500 Sabrina Knowles and Jenny Pohlman have been collaborating for nearly twenty years and have been affiliated with Pilchuck Glass School since 1985 and 1990, respectively. Their work is in the collections of the American Museum of Glass, the Museum of Glass, Tacoma, the Mobile Museum of Art, the Racine Art Museum and in private collections nationwide. In August, they were honored with Pratt Fine Arts Center’s Service in the Arts award. They serve on the board of trustees of Bellevue Arts Museum, support Pohlman Knowles High School Scholarship at Pratt Fine Arts Center, teach, lecture, and are represented by galleries nationally. Sabrina Knowles and Jenny Pohlman: pohlmanknowles@speakeasy.net www.pohlmanknowles.com

062 - Randy Walker

Mosaic Maple 15 X 16 X 12 inches Signed - 2010 Blown, sculpted murrini glass

$5,750 Randy Walker has a twenty year history with Pilchuck Glass School as both faculty and staff. Walker creates his artwork in Pilchuck’s hotshop during the winter off season. Walker was a principal member of the William Morris glass blowing team for seventeen years. His work is exhibited internationally and he has taught workshops in Japan, New Zealand, Canada, and throughout the United States. Studying and interacting with nature has been a fundamental part of his life. Walker’s blown and sculpted forms are inspired by the colors, textures, and patterns found in the forests of the Pacific Northwest. Traver Gallery: traver@travergallery.com www.travergallery.com

Fritz Dreisbach teaches and makes glass as an independent artist at Island Glass Studio on Whidbey Island, Washington. He is working on carved glass objects in addition to his singular showpieces: the Mongos, playful goblets, and “tricks and toys.” He presents workshops and lectures all over the world. During the past forty-five years, Dreisbach, known as the Johnny Appleseed of Glass, has offered hundreds of presentations in more than 160 individual institutions in Asia, Europe, and North America. His glass is represented in numerous collections, including those of the Corning Museum of Glass, Glass Museum, Kamenick´y Sˇenov, Czech Republic, Hsinchu Cultural Center, Taiwan, Museum Boijmans Van Beuningen, Netherlands, Saint Louis Art Museum, Renwick Gallery, Smithsonian American Art Museum, and Toledo Museum of Art. Fritz Dreisbach: glasfrit@netscape.net www.fritzdreisbach.com

063 - Einar and Jamex de la Torre

Pilchuck Maiden 23 X 13 X 6 inches Signed - 2007 Blown glass, mixed media

$6,500 Brothers Einar and Jamex de la Torre were born in Guadalajara and moved to California in 1972. Jamex began lamp-working glass in 1977, attended California State University, Long Beach under scholarship and received his B.F.A degree in sculpture in 1983. Einar began working with glass in 1980 and also attended California State University, Long Beach. During the 80s they ran a flame-worked glass figure business. In the 90s they began working exclusively as studio artists. Since then, they have exhibited their work internationally and have work in the collections of the Museum of Glass, Tacoma, Arizona State University Art Museum, the San Diego Museum of Contemporary Art, the Kanazu Museum in Japan, the Fisher Gallery Museum at the University of Southern California, Tuscon Museum of Art, and the Mexican Fine Art Museum in Chicago. They also have work in the private collections of Cheech Marin, Sir Elton John, Terry McMilan, Sandra Cisneros, and Quincy Troupe. Einar and Jamex are presently living and working in both Ensenada, Mexico, and San Diego, California. Traver Gallery: traver@travergallery.com www.travergallery.com

064 – ROSSKIKI

Foo Dog 15 x 11 x 7.5 inches Signed - 2011 Blown, hot sculpted glass

066 - Sean O’Neill

Cusp 3 X 17 X 22.5: 3 X 17.75 X 23.25 inches Signed - 2009 Blown, engraved glass

$8,500 Sean O’Neill was the 2011 recipient of Pilchuck Glass School’s prestigious Corning Award for Study. Since receiving his B.F.A. degree from the Appalachian Center for Craft in 2005, Sean has been honored with awards and scholarships from numerous institutions including; Northlands Creative Glass Center in Scotland, the Glasmuseet Ebeltoft in Denmark, Pratt Fine Arts Center in Seattle and the Museum of Glass, Tacoma. In 2010 Sean established a studio along with his wife and various other creative companions in a collaborative venture in Seattle’s Ballard neighborhood. Cusp is a reflection on the moments preceding completion, an awe-inspiring state of anticipation. Traver Gallery: traver@travergallery.com www.travergallery.com Blue Rain Gallery: www.blueraingallery.com

$14,000 KeKé Cribbs and Ross Richmond began working together in 2009. In 2010 they were awarded residencies at the Museum of Glass, Tacoma and at the Toledo Art Museum, Ohio. The residencies offered the pair an opportunity to create a very intuitive and experimental way of working together. Using powders, stencils, and a vacuum pen to layout designs on the marver, they developed a hot printing technique to paint narrative surfaces on blown sculptural works. Their collaborative working name is ROSSKIKI, and their work is in the permanent collections of the Museum of Glass, Tacoma. ROSSKIKI: lola@whidbey.com

068 - Benjamin Cobb

Stomach 27 x 12 x 5 inches Signed - 2010 Blown glass 067 - Courtney Branam

Soft Cube - Black and White 14 x 14 x 14 inches Signed - 2011 Blown glass

$1,500 Courtney Branam was born and raised in Houston, Texas. While studying engineering and graphic design at Texas Tech University, he discovered glass. Branam has traveled from Alaska to Australia and parts in between, practicing his craft. He currently lives in Seattle and has worked as a freelance glassblower in numerous studios. He can frequently be found working at the Museum of Glass, Tacoma, and Pilchuck Glass School. In May of 2011 he had a solo exhibition at Vetri Glass Gallery in Seattle, Washington. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

$1,400 Benjamin Cobb first started working with glass as a teenager in his hometown of Newport, Rhode Island. Since then, he has attended the School for American Crafts at the Rochester Institute of Technology. While working on his B.F.A. degree, he continued his education with multiple classes at The Studio at the Corning Museum of Glass, New York. Cobb was also a teaching assistant for Robin Cass at the Haystack Mountain School for Crafts in Maine, as well as at The Studio at Corning Museum of Glass, New York. After graduating, he worked at a glass studio in California, before moving to Seattle, Washington. Currently he works at the Museum of Glass in Tacoma, Washington where he is a designer and a lead glassblower in the Museumâ&#x20AC;&#x2122;s hot glass studio. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

In Memoriam On April 5, 2011, surrounded by friends and family, Els VandenEnde ended her battle with cancer. She lived an adventurous life, and touched the lives of many people. We are grateful that she was a part of the Pilchuck community, and that we can share the fond memories of her with her family and wide circle of friends who knew and loved her buoyant spirit.

1002 - Michael Ashford

Hot Lava 15 x 7 x 7 inches Signed - 2007 Blown glass, Paradise enamels

$400 1001 - Greg Dietrich

Olympic Moon 6 x 8 x 3 inches Not signed - 2011 Cameo-engraved blown glass

$450 Greg Dietrich studied glass art at the Appalachian Center for Crafts and at Pilchuck Glass School, where he has also been a staff and faculty member. In order to create his signature glass cameo-engraved artworks, Dietrich first blows his glass shapes with as many as three layers of color on their exterior surfaces. Once the glass has cooled, he patiently carves away at the glass using diamond wheels on an engraving lathe. Working with the layers of color, Dietrich makes â&#x20AC;&#x153;drawingsâ&#x20AC;? in glass to achieve various tones of color. Dietrich currently lives and works in Cozumel, Mexico, where he operates his gallery, Galeria Azul. His artwork has been featured in numerous exhibitions at venues such as the Museum of Mayan Culture and the Museum of the Island in Mexico. Greg Dietrich: greg@cozumelglassart.com www.cozumelglassart.com

Michael Ashford was born and raised in Hawaii. He first learned about glass as a high school student at Punahou School in Honolulu, Hawaii. Ashford continued studying glass at Alfred University, Pilchuck Glass School, and the University of Hawaii. Hawaiian culture provides inspiration for much of his work. Ashford lives with his wife and two sons in Seattle, where he works as a contractor. Michael Ashford: mpashford@hotmail.com

1005 - Rachel Elliott

How Does Your Garden Grow? 1003 - Sarah Davis

Untitled 2.25 x 4.5 x 4.5 inches Not signed - 2011 Cast lead crystal

$350 Sarah Davis is currently working toward the completion of a B.V.A. degree majoring in glass from Sydney College of the Arts. Her work seeks to examine the intimate physical and emotional relationships created with everyday objects, illustrating the parallels between the gestures of using and the hand in the process of making. In becoming vessels of association and memory, her recast objects inherit certain preciousness, emphasizing the importance of maintaining a tactile relationship in an increasingly impersonal world. Sarah Davis: sarahd_28@hotmail.com

1004 - Morgan Peterson

Cookie Jar 7 x 8 x 7 inches Not signed - 2011 Incalmo blown glass

$400 Morgan Peterson graduated from Massachusetts College of Art and Design in 2006. She currently resides in Seattle, where she works as a glassblower. Morgan Peterson: morganpeterson83@hotmail.com

1.5 x 4 x 4 inches Signed - 2010 Lost-wax, core-cast crystal, silver

1006 - Donna McCord

$400

Red and Purple Spiral Vase

Rachel Elliot works from her studio in Edinburgh, Scotland, where she uses kiln forming techniques including screenprinting in enamels and lost-wax casting to make her glasswork. She is inspired by the intricate details of life. Her work is essentially a representational commentary on the world that surrounds as well as the constant challenge of her technical abilities.

$320

Rachel Elliot: glass@rachel-elliott.com www.rachel-elliott.com

7.5 x 6.5 x 6.5 inches Signed - 2007 Graal

Donna McCord received her B.F.A. degree from the California College of Arts and Crafts in 2001. She has been working within the Pilchuck Glass School community since 2000 on staff and as a scholarship student. In 2010 she studied with Nancy Blair. She lives in Seattle and teaches glassblowing at Pratt Fine Arts Center. The Spiral Vase Series is made as a reflection of ancient cave paintings and the repetition of spirals as found throughout history. Donna McCord: finddonnamccord@hotmail.com www.mccordglass.com

1012 - Lyn Bishop

Gold Pendant necklace, 19 inches; pendant, 2 x 5 inches Signed - 2010 Stainless steel, 24K gold leaf, Swarovski crystals

$360

1008 - Nina Falk 1007 - Jill Allen

Constellation Bowl 3.5 x 4.75 inches Signed - 2009 Blown, sandblasted glass

$500 Jill Allen lives in Victoria, British Columbia. In 1999 she graduated from Alberta College of Art and Design in Calgary, Alberta, earning a B.F.A. degree in glass. Her work is quiet, based in the craft tradition of vessel making, but not exclusively functional. She is influenced by Scandinavian designs, particularly those of Finland’s iittala. She has a particular interest in industrial design. Pattern and surface texture are characteristic features of her art and are inspirated by her environment. She uses a variety of materials in making both functional work and sculpture. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

1011 - Joey Katzer

Rhubarb Season 6 x 18 x 9 inches Signed - 2011 Kiln-formed glass

$530 In her dual artist roles, Nina Falk is both a concert violinist and a glass artist. Her musical life servers to inform and continues to inspire her glasswork. She has studied kiln-formed glass at Pilchuck Glass School, The Studio at the Corning Museum of Glass and with various artists in workshops around the country. Her work can be seen in select galleries, the lobby of the Washington, D.C. Hilton Hotel, the chapel of the George Washington Hospital, and in private collections through the United States. Nina Falk: info@ninafalkglass.com www.ninafalkglass.com Photo: Daniel Peck

Urban Migration 22 x 25 inches Signed - 2009 Intaglio-print-etching, aquatint, Chine-collé

1009 - Laura Sandoval

The Voice of Words, Deut 4:11-12

Laura Sandoval has a bachelor’s degree in industrial design from the Universidad Autonoma Metropolitana in Mexico City where she was awarded an academic merit grant. She specializes in glass design and jewelry. She currently works as a teaching assistant at the Universidad Autonoma Metropolitana, and she attended Pilchuck Glass School for the first time in 2011 as both staff and a glassblowing student. Laura Sandoval: laura_idesign@hotmail.com

Lyn Bishop: lyn4bishop@gmail.com www.lynbishopglass.com

$425

1.25 x 6.2 x 6.2 inches Signed - 2011 Fused, slumped, coldworked glass

$250

Lyn Bishop has been working in glass for thirteen years and recently began designing jewelry. She was a very successful fashion designer and is now combining glass artistry with her fashion savvy. Bishop graduated from the University of Utah with a degree in art and education. She also studied at Pilchuck Glass School and Pratt Fine Arts Center.

1010 - Warren Trefz

Caramella Gambo-Cherry 8 x 3.25 inches Signed - 2009 Glass, metal, candy

$350

Joey Katzer is a lifelong resident of King County, Washington. She received her B.F.A. degree from Cornish College of the Arts in 2000 with a focus on printmaking and photography. Experiments in layers and intricate details are evident in her artwork that is often inspired by personal experience. Urban Migration was created as a response to the transformation of the neighborhood in which she grew up. Joey Katzer: joey.katzer@gmail.com

Warren Trefz is the glass instructor and technician for the Art Academy of Cincinnati’s River City Works facility. Trefz has been with River City Works since its inception in 1991, and has been gifting to the Academy since 1997. It is here that Trefz creates his historically inspired work with the assistance of staff and students. Warren Trefz: zevon3@fuse.net

1017 - Erika Kohr Island

Eggs and Acorns 1.5 x 1.5 x .5 inches Signed - 2011 Lampworked glass, silver cable

$350

1013 - Edith Faste

Fan in the Pink

1014 - Michael Worcester

12 x 12 x 1.75 inches Signed - 1994 Fused, slumped glass, wire

Green Shell

$250 Edith Faste, now ninety-four years old, has been a glass artist since she was sixty. She was hooked on Pilchuck Glass School during her first session in 1980 when she came for advice about structuring leaded glass. She returned five times. In a sagging/fusing class, each student made a simple kiln of loose bricks. Thus began her weavings of glass on wire, resulting in an 80th birthday show. She was lucky to have studied design at Philadelphia Museum School of Industrial Art in her youth, and lucky in retirement to have found this exciting medium â&#x20AC;&#x201D; glass! Edith Faste: edithfaste@comcast.net

3.5 x 3.5 x 9 inches Signed - 2011 Blown, sandblasted, ground glass

Michael Worcester: info@worcesterglassworks.com www.worcesterglassworks.com

4.5 x 8 inches Signed - 2008 Blown glass, silver leaf

$290

$400 Michael has been blowing glass since he was seven years old in Cannon Beach, Oregon. He has been involved in glass studios in Maui, Hawaii and Cambria, California, and is now back with his family at Worcester Glass works on Maui. His work can be found in many collections including Hawaiiâ&#x20AC;&#x2122;s State Foundation on Culture and the Arts.

1018 - Joy Jackson

Double-Wall Bowl

1015 - Zohar Jolles

The Beautiful Vase 12 x 6 x 3 inches Signed - 2011 Sandblasted glass

$200 Zohar Jolles, born in 1951, is a married mother of three and a freelance artist and designer, creating mostly Indaica. Jewish tradition and her life close to nature are reflected in her design. She lives and works in an agricultural village in the north of Israel where she was born and raised. She studied textile design and completed advanced courses in glass art, ironsmithing, ceramics, art history and Jewish culture. In 1994 she received honorable mention from Spertus Museum for a Hannukah menorah. Her work can be found in many collections.

1016 - Brad Smith

Black and White Striatos 13 x 5 inches Signed - 2011 Blown glass

$260 Brad Smith began blowing glass at Franklin Pierce College in New Hampshire. After working for several artists he has continued his studies at the Appalachian Center for Craft where he is currently seeking his B.F.A. degree. He lives and works in Smithville, Tennessee.

Eggs and Acorns represents a beginning in the perpetual cycle of life; the birth of new ideas or periods in ones life and the opportunity to nurture and create advantageous conditions that allow the seed to take root or the young bird to take flight. Erika Kohr Island is a glass artist living on the northern California coast. Her work is shown nationally and she has spent the past few years working on the team of Lino Tagliapietra.

Joy Jackson graduated magna cum laude from Anderson University in 1999, earning a B.A. degree in Studio Art Glass. She earned a M.F.A. degree in glass from Tyler School of Art in 2000. She has taught glassblowing at Pratt Fine Arts Center, and worked in the hot shop at the Museum of Glass in Tacoma, Washington. Her work has been exhibited nationally. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

Erika Kohr Island: erika@kohr.org

Brad Smith: bradsglass@hotmail.com www.bradsmithblownglass.com

Zohar Jolles: jzohar@inter.net.il www.zoharjolles.com

1023 - Sarah Vaughn

1019 - Shannon Brunskill

Little House of Cards II

Vulnerability 5 x 8 x 2 inches Signed - 2011 Cast glass

$400 Shannon Brunskill’s work illustrates the path taken to gain a greater personal awareness, acceptance and appreciation of her artistic expression. She received her M.F.A. degree from the University of Texas at Arlington where she is currently adjunct faculty in the glass department. Her work has been recognized nationally and internationally. Shannon Brunskill: shannonbrunskill@gmail.com www.shannonbrunskill.com

9 x 3 x 2.5 inches Not signed - 2011 Kiln-formed glass

1020 - Christopher McElroy

Belt Buckle 2.5 x 3 x 1 inches Signed - 2007 Flameworked, coldworked glass

$350 Christopher McElroy received his M.F.A. degree in sculpture from the University of Washington. He has taught glassblowing workshops at many fine institutions including Kyoto University of Art and Design, Japan, Penland School of Crafts, North Carolina, and Bezalel Academy of Art and Design, Jerusalem, Israel. For the past nine years he has produced and exhibited his art extensively across the western United States, including a recent show at the Missoula Art Museum. Christopher teaches glass flameworking at Virginia Commonwealth University in the Crafts and Material Studies department. Christopher McElroy: glasspylon@hotmail com www.christophermcelroy.com belt for display purposes only

$175 Sarah Vaughn began working with glass in 2004. Since then she was explored the medium to find ways to express her thoughts.

1021 - Alex Gibson

Rift-Sawn 6 x 8 x 3 inches Signed - 2011 Etched, scribed, sandcast glass

$400 Alex Gibson is an interdisciplinary artist living in Washington state. He received a M.F.A. degree from San Jose State University in 2011 and a B.F.A. degree from Washington State University in 2007. Gibson’s work on paper and in glass are often linked to history, memory and that which is obscured. Alex Gibson: alex.gibson@sjsu.edu www.displacedak.com

1022 - Justin Parker

Waterdrop Jug 15 x 12 inches Signed - 2008 Handblown, sculpted glass

$480 Justin Parker is recognized as one of the United States’ most skilled and sought after gaffers. A protégé glass artist, he is most known for his knowledge and skill in creating larger than life organic sculptural works. Parker apprenticed under Italian glass maestros in his twenties, focusing on glass sculpture and blown forms, and applies this history and skill set to each of his designs. Parker is constantly pushing the physical limits of the material, creating new paradigms and standards.

Sarah Vaughn: svaughn.glass@gmail.com www.sarahvaughnglass.com

1024 - Bud McLellan

Bubbles #6 2.5 x 13 inches Signed - 2011 Kiln-formed glass

$350 Bud McLellan has been working in fused glass for over fifteen years. He attended Pilchuck Glass School as a student in 2009 and 2010. He is intrigued by curved lines. They make him smile. Bud McLellan: budmclellan@aol.com

Esque Studios: justin@esque-studio.com www.esque-studio.com

1026 - K. Leah Duperreault

Chain of Events

1030 - Reiko F. Nojima

Bull Skull Cameo Necklace

30 inches Not signed - 2011 Flameworked borosilicate, Moretti glass, sterling silver, aluminum, semi-precious stones, freshwater pearls

16 inches Signed - 2011 Cameo cut glass, brass, wood beads, turquoise, howlite

$395

$380

K. Leah Duperreault lives in Invermere, British Columbia in the beautiful Canadian Rockies. She started working with glass in 2002 and runs a small company called Glass Duck. Primarily a flameworker, Duperreault also blows glass, sandcasts glass, teaches classes, and was a member of the Poleturners Union Local 1201. In her spare time she is a back-country chef.

1025 - Jessi Moore

Memory Pod

K. Leah Duperreault: leah@glassduck.ca www.glassduck.ca

1027 - Sarah Holm

Long Wait for Resolve

5 x 4 x 4 inches Not signed - 2009 Blown, cast glass, seed

15.5 x 2 inches Signed - 2011 Fused, slumped glass

$400

$450

Jessi Moore is currently a second-year graduate student at Southern Illinois University at Carbondale working toward a M.F.A. degree in glass. Originally from Seattle, she has studied in Washington, Illinois, Hawaii, and Denmark. Moore has worked as an insturctor, studio manager, teaching assistant, and artist assistant at various glass studios. She has attended Pilchuck Glass School as a scholarship student, teaching assistant, and as staff.

Sarah Holm strives to uncover balance and flow in her work. With an emphasis on drawing, she received her B.A. degree from the University of Alaska, Fairbanks, in 1999 and laid the foundation for solid compositions in her glasswork. In 2006 she created Fish Head Studio in Fairbanks so that she could create with glass while staying at home with her two daughters. She exhibits work thoughout Alaska and Washington. She received a scholarship in 2010 to attend Pilchuck Glass School where she was fortunate to learn from glass artists from all over the world.

