PINAR URAL ARCHITECTURE & DESIGN PORTFOLIO
Cover: TRIBUTE TO ESCHER, Pınar Ural. Digital, 2018
Table of Contents
ABOUT ME
3
CURRICULUM VITAE
4
Shadow Light Museum First Human Scale Design of an Outdoor Exhibition Area
58
ARCHITECTURAL DESIGN (2013 - 2018 Selected Works)
6
Kandinsky An Omnidirectional 3D Object Extracted from a Vassily Kandinsky Painting
59
Spacial Organisation Solid Void // Balance // Hierarchy
59
Pinocchio Children’s Library A Child-firendly Approach to Learn & Discover
BASIC DESIGN (2012 - 2013 Selected Works)
57
7
Tiber River Revizatalization Rome 2017
18
The Origin The Point Where the Axes Intersect (Site Dwelling)
25
A Monument of Silence Ankara Memorial Haunt
30
From Architecture to Nature Co-housing Project on the Lake
39
Visiting Academic Guest House Outbuilding for Florya Ataturk’s Mansion
46
The Nook Single Functioning Room Project
53
Parametric Shelter Kiosk for Bilkent University Student Council
56
MISCELLANEOUS WORKS Paintings, Digital Art, Ceramics, Sketches
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60
About Me Pinar Ural
2
Curriculum Vitae Pinar Ural
Personal Information PĹnar Ural Architect Date of birth: 26 February 1993 Nationality: Turkish pinarural1@hotmail.com +90 537 931 33 16 Skype: pinar.ural Instagram: pinarurl Adress: Konrad Adenuer cad. 48/13, Ilkbahar Mah. 06550 Çankaya, Ankara / Turkey
Activities & Hobbies Freehand drawing, Painting, Sculpting Digital design, Short animations Outdoors, World cuisine Festival Movies, Exhibitions, Workshops, Competitions
EDUCATION UNIVERSITY JAN 2013 - JUN 2017
JUN 2016 - AUG2016
Office Internship at Avci Architects, Istanbul, Turkey
JUL 2015 - AUG 2015
Worksite Internship at ITO Yatirim Enerji Insaat A.S, One Tower (Shopping Mall and Residences), Ankara, Turkey
BILKENT UNIVERSITY, ANKARA, TURKEY Faculty of Art, Design and Architecture, B.Arch. Architecture CGPA: 2.75
SEPT 2012 - JAN 2013
PROFESSIONAL EXPERIENCE
BILKENT UNIVERSITY, ANKARA, TURKEY Faculty of Art, Design and Architecture, B.F.A. Interior Architecture and Environmental Design CGPA: 3.64 (Internal Transfer to Architecture)
AFS INTERCULTURAL PROGRAM (Study Abroad) SEPT 2011 - FEB 2012
EXTERNATO PENAFIRME, LISBON, PORTUGAL Department of Arts (Departamento de Artes)
FEB 2012 - JUL 2012
ESCOLA SECUNDARIA COM 3. CICLO, ENTRONCAMENTO, PORTUGAL Department of Arts (Departamento de Artes)
ACHIEVEMENTS 2015-2016 SPRING SEMESTER 2012-2013 FALL SEMESTER
HIGH HONOUR DEGREE from Department of Interior Architecture and Environmental Design
JUN 2016
PUBLICATION “A Sustainable Urban Prototype Along the Ankara Stream” by Architectural Design Studio VI
2006
3RD PLACE Ankara Europe French Theatre Festival Logo Contest
PRIMARY SCHOOL - HIGH SCHOOL SEP 1999 - JUN 2011
LES ETABLISSEMENTS SCOLAIRES TEVFIK FIKRET D’ANKARA French Baccalaureate
HONOUR DEGREE from Department of Architecture
4
Curriculum Vitae
EXTRA-CURRICULAR
Pinar Ural
Language Skills
Turkish Native
JUNE 2017-PRESENT
Sedanter - Visual Art Blog on Instagram www.instagram.com/sedanter/
FEB 2017 - PRESENT
Architects’ Association 1927 Voluntary Event Assistant
MAY 2016 - PRESENT
English Fluent
Portuguese Fluent
French Fluent
OCT 2015
FEB 2013 - JUN 2016
Software Skills Rhino
Photoshop
Vray
CorelDraw
Lumion
Sketchup
MaxScript
3dsMax
Revit
Dialux
Grasshopper
Autocad
TSMD (Turkish Freelance Architects Association) Voluntary Event Assistant Chamber of Architects of Turkey Attended to various workshops including Ankara Boulevard Imaginary Transformation DAS (Design & Architecture Society) Bilkent Member Participated to various conferences and activities including “Tasarım Bilkent” 2013, 2014 and 2015.
JUN 2012 - PRESENT
AFSGD (AFS Volunteers Association) Volunteer
SEPT 2011 - JUN 2012
AFS Intercultural Program Exchange Student - Portugal
EXHIBITIONS
Ankara River Revitalization; “A Monument of Silence” SEPT 2016 *Elected to be exhibited in TSMD Basamaklar *Elected to be in Archiprix 2017 Exhibition and OCT 2016 published in “AHMEDABAD / INDIA 2017" Edition *Exhibited in Bilkent University JUN 2016 Co-housing project; “From Architecture to Nature” *Elected to be exhibited in TSMD Basamaklar SEPT 2015 *Elected to be Exhibited in Istanbul Modern SEPT 2015 Expo XXI project; “Urban Sustainable Public Square” SEPT 2014 *Elected to be exhibited in TSMD Basamaklar “Florya Atatürk’s Mension Guest House” *Exhibited in Bilkent University SEPT 2014
APR 2007
Personal Painting Exhibition *Exhibition at Les Etablissements Scolaires Tevfik Fikret d’Ankara
COMPETITIONS
DEC 2017
YAC (Young Architects Competitions) Pinocchio Children’s Library Competition
MAY 2017
Eleven Magazine Rome2017 Competition
FEB 2017
ArkxSite Site Dwelling Competition
OCT 2016
Archiprix Turkey Ankara River Revitalization; “A Monument of Silence”
JUL 2016
Archiprix Ankara River Revitalization; “A Monument of Silence” Chosen as the best graduation project of “Bilkent University Faculty of Art, Design and Architecture“ to join the competition
6
Architectural Design
2012-2018 Selected Works
01
02
03
Pinocchio Children’s Library
River Tiber Revitalization
The Origin
YAC Competition
Eleven Magazine Competition
ArkxSite Competition
04
05
06
07
08
Monument of Silence
Architecture to Nature
The Guest House
The Nook
Parametric Shelter
Graduation Project Archiprix & Archiprixtr Competition
Undergraduate Work
Undergraduate Work
Undergraduate Work
Undergraduate Work
8
01. Pinocchio Children’s Library
A Child-firendly Approach to Learn & Discover Collodi, Italy, 2017 November - 2017 December Library Concept for Collodi European Childhood Capital, Group Work for YAC (Young Architects Competition) Rhino, Grasshopper, SketchUp, Autocad, Vray, Lumion, Photoshop, CorelDraw
The design objective of Pinocchio Children’s Library was to steer its visitors along an enchanted architecture. Since it is a children’s library it’s focal user group were children with all the abilities and disabilities. In this regard, circulation became the vital concern. Existing abandoned Paper Factory and the river were two significant givens, therefore the massing is generated accordingly to them, considering existing views, natural entity, and again, circulation.
