MASP Review

M A S P

Purpose

Celebrating Malta's top architecture and interior design, inspiring a future with even more beautiful and sustainable living.

Interview: Prof. Conrad Thake

Showcasing some of Malta's Best Architecture & Interior Design Projects of 2022

"as architecture moved

aesthetics the connection with fashion became more evident."

19. Community Spirited Regeneration

21. A Shared Living Community

29. A Timeless Fusion of Casual and Luxury Dining

33. Commendations Preserving Heritage with Meticulous Renovation

38. Embracing and Incorporating Nature

39. When Heritage Meets Innovation

22. From Cellar to Cinema

34. A Historic Restoration Blending Elegance and Functionality

35. A Blend of Functionality, Sustainability, and Aesthetics

25. Aesthetics and Efficiency Unite

27. Capturing the Spirit of Serenity

36. A Seamless Transition Between Old and New

37. Rediscovering Romeo Romano Gardens

40. A Haven of Warmth and Hospitality

41. A Culinary Oasis Rooted in Tradition

42. Transforming Urban Mobility for Safer Communities

Foreword

Celebrating Excellence in Architecture and Design

By Mr Oliver Magro, Executive Chairperson – Planning Authority

In today’s fast-paced world, where cities are constantly evolving, there is an undeniable need to elevate the quality of design in our streetscapes. Our urban environments serve as a reflection of our society and culture, and it is imperative that we create spaces that inspire and uplift.

The Malta Architecture and Spatial Planning Awards strives to recognise and promote the power of design in transforming our surroundings into havens of creativity, functionality, and aesthetic brilliance.

As a nation, we are at a critical juncture in defining our architectural identity and purpose. It is essential that we embrace an architectural style that not only showcases our heritage and uniqueness but also propels us into the future with confidence.

The MASP Awards provide a platform for architects and designers to explore and experiment, fostering a dialogue that will shape the architectural fabric of our nation for generations to come.

However, the pursuit of excellence in architecture and design does not end with the creation of extraordinary structures. The world of design is constantly evolving, and architects and designers must embark on a journey of continuous professional development to stay ahead of the game.

The MASP Awards recognise the importance of nurturing talent and promoting growth within the profession. By showcasing exemplary works and facilitating knowledge-sharing, we strive to inspire the architects and designers of the future to push their boundaries and embrace innovation.

Let us celebrate the visionaries who are transforming our streetscapes, and envision a future where quality design is the cornerstone of our built environment.

Winners

Restoring Heritage, Nourishing the Community

The Soup Kitchen run by the Franciscan Order in Valletta focuses on empowering individuals to lead lives with dignity. This project by ARC Studio stands as a testament to the revival of forgotten spaces, breathing new life into the heart of the community.

With meticulous design and craftsmanship, the beautifully vaulted space of the Soup Kitchen OFM Valletta has been transformed into a thriving soup kitchen and community gathering place, amplifying its commendable cause within the historic confines of the Franciscan Minors’ convent.

Drawing inspiration from the history and philosophy of the Franciscan Order, the project by ARC Studio repurposed the old Franciscan refectory, constructed in 1584.

Senior Architect at ARC Studio Arnaud Schwartz explained that the principal focus of the studio is the livelihood of the Cultural Heritage of the Maltese Islands: “Our design contribution seeks to place itself in the historical continuum. It aims at safeguarding and enhancing the treasures that are still to date under threat despite its indisputable high value.”

This project exemplifies the importance of minimising the environmental footprint and cherishing the foundations laid by the past.

By repurposing an existing historic structure instead of constructing a purpose-built facility, ARC Studio demonstrates a commitment to sustainability. The project not only breathes new life into an underused space but also significantly reduces its environmental impact, resulting in a lower carbon footprint.

“Our interventions put the emphasis on the long-term conservation of the architectural heritage, with careful conservation of its fabric and features to be retained and the introduction of distinct, yet respectful, elements that will allow it to continue serving human endeavours,” Schwartz continued.

Once abandoned due to a decline in resident friars, the space has been thoughtfully restored to echo its original purpose - providing nutritious meals to those in need.

The adjacent areas have been converted into showers, laundry facilities, and offices, providing essential resources and empowering users with the skills necessary to find employment. The rehabilitation project aims to expand the original purpose of the space, extending its social value to benefit the wider community.

While preserving the historic elements, the Soup Kitchen project achieves a delicate balance between honouring the past and creating a contemporary environment. The removal of later accretions revealed the original volume of the spaces, exposing the beauty of the stone walls and vaults.

“The world of design is constantly evolving, and architects and designers must embark on a journey of continuous professional development to stay ahead of the game.”

Lightweight linings were introduced to accommodate services, ensuring the integrity of the original masonry walls. These modern additions remain reversible, leaving a clear distinction between past and present. The thoughtful design and contemporary finishes foster a sense of acceptance and inclusion among users, providing a dignified space tailored to their needs.

To ensure accessibility and inclusivity for all, the project incorporated platform lifts, minimising disruption to the original fabric of the building

The MASP Awards jury members lauded the Soup Kitchen project as an inspiring endeavor, not only for its architectural achievements but also for its profound social impact.

The transformation of forgotten spaces into a functional community hub is a testament to the power of design and craftsmanship. The Soup Kitchen, with its elegantly restored vaulted architecture, now stands as a testament to the successful union of aesthetics and purpose.

Unveiling Secrets and Restoring Legacy

The restoration of Is-Santwarju talMadonna tal-Ħniena in Qrendi by the Restoration Directorate presented a unique challenge. The church’s current structure, constructed between 1650 and 1688, replaced an earlier chapel due to its inability to accommodate the growing number of pilgrims.

Guided by the philosophy of allowing the Sanctuary to reveal its secrets through meticulous restoration techniques, the multidisciplinary team involved in this project embarked on a journey of historical discovery.

“Our restoration projects are based on scientific and critical philosophical principles,” explained Architect Ivana Farrugia, “When approaching an architectural monument with the intent of restoring it, we seek to employ the knowledge and varied experience of

a multidisciplinary team, as well as all available and approved scientific means, to identify, restore and protect the monument’s historic and aesthetic values with the intent of transferring said values to the future.”

This site's historical significance, coupled with its evolving architectural composition, established its dynamic importance within the Diocese. The church was closed to the public in 2000, necessitating urgent restoration work.

Before commencing the restoration project, extensive historical research was undertaken to fully understand the building's evolution. Beyond the apparent conservation issues of cleaning, consolidation, and protection, it became evident that hidden layers of forgotten features lay beneath more recent additions.

This comprehensive investigation, combined with onsite surveys, meticulous inspection, and laboratory testing, provided a thorough understanding of the site, and informed the restoration process. The project's course was continually reviewed and adapted to ensure its accuracy and integrity.

According to Farrugia, recourse to documentary and physical analysis allowed the Restoration Directorate to understand the building’s past history and present ailments, and delineated their course of on-site action.

“Our projects seek to respect, or complement, the historic buildings’ authenticity and integrity through the application of best practice restoration ethics and values.

Rehabilitation and Conservation Award – WINNER Soup Kitchen, Valletta – ARC Studio

Whilst adopting a cautious and sensitive approach our restoration projects do not discard a priori the possibility of intervening by using or introducing new materials or the possibility of removing recent less relevant layers to bring to light earlier interventions of greater value. Instead, such decisions are taken critically by seeking to strike a balance between respect for, and retention of, traditional materials and techniques and the introduction of innovative materials and new, yet ethically sound, methodologies,” she says.

With utmost care and respect for historical and artistic value, the project aimed to uncover, consolidate, and reintegrate elements representative of different historic periods.

The project also revealed and partially reintegrated the archaeological remains of a medieval chapel, effectively bridging the gap between past and present.

By paying tribute to the site's past, the restoration project successfully fulfilled its mission of returning a functional church to the community. Is-Santwarju talMadonna tal-Ħniena holds immense religious and social significance for the local Qrendi community and the wider Maltese population, and the restoration project acknowledges and embraces this heritage.

While the Restoration Directorate's in-house multidisciplinary team, including architects, history scholars, restoration technicians, and skilled craftsmen, spearheaded the project, the involvement of external restorers and a monitoring archaeologist, as well as collaboration with the Superintendence of Cultural Heritage and the Qrendi Local Council and Parish, exemplifies the project's commitment to a holistic and inclusive approach.

The MASP Awards jury members commended the project for allowing the building itself to reveal its hidden ‘secrets’ through the application of superior restoration techniques.

Through meticulous research, precise craftsmanship, and collaborative spirit, this restoration project has transformed a historical treasure into a tangible and accessible experience for all who visit.

Restoration Award - WINNER

Is-Santwarju tal-Madonna talĦniena, Qrendi – Restoration Directorate

A Green Oasis which Embraces Inclusivity

The Ġnien Victor Calvagna project designed by Perit Andrea Scremin and Biancoarancio successfully blends nature with human intervention, creating a safe and inclusive space for the community to enjoy. The project is part of an ‘Urban Greening Project’ aimed at enhancing the quality of life for Mosta residents.

The garden has always been a cherished ‘green lung’ for the community, nestled within a forest of Maltese olive trees.

The project's primary objective was to preserve the site's ‘green’ essence while making it accessible and inclusive. The design approach was subtle, with a focus on enhancing the existing endemic trees and creating connections that gradually unfold.

Architect Elena Salata said that their architectural approach focuses on economic and social environmental sustainability, attention to people's wellbeing, and the preservation of historic and natural character of the sites:

“We strive to minimise negative environmental impacts through our design choices. Our sustainable design aims to create buildings and spaces that minimise resource consumption and promote long-term environmental health.”

Their approach also focuses on creating functional, inclusive, and accessible environments that support the physical, mental, and emotional wellbeing of the occupants.

For this project, accessibility was a key consideration, ensuring that the park is open to all generations. Subsequently, the spaces cater to various needs, accommodating children, adults, and the elderly, regardless of physical or cognitive abilities.

Three entrances, equipped with ramps featuring a maximum slope of 5%, provide easy access from the road. While preserving the existing vegetation, the park is organised into four thematic areas, each characterised by distinct vegetation: the vegetable garden, the playground area, the fitness trail, and the new ‘city's living room’.

The park also features a refreshing gathering spot known as the ‘refreshment corner’. This open structure seamlessly intertwines with the surrounding vegetation, providing a shaded seating area, accessible toilets, and a platform for community interactions.

Bespoke Design and Sustainable Elegance

From its inception, the Hotel Verdi in Gzira aimed to transcend the boundaries of traditional hospitality, offering a truly immersive experience to all who enter its doors.

Drawing inspiration from the renowned composer Giuseppe Verdi, Dr Edwin Mintoff Architects meticulously incorporated elements of his legacy into the fabric of the hotel. Extensive research into the maestro's life and work resulted in an exquisite fusion of architectural morphology and thematic details that pay homage to Verdi's era.

Architect Edwin Mintoff explained that in Verdi’s world, music, instruments, and the spotlight of the stage were the main elements to consider.

Ġnien Victor Calvagna aligns with the principles of the Green Building System and Circular Economy.

Construction efforts minimised the carbon footprint by employing limited mechanical means, while ongoing maintenance tasks prioritised sustainable practices and manual labour, ensuring a long-lasting and environmentally conscious park.

“An architecture that respects the historic and natural character of a place seeks to integrate harmoniously with its surroundings,” Salato stated. “This approach involves understanding the cultural, historical, and natural context of a site and designing in a way that complements and enhances the existing environment. It involves using materials, forms, and construction techniques that are in keeping with the local context.”

The MASP Awards jury commended the project for its seamless integration of the existing mature trees, which adds a natural charm to the site. The garden has not only retained its original character but has also become a haven for visitors. Prior to the intervention, the site had blossomed into a wildflower meadow, serving as the inspiration behind this remarkable garden.

Today, amidst the urban density of Mosta, Ġnien Victor Calvagna stands as a green oasis, offering barrierfree access and a secure environment for all - a testament to the power of inclusive design.

Public Open Spaces Award - WINNER

Ġnien Victor Calvagna – Perit Andrea Scremin / Biancoarancio

“We translated this concept to reality by integrating actual music instruments into our design, and using the brass material as a feature element in our main desks which were then carefully designed with lighting elements to create the desired spotlight effect. We also chose red velvet curtains for the mezzanine level, inspired by the opera stages.”

The colour palette chosen for the project for both the interior and exterior form was carefully selected to further build upon their musical inspiration.

“The black, white and grey background colours were chosen to attract and focus the user’s attention to highlights with red accent highlights,” Mintoff said. “Similarly, we designed the lighting in this hotel to draw the user’s attention and guide their way, in a manner which echoes how musicians draw the attention of their listeners.”

