ARCHITECTURE
PORTFOLIO PORNIMA BUDDHIVANT RACHNA SANSAD’S ACADEMY OF ARCHITECTURE
PORNIMA ANIL BUDDHIVANT
OBJECTIVE:
BORN ON 24th JUNE,1993 IN MUMBAI, FOURTH YR. B.ARCH ( APPEARED AS ON 2015-16)
SEEKING THE ROLE OF ARCHITECTURE INTERN WHERE I WOULD BE GIVEN AN OPPORTUNITY AND RESONSIBILITY TO EXPLORE THE VAST FIELD OF ARCHITECTURE AND ALSO BENEFIT THE ORGANIZATION.
+91-8108373797 +91-9768424717
I BELIEVE IN ESTABLISHING AN INSPIRATIONAL AND SATISFYING WORKPLACE OVERALL.I WANT THE OPPURTUNITY TO EXPRESS MYSELF THROUGH DESIGN AND TO SETTLE WHERE IT IS COMFORTABLE TO GUIDE ME THROUGH THE CREATIVE PROCESS.THEREBY SEEKING TO UNDERSTAND AND EMPATHETICALLY LISTEN AND CONNECTING TO THOSE AROUND ME.
12.pornima@aoamumbai.in pornima.buddhivant7@gmail.com
EDUCATION: YEAR QUALIFICATIONS INSTITUTE/UNIVERSITY PERCENTAGE: 2009 S.S.C. MAHARASHTRA STATE BOARD 84.61%
(Dr.D.B.KULKARNI VIDYALAYA,MUMBAI)
2011 H.S.C. MAHARASHTRA STATE BOARD 76.50%
(G.N.KHALSA COLLEGE,MUMBAI)
2012 B.ARCH MUMBAI UNIVERSITY -2016 .FIRST YR.B.ARCH - 7.4 CGPA .SECOND YR.B.ARCH -6.9 CGPA .
(RACHNA SANSAD’S ACADEMY OF ARCHITECTURE)
.THIRD YR B.ARCH - 6.6 CGPA
PARTICIPATION AND ACHIEVEMENTS: -ARCHITECTURAL DESIGN TOPPER 2012(FIRST YR-SEM. 1,EXTERNAL JURY,TOP 10) -ARCHITECTURAL DESIGN TOPPER 2013(SECOND YR-SEM.4,EXTERNAL JURY,FIRST RANK) -INTERIOR DESIGN TOPPER 2013(SECOND YEAR-SEM,3,EXTERNAL JURY,TOP 10) -INTERIOR DESIGN TOPPER 2013(SECOND YEAR-SEM.4,EXTERNAL JURY,TOP 10) -RUBEANS TROPHY(NASA) SELECTION FOR ARCHITECTURAL DESIGN PROJECT(SECOND YEAR-SEM 4) -PARTICIPATED IN ‘MALHAR 2014’(st.xavier college cultural fest.)-SOLO SINGING AUDITION. -PARTICIPATED IN ‘MALHAR 2015’ (st.xavier college cultural fest.)-MARATHI WRITING EVENT AND SOLO SINGING AUDITION -PARTICIPATED IN ‘CONFLUENCE 2014’(academy of architecture cultural fest.)-SOLO DANCE EVENT. -PARTICIPATED IN Ms. and Mr. FRESHER’S CONTEST(academy of architecture)-got selected in top four. -BADMINTON PLAYER.
CO- CURRICULAR ACTIVITIES: (NASA PARTICIPATION) NATIONAL ASSOCIATION OF STUDENT OF ARCHITECTURE. -PARTICIPATED IN THE LOUIS I.KAHN (L.I.K.) TROPHY OF THE (2012-13) NASA COMPETITION BRIEF-EARTH ARCHITECTURE;POCHAMPALLY,HYDRABAD,ANDHRA PRADESH -PARTICIPATED IN THE ANDC TROPHY (2013-14) of NASA COMPETITION BRIEF-DESIGNING A CENTRAL BUSINESS DISTRICT KEEPING IN MIND THE BUSINESS CONTEXT AT THE BKC. -PARTICIPATED IN THE LOUIS I.KAHN (L.I.K.) TROPHY OF THE (2013-14) NASA COMPETIION BRIEF-KU BRIEF-KUTTICHIRA,KERALA ( CITATION) -PARTICIPATED IN THE ‘MINDSPARK-2014’, COEP COLLEGE FEST.,PUNE BRIEF-TO DESIGN PUNE AS A SMART CITY (CONSOLATION PRIZE) -PARTICIPATED IN THE IGBC GREEN DESIGN COMPETITION 2015. bRIEF-TO DESIGN GREEN TRANSIT SHELTERS FOR CONSTRUCTION WORKERS.