We took the well-known “Blue Fairy” from the original story of Pinocchio, and turned her into our circulation path. As she was helping and showing the right way to Pinocchio during his adventures, now she was physically helping our little visitors during theirs. Easy-to-access main articulations (both vertical and horizontal), tactile paved simple flow of voids and child-friendly secred passages and slits creates this safeguarded “play - learn - and - create - ground” for the children.
Intervention Area
10
Collodi
“Located on a green hill, Collodi looks like almost a cascade of little houses. From the ancient fortress, located on the top of the village, these houses seem to flow to the valley and stop before Villa Garzoni. As if it was a bank, the villa stops the course of the unusual assemblage. With dreamy naturalness, the village changes appearance and language within a few meters. It is composed by both the unadorned style of the medieval buildings and the sumptuous opulence of the baroque villa offering late 19th –century emotions in the shadow of the ancient paper factory. Lastly, it also offers an evidence of modernity in the Butterfly House of Villa Garzoni. The village is a unique whole of memories and stories, a succession of little houses and steep alleyways. These back lanes are still the same as when they were acting as backdrop in the childhood of Carlo Lorenzin (Inventor of Pinocchio, later internationally known with the pseudonym “Collodi”). These alleyways irreversibly remained in the memory of the writer: these places seem to be the setting of his imaginative adventures. Mosaics, illustrations, paintings and statues: in Collodi everything is about Pinocchio. There are also countless allusions and artistic re-interpretations peeping out in every corner of the village paying homage to the puppet-boy. This character touched countries and generations beyond any latitude and geographical border. Collodi is Pinocchio and Pinocchio is Collodi.”(”Pinocchio Children’s Library” brief, YAC.) Views from Pinocchio Park
Views from Collodi
The Paper Factory
“Paper production in this part of Italy dates back to the beginning of the XIV century. Under favour of the invention of straw paper done by a local pharmacist, the number of paper factories in this area grew from 8 to 211 at the beginning of the XX century. On the river lapping against Collodi, within a few meters, there are two paper factories. One of them is still situated in the perimeter of the intervention. The paper factory is a place of majestic beauty. The distinctive features of the paper factories of that time still characterize it. There are high windows in the upper floors to dry the reams. There are also wide spaces in the two lower floors where raw materials were processed for the production of paper.” (”Pinocchio Children’s Library” brief, YAC.)
Views to the river and the Paper Factory
12
Design Process
The Blue Fairy accompanied Pinocchio during his adventures, so did our circulation “Blue Fairy” to our little visitors. Therefore as our architecture became the adventure itself, our circulation became the visitor’s own storyline that every child would experience individually. So from now on, the story (circulation) will be told by the visitor him/herself!
Story Line of the Library
I saw the upside down world in library and I have met the blue fairy!
I passed the river where pinocchio was nearly drowned!
Now I can carve like Geppetto !
The Main Circulation creating made me the hero of my own fairytale!
The Blue Fairy!
the timeline of my visit. It all starts with a TREE
Finish
1 Library Reading other people s stories
2 Exhibition Viewing Other people s Artworks
3 Workshop
Time to Create mine!
Massing
Workshop
Wet areas
Exhibition
Car Park
Library
Vertical Circulation
Administrative
Blue Fairy
Zoning
Circulation
Media Rooms
14
Site
11.00
N
1.Library 2.Workshop / Exhibition 3.Multimedia Room 4.Exhibition 5.Underground Car Park Entrance / Exit 6.Parking Area 7.Bicycle Park 8.Glass Bridge
6
3 2
4
00.00
09.50
5
5
1
09.20
8
7 6
0 10
50
100 m
“O
nce upon a time in a fantastic town called Collodi, where sky smiles back, rivers flow slow and trees grow fast, there was this kid, curious and excited to visit this Great Library of Pinocchio. The building had three main bodies. Library, Exhibition and enchanted, old Paper Factory. But he was a bit clumsy and scared to get lost inside. Then he plucked up, entered the Library. First he saw the upside-down Cherry Tree in the entrance of the Library and suddenly realized that the earth was upside down! The Sky and Earth was replaced! It was all starting from a tree! That was the time when he met the Blue Fairy. She was looking after all the kids and other visitors, with ramps and bumps on the floor, leading the way to the special ones too. She even had a slide and huge spiral ramp as a main circulatory ! The kid felt safe in her companionship, started his adventure, circulating throughout the site! Trees to papers, Papers to books, books to libraries. And surely to Pinocchio! It was all starting from the tree! All the good stories of history. Even the History itself! breathing and learning... Everything!” View towards Workshop Building (Old Paper Factory)
16
Library
The Hubs & The Form
The “Hubs” directly refers to Collodi’s Architectural and Natural Fabric by form and color. The form emphasizes clustering of functions as the color choices distinguishes the hubs. The Historical village of Collodi is embodied as a cluster, cascade of houses, piling up over Villa Garzoni. This geometry is the schematic base of the Hubs of the library; juxtaposed distractions and quiet reading corners for children.
“T
he wooden pannels were surrounding him, making him feel in a mysterious forest to be discovered with millions of hidden stories written in their leaves! Enjoyed different spatial experiences in the hubs. Felt the mystic soul of the fairytales among the architecture. In the sky level, he lied in the sky looking up to the earth. Everything is naturally ground based, thanks to the gravity. But since now it was reverse, furnishings were now flying, suspended from the ceiling.“
The Library is a merged system containing, reinforced concrete columns, pre-stressed concrete beams, curtain walls and parametric panels surrounding the structure.