The architects conducted a comprehensive urban study of the hotel's surroundings, allowing the building to harmoniously blend with the existing urban fabric.

Stepped terraces seamlessly connect the hotel to the residential zone, while a double-height frontage along the promenade beckons visitors with a grandeur that captivates passersby. This integration of the building within its environment is a testament to the architects' commitment to contextual sensitivity.

Musical instruments grace the lobby, reception, and restaurant - including the Aida trumpet which Verdi himself designed, together with a double-height library featuring miniature musical instruments and books on Malta, Verdi, and music - creating a harmonious symphony that resonates throughout the space.

Exquisite finishes, including marble-clad facades and custom furniture, elevate the sensory experience for guests. Thoughtful lighting design enhances the interplay between natural light and reflective surfaces, further enriching the architectural composition.

The architects placed a strong emphasis on the building's street elevation, incorporating a ventilated

façade system with hidden thermal insulation. These environmentally conscious choices result in increased thermal efficiency and reduced energy consumption. Throughout the design process, a Latento hot water system, and high-quality apertures were also implemented, ensuring a low carbon footprint.

The MASP Awards jury was struck by the strong thematic inspiration that permeates every aspect of Hotel Verdi's design, complemented by views across the harbour during the daytime, and sensitive lighting design during the, thereby enhancing visitor experience. The jury members also lauded the project’s low carbon footprint, and passive environmental measures designed to increase the comfort of visitors to the hotel.

This project not only delivers a unique guest experience but also embodies a commitment to sustainability and environmental consciousness. As guests step through its doors, they embark on an unforgettable journey that celebrates the fusion of art, architecture, and sustainability.

Commercial and Public Buildings Award - WINNER Hotel Verdi – Dr Edwin Mintoff Architects

From Farmhouse to Contemporary Oasis

Designed by the team at Form.draw, a young design company comprised of architects and interior designers, House for a Young Family represents a successful transformation of a rural building, situated within an urban conservation area, into a contemporary home.

The client's vision encompassed a dwelling that could serve as a comfortable everyday residence while effortlessly accommodating entertaining activities.

The farmhouse retrofit retained the cosy and intimate spaces behind thick boundary walls, ensuring a sense of protection and privacy. In addition, the architects optimised the larger open areas, seamlessly integrating them into both indoor and outdoor social spaces, while enhancing ventilation throughout the entire building.

Architect Joe Galea emphasised that their creative process for architecture is somewhat scientific and very much based on parameters:

“For every architectural process we first gather as much data on the site as possible based on the site. In this case, we analysed the existing rural building using radiation analysis, light ray analysis aside from, of course, gathering the brief from the client and studying all the policies as well as considering that we were working in an

urban conservation site.”

Emphasising sustainability, the project preserves large existing water wells and maximises rooftop surfaces, including the courtyard, to harness energy and water resources. The property boasts a self-sustaining pool with its own balance tank and a Mediterranean garden that supplies the family with an abundance of fresh produce.

The architect capitalised on the building's multilevel nature and collaborated closely with the client's expertise in steel and aluminum fabrication to create connections between spaces through bridges and staircases. This design solution not only facilitates circulation but also serves as a visually striking feature.

The outdoor area is adorned with a geometric terraced landscape, providing a deliberate contrast to the organic rubble walls that surround the pool.

The architect wanted to take advantage of the vernacular properties of the existing building and add further value to it, with the advantage of digital tools and fabrication.

“With the client also being a steel and aluminium fabricator, we wanted to see how to best use his expertise to fit in the creative process,” he continued. “When it came to interiors, we developed moodboards and 3Ds, also using virtual reality to ensure everything was being read properly,” Galea explained.

The team meticulously crafted the restoration, new walls and ceilings, doors, flooring, M&E, and loose

furniture, while also paying meticulous attention to lighting, fitted furniture, bathrooms, beds, accessories, and landscaping.

Throughout the project's development, the architects harnessed the power of digital tools, including visual coding, BIM (building information modeling), and virtual reality.

The architects also explored innovative approaches, studying the existing volumes in relation to proposed extensions and surface treatments. Solar analysis tools informed the design decisions, leading to the strategic roofing of the courtyard and controlled light through vertical glazing.

The MASP Awards jury commended this project for setting a benchmark for collaboration between architect and client, seamlessly blending functionality, and aesthetics. The residence showcases the extensive use of steel fabrication, while the meticulous environmental analysis undertaken during the project's development further contributes to its noteworthy achievements. This project epitomises the harmonious fusion of tradition and contemporary living with the creation of a residence that not only meets the needs of its occupants but also serves as a testament to sustainable and innovative architecture.

Interior Architecture Award for Residential Buildings - WINNER Design Award for Good Architecture, Building and Structure and Interior Architecture Award for Residential Projects - WINNER House for a Young Family – Form.draw

A Toast to Heritage and Innovation

Located within the innovative Brewhouse, Farsons sought to provide visitors with an immersive journey through the history of Cisk, culminating in a place where they could savour the freshest brew. Here the Cisk Tap was born under the talented direction of

Openworks Studio & Forward Architects

Architect Alberto Miceli Farrugia said that memory and personal experience plays a significant role in defining the eventual design of all their projects:

“The internal make-up of each one of us influences how we individually respond to people’s needs and a project’s brief. It is what differentiates one person’s approach from another’s. Memory, and intuition, are in their own right also informed through precedent, and internalised images and emotions generated through literature, poetry, film or art as well as our interaction with other people.”

For this project, rather than creating a separate venue, the design team opted to establish a contemporary home for Cisk within its original brewing sanctuary, which

housed the entire brewing process, and still retains the 1950s equipment. The allocated space was situated at the rooftop level, slightly detached from the Brewhouse.

In consultation with Farsons' management, they expanded the project to include the Grist, a versatile multipurpose hall located on the floor below, strategically drawing activity further up the building and creating a cohesive experience.

The Cisk Tap was envisioned not only as the final stop on the Brewhouse tour but also as a premier destination for quality evening experiences. It was designed to have two distinct ‘souls’ that could seamlessly transition between serving visitors during the day and welcoming locals for memorable nights.

The concept developed over a series of discussions amongst the project team. These followed brainstorming sessions with the client’s team which allowed them to fully understand their requirements, and to define the project brief.

“We focused on how Cisk would be made central to the scheme, not physically, but conceptually. It did eventually lead to the counter, from where the beer is served, being placed centrally, allowing patrons to gather round as they would in any friendly encounter,” said Miceli Farrugia. “Meanwhile the space was opened up to the external views and the landscape, placing the counter at the heart of the local context. A memory of ‘home’ informed the glazed backdrop.”

Encouraging people to gather around and face each other, the counter promotes conversation and dialogue—a reflection of Cisk's role in fostering connections among friends, families, and communities. The monolithic

counter, enveloped by a crystalline lining, pays homage to the beer's solid heritage while offering panoramic views of Malta's picturesque landscape from the front terrace.

On the floor below, The Grist Multipurpose Space extends the Brewhouse's reach to the wider community, providing a flexible venue for various activities and events.

MASP Award jury members commended the project for having created a harmonious blend of function and aesthetic while celebrating Malta's industrial heritage and paying homage to the iconic Cisk beer.

The project seamlessly integrates with the Farsons Brewery, referencing the colours of the lager in their materiality, and evoking a sense of nostalgia while embracing contemporary design.

With the Cisk Tap at the Brewhouse, Cisk's legacy is poised to be projected into the future, leaving a lasting impression on all who experience it.

Community Spirited Regeneration

City of 1000 Gardens presents a comprehensive approach to reorganising and revitalising the town of Marsaskala, while emphasising its abundant natural heritage. By seamlessly blending sustainable development, community engagement, and climate change concerns, NIDUM's proposal sets a benchmark for urban planning in Malta's town and villages.

NIDUM's long-term vision for the regeneration of Marsaskala centres around sustainable development, incorporating the United Nations' Sustainable Development Goals and addressing climate change concerns.

coastline, by the surrounding local countryside, the fresh breezes and the beauty of the bays. We were inspired by the community’s bonds, the activities of the residents and visitors, and the changing patterns of movement and gathering of people across the seasons,” he said.

The driving force behind the town's economic and social progress is its natural and ecological heritage.

Firstly, the proposal builds upon and reconnects with Marsaskala's abundant natural and ecological capital, including the surrounding open hills, beaches, bays, coastal landscapes, and protected zones. The aim is to allow nature to infiltrate the town, fostering a harmonious coexistence between urban and natural environments.

Secondly, NIDUM seeks to recover and reinforce Marsaskala's sense of community by revitalising the quarters that emerged from the town's earlier and more gradual expansion, closely tied to the bay's geophysical characteristics. By reestablishing these quarters, traditional community ties can be strengthened, fostering a sense of belonging among residents.

Incentives are also proposed to encourage residents to green their front gardens, rooftops, and backyards, creating a community-oriented regeneration initiative, aptly named ‘City of 1000 Gardens’.

Cisk

Architect Alberto Miceli Farrugia explained that inspiration was sought from the history of the town, its physical context and ecology, and its social characteristics, combining them with a vision for more sustainable cities. They also sought to ensure public participation not only at the consultation stage but also throughout the implementation of the project.

“We were taken in by the town’s casual structure, the manner in which it bridges the open hills and the

To achieve these broad principles, NIDUM advocates for gradual actions at an urban level. This involves improving accessibility by removing unnecessary infrastructure and introducing slow mobility and slow tourism networks. Furthermore, a matrix of progressive interventions is proposed for each quarter.

One of the key components of the project is the redesign of the waterfront. The aim is to create a pedestrian-friendly, leisure-oriented public space that unifies the quarters and becomes the heart of the town.

Interior Architecture Award for Commercial & Public BuildingsWINNER

Tap + The Grist Multipurpose Space - Openworks Studio & Forward Architects

NIDUM's project was a response to the design competition initiated by the Malta Tourism Authority in 2021, seeking an ambitious and daring vision for Marsaskala's regeneration.

“The category for this award is ‘Urban Planning Concept’, so the project is still very much at concept stage. Should it be taken further, several in-depth studies would first be required. We would need to engage with the residents of the town in their various groupings, as well as with all stakeholders, so that the developed proposals would respond to their requirements and concerns. We would also bring on board other experts, so that the final project is socially resilient, environmentally sustainable, economically viable and meaningful for the community, visitors to the town, and for the country as a whole,” Miceli Farrugia stated.

The MASP Awards jury members said that NIDUM's inspirational integrated approach to urban planning - which also seeks to recover community spirit in Marsaskala by rethinking its physical organisation, revitalising its attractions and reinforcing its connection to the abundant natural heritageexemplifies a crucial model that should be emulated throughout Malta.

While the focus was initially on providing a distinctive Mediterranean visitor experience, NIDUM broadened the scope to encompass the town's role as a sizeable residential community.

Urban Planning Concept Award

WINNER (architecture firms)

A Shared Living Community

The project Retrofitting the White Rocks Complex by architecture students

Nicole Kenely and Kimberly Camilleri revolves around three key themes: frugality and sensitivity in approaching the existing built fabric and landscape, exploring boundaries and densities of shared living, and creating flexibility through modularity.

Leveraging the potential of the site's built fabric and landscape, the designers sought to understand the connectivity between buildings and the surrounding open spaces. By analysing building typologies and their capacity, they discerned the appropriate density for the area.

Ms Kenely and Ms Camilleri say that they find a great deal of inspiration in architectural projects that are community focused, and which use the environment and landscape as an integral part of their design.

“We seek inspiration from architecture which seeks to work with and for the community and the land rather than an architecture which imposes itself,” they explained.

At the heart of their design is the aim to enhance permeability and connectivity. The team achieved this by integrating pockets of sheltered gardens on the south side of the buildings and reinstating paths that navigate the changing levels of the site.

Their creative process starts by delving into the project brief and the available site, and understanding the needs, potentials, opportunities, and limitations of the end users and of the site itself.

“Case studies and research, both architectural and social, are always an important part of the process which help to guide and inspire us, and from which we extract ideas and concepts relevant to our project. From there we start sketching, discussing and testing out iterations of ideas and concepts, developing further any ideas that we see potential in. Throughout the process we occasionally stop to look back at our starting point and at our main concept to make sure we are in fact working towards achieving this. Once the overall proposal is set, we work with drawings and visuals to portray the final design,” said Ms Kenely and Ms Camilleri.