THE PORTFOLIO IS DESIGNED TO REPRESENT HOW I EVOLVED AS A STUDENT;THE REFLECTION OF MY PERSONAL AND PROFESSIONAL WORK DURING MY TIME AT UNIVERSITY. IT WAS CREATED AS AN AUTHENTIC AND HONEST ARCHIVE OF MY HISTORY, EXPERIENC,ACHIEVEMENTS,AND EXPLORATIOONS.
KACHKARKHANA CO.OP.HSG.SOCIETY ,B/2 GR.FLR,G.D.AMBEKAR MARG, OPP.SHRI-RAM INDUSTRIES,WADALA,MUMBAI-400031
LANGUAGES: HINDI ENGLISH MARATHI
TECHNICAL SKILLS:
-AUTODESK REVIT
-HAND DRAFTING
-AUTOCAD
-MODEL MAKING
-ADOBE PHOTOSHOP
-SITE INSPECTION
-MICROSOFT OFFICE
-BUILDING REGULATION
INTERESTS AND HOBBIES:
-SKETCHING -DANCING -SINGING/MUSIC -POETRY -TRAVELLING -BADMINTON -FILM -WRITING -MODEL MAKING
DECLARATION:
I HEREBY DECLARE THAT THE ABOVE INFORMATION IS CORRECT TO THE BEST OF MY KNOWLEDGE.
PORNIMA ANIL BUDDHIVANT
R E S U M E
PORTFOLIO OF WORK:INDIVIDUAL IST YEAR
PAGE NO.
LOUIS I.KAHN TROPHY(NASA)
ARCHITECTURAL DESIGN
1
BASIC DESIGN
2
BUILDING CONSTRUCTION AND ACADEMIC WORKSHOPS
3
THE LOUIS I.KAHN TROPHY IS A CONSERVATION TROPHY OF A NATIONAL LEVEL COMPETITION NAMED NASA(NATIONAL ASSOCIATION OF SCHOOLS OF ARCHITECTURE).THE BRIEF OF THIS TROPHY REQUIRED THE ANALYSIS,DOCUMENTATION,AND REPRESENTATION OF THE CHOSEN SITE WITH HAND DRAWINGS ONLY.THE SUITABILITY OF THE CHOSEN SITE TO THE BRIEF HAD TO BE JUSTIFIED WITH THE HELP OF DRAWINGS ONLY.I WAS A PART OF THE DOCUMENTATION TEAM IN THE LOUIS I.KAHN TROPHY OF MY FIRST AND SECOND YEAR OF COLLEGE.IN MY SECOND YEAR I WAS ALSO THE DOCUMENTATION TEAM HEAD OF THE ENTIRE TROPHY.WE WON THE CITATION(FIRST PLACE) AT THE NATIONAL LEVEL FOR ONE OF THE TWO FOLIOS THAT I WORKED FOR.
-TO DESIGN A SPACE/MODULE FOR WILDLIFE ENTHUSIAST/SCIENTIST
-UNIT AND REPETITION,COPPER EMBOSING,POP CUBE
-MATERIAL INTRODUCTION AND PROCESS
IIND YEAR
ANDC TROPHY(NASA)
ARCHITECTURAL DESIGN
4,5
INTERIOR DESIGN
6,7
THE ANDC TROPHY IS A DESIGN TROPHY OF A NATIONAL LEVEL COMPETITION NAMED NASA(NATIONAL ASSOCIATION OF SCHOOLS OF ARCHITECTURE) IT REVOLVES AROUND ANY CURRENT ISSUE RELATED THE BRIEF WHICH TALKS AOUT URBAN ISSUES.I HAVE PARTICIPATED IN THE FOLLOWING COMPETITION IN MY SECOND YEAR AS A SKETCHING/GRAPHIC PERSON.
SKETCHING
8
MINDSPARK COEP,PUNE
-TO DESIGN A SPORTS COMPLEX AT DHARAVI.
-TO RE-DESIGN THE INTERIOR OF 2BHK APARTMENT. -TO DESIGN THE INTERIOR FOR MANGO CAFE.
-HAMPI,BADAMI,PATTADAKAL,AIHOLE STUDY TOUR SKETCHES.
MINDSPARK IS A ANNUAL TECH FESTIVAL OF COEP,PUNE.I WAS PART OF THIS COMPETITION IN MY THIRD YEAR AS A SKETCHING AND DESIGN PERSON.WE WON THE CONSOLATION PRIZE FOR THE COMPETITION WHICH WE WORKED FOR.
IIIRD YEAR ARCHITECTURAL DESIGN
-TO DESIGN A AUTOMOBILE SHOWROOM AND FUELLING STATION
9 INDIAN GREEN BUILDING COMPETITION(IGBC)
WORKING DRAWING
10,11,12,13,14,15
BUILDING CONSTRUCTION
16,17
LANDSCAPE DESIGN
18
-WORKING DRAWING OF AUTOMOBILE SHOWROOM AND FUELLING STATION.