Skylight
Terrace Roof
Suspended Wooden Pannels of Ground Floor Glass Curtain-wall
Ground Floor Slab and Masses Ramp and Slide
Retainin Exterior Walls of Basement Floor Wooden Pannels of Basement Floor Basement Floor Slab
Sunken Slab
View through the Library Building
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Library
12
18
16
14 15 B 1
First Floor Plan 332 m²
09.80
11
20
17
7
13
03.20
2
10
01.70
B’
4 3
8
5 6
Ground Floor (Earth Kingdom) Plan 2514 m² A’ A
21
Ground Floor (Sky Kingdom) Plan 2707 m²
21
21 16
22 20 19
B
24
03.20
1. Entrance 2. Waiting Area 3. Information & Checkout Desk 4. Reception & Cloak Room 5. Women Restroom 6. Men Restroom 7. Book Research 8. Staff Room 9. Archive 10. Manager’s Room 11. Open Office 12. Staff Restroom 13. Multipurpose Area 14. Kitchen 15. Think Tank 16. Cafe 17. Personal Working Hub 18. Amazon Hub 19. Early Childhood Hub 20. Private Reading Area 21. Co-working Hub 22. Lab 23. Reading Lounge 24. Cloud Lounge
12.80
A
3
B’
5
8 9
6
A’
23
0
10m
Library Longitudinal Section Perspective
20
Library Color Scheme
-Distinguished by their colors -Extracted from Collodi environs -Analyzed, Blended, Saturated and grouped as Warms on the “Earth Floor” and Colds on the “Sky Floor” -Fairy Blue is a transition between warms and colds. Representing the guidance of “The Blue Fairy” in the circulatory stream
0
10m
Section AA’
0
10m
Section BB’
22
Exhibition & Workshop
Exhibition Main Building Diagrams
Views & Natural Light
Massing
Parti
The Main Exhibition Building hosts the collection of Collodi Foundation. This area is a temporary or permanent mounting place where the Collodi Foundation can keep its collection of toys or exhibit hundreds of illustrations and artistic interpretations that every year are donated to the Foundation. Its architecture is in a balance between opaque and transparent; providing flexibility to the building. Diffused light is achieved via reflected sky lights in the opaque masses (local refered brick blocks with pitched roofs).
“T
hen he left the Library to continue his adventure in the Exhibition. Pinocchio was almost drowning in this river, but with the help of the Blue Fairy, he passed the glass bridge, came to the Exhibition. People was looking down to the exhibition from a glass box above, behind huge statues and amazing illustrations. Somebody was playing hopscotch in the ceiling, he realized that there were many secrets to be discovered. These were small distractions, separations from the Blue Fairy, just like Pinocchio did in his adventures. So with curiosity, he went to the main Exhibition Building. Inspired from the artworks and illustrations. What he have found was not about fun this time. This place wasn’t made only to play around. Here, he saw the serious, but inspirational face of the Library Complex. He was filled with desire to create something now! He headed to the Workshop to gather with the other adventurers in the second floor of this old Paper Factory. The Blue Fairy carried him there, then said goodbye since she was completed her duty as a circulatory element, and went back to show the way to the other clumsy kids. The kids in Workshop, they learned the joy of creating, importance of helping each other, and appreciation of what nature provides us. Again, it all started with a tree, They carved, and painted and sanded their creations just like Geppetto did to Pinocchio. Now, as their creations were joining others in the exhibition floor below, Each one of them, including the clumsy boy, realized: Just like Pinocchio did when he did a favour and become a real boy, they became the heroes of their own stories. To the Cherry Tree which gave life to Pinocchio, To all the trees that had and have been giving life, house and inspiration to humanity, And to all the trees in a one’s unforgettable childhood memories!”
Workshop (Old Paper Factory) Longitudinal Section Perspective
24
13. Staff WC 14. Street Entrance (Personnel Only) 15. Personnel Parking Area 16. Augmented Reality Room 17. Dark Hopstoch 18. Carpenter’s Supply Desk 19. Menager’s Room 20. Lounge & Secretary
15
23
25
24
C
Second Floor (Workshop) Plan 393 m²
21. Menager Entrance 22. Blue Fairy’s Lookout Point 23. Workshop Entrance 24. Workshop 25. Workshop Entrance & Parent’s Waiting Area
14
21
12
5
6
0
10m
C’
11.20
11.20
C
7
9
8 Ground Floor (Workshop Exhibition) Plan 1000 m²
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18 14.90
11.20
3 1
13.07
11.20
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11.20
09.80
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19 20
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14.05
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22 17.10
1. Entrance 2. Blue Fairy Tower Elevator & Stairs 3. Exhibiton 4. Souvenir Shop 5. Workshop Exhibition 6. Street Entrance & Info Desk 7. Multimedia Room 8. Open-Air Exhibition 9. Men Restroom 10. Women Restroom 11. Open Office 12. Staff Storage
18.00
18.50
Workshop
16 First Floor Plan 450 m²
C’
0
10m
Section CC’
26
08.60
Exhibition 9
8. Parking Area / Loading Bay 9. Multi-Storey Cark Park Entrance / Exit 10. Auditorium 11. Stage & Backstage 12. Projector Room 13. Permanent Exhibition
9 07.30
1. Entrance 2. Wating Area 3. Info Desk 4. Restrooms 5. Temporary Exhibition 6. Outdoor Display 7. Interactive Exhibition
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D’
First Floor Plan 450 m²
10
9
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7 5
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8 0
10m
First Floor Plan 450 m²
First Floor Plan 450 m²
0
10m
Section DD’
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Model of Pinocchio Children’s Library
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02. Tiber River Revitalization Rome 2017 Rome, Italy, 2017 April - 2017 May Tiber River Revitalization Proposal, Group Work for Eleven Magazine’s “Rome 2017" competition Rhino, AutoCad, SketchUp, Vray, Lumion, Adobe Photoshop, CorelDraw
“The origins of Rome stem from its river Tiber. Legend has it a wolf raised Romolo (the founder of Rome) and his twin brother Remo after she discovered them by the river’s edge, forever linking water to the very origins of Rome itself. Through water a powerful city was born and also thanks to water a flourishing civilization grew. Aqueducts and bath houses spread drinking water and high levels of hygiene throughout the empire, solidifying Rome’s status, dominance and revolutionary technology in the world.
Within the city walls, the first hospital in history was built on Tiber Island, surrounded by its river for protection and easy access to the purifying properties of water. Later on, in baroque Rome, water became a source of prosperity, as Popes and patrons showcased their power, influence and wealth by commissioning hundreds of beautiful fountains throughout the city. Through this competition, today we turn to water as a muse for change once more.” (“Rome 2017” brief, Eleven Magazine.)
Fontana di Trevi, “Rome 2017.”, Eleven Magazine.