For this particular project, building typologies were skillfully employed to create living spaces that facilitate both privacy and interaction. By offering a diverse range of private and shared spaces, residents are encouraged to engage with one another, forging meaningful connections. The garden spaces, strategically positioned throughout the community, act as catalysts for shared living, bridging gaps between individuals of different ages and backgrounds.

Communal spaces such as the community kitchen and garden, the pjazza, and the library serve as vibrant hubs for fostering a strong sense of community, where teaching, learning, and the formation of new experiences are nurtured.

The decisions regarding the proposed programme and layout of the site and its spaces were grounded in a deep understanding of social contact design principles.

The success of these principles is further influenced by the densities created, accessibility, circulation, and the thoughtful division of spaces.

The MASP Awards jury was impressed with the project’s vision for an intergenerational and codependent community, setting an inspiring precedent for future urban designers in the Maltese context.

By integrating indoor and outdoor communal facilities, ensuring good visibility onto outdoor spaces, and establishing buffer zones between public and private areas,

the design promotes a sense of unity and security. The project has demonstrated how architecture can foster a strong sense of community and improve the quality of urban life.

From Cellar to Cinema

Cinema Visiona by MatterMake

originated from a client's request to transform a disused room in the basement of a Madliena villa into a unique home theatre.

Understanding the clients' desire for an extraordinary experience, MatterMake sought to create a space that would not only enhance the property but also provide a one-of-a-kind cinematic experience.

“Millenials and Gen-Z put a lot of priority on ‘purpose’, which, as a studio, we feel we echo this desire,” explained Steve DeMicoli. “Our ethos really stems from wanting to enrich our environment particularly on a social, cultural, and environmental level. This is what drives and inspires us on a daily level and remains our primary beacon.”

The design pays homage to Verner Panton's ‘Visiona’ projects from the 1970s, adopting a more subdued color palette to suit the home cinema theme and emphasise the overall form without distracting from the cinematic experience.

By assuming roles as designer, fabricator, craftsperson, and contractor, MatterMake harnesses the potential of

algorithmic computational design and digital fabrication technologies.

This holistic approach enables the studio to have complete control over the design parameters, creating bespoke solutions that address economic, social, material-based, structural, and environmental considerations.

The studio uses several design thinking methodologies when designing, and usually the right one emerges as they get to understand the client, their expectations, and their scope of works.

“The steppingstones to develop an idea would vary on the team and the kind of medium they are most comfortable to work with. We use anything from AI generated visuals to physical models, or 3D printed mock-ups, to hand

Urban Planning Concept Award - WINNER (students) Retrofitting the White Rocks Complex: A Shared Living Community

- Nicole Kenely and Kimberly Camilleri

sketches and drawings or 3D models and renders,” he said, “The advantage of having our studio in a maker's factory is that we have several opportunities to work with several mediums at once and bring in the tactility of model making and prototyping very early into a project,” said DeMicoli.

Taking inspiration from the relationship between human ergonomics and the human body, the design team explored the idea of embracing child-like freedom within the cinema seating system.

Embedded within undulating landscaped seating are eight optimised reclined seats, designed with multiple layers of foams of varying densities for maximum comfort.

By incorporating a landscape-like seating arrangement, Cinema Visiona encourages selfexpression while maintaining optimal comfort and ergonomics. Moreover, the sight lines to the screen remain unobstructed, ensuring an immersive viewing experience for all.

The feature walls provide directional light exclusively to the seating area, remaining invisible to those facing the screen. The integration of technology within the space is seamless, with concealed speakers, projectors, and air conditioning systems ensuring an uncluttered aesthetic. Acoustic paneling made from recycled water bottles envelops the walls and ceiling, enhancing the audio experience while promoting sustainable practices. With digitally controlled machines and an advanced 7-axis large robotic arm, the studio has embraced the concept of the ‘maker-architect’.

The MASP Awards jury members said that this iconic cinema room showcases the successful integration of form and function, drawing inspiration from the interior designs of Verner Panton. With its innovative use of technology and emphasis on viewer comfort, Cinema Visiona exemplifies excellence in the ‘small project’ category.

The maker-architect concept not only represents a technical achievement but also promotes a fresh outlook on the design and construction processes.

Small Project AwardWINNER

Cinema Visiona – MatterMake

Aesthetics and Efficiency Unite

The

Ħas-Saptan

Aircraft MRO Hangar Facility by Dr Edwin Mintoff Architects is a testament to sustainable urban development. The project's primary objective was to relocate the national distribution center, which previously stood in the heart of Birżebbuġa, away from residential areas while mitigating any detrimental environmental effects.

The strategic selection of the Ħas-Saptan site was driven by the existence of vast underground tanks, facilitating long-term storage of unleaded gasoline, diesel, and other petroleum products.

“In the past, industrial projects were often the source of the highest quality and style and much attention

was given to the building's aesthetic and façade design, which is something that we wanted to achieve within this aircraft hangar facility. Such a large-scale facility would normally suggest an enormous industrial building with the conventional pitched roof structure, however we wanted to achieve an iconic and organic architectural morphology with a curved roof. We therefore had to balance the aesthetical design with the requirement to comply with international aeronautical standards,” explained Architect Edwin Mintoff.

Designing a fuel distribution station presented a complex challenge, necessitating a meticulous balance between operational functionality and the minimisation of visual impact.

The architects rose to this challenge by integrating various elements such as materiality, form, and detailing. The result is a distribution centre that not only serves its purpose effectively but also stands as an architectural marvel, seamlessly blending with the surrounding topography and context.

Robust and durable materials were chosen to withstand the harsh conditions of the site, including heavy-load traffic and contact with fuel and chemicals. The strategic placement of windows ensures ample natural light and ventilation, all while maintaining the required level of security.

Inspiration was sourced from past historical projects when designing this modern and state of the art facility.

“The final design was developed through detailed coordination between our aesthetical design, that of playful façade colours and a sleek curved roof, with those functional and sustainability considerations that developed in further detail through the design process. After prioritising some important points such as natural lighting, sound proofing and thermal control, the detailed design process commenced with consideration to ensure efficient circulation for vehicular and pedestrian access as well as routing for the aircrafts themselves,” Mintoff said.

The result was a core building which includes workshops, offices and facilities connected with two hangars. Particular attention was given to the wide body hangar, a curved and sleek pre-stressed steel structure which can house six aircrafts at one time.

The façade was designed to provide an impressive and welcoming double height space with a playful and colourful morphology.

To ensure energy efficiency, a comprehensive building management system has been implemented. This system expertly monitors and controls all energy-consuming systems within the building, such as lighting, HVAC, and hot water, facilitating optimal energy utilisation and waste reduction.

While the project couldn't accommodate solar panels due to its proximity to the main runway, a different environmental consideration was introduced with the installation of a green roof over the offices and workshop building, which provides a habitat for various plants and wildlife, supporting biodiversity and ecological balance. By thoughtfully distributing overhangs throughout the facility, solar gain is mitigated, reducing the need for artificial lighting and optimising heating and cooling systems.

The MASP Awards jury was captivated by the architects' ability to envision beyond conventional design solutions and their commitment to minimising visual impact. By incorporating a graceful curvature into the roof design, they have achieved a breathtaking aesthetic while simultaneously maintaining one of the largest free spans ever envisioned on the Maltese Islands.

The project stands as a testament to the power of collaborative design and the transformative potential of architectural engineering.

Architectural Engineering Award - WINNER

Aircraft MRO hangar facility –Dr Edwin Mintoff Architects

Capturing the Spirit of Serenity

Dr Charles Paul Azzopardi's winning photographs serve as a gateway, inviting viewers to explore the depths of this magnificent conference centre and retreat home, designed by renowned architect Professor Richard England. This building and space marvel is a true testament to the harmonious blend of local heritage and regionalist architecture.

Designed with discernible influences from the legendary Luis Barragan, Professor England's architectural vision seamlessly integrates Maltese vernacular elements. This architectural masterpiece, often overlooked, yearns for greater recognition and appreciation.

Dr Azzopardi is “innately and deeply” a black-andwhite photographer who views the world in black-andwhite tones, texture, patterns, light, and shadow.

Architectural photography, he says, is perfectly suited to this style of photography as the essence of architecture is form, texture and surfaces leading to an aesthetic and functional building.

“The ‘Dar Ħanin Samaritan’ project necessitated the use of colour, though, in view of the colour schemes utilised by England, which deserved to be incorporated into the project's photography,” he explained.

Dar Ħanin Samaritan is a testament to the power of architecture, where visitors can find solace and immerse themselves in the quiet spaces and volumes that exude serenity.

When photographing architecture, Dr Azzopardi tends to study the architect and the concept behind the building, before visiting the site at various times of the day to see how the

light hits particular aspects of the project based on season, sun height and directionality.

“I prefer to shoot in strong Maltese summer light as the projects are usually envisaged to be outputted in black and white and this ensures the maximum contrast and clarity of the final images produced,” he said. “Once I have the final shot list in mind, it usually does not take much time on site as I would purely visit at the right time and moment, capture the necessary image and move on; post-processing is usually minimal as the majority of the work would have been done by capturing the best possible negative with the camera.”

The MASP Awards jury members were impressed by Dr Azzopardi's remarkable set of photographs, which artfully captured the essence and ambiance of this hidden gem.

Whether it was dawn, dusk, or any fleeting moment in between, the play of light, texture, shapes, and shadows presented a captivating spectacle. Dr Azzopardi's technical precision and refined aesthetics have masterfully conveyed the soul of this remarkable place.

Architectural Photography

Award - WINNER

Dar Ħanin Samaritan –

Dr Charles Paul Azzopardi

A Timeless Fusion of Casual and Luxury Dining

one 80 tal-Belt is a 140-square-metre space that has been transformed into a laidback venue by KEIRO Architects The place exudes sophistication, thanks to the brilliant use of natural and versatile materials such as wood, glass, stone, and iron. These elements beautifully fulfill the client's vision, creating an environment that seamlessly blends casual and luxury dining.

KEIRO Architects have meticulously planned the layout to meet the highest expectations of diners. The space encompasses a reception area, a dining room, and intelligently maximises the commercial potential for seating.

“Every new project is seen with different creative eyes. Inspiration is quite an abstract notion, but it is a concept which we believe is moulded through time from

physical stimuli, personal experiences and works of celebrated designers,” explained Architect Keith Schembri. “Sometimes, it is the project itself which triggers an idea, it could be the era in which it was built, its layout or even its location. Sometimes we find ourselves inspired from client character traits, likes, dislikes and at times even their life stories. The ideas at the Studio become intertwined with these stimuli until we come up with the final architectural design.”

The design expertly caters to the functional needs of a restaurant kitchen and storage facilities, ensuring efficiency without compromising on aesthetics.

A hint of green, the warm redness of wood, and the natural tones of stone harmoniously

combine to create an atmosphere that is both inviting and refreshing. This carefully curated palette not only delights the eye but also engages the senses, enhancing the overall dining experience for patrons.

Attention to detail is evident throughout this particular project, especially in the lighting fixtures and furnishings.

“After preliminary brainstorming with the client, at the Studio we conceptualise the project as if it will exist in a world with the lowest possible constraints. Then we start to optimise the design – we determine the best layout for the space available and we go through various iterations of furniture, materials, fittings, and colours. During this process every aspect of the concept is assessed for originality, versatility, and sustainability,” Schembri stated.

Additionally, KEIRO keeps up to date with the latest products and designs available on the global marketplace which they seek to integrate for a constant evolution of our design offering provided to the clients. The aim is to reach a final design that reflects the clients’ aspirations through a display of the best design capabilities of the Studio.

The combination of fine detailing and a sense of richness seamlessly connects the interior design with the baroque exterior, establishing a harmonious relationship between the historical context and contemporary flair.

Public Vote - WINNER

one 80 tal-Belt – KEIRO Architects

Championing Maltese Architectural Heritage

Prof. Conrad Thake, an esteemed architect, architectural historian, and associate professor at the University of Malta, has been recognised for his exceptional contributions to the preservation and promotion of Maltese architectural heritage.

Having graduated with a Bachelors of Architecture and Civil Engineering degree from the University of Malta, Prof. Thake continued his academic pursuits in North America, earning an MA in Planning from the University of Waterloo, Canada, and a Ph.D. in Architecture from the University of California, Berkeley.

“During my research on various subject matters relating to Maltese architectural history I have always

endeavoured to disseminate my findings to the general public with the intention of fostering greater appreciation of our unique architectural heritage,” Prof. Thake explains.