Jessi Moore: jessi.moore@hotmail.com www.jessimooreglass.com

Sarah Holm: fishheadstudio@alaska.net www.fishheadstudio.com

1029 - Roy Bruno 1028 - Hal Watrous

Time Wave Pendants 2 x 2 inches Not signed - 2010 Lampwork

$350 Hal Watrous has always loved working with his hands. He got into lampworking after he saw a perfect bouquet of flowers inside a light bulb in New Orleans. The bulb worked and lit up a journey that hasn’t stopped since. Watrous resides in the Pacific Northwest. He has been very fortunate to learn from some of his heroes in lampworking and at some great places such as Eugene Glass School, Momka’s Glass Color, Glass Alchemy, University of Oregon Arts and Pilchuck Glass School in 2009. He is currently trying to establish his own voice with the material. HalWatrous: lampworker2320@gmail.com

Gavia Crescenta LII 6 x 25 x 4 inches Signed - 2011 Blown, coldworked glass

$300 Several years after a career in science and mathematics, Roy Bruno discovered glassblowing and embraced it with a passion. His signature piece is a new silhouette not seen before in glass offerings, the Gavia Crescenta. Commonly known as a Crescent Loon, it is a recently evolved bird species that requires minimal care in captivity. Not particularly adept at floating on water, this Crescent Loon prefers an indoor nesting site on a mantel or shelf. Roy’s credentials include studying his craft at Pilchuck Glass School, Pratt Fine Arts Center, and the Redmond School of Glass.

Reiko Nojima is an artist and co-founder of Little Wing Company Ltd. She sculpts figures and jewelry as well as virtual pinball machines with Macintosh. Reiko attended Mushashino Art University, Department of Visual Communicaion Design in 1985 and Toyama City Institute of Glass Art in 2009. Reiko F. Nojima: Reiko.f.nojima@gmail.com reiko.littlewing.jp

Roy Bruno: roy.p.bruno@comcast.net www.lightart.biz

1035 - Kai Scholefield

Artifact of the Interior 8 X 5.5 X 5.5 inches Not signed - 2010 Blown glass, bit work

$450

1031 - Lani Shapton

Quasi-Patriotic Sushi Platter #2

1033 - Ashley “Five Names” Kristen Lee Driscoll-Perez

1 x 13.25 x 8.5 inches Not signed - 2009 Fused, slumped glass

Sun Shaman

$425

9.5 x 16 x 5 inches Not signed - 2010 Blown, hot-sculpted, sandblasted glass, mixed media

Lani Shapton is a lecturer in printmaking at the University of Miami.

$400

Lani Shapton: lanishapton@hotmail.com

1032 - Jaroslav Sˇára

Spiritual Play 9 x 4 x 4 inches Signed - 2011 Engraved glass

$500 Jaroslav Sˇára lives and works in Nový Bor, Czech Republic as a glass engraver. He attended the University of J.E.Purkyne in Ústí nad Labem ˇára has worked receiving a M.A. degree. S at places such as VOSˇ Nový Bor and SUPSˇS Kamenický Sˇenov. This spring he worked as a poleturner at Pilchuck Glass School, coldworking this year’s auction centerpieces. Jaroslav Sˇára: jaroslavsara@seznam.cz

Ashley “Five Names” is a multimedia installation artist who uses diverse methods to accomplish her artistic visions. In 2009, she received a B.F.A. degree from Massachusetts College of Art and Design with major in glass as well as a post graduate degree from the Studio for Interrelated Media (SIM). She has received scholarships to study at the Glass Furnace in Istanbul, Penland School of Crafts, and Pilchuck Glass School. Driscoll-Perez currently lives and works in Seattle. Ashley “Five Names” Kristen Lee Driscoll-Perez: ashleykperez@yahoo.com akldp.blogspot.com

1034 - Mark Angus

Vase with Flying Figure 18.75 x 18.75 inches Signed - 2008 Blown, painted glass

$300 Mark Angus has been fascinated by glass as much for its beauty as for the medium’s challenges. He is inspired by the endless creative possibilities that glass offers. Angus makes small-scale objects and large-scale instillations for public and private buildings. He works in layers, using the inherent beauty of the material to draw the viewer into the pieces through light, shadow and color. At the core of the work are stories of his culture, which are told by using pattern, color, form, and the characteristics of the material. In his recent work, he pays homage to traditional crafts such as needle work, by translating what is perceived as ordinary into the realm of the extraordinary, using glass as the new medium so this handwork can be viewed with a fresh perspective.

Kai Scholefield received his B.F.A. degree in glass from the Alberta College of Art and Design, in Calgary, Canada where he currently lives and works. His work is heavily influenced by the work and ideology of modernist sculptors Isamu Noguchi and Constantin Brancusi. Scholefield’s work is shown internationally and he has recently returned from his first European exhibition in Berlin, Germany. He is a founding board member of Berlin Glas e.V., a non-profit glass art society based in Germany. He is currently the President of the Calgary Glass Initiative Foundation, a non-profit society based in Calgary. In March 2011, he joined Bee Kingdom glass collective as their 4th member. Kai Scholefield: info@kaigallery.ca www.kaigallery.ca

1036 - Urban Robert

What Knot 9 x 8 x 2 inches Signed - 2011 Blown, sculpted glass

$300 Jason “Urban Robert” Bauer was born in Sidney, Ohio. He graduated from Bowling Green State University with a concentration in glass. After graduation he worked on staff at Pilchuck Glass School and currently works at the Pittsburgh Glass Center as a technical apprentice. Urban Robert: urbanrobertz@gmail.com www.urbanrobert.com

Mark Angus: mark@markangus.com www.markangus.com

1037 - Heather Kraft

Bavarian Fireworks Necklace and Earrings

1041 - David King

Merletto Bottle

5 x 4 x .125 inches Signed - 2011 Reclaimed Bavarian Winterling china, gold fill, glass

9.5 x 4 x 4 inches Signed - 2011 Blown glass

$200

$500 Heather Kraft was born in Boise, Idaho and raised in Portland, Oregon. She graduated from the Alberta College of Art and Design in 2008 with a B.F.A. degree focusing on sculpture, fiber, and glass. Material and Movement, a company that she started in 2009, has served as an umbrella for her artistic endeavors, both as a dancer and a sculptor. Her current line of work, Incarnate Anew brings together reclaimed porcelain tableware, found objects, and fine metal work to create pieces of wearable sculpture. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com Material + Movement: materialandmovement@gmail.com www.materialandmovement.com

David King is originally from Dayton, Ohio. He received his B.F.A. degree from Ohio State University in 2006 and his M.F.A. degree from Tyler School of Art in 2011. He currently lives in Philadelphia where he works as an artist, technician and educator.

1038 - Dale Chihuly

Pilchuck Aerial #20/400 11 X 6.25 X 5 inches Signed - 1991 Blown glass

David King: king.davidjohn@gmail.com www.davidjohnking.com

$500 A Dale Chihuly design, the Pilchuck Aerials were produced in a limited edition of 400 to commemorate Pilchuck Glass School’s 25th Anniversary. Each piece is signed by Dale Chihuly, marked Pilchuck XXV and numbered. The special edition book, Pilchuck: A Glass School, is bound in silk and comes complete with a silk-bound slipcase. The inside front cover of the book has been autographed by Dale Chihuly, William Morris and other pioneers of Pilchuck Glass School as well as author Tina Oldknow and founder Anne Gould Hauberg. Donor: Doug and Dale Anderson

1040 - Natalie Ruby

Key to Glass 10 x 3 x .5 inches Signed - 2011 Flameworked glass

1039 - Althea Holden

Happy Clams 3 x 5 x 3 inches Signed - 2011 Sandcast glass

$100 Althea Holden received her B.F.A. degree from Alfred University in 1994 and her M.F.A. degree from Tulane University in 2004. She has been a staff member at Pilchuck Glass School since 1996. Holden lives and works in New Orleans, where she is an associate at Studio Inferno.

$150 Natalie Ruby has created and designed glass jewelry since 2001. In July of 2009, Ruby and two other artists opened Black Star Studios, a contemporary art gallery and studio in Invermere, Canada, where she continues to create innovative designs using traditional flameworking techniques. Ruby Designs: nruby@telus.net www.blackstartstudios.ca

1042 - Rosita Ståhl

The Dandelion 9.8 x 7.9 x 7.9 inches Signed - 2011 Blown, sandblasted glass

$550 Rosita Ståhl is a Swedish glassblower who studied at Orrefors Glass School and The Danish Design School’s Centre for Glass and Ceramics. Rosita Ståhl: ross85ross@hotmail.com www.nogg.se/rositaglas

Althea Holden: nolaal@yahoo.com

1044 - Sara Waisburd

Lazos 21.3 x 15.7 inches Signed - 2011 Monotype

$400 Sara Waisburd’s first approach to art was through dance. Being a dancer contributed significantly to the young girl’s sensibility and it was through dance the Sara developed a perception of the volume of objects in a given space. It wasn’t until 1971, however, when she began to formally develop her creative studies; entering Mahon Avni Institute in Tel Aviv, where she studied painting and ceramics. Upon her return to Mexico, she furthered her studies as an artist by learning printmaking, sculpture, and painting. She has had more that sixty exhibits in Mexico and abroad.

1043 - Victoria Ahmadizadeh

Spinning Straw into Gold 9.25 x 4.5 x 2 inches Signed - 2011 Kiln-cast Bullseye glass

$700 Originally from Bethlehem, Pennsylvania, Victoria Ahmadizadeh received her B.F.A. degree in glass and ceramics from Tyler School of Art in 2010. She currently lives and works in Philadelphia, Pennsylvania. Victoria Ahmadizadeh: yellowromancandles@gmail.com

Sara Waisburd: sarawaisburd@hotmail.com www.artewaisburd.com

1045 - Bellis Møller

Luscious Lady 7 X 3.1 X 3.1 inches Signed - 2010 Hot-sculpted glass

$300 Bellis Møller was born and raised in an artistic environment on the small Danish island of Bornholm. She studied at the Swedish Crafts School, Orrefors Glass School, Kosta Glass Center, and The Danish Design School in Bornholm. In 2005 she was awarded the Kosta Glass School travel grant. Møller received a B.A. equivalent degree from The Danish Design School Bornholm in 2009. She has participated in collective exhibitions that include Smalands Glass Museum in 2006 and Bornholms Art Museum in Denmark and Malmo Form/Design Center in Sweeden, both in 2009, as well as a solo exhibition at Bornholms Hospital in 2011. Møller was a student this past summer at the Pilchuck Glass School. Bellis Møller: bellis_moller@hotmail.com www.bellis-glass.dk

1046 - Holly Johnson

Origami Blue 10.5 x 6 x 11.5 inches Signed - 2011 Kiln-cast glass

$635 Holly Johnson left her immediate family at age fifteen and re-established family relationships in Småland, the center of Swedish glass art. Time in Sweden continues to be illuminating and inspiring. She now has her own studio in Minnesota, having studied under master kiln-formers including sessions at Pilchuck Glass School. The inspiration for this piece began with a family reunion. While waiting for a meal, family members started folding napkins…the swan was favored by all. Origami Blue is the first in this series. Holly Johnson: oaklawn@ix.netcom.com

2002 - Tyler Kimball

Look Who’s Sorry Now 18 x 11 x 11 inches Signed - 2011 Mirrored glass

$600

2001 - Ursula Huth

Glass Panel for Travelers 6.3 x 7.9 inches Signed - 2011 Blown, etched, painted, stained glass

$600 Ursula Huth studied painting and glass at the Academy of Art and Design and art history at Stuttgart University in Germany. In 1982 she received a M.F.A. degree from Rhode Island School of Design. In 1987 she was an artist in residence at Pilchuck Glass School and at CIRVA (Centre International de Recherché Sur le Verre et les Arts Plastiques) in Marseille. She has been awarded an International Peace Scholarship through PEO in Iowa, the Coburger Glass Award, and the Kyohei Fujita Prize in Kanazawa, Japan. Her work is in numerous collections and museums internationally. Ursula Huth: info@ursulahuth.de www.ursulahuth.de

Tyler Kimball uses glass to recreate the spirit of games. He delves into the inner world of lawn, board and spontaneous games using many different techniques and practices, almost making a game out of it. In this piece, mirroring was used to achieve the feelings of isolation and revenge occurring in some board games. Kimball’s glass game pieces are featured in galleries and private collections throughout the United States.

2005 - Dan and Joi LaChaussee 2004 - Brian Berman and Robert Lucas

Sword of Damocles

Tyler Kimball: teke224@hotmail.com

38 x 11 x 3 inches Signed - 2006 Kiln-cast glass, basalt stone 2003 - Alex Stanyon

Transformation 20 inches Not signed - 2011 Coldworked glass, gold-coated stainless wire

$695 Alex Stanyon was introduced to glassblowing in 1996 at Punahou School in Honolulu, Hawaii. Her experiences at Pilchuck Glass School as a student, teaching assistant and volunteer furthered her interest in working with the shape and texture of glass in its cold solid state. Alex works on an intimate scale, creating wearable art. As part of a series exploring transformation, this necklace with its five glass components and one cable can be assembled and worn in many configurations and lengths. Alex Stanyon: alex@stanyon.com Photo: Alex Stanyon

$900 Brian Berman has been sculpting with stone, working in metals and cast glass for twenty years. In December 2008 he was selected by the Société Nationale des Beaux-Arts to represent the United States with a glass sculpture that was exhibited at the Louvre. Brian Berman: brian@bermansculpture.com www.bermansculpture.com

Red and Yellow Phoenix Bowl 11 x 13 x 13 inches Signed - 2011 Hand-blown glass

$600 Joi and Dan have been blowing glass together for twenty-six years. They met at Pratt Fine Arts Center, attended Pilchuck Glass School and have been operating their own glass studio on Whidbey Island, supplying art galleries ever since. Dan and Joi LaChaussee: lgs@langleywa.com www.lachausseeglass.com

2006 - Laura Ward

Pattern Vessel 15 X 3.5 X 3.5 inches Signed - 2011 Lost-wax, kiln-cast crystal

$650 Laura Ward currently lives in Seattle where she moved after completing her M.F.A. degree at the University of Illinois in 2004. Ward has taught, lectured, and assisted artists throughout the country for many years. She has received Seattle area grants, a City of Seattle public commission, private commissions, and continues to exhibit her sculptures in Seattle and throughout the United States. Laura Ward: lalalalaura@hotmail.com www.laurawardart.com

2008 - Becky Alexander

Wild Plum 9 x 9 x 1.75 inches Signed - 2011 Kiln-formed glass

$700 Becky Alexander has been working with kiln-formed glass since 2005. Her design style and technique allow for this already beautiful material to do its magic and suprise her. Intrigued by the beauty of the imperfect and contrasts, Alexander creates simple forms, which become a canvas that allow her to use the glass in a painterly way. She holds a M.L.S. degree from San Jose State University and has studied glass at Pilchuck Glass School, Corning Museum of Glass, and the Bay Area Glass Institute.

2010 - Karuna Santoro

Winter Path 15 x 15 x 3 inches Signed - 2010 Kiln-formed glass

Becky Alexander: www.huggableglass.com

2007 - Eric Edner

From the Inside Out 10.5 x 4 x 4 inches Signed - 2011 Flameworked borosilicate

$750 Eric Edner has been working glass at the torch for twelve years. He has been a student and a teacherâ&#x20AC;&#x2122;s assistant at Pilchuck Glass School. He continues to push his ability and work his craft at his home studio near Yosemite, California. Eric Edner: eric@ericednerglass.com www.ericednerglass.com

2009 - Linda T. Diec

Exploded Diagram 9 x 6 x 6 inches Signed - 2011 Kiln-cast glass, brass, walnut

$750 Linda Diec is a multi-media installation artist. Her work primarily focuses on simple social narratives with specific attention to materials and space. Her background in biochemistry and architecture provides a uniquely poetic way in describing idealism, sarcasm and the mechanics of everyday life. She is currently working on her M.F.A. degree at Columbus College of Art and Design.

$750 Karuna Santoro who grew up in Germany, has lived in Hawaii for over twenty years. She started working with kiln-formed glass in 2003 and attended Pilchuck Glass School in 2006 and 2008. She maintains her own studio on Maui and her artistic work with glass balances her professional career. Karuna Santoro: KarunaS@hawaii.rr.com www.karunasantoro.com

2011 - Laurel Schultz

Trident Maple 138 19.5 x 25.5 inches Signed - 2009 Archival pigment print

2012 - Rick Schneider

$850

from the Heros in the Abstract Series

Laurel received her M.F.A. degree in interdisciplinary fine arts from the University of Washington in 2009. Her work explores our relationship with the natural world as a lens on our nature. Laurel Schultz: www.laurelschultz.com

The Avenger 8 x 4 x 2 inches Signed - 2011 Kiln-cast glass

$750 Rick Schneider is an average guy making his way in the world. He has taught at Virginia Commonwealth University, Salisbury University, and the University of Wisconsin. Schneiderâ&#x20AC;&#x2122;s cast work is a reflection of his desire to find heroism in others and himself. Rick Schneider: rickschneider@uwalumni.com www.rickschneiderglass.com

Linda T. Diec: lindatdiec@gmail.com www.lindatdiec.com

2014 - Katie Miller

Silhouette 16 x 12 x 3 inches Not signed - 2011 Pâte de verre 2013 - Jason Elliott

Wanna Play? 115 x 15 x 2 inches Not signed - 2011 Flameworked borosilicate

$550 Jason Elliott has been flameworking since 2000. He is an artist and studio assistant to David Willis in addition to being the flat shop coordinator at Pilchuck Glass School for session three in 2011. Jason Elliott: lateintheevening@comcast.net

$550 Katie Miller received a B.F.A. degree from the University of Washington and a M.F.A. degree from Tyler School of Art. She has been a student, staff member and teaching assistant at Pilchuck Glass School. Miller’s installations and sculptures incorporate video, sound, metal, glass, fibers, beeswax, and found objects. Her work is exhibited both nationally and internationally. Katie Miller: www.millerkatie.com

2016 - Lee Campbell 2015 - Doug Craig

Heart of Gold 9 x 5 x 3 inches Signed - 2010 Glass, wood, fabric, metal

$550 Glassblower, blacksmith, and woodworker, Doug Craig lives in Victoria and Vancouver, British Columbia. World travels have filled several sketchbooks with color, patterning and forms that are infused into his work. His current projects bring multiple materials together to complete the composition. Doug Craig: talldoug@telus.net

Connections II 2.5 x 4.5 x 5.5 inches Signed - 2010 Cast bronze, cast glass

$750 Lee Campbell has been working in glass for over ten years and bronze for eight years. His work combines the beauty of glass and bronze into a single piece. He teaches both bronze casting and glass casting at Pratt Fine Arts Center, and was a teacher’s assistant at Pilchuck Glass School in 2009. Pacini Lubel Gallery: staff@pacinilubel.com www.pacinilubel.com

2017 - Sasha Tepper-Stewart

Absorb 4 X 4 X 8: 4 X 4 X 7.5: 4 X 4 X 5 inches Not signed - 2011 Blown, sculpted glass

$800 Sasha Tepper-Stewart graduated from Alfred University in 2007 where she studied glass, sculpture, printmaking and art education. She is a native of western Massachusetts and currently lives and works in Seattle. She is an art instructor at Sammamish High School in Bellevue, Washington, and Pratt Fine Arts Center. She also works as a production glassworker and assists glass artists in the Seattle area. She has worked on staff at Pilchuck Glass School for several years. Sasha Tepper-Stewart: sashatepperstewart@gmail.com

2018 - Polly Brumder

Me, Myself, and I 6.75 x 5.5 x 4.5 inches Signed - 2007 Kiln-cast soda lime glass

$900 Me (green) is infinite renewal. Myself (pink) is love of self. I (yellow) is joy in being. They fit together in a triadic puzzle, or arrange in different configurations. Their forms dance with each other. Brumder has been drawing and painting, and making things since early childhood. Growing up in a family environment immersed in art and nature, she acquired a profound love for beauty, fantasy, and truth. Her work in sculpture explores form, gesture, and the human figure. She holds a B.F.A. degree in drawing and painting, and has studied with many teachers. She is grateful for the opportunity to learn and to grow as an artist that has been made possible by Pilchuck Glass School. Polly Brumder: brumdersculpture@yahoo.com

2023 - Mark Roth

Sand and Wind 11.5 x 6.5 x 4.5 inches Signed - 2007 Blown, sandblasted glass

$920

2022 - Tyler Kimball and Dylan Betz

Seven Minutes in Heaven 5.5 x 12 x 7 inches Signed - 2011 Glass, enamel, wood, bushings, bearings

2019 - C. Chad Cully

Arrowhead Rd. study of 2004 W.T. Mailroom study 14 x 14 x 5 inches Signed - 2011 Blown, sculpted glass

$800 C. Chad Cully is currently a resident artist at the Appalachian Center For Craft in Smithville, Tennessee. He has most recently lived in Eugene, Oregon, while working with StudioWest. Cully received a B.F.A. degree from the Art Academy of Cincinnati in 2005. He has been a summer staff member at Pilchuck Glass School the past five summers. C. Chad Cully: cchadcully@gmail.com

Holler 2 x 2 x 1 inches Signed - 2006 Carved, painted maple

2021 - Brennan Kasperzak

$985

11 x 9 x 3.5 inches Signed - 2011 Blown glass

Julia Harrison spends much of her time attacking small pieces of wood with even smaller pieces of metal. The Seattle-based artist and educator’s carved wooden jewelry is mostly figurative and explores the relationship between emotions and the body. She was thrilled and honored to attend Pilchuck Glass School as a scholarship student in 2010. Julia Harrison: harrison.julia@gmail.com www.juliaharrison.net

$600

2020 - Julia Harrison

Cascades

$650 Brennan Kasperzak began blowing glass in Columbus, Ohio in the fall of 2002 and received his B.F.A. degree in glass at the Ohio State University in 2007. He has worked, studied, and taught as a glassblower in Seattle since 2009. His own blown and sculpted work focuses on form, aesthetics and fun.