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Site Analysis Main Issues
Unlike other famous cities around the world, Rome does not have an active relationship with its river. In recent years, many cities have rekindled their relationship with their water’s edge, turning their river-fronts into renewed places to be experienced and enjoyed. Sadly, in the case of Rome, not only is this yet to happen, but the condition of the river is degrading quickly. The only interaction Rome has with its river is through its many bridges. These are romantic and iconic structures, but are designed to link the two sides of the metropolis together. They do little to link the city to its water-edge. More so, the state of the river today is an unsightly jigsaw piece in the picturesque scenery Rome has to offer its inhabitants and visitors from these bridges. The Tiber flows below city level by approximately 10 meters. In essence, it exists as a parallel, sunken dimension to the otherwise bustling city life above. Its wide shoreline is dirty, unwelcoming and desolate, accessible only through occasional steep steps. At city level, its once romantic ‘Lungotevere’ is now a congested loud vehicular artery. And yet, the Tiber keeps flowing steadily with untapped potential as it snakes through the city centre, just a stone’s throw away from the many historic sites which seem to have turned their back on it. Tiber River, “Rome 2017.”, Eleven Magazine.
water
river bank
sidewalk wall
road
sidewalk
buildings
Typical Cross-Section of River Tiber
10.5m
Sycamore Trees
8m city level 0m water level
Tiber River; Typical Cross-Section, “Rome 2017.�, Eleven Magazine.
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Site Analysis Tiber River Analysis Legend
Floodplain (High Risk / Low Risk) Conserved Architecture (Individual / Aerial) Tourist Attractions (Architecture / Field) Riverbank - Ancient Floodwalls Riverbank - Convenient for Intervention As we passed through the 21st century, the greatest cities of the world, which in common are cut into two through water, have come to the need of a modern“renaissance". Rivers have survived perfectly through centuries of great civilizations, until the last decades of extremely fast developments where they face countless problems. Rome as one of the oldest cities, has a magnificent power owing to its once magnificent- river, Tiber, but much like its competitors, it has become a bygone and uninspiring piece of the city. On top of flooding problems despite the high walls seperating the city life from the waterside, the river is surrounded by trash, dead fish and malodour. For a city like Rome, healing Tiber is the only way, thus what the majestic Tiber needs is a fresh new "life".
36
Revitalization Proposal
Birth means the beginning of life. Rebirth, in French "Renaissance", would thus mean coming to life again. Rome, the city considered as eternal, only needs several touches to its heart, Tiber, to be alive again. To freshen up Rome along Tiber, we decided that the design needs some nodes and routes connecting these nodes, creating different kinds of zones in between, depending on the areas' existing use and potential. The city is full of history -and tourists- thus it needs more qualified options for daily life activities serving for anyone interested, both locals and tourists. For this purpose, we spotted 5 nodes and 4 zones in between them along the river. The aim is to create a set of new circulation routes centering the river, and turning the dead artery back to life by reviving its surrounding using the great potential by the sides of it. The 4 zones, Art Zone, Leisure Zone, Urban Agriculture Zone and Outdoor Activity Zone were born upon this idea. Connecting two nodes like a dog bone, the zones offer a fluent transition between the focal points and proposals in a way not disturbing the city's own unique pattern and flow.
Then, there are the five nodes; The Gasometro Node, The Tiberina Node, The Castel Sant' Angelo Node, The Risorgimento Node and The Zero Node. The nodes are decided over the most potential areas of the city to be reborn and aim to draw the most attention and spread it softly to its surrounding zones. Our main consideration that was crucial to the design has been sustainability. Not only in terms of green, but we let sustainability lead our way as our ordering system in 5 means; social, functional, aesthetic, economical and environmental. Our proposals such as wetlands, urban agriculture, terraces along the river, pedestrian paths and bike roads, geodesic nooks, art, leisure and sports zones all serve to one or more aspects of the system. That way, we not only aim the city to be reborn, but also to keep it alive for a long period of time. One other thing that really matters to us is the people. If there is no people outside in a city, it could never be alive. We want people to travel around the city, experiencing things outside of their daily plans. We want them to choose -maybe the longer- but the joyful road home. We want them to look around while they walk or ride, connect with the unique flora around, breathe fresh air and not to be stuck in the heaviness of such and old and historical city. We want people to be happy with the city they live in; and that exactly was our spark, lighting the way in the path of design.
Tiber River, “Rome 2017.”, Eleven Magazine.
38
Proposal Master Plan River Purification & Wetlands In order to prevent river pollution and reduce it, afforestration and creation of wetlands are commonly used as a solution. They are affective and last a long term withoutany need for hard engineering. Wetlands attract many new animal and plant species which restore the wildlife. Along with that, wetlands also stabilize disturbed flood plains resulting in flood prevention. Use of gravel in wetlands contributes to the purification of water. The proper public awareness and frequent cleaning of the river will result in a long lasting pollution free Tiber.
The Geodesic Nooks These mobile Geodesic Nooks located all around the River Tiber airate the water therefore they prevent water pollution. The steel structure also functions as an aquatic habitat for several species. Exterior part of the structure collects wastes such as plastic bottles and bags that can endanger animals. The collected wastes are removed weekly so the system can properly function
Legend Node-Zone Determination
Pedestrian Path
Greenary
Bike Lanes
Waterfront Intervention
40
Nodes
1. The Gasometro Node
4. The Risorgimento Node
Located in the southern part of the proposal, Gasometro area is currently visited mostly by artists and young people. Even though the neighbourhood becomes full with social activities in summer, it is still disconnected from the River Tiber. In order to create this connection, Gasometro node is a gateway leading to the art zone of the Tiber Route. zone will provide both a physical and a functional enhancement in the river’s relationship with the urban context.
Risorgimento Bridge is a passage between the green outdoor activity zone, consisting of fishing, canoeing and tracking, and the urban agriculture zone. The node serves as the centre of the mentioned zones that are designed for the use of locals rather than tourists. Due to this fact, it is located slightly away from the old town.
2. The Tiberina Node
5. The Zero Node
The Island is not only a vertical connection but also a cultural centre for the locals of Rome and tourists. The buildings are repurposed for people to attend workshops and debates along with writer talks. Libraries, dance,music and theathre performances are accompanied with film screenings. Tiber Island is in the heart of the city and with this proposal, it will fully use it’s potential.
This node in the northern part of the proposal opens up to the o ered wetlands that mainly aim to solve flooding and water pollution problems of the area. It creates a vertical connection for people to experience wildlife and to get to know more animal and plant species. Along with that the node connects wetlands with fishing and canoeing areas.
3. The Sant’Angelo Node The node is in close connection with the Sant’Angelo and Vatican City. While leading to the urban agriculture areas in the north, it opens up to a leisure zone in the south. It is the centeral node of the Tiber Route and has the strongest vertical relation with the urban settlement.