In fact, he has tirelessly worked to raise awareness about Maltese architectural heritage among the general public through lectures, media interviews, and social activism. Prof. Thake’s impressive academic background laid the foundation for a successful career in architecture and planning, during which he worked on numerous urban regeneration projects and supervised restoration initiatives. He is firmly of the opinion that the preservation of our architectural heritage is of paramount importance in safeguarding our cultural identity.

“If we dispense with our architectural heritage, we would be obliterating our collective historical memory and divesting ourselves of what makes Malta such a unique island in the Mediterranean. Architects, urban planners and politicians all have a responsibility to preserve our heritage for future generations to come.”

Prof. Thake’s collaboration with the late Quentin Hughes resulted in the publication of two significant volumes: Malta – The Baroque Island (2003) and Malta – War & Peace, an Architectural Chronicle 1800-2000

(2005). His extensive portfolio also includes a range of notable publications, such as William Scamp – A British Admiralty Architect in Malta (2011) and Art Nouveau to Modernism: Architecture in Malta, 1910-1950 (2021), showcasing his expertise and passion for the subject. His research and publications have garnered widespread recognition, receiving prestigious awards from both ‘The Malta Historical Society’ and ‘The Malta National Book Council’. His scholarly contributions have also been featured in renowned international journals, and he has participated in esteemed forums such as the National Maritime Museum in Greenwich, the Salzburg

Academy, Austria, and the Paul Getty Centre in Los Angeles, U.S.

Thake’s publications are not only limited to mainstream subjects such as architecture dating to the rule of the Order of St John but have also focused on relatively unchartered territory such as British colonial buildings, historic nineteenth century cemeteries and the architecture of first half of the twentieth century.

President’s Award - WINNER Professor Conrad Thake

Commendations Preserving Heritage with Meticulous Renovation

The AP Cluster, Valletta, has emerged as an example of historical preservation with its adaptive reuse of the former headquarters of the Allied Forces in Malta. Situated on St. Michael's Bastion, a significant part of the fifteenth-century enceinte, the historical building overlooks the majestic entrance to Marsamxett Harbour. Its rich heritage is further enhanced by a subterranean tunnel that spans the building's length, linking Sappers Street to the fortified ditch encircling the town. Originally constructed in the 17th century, the building underwent significant modifications during the 19th century. During the Crimean War, when Malta served as headquarters for the Allies, an unrealised project for a military hospital on the bastion led by Florence Nightingale incorporated this building to serve as the entrance wing

The building has

undergone a remarkable metamorphosis into a harmonious series of office spaces spread across multiple floors, seamlessly interconnected by a central courtyard.

The jury members of the MASP Awards recognised this transformative project for its meticulous restoration and innovative design, lauding it as a testament to architectural integrity within the World Heritage context of Valletta. The jury also commended the meticulous research which paved the way for the building's restoration and showcased immense respect for the site's historical significance.

By seamlessly blending past and present, the team behind AP Valletta demonstrated their unwavering commitment to the project, skillfully realigning disparate buildings into a coherent space while also adding a sensitive extension at the roof level.

Category Rehabilitation & Conservation SPECIAL COMMENDATION

“If we dispense with our architectural heritage, we would be obliterating our collective historical memory and divesting ourselves of what makes Malta such a unique island in the Mediterranean. Architects, urban planners and politicians all have a responsibility to preserve our heritage for future generations to come.”

A Historic Restoration Blending Elegance and Functionality

Palazzo Ignazio stands as a testament to QP’s craftsmanship and their commitment to architectural excellence. Its restoration seamlessly integrates modern amenities with historical allure, inviting guests to immerse themselves in the rich history and contemporary comforts of this remarkable boutique hotel.

The building has undergone a transformation into a boutique hotel designed for assisted living, offering 24 guest rooms, a cafeteria, a breakfast area, and a spa room on the ground floor.

Throughout the restoration, great attention was given to preserving and restoring distinctive features and designs, including façade elements, internal doorways, a traditional stone staircase, and floor tiling.

While the primary alterations were focused on the rear section of the property, the original structure at the front was thoughtfully retained, honoring the building’s original form. Additions were limited to the backyard, ensuring the integrity of the original architecture remained unaffected.

The MASP Awards jury members commended QP for the way the project pays homage to the building’s historical significance, successfully marrying the preservation of its internal and external features with modern functionality.

They added that the extensions at the rear and on the roof not only honour the structure’s heritage but also breathe new life into a remarkable edifice, allowing it to be cherished and enjoyed once again.

By blending heritage preservation with the creation of a vibrant space, the project catalyses the regeneration and rehabilitation of Valletta, fostering increased activity and cultural growth.

Category Rehabilitation & Conservation - SPECIAL COMMENDATION

A

Blend of Functionality, Sustainability, and Aesthetics

The Ħas-Saptan National Distribution Centre, meticulously crafted by Dr Edwin Mintoff Architects replaced the outdated fuel distribution center with a cutting-edge facility that not only embraces an alternative location but also champions positive environmental impact.

The project's core objective was to relocate the distribution center away from residential areas while minimising detrimental effects on the environment.

Numerous locations and technologies were thoroughly examined to ensure minimal environmental and urban impacts. The selection of the Ħas-Saptan site proved ideal due to the presence of sizable underground tanks, offering long-term storage solutions for unleaded gasoline, diesel, and other petroleum products.

The existing underground infrastructure linking Has-Saptan to the Marsaxlokk Dolphin via tunnels and pipelines facilitated an efficient and interconnected design approach.

Designing a fuel distribution station presented its own unique challenges, demanding a careful balance between operational aspects and mitigating impact on the surrounding environment.

A diligent interdisciplinary design team expertly navigated the challenge, resulting in a triumphant outcome. The MASP jury members commended the use of sustainable materials and technologies. The extensive green roof, they said, was particularly exemplary, both in scale and design.

The project encompassed the integration of materiality, form, and detailing, resulting in a functional and visually captivating distribution centre that harmonises with the topography and surrounding context. The centre was conceived to be energy-efficient, effectively reducing its carbon footprint and operating costs.

“The project encompassed the integration of materiality, form, and detailing, resulting in a functional and visually captivating distribution centre that harmonises with the topography and surrounding context.”

Category Design Award for Good Architecture, Building and Structure - SPECIAL COMMENDATION

A Seamless Transition Between Old and New

The Phoenicia Spa Project, led by AP Valletta, achieves a harmonious integration of old and new, while offering a serene sanctuary for rejuvenation and relaxation.

The concept behind the project draws inspiration from the ancient Roman baths and their profound benefits for both the body and the spirit.

Prior to addressing the restoration, extensive historical research was undertaken. The diligent study of historical plans and a thorough analysis of past interventions revealed a deviation from the original proposed designs, as well as the unfortunate damage inflicted during a devastating air raid in 1942.

Armed with this knowledge, the project team devised a viable scheme that not only enhances the quality of the monument but also mitigates further decay.

Embracing a meditative and soothing ambiance, the spa’s architectural form is intricately woven around Valletta’s 16th-century fortifications, evoking the atmosphere of therapeutic thermal baths.

The MASP Awards jury members commended AP Valletta’s ability to seamlessly incorporate its new purpose within the historical fabric of Valletta. By skillfully preserving and showcasing these historic elements, the design enables a graceful extension from the indoor to the outdoor spaces.

Moreover, the addition of a green roof further enhanced the project’s environmental efficiency, while the materiality of the spa reflects the neutrally coloured fortification walls, blending effortlessly with the surrounding heritage.

This innovative design is an integral part of the masterplan for the revitalisation of the Phoenicia Hotel, aiming to holistically restore the original concept and architectural integrity of the building.

Category Design Award for Good Architecture, Building and StructureSPECIAL COMMENDATION

Rediscovering Romeo Romano Gardens

Romeo Romano Gardens in Santa Venera has undergone a conservation project by Doric Studio which aimed at preserving their authentic character while incorporating contemporary functions suitable for collective activities.

All existing paths and trees have been maintained, providing continuity with the garden’s rich heritage. To fulfill the requirements of today’s society, the project also introduced defined paths and installed new recreational and educational equipment for children visiting the gardens.

Moreover, the restoration project not only revived the functioning original irrigation system but also supplemented it with a modern, independent, and automatic system linked to the original reservoir. Some of the water channels were restored, while others were replaced with identical

copies to preserve the integrity and functionality of the original design.

By successfully blending the past and present, the Romeo Romano Gardens serve as an inviting space that harmoniously accommodates the needs and aspirations of contemporary society.

The MASP Award jury members said that the project transformed the gardens into a safe and accessible space that exemplifies excellence in high-quality design and craftsmanship. This project serves as an inspiring model for the successful revitalisation of Malta’s historic gardens. The integration of the play equipment, along with a softer landscape approach, created a remarkable fusion of historical and contemporary elements that sets a

Category Public Open Spaces - SPECIAL COMMENDATION

commendable precedent for public open spaces. The project’s commitment to preserving authenticity while incorporating modern elements ensures the continued relevance and enjoyment of these historically significant landscapes for generations to come.

Embracing and Incorporating Nature

Daniel Scerri Periti’s project, the Contemporary Courtyard House has earned acclaim for its innovative approach to incorporating nature into modern living spaces.

In an era where our connection to nature is waning, and the frenetic pace of urban life consumes our mental wellbeing, the Contemporary Courtyard House seeks to restore our sense of tranquility and harmony with the environment.

This newly built terraced house integrates a contemporary courtyard, positioned at the centre of the plot and gently sloping towards the south, effectively channeling sunlight deep into the living spaces. Capitalising on the verticality permitted by height regulations, the crowning feature of the courtyard is an openable glass ceiling, which effortlessly merges the boundaries between indoors and outdoors, inviting the essence of nature to permeate the very core of the home. The MASP Awards jury members commended the project’s emphasis on harnessing sunlight and ventilation, achieved through the installation of the operable roof. This design choice not only floods the entire building with natural light but also creates a seamless indoor-outdoor experience, promoting a harmonious relationship between the inhabitants and their surroundings.

The project stands as a testament to the successful collaboration between designer and client, as well as serving as a reminder of the inherent power of architecture to nurture our mental wellbeing and restore our connection to the natural world.

The Contemporary Courtyard House stands as a testament to the potential for architectural design to transform our lives and create spaces that bring us closer to the peace and serenity we so often seek outside our shores.

When Heritage Meets Innovation

Kettles Café Bistro Bar, nestled within the historic Farsons Brewery, has become an emblematic testament to Malta's industrial rebirth. Respecting the industrial revolution era, the design approach by DAAA Haus pays homage through its textured aesthetic, deep tones, and diverse materials.

fabrics revolve around the majestic kettles, creating an intimate and inviting atmosphere. The central kettle is adorned with planters, infusing the space with a refreshing touch of nature.

The jury members of the MASP Awards acknowledged the bar's celebration of history, commending its role in commemorating a pivotal post-war industrialisation era. The beautifully preserved warm hues of the vintage kettles provide a perfect foil to the design.

This project stands as a shining example of how the restoration and repurposing of industrial relics can create

a harmonious space that pays homage to the past while embracing the future.

SPECIAL COMMENDATION

SPECIAL COMMENDATION

The preservation of the original brewing kettles and the iconic rounded façade reaffirms the commitment to honouring Malta's industrial heritage, breathing new life into a once-unoccupied space, and captivating visitors with the timeless allure of these magnificent copper tanks.

At the heart of the establishment, curved seating benches crafted from rich, natural dark woods and sumptuous

Category Interior Architecture Award for Residential Projects

Category Interior Architecture for Commercial or Public Buildings

A Culinary Oasis Rooted in Tradition

With a reputation for creativity, attention to detail, and exceptional service, Bahia restaurant has earned a coveted Michelin star.

Translating this meticulous approach into the design of their new location at the heart of the Corinthia Palace Hotel Malta, QP has woven a captivating narrative around Chloe, a venerable orange tree residing at the heart of the restaurant.

Guests embark on a sensory journey through the four stages of Chloe’s life, immersing themselves in an extraordinary space – The Seed, The Growth, The Bloom, and The Harvest

Embracing their community’s talent, Bahia takes great pride in featuring the work of local craftsmen and artists, including hand-carved stone features, pottery from nearby villages, captivating artwork from local painters, and plaster relief walls depicting native plant life.

A Haven of Warmth and Hospitality

When tasked with renovating The Avenue restaurant, MXA aimed to capture its cherished reputation as a familyoriented and trendy establishment.

Working within specific budgetary and timeline constraints, the project sought to retain essential elements such as counter locations, bar equipment, and the entrance partition with its large TV.

The design concept revolved around the creation of a vibrant hub where people could gather and interact beneath an enchanting display of timber slats suspended above them. Earthy tones provided a neutral backdrop, allowing the timbers to take centre stage.

