Present ation ON PALCHA and sattal BY: AMIT EMMA RENU USHA
• KNOWN AS A REST HOUSE/FALCHA/PATI. • STARTED FROM MALLA PERIOD (EARLY 17TH
CENTURY) MADE BY THE NEWARS OF THE VALLEY - NEWARI ARCHITECTURE CAN BE SEEN
Phalcha has its own history and importance which claims its cultural and heritage value.
•
PATIS CAN BE BROADLY CLASSIFY INTO TWO TYPES
1.
FOUND IN CORE CITIES –MAINLY USED BY LOCAL PEOPLE.
2.
FOUND IN OUTSKIRT OF THE CITY MAINLY USED BY TRADERS
SOCIAL, RELIGIOUS ANDCULTURAL VALUES OF PATI ALSO SAID THAT PHALCHA CONCEPT ORIGINALLY CAME FROM BANARAS AND MOSTLY SEEN AT GHATS AREAS
PATI AT GHAT USED FOR RELIGIOUS PURPOSE
PATI AT DURBAR SQUARE USED FOR THE HANGOUT
MOSTLY FREE STANDING. SOME ARE ATTACHED WITH THE BUILDINGS. PATI WITH MINIMUM OPEN ING
FREE STANDING PATI
PATI ATTACHED WITH HOUSE
TOMB OF ADHAM KHAN
PATI TRASFORMATION
PAANCH MAHAL
PATI AT HANUMANSTHAN
INTRODUCTION •
LOCATED AT HANUMANSTHAN IN BHAKTAPUR.
•
IT HAS SLIGHT LY SLOPED LAND.
• MADE FOR PUBLIC PURPOSE FOR CIVILIANS
TO STAY.
•
IT IS FREE STANDING BUT THERE ARE HOUSES NEAR BY.
• IT HAS TRADITIONAL NEWARI STYLE.
FALCHA AT HANUMANSTHAN
MATERIALS USED 1. Stone 2. Brick 3. Mud(clay) 4. wood(timber) 5. Bamboo 6. Burned brick 7. planks 8. tiles(taali) 9. jhingati 10.carved wooden column 11. wooden rafter 12. weather shield FALCHA AT HANUMANSTHAN
• Presence of 5 bay so there are 6 columns in the front side
• JHINGATI HAS BEEN USED IN ROOFNG.
FALCHA AT HANUMANSTHAN
FALCHA AT HANUMANSTHAN
CONSTRUCTION MATERIAL AND BUILDING TECHNIQUES
FALCHA AT HANUMANSTHAN
DETAILS ROOF TOP
SMALL TIKIJHYA FOR AIR CIRCULATION
FALCHA AT HANUMANSTHAN
ROOF SUPPORTED BY STRUTS AND WOODEN BEAMS
FALCHA AT HANUMANSTHAN
CORNICES,CAPITAL AND COLUMN DETAILS FALCHA AT HANUMANSTHAN
SATTAL AT BARAHI TEMPLE
BACKGROUND
SILYA SATTAL
•
SATTALS CAN BE TWO OR EVEN THREE STOREYS
•
IN THE EARLY AGE MAINLY TRAVELLERS USED SATTALS FOR THE NIGHT STAY OR TO REST.
•
SATTALS ARE CONVERTED TO A STORAGE AND ONLY USED OCCASIONALLY THESE DAYS.
REST HOUSE
INTRODUCTION
• LOCATED AT BHAKTAPUR NEAR BARAHI TEMPLE. • A TWO STOREY BUILDING • TRADITIONAL NEWARI ARCHITECTURE CAN BE SEEN. • BACK SPACE HAS BEEN USED AS CHAPA FOR BHOJS. • SEMI OPEN SPACE OF GROUND FLOOR IS USED FOR SOCIAL GATHERINGS
AND FOR RECITING BHAJANS IN THE MORNING AND EVENING.
SATTAL AT BARAHI TEMPLE
• WOODEN PLANKS ARE USED FOR THE FLOORING IN THE GROUND FLOOR • JHINGATI IS THE MAIN ROOFING MATERIAL • STRUCTURE ABOVE THE ROOF WAS ADDED LATER-THERE IS MODERN MATERIAL USED LIKE GLASS.
SATTAL AT BARAHI TEMPLE
• STRUCTURE ABOVE THE ROOF WAS ADDED LATER-THERE IS MODERN MATERIAL USED LIKE GLASS. • A PERFECT SYMMETRY IN THE FRONTAL FASCADE. • MAXIMUM USE OF TIMBER-FLOORING, WALL CLADDING, STRUCTURES, DOOR AND WINDOWS, STRUTS ETC. SATTAL AT BARAHI TEMPLE
MATERIALS USED 1. Stone 2. Brick 3. Mud(clay) 4. wood(timber) 5. Bamboo 6. Burned brick 7. planks 8. tiles(taali) 9. jhingati 10.carved wooden column 11. wooden rafter 12. weather shield SATTAL AT BARAHI TEMPLE
PLAIN MERTAL PLATE IS USED IN THE RENOVATION OF THE STRUCTURE
SATTAL AT BARAHI TEMPLE
GLASS-USE OF MODERN MATERIAL
SATTAL AT BARAHI TEMPLE
CARVINGS
WINDOW AND CARNICE DETAIL
SATTAL AT BARAHI TEMPLE
CARVINGS
BEAM DETAIL SATTAL AT BARAHI TEMPLE
CARVINGS
COLUMN DETAIL SATTAL AT BARAHI TEMPLE