Gasometro Node (Gasometro) Proposal Axonometric
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Zones
1. Art Zone & Emporium
4. Outdoor Activity Zone
The Art Zone created between Gasometro and Tiberina is the new hotspot for artists and the youth. Along the riverside it’s possible to find painters and musicians places to meet such as boutique cafes and pubs. It’s easy to reach considering the vertical nodes given. The zone also functions as a marrow between the art neighbourhood and the Culture Centre on Tiberina. Cycling paths and wide terraced pedestrian paths come with the new development. Zone connects to Tiberina Node through Emporium. The ancient trade arter of Tiber is brought to attention due to the renewing of the area.
The most green parts of the Tiber in Rome are located on the northern side of the city. Many sport facilities are also located in this area. Considering the location, the ideal planning is to enhance the outdoor activities and connect the sport spirit of the neighbourhood with Tiber. The planning proposes fishing, canoeingand tracking areas to the currently unused parts of the river. With the provided decks, running and cycling path, fishhng, canoeing, cycling even photographing the beautiful views are encouraged.
2. Leisure Zone The leisure zone is proposed for locals and tourists that are too tired of the sight seeing the historical parts of the city. The main focus is to relax and enjoy the clean view of the river . It works as an escape zone in the centre for the ones who are too tired of the chaos in the city.
3. Urban Agriculture Zone After passing Castel Sant’ Angelo,on the eastern side urban agriculture zone begins. Urban agriculture is becoming more popular everyday due to it’s relation with ecology. It is used commonly for organic products that are to be sold by the local businesses. This way the economy of the neighbourhoods change drastically. Not only it is crutial for sustainability but it also acts as a transition zone from urban to suburbs.
Ponte Risorgimento, Risorgemento Node Proposal Render
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03. The Origin The Point Where the Axes Intersect Salir do Porto, Portugal, 2016 Oct - 2017 Feb Experiential Niche Proposal, Individual Work for ArkxSite’s “Site Dwelling" competition AutoCad, SketchUp, Lumion, Adobe Photoshop, CorelDraw
Salir do Porto has a number of significant landmarks within a prominent landscape; it is a place of great cultural heritage and historical significance with characteristics that must be fully preserved. In the late sixteenth century, Salir do Porto became an important seaport for the region and a center of naval construction. The bay has three kilometers of beach and connects to the Atlantic Ocean through a 250 meter wide opening between the cliffs of Sant’Ana Chapel and the lighthouse. In recent years, Salir do Porto became a place of retreat for actors and writers. The remains of the old Chapel Sant’Ana and the Customs building are a valuable testimony of the historical significance of Salir do Porto. It is believed that Sant’Ana Chapel’s construction was to praise the ships that left for sea travels during the Age of Discoveries. The access to the Chapel is made through dirt roads and the last 500 meters are made on foot.
The Site Dwelling, located on the cliff of the bay, aims to create a secluded destination, a place of retreat to engage with the landscape while providing shelter from the natural elements. This is a place to stay and inhabit for a few days, offering visitors a unique experience in a very special setting; visitors must leave the space as they found it, empty. The proposal suggests accomodation for visiting groups of 2 to 6 people for few days. It is a sunken compass, a secluded structure covered with the landscape. The chapel of Sant’Ana was built to praise the ships leaving the bay for travels during the Age of Discoveries, “the origin” follows this basis, praising adventurous travelers by providing a unique sheltering experience. Mainly the proposal is not competing with the historical givens, it is a supplementary architecture. The ruins are not interrupted by the new architectural proposal. The historical context preserves its public function and its remarkable through & from views. The structural additions surrounding the junction point (living/resting space) also generate a vertical transperency. This vertical visual connection with “the origin” creates a riveting property; visitors perceive hints from what exists below.
View from the origin
46
N Site Plan // Vistas
Design Process Design with Respect to Chapel & Structure
defining axes in respect to existing structure of Sant’ana Chapel and publicprivate identification.
overlapping the supportive structure of the ruins and the refined geometry
0
250 m
500 m
cropping the edges with reference to views and natural donnee
detaching spaces by the overlapped geometry, the landscape is penetrating through the form where the spaces detached.
refining the geometric combination
elaborating functional zoning accordingly to the mentioned design criteria.
View through the Sant’Ana Chapel & “the origin”
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Design with Respect to Visual Connections
1
West Elevation
2
creating the masses accordingly to the givens 3
sinking the masses in the ground to sustain Chapel’s visibility.
separating the masses regarding to the Chapel’s architecture.
5
tilting down the edges in order to keep existing views through the Chapel and voiding the intersection of axes.
East Elevation
4
directing towards the views
South Elevation 6
finalizing by ensuring the visual connection between historical and proposed contexts. 0
5m
10 m
North Elevation
B
N
+26.50 PLAN
Function Analysis
A’
A
1.Entrance welcomes the user with a surprising view towards the old Customs ruins and “quebradas”. 2.Living/Resting function is spread along the origin and eating area but the main B’
living area is right in the middle of two axes, where everything intersects; “x, y & z axes”, “public & private funtions” and “historical, proposal & natural”. User can experience rain, sun, nightsky etc by the help of transparent overhead. 3.Eating Area includes a bonfire pit and has a role as being a gathering node. It is a
B +22.00 PLAN
semi open space, with a platform pointed to the Lighthouse while the slit conceives visual connection with the ruins of Sant’Ana Chapel. 4.Sleeping Area is the most enclosed space receiving diffused northern light. Being
4
burried on the lowest degree makes it a cozy and snugger space with a wide panoramic opensea view. It is a large single place including coves as subspaces to sleep together with the group.
A
5
3
A’
2
5.Bathing is taken as a group activity as it was in ancient eras via the pool. The pool directed towards the cliffs is connected with the natural elements; landscape, wind, 1
sun, rain, sounds of the waves etc.
0 50
B’
5m
10 m
View through the bathing area
View through the cooking/eating area
View to the sleeping area
View to the entrance
25 20
5
2
3 15 10 5 0
SECTION AA’
25 20 15
4
2
1
10 5 0
SECTION BB’ 0
5m
10 m
52
View through the Living/Resting space
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04. A Monument of Silence Ankara Memorial Haunt Ankara, Turkey, 2016 January - 2016 May Ankara River Revitalization Proposal, Memorial in Akkopru, Individual Project Graduation Project for Arch402 Class, Represented Bilkent University in Archiprix 2017 and Archiprix Turkey 2017 Rhino, AutoCad, SketchUp, Vray, Lumion, Adobe Photoshop, CorelDraw
The fundamental attribute of this design is its reference to transportation and security. In 2016, three bombing attacks, which were all directly related with transportation, occurred in Ankara killing more than 160 people. Considering that memorial architecture is one of the strongest ways to create a permanent reminder, a Memorial complex is designed in the middle of the city’s urban life to make the public feel and be conscious of the irreversible effects of violence by using an incisive language of architecture. The aim was to create an environmentally and socially sustainable, 24/7 alive, secure, multi-functional haunt. The complex contains a Memorial, a transportation node and mixed-use facilities for the use of anyone regardless their sociological, ideological or cultural identity.