The strategic incorporation of timber

was driven by the desire to infuse the restaurant with a cosy ambiance. By lowering the ceiling through an innovative timber slat design, the space was transformed from an open expanse to an intimate and welcoming environment, welldeserving of The Avenue’s customers.

The MASP Awards jury members commented that the restoration successfully preserved its warm and inviting essence while embracing a fresh chapter in its evolution. The restaurant’s captivating new design features an innovative use of timber, masterfully crafted to create a play of light and shadow within the space.

The star attractions of The Avenue’s revitalisation are undoubtedly the

meticulously crafted timber installations. Manufactured from steel and skillfully installed within the suspended ceiling structure, each slat was meticulously affixed to create a mesmerising visual composition.

Throughout the renovation, attention to detail was paramount, leading to a harmonious flow throughout the space.

Category Interior Architecture for Commercial or Public Buildings SPECIAL COMMENDATION

The MASP Award jury members commended the innovative use of the tree’s root motif in the dining tables, ceiling sculptures, and vibrant orange accents within the outdoor dining areas is a testament to the design’s ingenuity. They also commended the incorporation of local artisans.

Working within a historic property posed challenges, including structural reinforcement, accessibility, and outdated infrastructure. However, it also presented unexpected treasures, such as lofty ceiling heights and captivating architectural features.

Balancing tradition with modernity, formality with a casual ambiance, the renovation harmoniously marries old and new.

Category Interior Architecture for Commercial or Public Buildings - SPECIAL COMMENDATION

Transforming Urban Mobility for Safer Communities

The Slow Streets Malta project by Studjurban focuses on the fact that over the past decades, Malta has experienced a significant rise in car dependency, negatively impacting the urban realm and overall liveability.

Many local streets have been relegated to mere traffic arteries, compromising the safety and comfort of vulnerable pedestrians, particularly elderly residents, and children.

The prevalence of high-speed vehicles further exacerbates these challenges, while poor pedestrian infrastructure and inadequate crossing points contribute to an unsafe environment.

The lack of comprehensive traffic management strategies and the convenience of local street networks have also resulted in excessive through traffic within localities, as drivers seek shortcuts to avoid congested arterial and distributor roads.

The project addresses these concerns through four inter-related pillars: safety, urban space, vehicular presence, and urban vitality.

With the commitment of 43 local councils and the support of Ministries, Authorities, and NGOs, Slow Streets Malta aims to pilot proposals that transform local streets into vibrant, pedestrian-friendly zones.

The Slow Streets Malta project was recognised by the MASP Awards jury members for its efforts to address mobility-related challenges and create safer and betterconnected walking and cycling networks within and between localities.

The project envisions a future where communities can navigate their localities with ease, safety, and a sense of urban vitality.

A Vision of Open Spaces and Green Infrastructure

Long plagued by negative perceptions and segregation, the project entitled ‘Open Spaces and Green Infrastructure in the Marsa UCA - A Growing, Multi-Layered Network of Communities’ by Dawn Briscoe addresses several key challenges at the local level, starting with the reinforcement of community relationships through inclusive design.

By involving Marsa’s elderly population, migrant communities, and school children, the project fosters social interaction and inclusivity.

Improving safety on both pedestrian and vehicular scales is another crucial objective of the Marsa U.C.A. project. The project aims to create accessible streets that prioritise cyclists and pedestrians, promoting cleaner modes of transportation and enhancing overall connectivity.

The MASP Awards jury members applauded the project’s commitment to transforming urban environments, while collaborating with residents of Marsa and other users of the space.

The use of green infrastructure plays a vital role in this transformative endeavor. By integrating various forms of vegetation, the project not only provides enclosure but also establishes a green lung within Marsa. The green spaces offer shade, inviting the community to enjoy a better environment.

Additionally, the project employs blue infrastructure to address the issue of flooding sustainably. Marsa’s

topography often leads to floods during the wet months, and existing flood mitigation measures have proven insufficient. The proposed infrastructure not only serves as an effective flood control mechanism but also creates recreational nodes, further fostering community cohesion. By reimagining the space and incorporating green and blue infrastructure, Marsa is being revitalised into a vibrant, inclusive community.

Category Urban Planning Concept (Architecture Students) SPECIAL COMMENDATION

“The project addresses these concerns through four inter-related pillars: safety, urban space, vehicular presence, and urban vitality.”

A Futuristic Urban City for the Changing World

The project entitled ‘Ħal Far, An Urban City for the Future’ by Nigel Cini envisions a city that thrives in diverse climatic conditions and embraces its industrial heritage.

With a focus on adapting to projected extreme hot weather conditions and accommodating the constant changes in manufacturing and movement, the project explores innovative approaches to counteract these phenomena.

The masterplan revolves around five key functions: Efficient Land Use, Connectivity and Movement, Reconnecting Nature, Climatically Controlled Open Spaces, and Technology & Resource Transparency. By addressing these aspects, the project aims to create a harmonious and sustainable urban environment.

The plan introduces residential components to ensure the city’s growth and make it a full-time living destination. These residential zones are strategically buffered from industrial areas through extensive landscaping and connected by pedestrian-friendly and public transport routes.

The heart of the masterplan revolves around a central square that serves as a hub, bringing together movement, nature, diverse uses, and community engagement. Innovative climatic features and a market further enhance this central area, while the green spine and a rehabilitated valley provide additional connections.

The jury members of the MASP Awards stated that this project’s urban planning concept aims to create an adaptable and resilient environment that reflects the new contexts while preserving the area’s identity.

The Ħal Far project demonstrates a thoughtful and sustainable approach to urban planning, leveraging the existing built fabric to retain the area’s identity while adapting it to future needs.

Improving Connectivity, Cultural Identity, and Public Wellbeing

Connectivity lies at the heart of Ryan Worley’s project: ‘Swieqi | Improving the Urban Dimension’. By introducing a network of slow street corridors, pedestrians and cyclists are granted priority over vehicles, fostering a safer and more vibrant community, promoting a healthier lifestyle, and reducing dependence on vehicles. Corridors serving as urban green spaces seamlessly interconnect Swieqi’s open areas, from Ta’ L-Ibraġġ church to the Paceville Tunnels.

The project also aims to enhance the town’s cultural identity by addressing a severe lack of public squares and open spaces. The local streets have been reimagined, providing greater accessibility to communal and commercial hubs.

New town squares have been thoughtfully integrated, offering ample room for recreational and cultural activities. Meanwhile, accessible green spaces, such as Wied il-Għomor, are introduced to provide moments of mental relaxation.

Through the careful integration of slow street corridors, public squares, and green spaces, this endeavor breathes new life into the town, fostering a vibrant and sustainable community.

Category Urban Planning Concept (Architecture Students) SPECIAL COMMENDATION

An essential component of the masterplan lies in the incorporation of water-capturing bioswales within the urban corridors. These innovative features serve a dual purpose: calming traffic and managing rainwater runoff. The MASP Awards jury was impressed by the project’s technical solution and its positive impact on the urban fabric. The incorporation of bioswales not only enhances the aesthetic appeal but also ensures the capture and treatment of rainwater, mitigating flooding concerns and fostering a greener, more resilient Swieqi.

Category Urban Planning Concept (Architecture Students) SPECIAL COMMENDATION

“The plan introduces residential components to ensure the city’s growth and make it a full-time living destination.”

Harmonious Urban Intervention

Unit 22 by C&K Architects exemplifies the routine yet impactful architectural interventions that shape our local environments.

The project consisted of renovating a small townhouse built on a footprint of 45sqm, while adhering to current legislation, building heights, and other planning considerations.

Unit 22’s significance extends beyond mere functional improvements. While enhancing the user experience within the building itself, it also strives to elevate the general quality of the streetscape.

The MASP Awards jury members commended Unit 22 as an urban intervention that showcases a profound understanding of façade design. Its contemporary aesthetics seamlessly blend with the surrounding streetscape, making it a commendable example of redevelopment within complex urban contexts.

A Timeless Sanctuary of Peace and Reflection

Through this project by Atmosphere Design, the Chapel, originally comprised of two dilapidated rooms, underwent a transformative renovation process.

The primary objective was clear: simplicity, warmth, and serenity that would inspire contemplation and solace. Retaining the aged feel of the limestone walls and ceiling, the architects sought to preserve the chapel’s heritage.

The arched ceiling, exposed in the same stone, creates a sense of grandeur and timelessness. The rooms, with their narrow doorways leading to a courtyard, presented an intriguing design challenge. To infuse the space with natural light, the arched apertures were fully opened, inviting the courtyard’s illumination to flow into the sanctuary.

Ensuring an unobstructed focus towards the front of the chapel, where the cross and tabernacle reside, was paramount. White boards adorning the side walls bathe the room in brightness, striking a harmonious balance between the stone’s character and a clean, fresh aesthetic.

Throughout the design, the architects opted for natural-looking materials that complemented the stone’s appearance. A striking marble cross, serving as a strong focal point, stands prominently at the front, with a square timber structure enveloping it like a border, further emphasising its significance.

The MASP Awards jury members commended the project for its commitment to creating a space of peacefulness. By juxtaposing bespoke furniture with the historic walls of the convent, the architects succeeded in bridging the ages, fashioning a space that transcends time itself.

The final result is an exquisite harmony of style, materials, and light, while embodying the essence of prayer and contemplation.

The travertine-clad façade of this commercial outlet introduces a fresh approach to fragmented plots, setting a new standard for urban architectural interventions.

Unit 22 exemplifies the successful fusion of contemporary design and sensitivity to the urban fabric. By seamlessly integrating into its environment, the development contributes to the overall visual appeal and ambiance of the street, benefiting both residents and visitors alike.

Category Small Projects SPECIAL COMMENDATION

Category Small Projects - SPECIAL COMMENDATION

Fusing Tradition and Innovation

House 89 is a small townhouse covering a footprint of 45sqm. It underwent a comprehensive renovation aimed at preserving its traditional charm while meeting the demands of a modern lifestyle.

This project by Perit Adam Brincat focused on three fundamental aspects: retaining spatial legibility, maximising natural lighting, and implementing passive thermal control.

Overcoming the challenge of limited space, the design incorporated bespoke furniture that not only provided storage but also served to define distinct areas within the house.

The integration of services was seamlessly achieved through a discreetly positioned, easily accessible passage that did not compromise the overall aesthetic.

Completed in December 2019, House 89 maintained optimal thermal performance while meeting the client’s requirements and preserving the site’s unique character.

Situated within a U.C.A. area, the project displays sensitivity to its surroundings, harmoniously complementing the existing context. The restoration works undertaken on the façade and the selection of external materials contributed to the project’s cohesive integration with the site.

The MASP Awards jury members commended the project’s ability to retain the property’s historical integrity while infusing it with modern functionality. The seamless expansion to the rear demonstrates a sensitive and innovative approach to maximising space without compromising the structure’s originality.

The renovation approach carefully preserved the existing spatial layout, emphasising the traditional elements that define the house’s character.

A Recycling Revolution

BCRS Malta Ltd, the licensed Operator for Malta’s Beverage Container Refund Scheme, has made a substantial investment in a privately funded infrastructure for the collection and recycling of single-use beverage containers.

This collaborative initiative: ‘BCRS Malta LtdNew environment friendly light weight recycling packaging plant’ by Perit Andrea Scremin obo Biancoarancio ltd in collaboration with Eng.

Gabriele Sernagiotto and Perit Robert Vella engages both producers and consumers, encouraging shared responsibility in recycling and combating litter, while contributing to the nation’s overall recycling goals.

Spanning an area of approximately 5000 sqm, the waste processing facility comprises a ground floor processing plant, a mezzanine level housing meeting rooms and archives, and a first-floor office facility equipped with staff amenities and a canteen.

To minimise its carbon footprint, the project prioritised sustainable building materials that integrate harmoniously with the environment. The project team meticulously considered each building component. Regional materials were favoured whenever possible, reducing the emissions generated during transportation to the construction site.

They also employed various techniques to reduce the building’s carbon footprint during its lifecycle. Utilising renewable energy sources and incorporating passive solar elements for enhanced thermal comfort were integral to the design approach.

The MASP Awards jury members said that the project was commendable for the extensive amount of research that informed that design of the plant, with the incorporation of environmental measures, including wide eaves and noise reduction panels, to create a highperformance building.

BCRS Malta’s environmentally conscious recycling plant serves as a benchmark for sustainable development, showcasing the importance of integrating ecological considerations into the construction industry.