Glass artist Tyler Kimball and graphic artist Dylan Betz collaborated to create Seven Minutes in Heaven that deals with juvenile sexual exploration. Currently, the Seattle based duo is compiling a series of works exploring the exercising of childhood memories and the emotions they evoke. Tyler Kimball: teke224@hotmail.com

Mark Roth is a glass artist living in Victoria, British Columbia. He has worked on the Canada Council for the Arts and received the British Columbia Creative Achievement Award for Applied Art and Design. In 2008, Canada’s Prime Minister, Stephen Harper, gifted Roth’s work to the Queen of England in celebration of her Silver Jubilee. The Erosion series began with the idea of replicating eroded stone shapes into glass forms. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

2024 - Andrew Najarian

I Put You in My Piece 4 x 4 x 4 inches Not signed - 2011 Laminated glass, mirror, vitrolite

$850 Andrew Najarian recently finished his residency at the Appalachian Craft Center in Smithville, Tennessee. He is currently working towards his M.F.A. degree at Ball State University in Muncie, Indiana. Andrew has been on Pilchuck Glass School’s summer staff. His work is exhibited both nationally and internationally. Andrew Najarian: andynaj@gmail.com

Brennan Kasperzak: www.brennankasperzak.com

2028 - Susan Balshor

Baby Buddha Hands #16 5 x 2.5 x 4.5 inches Signed - 2008 Kiln-cast lead crystal 2027 - Kari Goldstein 2026 - William Chris Lowry

Aqueous Chrysanthemum 2025 - Mark Angus

Face of Christ 19 X 19 inches Signed - 2008 Stained glass

$600 Mark Angus has been fascinated by glass as much for its beauty as for the medium’s challenges. He is inspired by the endless creative possibilities that glass offers. Angus makes small-scale objects and large-scale installations for public and private buildings. He works in layers, using the inherent beauty of the material to draw the viewer into the pieces through light, shadow and color. At the core of the work are stories of his culture, which are told by using pattern, color, form, and the characteristics of the material. In his recent work, he pays homage to traditional crafts such as needle work, by translating what is perceived as “ordinary” into the realm of the extraordinary, using glass as the “new” medium so this hand work can be viewed with a fresh perspective. Mark Angus: mark@markangus.com www.markangus.com

4.25 x 11.5 inches Signed - 2011 Blown glass

$700 William “Chris” Lowry is a second-generation glassblower who grew up in his father’s glass studio on the Oregon coast. Now living on Maui, he has owned and operated Hot Island Glass with his long-time friend Chris Richards since 2000. Considering himself more of a craftsman than an artist, Lowry strives to create work that is technically clean, yet interesting enough to capture and maintain the audience’s attention. Hot Island Glass: info@hotislandglass.com www.hotislandglass.com

Margarette and Malcolm the Later Years 4.5 X 7 X .5 inches Signed - 2010 Screen-printed enamel, pâte de verre

$800 Kari Goldstein graduated with a B.F.A. degree from Rochester Institute of Technology in 2005. She has been an artist’s assistant, teaching assistant, and staff member at Pilchuck Glass School. Goldstein ran Full Plate Studios in Portland, Oregon, from 2007 to 2009. In 2009, she relocated to Seattle and became an instructor at Pratt Fine Arts Center in 2010. Kari Goldstein: kari.fps@gmail.com

$600 Susan Balshor holds M.A. degrees in sculpture and philosophy. She has been a scholarship recipient, teaching assistant, art assistant, on staff, as well as an instructor at Pilchuck Glass School. She was included in Bullseye 2008 Emerge and 2009 Corning New Glass Review. Her work is mixed media. This work is from a 300-piece instillation titled 300 Days. Balshor currently teaches at Pratt Fine Arts Center. Susan Balshor: sbalshor@yahoo.com www.susanbalshor.com

2029 - Nick Leonoff

Lagoon 8 x 5.5 inches Signed - 2011 Blown, carved glass

$950 Nick Leonoff is an emerging artist based in New York. He began working with stained glass in 1998 as an apprentice for Alan Masaoka in Carmel, California. In 2003, after graduating from Pepperdine University with a business degree, Leonoff found his passion for hot glass. He has studied at numerous glass schools including Pilchuck Glass School where he has developed his glassblowing and coldworking techniques. Originally based in Carmel, he relocated to Brooklyn, New York in 2011 utilizing both locations to create his glasswork. Masaoka Design Gallery: masaoka@mbay.net www.masaokaglassdesign.com

2030 - Nate Ricciuto

Mortar + Pestle 9 X 5 X 5 inches Signed - 2011 Blown and sculpted glass

$800 Nate Ricciuto is most interested in common and pervasive materials such as glass and metal as a means to explore the complexities of the modern environment. He is also interested in ideas of functionality, infrastructure, and manufacturing in relation to particular materials and objects. Ricciuto’s artwork focuses on creating relationships between simple materials and objects, often implying or suggesting additional layers of information, as a way to address more complex concerns involving the contemporary industrial landscape and its affect. Nate Ricciuto: nate.ricciuto@gmail.com www.natericciuto.com

2032 - Nirit Dekel

Ballerina Necklace

2034 - Mel Long

21 x 1.25 x 1.25 inches Signed - 2010 Flameworked glass, steel 2031 - Thomas A. Prochaska

The Librarian 10 x 6 x 0.125 inches Signed - 2009 Fused glass

$800 Thomas Prochaska’s main inspiration is the human condition and the work of other artists such as James Ensor. He received his B.A. degree from the University of Wisconsin, and his M.F.A. degree from the Pratt Institute in New York. He teaches at the Pacific Northwest College of Art in Portland and was a 2005 Hauberg Fellow at Pilchuck Glass School. He completed this work at Bullseye Glass Company.

Amphibious Requiem 6 x 23 x 2.25 inches Signed - 2011 Silk-screened enamels, hand-carved wood

$650

$750

Nirit Dekel received B.A. and M.A. degrees in sociology from Tel Aviv University, Israel, in 1995 and 1998. She has studied with numerous glass artists in Israel and abroad, and has exhibited her work internationally. She currently works as a full time lampworker and designer.

Interested in mythology and motion, Mel Long composes imagery of whimsy and satire. A Calgary, Alberta native, she received her B.F.A. degree from the Alberta College of Art in Design in 2009. She has worked in studios located in Australia and Canada and is currently pursing a Masters of Education and Teaching.

Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

Mel Long: melanny.long@gmail.com

2035 - Jason Nickels Blandford

UN-Orthodox 10.5 x 10 x 10 inches Signed - 2011 Blown, carved, enameled glass

$750 Finding passion within glass and printmaking, Jason Blandford has been presented with a pattern in his life; thus sparking an obsession. Having graduated with a B.F.A. degree from Alfred University in 2009, Blanford blends ritual patterns from multiple cultures, with his intuition to create his own unique designs. During the summer, he is proud to call Pilchuck School Glass his home where he has been the assistant chef for two years. Jason Nickels Blandford: nicklesblandford@gmail.com www.blandfoodfordcar.calebonmade.com

Froelick Gallery: info@froelickgallery.com www.froelickgallery.com

2033 - John T. Hogan

Silver Bottle 18.5 x 7 x 7 inches Not signed - 2010 Blown glass

$800 John Hogan has been living in Seattle for the past two years. His work concentrates on progressive workflows using new technologies to push contemporary ideas and aesthetics. John T. Hogan: hoganglass@gmail.com

2036 - Lin Rebolini McJunkin

Egyptain Spring 13 x 3 x 3 inches Signed - 2011 Pâte de verre glass, recycled steel

$950 Like many other glass artists, Lin Rebolini McJunkin became enthralled with kiln-formed glass while experimenting with ceramics as a graduate student at the University of California, Santa Cruz. Most of her glass pieces still begin as clay forms that are cast into the same type of molds she used while studying traditional pâte de verre techniques at Pilchuck Glass School with Etsuko Nishi and Delores Taylor in 2007. Since then, she has developed a method of creating large-scale pâte de verre glass and metal sculpture with their delicate but sharp edges, embody her fascination with the danger inherent in many things of beauty. Matzke Fine Art Gallery: matzke@camano.net www.matskefineart.com

2038 - Tina Aufiero

Princess 15 x 8 inches Signed - 2011 Verto bricolage

$800

2037 - Sarah R. Gilbert

Cup Set with Pitcher and Vintage TV Tray 7 x 10 x 14 inches Not signed - 2011 Blown glass, vintage metal TV tray

$800 Sarah Gilbert is an artist and educator based in Portland, Oregon where she is currently an assistant professor of studio art at Reed College. While her current practice incorporates a wide range of experimental material and processes, Gilbert nurtures deep-seated interests in both traditional glassblowing and contemporary design. Since 2003, she has attended Pilchuck Glass School multiple times as a scholarship student and teaching assistant. Gilbert is an adjunct member of Portland’s innovative architecture and design collaborative, Merge Studio+Lab and in 2010, she launched her own hand-blown glass design project, Past Imperfect. Gilbert holds a M.F.A. degree in interdisciplinary visual arts from the University of Idaho, a B.F.A. degree in glass from the Rhode Island School of Design, and a B.A. degree in Art Semiotics from Brown University. Sarah R. Gilbert: sarah@saragilbert.net www.sarahgilbert.com www.pastimperfect.net

A visual artist and educator, Tina Aufiero recently relocated to the Northwest. She is a self-proclaimed, obsessed swan lover. Aufiero’s artworks focus on utilizing the swan as the metaphor to create meaning. Her work manifests as mixed media sculpture, video and photographs. Aufiero has exhibited and lectured internationally. Collections include Pilchuck print collection, John Michael Kohler Arts Center, The Heinneman Collection at the Corning Museum of Glass, Musee de Art Decoratifs, Lausanne, Switzerland, Venini S.p.A., Italy. Awards include Fulbright Research Grant, Iceland, Technology Initiative Fund N.S.U., AT&T Foundation, Pollack–Krasner Foundation, Penny McCalls Foundation, PS1-National Institute for Contemporary Art and the National Endowment for the Arts. Tina Aufiero: aufiero@gmail.com www.tinaaufiero.com

2041 - Ryan Marsh Fairweather 2040 - Valerie Pohorsky

Aapii the Solar System

Luxury

14 x 14 x .5; 5 x 5 x 3 inches Signed - 2011 Digital illustration

11 x 3 x 3 inches inches Signed - 2011 Hot sculpted glass

$800 2039 - Ginger Kelly

Jewelry Collection 17.5 inches Signed - 2011 Fused glass, fired enamels, coldworked, hand-fabricated sterling silver setting

$800 Ginger Kelly started her career working with glass while studying art at California State University, Chico. “They had a hot glass shop and I was hooked.” Moving to Seattle in 1988, Kelly focused on her glasswork - blown glass forms with a strong emphasis on color and form. She designs glass and jewelry for galleries and the retail marketplace in the United States and Europe. After twenty plus years in Seattle and many achievements, she has moved to Breaux, Louisiana. “The South inspires me, the way of life, music, culture and of course the people.” Ginger Kelly: ginger@gingerkelly.com www.gingerkelly.com

Valerie Pohorsky was born and raised in the heart of the Silicon Valley. She graduated from San Jose State University with a B.A. degree in photography and glass. She enjoys using colorful imagery to explore the morbid truths of life and is fascinated by the contrast of comedy and tragedy. She uses time sensitive materials to capture these dualities. She has attended Pilchuck Glass School as a scholarship student and as summer staff and believes that Pilchuck really does make dreams come true. Valerie Pohorsky: vpohorsky@yahoo.com www.valeriepohorsky.weebly.com

$500 Ryan Fairweather is a Calgary-born glass artist and member of Bee Kingdom, a Canadian artist collective. He graduated from the Alberta College of Art and Design in 2005 and practices his visual art full time while also practicing as a yoga instructor. Glass is often referred to as beautiful and gorgeous, Fairweather aims to create cute glass through his narrative body of work, The Weathermachines series. He is currently on the board of Berlin Glas e.V. Ryan Marsh Fairweather: ryan@weathermachine.ca www.weathermachine.ca

2042 - Marita Dingus

Blue Boy 32 x 13 x 2 inches Not signed - 2011 Handmade Tanzania glass beads, mixed media

$800 For her mixed-media sculptures, Marita Dingus incorporates discarded materials as a metaphor for the way people of African descent were used and discarded through the institution of slavery. She has served as a delegate to the United Nations and received the prestigious John S. Guggenheim Fellowship in sculpture. In 2004, the Museum of Glass, Tacoma, exhibited a group of her sculptures in Marita Dingus: About Face and granted her a residency in 2009. The Seattle Art Museum recently acquired her installation 400 Men of African Descent for its permanent collection. Dingus received a B.F.A. degree from Tyler School of Art and a M.F.A. degree from San José State University. She is a Washington State native and Seattle resident. Francine Seders Gallery: francine@sedersgallery.com www.sedersgallery.com

2044 - Cheryl Zahniser

The Glance 20 x 17 inches Signed - 2010 Enamel, Bullseye glass

$1,800

2043 - Zachary Rudolph

Graal Container 8.5 x 13.5 x 8 inches Signed - 2010 Blown glass, graal

$820 Zachary Rudolph began his adventures in glass art in 1997 at the Seattle Glassblowing Studio and Gallery. He currently lives a relaxing life in Santa Cruz, California, where he is developing a unique style of glass art and expanding his abilities as an artist by learning new things. Zachary Rudolph: zachrudolph@gmail.com www.zachrudolphglass.com

Cheryl Zahniser’s donation is in two parts. She will create a portrait of the subject of your choice on glass and you’ll also receive The Glance. This is a wonderful opportunity to support Pilchuck Glass School and have a customized creation. The date and time are to be confirmed with Zahniser. Mounting is not included. Her joy lying in figurative work, in 2009 she was inspired to take a session at Pilchuck Glass School with KeKe Cribbs. There she discovered a new medium to expand her figurative and portrait range. Formerly a member of Pilchuck’s board, she has a B.F.A. degree in painting from the University of Oregon. She serves as Vice Chair for the School of Allied Arts and Architecture at the University of Oregon’s Board of Visitors Museo Gallery Museo Gallery: museo@whidbey.com www.museo.cc

2047 - Helen Tegeler

Flutter Seeds 2.5 x 6 x 6 inches Signed - 2010 Blown glass, engraved, dyed wool

2045 - Anna Mlasowsky

Hand-Made

$950

10 x 15 x 6 inches Not signed - 2010 Blown glass

Helen Tegeler has attended Pilchuck Glass School as a student, teaching assistant, and staff member. Her work is strangly influenced by nature and the transitions that take place over time in both plants and people.

$950 Born in 1984 in Germany, Anna Mlasowsky received a B.A. degree from the Danish Design School. In 2008 she was a scholarship student at Pilchuck Glass School and the Corning Museum of Glass. She has been an exchange student at the Aalto University of Art and Design in Helsinki, Finland, and at Konstfack University College of Art and Design in Stockholm, Sweden. She has recently been awarded a six-week fellowship at the Creative Glass Center of America and an Isaac and Sonia Luski Scholarship to attend Penland School of Crafts. Anna Mlasowsky mail@annamlasowsky.com www.annamlasowsky.com

Helen Tegeler: helentegeler@gmail.com

2046 - Cheryl Matson

Midnight Garden Party 20 inches Not signed - 2011 Glass

$800 Cheryl Matson’s festive necklace, which consists of hand made glass beads, is the most recent in a series. She made the beads by melting black glass and then dusting the hot glass with powdered metallic glass. Matson is an instructor at Pratt Fine Arts Center. Cheryl Matson: cherylmatson@msn.com

2048 - Karen Ehart

Red Torso on Stand 26 x 12 x 10 inches Signed - 2011 Kiln-fired glass

$895 Karen Ehart picked up a glasscutter in 1984 and was ruined for any real job. She has been fortunate to work with quite a few highly skilled artisans and has continuously experimented with the sculptural possibilities of her glasswork. She loves color and draws her inspiration from nature: the human form, sea life, microscopic images, a pebble-filled streambed. Her work can be seen in numerous fine art galleries as well as several publications including Best of America Glass Artists, Volume II and A Beginner’s Guide to Kiln-Formed Glass. Karen Ehart: keglass@qwestoffice.net www.karenehart.com

2053 - Steve Immerman

2051 - Jennifer Crescuillo 2050 - Emily McBride

Ripe 5 x 8 x 8 inches; 3 x 3 x 4 inches Signed - 2011 Blown, coldworked glass

$600 2049 - Takeshi Fukunishi

Natsume (Tea Container) 3.25 x 2 x 2 inches Signed - 2010 Kiln-cast, cut, blown glass

$700 Takeshi Fukunishi was born in Japan in 1966. He studied metalworking at Osaka University of Art and has been admitted to the Toyoma City Institute of Glass Art. In Toyoma he met American artist Jack Wax and earned numerous glass techniques from him. Every year Fukunishi’s critically acclaimed works are included in many private exhibitions in Japan and abroad. Takeshi Fukunishi: takeshi_fukunishi@mac.com

Emily McBride received her B.F.A. degree in glass from Tyler School of Art in 2009. Since graduating, she has been a scholarship student and teaching assistant at Penland School of Crafts and a summer staff member and teaching assistant at Pilchuck Glass School. She uses hot glass to play with color and form in creating pieces inspired by nature, growth and decay. She currently lives in Louisville, Kentucky. Emily McBride: emilymmcbride@gmail.com www.emilymcbrideglass.com

Gold Host with Small Attachment 4.5 x 6.5 x 3 inches Signed - 2010 Cast, coldworked, laminated crystal

Jennifer Crescuillo: crescuillo@gmail.com

2054 - Mark Abildgaard

3.25 x 15 inches Signed - 2011 Kiln-formed glass

Blue Gray Crystal Vessel

$895

$850 Jennifer Crescuillo was born and raised in Ohio. She attended Bowling Green State University where she was first introduced to glass and earned a B.F.A. degree. She also received a M.F.A. degree in glass from Southern Illinois University, Carbondale and now lives and works in Tennessee, near the Appalachian Center for Craft. She has worked as the cold shop coordinator at Pilchuck Glass School for many years and looks forward to the opportunity every summer.

Germination

Steve Immerman is both a practicing general surgeon and glass artist. Kiln-formed glass has been his artistic medium for over fifteen years. His work often combines rigid geometry with areas of chaos, as is evident in this year’s donation, which combines strip cutting with high temperature firing technique. Immerman’s work is available in selected galleries throughout the United States.

2052 - Pablo Soto

Forma Triple 16.5 x 4.75 x 4.75 inches Signed - 2011 Blown glass

$750 Pablo Soto is a North Carolina glassblower. His business, De Soto Glass Design, emphasizes clean design in the functional and lighting realms. For Soto, Pilchuck Glass School harbors many great memories and formative experiences.

Steve Immerman: s.immerman@charter.net www.clearwaterglass.com

5 x 10 x 8 inches Signed - 2011 Lost-wax, kiln-cast glass

$950 Mark Abildgaard received a B.A. degree in art from San Francisco State University in 1979 and a M.F.A. degree in art from the University of Hawaii in 1984. After graduating from the University of Hawaii, he spent nine months teaching glassblowing in Japan at the Tokyo Glass Art Institute. In 1985 he returned to the United States for a five month residency at the Creative Glass Center of America in Millville, New Jersey. He has taught classes in kiln casting at Pilchuck Glass School, the Studio of Corning Museum of Glass, Red Deer College in Alberta, Canada, and in many other public and private studios. Mark Abildgaard: mark5329@sbcglobal.net www.markabildgaard.com

Pablo Soto: ps@desotoglassdesign.com www.desotoglassdesign.com

2055 - Jessica Landau

Moustache Mirrors 8.5 x 8 x .5 inches Not signed - 2011 Lampworked borosilicate glass, found mirrors

$750 Jessica Landau was born in Vicksburg, Mississippi, and grew up primarily in rural South Carolina. Her artistic ventures have included completing her B.F.A. degree at Moore College of Arts & Design in Philadelphia, exhibiting in galleries nationwide, and demonstrating glassblowing techniques at public and private special events. In 2003, Landau moved to Hawaii, where she assists with the glassblowing program at Punahou School in Honolulu. She has traveled to Penland School of Crafts and Pilchuck Glass School for study and work. Her work is held in the Rohm and Haas permanent corporate collection and in private collections worldwide. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

3005 - Lisa Koch

Infinite Molecular Reunion 50 x 12 x 14 inches Not signed - 2005 Glass, wood, steel, negative space

$1,600

3002 - Amanda Lee Patenaude

Pilchuck Pocket Trash

Lisa Koch received a biochemistry degree from the University of Wisconsin, Madison and began her career as a scientist researching cell division. Impelled by her passion for the arts, she discovered glass and later went on to earn her M.F.A. degree in glass from Alfred University. She has since taught both neon and glass classes at Alfred University and currently teaches at the University of Wisconsin while also making her own art, raising chickens and growing tomatoes. Her background in the sciences continues to be a major influence in her work. She has worked as a coordinator at Pilchuck Glass School since 2005.

11 x 7 x 8 inches Signed - 2011 Hot-sculpted, blown glass, collected garbage

$1,111 Amanda Lee Patenaude recently received her B.F.A. degree in glass from Illinios State University. Her work combines sculpted glass with the garbage of its enviornment to create a play on the forgotten waste of society. She has been an energetic and loving staff member of the Pilchuck Glass School kitchen for four years.

Lisa Koch: lisa@lisa-koch.com www.lisa-koch.com

Amanda Lee Patenaude: amandalpatenaude@gmail.com

3003 - Alex Trommler

Wave Section 13 x 9.5 x 9.5 inches Signed - 2011 Hot-cast, carved, polished glass, foam, aluminum

3001 - Ryo Sekino

Kinoko 14 x 5.5 x 8 inches Signed - 2011 Blown glass

$1,200 Ryo Sekino was born in Osaka, Japan. He graduated from Osaka Designers’ College and worked at Osaka University of Art for five years. He is building his own studio in Osaka. Sekino was a teaching assistant for Scott Benefield during his first summer at Pilchuck Glass School. Ryo Sekino: ryosekino@hotmail.com www.ryosekino.com

$1,250 Alex Trommler grew up in Philadelphia, Pennsylvania, and received his B.A. and B.F.A. degrees from Alfred University in 2006. North Lands Creative Glass Center in Scotland awarded him a kiln casting residency in 2009. He is currently pursuing a M.F.A. degree in glass from Southern Illinois University. Alex Trommler: atrommler@gmail.com www.alextrommler.com

3004 - Licha Ochoa Nicholson

Ancient Pot II 4.5 x 18 inches Signed - 2010 Glass roll-up, fused, blown glass

$1,200 Licha Ochoa Nicholson presently resides in Atlanta, Georgia, after having moved from Kirkland, Washington, in 2004. She has studied at Pilchuck Glass School and Pratt Fine Arts Center. Since then she has continued her studies at numerous notable glass schools and under master glass artists. Her Ancient Pot series is inspired by her quest to unearth her family roots in Mexico. When her grandparents crossed the border in the early 1900s their family ties were severed. “Imagine how it would feel to unearth remnants of ancient textiles which have been sheltered by the earth’s soil for centuries. What secrets do these precious remnants hold? Fascination of my unanswered family questions has evolved my depiction of ancient designs created on glass by my hands in this age of time. Who will unearth my stories?”