Panoramic view to the site.
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Master Plan Developement Land Use
Agricultural
Military
Residential
Mixed-Use
Government
Brownield
Industry
Open Area
House Prices
100.000 TL - 150.000 TL 150.000 TL - 200.000 TL 200.000 TL - 400.000 TL 400.000 TL - 1.000.000 TL
Open Fields
Open Space
BrownďŹ eld
Green Area
Agriculture
Plant Nursery
Riverbed
Natural Riverbed Ankara River
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Finalized Ankara River Proposal Collaborative Master Plan // Class Work
First phase of the project started with a collaborative development of a master plan by 21 ARCH402 students, involving Ankara River and its surroundings. The aim was to revitalize the river and create a sustainable prototype. Then, each student decided on the location, type and program of their individual building. After site analyses, case studies and literature review, the collaborated masterplan proposal is produced by the students. The masterplan took a strategy with regards to the two military airports, ĹžaĹ&#x;maz Industrial District and AtatĂźrk Forest Farm. New Urbanist and Smart Growth principles (mixed-use, mixed-income, walkability, improved transportation network) guided the masterplan, as well as a focus on the revitalized Ankara Stream. Second phase; the individual work formed the Focal Master Plan which marked number 16 in the Master Plan.
For further information, check out our book! http://www.blurb.com/b/7210954-along-ankara-stream-a-sustainable-urban-prototype
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Verbal Manifestation Focal Master Plan // Individual Work
What does Ankara need?
The focal master plan aims to repurpose Akkopru's sorroundings and recreate its visual connection by pushing the developements away from the waterfront and creating a green belt between the architecture and the river. For more dense parts, inner courtyards and green corridors forms the outdoor units, the secondary axes are mainly pedestrian, they are enveloped by mixed-uses, residentials and small commercial functions.
- A reminder for afictive events recently occured; three bombing attacks; so that people can be conscious of the irreversible effects of violence. - Greenery to fullďŹ ll the lack of recreational areas/parks in the immediate surrounding. - A secure, accessible, mixed-use haunt which primarily serves to publics basic needs; few old ladies sitting in a bench chatting all day & night and a restaurant on the corner of the street can provide much more security than lots of police forces. - To appreciate / reveal historical content by restoring their existing function and repurposing accordingly to contemporary necessities. - Embracing natural ora, restoring if its disrupted, taking the nature as a design element instead of considering it as a setback.
What makes this location suitable for this architecture?
- Contains slums and industrial buildings demolished due to urban renewal projects.
MEMORIAL
- Akköprü Bridge already features landmark characteristics but is lost between ribbon developements. - This area has a great potential of being a threshold for the master plan - Revitalization of Ankara River & Incesu Stream are already vital since they are disconnected from the urban fabric, partially flowing in the culverts.
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Memorial Complex Parti
Circulation
1. Memorial is the leading structure of the project. It is introverted and solid, completely isolated from the exterior. Its basic geometry and simple layout is consisted out of respect.
2. The Exhibition Hall is mainly extraverted. It’s permeable and transparent, therefore it can even be consider as the direct opposition of the memorial. Fragments River Expansion
Views
Memorial Transportation Node Daily Needs N.G.Os
Tram Pedestrian Vehicular
Natural Conditions Summer Sun
Winter Sun
Main Entrances Secondary Entrances
Prevailing Wind
3. Erupted Sculptures are verging towards the whirlpool, about to be whipped away. It aims to remind people that what they have can be gone any moment; “you can be the next one”.
4. Akköprü is an existing historical bridge standing up since 1300s. It is forgotten and lost between ribbon developements and needs regain its beauty.
5. Incesu is the one with the highest flow rate of three main branches of Ankara River, this is another aspect that highlights the great potential of this location; Incesu is meeting the Ankara River at the western side of the Akkopru Bridge and Incesu’s revitaliztion is a must as a supplementary suggestion to my project.
*The layered platforms that leans next to the expanded riverside not only creates a terraced park but also keeps from harming the natural entity.
6. I also suggest a layout for the non-governmental organisations, which would reinforce the collective memory.
1 2
6
3
4
7. The Diving Deck is a platform that reaches closest to the whirlpool and in a manner points towards it. It lets the user get close to observe what is happening in this nothingness.
7 8
9 10 5
**All three bombing attacks were directly related with transportation; they are occured in a Train Station, a bus stop and to the busses in the dense traffic. Therefore the referance to transportation was also vital and this conceptual Transportation Node also needed to be linked to the memorial since it’s the greeting structure of the site. The moment the user leaves the metro tunnel or the tram station, Akköprü Bridge, The Whirlpool and The Diving Deck welcomes them. Eventhough it’s left as a conceptual structure, the views and the program was the two main aspects that needed to be considered.
8. The Whirlpool is the ground zero. It is a “nothingness” in the center of everything that it creates. It is a black hole left behind an explosion. 9. Everyday facilities; Local shops and small bussinesses such as restaurants, cafes, bakery, grocery store, butcher, pharmacy and kiosks would make the site 24/7 alive and therefore it would sustain socially and retain its security. So that it could become a haunt. 10. The Metro Exit & Tram Station is a tunnel proposal for the existing metro station that directly meets the site. It is a secondary function, but its was important since this is the spot where the user meets the site for the first time.
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Mo[nu]ment of Silence Natural Conditions
Natural Light Ventilation
Views
Views Foreclosed Views
Transparency
Transparent Solid Panoramic view to the Memorial Complex.
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In the entrance of the main Memorial Building, a sharp black mass welcomes the user. This mass cuts the space into two while containing service functions inside.
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70
Occupied Exhibition is occupied by the victims of the explosions. Their names are written on the glass in front of the dead trunks.
View from the Barren Garden to the Memorial
The Barren Garden is a garden that contains a single plum tree. When it is observed from the Unoccuiped Exhibition, the grade is in the eyelevel, gives the user a feeling of being burried in barren soil.
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05. From Architecture to Nature Cohousing Project on the Lake Bilkent, Ankara, 2014 September - 2014 December Residences for Researchers and Postgraduates for Architectural Design Studio III SketchUp, AutoCad, Adobe Photoshop, CorelDraw, Lumion
Cohousing concept shapes around the overlapped functioning of shared spaces. To specify which fuctions can cooperate, we ďŹ rst need to delicately distinguish private from public accordingly to the user typology. In this example, the prefered user group was post-graduates of Bilkent University and shared functions have chosen accordingly. The Cohousing locates on the dam wall of the small lake inside the university. Presently the lake serves as an irrigation dam; collecting water from two natural sources in the southern end of the lake and serving to whole university.