Category Architectural Engineering - SPECIAL COMMENDATION

Unveiling the Extraordinary Play of Light

The extension of the University of Malta seamlessly integrates into the existing architectural landscape of the University, establishing a harmonious dialogue between past and present.

Professor Richard England’s unmistakable design language is visible throughout, as his signature architectural slant comes to life with bold forms, vibrant colors, and dynamic spatial arrangements. However, the true essence of this architectural marvel lies in the extraordinary play of light that permeates its spaces. With changing meteorological conditions and shifting lighting dynamics, the extension continually offers a sensory experience that evolves with the passing of time. The monochromatic representation serves to abstract this ever-changing reality, allowing viewers to perceive the intricate interplay of light and shadow.

The MASP Awards jury stated that photographer Dr Charles Paul Azzopardi’s black and white set of images further emphasises the wonderful tones, textures, and light.

The Entries

1+1,Valletta Elisa Grech

The brief of this project was to re-organise and design two abutting small properties of 64sqm and 32sqm to work as both standalone individual units and as one larger unit, allowing for maximum flexibility to cater for the short let rental market in Valletta. The external context served as an inspiration in the design of the interior by drawing the pedestrian stepped street into the property by means of timber stairs that transform into functional furniture pieces within the space. Colour also played an important part in the design. One could refer to the two units as the pink unit and the green unit. Maltese hardstone, traditional patterned Maltese cement tiles and timber floors were used throughout the project.

Amery House, Sliema Atmosphere Design

Despite the relatively small space, features such as the large marble slabs covering some walls, the timber cladding across the rest of the area, together with the smaller design details, provide an unexpected feast to the eye. The contemporary style of design interestingly and successfully combines the elegant Italian style with a cosy Scandinavian feel. Nevertheless, a tribute to the local context blends in perfectly through the use of certain features such as small sections of Maltese patterned tiles, wrought iron railings, and traditional Maltese balconies in some of the rooms. The ‘Sea’ theme was also given its due focus. Apart from introducing a touch of blue in a number of soft furnishings, the project features a photographic theme displaying creative snapshots of Malta’s landscape with a strong focus on the marine elements.

Apartment on Old Mint Street, Valletta ME Architects

The greatest challenge in this project was trying to make the most out of a small space, in order to translate this ‘leftover space’ into a contemporary experience, fit for modern living. The need for a clean yet functional space led the architects to seek functional structures and materials that would enhance

Category Architecture Photography - SPECIAL COMMENDATION

the concept of minimal living, and create hidden spaces and opportunity for spatial multi-use. A wooden panel was used as the main structure to define the spatial layout and to conceal the bedroom and the bathroom spaces, creating a distinction between private and semi-private. The layout of the semi-private spaces was organised in a way to create the impression of a larger space.

Beach Arhitecture

Archi+

The task was of redesigning a lifeguard tower for local beaches. The design allows for accessories to be added on, such as flagpoles, storage compartments and different forms of access. This means that additional features can be added as needed and integrated in different ways to best suit the needs of the lifeguards and the environment in which the tower is placed. The tower is constructed using a lightweight steel structure, due to its strength and resistance to withstand the elements. The outer skin, used to shade and protect the lifeguards and their equipment, is cladded with wooden panels and locally sourced bamboo screens (also called ‘Ħasira’) which are attached to the steel substructure. Using local and natural materials not only improves the visual aesthetic, but also makes the build more sustainable and easier to repair between seasons.

Embellishment of Chinese Garden of Serenity, Santa Lucija

Perit Andrea Scremin

Designed in continuity with the Chinese Garden of Serenity, the concept project will complete the garden creating a unique ‘Green Park’. The project was conceived to be barrier-free, suitable for all generations, a place of leisure but above all a meeting place for the inhabitants of Santa Lucija district. The project is a metaphor of life: every architectural element, every game, the colors, the arboreal essences, have been designed in a coordinated way with the life cycle of birth, growth, maturity, seniority.

to blend in within the surroundings. The detailing solutions based on science and technology, applied through the whole of the design process were focused on increasing the thermal comfort of its own occupants at lower running costs and less carbon emissions.

Fountain Street walkways regeneration, Valletta GHRC

The new bridges were designed in a way that is fully reversable. A concrete support base was built behind the scarp masonry skin. It was essential that the half round cornice would not be removed so the height of base and depth of H beams was designed with this in mind. The intervention had to feel light, effortless and reinforce the linear nature of the bastions. The project was successful in opening the space and reinforcing the bastion fabric. The arches were removed as they created a humid and dark microclimate within Fountain street. The new slender design has let in more sunlight, reduced night crime due to improve site lines and removed odours.

Fortina Office building, Sliema

Dr. Edwin Mintoff Architects

The office building forms part of the larger Fortina Redevelopment project situated along the busy Sliema promenade on one side, and looking over a private piazza on the other side. The block consists of a total of 15 floors, internally comprising of a multitude of areas with different uses. The piazza entrance provides the main building entrance for its employees and is designed to be rich in greenery and paved in limestone and grey marble, holistically tying in the aesthetics of the new building with the historical chapel found the piazza. The project is designed to acoustically isolate the building with the end intent of providing a quality experience for the employees and no disturbance to the surrounding users.

Façade cladding works at Project House, Floriana Project

Design and Engineering Directorate, Ministry for Public Works and Planning

The works carried out on the façades of Project House building in Floriana had two objectives, that of giving the head office of the local Public Works Department, a modern, corporate look corresponding with its context whilst upgrading its energy performance. For this purpose, a cladding system with a ventilated cavity was adopted for the external walls of the office block. The material chosen for the cladding was local hardstone

Giuzeppina, Birkirkara ME Architects

This residential project includes retaining and restoration of the existing façade. The upwards extension follows the existing building alignment with two Imbroll patterns articulating each of the extruded masses. Three new balcony typologies dot the new façade and cornerstones have been retained with newly built balconies respecting the line of cornice. The thickness of the existing walls were copied to enhance the flywheel effect, this ensures for better insulation and thermal comfort.

House for Four, Valletta Forward Architects

House on the Hill, St Julians DAAA Haus

House on the Hills was a small yet complex project of a duplex penthouse renovation. The space was designed to reflect the modern international lifestyle of its owner. This was achieved by using modern architectural values combining various elements in their raw form, such as exposed concrete wall and natural finished wood. Whilst the space created by the new stairwell divides the movement between the night and day area, it also serves as a dramatically architectural cross section linking the movement at the centre of the property and allowing natural light to penetrate the building through large glass openings. The border between the interior spaces and the pool terrace is almost totally blurred by a high tech thin total white glass panel system. This allows for panoramic views from various points inside the villa.

Ħal-Far Material Library

Karen Muscat

This project revolves around the concept that structural and architectural elements should be sourced from existing buildings. Architectural elements are removed or replaced for a variety of reasons. However, when a building is being demolished, numerous elements that are still in good structural condition are wasted. If the building is disassembled, these elements can be reused for future buildings. The project is a facility that is used to adapt the disassembled elements to fit reuse. The existing chosen site consists of a factory that manufactures precast concrete slabs. This will become the Material Adjustments Facility and the Material Library.

The project at St Christopher Street sought to capture the essence of the property in the state that it was found, and reframe it in ways that make it a contemporary addition to the urban fabric of the city. Using a sensitive approach, the Architects worked on reversible changes that retain legibility within the project, whilst allowing for it to perform as a comfortable dwelling for living today. The interior architecture of the house seeks to celebrate the iconic design decisions which previous owners and designers of the space had left. These include the contrasting finish across the staircase, the views onto the central courtyard and the apertures throughout, offering guiding principles for the rest of the interior fitout to use. The timeless quality of the new additions, including a library, plunge pool and floor for the courtyard make the interventions as legible as possible without losing any of the defining features of the space.

Il-Kunvent ta’ Santu Wistin and il-Kappella ta’ Santa Rita, St Julians

Paul Camilleri & Associates

The building has been converted from a residential convent to a parish centre in the midst of Paceville. The original building layout was basically retained in its entirety; with minimal intervention except those required for the introduction of sanitary facilities, vertical circulation and making the building accessible for all. The building and its façades were extensively restored but not at the expense of the legibility of the original layout. A disused field which was being used as a temporary parking area infront of the convent was turned into a piazza which is being shared with the Hyatt Regency Hotel.

Il-Pont, Msida Creek

Stephan Borg

This project is a means to serve as an environmentally conscious tool for connecting youth and the community. This is being done by addressing three crucial issues which relate closely to what we identified as a group. The scope of this project is to address the realistic needs of youth, provide enhanced access to and across the creek and to tackle a wider problem; water pollution. These goals will be achieved these by providing a stimulating, risktaking environment, completing what is being called the msida loop and by incorporating passive cleaning systems.

Klay, St Julians

MXA

Completely visible from the street, the open concept was developed intentionally to create a relationship between the pedestrian, the space, and the surrounding context. The space combines influences from coastal cultures where neutral tones were used to accentuate this, together with afocus on craft. The space is divided into three - The outdoor café zone, the kiosk, and the restaurant. All the elements, together with the textures, colours schemes and placement of loose furniture were carefully picked to create a harmonious and peaceful neutrality that the customer could relate to.

Land’s End Boutique Hotel, Sliema

Reuben Lautier Architectural Workshop

The Lands’ End hotel strives for the perfect mix of authentic design with timeless materials to create an exquisite leisure experience yet conform to the principles of ecological sustainability values. The main reception façade is designed to have floor-to-ceiling glass maximizing the outdoor view and blurring the boundary between the interior and the external by providing a semi-outdoor space. The restaurant layout is extrapolated from a Sliema Townhouse concept, coming in the main reception and with the feel of a living room on the front serving as a bar and a more formal dining room complemented with a terrace. The palette chosen encompasses a range of natural and timeless materials including natural stone, timber, marble, and green living walls softened by neon signage diffused through the ribbed glass.

Landscapes of Democracy

Elena

Victoria DeMarco

Due to the islands’ smallness of scale and colonial past, issues relating to governance and civic duty can be found across the whole Maltese Islands whereby only a few public spaces allow for political discussions and debates without influence from one’s family, church, or political party. This project sought to create a public arena for discussion and debate - or, more simply, a green open space at the heart of Victoria, the capital of Gozo, in a site that is, today, overrun by cars. The underlying objective was to use architecture and urban design to instil a sense of nation – a sense of ‘we’ – that has a non-individualistic relationship with the state and is capable of / free to openly discuss political issues.

Linear Motion, San Gwann Atmosphere Design

Whilst the property is characterised by hard lines and open spaces an emphasis was made to use natural materials to create a welcoming and serene environment. Therefore, the use of timber flooring and ceilings, colours which are pleasing and restful to the eyes, textured fabrics are prevalent in the various spaces. The use of marble also features across the villa, as does the element of black metal finishes, adding to that sense of consistency. The challenge of having one large open space with only a few dividing walls was overcome through the use of split flooring, different ceiling levels & finishes, as well as the use of materials such as glass, to retain a sense of flow and transparency whilst still distinguishing the respective areas.

Marea, Kalkara JB Architects

The design of the project focuses on combining natural and traditional materials with modern clean lines, which emphasise the existing architectural vaulted structure. The design juxtaposes what is of historic value and what is new. Upon entering the restaurant, the hydroponics structure is the main focus. This is where the farm-totable concept becomes grown on-site and delivered straight to the diner.

Marsa flyover SAS Malta and Perit Edric Micallef

The design of the project focuses on combining natural, and the project consisted of seven flyovers. The project was extremely challenging engineering wise and consisted of concrete diaphragm wall, piled foundations, tall columns, prestressed beams, concrete decks, steel structures and various underground culverts and a large reservoir. It is probably one of Malta’s largest structural engineering project ever undertaken.

Marsaskala Bay Regeneration Plan Marsaskala Bay Regeneration Plan

The humble beginnings of the town relate back to a fishing village and a tightly knit residential community. The pressures of modern high speed development have regretfully served to forfeit this identity to a more sporadic and dysfunctional one, causing it to lose its identity in the process. The concept seeks to reconnect and recreate the town’s identity and instill a sense of order. The entire area is transformed into a theatre of events. A ceremonial staircase is presented as a forecourt to a stage leading to the church from both the seaside and the landside. The church once again becomes the culmination of all events, both from land and sea.

areas, encourage socialising in the workplace, whilst maintaining a certain degree of professionalism normally associated with a banking office. Natural materials, living walls, potted plants, air filtration and lighting have been incorporated to bring the outdoors in.

