“The Birds of Paradise”

The bad news Birds help a tired journalist find good news

by Jim dodson

I hear a voice and look up. The face is much older, the voice deeper. But both are so familiar.

“Hey, Coach,” says Peter Gay, giving me what I used to call his sly fastball grin.

I stand up and we hug.

“You grew up, buddy.”

“And you grew old, Coach.”

“Funny how that happens.”

We both laugh.

Forty years ago, Pete and his brothers, Fred and Rodney, and their friend, Alvin, were the invincible infield of an innercity baseball team I coached for two spring seasons called the Highland Park Orioles. I nicknamed them the Birds of Paradise because most of the players came from a tough inner city neighborhood where, by agreement with their anxious parents and guardians, I dropped them off near a street named Paradise after every practice and game.

Atlanta, in those years, was anything but a paradise. Due to the infamous “Missing and Murdered” crisis that besieged the city between 1979 and 1981, in which 30 Black kids and young adults were abducted and murdered by an unknown person or persons, the city that declared itself “too busy to hate” earned the distinction of being the “Murder Capital of America” for several years running.

Looking back, going out at my editor’s suggestion to write a sweet little feature story about the hopefulness of spring baseball tryouts in my Midtown neighborhood and getting strongarmed by a frantic league director to take on a wild bunch of Orioles whose coach never bothered to show up was one of the most fortunate things that ever happened to me.

In the spring of 1982, I was the senior writer of the Atlanta Journal-Constitution Sunday Magazine, the oldest Sunday magazine in the nation, where Margaret Mitchell worked when she wrote Gone with the Wind.

During my six years there, I’d written about everything from unrepentant Klansmen to corrupt politicians, presidential campaigns to repo kings, a constant stream of violence and social mayhem. Upon reaching age 30, I decided that I was rapidly becoming a career burn out case. In a nutshell, I’d had enough of covering the sorrows of my native South.

An early tipping point came while working on a story about Atlanta’s famed medical examiner, Dr. Robert Stivers — reportedly the inspiration for the hit TV show, Quincy — when I actually saw my next-door neighbor, a med student, gunned down in his darkened backyard doorway by an assailant. The young man died as his hysterical girlfriend and I waited for the EMTs and cops to arrive. The cops took their own sweet time, shrugging it off as just another drug deal gone sideways. I followed the ambulance hauling my neighbor’s body downtown to the ME’s office to await his autopsy. Talk about art imitating life’s worst moments.

My editor, a charming true-blue Atlantan named Andy Sparks, who’d been on the magazine since the days of Margaret Mitchell, had spotted my brewing crisis and suggested I write about “lighter” subjects for a time. So I went over to the rutted ball field with pen and pad and not a lot of hope in hand.

Our first practice was chaos. The team horsed around and barely paid attention as I placed them into tentative playing positions. Somehow, I managed to get the four best players into key spots. Pete and Alvin would rotate between pitching and playing third; Fred at first base, and Rodney catching.

On the way home, I stopped at a popular neighborhood joint called Woody’s just two blocks from the ball field, foolishly thinking that if I bought them a milkshake and got to know them better, the four best players on the team might help me whip the Birds into shape. Instead, they hooted and hollered and made such a rude ruckus that the owners tossed us out and warned us not to come back unless we could learn to behave.