3006 - Victoria A. Perkins and Melanie Moertel

Mustard Fields 20 inches Not signed - 2009 Lampwork glass beads, sterling silver, turquoise, stone

$1,200 Vicki Perkins has been creating one-of-a-kind lampwork jewelry for more than ten years. Her work was recently featured on the cover of the book Art Bead Jewelry: Seasons in Glass by Karen Leonardo. Her pieces have adorned models wearing Elsie Katz designs as part of L.A. Fashion Week. Perkin’s jewelry is carried by William Traver Gallery. Traver Gallery: traver@travergallery.com www.travergallery.com

Licha Ochoa Nicholson: licha.nicholson@att.net www.lichanicholson.com Photo: Licha Ochoa Nicholson

3008 - Justin Catron

Defense, 1957 12.5 x 27 x 9 inches Signed - 2011 Blown, sculpted glass, steel

$1,200

3007 - Lisa Piaskowy

Monster II 14.5 x 12 x 9 inches Signed - 2010 Blown glass

$1,200 Lisa Piaskowy works in Seattle for artists Shelley Muzylowski Allen and Debora Moore. She has been a teaching assistant at Pilchuck Glass School for John Miller, Randy Walker, Rik Allen and Shelley Muzylowski Allen. She graduated with a B.F.A. degree in glass from Illinois State University in 2006. Her work focuses on social and politcal issues. She combines the decorative qualities of glass with concerns for current events. Her Monster series focuses on cannibalism and the adaptability of human morality in extreme situations. Lisa Piaskowy: lpiask@gmail.com Photo: Stephen Vest

Justin Catron is attracted to the process of glassblowing and interested in its scientific method. Inspired by color from both historical and comic imagery, he combines glass and metal to create the relics of his own era. Catron graduated from Alfred University with a B.F.A. degree in fine arts. He lives in Orlando, Florida, where he has been head of production and shop manager at the Kelia Glassworks studio and gallery at the City Arts Factory in downtown Orlando for the past three years. Catron has also spent time working at the Pilchuck Glass School, serving as the cold shop technician.

Chicago Winter

Pas de Deux

3009 - Michael Marcelo Roco

Sapling 25 x 15 x 6 inches Signed - 2011 Flameworked glass, mixed media, kinetic sculpture

$1,200 Michael Roco graduated class valedictorian from Cornish Institute in Seattle, Washington, with a B.S. degree in fine arts. He has also studied fine arts at the Pacific American Institute in Europe, Pilchuck Glass School, and Pratt Fine Arts Center. His work has been shown in the Tacoma Art Museum, Washington, and the Wing Luke Asian Museum in Seattle. He has also taught at Pratt Fine Arts Center. The Georgian Room of the Olympic Four Seasons Hotel in Seattle features a large installation of Roco’s work. Gallery I|M|A: info@galleryima.com www.galleryima.com

3012 - Jeanne Marie Ferraro

3010 - Delores Taylor

Justin Catron: catronglass@gmail.com

5 x 12 x 5 inches Signed - 2008 Pâte de verre, copper

4.5 x 7.5 inches Signed - 2007 Pâte de verre

$1,000

$1,000 Pas de Deux is the rhythm of a pair. The essence of perspective is based upon our spirit, movement or confinement within our world. Through color, texture, light and shadow the work uses kiln-cast, pâte de verre to examine perceptions and the paradoxes of life. Taylor has studied and been a teaching assistant at Pilchuck Glass School, involved regularly since 2000. She teaches and lectures domestically as well as internationally. Her work can be found in the permanent collections of Microsoft, The Forbidden City Cultural Development Company, Ltd., and private domestic and international collections. Delores Taylor: delorestaylor@mac.com wwwdelorestaylor.com

3011 - Mikey Cozza

Girasole 23 X 6 X 6 inches Signed - 2011 Blown, sculpted glass

$1,000 Mikey Cozza is a native of the Northwest. He began working with glass in 2005 in Seattle, Wasington. He has studied at Pilchuck Glass School and Pratt Fine Arts Center. In the past year he has built his own glassblowing studio in his home to refine his skills and techniques. He currently works as a production glassworker and assists several glass artists in the Seattle area, including Dante Marioni. Mikey Cozza: mykeystuff@gmail.com

Jeanne Marie Ferraro has a B.F.A. degree from Kent State University and a M.F.A. degree from Rochester Institute of Technology. Presently Ferraro teaches at the Northwest School in Seattle and Pratt Fine Arts Center. Her work is represented by Traver Gallery and Pismo Gallery. This work was created using the pâte de verre on the blowpipe and then electroplated with copper. Traver Gallery: traver@travergallery.com www.travergallery.com

3014 - William Finsel

Lake Washington Sunset

3017 - Laura Wessel

7.5 x 21.5 x 5 inches Signed - 2011 Slumped, fused glass

Balance 26.5 x 20.25 x 1 inches Signed - 2011 Glass, vitreous paint

$1,200 3013 - Dana Zed

Moons Rising 9 x 9 x 2 inches Signed - 2010 Kiln-cast, fused glass, copper frame

$1,500 Dana Zed has been making glass art for almost three decades. Her work is included in the Corning Museum of Glass and the Oakland Museum, as well as other collections. In addition to being an artist, she is also an educator. Zed has completed numerous private architectural commissions. In 2009 she completed panels as a public art commission for the newly completed San Francisco Public Library. Dana Zed: studio@danazed.com www.danazed.com

Using a minimalist and reductive approach, William Finsel seeks to create subtle shifts in perception for the viewer through the combing of simple shapes and forms with a refined color palette. The strategic use of light is incorporated to enhance the design elements. Lake Washington Sunset is part of the Horizon Lines series of accent lighting that began in 2010. William Finsel: william@williamfinsel.com www.williamfinsel.com

3015 - John Volpacchio and Debbie Tarsitano

Leaf Slipper 3 10 x 5 x 10 inches Signed - 2009-2011 Blown and sculpted hot glass, flame-worked murrini

$1,000 John Volpacchio is a professor of art at Salem State University in Massachusetts, where he teaches glassblowing, sculpture, and ceramics. He has a B.F.A. degree from Rhode Island School of Design and a M.F.A. degree from the University of Colorado. He has spent several summers in Murano and Venice working with and apprenticing under Italian masters such as Davide Salvadore, Pino Signoretto, Lino Taglipierta, Elio Quarisa, and Dino Rosin.

Salem State University Glassworks Studio: john.volpacchio@salemstate.edu www.salemstate.edu

$1,500 3016 - Kim Chaplin

We need to talk 30 x 10 inches Not signed - 2009 Ceramic

$1,000 Kim Chaplin received her B.F.A. and art education degrees from Alfred University in 2006. She has worked as a studio technician and instructor at GoggleWorks Center for the Art in Reading, Pennsylvania. She has worked as summer staff at Pilchuck Glass School for two summers and lives in Stanwood, Washington. Kim Chaplin: chaplejax@gmail.com

Balance is one in a series celebrating the circus. Delicate balance and majestic flight within extraordinary space and height become unreal, appearing almost like a dream. “I craft my art in the spirit of dreaming poetry. Through the lens of forming and painting glass, I explore the concepts inherent in memory, nightmares, the origins of language, and mythic visions,” states Laura Wessel. She completed her M.A. degree in glass at the University of Sunderland in 2004. She exhibits internationally, having shows at the Glass Art Gallery in London, Habitus in Hong Kong, and Antigo Paços do Concelho in Portugal. Laura Wessel: lalaartiste@hotmail.com

3018 - Andy Martin

Fluidity 13 x 8 inches Signed - 2011 Glass

$1,300 Andy Martin has always found Pilchuck Glass School to be the ultimate resource for glass art. He believes that the experiences people have at Pilchuck are ones they can take with them and keep forever. Drawing on former inspirations to push his work forward, Martin is always evolving as an artist as he continues to teach and learn about glass. Andy Martin: andrew.martin35@gmail.com www.andymartinglass.com

3023 - Alison Saar

50 Proof 28.5 x 22 inches Signed - 2011 Staged Intaglio Chine-collé

$2,000 Alison Saar’s sculptures and installations explore themes of African cultural diaspora and spirituality. Her study of African, Caribbean, and Latin American art and religion inform her work. Her highly personal, often life-size sculptures are noted for their emotional candor and the contrasting materials and messages that imbue them with a high degree of cultural subtext. Saar received her B.A. degree from Scripps College and her M.F.A. degree from Otis Art Institute. In 2010, her new work, which explores the cycle of birth, maturation, death, and regeneration through the changing seasons and her own experience of aging, was exhibited at Lewis & Clark College in Oregon and L.A. Louver Gallery in Los Angeles. Saar has received numerous awards for her work, including a grant from the National Endowment for the Arts and a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation.

3020 - Ronnie Wolf

Writing Home 16.5 x 13 inches Signed - 1984 Fused glass

$1,000

3019 - Jon Paden

Kuya Breathes a Modern Breath Ponders Love and Loss 8 x 7 x 15 inches Signed - 2010 Hot-sculped blown glass, enamels

$1,000 Jon Paden has been involved with Pilchuck Glass School since 2008, where he began exploring the world of hot-sculpted glass. His new work uses traditional imagery to create commentary on the social changes brought upon cultural growth from the digital world. He often implements a subtle humor that is to be discovered through exploration of the work with some form of directed narrative. Jon Paden: yokozunadesign@yahoo.com photo: Jonathon D. Paden

Ronnie Wolf is a graduate of The School of the Museum of Fine Arts, Tufts, and has a Master’s degree from N.Y.U. She has taught at the Newson School, N.Y.U., and at over ten craft centers including Pilchuck Glass School and Haystack Mountain School of Crafts. Wolf has work in museum collections, books and magazines. Presently she works in Manhattan as an interior designer.

Alison Saar: lielo56@yahoo.com

3024 - Manny Krakowski 13 X 9 X 6 inches Signed - 2011 Hot-sculpted glass

Love Birds 10 x 9 x 4 inches Signed - 2009 Hot-sculpted glass

$1,750 Ron Seivertson is a hot glass artist who lives on the edge with an intense devotion to his craft. He creates masterpieces from the point of view that everything is possible. Before realizing he was destined for something else, Seivertson spent over twenty years in construction. He awoke the artist in him through painting and sculpting before finding hot glass as his ultimate medium in 2003. He has studied intensely in Seattle and Melbourne, Australia. He has received his most masterful lessons at Pilchuck Glass School. Ron Seivertson: info@horizonglassworks.com www.horizonglassworks.com

Waiting

3021 - Ron Seivertson

3022 - Steve Funk

Golden Windows 28.5 x 9.5 x 15 inches Signed - 2011 Blown glass, gold leaf, murrini overlay

$2,000 Steve Funk began as a glass collector and was encouraged by David Bennett, a Seattle glass artist, to try glass blowing in 2004. Funk’s knowledge has increased through workshops with Stephen Powell, Nick Mount, Ben Edols, John MIller, Kait Rhodes, Richard Ritter, and Maestro Davide Salvadore in Murano. He works with artist Paul Nelson collaborating on designs and techniques at Flame Run Studio in Louisville, Kentucky. Funk’s current work is all about unique color applications and forms. He currently serves on the Pilchuck Glass School Board of Trustees in Seattle. Steve Funk: shfunk@comcast.net www.funky-glass.com

$2,400 Manny Krakowski is interested in how society relates to inanimate objects. People have close relationships with their cars, coffee cups, chairs, keys, dishware and so on. These objects have become a part of daily life. People have become so accustomed to having access to these things, that it would be difficult to function if they all disappeared. Krakowski holds a B.F.A. degree from California State University, Fullerton. He has participated at the Pilchuck Glass School as a student, staff member, teaching assistant, and gaffer. Krakowski currently lives in Seattle. Manny Krakowski: manny@mannykrakowski.com www.mannykrakowski.com

3028 - Robin Cass

Cerulean 12 x 15 x 8 inches Signed - 2011 Sculpted glass

$2,000

3025 - Kari Goldstein and Ellen Rockower

3026 - Megan Biddle

Wing Support

Untitled (Symbiosis)

10.5 x 25.5 x .75 inches Not signed - 2011 Enamel glass fusings, steel fabrication

5 x 5 x 5 inches Signed - 2011 Hot-molded blown glass, mixed media

$2,000

Kari Goldstein and Ellen Rockower are alumni of Rochester Institute of Technology. In the past they have worked together to create individual works. Wing Support is the first collaborative piece they have created with equal input into the finished work. Rockower works as a professional metalsmith in Seattle. Goldstein is an instructor at Pratt Fine Art Center and the Museum of Glass, as well as a participant in Pilchuck Glass School as an artist assistant, teaching assistant, and staff member.

Megan Biddle received her B.F.A. degree from the Rhode Island School of Design and her M.F.A. degree from the Virginia Commonwealth University. She has attended residencies at the Macdowell Colony, C.G.C.A., Sculpture Space and the V.C.C.A. In 2006 she was awarded the A.I.R. Gallery Fellowship in New York City. Biddle has exhibited at the A.I.R. Gallery, XO Projects INC., Slide Show, The Islip Art Museum in New York, the Reynolds Gallery, Richmond, Virginia, Space 1026 Philadelphia, Pennsylvania, Galerie VSUP, Czech Republic, and the 700IS Experimental Film Festival in Iceland. Her work was published in New Glass Review and acquired into the American Embassy’s permanent collection in Latvia. She will be an emerging artist in residence at Pilchuck Glass School in 2011.

Kari Goldstein / Ellen Rockower: kari.fps@gmail.com

Megan Biddle: meganbiddle77@gmail.com www.meganbiddle.com photo: Megan Biddle

3027 - Jessie Blackmer

Pinky Nest 4 x 4.5 x 4.5 inches Signed - 2011 Flameworked glass, wood, dryer lint

3030 - Beth Adams

Turquoise: Sienna - Gold

Robin Cass: me@robincass.com www.robincass.com

36 x 40 x 1.75 inches Signed - 2011 Acrylic, mixed media, canvas

$2,000

$1,000 Jessie Blackmer was born in rural Maine. She graduated with honors from Massachusetts College of Art in 2004 with a B.F.A. degree in glass. Shortly after earning her degree she moved to Washington State and worked for several talented artists while refining her own technique and artistic practice. She was a studio coordinator and an instructor at Pratt Fine Arts Center and received a 2008 John and Mary Shirley scholarship. Blackmer just finished her M.F.A. degree at Ohio State University. This summer she spent her fourteenth session at Pilchuck Glass School as an artist assistant. Blackmer is currently hiking the Appalachian Trail. Jessie Blackmer: jb@jessieblackmer.com www.jessieblackmer.com

100

Robin Cass is a professor in the glass program at Rochester Institute of Technology and has taught at Pilchuck Glass School, Haystack Mountain School of Crafts, The Studio at the Corning Museum of Glass. She served on the board of directors of the Glass Art Society from 2004 through 2010. She earned her B.F.A. degree at Rhode Island School of Design and her M.F.A. degree from Alfred University. Cass’ work is included in a number of public and private collections including the Museum of American Glass in New Jersey, Museum of Glass, Tacoma in Washington, and Tittot Museum in Taipei, Taiwan. She has also been featured in several books including Masters of Blown Glass edited by Susan Rossi-Wilcox and 25 Years of New Glass Review edited by Tina Oldknow. While on sabbatical from Rochester Institute of Technology this year she was a visiting artist and faculty member at the Osaka University of Arts in Japan.

3029 - Ryan Staub

Syzygy 23 X 6 X 6 inches Signed - 2011 Blown glass

$2,000 Seattle native Ryan Staub’s glass education is a result of years of exposure to studio and factory work, both in his hometown and in locales as diverse as Iceland, Mexico, Murano and Taiwan. He teaches private workshops at his Seattle studio and studios in Norway, Denmark, and Hong Kong, and previously served as a resident artist at Gler i Bergkvik in Reykjavik, Glashuset in Malmo, Sweden, and the Toledo Museum of Art. He will mount his first major international solo exhibition at the Tittot Glass Art Museum in Taipei in fall 2011. While developing his craft, Staub also earned a B.A. degree in political economy and modern languages from the Evergreen State College. Staub served as a teaching assistant to Maestro Livio Serena at Pilchuck Glass School in 2006. Ryan Staub: mail@ryanstaub.com www.ryanstaub.com

An active artist and jewelry designer, Beth Adams’ abstract paintings have been exhibited in numerous solo and group shows in galleries throughout North America. Beth’s work has also been selected to appear in many invitational events including the San Francisco Art Commission’s invitational exhibition and the Bellevue Arts Museum’s invitational auction. In addition to her work as an exhibiting artist, Beth has taught art at universities in Seattle and served as the executive director of the Kirkland Arts Center. Her Pink Umbrella toured the United States and is included in the Absolut Vodka permanent collection in New York City. Gallery I|M|A young@galleryima.com www.galleryima.com

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3035 - Pat De Caro

3032 - Nancy Current

Blue Water Rising

For All Our Children

16 x 12 inches Signed - 2011 Oil on canvas

20 X 11 X 6 inches Signed - 2011 Stained glass, vitreous paint, silver stain

$1,900

3031 - Abi Spring

Untitled 17 x 17 x .5 inches Not signed - 2011 Kiln-formed glass

“This piece speaks to my concern for our oceans and the future we are leaving for our children. As a lifeling Seattle resident, I hope future generations will be able to have what I have enjoyed.” Nancy Current has been a scholarship student and teaching assistant at Pilchuck Glass School, as well as a glass-painting teacher at Pratt Fine Arts Center. Her glass work includes architectural installations and independent pieces. Nancy Current: nancy@ncurrent.com www.ncurrent.com

3033 - Mielle Riggie

Heartleaf Duo

Francine Seders Gallery: francine@sedersgallery.com www.sedersgallery.com

2 x 13 x 14 inches Signed - 2010 Pâte de verre

$1,200

$1,500

Abi Spring is a recent graduate of the Australian National University’s glass program where she studied under glass master Richard Whiteley.

Mielle Riggie has enjoyed a fifteen-year relationship with Pilchuck Glass School as a scholarship student, a 2004 Emerging Artist in Resident (EAiR), summer staff member, and teaching assistant. Riggie was honored with a residency at The Studio at the Corning Museum of Glass and selected as a Rising Star for Wheaton Arts Glass Weekend 2011 with Morgan Glass Gallery. She recently celebrated a solo exhibition, Homecoming, at Winston Wachter Fine Arts of Seattle. Winston Wächter Fine Art: gallery@winstonwachter.com www.winstonwachter.com Photo: Mielle Riggie

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Pat De Caro was a 2009 Hauberg Fellow and 2010 artist in residence at the Pilchuck Glass School. Her work is in public collections such as the Northwest Museum of Art, the Washington State University Art Museum, the City of Seattle, the Washington State Arts Commission, and Microsoft. She has had many exhibits in the Northwest that include the Missoula Museum of Art, Bellevue Arts Museum, and the Northwest Museum of Art. In addition, her work has been exhibited in London, Milan, Dusseldorf, and Oaxaca, and in Seattle for twenty years at Francine Seders Gallery.