MeDirect Offices, Sliema DP Designs

The design concept was about rethinking the traditional corporate space and creating an inviting workplace, coupled with flexibility. The surprise element of this project is the sense of serenity one feels whilst manoeuvring through the different spaces in the office. The refreshing design and informal meeting

Middlesea House Vaults Refurbishment Works,

The project encompassed internal renovation works at the basement level of Montgomery House to provide a set of new meeting rooms for the main offices. The heart of the concept was the integration of vaulted ceilings with the function of the space and the materiality of the finishes to create unique material palette that compliments the internal limestone finish. In both instances, the interventions are completely reversible and the structural integrity of the building was retained in its original form. This was achieved by carefully integrating the architectural elements with the M&E requirements of such a space.

This regeneration project serves as a focal point and social gathering space for residents and visitors, so it integrates seamlessly with its surroundings and offers safe and obstaclefree walking routes. The project has several features that are creatively unique and environmentally friendly such as the interplay between soft and hard landscaping. The landscaping scheme used a variety of endemic species and different type of landscaping features such as trees, shrubs, and ground covers and according to their needs a layering system was laid under the area dedicated to the soft landscaping.

function of the space and the materiality of the finishes to create unique material palette that compliments the internal limestone finish.

The project is located underneath the main building of Montgomery House. It encompassed the creation of meeting rooms to complement the main offices of the building. The heart of the concept was the integration of vaulted ceilings with the

The project involved an industrial waste sorting, storage and recycling facility. The intended use therefore required flexible internal and external spaces for the manoeuvring of incoming and outgoing containers and fork-lifters. In order to minimise the impact on the site and its surroundings, most of the storage space, particularly that dedicated to non-combustible waste, was located at the basement level, linked to the sorting area at ground level through multiple goods lifts strategically positioned at the four corners of the site. The height of the plant area adjacent to the main road was intentionally kept low.

Floriana

Dhi Periti

Misraħ is-Sebgħa ta’ Ġunju 1919, Marsa Doric Studio

Montgomery House Façade Restoration, Floriana Dhi Periti

Multi-Material Recovery Facility, Ħal Far QP

Muxrabija house 2020, Mosta MP&DC

The project involved a lateral and a façade extension house previously designed and built between 1985-1990. The brief was simply intended to create a more spacious kitchen and a better circulation/entertainment area in the living area. The new built was designed to respond to its orientation creating natural diffused light in the interior spaces whilst creating a screen wall to shield from the hot sun rays in summer concurrently facilitating natural ventilation in conjunction with the new internal ‘courtyard’.

a specialised lighting section, a household section, together with the corporate offices on the mezzanine floor. The space is a blank canvas for the ever changing furniture and finishing trends, adaptability being the key objective.

OK Home, Lija DP Designs

This commercial project transforms an old vehicle service station into a highly finished, industrial style display space, for client’s OK Home’s new flagship store. The double height ceiling gives a sense of grandeur, also allowing the architects to make the best use of space and construct a 500 sq metre steel mezzanine floor. The space is divided up into different zones, which features a display space for indoor and outdoor furniture collections,

Q3L10 Offices, Mriehel Archi+

Upon entering the office, the concept of flow is made immediately clear by the reception space. The reception counter itself is a statement of intent - marking itself in a solid white colour, contrasting against the grain of the timber panelling and the grain of the marble floors. The curves that carry through the whole offices offer a warmth and softness that helps temper the formality of the elegant black marble which characterizes the reception spaces. This aura continues into the boardrooms, which utilise brass and a suspended display shelf to further dignify these client-facing spaces. Further into the office loop, the mood becomes more informal, where black marble gives way to a stone tile.

Refurbishment of Playing Field, Mdina MPWP-PDED

The new redesign actively stimulates the development of the children’s physical, social and creative skills, without forming game-specific rules upon them, by combining the openendedness of traditional outdoor play and interactive play equipment. It also creates extensive safe areas between play equipment to provide free safe flows. In addition, the playing field layout, patterns, colours, and design meet a child’s curiosity with age and developmentally appropriate challenges that encourage them to build comfortably on the skills and senses they already possess, thus encouraging them to challenge themselves in ways they can control and manage.

Reimagining Ġnejna Celine Psaila

Most people who were raised in Malta can agree that they have memories spent playing on the beach when they were children. Recognising this feeling of nostalgia, the concept of the project was to evoke the feeling of play, whilst bringing the focus back onto the natural environment and its rawness. This was done by relocating the kiosks and entirely changing their aesthetic and materiality by implementing a 3D-printing technology using raw earth. In addition, the beach was extended, such

that the area currently taken up by tarmac is greatly reduced and replaced by sand and a contextually sensitive play-space. Further tarmac was removed with a transitional zone - in the area dedicated to the kiosks and seating - which is made of rammed earth.

Repaving of Annunciation Square, Sliema Project Design and Engineering Directorate, Ministry for Public Works and Planning

The Square has been transformed from a busy street flanked by two rows of perpendicular parking lots into a paved square with orderly parking and reduced traffic. The paving design of the square used the herringbone pattern of the parking bays to create a compelling design that added intense visual interest to the square. The choice of the paving materials was also intrinsic in the design process to attain the desired result. The square was paved mainly with contrasting dark grey Pietra Lavica and reddish-grey Porfido tiles.

Restoration of ‘Tal-Blata’ Façades, Valletta GHRC

Synonymous with Valletta’s unique skyline, the cluster of façades found nestled between House of Catalunya on one side and the St. Paul’s Pro-Cathedral’s steeple on the other have been revitalised as part of a chain of projects. The restored facades pertain to residential properties and a few office spaces overlooking a recently revitalised pedestrian urban space commonly found as the ‘Tal-Blata’ terrace. An overall positive visual impact was achieved by promoting clarity in the architectural language displayed and the harmonisation of the apertures’ colours. The colour scheme utilised was critical in giving the facades a greater sense of identity, while read as part of a greater whole via important vistas from Sliema, Manoel Island and Marsamxett Harbour.

Rethinking the Food System, Ħal Far Nicole Kenely

The Food Innovation Hub enables small scale production with a focus on research, innovation and knowledge sharing. A space for the community to come together, both professionally and casually, to learn and work towards the future of their food together. The main areas of the programme are alternative dairy production through precision fermentation, fungi and mycelium cultivation, and spirulina cultivation. In addition to these three main programmes are a professional kitchen as well as an educational workshop kitchen space, a culinary library & co-working space and a cafe. Supporting this main area of the project is a storage and distribution area as well as a community food bank, together with other ancillary facilities. This project looks towards a future in which the systems we are so used to can shift and change the way we live and impact our surroundings.

Given the project’s specific use, it was possible to explore interior design concepts more typical of hospitality settings where the focus is less on storage or daily use, but rather on achieving a unique ambience and experience. Adopting a minimalist approach, most interventions were kept simple and honest, with exposed beams and raw concrete ceilings to match in concept the house’s existing stone structure. A limited palette of neutral colours and natural materials such as cement plaster, stone and raw wood, have been used consistently in all the spaces. Moorish-inspired architectural and stylistic elements have been paired with religious decorative objects and textural materials. The desired outcome was to exude an understated sophistication inspired by the heritage of the house as well as the eclectic mix of characteristics which make our Maltese culture, history and nature so varied and unique.

Satis House, Sliema AP Valletta

This penthouse in Sliema guards the spirits of the old dimora and its former inhabitants while being adapted to accommodate the new owner’s needs. Pieces of furniture belonging to several generations and to different members of the family, such as a Belle Époque desk and Biedermeier bench were reused in the new interior. All these elements handed down from the past now form a new composition with the contemporary space which consists of an L-shaped volume housing a studio and living area on one side and kitchen and dining-area on the other. The bold kitchen unit in the centre of the long arm of the L-space works as a cooking island, bar, DJ stand, vitrine for the exhibition of precious art objects and library for ancient books. It is a form of sculptural installation that blends the boundaries between all these various functions.

Shared Living: Cultivating the Everyday, Ħal Far Kimberly Camilleri

The project is a shared living housing strategy set for Ħal Far in 2066 and beyond, that allows people of different demographics to share space and time which also facilitates symbiosis. This strategy is being implemented in Ħal Far in order to establish a foundation for communities to grow and is therefore making use of a particular building typology which is scattered around Ħal Far. This ensures the dissemination and integration of neighbourhoods throughout the city. A system of modules is being utilised in order to act as building blocks that can be placed and stacked onto the grid defined on the site, offering many different iterations that can be explored throughout the rest of the area.

SmartCow Offices, St Julians MJMDA

For this project the use of steel, glass, wood, vegetation and a mix of natural and artificial light skilfully helped to create a comfortable and relaxed work environment. The technological facet is represented by structural frames formed by inclined steel bars and vibrant yellow triangular elements. These are a representation of the company brand and give the interior space a continuity with the outside. The grey background walls and bulkhead ceiling with the exposed white concrete highlight the tech industry in a striking yet professional manner.

Riad il-Birgu Studio Nomad Interiors

SPB Hotel, St Paul’s Bay Archi+

Drawing from textures of natural sedimentary rock and garigue landscapes, it was a design priority to create an interior that was interesting not just in terms of colour, but also in texture. This is most evidently present within the raw concrete ceilings used throughout the hotel. Raw concrete ceilings help give spaces a more natural feel, whilst simultaneously being an eco-conscious and costeffective finish. Inspired by the speckled patterns of Maltese garrigue, the use of terrazzo tiling was implemented for various surfaces, such as flooring, countertops, and walls. Multiple different shades come together, most distinctly in the foyer area, where a curved demarcation on the floor helps to separate the lounge area from the bar, providing a subtle way to direct visitors through different spaces.

Surprise Semi D, Swieqi MJMDA

Flow and process were at the core of the conceptual departure of this home. Surprise Semi-D was designed with comfortable practical living in mind. The building is positioned to allow breathing space to surrounding buildings. It also borrows some design detail from the context in which it was inserted by way of three vertical lines present in the neighbouring home. The material palette is unpretentious and intended to last the test of time, although of the right quality. Mediterranean whites, blues, greys and touches of timber balance the design to create fresh open spaces but also insert warmth and comfort.

The Food Court at the Malta International Airport, Luqa I+A

This project is designed to be an oasis, a place where travellers can pause while transitioning between countries and cultures. The layout balances an energetic culinary experience with relaxing and functional spaces, aimed at hosting both transitioning visitors as well as attracting locals. The space seamlessly blends commercial food outlets with lounge and working areas for all ages and uses. The materials used, including marble, timber, and vegetation, create a cohesive, contemporary, and inviting atmosphere that references the Maltese Islands and palace gardens. The innermost zone of the food court serves as a lounge area and can also double up as a group dining area.

The restoration of the Phoenicia Hotel not only maintained but also restored the initial relation between the build areas, historically dictated by the geometry of the plot, and the surrounding landscaped areas. The preparation of the masterplan at the beginning of the project favoured a coordinated approach for the restoration and the intervention to maximise the possibilities of integrating new requirements and facilities whilst improving the legibility of the historic property. This is particularly evident in the spa area where buried fortifications were exposed again and integrated within the new build to provide a unique viewpoint on the historical structures. Similarly in the pool area the clutter of pre-existing structures was removed and the pool redesigned to provide a better integration of the fortifications and increase the visibility of the glacis and bastions.

Located on a busy and hectic road, surrounded by numerous commercial and office properties, this high contemporary building is an ambitious attempt to create a spacious, lightflooded open-plan office block. The office spaces are subdivided over eight floors, each designed as a large continuous room which open work space, having its own outdoor space. The use of steel, wood and glass as the main materials in the façade create an everchanging play of light and shadow throughout the days and seasons, whilst offering the best natural lighting environment for the users.

The Phoenicia Hotel Restoration, Floriana AP Valletta

Tower sixty 3, Sliema JB Architects

Townhouse 17, Rabat, Gozo

DAAA Haus

Townhouse 17 is a boutique hotel located in the heart of Rabat, Gozo, which is based on the concept of the traditional townhouse typically consisting of a small footprint and multiple floors, which was very common in Malta and Gozo in the ‘70s. Although Townhouse 17 is a new building, the architecture and design implemented were in line with those of a conventional townhouse to give homage to the building that stood there prior, while respecting the urban environment of Gozo. The use of Maltese limestone, wrought iron decorative railings, wooden apertures, and the traditional staircase were crucial to achieving the desired aesthetics.

