Pitzer Faculty Field Notes Brent Armendinger (English & World Literature/ Creative Writing) authored two poems, “Jurupa Oak” and “Meshwork,” published in Interim: A Journal of Poetry and Poetics in November 2019, and “Internal Combustion,” published by Green Mountains Review in February 2020. Nigel Boyle (Political Studies) completed the Vietnam portion of his 2019–20 Fulbright Global Scholar project. He was partway through the Pakistan leg of the project when he was evacuated home due to the COVID-19 crisis. He hopes to complete the project, a comparative study of new liberal arts colleges in different parts of the world, in 2020–21, when he returns as the director of the Institute for Global/Local Action & Study at Pitzer. Jose Zapata Calderon (Sociology, Chicano/a Latino/a studies, Emeritus) wrote the forward to Defending Latina/o Immigrants: The Xenophobic Era of Trump and Beyond by Alvaro Huerta. He also co-authored two papers, “Intersectional Organizing and Educational Justice Movements: Strategies for Cross-Movement Solidarities” for The Assembly: A Journal for Public Scholarship and Education and “Organizing Lessons: Immigrant Attacks and Resistance” for Social Justice Foundation. Calderon gave five presentations from California to North Carolina; “Political Organizing in the Inland Empire” at the Latino Leadership Summit, “Reflections and Commitment: On the Meaning of Fernando Pedraza” at the National Leadership Institute of Jose Fernando Pedraza, “The Roots of Immigrant and Refugee Migration” a presentation at Migrations: A Conference on Refugees, Immigration and Global Movement, “The Role of the Struggle Against Racism and Rising White Supremacy for Gender Equity and Immigration Justice as Part of Movement-Building” at Bennett College and “A Greensboro Requiem” reading of Emily Mann’s play at North Carolina AT&T State University. Fély Catan (Spanish and French) wrote two articles, “Migrations Sud-Sud dans un contexte francophone: les relations intra-caribéennes” for Littératures francophones et mondialisation and “Le théâtre de José Rivera: l’identité portoricaine
en question” in D’ici ou d’ailleurs: la double appartenance dans l’aire hispanique. Ciara Ennis (Pitzer College Art Galleries) presented a paper “The Appropriation of Sixteenthand Seventeenth-Century Wunderkammer Tactics for Rethinking Biennales,” as part of the Biennial Foundation’s panel Biennialization and its Counternarratives at the College Art Association in Chicago this past February. She was also a panel moderator for Botanic Potentials with artists Beatriz Cortez, Karen Lofgren and Jenny Yurshansky at the symposium Free Radicals: On the Provocations of Awe, Art Center College of Art and Design in Pasadena last November. Paul Faulstich ’79 & P ’15 (Environmental Analysis) was quoted in The New York Times travel article “‘Do Not Touch the Flowers!’ One Family’s Eco-Adventure in the American Southwest” about a family’s visit to Anza-Borrego State Park. Judith Grabiner (Mathematics, Emerita) and her career was the subject of an article in the Notices of the American Mathematical Society, one of the most-read publications among professional mathematicians. The article “A Template for Success: Celebrating the Work of Judith Grabiner,” was published in March 2020. Steffanie Guillermo (Psychology) co-authored two papers, “Beyond stereotypes: The complexity of attention to racial out-group faces” in the Journal of Theoretical Social Psychology and “Pain perception and treatment for adolescents in racially concordant versus discordant patient-provider scenarios” published in Journal of Adolescent Health. She gave a research talk, “Effects of Suspect Race on Perceptions of Coerciveness and Guilt in Interrogations” at Claremont Graduate University in January. Brian Keeley (Philosophy) provided expert commentary in the NBC News article “Coronavirus conspiracy theories are frustrating ER doctors.” Amanda Lagji (English and World Literature)
was awarded the Northeast Modern Language Association’s Annual Book Award for the bestunpublished manuscript for her work, Waiting for Now: Postcolonial Fiction and Colonial Time. Jesse Lerner (Media Studies) received a production grant from the Graham Foundation and completed a residency at the Headlands Center for the Arts. He gave invited talks at the Museo Universitario de Arte Contemporáneo (Mexico City), the Block Museum of Art (Northwestern University, Evanston, IL), the Teatro José Rubén Romero (Morelia, Mexico), the Million Dollar Theater (Los Angeles), the Simposio Internacional de Teoria de Arte Contemporaneo (at the National Anthropology Museum in Mexico City), University of Southern California (the XXVI Visible Evidence conference), UCLA (Urban Humanities Institute) and the Museo Tamayo (Mexico City). His documentaries were screened at the Pacific Film Archive (Berkeley), the Museo Amparo (Puebla, Mexico), the Festival Márgenes (Madrid), the Museo Regional de Antropología Palacio Cantón (Mérida, Yucatán) and Museo de Arte Moderno de Medellín. He published in Found Footage magazine (Madrid) and Cine politico en México, 1968–2017 (New York: Peter Lang), and curated or co-curated exhibitions including Two or Three Things I Know about Latin America in Arsenal, Berlin, Ism Ism Ism at Lightcone, Paris; Northwest Film Forum, Seattle; Film Front, Chicago; GovettBrewster Art Gallery, New Plymouth, New Zealand; and the Festival Internacional de Cine de Cali, Colombia, and the documentary feature section of the Morelia International Film Festival. David Moore (Psychology, Claremont Infant Study Center) co-authored two papers including “The development of mental rotation ability across the first year after birth” published in Advances in Child Development and Behavior and “Spatial thinking in infancy: Origins and development of mental rotation between 3 and 10 months of age” published in Cognitive Research: Principles and Implications. He also penned a book review, “A genetic unraveling: Book review of Kostas Kampourakis’s Making Sense of Genes” for New Genetics and Society. Finally, he’s evaluating 27 books as an invited member of a Special 2020 Issue · 33