3036 - Paul Cunningham

Aqua Flanella 3034 - Kazuki Takizawa

Red Container 13 X 5 X 5 inches Signed - 2011 Blown glass

$1,300 Kazuki Takizawa graduated from the University of Hawaii at Manoa with high honors in 2009. He received several scholarships and fellowships including one to attend Pilchuck Glass School in 2007. In June 2011, he assisted in the demonstration by Edward Clark at the Seattle Glass Art Society Conference. Takizawa is a Japanese national born and raised in Hong Kong. His recent glasswork takes its form as a shell-like container and is a representation of different human emotions. His work has been exhibited at the Museum of Contemporary Craft in Portland, Oregon, and numerous exhibitions in Hawaii. Kazuki Takizawa: info@kazukitakizawa.com ww.kazukitakizawa.com

11.5 x 7 x 5 inches Signed - 2009 Blown, sandblasted glass

$2,000 Paul Cunningham has been blowing glass for twenty-five years. He currently is the production manager for glassybaby and enjoys blowing glass at his own studio in Seattle as well as teaching and showing his works internationally. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

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3038 - Johnathon Schmuck 3037 - Kristine Rumman

Golden Peaks 7 X 15 X 11 inches Signed - 2011 Blown, cast, guilded glass

$1,600 Kristine Rummanâ&#x20AC;&#x2122;s interest in glass began at age sixteen, when she started classes at the Toledo Museum of Art. She went on to complete a B.F.A. degree at Bowling Green State University, with a major in three-dimensional studies with a concentration in glass. Rumman is inspired by elements of the natural world and their interaction with light. Her current work explores landscapes from the Northwest as well as those from her recent travels in Asia. She is currently living and working as an artist in Seattle. Kristine Rumman: kris.rumman@gmail.com

Southern Hemisphere Storm 9 x 5 x 5 inches Signed - 2004 Fused and blown glass, wheel-cut, hand-finished

$1,820 Johnathon Schmuck was the first Fulbright Scholar at the Camberra School of Art where he studied with Stephen Procter and worked with Klaus Moje. In 2009, Johnathon published The Joy of Coldworking, a guide to finishing glass. Presently he teaches kiln forming, hotworking and coldworking at Bay Area Glass Institute in San Jose, California. Johnathon Schmuck: jtschmuck@hotmail.com www.schmuckglass.com

3041 - Natasha Kuring

Conversing with Myself 3039 - David Calles

$1,250

Vertice 17 x 12 x 4 inches Signed - 2010 Blown glass

$1,800 David Calles is a glassblower. Originally from Argentina, he came to Canada in 1993. He has a B.A. degree in arts from Brown University and attended Sheridan College between 1994 and 1999, majoring in glass. He expresses himself through exploration of color, form and traditional Italian cane techniques. David came to Victoria, Canada in 2001 to start his own glassblowing studio, Miramontes Artworks. Opened in 2007, it is a place where non-glass artists and designers can come to have work produced. In his Pimpollos series, Calles attempts to mimic a little shock of color often found in nature. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

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20 x 60 x 1 inches Not signed - 2011 Glass, paint

3040 - Rebecca Arday

Coupled 5 X 5 X 22 inches Not signed - 2008 Hotworked glass, sterling silver, mixed media

$1,800 Rebecca Arday was born in Dallas, Texas, and relocated to Rochester, New York, where she received her B.F.A. degree from Rochester Institute of Technology in 2008. She was a 2008 emerging artist in residence at Pilchuck Glass School, has participated in an exchange with the Bullseye Glass Factory, and currently serves as the registrar at Pilchuck year-round. Rebecca Arday: rebecca.arday@gmail.com www.rebeccaarday.com

Natasha Kuring grew up in Tacoma, Washington, and had the opportunity to start working with glass at the age of sixteen at Hilltop Artists in Residence. She also attended Tacoma School of the Arts. Kuring has recently completed her B.F.A. degree at the University of Washingtonâ&#x20AC;&#x2122;s 3D4M program under Mark Zirpel, Ame Mcneel, Akio Takamori, Doug Jeck, and Jamie Walker. She resides and is a professional glass blower in Seattle. Natasha Kuring: natashakuring@gmail.com

3042 - Nick Davis

Threads 22 x 7 x 5 inches Not signed - 2011 Glass and steel

$1,500 Nick Davis graduated from Emporia State University with a B.F.A. degree and has worked as an artist, assistant teacher, fabricator and production glassblower. His work focuses on using human anatomy in unusual ways with the aim of provoking ideas, emotions, and sometimes confusion. Davis has attended Pilchuck Glass School as a Poleturner and served as staff since 2005. Nick Davis: big_navis@yahoo.com

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3044 - Kazuki Takizawa

Dreamer 3043 - Nadege Desgenetez

Fluffies: Sheep 3 x 6 x 4.25 inches Signed - 2007 Blown glass

$1,500 Adapting and distilling the forms of mundane, every day objects such as cotton swabs and matches, Nadege Desgenétez creates sleek, graphic work that, paradoxically, evokes a sense of physical closeness and fragility. “I am interested in exploring ideas about relationships, love and space between people,” says Desgenétez. “I also want to consider our connection to the sense of touch in an abstract way, sometimes playing on the tensions that lie within the anticipation of touch… In a time when our society is dissociating from physical activity, when the culture of the body is becoming more cosmetic than practical, I want to celebrate the vital power of our senses. I want to celebrate our ability and desire to touch and to feel.” Traver Gallery: traver@travergallery.com www.travergallery.com

10 x 20 x 20 inches Signed - 2011 Blown glass, 1,000 paper cranes

$1,900 Kazuki Takizawa graduated from the University of Hawaii at Manoa with high honors in 2009. He received several scholarships and fellowships including one to attend Pilchuck Glass School in 2007. In June 2011, he assisted in the demonstration by Edward Clark at the Seattle Glass Art Society Conference. Takizawa is a Japanese national born and raised in Hong Kong. His recent glasswork takes its form as a shell-like container, and is a representation of different human emotions. His work has been exhibited at the Museum of Contemporary Craft in Portland, Oregon, and numerous exhibitions in Hawaii. Kazuki Takizawa: info@kazukitakizawa.com ww.kazukitakizawa.com

3045 - Alix Cannon

Nimbus 10.25 x 9.25 x 9.5 inches Signed - 2011 Blown glass

$1,600 UrbanGlass in Brooklyn gave Alix Cannon her entry into the amazing world of glassblowing. She has since moved to Seattle and immersed herself in glass art, dedicating her time to discovering and investigating the techniques, styles, and processes that make glass unique and limitless. Nimbus represents Cannon’s growing understanding of and love for glass. Alix Cannon: alix.a.cannon@gmail.com, www.alixcannonglass.com

3047 - Helen Rudy 3046 - Patricia Davidson

Door of My Heart 12.5 x 10.5 x 6 inches Signed - 2010 Sculpted hot glass

$1,500 Patricia Davidson received her M.F.A. degree from the University of Illinois in 2001 and has worked in the Seattle glass community for twenty years. She was a gaffer for Dale Chihuly and a teacher, emerging artist in residence, and staff member at Pilchuck Glass School. Davidson has conducted international workshops and received several scholarships and residencies. She exhibits her work nationally and internationally. Davidson is the newest member of Lino Tagliapietra’s team and runs a glass program at Wilson High School in Tacoma. Patricia Davidson: peppermintd@hotmail.com pdavidsonglass.com

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Mzunga Rangi

3048 - Cheri O’Brien

9 x 11 x 22 inches Signed - 2011 Kiln-formed glass

The Peaceable Dog Kingdom I

$1,500 Helen Rudy has an economics degree and has worked as a construction manager for twenty years. She is now a full-time glass artist. Rudy is self-taught, but has attended Pilchuck Glass School on two occasions. Her work is shown in the Pismo Galleries and other selected galleries in the United States. Mzunga Rangi is from a new series experimenting with light, color and layering effects. Helen Rudy: helen@helenrudyglass.com www.helenrudyglass.com

15.5 x 7 inches Signed - 2011 Blown glass, enamel

$1,400 Cheri O’Brien is a Pacific Northwest native residing in Lowell, Washington. She is a selftaught artist working in gouache, oil and papiermâché. Her latest work includes glass enamel paintings and fused, painted, stained glass. Her work explores beauty in humor, or humor in beauty. O’Brien’s work is in numerous public and private collections including the Washington State Arts Commission and the Fred Hutchinson Cancer Research Center. In 2009, she received a public art commission for Swift Bus Rapid Transit stations on Highway 99. Cheri O’Brien: place4art@yahoo.com www.cheriobrien.com

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3053 - Anna Skibska

Heart for Pilchuck 18 x 23 x 7 inches Signed - 2011 Flameworked glass

$1,900

3051 - Kathleen Frugé-Brown

Path Through the Woods, April 13 x 31 x 1 inches Signed - 2009 Vitreous enamel on steel

$1,200 3050 - Misao Tsukida

Nike 3049 - Ryan Kells

Esoteric Rupture 22 x 8 x 3 inches Signed - 2008 Blown glass

$2,000 Ryan Kells has been blowing glass for nine years in Seattle. He grew up in the San Francisco Bay Area before moving to Washington state in 2001. He attended Pilchuck Glass School in 2005 and participated as a poleturner in 2006. Ryan Kells: rnkells@gmail.com

7.9 x 13.8 x 4.7 inches Signed Pâte de verre

$2,000 Misao Tsukida was a photojournalist in Japan and moved to Paris in 1991 to learn the pâte de verre technique. She assisted Richard Price, a glass artist in Amsterdam, in 1994 and 1995. She has lived and worked in Normadie since 1998. Misao Tsukida: misao.tsukida@wanadoo.fr

Kathleen Frugé-Brown, a painter and public artist, was a 2009 Hauberg Fellow at Pilchuck Glass School. Her work is held in many collections including those of the State of Washington, the Tacoma Art Museum, the City of Seattle, and Microsoft. Her public commissions are sited in schools, libraries, and municipal buildings throughout the Pacific Northwest. Path Through the Woods, April is a working study for a large vitreous enamel piece commissioned in 2009. Kathleen Frugé-Brown: kfrugebrown@yahoo.com www.kathleenfrugebrown.com

3052 - Katherine Gray

Cordy Tabletopiary 18 x 9.5 inches Signed - 2008 Blown glass

$2,000 Katherine Gray graduated from Ontario College of Art and Design in Toronto, and received her M.F.A. degree from Rhode Island School of Design. She has been a student, teaching assistant, gaffer and instructor at Pilchuck Glass School, and is a member of the school’s Board of Trustees. Currently, she serves as co-chair of the Artistic Program Advisory Committee. Her work can be seen at See Line Gallery in West Hollywood, and in a two-person exhibition this fall at Raid Projects in Los Angeles, where she lives. She is an associate professor in the art department at California State University, San Bernardino. Katherine Gray: kgraysquero@hotmail.com www.katherine-gray.com

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The artist Anna Skibska has not only invented a powerful style, but she has pursued its possibilities with courageous wit and a range of aesthetic programs that never fall short of brilliant. Skibska’s glass matrix fascinates. She produces her pieces by using a torch to stretch and bend slender glass canes into delicate sculptures. The style immediately draws natural forms to mind - spider webs, crystals, honeycombs, and so on. With Skibska’s spiritedly romantic mind and academic educations, the matrices grow into forms that mingle poetically and thoughtfully with the world. Skibska’s forms often allude to materials radically different than her delicate glasswork - a tower, a door, a window or event a stone. The irony is beautiful and because it lacks any hint of heavyhandedness it is intelligent and alluring. Anna Skibska: annaskibska@annaskibska.com www.annaskibska.com

3054 - Mitchell Gaudet and Erica Larkin Gaudet

Stigmata 4 x 6 x 14 inches Signed - 2011 Cast glass, steel sulphide

$1,500 Mitchell Gaudet lives and works in New Orleans where he also heads Studio Inferno, a glass facility and artists’ studios. He draws on the city’s rich history for his internationally exhibited artwork. Gaudet’s recent work of public art, Deepwater Horizon Response, raises awareness of, and invites public response to, the BP Gulf oil spill. He has a B.F.A. degree from Louisiana State University and a M.F.A. degree from Tulane University. Gaudet has taught at Pilchuck Glass School many times and at BildWerk Frauenau, Germany, Penland School of Crafts, and UrbanGlass. Erica Larkin completed her B.A. degree in sculpture at Loyola University. Shortly after graduation, she founded Toulouse Street Studio, a custom metal-sculpting studio specializing in fine art and furniture, where she taught and offered apprenticeships. Now operating as Erica Larkin Studio, Larkin creates designs for both private and public spaces using metal and cast-glass components. She has created a line of iron beds, tables, lighting, and chandeliers with designer Dionne Bloemer. Mitchell Gaudet: mitchellxxx@cox.net

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3059 - Jonathan Yao

Black Dragon on Cloud 15 x 14 x 6 inches Signed - 2011 Hot-sculpted glass

3056 - Brent Sommerhauser

Ripple 10.5 x 10.5 x 2 inches Signed - 2011 Carved pencils

$1,600

3055 - Weston Lambert

Purple Haze 10 x 4 x 3 inches Signed - 2010 Cast, coldworked, laminated glass

$1,400 Originally from Bellingham, Washington, Weston Lambert received his undergraduate degree from the University of Hawaii at Manoa with highest honors. He is currently enrolled as a M.F.A. candidate at Tulane University. Weston has attended Pilchuck Glass School as a scholarship student and as a teaching assistant. He has also received scholarships to attend the Glass Furnace in Istanbul, Turkey, and Anderson Ranch. Weston Lambert: westonlambert@gmail.com www.westonlambert.com

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Brent Sommerhauser has created eight solo exhibitions in the last decade, while participating in invitational and group exhibitions within the United States and abroad. He received his M.F.A. degree from Ohio State University and has taught at Pilchuck Glass School, the College for Creative Studies, Kansas City Art Institute, and the University of Nevada, Las Vegas. His sculpture was included in the 2004 Windsor Biennial and was selected for New Glass Review 26. Sommerhauser attended Pilchuck in 2011 as the recipient of the George and Dorothy Saxe Award and was selected by the Nevada Arts Council to receive a 2012 Fellowship Award. Brent Sommerhauser: brentsommerhauser@gmail.com www.brentsommerhauser.com

$1,800 Jonathan Yao began his glass adventure at Punahou High School in Hawaii. He then moved to the San Francisco Bay Area to continue his education recently earning his M.F.A. degree from San Jose State University. Black Dragon on Cloud is the beginning of a new series of work inspired by his trip to China.

3057 - Osamu Noda

Niijima Sea Form Set 9.4 x 16 x 10 inches Signed - 2011 Hand-sculpted, Niijima green glass

$1,800 Niijima glass, which is made from rhyolite (Niijima’s natural resource), is lustrous, olivecolored glass that conveys a feeling of warmth and expresses the area’s wind and light. Osamu Noda is a graduate of Tama Art University, where he studied product design and glass. He has since continued his education at the graduate school of Illinois State University and at Pilchuck Glass School. He is a co-founder of the Niijima Glass Society and the Niijima Glass Art Center and has been serving as the director of both operations. Noda participated at Pilchuck as a teaching assistant and instructor and is now on Pilchuck’s International Council. In 1998, he received the grand prize for Japan Craft at the Japanese Craft Exhibition. Osamu Noda: noda@niijimaglass.com www.niijimaglass.com

Jonathan Yao: jonathanyaoart@hotmail.com www.jonathanyaoart.com

3058 - Waine Ryzak

Captured 17.75 x 10 x 10 inches Signed - 2011 Mold cast, blown glass

$1,500 Following twelve months of post graduate studies in painting and lithography in Mexico, Waine Ryzak began working with several fineart glass technologies in the early 1970s. After attending a conference on art glass in Dublin, she was part of the pioneering developments in contemporary glass ideas, design and technologies at Pilchuck Glass School. Ryzak’s new sculptures of archetypal forms reflect her interest in the biophilia hypothesis, the suggestion that there is a natural link between human beings and other living systems in her contribution to a new human (and humane) consciousness. Ryzak’s new glass sculptures reflect two of her deepest concerns—her affinity for the life rhythms of nature as a metaphor of a pre-human spirituality, and her art practice as a metaphor of her continually striving for wisdom and knowledge she can share with others through her art. Waine Ryzak: waineryzak@shaw.ca

3060 - Lucy Puls

Untitled 6.5 x 6 x 6 inches Not signed - 2009 Mold-blown glass

$1,650 Lucy Puls received her M.F.A. degree from Rhode Island School of Design. Her work is represented in numerous collections including the San Francisco Museum of Modern Art, the Oakland Museum, the Achenbach Foundation for Graphic Arts, and the Jewish Museum in New York. Puls is a professor of art at the University of California, Davis, and is represented by Electric Works in San Francisco. Electric Works: noah@sfelectricworks.com www.sfelectricworks.com

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3062 - Jen Blazina

Untitled 8 x 5 x 1 inches Signed - 2011 Cast glass, screenprinting, steel

$600 Jen Blazina received her M.F.A. degree in printmaking from Cranbrook Academy of Art, her B.A. degree from Sarah Lawerence College in New York, and her B.F.A. degree, cum laude, from the State University of New York at Purchase College. Blazina has received numeous residencies and grants including the National Endowment for the Arts, the Creative Glass Center of America’s Residency Fellowship, the Leeway Foundation Grant, and the Independence Foundation Grant. She resides and has a studio in Philadelphia, Pennsylvania where she is a working artist exhibiting her work in solo and group shows nationally and internationally.

3061 - Scott Benefield

Islands 11 x 8 x 4 inches Signed - 2010 Blown glass

$1,000 Scott Benefield first attended Pilchuck Glass School as a scholarship student twentyfive years ago and returned this year as an instructor. He was awarded an Honorary Lifetime Membership by the Glass Art Society at their annual conference in Seattle in 2011. He currently makes his home and maintains a studio in Northern Ireland. Scott Benefield: isolaglass@gmail.com www.scottbenefield.com

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Jen Blazina: jenblazinaart@gmail.com www.jenblazina.com

3063 - Phillip Bandura

Wilsland Grizzly Bear with Cub Rocket 17 x 7.5 x 7.5 inches Signed - 2011 Blown glass, mixed media

$1,200 Phillip Bandura is a third-generation Calgarian. He graduated from the Alberta College of Art and Design glass program in 2005 with distinction. After graduation he co-founded Bee Kingdom Art Collective with Tim Belliveau and Ryan Fairweather. Bandura has shown in galleries worldwide, from Canada to South Korea, and from Seattle to Berlin. In 2010, Bee Kingdom was awarded a prestigious emerging artist award by the Lt. Governor of Alberta and was included in Calgary’s Avenue Magazine, Top 40 under 40. In 2011 Bandura has been helping to launch Berlin Glas e.V., a non-profit glass studio in the heart of Berlin. Common themes present in his art are the ideas of play, politics and light-hearted satire. Phillip Bandura: phillip@beekingdom.ca www.phillipbandura.com

We were such a ragamuffin group of people, some of the houses were made out of plastic, old surplus tents—we had some good ones like Buster’s—but John Hauberg saw something in it that made sense to him. He often said that it was the most important project that he ever developed. Dale Chihuly, from the 40th Anniversary Pilchuck Glass School reunion

4005 - Lisa Zerkowitz

Autumn’s Gold

4001 - Deryk Houston

10 x 8 x 7 inches Signed - 2008 Blown, kiln-cast glass

The Reference Points of Life 72 x 11 x 3 inches Signed - 2011 Acrylic paint, canvas

$2,500 Deryk Houston has had solo exhibitions in the former Soviet Union, Iraq, Scotland, the United States, and Canada. Houston is the subject of From Baghdad to Peace Country a documentary produced by the National Film Board of Canada. Houston’s work is held in private and public collections, including the Canadian War Museum in Ottawa, Canada. Artworks Gallery: www.artworksbc.com Deryk Houston: www.derykhouston.com

$3,000 Dive 8 x 12 x 4 inches Signed - 2010 Blown glass. baking soda

$2,200 Theodora Jonsson’s most current work was exhibited in a solo show at the Museum of Northwest Art this past winter. The exhibit spoke of the remnants or presence memory leaves in bone and connective tissues. Using digital patterns to visualize mysterious underwater calls of cetaceans, she etches and paints the patterns onto blown glass forms inspired by stories of human migration and biology. This series of blown whalebones was made with artists Dick Marquis, Brian Pike, Jean Brennan, and Katrina Hude on Whidbey Island during 2010. Theodora Jonsson: art@theodora.cc www.theodora.cc photo: Theodora Jonsson

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Lisa Zerkowitz received her Master’s degree in art education from the Rhode Island School of Design while simultaneously completing the undergraduate program in glass. She has a Bachelor’s degree in printmaking from the University of California, Santa Barbara. Lisa has been included in several Northwest group exhibitions at museums such as the Bellevue Arts Museum, Tacoma Art Museum, and Museum of Northwest Art. She has been a student, teaching assistant, artist assistant, emerging artist in residence and instructor at Pilchuck Glass School. She currently lives and works in Seattle.

4002 - Theodora Jonsson

Lisa Zerkowitz: lisa@lisazerkowitz.com www.lisazerkowitz.com

4003 - Anna Boothe

Lip Wrap

Photo: Mike Seidl

4.5 x 6.25 inches Signed - 2011 Kiln-cast lead crystal, coldworked

$3,500

4006 - Daniel Joseph Friday 4004 - Vernon Brejcha

Anna Boothe has worked with glass since 1980. She holds sculpture and glass degrees from the Rhode Island School of Design and Tyler School of Art. After graduate school, she served as a member of the Tyler Glass Program faculty for sixteen years. From 2003-2007, Boothe chaired and helped to institute the Glass Art Degree Program at Salem Community College in southern New Jersey, where she also chaired the International Flameworking Conference. She lectures and presents workshops on kilncasting regularly. She has taught at Rochester Institute of Technology, University of the Arts, Pilchuck Glass School, the Studio of the Corning Museum of Glass, Urban Glass and the Pittsburg Glass Center, as well as schools in Switzerland, Belgium, Turkey and Japan. Her kiln-cast work is in the collection of the Corning Museum of Glass and in numerous private collections. From 1998-2006, she served on the Glass Art Society Board of Directors , the last two years as president. Currently, Boothe is a free-lance artist and resides outside of Philadelphia.

Vernon Brejcha started in glass with Harvey Littleton at University of Wisconsin in Madison. Considered one of the founders of modern glass, he first taught in Tennessee and then at the University of Kansas for twenty-six years. Brechja’s work is in more than fifty museums and hundreds of private and corporate collections around the world, including Corning Museum of Glass in New York, Kunstmuseum Dusseldorf in Germany, Los Angeles County Museum, Museum of Decorative Arts in Prague, and Sasaki Museum in Tokyo.

Anna Boothe: annaboothe@verizon.net www.annaboothe.com

Strecker-Nelson Gallery: gallery@kansas.net www.strecker-nelsongallery.com

Photo: Rick Echelmeyer

Warm Summer Rain, Post from the Memory Fenceline 25 x 7 x 5 inches Signed - 1987 Blown glass

$5,500

Owl 14 X 4.5 X 4.5 inches Signed - 2010 Hot-sculpted glass

$2,500 Seattle native Daniel Friday is the founder of Friday Glass in Seattle’s historic Fremont District. He has worked with many renowned artists and has participated at Pilchuck Glass School for the past fourteen years. Friday’s work is in both national and international collections. Daniel Joseph Friday: fridayglass@yahoo.com www.fridayglass.com

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4012 - Amy Rueffert

Patchwork Teardrop (The Hunt) 12 x 7 x 7 inches Signed - 2008 Blown glass, vitrolite, decals, found glass

4010 - Eddie Bernard 4008 - Jason B. Gamrath

I is for Icicle

Botanical Exotica (Reflection)

14 x 8 x 5 x inches Signed - 2006 Hot-sculpted glass

20 x 24 x 14 inches Signed - 2011 Hot-sculpted glass

$1,800

$3,200 6.75 x 11.25 x 3.5 inches Signed - 2010 Blown, cast, cold-worked glass

Jason Gamrath began blowing glass at the age of sixteen. Now twenty-four, he has spent six years studying under Randy Walker and four years with Karen Willenbrink-Johnsen and Jasen Johnsen. Gamrath currently resides in North Seattle where he is dedicated to creating his own artwork.

$2,700

Jason B. Gamrath: seattleglasscreation@hotmail.com www.jasongamrathglass.com

4007 - Laura L. Goodwin

Tre Sorelle

Laura Goodwin received a B.A. degree in studio art and ceramics from Scripps College in California in the 1970s. While attending Scripps College she spent two years studying in Perugia, Italy, and received a Certificate of Proficiency in the Italian language. She became interested in glass and apprenticed for several years with master craftsman Craig Zweifel of Idaho. She attended Pilchuck Glass School for several sessions over three summers. After leaving Idaho she received a M.S. degree in art education and teacher’s certification in art K-12 from Southern Connecticut State University. Subsequently she received a M.F.A. degree in glass from Southern Illinois University in 1995, after which she attended the Penland School of Crafts. In the fall of 1995, she moved to Santa Fe, New Mexico, to work as an artist assistant for Flo Perkins. She has run the Nambe Glass Studio since 2000.