Trishna, Rabat, Gozo

The restaurant carries a maximalist design - one based on abundance, that encapsulates all this. The principal colour used is green, which symbolises nature and goes perfectly with our idea of bringing the natural element to the design. The main attribute in the space is the hanging green forest characteristic that features in the middle of the space with light fittings created by local artisans specifically for this project. The wicker material with its natural sand colour was chosen to represent the sandy beaches of Goa, a synonymous feature from its flora and fauna. The texture and colour combined with the hanging artificial plants create a centrepiece to help separate the space into three different zones. The use of floral wallpaper works perfectly with the theme of nature and is a backdrop to a big bespoke library that stands on the right side of the restaurant.

Upgrading of the Maglio Garden, Floriana GHRC

The project sought to install locally-sourced hardstone paving instead of the previous limestone paving which was damaged, deteriorated and became slippery when wet. Aesthetically speaking, the new paving complements adjacent gardens better, while being a relatively more durable material. The existing benches were relocated such that they make the most of the shade offered by the trees’ canopies, and that they faced each other in pairs so as to promote socialising. Several species of new trees and shrubs were planted, such that all soft areas have been supplemented with a more diverse array of plants with varying colours, forms and textures.

Urban Renewal of the External Spaces around St. John’s Co Cathedral, Valletta

Dr. Edwin Mintoff Architects

The scope of this concept project is the creation of meaningful urban spaces compatible with the unique architectural of the Co-Cathedral and of its environment. Apart from improving the quality of the spaces, the redesign will provide the respect deserved to what many consider to be Malta’s greatest monument which will also be further appreciated by improving the visibility of the Cathedral’s architecture. colours, forms and textures.

Vażetti - An Eatery for Persons with a Disability, Valletta

Gianluca Abela / Jasmine Azzopardi / Esther Scicluna

The project’s aim is to instill a unique experience for the users, which in turn will serve as the main attracting point, giving it a competitive edge. The local shop and restaurant should not only be able to cater for people with Down syndrome but also for those on the autism spectrum in such a way so that they can work in this eatery together. Inclusive design is the top priority in the design process of the restaurant with particular attention being given to visual cues, clearly demarcated spaces for activities, accessibility, and overall use of colour palettes to achieve a neutral calming environment.

Vertical Ecologies:

Elena Bajada

Ħal Far as a Productive Landscape

While in the past the farmer was seen as one of the main providers for getting food on the table, nowadays this relationship boils down to simply going to the supermarket. The tangible relationship with cultivated food is being lost, leading to an illusion on the abundance of food and the farmer being forgotten. Identifying this disconnection, the project is set to happen in 2066 and so looks at the future as an opportunity for reconnecting with the landscape and making Ħal Far a productive cultural landscape once more. The structure tries to play around with the idea that new technologies and new construction methods would be developed by then.

DAAA Haus

Perit Andrea Scremin

The design of the space was inspired by the Welbee’s brand colors (green, yellow and orange), as well as the advertising graphics. Entering the shop you immediately feel immersed in nature.The bold and brilliant forest green color applied to the ceiling makes the client feel as if he has entered a forest: energy, vitality and health are the sensations that this enveloping experience arouses in the person who lives it. Choosing a wood-effect ceramic floor helps to enhance these effects and make the environment warm and welcoming. To complete the scenography of the environment, the decision to create stylized trees using maxi luminous lighting boxes, where images of leaves, trees and luminous skies are reproduced.

waste and to connect people with waste, hopefully bringing a shift in mentality where waste starts to be perceived as a resource.

Architectural Photography

Each visit to the location is a process of discovery and it is indeed an architectural photographer’s playground. The set of images is a mix of spatial and detail shots that show the architect’s vision for the building.

In a paradox of intervening within our natural landscape, we find ourselves re-defining untouched contouring. The conceiving of a form will redefine a landscape. A form that follows its contexts will be embedded in its presence. The concept of creation is translated through a series of photographs in which the architecture is documented within the time frame of construction.

AP Valletta

The new Wied Dalam park aims at transforming a dismissed industrial facility into a public natural park combining technology, agriculture, innovation, education and sustainability in a mix of activities whichwill create opportunities to test new farming methods, promote an alternative and sustainable economic model and offering the public educational attractions.

Located on the edge of the building zone, the irregular shape of the site allowed for a play of projections and terracing that further embellished the story of Zircon Suites. The curvature in the corner gives a smooth transition from one street facade to another, leading from main to side street with vessel-like proportions similar to a ship’s hull. The building is stepped with a certain amount of terracing that lends itself to becoming quite popular with pools and landscaping on the upper levels.

In this project the aim was to bring to the fore the graphic and angular details of the structure, the infusion of natural light and also the relaxing atmosphere of this contemporary and inviting space.

The aim of this project is that of giving the historical dilapidated site a new life while becoming an incubator for change. The main theme of the proposal is that of unlocking the potential of the industrial heritage, an exfoundry, by activating the lost garigue habitat and the untapped waste resources, to invite students and workers to create and to invent new products from

The set of photos highlight the seamless integration of the building with its surroundings, showcasing its clean lines and modern design elements, while also highlighting the use of natural materials, such as stone and wood, that add warmth and depth to the structure. The project aims to emphasise the attention to detail that has gone into every aspect of the design, from the carefully considered use of light to the intricate details of the fixtures and fittings.

In a paradox of intervening within our natural landscape, we find ourselves re-defining untouched contouring. The conceiving of a form will redefine a landscape. A form that follows its contexts will be embedded in its presence. The concept of creation is translated through a series of photographs in which the architecture is documented within the time frame of construction.

Zero Waste Lab, Ħal Far Jeremy Dimech

Zircon Suites, Mosta RS Design Associates

Brewhouse and Trident Park, Mriehel Joseph P Smith

Welbee’s Express store, us Hub

Wied Dalam, from fossil fuel to the food of the future

Deep Nature Spa, Floriana Joseph P Smith

House on the Hill

Diana Iskander

Madliena Heights Villas 3DM Architecture

Theatre Next Door David Zammit

Architecture meets Fashion

“We are looking for fresh and dynamic ways to showcase Maltese architecture while supporting the remarkable work of local architects. Involving fashion provided us with the means to be innovative

and creative in raising awareness about some local buildings that have distinct forms, styles and functionality. Expressing the parallel through fashion was an idea worth exploring.”

Peter Gingell

Balluta Buildings

For the garment inspired by Balluta Buildings, the designers focused on the structure’s three prominent vertical arches, distinctive wrought iron gates, and green shutters. They created a silk print design and incorporated a red corset on the dress that mirrors the gate’s design to fit the building’s Art Nouveau style by architect Giuseppe Psaila.

Dar il-Ħanin Samaritan

Paying homage to the work of Maltese architect Richard England, the designers focused on the meditation garden at Dar il-Ħanin Samaritan – the muse for yet another garment in the collection. The vibrant-coloured dress incorporates the garden’s journey through life from birth and beyond death, using its play of light and shadow with fluidity as a nod to the space’s water-related architectural elements.

Tarxien Temples

The garment inspired by Tarxien Temples channels this heritage site’s famously detailed carvings into the design, with a printed silk cotton shirt that features them in a striking red colour reflecting the blood of sacrifice and the use of ochre. A bodice with the oculus motif signifies the sacred areas of the temples, while the choice of fabric gives the impression of animal skin – a key aspect in prehistoric societies.

Our Lady Of Mount Carmel Parish Church

The triangular lines and vivid stained-glass windows of Our Lady of Mount Carmel parish church in Fgura inspired the last garment of the project’s collection. The beautiful piece mimics the pyramid-shaped roof of the church, with pure white satin fabric forming triangular shapes that uncover a vibrant stained glass print shirt layered underneath.

Directory of Participants

Arc Studio Suite 7, Level 3, Fafner House, National Road, Blata l-Bajda Hamrun HMR 9011

Malta

79426141 info@arcstudio.com.mt

Perit Adam Brincat 89, Triq Paola, Tarxien TXN 1803

79225223 adambrincat@gmail.com

Perit Andrea Scremin Triq Ugo Carbonaro, Del Borgo San Gwann SGN1810

+393484116786 andreascreminmt@gmail.com

AP Valletta 4 Sapper Street Valletta VLT 1320

21243981 info@apvalletta.eu

Archi+ BS Buildings, Level 1, Triq il-Mosta, Lija LJA 9012

21493995 info@archiplus.mt

Atmosphere Design 272 Sliema Road Kappara SGN 4412

99422548 clive@atmosphere.com.mt

C&K Architects 27, St George’s Street, Gzira GZR1336

21320005 info@candkarchitects.com

DAAA HAUS Central Business Gateway, Level O/C Triq is-Salib, Birkirkara CBD3020

21383557 info@daaahaus.com

Daniel Scerri Periti 46 Triq Il-Ħerba Żejtun ZTN1204

99839262 daniel@dsp.com.mt

Dhi Periti 56, Europa Centre, Triq Sant Anna, Floriana FRN 9011

21233376 icc@dhiperiti.com

Doric Studio 90 Triq Salvu Psaila Birkirkara BKR 9073

21490122 info@doricstudio.com

DP Designs

Triq il-Kummerċ, Qormi

79707031 diane@dianepillow.com

Dr. Edwin Mintoff Architects

119, Level 5 Gzira GZR1635

21237401 em@edwinmintoff.com

Perit Elisa Grech 90 St Dominic Street Valletta VLT1700

79703409 el@elgrech.com

Perit Edric Micallef

159, Triq l-Arznell, Marsaxlokk MXK 1407

79657547 perit.edricmicallef@gmail.com

form.draw Valley Road Msida MSD9023

21446000 draw@form.com.mt

Forward Architects

Dolphin Court - D, Embassy Way, Ta’ Xbiex

2011 9511 info@forward-architects.com

GHRC No.11 Transport House, Triq Pietro Floriani, FRN 1060

2248 2600 ghrc@gov.mt

I+A

17 Triq San Guzepp Tarxien TXN 1024

21803872 info@iplusa.com.mt

JB Architects

10 Triq in-Naqqax Mosta MST 1673

21417671 info@jbarchitects.com.mt

KEIRO Architects

Mikielang Sapiano Street Ħaż-Żebbuġ ZBG 1807

21416835 info@keiroarchitects.com

MatterMake

Spinola Park, Level 1, Triq MA Borg Triq MA Borg St Julians SPK1000

99886788 smile@mattermake.com

ME Architects

401a Triq il-Kbira San Ġużepp Santa Venera SVR 1015

21896948 info@mearchitects.net

MJMDA 125, Naxxar Road Birkirkara, BKR9047

27477777 info@mjmda.eu

MP&DC

7 Triq Ic-Ċiklisti, Blata L-Għolja Mosta MST 3940

99430350 info@mpdcltd.net

MXA 33, Sir Ġorġ Borg Street Sliema SLM1964

21338503 mail@mxa.com.mt

Nidum

2, Melita House, 32, Sir Augustus Bartolo Street, Ta’ Xbiex, Malta

2134 3171 info@nidum.com

Openworkstudio

2 Melita House 35 Sir Augustus Bartolo Street Ta’ Xbiex XBX1071

21339202 info@ows.com.mt

Paul Camilleri & Associates

127, Triq l-Arċisqof Valletta VLT1444

21224889 info@paulcamilleri.eu

QP Triq Dun Karm Birkirkara BKR 9037

25513000 info@qpml.com

Reuben Lautier Architectural Workshop Tower Street Msida MSD 1821

21340394 info@rlautier.com

Restoration Directorate Ospizio Complex, Joseph J. Mangion Street Floriana

2223 6500 info.restoration@gov.mt

RS Design Associates 47, Sorenson Triq Danny Cremona Ħamrun HMR1511

21247356 secretary@rsdesign.eu

SAS Malta Office 1B, Nu-Nis Centre Mosta Road, Lija LJA 9012

27021706 admin@sasmalta.com

Studio Nomad Interiors 17 Hilda Tabone Street Birgu BRG 1252

99609552 eliza@studionomadinteriors. com

Studjurban 115, Studjurban Old Railway Road Balzan BZN 1619

21421137 antoine@studjurban.com

Photographers

3DM Architecture Triq il-Furnara, Zone 4, Central Business District Birkirkara CBD4040

27017144 ma@3dm.mt

Dr Charles Paul Azzopardi 41 Triq il-Greċja Naxxar NXR3409

99898015 charles_paul_azzopardi@ hotmail.com

David Zammit Daaa Haus, Centris Business Gateway, Level O/C Triq Is-Salib, Birkirkara

2138 3557 info@daaahaus.com

Diana Iskander Triq F Henry Boulvarie 46 Gzira GZR3066

99764146 iskanderdia@gmail.com

Joseph P Smith

Sentosa 7 Carmelo Bugeja Street Dingli DGL 1152 21450496 smithfoto59@gmail.com