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Artistry with Malachi Johns

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The Market

The Market

Tasmanian artist and illustrator Malachi Johns discusses her love for creating art by delving into the realm of creativity and expression. Malachi shares her journey in style development and connecting with others through the online world.

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Tell us a bit about yourself. What are your passions and interests?

That is a fantastic question; one I am still trying to answer because my creative styles and themes are so broad and everchanging. I see them as a direct reflection of my own mind and my own experience, so they’re always developing. At the moment I’m focused on illustrating a lot of twominute-noodle art because I’ve discovered the wonders of two-minute-noodles, so I’ve been illustrating a tonne of food. Before that is was a lot of portraiture and colourful abstract painting. It’s always changing! I suppose what sums up ‘Malachi Johns’ art is feel-good, happy, expressive, raw, cathartic art. I’ve always made art ever since I was a kid. Branding it and really engaging with an audience though has only been a hobby for the past couples of years, slowly growing and developing. Especially my online art

pages ‘Artisan Fancy’ on Instagram and Facebook, they’ve been really growing, which is awesome!

What are you first memories of doing art?

I might have been about four years old. My mum is a fantastic artist and would always draw and paint (with me and my sister). I just loved it. I liked being able to put what was in my mind into the physical realm by putting it onto paper. In hindsight, it felt really therapeutic. Every year at school I got all the art awards and stuff like that and I think my art friends hated me for it but that’s the price of brilliance (haha)! I don’t have much choice in the matter though because for me it feels like I have to make art and there’s no question about it. I can’t remember a single day passing where I haven’t made something, even if it was dreadful. It didn’t matter because it’s about creating. It makes me sad to think that people who really love their creative hobbies, (not just art but extending to music as well), let them fade when the stresses of life and adulthood take hold. I think a large reason for that is not on the individual, but it’s because our society doesn’t exactly encourage creation that isn’t able to be monetised really quickly and that’s an issue with capitalism. It’s like you have to create, you have to make money otherwise it’s not worth anything, but that’s simply not true; it’s about enjoying something. The people who continue on with their art, like I have are the ones who have the need and passion to create and won’t allow society’s pressure to change them.

How has the online world affected the artist’s process?

I think it’s changed the very nature of art because in the past, simply sharing your ideas through things like the publication process was really confined to material sources like paint and publicity. Now that we’ve got this massive online and instantaneous platform for sharing ideas, the market of brilliance is absolutely saturated with good and bad art alike (haha)! I won’t get into all of that, but whether or not that is a good thing for art in and of itself remains to be seen. Who you are and how you approach it will affect what you get out of it. I love having instantaneous access to so many brilliant works to be inspired by. It’s fantastic seeing all this incredible work! I know that quite a few artists just starting out can feel intimidated by that, but my advice to them would be that it’s not a comparison. Never ever compare yourself! It sounds very cliché, but it’s also true. The only person you should compare yourself to is your own past

self. If your current self is better than your past of my personality to be honest: I’ll have a self, then you’re fantastic! That approach to structure, I’ll have a theme and stick with it it is what has got me through. for a few months, but then it’s time to shake What are some of the art is that art will always be created.

challenges and hurdles you’ve faced on your own journey? “I want to What’s your dream goal with art?

That’s a big question I can’t somehow Oh I love this question. It would answer. I wouldn’t say that art has any hurdles for me. Rather than having challenges, it’s combine psychology be my art having a tremendously positive impact on humanity, not just in our time but a lasting effect and been more like a solution for and art I want that to be intermingled with everything! to create my interest in psychology. I want Do you think you’ve found a style something to somehow combine psychology and art to create something that is uniquely your own? which which benefits everybody forever. Again, another question I can’t answer because my style is so fluid and so ever-changing (haha)! I’ve certainly had moments where I’ve realised that art is going to be something which is enduring forever with my character, but literally every couple of months, my style changes and I do new stuff. I’m sure if you looked at all of them or came Especially in terms of education, like a revolution in art therapy and helping children learn to express themselves, cultivating that expression and taking it with them into adulthood. That’s the ultimate art goal, to benefit humanity as a whole, which is idealistic, I know! But hey, someone has to be idealistic and that’s me (haha). benefits everybody forever.” up with an algorithm to judge a common theme, you might find some cohesion in all of them. But honestly, other than their What advice would you give to other young artists trying to break into the client world? expression and their colourfulness it’s just a The biggest hurdle I faced in the beginning continual journey and there isn’t necessarily was a hesitation to put a price tag on my art. one thing I will stick to for that long. It was a weird inner voice saying stuff like, What is your digital art making process like? trying to sell my work to people. I found that It depends on whether I’m doing a commission for a client or whether I’m making it for myself. If it’s for a client, the process involves a lot of style, theme and subject matter research which takes place prior. For example, I’ll be thinking about what colours they want, what composition is going to work and how to convey the idea that they want. So there’s a lot more planning and drafting and so it happens in a much more structured fashion. If I’m doing a painting for myself, I’ll literally start and my art friends also had this same issue about the hesitation to charge people for their artwork. Once you get passed that and you realise your artwork has value, then you can start increasing that. It’s about realising what you’re doing is worth something and people will pay that. That’s the challenge I’ve found and I’ve noticed it for many of my art friends too. If you’re wanting to shift from a hobbyist to an artist who sells their work it’s about realising your work has value and being firm about that! It’s a journey. see where it goes. You’ll see a lot of process it up! The only common consistency ‘Oh that’s not worth anything’; I felt weird videos on Instagram of people starting with lines and then doing colour and then doing shading or whatever else and sometimes I’ll do it completely the other way around just to see what happens (haha)! So it’s really varied depending on the circumstance. I think my process is reflective If you’d like to get in touch with or find out more about Malachi Johns’ art check out her Instagram at: www.instagram.com/ keturacreate, Facebook at: www.facebook. com/ArtisanFancy or Etsy at: www.etsy. com/au/shop/ArtisanFancy.

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