$3,750

4009 - Megumi Esaki

Awake 8.6 x 15 x 6 inches Signed - 2011 Cast glass

$2,500 Megumi Esaki is currently an independent artist living in Japan. She was an emerging artist in residence at Pilchuck Glass School in 2003 and artist in residence at Creative Glass Center of America in 2001. In her current work, Esaki refrences flower images from fairy tales and present day with delicate casting glass works. Megumi Esaki: megumiesaki@hotmail.com

Eddie Bernard is an artist, designer, and founder/ owner of Wet Dog Glass, LLC; a small firm that designs and builds glassmaking equipment and studios for clients worldwide. He has taught intensive workshops on glassblowing, hot sculpting, mixed media, and equipment building at Pilchuck Glass School, Penland School for Crafts, and Pratt Fine Arts Center. Bernard has lectured and moderated discussions at numerous universities as well as the Glass Art Society Conference. He has served as a board member for the Glass Art Society, New Orleans Creative Glass Institute, and Craft Emergency Relief Fund (CERF+). Eddie Bernard: eddie@wetdogglass.com www.ebernard.com

4011 - Michiko Sakano

Untitled 8 x 9.25 inches Not signed - 2010 Blown glass, steel

Amy Rueffert has worked in glass since 1994. She earned her B.F.A. degree from Massachusetts College of Art and her M.F.A. degree at Mills College in Oakland, where she studied with Ron Nagle. Her work is included in the collections of the Corning Museum of Glass, the Museum of Glass, Tacoma, and the Arkansas Art Center. Rueffert’s work has been recognized in New Glass Review and she was awarded a merit prize in the Elizabeth R. Rafael Founder’s Exhibition. She has taught at The Studio at the Corning Museum of Glass, Pilchuck Glass School, The Glass Lab at Massachusetts Institute of Technology, and Haystack Mountain School of Crafts. She currently lectures in ceramics at the University of Illinois, Urbana-Champaign. Traver Gallery: traver@travergallery.com www.travergallery.com

$800 Michiko Sakano was born in Japan and came to the United States when she was nineteen. She earned her B.F.A. degree from Syracuse University and her M.F.A degree from Massachusetts College of Art and Design. Sakano has created chandeliers and other lighting pieces for Isadore Design, commissions for Jorge Pardo and the Lindsey Adelman Studio, and has been represented at Clio. She has taught at the Cleveland Institute of Art, Massachusetts Institute of Technology, and Penland School of Crafts. Sakano is influenced by kitsch in Japanese and American cultures, the colors and materials of the 1970s, and the family business of kimono-making. She currently works out of her studio in Brooklyn. Michiko Sakano: michiko@michikosakano.com www.michikosakano.com

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4014 - Raven Skyriver

Trickster 12 x 10 x 12 inches Signed - 2011 Off-hand sculpted, carved glass

4017 - David Kerr

Fantasy

$4,400

2 x 17.5 x 17.5 inches Signed - 2011 Hot-worked, fused, kiln-formed, coldworked glass

Born in 1982, Raven Skyriver began blowing glass in high school at the age of sixteen. His mentor, Lark Dalton, taught him how to build glass blowing equipment, and trained him in venetian techniques, enabling him to build his own shop. He joined the William Morris team at Karen Willenbrink-Johnsen’s request. He remained part of the team for the following seven years, learning sculptural glass. Since William Morris’ retirement, Skyriver has continued to focus on sculpture. His depictions of marine life are inspired by his island upbringing, and informed by the creatures that inhabit this fragile ecosystem.

$2,400 For thirty-seven years, Oregon artist David Kerr made and restored violins. He turned to glass seeking more freedom of expression. Along with his love of technique, form and design, Kerr is inspired by fine art. His current work is influenced by Friedenreich Hundertwasser, Gustav Klimt and Victor Vasarely. Matzke Fine Art: matzke@camano.net www.matzkefineart.com

Stonington Gallery: art@stoningtongallery.com www.stoningtongallery.com

4015 - Jeremy Newman and Allison Ciancibelli 4013 - Becky Fletcher

Birch Coil 35 x 24 x .5 inches Signed - 2000 Water-jet cut glass, enamels

$2,400 Birch Coil is one of a series of turbulent shapes by which Becky Fletcher continues to be intrigued. She was originally trained as an illustrator at the Art Institute of Boston, then with a move to northern California she fell into a career of commissioned work in painted and stained glass. The Skagit Valley has been her home since 1984 where she also paints in oils. But whatever the medium, she works “to make present, to represent some vital element, a rhythm, a contrast, a contour,” in a gesture toward the restlessness of being and becoming, ever in progress. Becky Fletcher: bfletch@wavecable.com Photo: Becky Fletcher

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Succession 16 x 13 x 6 inches Signed - 2011 Blown, carved, etched glass

$2,400 Jeremy Newman and Allison Ciancibelli are a husband and wife team who has been collaboratively designing and creating blown glass since 2001. Their work is inspired by the natural world and how people relate to nature. Their work can be found in public and private collections and the Newark Museum of Art. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

4016 - Hilal Hibri

Glacial Ocean 14 x 8 x 2.5 inches Signed - 2011 Cast, polished glass

$2,250 Hilal Hibri’s art is elegance crystallized. He is driven by a cosmic itch to distill the underlying vitality of nature into tangible objects that are uniquely beautiful. Seduced by the unpredictable journey of creation, he does not attempt to “conquer” his medium. Instead, his sculpting unfolds itself to him through a spontaneous process that could be called “Zen sculpting.” Hilal follows streams of energy, gleaned from the nature of his sculpting material, to their logical end points, creating curves and sinews. Using innovative sculpting techniques and “found tools” he has evolved the tedious processes of glass casting to become more immediate and direct. His pioneering style infuses classic sculpture with the efficiencies and capabilities of digital art. Hilal’s pieces provide a momentary meditation as the eye passes over bubbles and colors frozen in time. Through this, he freezes grace. He makes the moment ornate. Kati Hibri: kati@hibriglass.com www.hibriglass.com

4018 - Kazuki Takizawa

Assembled Reflections 23 x 10 x 10 inches Signed - 2011 Hot-sculpted glass

$2,100 Kazuki Takizawa graduated from the University of Hawaii at Manoa with high honors in 2009. He received several scholarships and fellowships including one to attend Pilchuck Glass School in 2007. In June 2011, he assisted in the demonstration by Edward Clark at the Seattle Glass Art Society Conference. Takizawa is a Japanese national born and raised in Hong Kong. His recent glasswork takes its form as a shell-like container and is a representation of different human emotions. His work has been exhibited at the Museum of Contemporary Craft in Portland, Oregon, and numerous exhibitions in Hawaii. Kazuki Takizawa: info@kazukitakizawa.com www.kazukitakizawa.com

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4020 - Merrilee Moore

Pompei Playground Blue Lagoon Series

28 X 8.5 X 4.5 inches Signed - 2010 Blown, cast glass

$2,800 In her fifteen-year glass career, Merrilee Moore has studied at Pilchuck Glass School and taught at Pratt Fine Arts Center. Her artwork has been featured in several solo exhibitions in Seattle’s Foster/White Gallery as well as the Museum of Northwest Art. She has been honored as the Arts Council of Snohomish County’s 2009 Artist of the Year, winner of the “People’s Choice” Art Without Walls of Lake Oswego, and featured in several sculpture shows, including the Bellevue Sculpture Exhibition Moore’s work is included in the private collections of Sir Elton John, Ann Getty, and Shaquille O’Neal.

4023 - Jim Vollmer

Patches with Stripes 16 x 18 x 4 inches Signed - 2008 Fused glass, metal stand

$2,700 Through his twenty-four years of fusing glass, Jim Vollmer found that glass runs the range of style and design from “less is more” to “God is in the details.” He chooses to follow the latter. Detail of design, detail of surface texture, and detail in visual effects are what dominate his fusing. His latest work, Tapestry, takes the use of a stringer in a more complex direction. By creating pattern bars with the stringer, slicing, assembling and fusing them, Vollmer utilizes the optic qualities to create a pointillist effect.

Foster/White Gallery: seattle@fosterwhite.com www.fosterwhite.com

4019 - Susan Holland Reed and Kelly Sherman

Purkinje Plates 18.5 x 18.5 x 3 inches Signed Fused, hotworked glass

$2,200 Susan Holland Reed holds B.F.A. and M.F.A. degrees from Rhode Island School of Design (RISD). She was introduced to glass in 1970 by Fritz Dreisbach and Kent Ipsen at the Art Institute of Chicago. She has taught four times at Pilchuck Glass School and has served as a teaching assistant, attended as a student, and volunteered. She has been a Tiffany Award nominee, two time RISD Award of Excellence recipient, museum, gallery, and SOFA exhibitor. Susan Holland Reed: solarswimming@yahoo.com

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4021 - Marco Romero and Debora Gurman

Principe Azul (Blue Prince) 25.5 X 39 X 4 inches Signed - 2011 Fused-glass painting with light technique

$10,000 Debora Gurman, originally from Argentina and Marco Romero, originally from Mexico City, have been working together since 2000. Gurman studied art at the Belgrano Art School in Buenos Aires. Romero has been a part of the Pilchuck Glass School, serving as a teacher’s assistant for Narcissus Quagliata in 1999 and 2000. Gurman and Romero have a glass school in Mexico City and teach workshops in Central and South America on fused glass, mold making, lost wax casting, and promote glass as an art medium. They exhibit their work nationally and internationally. They have also developed an artistic glass jewelry line that they sell internationally. Marco Romero: info@romerogurman.com www.romerogurman.com

4022 - James Anderegg

Expecting 19 x 10 x 7.5 inches Signed - 2011 Diamond wheel-engraved glass

$4,200 James Anderegg has been working with glass since 2001. He has worked with and studied under numerous notable artists, including Clare Belfrage, Paul Cunningham, Greg Dietrich, Jen Elek, James Nowak, Brian Rubino and Davide Salvadore. Anderegg is interested primarily in working in the hot shop, using traditional cameo and graal techniques to create contemporary sculptures. He lives and works in the Seattle area. James Anderegg: jimmyra@q.com www.andereggglass.com

Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

4024 - John W. Reed

Water Jar Zen Series

18 x 12 inches Signed - 2004 Raku glass, Rabbit hare glaze

$3,000 John Reed received a B.F.A. degree in sculpture and a M.S. degree in interior design at Oklahoma State University. He began his career as an assistant professor of interior design at the University of Alberta in Canada. After studying glass at Alberta College of Art, Archie Bray Foundation, Pilchuck Glass School, and Rhode Island School of Design, he was hired full time by Pilchuck as the director of campus operations in 1979. Reed feels that his greatest accomplishment to the studio glass movement has been his work at Pilchuck, where he has directed the building of the campus, its studios, equipment, and operation of the summer programs. He continues to blow glass focusing his work around tea bowls, water jars, and vessels following the “Zen aesthetic.” He maintains the Zen maxim that “It’s not the perfection of an object that attracts us, but the imperfections inherent to the object that gives it its unique character.” John W. Reed: jreed@pilchuck.com

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4029 - Peter Wright

4026 - Nives Marcassoli

Blue Gray Amethyst Ladder

Balances

17.25 x 7.75 x 3.75 inches Signed - 2009 Blown, sculpted glass

16.1 x 15.7 x 4.3 inches Signed - 2011 Fused, cast, hot-worked glass, steel

$2,800

$7,000

Standing Elk Man II

Nives Marcassoli was born in Ranica, Italy where she obtained her diploma in fashion design. During the 1990s, she was introduced to the world of glass, and began making decorative glass panes and decorations for interiors. She continued to study glass fusing techniques and worked with numerous artists - in 1992 with the Swiss artist Jirg Kleiner and from 1994 on with the Italo-Argentinian Miriam Di Fiore. In 2005, she participated in a residential class in hot-cast glass, taught by Mitchell Gaudet, at Pilchuck Glass School. In 2010 her sculpture, GICHI SOSPESI (Suspended Games), was placed inside the Nuovo Centro Culturale “Roberto Gritti” in Ranica. This work presents Marcassoli’s insight on infancy, game and child labor in the last century and nowadays. The study of drawing and picture joins the experience in glassfusing, light painting and hot shop creating the technique “fused cast glass hot-worked” as named by Marcassoli herself.

40 x 26 inches Signed - 2009 Pastel, charcoal, graphite on paper

Nives Marcassoli: info@ivetridinives.com www.nivesmarcassoli.com

4025 - Rick Bartow

$5,000 A wide range of cultural experiences inspire Rick Bartow’s drawings, paintings, sculpture, and prints. Native American transformation myths are the heart of much of his work. Bartow lives and works on the Oregon coast, where he observes hawks, ravens, coyotes and eagles — the subjects that populate his artwork. He is a member of the Wiyot tribe from northwestern California. Froelick Gallery: info@froelickgallery.com www.froelickgallery.com

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4028 - Edison Osorio Zapata

Pantalla 7 x 17 x 23 inches Not signed - 2009 Blown, fused, slumped glass

$3,000 4027 - Pat Weyer

Red Rock Blue Bead 12.5 x 7.25 inches Signed - 2011 Blown glass, graal, four-color overlay, turquoise lip wrap

$2,200 Red Rock Blue Bead is from Pat Weyer’s most recent series of blown glass graal vessels. Through these vessels, the artist evokes the communitive power of picroglyphs carved in sandstone cliffs by the ancient Anasazi people of the American Southwest. Weyer earned her Ph.D. degree in visual and creative arts from Union Institute and University in Ohio. She is a three-time Corning Award nominee and recipient of the Alice Rooney Women in Glass Award. Lake Studio: patweyer@me.com

Edison Zapata was born in Venezuela. He has lived in Australia and Japan. As an artist he explores the area of failed communication, which has developed out of his various life experiences as an outsider assimilating to the cultural norms of his new location. He creates work that engages the viewer with mixed media and installations that capture the imprecise transfer of information between people from different walks of life. He is a recipient of numerous awards from the Creative Glass Centre of America, Wheaton Arts Fellowship, UrbanGlass’ Emerging Artist Fellowship, Pilchuck Glass School, North Lands’ Creative Glass Centre fellowship in Scotland, and most recently the Glass Art Society Emerging Artist Lecture Award. He currently lives and works in New York City. Edison Osorio Zapata www.edisonzapata.com photo: Rainer Hosch

Peter Wright’s work reflects a lifelong interest in native cultures around the world in the simple objects of everyday life, including tools and functional and ceremonial vessels. The ladders commonly seen in the Pueblos and Cliff Dwellings of the American Southwest inspired his Ladder series. Peter Wright: wrightpub@comcast.net www.wrightpublishing.com Photo: David Nufer

4030 - David Patchen

Foglio 25 x 12 x 5 inches Signed - 2011 Blown glass, murrini, zanfirico cane, switch axis

$5,200 David Patchen’s work is an intensive exploration of patterns and vivid colors created through the techniques of cane and murrine. With relatively simple shapes as canvases, he explores the degree of detail glass can resolve and the effect of different viscosities of molten glass and intricate patterns. In 2010, he was artist in residence in Seto City, Japan through an award by the Arts and Cultural Foundation. Patchen has previously studied at Pilchuck Glass School and in Murano, Italy. His work is in juried shows internationally and in many private and public collections. Twenty galleries represent his work in the United States and Europe. David Patchen: david@davidpatchen.com www.davidpatchen.com

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4032 - Jan Frydrych

4035 - Jen Violette

3D Clock

Two Peaches Still-Life

7.5 X 14 X 14 inches Signed - 2010 Hot-sculpted glass

$3,500

4031 - Gene H. Koss

Ridge Rood Silver Series II 16 x 12 x 5 inches Signed - 2011 Cast glass

$4,500 Gene Koss creates monumental works of glass, steel, and light, based on his memories of the mechanized Wisconsin farm of his youth. After obtaining his M.F.A. degree from Tyler School of Art, Koss started the glass program at Tulane University, where he is currently a professor. He has received many honors, including a National Endowment for the Arts grant, the New Orleans Community Arts Award, and Pace Willson Art Foundation grants. His work is included in numerous private collections and has been displayed in museums and galleries throughout the United States and internationally. Koss is represented by Arthur Roger Gallery in New Orleans. Arthur Roger Gallery: www.arthurrogergallery.com

Jan Frydrych combines traditional coldworking techniques with industry practices. He laminated clear and colored optical glass creating multifaceted sculptures with illusory inner architectural spaces that explore light, depth, and form. Frydrych lives and works in Sˇluknov, Czech Republic, and has taught in schools as well as conducted workshops in the Czech Republic, France, Japan and the United States. His work is in galleries and architectural sites such as Winchester Cathedral in Great Britain and the Station Underground in the Czech Republic. Jan Frydrych: janfrydrych@volny.cz

4034 – Charles Cohan

Tahoma 38 X 27.5 inches Signed - 2010 Screenprint on paper

$1,000

4033 - Granite Calimpong

Untitled 18 X 7.5 X 7.5 inches Signed - 2011 Blown, carved glass

$1,800 Growing up the son of a potter in northern California, Granite Calimpong’s hands were covered in clay long before discovering glass. He graduated with a degree in interdisciplinary computing in the arts from University of California, San Diego, where he was first introduced to glass. The draw to the material and process was immediate. Growing up in a household full of handmade objects he has fostered a lifelong connection to the subtleties of function and form through the scrutiny of everyday use, which has made a large impact on his practice as a glassmaker. When not working in glass you can find Granite fishing, throwing pots, firing his wood-fired pizza and bread oven, or musing about his next project. He currently lives and works in Seattle.

Charles Cohan’s solo exhibitions were presented at Curators Office in Washington D.C. in 2010 and 2008, Pyramid Atlantic in Maryland in 2008, Artlink Gallery in Seoul, Korea in 2007, the Biennial of Hawaii Artists at The Contemporary Museum in Honolulu in 2005, and 1708 Gallery in Richmond, Virginia in 2004. Cohan’s selected works have been presented in the NEXT Chicago, Scope New York, and Scope Miami/Art Basel Miami Beach international art fairs. Reviews of his solo exhibitions have been published in The Washington Post, Art Papers, Washington City Paper, National Geographic Intelligent Traveler, The Concord Monitor, Urbancode Magazine, DCArtnews, and the Richmond Times Dispatch. Cohan’s teaching residencies include the Whanganui Polytechnic in New Zealand, the University of Georgia Study Abroad Program, Pilchuck Glass School, Rochester Institute of Technology, Chicago Printmakers Collaborative Workshop, and the Pyramid Atlantic Arts Center. His recent awards include a U.S. Department of State Artist in Residency Research Grant for travel to Havana, Cuba and the commission of large-scale enamel ink on glass installation at the new Terminal 2 at the Raleigh/Durham International Airport. Charles Cohan: cohan@hawaii.edu

10.25 x 10.25 x 4 inches Signed - 2010 Hot-sculpted glass, stainless steel, mahogany

$1,700 Jen Violette’s recent series of fruit and vegetable still-life sculptures is inspired by her daily summer harvest from the generous gardens that surround her Vermont home and studio. Violette has been working with glass for twenty years and received her B.F.A. degree from Alfred University in 1994. She has studied with Lino Tagliapietra, William Morris, Dante Marioni, Richard Marquis, Pino Signoretto, Randy Walker and Karen Willenbrink-Johnsen while attending courses at the Rhode Island School of Design, Pilchuck Glass School, Haystack Mountain School of Crafts, the Studio at the Corning Museum of Glass, and Penland School of Crafts. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

4036 - Kelly O’Dell

Ammonite 11 x 5 x 3.5 inches Signed - 2011 Hot-sculpted glass

$1,400 Kelly O’Dell was raised in Kona, Hawaii, where her father built a glass studio in their home in 1979. Twenty years later, she graduated from the University of Hawaii with a B.F.A. degree in glass after studying with Rick Mills. O’Dell has worked with William Morris and continues to work at Pilchuck Glass School during the winter season. Aside from making her own artwork, she fabricates metal stands for other artists. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

Granite Calimpong: granitec@gmail.com

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4041 - Dolores Barrett

Pearl Reliquaries 2 x 1 x .75 inches Signed - 2011 Fused glass, pearls, vermeil chain

$1,250 4037 - Ben Sharp

Echo-Reflection 18 X 8 X 24 inches Signed - 2009 Blown, coldworked glass, steel

$3,500 Ben Sharp is a native of Gainesville, Florida. He began working as a scientific glassmaker in 1997, assisting in various projects, including a job for the National Aeronautics and Space Administration. In 1998, Sharp began working with hot glass and soon after worked in color production for Bullseye Glass Company in Portland, Oregon, equipment fabrication at Wet Dog Studios in New Orleans and the National Casting Center in Alfred, New York. He has taught at the Belmont Art Center in Florida, GoggleWorks, and The Studio at the Corning Museum of Glass. He received a B.F.A. degree from Alfred University in 2006 and is currently the glass studio technician at Pilchuck Glass School. Ben Sharp: bsharp@pilchuck.com www.thebensharp.com

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4040 - Holly Grace

Clearing 14 x 14 x 14 inches Signed - 2011 Blown glass

4038 - Nancy Klimley

Garden Bowl 3 x 9 inches Signed - 2011 Kiln-cast glass

$1,200 Nancy Klimley earned a B.F.A. degree from Syracuse University and a M.F.A. degree from the School of Visual Arts in New York. She has studied at Haystack Mountain School of Crafts, Pilchuck Glass School, and UrbanGlass. Klimley is a full-time artist, living and maintaining a studio in Bellingham, Washington. Nancy Klimley: nancyklimley@earthlink.net