But with increasing temperature changes in the micro and macro climate and overconsumption, the water levels of the lake has been decreasing quickly. By re-purposing this lake as a recreation spot and by providing proper water treatment, this forgotten atmosphere can easily turn into a scenic symbol of the university. The southern end of the lake which welcomes two streams hosts a dense greenary and a natural habitat for many livings. As a design intention, the southern end is not intrupted and dam is praised as an architectural given. The project tag; Architecture to Nature therefore points out the harmony within this contrast.
N
74
Site Analysis Massing Surrounding Architecture
Waterow Natural Stream Culvert Damp
Transportation Non-accessible Accessible
Zoning Intervenience Conservation
Inicial Design
View from the Lake towards Architecture
1. Basic Concept
2. View Through Architecture
3. Light / Shadow / Heat
4. View From Architecture
5. Finalized Concept
The concern was to create a contrast between the nature and the architecture; taking the advantage of the nature to the point and also exalting its existing beauty. Because in the end, an architecture should bow respectfully before the nature.
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Site Proposal Massing
Functions *Living Machine (8) is a waste water treatment system;
Rain Water
Public (Common Spaces) Private (Residential Units) Circulation
Horizontal Flow Wetlands (Reeds) Disinfection System
Septic Tank
Water Harvesting 1 Waste Water
Anaerobic Aerator
Closed Space
Main Site Entrances Vertical Circulation
Living Machine* Clean Water Waste Water
2 Tidal Cells
Lake Environ
3 Reuse Storage Tank
Closed Space
Clean Water
4
-02.10
N
8 2 5
4
-02.10
4 7 +00.40
3 +07.90
6
00.00
1
+00.40
1. Deck 2. Commons (Entance, Vertical Circulation) 3. Snack & Cafe 4. Entrance Ramp 5. Site Elevator 6. Common Study & Library (Further Design Template) 7. Parking Lot Accession 8. Living Machine Enclosure
10m
50m
2
4
6
2
100m
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A
B
C
N
Units & Commons
Housing Unit
Common Unit
Proposal
3
Lakeside Deck Study Rooms Lounge Laundry
Cafe Housing Units for Post-graduates
Library
2
Public Use
00.40
Elevator Parking Area
1. Deck 2. Hall 3. Elevator 4. Loundry Room 5. House Unit Entrance 6. Kitchenette 7. Study Area
8. Living Area 9. Green Terrace 10. WC 11. Sleeping Area 12. Terrace 13. Common Entrance 14. Common Lounge
1
00.40
00.00
A’
B’
C’
Ground Floor Plan (Deck Entrance) 1/400
A
B
A
C
B
C
A
B
C
13
10
04.90 04.90
5 7
11
6
4
10
8 01.90
5
2
07.90
9
6
3
3
8
00.40
12
14
12
7
11
2
3 06.40
03.40
9
00.00
00.00
A’
B’
C’
1st Floor Plan 1/400
A’
B’
00.00
C’
2nd Floor Plan (Main Entrance) 1/400
A’
B’
C’
3rd Floor Plan 1/400
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View Towards Cohousing Unit
09.00 07.90
07.90
07.40
07.40 06.00 04.90
04.90 04.40
04.40
01.90
01.90 00.40
00.40
Section AA’ 1/400
Section BB’ 1/400
12.80 10.60
07.90
07.90
06.40 04.90 03.40 01.90 00.40
Section CC’ 1/400
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Passive Solutions
As the proposal serves to young academics, the open-plan serves to exible user needs. Tilted roofs are oriented accordingly to the views, solar sustainability and rainwater harvesting.
Light / Shade
Green Roof Sun Catcher Solar Roof Natural Light Reective Louvers
Views Through / From
Views
Aerial View Towards Site
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View from the Lake towards Architecture
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06. Visiting Academic Guest House Outhouse for Florya Ataturk’s Mansion Florya, Istanbul, 2013 December Temporary Lodgement for Academic Researcher for Architectural Design Studio I SketchUp, AutoCad, Adobe Photoshop, CorelDraw, Lumion
One of the most iconic figures of the early 20th century, Mustafa Kemal Ataturk is remembered as the leader who emerged from the ashes of the Ottoman Empire to establish Turkey as a sovereign republic. As the founding father of Turks, his contributions to the development of a modern, secular Turkey were so influential that his traces are still can be observed in all spheres. Ataturk, considered architecture as a complementary element for a sophisticated society. Hence, the new architectural language was emphasizing socio-cultural modernization ideals of the new Republic of Turkey led by Mustafa Kemal.
Well-known Turkish architect Seyfi Arkan’s Florya Ataturk Sea Mansion reflects the unique and modernist style of the era; the Early Republican Period. Besides representing its features as one of the most important examples of modern architecture in Turkey, Arkan’s unusual design has become one of the symbols of this period. As a part of Architectural Design Studio I, the task was to design an outhouse for visiting academics who will stay in the Guest House while continuing their studies based on Modern Architecture in Turkey. Therefore, the user will be changed every 2-3 years but the user necessities will be the same.
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Context Florya Ataturk’s Sea Mansion
The single-storey structure is located on large piles and is connected to the shore by a bridge of 90 meters in length. It is a wooden building completed in 48 days with pre-fabricated materials and fittings in 1936. The L-shaped plan diagram reflects the functional separation of private and service. The program is based on the special care that Mustafa Kemal needed in the recent years of his life. By being right next to the public beach of Florya, the building both emphasized the incipiently spreading act of sea bathing and kept Mustafa Kemal closer to the people. The building has undergone extensive renovation and some have been replaced with reinforced concrete. Today, it is used as a museum.
Aerial View of Florya Ataturk’s Sea Mansion
Public Beach and the Mansion
Atatürk Sunbathing in Front of the Mansion
Proposal Guest House Design Process
My challenge was to design without overshading this existing exceptional architecture and its simplicity and in fact exalting it. 1. I chose to design a basic, modest building composed of two rectangular prisms, reffering to the simple L shaped plan of the Mansion, i shifted east-west and north -east axes and obtained a plus shaped diagram.
1. Parti
2. Zoning Private Public
2. The plan was composed of overlapped zones; public and private. While private zone extends along east-west axis and provides wide open sea view to the bedrooms, public zone continues along north-south axis, widens up and creates a spacious two-storey environ. 3. The circulation also arises from these two axes. In east-west, a hallway with a library which contains a permanent archive connects Private Zones and in north-south a staircase connects living area to the Study Room above. The entrance situates where both zones overlap.