4039 - Lynn Everett Read

Quilt 20 X 7 X 7 inches Signed - 2009 Blown glass

$1,500 Lynn Read has a B.F.A. degree in sculpture from the Maryland Institute College of Art. During college, Read began an apprenticeship with Anthony Caradetti. This experience encouraged him to follow a career in glassblowing. He has trained at Penland School of Crafts and Pratt Fine Arts Center. Along the way he received some awards including the Mary Shirley scholarship at Pratt Fine Arts Center and the Niche award for his goblet work in 2003. He has assisted Lino Tagliapietra at the Bullseye factory. In 2001 Read founded Vitreluxe Glass Works, a glass blowing studio offering custom made glass for architects, designers as well a production line signed Vitreluxe. His signature work is primarily murrini vessels. These detail oriented works are shown at Vetri International, Pismo, Oklahoma, and Museum of Contemporary Crafts. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com

$4,500 Holly Grace is currently based in Melbourne, Australia. Her work explores the Australian landscape and combines photography with blown glass forms. The artist’s recent exhibitions include venues such as SOFA Chicago, the Melbourne Art Fair, London Art Fair and Art Taidti. Grace has work in numerous collections: the National Gallery of Australia, the Art Gallery of Western Australia, Parliament House Art Collections, Artbank and the National Glass Collection of Australia. Holly Grace: mail@hollygrace.com www.hollygrace.com

Dolores Barrett has worked as a professional conductor, pianist and teacher since 1982. After discovering her penchant for visual arts in 1996, she developed her talent in porcelain portraiture, but was soon drawn to the intricacy and beauty of glass. Drawing from her experiences as a world traveler, nature enthusiast and astronomy buff, Dolores devoted herself to incorporating these motifs in glass for personal adornment. She was selected as a finalist in the 2004 Bullseye E-merge: WG@BE3, the Ignite invitational exhibition in 2006, was a scholarship recipient at Pilchuck Glass School in 2008, and is currently represented by several galleries nationwide. The Pearl Reliquaries neckpiece is an artwork inspired by the organic forms of the sea. With its removable clasp, each nesting component can be worn individually or enjoyed in any variety of groupings. Dolores Barrett: barrettart@verizon.net www.barrettart.net Photo: Dolores Barrett

4042 - Bernard D’Onofrio

Gourd vessel with Heliotrope lip wrap 26 x 16 x 16 inches Signed - 2010 Blown, sculpted glass

$6,800 Bernard D’Onofrio has been a recipient of numerous awards including a National Endowment of the Arts Visual Arts Fellowship, a Massachusetts Artist Fellowship and the Silver Prize Award in the Glass Kanazawa, Japan. His work has been included in more than 100 exhibitions internationally. He is also represented in numerous museums and private collections, including the Milwaukee Art Museum, the Pritzker Foundation and the Bronfman Collection. His work is characterized as colorfully expressive anthropomorphic bottle forms in still-life arrangements. He has been employed at Massachusetts College of Art since 1983 and continues to live and work in Millis, Massachusetts. D’Onofrio Studio: bdonofrio@massart.edu Photo: Bernard D’Onofrio

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4044 - Stan Price

Breach in the Net 3.25 x 17 inches Signed - 2011 Fused, painted, slumped glass, steel

$1,000

4043 - Carrie Grula

Black and White Retro Study #4 10 x 5.5 x 5.5 inches Signed - 2011 Blown glass

$1,100 Carrie Grula grew up outside of Philadelphia and began blowing glass at Bucks County Community College. She continued to pursue her glass studies at Rochester Institute of Technology and graduated with a B.F.A. degree in glass from Alfred University in 2007. Grula has been a member of Pilchuck Glass School summer staff, an annual auction intern and a member of the Poleturners Union, Local 1201 in 2009 and 2010. She lives and works in Seattle. Vetri International Glass: vetri@vetriglass.com www.vetriglass.com Photo: Lumina Studios/Dan Fox

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Stan Price received a B.F.A. degree from Pacific Lutheran University and a M.A. degree from Central Washington University. Glass quickly became his favorite artistic medium. Price served in several positions at Pilchuck Glass School including teaching assistant, caretaker, and purchasing agent from 1974-1979. In 1979 he opened Covenant Art Glass, a retail glass store, and has been teaching and producing art glass in Snohomish County ever since. In 2006, he was honored as Artist of the Year for Snohomish County. Schack Art Center: ccollver@schack.org

4045 - Laurel M. Hagner

Grace 11 X 15.5 X 6.5 inches Signed - 2007 Cast glass

$7,500 Laurel Marie Hagner is the owner of Glassometry Studios, a glass and metal sculpture studio located in Hood River, Oregon. She received her B.F.A. degree cum laude from Northern Kentucky University in 2000 and attended Penland School of Crafts, Pilchuck Glass School, and Centro Studio Vetro in Venice, Italy. She has taught glass and metal sculpture classes at Pratt Fine Arts Center, The Pacific Northwest College of Art, Brookfield Craft Center, The Art Academy of Cincinnati, Louisville Glassworks, Glass Axis, and was the Chair of the Glass Program at Chemeketa Community College in Salem, Oregon. From 2003-2005 she was the head of the Special Projects Department at Savoy Studios in Portland, Oregon where she honed her skill in large scale architectural glass production. She has completed numerous private and public commissions around the country and continues to break ground with her own artwork. Hagner’s mission as an artist is to continuously evolve not only as a craftsperson, but also as one who is sharing ideas and opportunities of expression with the community. In the midst of jobs, new artwork, and classes, she continues to pursue creating public art, commissions, and teaching around the country. Laurel M. Hagner: laurel@glassometry.com www.glassometry.com

4046 - Pike Powers

Wampum 14 x 14 x 8 inches Signed - 2011 Blown glass

$2,100 Pike Powers, now executive director of the Boca Grande Art Alliance on Gasparilla Island in Florida, was formerly artistic director of Pilchuck Glass School for fifteen years. She originated the Art and Architecture Symposia, Furnace Building workshops, professional artists (PAIR) and Hauberg residency programs, and brought to the school’s artist in residence program worldrenown artists Maya Lin, Nancy Graves, Kiki Smith, Jim Dine, T.O.D.T., Albert Paley and many more. She founded ArtspaceRI, a public studio for art classes and exhibitions in Narragansett, Rhode Island. Powers, artist and activist, works on a commercial fishing boat for inspiration and creates documentary videos in support of preserving Rhode Islands’s commercial fishing heritage and boat fleet. She actively exhibits her marine sculpture, glass, and paintings, as well as teaches art internationally. Pike Powers: www.artspaceri.com

We salute our volunteers for generously offering their time and talent to Pilchuck Glass School. Voluteering provides a wonderful way to become involved with Pilchuck. Join us and find your place within our community. For more information regarding volunteer opportunities, please contact Sarah Lansberry at 206.621.8422, ext. 28, or slansberry@pilchuck.com.

Many thanks to our volunteers!

A living legacy of community support

Since 1852, Wells Fargo has been helping families build, manage and preserve their wealth. Today, we are proud to continue our tradition of strong community partnership by saluting Pilchuck Glass School on it’s 40th Anniversary. To learn more about how Wells Fargo Private Bank can help you achieve your financial vision, please contact: Marco Abbruzzese Regional Managing Director (206) 340-4647 wellsfargoprivatebank.com Wealth Planning Banking Trust Investments Insurance n

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Wells Fargo Private Bank provides financial services and products through Wells Fargo Bank, N.A. and its affiliates. Deposit and loan products offered through Wells Fargo Bank, N.A. Member FDIC. Insurance products are available through Insurance subsidiaries of Wells Fargo & Company and underwritten by non-affiliated Insurance Companies. Not available in all states. © 2011 Wells Fargo Bank, N.A. All rights reserved. NMLSR ID 399801

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IN TRIBUTE to Becky & Jack Benaroya for your long term support of Pilchuck and to Jack, in celebration of 90 amazing years! We love you, Leisa & David

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Letting Down the Rain, blown and sandcarved glass with reticello, 11.5"h x 8.5"w x 8.5" d

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Happy 40th! Photo: KP Studios

Visit the Museum of Northwest Art in nearby La Conner, WA and help us celebrate our 30th year.

Yesterday’s Tomorrow Opens Winter 2012 A group show of old-fashined futurist work by Northwest artists. Featuring glass sculptor, Rik Allen.

KP Corporation is a proud supporter of the Pilchuck Glass School.

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Rik Allen, Ocularious Otonaut, 2010 blown glass, silver, mixed metals and materials, 36” x 14”

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The artist’s first solo exhibition in almost five years and his largest to date, including more than 35 new works. Accompanying the show, and covering the last 15 years of the artist’s work, is a 228-page full-color book featuring an interview by Tina Oldknow, Curator of Modern Glass at the Corning Museum of Glass. Catalogue available through the gallery.

Congratulations Pilchuck on 40 years of inspiring artists! “Jimmy and I would like to thank the Hauberg Family for their unwavering support throughout the years.” – Patty Barrier

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Opening Night Thursday, November 3

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Sculpture Objects & Functional Art Fair + The Intuit Show of Folk and Outsider Art November 4-6 Navy Pier

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We’re proud to support the Pilchuck Glass School. Here’s to 40 years of inspiration and education for artists working in glass—a true haven for artistic expression.

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• AvAILABLE UNIT #400 • $2,190,000 • 3,983 SqUArE fEET •

Betsy Q. terry & Jane Powers 206.322.2840 WWW.EWINGANDcLArK.cOM WWW.LUxUrYrEALESTATE.cOM

glass arT socieTy

Supporting glass art and glass artists since 1971

Chihuly Garden and Glass is proud to partner with

Pilchuck Glass School Congratulations on your 40th Anniversary!

50 Years of studio Glass: idea - impact - innovation June 13-16, 2012 – toledo, ohio Join us in the “Glass City” for the 42nd annual GAS conference, featuring prominent and emerging artists from around the world in demos, lectures, and panels. For more information, visit www.glassart.org in the coming months.

Join the Glass art societY! The Glass Art Society is an international non-profit organization founded in 1971. We strive to stimulate communication among artists, educators, students, collectors, gallery and museum personnel, art critics, manufacturers, and all others interested in and involved with the production, technology, and aesthetics of glass. GAS holds an annual conference, publishes the proceedings in our Glass Art Society Journal, and provides members with news, opportunities, and resources.

6512 - 23rd Ave NW Suite 329 Seattle, WA 98117 USA Tel 206.382.1305 Web www.glassart.org Fax 206.382.2630 Email info@glassart.org

Images (clockwise from upper left): Toledo Museum of Art's Glass Pavilion; Paul J. Stankard, Golden Orb Floral Triptych; Katherine Gray, Stained Glass (red); Bertil Vallien, Fertile Ground; Joel Philip Myers, Enticement

{opening spring 2012}

Peace of Mind. That’s the art of Chubb.

Shelter 6 by Steve Klein photo: M. Endo

Counting by Clifford Rainey photo: M. Lee Fatheree

I Am In Control by Silvia Levenson photo: P. Leonard

Chubb has been insuring collections, from Old Masters paintings to modern sculptures, for more than 125 years. We understand your investment, both financially and emotionally, in your personal treasures. Maybe that’s why so many of the world’s top collectors have Chubb. They understand that peace of mind can be their most valuable asset.

Featured in the Main Gallery “This Fragile Skin” September 1 – October 15 Kiln formed glass exhibit curated by Michael Endo, Steve Klein & Bullseye Gallery

• Customized underwriting solutions

Join master artist Steve Klein as he instructs on The Art of Making Your Work

• On-site premise surveys

• Fine art risk management services • Referrals to a network of independent specialists

Wednesdays, October 19- November 9, 6-10pm at the Schack Art Center Enhancing the community & supporting NW visual artists & art educators since 1973 Museum quality exhibit space | Fully equipped hot shop, kiln formed & flame working studios Studio rentals | Art classes | Facility rentals for special events Located 30 miles north of Seattle in downtown Everett 2921 Hoyt Ave | www.schack.org | 425.259.5050

Financial Strength and Exceptional Claim Service Auto | Home | Jewelry | Art | Antiques | Liability | Yacht | Collector Car For information about Chubb coverage, ask your agent, call Chubb at 1.877.60.CHUBB or visit our Web site at www.chubb.com/personal. Chubb refers to the insurers of the Chubb Group of Insurance Companies. Chubb Personal Insurance (CPI) is the personal lines property and casualty strategic business unit of Chubb & Son, a division of Federal Insurance Company, as manager and/or agent for the insurers of the Chubb Group of Insurance Companies. This literature is descriptive only. Not available in all states. Actual coverage is subject to the language of the policies as issued. Chubb, Box 1615, Warren, NJ 07061-1615. ©2011 Chubb & Son, a division of Federal Insurance Company.

Save these Dates Pilchuck Glass School 34th Annual Auction Friday, October 12, 2012 Pilchuck Glass School Auction Tour Wednesday, October 10 through Saturday, October 13, 2012 For more information and reservations, e-mail us at reservations@pilchuck.com; call us at 206.621.8422, ext 26; or visit us at www.pilchuck.com.

Congratulations to the Pilchuck Glass School on 40 Years of Inspiration

Color Expertise Artisanal File Prep Wide Format Printing Asset Management New Media Tools

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4215 21st Ave. West Seattle, WA 98199 • www.imaginegroupservices.com • Phone 206.281.5703 Toll Free 866.462.4660

Bid cards and bidding numbers When you check in, you will receive a bid card. All sales will be recorded and tracked using the number printed on your bid card. If you

Shipping Pilchuck Glass School will not ship your auction purchases. Please take your purchases home with you or make shipping arrangements at the auction. This ensures safe transport

Express Pay™ When you check in, you will be offered an opportunity to sign up for Express Pay™ service. By registering for this service, you can avoid standing in line to pay for your

For those who require shipping services, a UPS Store representative will be available during the auction, at which time you may sign up for shipment of your purchases. The UPS Store will pack your purchases in a second box and ship items at standard UPS rates plus a consideration for packing materials and labor. You will have the option to purchase insurance for your artwork, which is highly recommended. For more information about shipping options, visit the shipping information table.

registered with a guest, you and your guest will share the same bidder number unless you request otherwise when registering. See below for information on the bidding process. purchase.

Sign up for Express Pay™ by providing your registration assistant with a Visa, MasterCard, or American Express credit card. Your form of payment will be kept on file for the evening. At the close of the auction, your purchases will be totaled and charged as directed. Instead of stopping at the payment checkout line, you may proceed directly to the Art Pickup Room to collect your purchases or to the shipping vendors to arrange for shipping.

Pilchuck Glass School is not responsible for your artwork and cannot, by shipping company regulations, intervene on your behalf with the shipper or carrier. You must resolve any concerns regarding artwork lost or damaged during shipping by contacting the UPS Store directly.

For your security, a copy of the bid sheet for each item you purchase in the Silent Auction will be delivered to your table between 7:45–8:00 and 9:45–10:00 P.M. We will mail your statement of purchases and charges within seven days. If you do not purchase any items, your charge slip or check will be destroyed at the end of the evening.

Items left at the auction without shipping instructions will be shipped to the purchaser at the his/her expense.

Fund-the-Future Near Live Auction item 45, the auctioneer will announce the opportunity to support Fund-the-Future. (See page 3 for more information.)

items accurately, but all items are offered “as is.” Pilchuck neither warrants nor represents, and in no event shall be responsible for, the correctness of the descriptions, genuineness, authorship, provenance, or condition of the items. No statement made in this catalog, orally at the auction, or elsewhere shall be deemed such a warranty, representation, or assumption of liability. The values listed are estimates of fair market value provided by the artists. Items have not been appraised.

The auctioneer will invite you to hold up your card to pledge $100, $250, $500, $1,000, $2,500, $5,000, $10,000, $25,000, $50,000 toward this cause. Hold your card in the air until your bidder number is read aloud. You may hold up your auction bid card multiple times to pledge more than one amount. You will pay for your pledge along with your auction purchases.

Silent Auction The four sections of the Silent Auction open at 5:00 P.M. They close at staggered times throughout the evening. (See page 11). Each item offered in the Silent Auction will have a bid form placed near it. Make a bid by writing your bidder number opposite the amount you wish to bid on the form. Please press hard—you are making three copies. You may take the next available amount on the form or skip ahead to a higher bid range. If you emerge as the highest bidder at the close of the auction, your bid constitutes a legal contract to purchase the item.

Minimum Bid A minimum bid has been established for each Silent Auction item. You may not bid below this amount.

Guaranteed Bid To place a guaranteed bid in the Silent Auction, enter your bid number in the box next to the “Guaranteed Purchase” price. This will instantly make you the successful bidder and owner of the piece.

Silent Auction Closing You may bid on an item in any Silent Auction section until that section is closed. At the posted closing

time, a Silent Auction closer will circle the winning bid on each form and collect the forms. A notice announcing the successful bidder will be left in place near the piece so that you may check on the bidding results. After the Silent Auction closes, any unsold items will be moved to the Purple Section of the Silent Auction for continued bidding.

In the event of a dispute over a Silent Auction bid, oral bids may be taken at the discretion of the auctioneer—but only from those who have already placed written bids. The auctioneer will determine the winning bid and the decision will be final.

Centerpiece Silent Auction When the ballroom doors open at 5:00 P.M., you will have the opportunity to participate in the Centerpiece Silent Auction. You may bid on any centerpiece displayed on any table. You may not remove bid sheets from the tables during the auction or move centerpieces to other tables.

Following Live Auction item 20, the Centerpiece Silent Auction will close and winning bids will be circled on the centerpiece bid sheets. If you are a successful bidder for a centerpiece, collect your purchase through the regular checkout process once the auction is over. Express Pay™ bidders will receive a copy of the bid sheets at their tables and may pick up their centerpieces from the Art Pickup Room or arrange for shipping as they leave.

All centerpieces will be removed from the tables after the close of the centerpiece silent auction. Unsold centerpieces will be moved to the Purple Section of the Silent Auction. Procedures for purchase of unsold centerpieces will be the same as those for Silent Auction items.

Live Auction You may preview Live Auction items in the Fifth Avenue Room of The Westin Seattle from the time the doors open

at 4:45 pm, until the start of the Live Auction at 7:15 pm. Once the Live Auction begins, the Fifth Avenue Room will be converted to the Art Pickup Room and items will no longer be available for viewing. The Live Auction will begin during dinner and continue without interruption until all items have been auctioned.

How the Auction Works To bid in the Live Auction, hold your bid card high with the number facing the auctioneer. Either the auctioneer or a bid spotter can accept your bid. The auctioneer reserves the right to reject any bid. The highest bid acknowledged by the auctioneer shall be deemed a legal contract with that bidder to purchase the item.

Checkout Only cash, personal checks, or Visa, MasterCard, and American Express credit cards will be accepted as payment. Debit cards will not be accepted. Successful Express Pay™ bidders will receive a copy of their bid forms at their table shortly after the close of bidding for the items. They may then proceed directly to the Art Pickup Room to collect their purchases or can make shipping arrangements before departing. If you are not an Express Pay™ bidder, you must stop at the Checkout Table anytime after 9:00 P.M. to receive a statement of your purchases and make your payment. You may then collect your purchases at the Art Pickup Room or make shipping arrangements. All purchases are final, and purchased items must be paid for and removed from the premises during the evening. Items that are not removed or are left in the care of the shipping company will be shipped to the purchaser at his/her expense. No exchanges or refunds will be allowed.

tax deductibility Pilchuck Glass School is a registered 501(c)(3) charitable organization. If the price you pay for a piece

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for your delicate glass items. Your items will be packaged by Pilchuck.

exceeds its fair market value as stated in the auction catalog, the excess portion of the price may be tax deductible as a charitable contribution. Please consult with your tax advisor or preparer for details.

General rules and information Pilchuck Glass School reserves the right to add or withdraw Annual Auction items without notice. Pilchuck has attempted to describe and catalog all

Each bidder assumes all risks and hazards related to the auction and items obtained at the auction. Each bidder agrees to hold harmless from any liability arising there from Pilchuck Glass School, its elected and appointed officials, members and employees, the auctioneer, the auction company and its agents and employees, and the event organizers, sponsors, and/or volunteers connected with the auction. All items purchased become the property of the successful bidder once that bidder is acknowledged by the auctioneer and has completed the checkout process.

We hope you enjoy your evening, wish you the best of luck on your auction bidding, and thank you for supporting Pilchuck Glass School.

Bits Pieces of molten glass snipped off a blowpipe or punty rod and applied hot to a glass form. Canes Thin rods of glass, usually with a twisted pattern in multiple colors (much like a candy cane, hence the name) that are used to add pattern to blown glass.

Dichroic A manufactured glass that manipulates light in two different ways. Color is transmitted through the glass and complementary colors are reflected from the surface.

Electroplate To adhere metal to glass by dipping the glass into an electrically charged solution. Encase painting on glass To paint a glass object with glass paint and then reheat the glass and gather more hot glass over the surface, encasing the paint.

Etch To create a design by cutting away the surface of finished glass with a tool or by treating it with acid.

Hot cast To ladle hot glass from a furnace into a mold made of sand, steel, or plaster.

Howlite A borate mineral found in evaporite deposits. Commonly used to make decorative objects such as small carvings or jewelry deposits.

Incalmo A glassblowing process that joins two or more bubbles

Insciso A technique for patterning the surface of glass by creating

Sandblast To blow or blast sand onto a piece, etching away layers

Kiln A high-temperature electric oven, usually monitored

Sand blow The process of blowing a bubble of hot glass

Kiln-cast Glass formed through the use of a mold, usually plaster,

Sandcast To ladle hot glass into a formed mold made of specialized sand.

deep incisions, usually with hand-engraving tools.

Fuse To melt together two or more pieces of glass in a kiln.

which is filled with crushed glass that is melted in a kiln to produce a solid glass form.

layers of color. The blank is then engraved, bringing out the underlying color, much as is done with a cameo. The engraved blank is subsequently reheated and blown to its full shape.

Laminate To use heat or glue to join pieces of glass. Lampworking See flameworking. Lost-wax casting A method of casting whereby a wax or waxcoated model is embedded in clay and then baked so that the wax melts and is “lost,” leaving a mold into which hot glass is poured. The mold must be broken in order to retrieve the cast object.

Mold-blown Glass formed into a shape by being blown

into a mold, which is usually made of wood, metal, or plaster.

Murrini Patterned glass cane cut into sections in order to form

small disks that are used in decorating glass or constructing glass forms.

Glossary of glass terms

Neodidium A manufactured glass that changes color under different lighting, appearing lavender under tungsten light and daylight and blue under fluorescent light.