3. Circulation
4. Transparency Opaque Transparent
4. Two-storey high Public Zone is transparent while Private zone is mostly opaque. 5. The Guest House must concretise Ataturk’s Mansion’s distinctive architectural properties. It sits in the edge of the sea level, emphasizes the transition between the public beach and the Mansion and carried by two bearing walls and a simple column-beam grid. 5. Structure
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Plans
1. Entrance 2. Bathroom 3. Storage 4.Kitchen
5. Dinning Terrace 6. Living Area 7. Dining Area 8. Hallway - Library
9. Bedroom I 13. Master Bedroom 10. Bathroom 14. Bathroom 11. Swimming Terrace 15. Study Room 12. Bedroom II
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Elevations
A
B C
A’
B’ C’
4.80 m
1.60 m 0.00 m
East Elevation
North Elevation
C B
A
4.80 m
1.60 m 0.00 m A’
C’ B’
West Elevation
South Elevation 1m
5m
10 m
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Sections
Section AA’
Section BB’
Section CC’ 1m
5m
10 m
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Further Developement Constructional Design
Since Atatürk's Mansion is regarded as a local landmark especially for the project, its preferences are always highlighted in the context of design language and construction. The main references are done by using a similar geometry and locating the guest house partially on the sea. The location of the house is a potential conflict for its construction. But using piles/piers is probably the best way for the footing of the house and also it is suitable since Atatürk's mansion is also supported by a pier system. The pier system is very efficient for the project since the water level is not a fixed data. Hydraulic concrete is formed drilled pile foundation for the slabs above the sea surface and piers for the rest of the building. The hydraulic concrete pile system is not needed for the rest since the soil conditions are suitable for a regular footing. Two different support systems are working differently so dilatation is required between the systems.
st
The materials used in the guest house are 21 century th interpretations of the same materials used in early 20 century for the Atatßrk's mansion; such as ceramics, wood, steel, etc. That way amboyancy of the mansion is referred again and the guest house acquired its integrity.
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View through the Livig Area
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07. The Nook
Single-Functioning Room Project Bilkent, Ankara, 2013 November An Environ for Students for Architectural Design Studio I SketchUp, AutoCad, Adobe Photoshop, CorelDraw
“The Nook� took his name from the secure, womb-like feeling that the user perceives inside. The design goal was to create an isolated, silent and warm space where the users can focus on studying, thinking and reading.
It is designed to serve individuals or small study groups up to 4 students. The Nook is simply a plucked study room with a small bathroom and a terrace. Everything is built-in. Formed from two levels, higher level consists from a big concrete table and two seating units, lower level is to sprawl or lie while reclining to the bended concrete which also works as a thermal mass.
Axonometric Projection of the Nook
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A
6 5 1
2
4
3 1
4
6
3
A’ 1. Entrance 2. Resting / Thinking 3. Studying / Reading 4. WC 5. Green Roof 6. Terrace Plan 1/200
Section AA’ 1/200
Constructional Design Uv Protected Dome Granular Backfill Protection Board Rigid Insulation Waterproofing Concrete
Silver Coated Reflective Tube
Ceiling Diffuser Detail-B: Solar Pipe Detail
Leveling Concrete Vapor Retarder Rigid Insulation Concrete Foundation
Detail-A : Wall Section Detail
Vegetation Lightweight Growing Medium Filler Fleece Membrane Seperation Layer Root Barrier Waterproof Membrane Insulation Board Roof
Detail-C : Green Roof Detail
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Model of the Nook
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08. A Temporary Kiosk For Bilkent University Student Council Parametric Shelter Bilkent, Ankara, 2016 January Kiosk for Student Council for Parametric Design Studio MaxScript, 3DsMax, Lumion
MaxScript Code Roof Structure Lightweight Concrete Panels
Pillars Structural Concrete Panels
The design is a recyclable concrete structure located on the main pedestrian circulation axis of the Bilkent University Campus. As a part of Parametric Design Studio, the task was to create a kiosk for Student Council by using one of the parametric design softwares. In this case, 3DsMax - MaxScript was used in order to reach the aimed form and function. Renders of the Kiosk
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Basic Design Opted 2D & 3D Works
01
02
03
Shadow & Light Museum
Kandinsky
Spatial Organisation
Undergraduate Work
Undergraduate Work
Undergraduate Work
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01. Shadow Light Museum First Human Scale Design of an Outdoor Exhibition Area 2013 May Open-air Museum for Basic Design Studio II Sketchup, Autocad, Vray, Photoshop
1. Entrance 2. Info / Security
Site Plan 1/1000
3. Pavillions 4. Meeting Area
5. Garden
Plan 1/250
The design goal was to create an open-air shadow / light museum which displays its own architectural features. In order to reach this goal, the architecture imposed upon all the beneďŹ ts of natural light; reections by colored surfaces, shades over concrete panels and refractions by the water elements. These pools and panels surrounding the site smoothly detaches the museum from the streets.
Physical Model // Views through the Pavillions
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02. Kandinsky An Omnidirectional 3D Object Extracted from a Kandinsky Painting 2012 December 3D Work for Basic Design Studio I Cardboard & Acrylic Paint
Refered to the emphasized section of the painting “Developement in Brown” by Vassily Kandinsky, an object without a direction is constructed. Th e a b s t ra c t, m o n o chromatic object consists 12 variations of a solid prism (in brown) and connectors which conchoidally binding the prisms together (in blue). Th e s e b l u e a n d b row n elements forms a Möbius strip and creates an endless continuity. As the object is observed from different directions, the observer perceives various geometries.
Developement in Brown - Vassily Kandinsky
03. Spacial Organisation Solid-Void / Balance / Hierarchy 2012 December 2D Work for Basic Design Studio I Acrylic Paint on Paper
The 2D design is composed of two overlapped grid organisations. The dominant black triangles not only lead the contrast between blue and orange strips (vertical grid) but also creates the second layer (diagonal grid).
Spacial Organisation
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Miscellaneous Works
It has been a passionate curiosity for me to use all the means of arts and crafts. In this section you can ďŹ nd selected miscellaneous works done between 2010-2018.
VOID Colored Pencil on Paper, 2010
ZEP Acrylic on Paper, 2012
LUNA Acrylic on Paper, 2012
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DIMITRIY Graphite & Acrylic on Paper, 2011
PTEROPHYTA Acrylic on Paper, 2017
SHAMMER Dry Pastels on Paper, 2018
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GYPSY GIRL Mosaic with shattered clay, 2017
CAT Clay, 2017
120
HEAD IN THE CLOUDS Digital, 2012
ORGANIZED Digital, 2016
122
BARTON FINK Digital, 2017
FIELDS Digital, 2017
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Architectural Sketches
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