Overlay A thin layer of clear or colored glass on the outside of a piece. Off-hand Formed freehand on the end of a punty or blowpipe. No mold is used.

Paradise™ paint A specially formulated glass paint that does

not change color when exposed to the intense heat of molten glass. Paradise™ paints can be used for encased painting or graal techniques.

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Roll-up In this process, multiple pieces of flat glass are fused into a

tile. The tile is reheated, rolled up onto a gather, and then blown into a three-dimensional object.

by computer, used for casting, fusing, and slumping glass.

Graal A glassblowing technique wherein a thick “blank,” or core form, is blown, usually with two or more

with thin colored rods, one vase arranged clockwise and the other counterclockwise. The result is a meshlike net with an air bubble inside each diamond. The different thicknesses of the rods within each diamond cause the air bubble to form.

of hot glass, resulting in defined bands of color in a vessel or object.

Flameworking/lampworking The process of using a specially designed torch or lamp to heat glass rods for sculpting, blowing, and bead making.

Reticello The process of joining two conical vases covered

Pâte de verre A French term meaning “glass paste.” The paste is

made from crushed glass and enamel paint. It is applied to the surface of a mold and fired in a kiln at high temperature.

of glass. Masking is used to create patterns. into a sand mold.

Scavo Corrosive chemical material applied to the surface of hot glass that gives the final piece a matte finish.

Scruffitto The technique of adding color to the surface of glass and then scratching it away, causing a reverse image to appear.

Shard A small fragment of glass. Colored shards may be melted into a piece for decoration.

Slump To heat a sheet of glass in a kiln until it is soft enough to assume the shape of a mold without becoming molten.

Smalti A soft, intensely colored Venetian glass that is chipped into squares for use in creating traditional mosaics.

Threads Thin strands of glass, usually colored, that may be added to the glass in a variety of ways for different effects.

Underlay A thin layer of clear or colored glass on the inside of a piece.

Vitreography The process of creating a print from a glass plate. Wrap A strand of glass, typically but not always of a contrasting color, applied hot to a vessel.

Zanfirico The process of heating cut canes of glass (usually

with an interior spiral pattern of colored glass) and gathering them onto a pipe to be blown into a shape. Formerly called latticino or latticinio.

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To explore how you can become a member of the Pilchuck Legacy Society, contact Whitney Hazzard, Director of Development, at 206-621-8422, ext. 27.

Pilchuck’s Legacy Society

Yes, I wish to make a gift to the 2011 Annual Fund, which will help the school inspire creativity, transform individuals, and build community!

Moved by a desire to keep the fires burning brightly in perpetuity at Pilchuck, the following Legacy Society members have made planned gifts by including Pilchuck Glass School in their estate plans: Anonymous (2) John N. and Dorothy Anderson Ann and William Burstiner Kathleen Cosand Anne Gould Hauberg Holly Johnson David Kaplan and Glenn Ostergaard Dianne and Steve Loeb Darle and Pat Maveety

Benjamin P. and Debora Moore Janel Neiman Chieko Nii David G. Pollart Megan Pursell John and Marilyn Ritchie Dorothy and George Saxe Susan Steinhauser Mathilde Brown Swanson and Richard Swanson

w Friend w Supporter w Advocate

up to $499 $500+ $1,000+

Leadership Council w Sponsor w Leader w Patron

$2,500+ $5,000+ $10,000+

Support a vital international artistic community. Become a member of the Pilchuck Society—make a taxdeductible gift to Pilchuck Glass School’s Annual Fund!

Please fill out this form, cut along the dotted line and mail it to:

Pilchuck Glass School 430 Yale Avenue N Seattle, Washington 98109-5431

Name (Please print)

Pilchuck Society

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State

Support Pilchuck’s educational programs and year-round residencies by joining the Pilchuck Society! You will unite with hundreds of other supporters who donate annually to ensure that Pilchuck inspires creativity, transforms individuals, and builds community year after year. Your contributions will encourage an international community of artists to explore their creativity, hone their techniques, and share their expertise during intensive programs on Pilchuck’s forested campus.

Country

Pilchuck Society members support every aspect of the Pilchuck experience—from the tools in the shops that allow for artistic experimentation to the international instructors who share their expertise and inspire new generations of artists. Your generosity allows the school and its community of artists to create and thrive at Pilchuck.

w American Express

w One time for the entire amount

w In quarterly installments

Pilchuck Society members making a gift of $100 or more also enjoy special benefits:

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Enclosed is my check of $_____________ made out to Pilchuck Glass School. Please charge $_____________ to my w Visa

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• Exclusive invitations to an annual event on campus and other donor events

A matching gift from your employer doubles your contribution to Pilchuck Glass School.

• The latest news about Pilchuck through email newsletters • Recognition in Pilchuck Glass School’s Annual Report

Join Pilchuck Glass School’s Legacy Society and support artists teaching artists. A simple first step toward providing for Pilchuck into the future is to make a bequest to the school. By making a planned gift to Pilchuck, you will inspire artists’ imaginations at the pre-eminent learning center for artists working with glass. Your generosity will ensure that Pilchuck continues to draw future generations of artists from around the world to participate in the school’s ever-evolving, innovative educational and residency programs.

w I have enclosed my employer’s corporate matching gift form.

w I have included Pilchuck in my estate plans.

w I wish to learn more about bequests and estate gifts to Pilchuck.

Pilchuck is a not-for-profit 501(c)(3) organization. Contributions are deductible to the full extent allowed by law. Pilchuck Glass School is registered with the Washington Secretary of State in the Charities Division (1-800-332-4483).

Year-Round Staff

Becca Arday Registrar James Baker Executive Director Olivia Davis Development Coordinator Whitney Hazzard Director of Development Ruth King Artistic Director Allison Kramer Grant Writer & Communications Coordinator Sarah Lansberry Special Events & Volunteer Coordinator Aaron Leslie Facilities Assistant John Reed Campus Operations Director Yoshiko Saheki Annual Fund Manager Kerry Schmidt Facilities Coordinator Chris Seidl Staff Accountant Ben Sharp Studio Technician Jan Spangler Director of Finance Miranda Teel Campus Operations Administrative Assistant

Founders Dale Chihuly Anne Gould Hauberg John H. Hauberg (1916–2002)

Pilchuck Leadership and Staff 2011 Board of Trustees

Randy Lert President Dana Reid Vice President and Secretary C. Kent Carlson Vice President R. Bryce Seidl Vice President John R. Price Treasurer Patricia Wallace Past President Carol Auerbach Bruce Bachmann Patty Barrier Rebecca Benaroya Leigh Canlis Leslie Jackson Chihuly Anne Cohen Ruderman Anthony Cole Fritz Dreisbach

2011 Advisory Council

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Corinne E. Cowan chair Chap Alvord Dale Anderson Doug Anderson John N. Anderson Jeff Atkin Patricia M. Baillargeon Jack Benaroya David Bennett Tom Bosworth Jeffrey Brotman Susan Brotman Ronald Crowell Kate Elliott

2011 Auction Staff

Meredith Edmondson Auction Intern/Assistant Kirsten Juul-Music Auction Associate Jonathon Paden Art Handler Kevin Sindler Auction Intern/Art Packer

Steve Funk Katherine Gray Deb Gross David Kaplan Steve Klein Steve Kutz Jon C. Liebman Mickey J. Mandel Dante Marioni JJ McKay Benjamin P. Moore Ann M. Morrison Tim Noonan Sean O’Neill John Otter

Fay Hauberg Page Warren Poole Rod Proctor Scott Rabinowitz Norman Sandler Dorothy Saxe Allen Shoup Elizabeth Sicktich Preston Singletary Joan Stonecipher Peter Wright Mark Zirpel Dale Chihuly Trustee Emeritus Anne Gould Hauberg Trustee Emerita Corinne E. Cowan ex officio

Gary Glant Dan Greenberg Mark T. Haley Anne Gould Hauberg C. David Hughbanks Phillip Jacobson Joey Kirkpatrick Frank Kitchell Bill Kopman Fraeda Kopman Stuart Mandel Darle Maveety William Morris Babo Olanie

Nathaniel B. Page Miriam Pierce David G. Pollart Douglass A. Raff Randy Rubenstein Gladys Rubinstein Ginny Ruffner Martin Solomon Sue Solomon Susan Steinhauser Mathilde Brown Swanson Richard S. Swanson Lino Tagliapietra

2011 Summer Staff

Victoria Ahmadizadeh Baris Aksakal Wyatt Amend Josefin Andersson Carla Aspenberg Jason Blandford Kevin Boylan Courtney Branam Kiley Branson Jamen Brown Scott Brunskill Shannon Brunskill Brandyn Callahan Kim Chaplin James Clark Alicia Craft Amy Crawford C. Chad Cully Chris Deal Linda Diec Meredith Edmondson Jason Elliott Jared Ellis Logan Farrell Robert Flowers Daniel Friday Patrick Gallagher Alex Gibson Kari Goldstein Adam Green Dorothy Guthrie Richard Hansen Josh Hargrave Alexander Hayden Rebecca Heilman Zane Hettinga Jason Hilton Everett Hirché Althea Holden Susan Holland Reed Megan Hughes Kerrick Johnson Theodora Jonsson Shahid Khan David King Allyson Klopp Lisa Koch Manny Krakowski Amanda Lee Mel Long Cheyenne Malcolm Emily McBride Shandra McLane Thom McMahon Michael Migliorini Mariah Moon Edison Osorio Zapata Jonathon Paden Justin Parisi-Smith Amanda Patenaude Callum Peak Michelle Pennington Valerie Pohorsky Elizabeth Potenza John Publick Jonathan Rafael Charlyn Reynolds Nathaniel Ricciuto Laura Angelica Sandoval Guiterrez David Schnuckel Kevin Sindler Matt Spinney Ethan Stern Csilla Szilágyi

Alexander Trommler Galen Turner Katie Twomey Nicholas Ullum C. Miguel Unson Zachary Velkoff Laura Weintraub Juliana Wisdom Jonathan Yao Thoryn Ziemba

2011 Teaching Assistants

Phillip Bandura Theresa Batty Timothy Belliveau Julie Bergen Cortney Boyd Heike Brachlow Granite Calimpong Lisa Cerny Nate Cotterman Norman Courtney Nancy Current Ashley Kristen Lee Driscoll-Perez Eric Edner Tomonori Egawano Deirdre Feeney Shae Freeman Takeshi Fukunishi Doreen Garner Lindsay Gilbert Adam Goldberg David Gustafson Dorothy Guthrie Craig Hellemond Michael Hengler David Hering Zak Hinderyckx Alan Iwamura David King Hannah Kirkpatrick Allyson Klopp Manny Krakowski Weston Lambert Jessica Landau Melanie Long Andrew Martin James May Emily McBride Jessi Moore David Naito Paul Nelson Sean O’Neill Takahiro Obonai Stefanie Pender Matthew Perez Robert Peyregatt Lisa Piaskowy Lynn Read Rick Schneider David Schnuckel Ryo Sekino Jennifer Somerville Mara Streberger Krista Sulfaro Brett Swenson Celina Szelejewska Belinda Toll Foster Turcott Daniel White Melinda Willis

2011 Instructors Scott Benefield Eddie Bernard Anna Boothe Madeleine Boulesteix Charles Cohan Mitchell Gaudet Michael Glancy Jiˇri Harcuba Adam Holtzinger Ulrica Hydman-Vallien Gene Koss Erica Larkin Gaudet Cork Marcheschi Jon Miller Benjamin P. Moore Shunji Omura

Pike Powers Janusz Pozniak John Reyntiens Ross Richmond Michiko Sakano Nanda Soderberg Susan Stinsmuehlen-Amend Boyd Sugiki April Surgent Chris Taylor Lienors Torre Bertil Vallien Randy Walker Richard Whiteley David Willis Lisa Zerkowitz

2011 Artists in Residence

2011 Artist Assistants

Gabrielle Belz Catherine Chalmers Nancy Cohen Bruce Mau Rashaad Newsome Magdalene Odundo Alison Saar Tavares Strachan Lino Tagliapietra Nari Ward

Samuel Andreakos Alexandra Ben-Abba Jessie Blackmer Granite Calimpong Nancy Callan Jen Elek Kimberly Harty Weston Lambert Sally McCubbin Edison Osorio Zapata Nathan Sandberg Rui Sasaki Benjamin Wright

2011 Craftspersons in Residence Jeff Ballard Benjamin Coombs Scott Darlington Jen Elek Michael C. Fox Manny Krakowski Jay Macdonell Bennett McKnight D. H. McNabb David Walters

2011 Emerging Artists in Residence Eliza Au Megan Biddle Lisa Demagall Marzena Krzeminska Keunae Song Abi Spring

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Name

Index of Donating Artists Name Abildgaard,Mark Adams, Beth Ahmadizadeh, Victoria Alexander, Becky Allen, Rik Allen, Jill Anderegg, James Angus, Mark Angus, Mark Arday, Rebecca Ashford, Michael Aufiero, Tina Ballard, Jeff Balshor, Susan Bandura, Phillip Barrett, Dolores Bartow, Rick Benefield, Scott Berman, Brian Bernard, Eddie Bernstein, Alex Gabriel Betz, Dylan Biddle, Megan Bishop, Lyn Blackmer, Jessie Blackmore, Cassandra Blair, Nancy Blandford, Jason Nickels Blazina, Jen Boothe, Anna Bouchet O’Neill, Armelle Brachlow, Heike Branam, Courtney Brejcha, Vernon Brumder, Polly Bruno, Roy

Item #

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2054 3030 1043 2008 025 1007 4022 1034 2025 3040 1002 2038 013 2028 3063 4041 4025 3061 2004 4010 010 2022 3026 1012 3027 008 029 2035 3062 4003 022 012 067 4004 2018 1029

85 99 64 55 32 52 121 61 76 103 50 80 28 77 110 127 122 110 69 117 27 75 98 53 98 26 33 79 110 114 31 27 46 115 73 59

Name Brunskill, Shannon Calimpong, Granite Calles, David Campbell, Lee Canlis, J.P. Cannon, Alix Cass, Robin Catron, Justin Chalmers, Catherine Chaplin, Kim Chihuly, Dale Chihuly, Dale Ciancibelli, Allison Cobb, Benjamin Cohan, Charles Cozza, Mikey Craig, Doug Crescuillo, Jennifer Cribbs, KeKé Cully, C. Chad Cunningham, Paul Current, Nancy Darlington, Scott Davidson, Patricia Davis, Sarah Davis, Nick De Caro, Pat de la Torre, Einar de la Torre, Jamex de Wit, John Dekel, Nirit Desgenetez, Nadege Diec, Linda T. Dietrich, Greg Dingus, Marita D’Onofrio, Bernard

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1019 4033 3039 2016 007 3045 3028 3008 011 3016 049 1038 4015 068 4034 3011 2015 2051 064 2019 3036 3032 003 3046 1003 3042 3035 063 063 052 2032 3043 2009 1001 2042 4042

56 124 102 73 26 104 99 92 27 95 40 62 119 46 125 93 72 84 45 74 101 100 24 105 50 103 101 44 44 41 78 104 70 50 81 127

Dreisbach, Fritz Driscoll-Perez, Ashley Kirsten Lee Duperreault, K. Leah Edner, Eric Edols, Benjamin Ehart, Karen Elek, Jen Elliot, Rachel Elliott, Kathy Elliott, Jason Esaki, Megumi Fairweather, Ryan Marsh Falk, Nina Faste, Edith Feather, Beccy Ferraro, Jeanne Marie Finsel, William Fletcher, Becky Friday, Daniel Joseph Frugé-Brown, Kathleen Frydrych, Jan Fukunishi, Takeshi Funk, Steve Gamrath, Jason B. Gáspár, György Gaudet, Mitchell Gibson, Alex Gilbert, Sarah R. Glancy, Michael Goldstein, Kari Goldstein, Kari Goodwin, Laura Grace, Holly Gray, Katherine Grenon, Gregory Grula, Carrie Gurman, Debora Hagner, Laurel M. Harrison, Julia Hibri, Hilal Hogan, John T. Holden, Althea Holland Reed, Susan Holm, Sarah Houston, Deryk Huth, Ursula Hydman-Vallien, Ulrica Immerman, Steve Island, Erika Kohr Jackson, Joy Johnson, Kerrick Johnson, Holly Jolles, Zohar Jonsson, Theodora Kasperzak, Brennan Katzer, Joey Kells, Ryan

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065 1033 1026 2007 040 2048 034 1005 040 2013 4009 2041 1008 1013 051 3012 3014 4013 4006 3051 4032 2049 3022 4008 028 3054 1021 2037 020 2027 3025 4007 4040 3052 046 4043 4021 4045 2020 4016 2033 1039 4019 1027 4001 2001 014 2053 1017 1018 039 1046 1015 4002 2021 1011 3049

45 60 58 70 37 83 35 51 37 72 116 81 52 54 40 93 94 118 115 106 124 84 97 116 33 107 56 80 30 76 98 116 127 107 39 128 121 128 74 119 79 62 120 59 114 68 28 85 55 55 36 65 54 114 74 53 106

Name Kelly, Ginger Kerr, David Kimball, Tyler Kimball, Tyler King, David Kirkpatrick, Joey Klein, Steve Klimley, Nancy Knowles, Sabrina Koch, Lisa Koss, Gene H. Kraft, Heather Krakowski, Manny Kuring, Natasha LaChaussee, Dan LaChaussee, Joi Lambert, Weston Landau, Jessica Larkin Gaudet, Erica Leonoff, Nick Lieberman, Walter Long, Mel Lopez, Chuck Lowry, Chris William Lucas, Robert Macdonell, Jay Mace, Flora C. Marcassoli, Nives Marioni, Dante Marioni, Paul Martin, Andy Matson, Cheryl Mau, Bruce McBride, Emily McCord, Donna McElroy, Christopher McJunkin, Lin Rebolini McLellan, Bud Miller, Katie Mlasowsky, Anna Moertel, Melanie Moje, Klaus Møller, Bellis Moore, Benjamin P. Moore, Debora Moore, Jessi Moore, Merrilee Muzylowski Allen, Shelley Najarian, Andrew Newman, Jeremy Noda, Osamu Nojima, Reiko F. O’Brien, Cheri Ochoa Nicholson, Licha O’Dell, Kelly Omura, Shunji O’Neill, Sean

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80 119 68 75 63 38 43 126 44 91 124 62 97 103 69 69 108 86 107 77 42 79 25 76 69 29 38 122 30 26 95 83 43 84 51 56 79 57 72 82 91 34 65 38 37 58 120 25 75 118 108 59 105 91 125 32 45

Name Osorio, Edison Zapata Paden, Jon Parker, Justin Patchen, David Patenaude, Amanda Lee Perkins, Victoria A. Peterson, Morgan Piaskowy, Lisa Pohlman, Jenny Pohorsky, Valerie Powers, Pike Price, Stan Prochaska, Thomas A. Puls, Lucy Randall, Doug Read, Lynn Everett Reed, John W. Ricciuto, Nate Richmond, Ross Riggie, Mielle Robert, Urban Rockower, Ellen Roco, Michael Marcelo Romero, Marco Roth, Mark Royal, Richard Ruby, Natalie Rudolph, Zachary Rudy, Helen Rueffert, Amy Rumman, Kristine Ryzak, Waine Saar, Alison Sakano, Michiko Salvadore, Davide Sandoval, Laura Santoro, Karuna Sˇára, Jaroslav Scanga, Italo Schmuck, Johnathon Schneider, Rick Schnuckel, David Scholefield, Kai Schultz, Laurel Seivertson, Ron Sekino, Ryo Shapton, Lani Sharp, Ben Sherman, Kelly Singletary, Preston Skibska, Anna Skyriver, Raven Smith, Brad P. Sommerhauser, Brent Soto, Pablo Spring, Abi Ståhl, Rosita

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4028 3019 1022 4030 3002 3006 1004 3007 061 2040 4046 4044 2031 3060 038 4039 4024 2030 064 3033 1036 3025 3009 4021 2023 030 1040 2043 3047 4012 3037 3058 3023 4011 047 1009 2010 1032 001 3038 2012 026 1035 2011 3021 3001 1031 4037 4019 045 3053 4014 1016 3056 2052 3031 1042

123 96 57 123 90 91 51 92 44 81 129 128 78 109 36 126 121 77 45 100 61 98 92 120 75 33 63 82 105 117 102 109 97 117 39 52 71 60 24 102 71 32 61 71 96 90 60 126 120 38 107 118 55 108 85 100 63

Name Stanyon, Alex Staub, Ryan Stern, Ethan Stern, Rob Stinsmuehlen-Amend, Susan Sugiki, Boyd Surgent, April Takagi, Motohide Takizawa, Kazuki Takizawa, Kazuki Takizawa, Kazuki Tarsitano, Debbie Taylor, Delores Tegeler, Helen Tepper-Stewart, Sasha Thompson, Cappy Trefz, Warren

168

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2003 3029 024 056 054 017 005 032 3034 3044 4018 3014 3010 2047 2017 050 1010

68 99 31 42 41 29 25 34 101 104 119 94 93 83 73 40 53

Name Trommler, Alex Tsukida, Misao Uchimura, Yuki Umphress, Jennifer Unson, C. Miguel Vagen, Veruska Vallien, Bertil VandenEnde, Els Vaughn, Sarah Vetter, Carmen Violette, Jen Vollmer, Jim Volpacchio, John Wรฅhlstrรถm, Ann Waisburd, Sara Walker, Randy Ward, Laura

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3003 3050 033 035 023 057 037 002 1023 053 4035 4023 3015 060 1044 062 2006

90 106 34 35 31 42 36 24 57 41 125 121 94 43 64 44 69

Name Watrous, Hal Weiss, Dick Wessel, Laura Weyer, Pat White, Danny Whiteley, Richard Willis, David Wolf, Ronnie Worcester, Michael Wright, Peter Yamano, Hiroshi Yao, Jonathan Zahniser, Cheryl Zed, Dana Zerkowitz, Lisa Ziemba, Thoryn Zirpel, Mark

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59 40 95 122 30 37 29 96 54 123 39 109 82 94 115 28 35