-FLAT SLAB CONSTRUCTION -F
-PRABHADEVI GARDEN DESIGN.
COMPETITION WORK:GROUP LOUIS I.KAHN TROPHY 2012-13
19
ANDC TROPHY 2013-14
20
LOUIS I.KAHN TROPHY 2013-14
21
MINDSPARK COEP,PUNE 2014-15
22
IGBC SEEDS THE IDEAS OF GREEN BUILDING CONCEPTS IN THE MINDS OF YOUNG PEOPLE,THEY GAVE THE BRIEF RELATED TO DESIGN THE GREEN BUILDINGS FOR SUSTAINALE ENVIRONMENT.CURRENTLY IM WORKING FOR THIS COMPETITION AS A SINGLE PARTICIPANT.
C O N T E N T
1 ST YR WORK
THE BRIEF GIVEN WAS TO STUDY AND DESIGN A SPACE(MODULE) FOR WILDLIFE ENTHUSIAST: UNDERSTANDING THE KIND OF ANIMAL/PLANT TYPE THAT HE/SHE STUDIES.ALSO HABITAT OF STUDY AND LIVING.AN UNDERSTANDING OF THE ANTHROPOMETRY OF SPACE REQUIRED PER ACTIVITY FOR WILDLIFE ENTHUSIAST.THE KIND OF LAND eg.RIVER,MOUNTAIN WERE ALSO TO BE TAKEN INTO CONSIDERATION WHILE DESIGNING ;THOUGH SITE SELECTION WAS AS PER CHOICE.
DESIGN PROCESS OF MODULE SITE SECTION BATHROOM
STUDY TABLE
TOILET
LIVING ROOM BATHROOM TOILET
BED AREA
MATERIAL AVAILABLE ON SITE: -LIMESTONE -SANDSTONE -TREE TRUNK/WOOD -GRIT STONE -GRASS
STUDY TABLE
LIVING ROOM
WOODEN RAILING
BED AREA
JOINERY/CONSTRUCTION BETWEEN STONE WALL/WOODEN ROOF STUDY TABLE 1.1x0.5 M TOILET AREA
FRENCH WINDOW KITCHEN 1.6x0.6 M
LIVING ROOM 3.8x1.6 M
ENGLAND CLIMATIC INFO ABOUT SITE: SUMMER TEMPERATURE 20-30 DEGREE C. WINTER TEMPERATURE 1-10 DEGREE- C. 20 RAINFALL PER ANNUM. ABOUT YORKSHIRE DALES NATIONAL PARK: ENGLAND’S BACKBONE YORKSHIRE DALES NATIONAL PARK; THE DALES FOR WHICH THE PARK IS NAMED ARE DEEP VALLEYS CARVED OUT OF THE HILL
3 RD YR WORK
USER PROFILE: NAME: JOHN KOPROWSKI PROFESSOR OF WILDLIFE AND FISHERIE SCIENCE AT THE UNIVERSITY OF ARIZONA. JOINED THE RED SQUIRREL MONITORING PROJECT.
SITE PLAN
BED AREA 2x0.8 M
ENTRANCE DOOR
DN
GLASS WINDOW 1x0.9 M
PLAN
THE ANGLE FORMING BETWEEN STONE WALL AND SLOPING ROOF.
KITCHEN PLATFORM
STUDY TABLE CHANGE IN LEVEL TO PROTECT HOUSE FROM RAIN AND SUNLIGHT.
SECTION AA’
WILD LIFE ENTHUSIAST SPACE ARCHITECTURAL DESIGN
1
4 TH YR WORK
THE ANIMAL CHOSEN WAS THE RED SQUIRREL WHICH FOUND IN BOTH CONIFEROUS FOREST AND TEMPARATE BROADLEAF WOODLANDS.
2 ND YR WORK
YORKSHIRE DALES NATIONAL PARK
UNIT AND REPETITION:
PLASTER OF PARIS CUBE EXCERCISE:
COPPER WORKSHOP/COPPER EMBOSSING: TRYING TO WORK WITH DIFFERENT KIND OF MATERIAL WAS THE ANOTHER EXCERCISE.TAKING A SQUARE OF 200 MM x 200 MM WE DESIGNED A COMPOSITION OF CURVED AND STRAIGHT LINES.THE MODEL WAS A MINIMUM THICKNESS OF 8 MM IN THE DIMENSION.16 SUCH SQUARE WERE THEN ARRANGED TO FORM A COMPOSITION.COPPER PLATE WAS THEN TREATED WITH CHEMICALS AND HEATED TO CLAD IT TO THE COMPOSITION.
MATERIAL INTRODUCTION & PROCESS BASIC DESIGN
2
4 TH YR WORK
3 RD YR WORK
TAKING BASIC LINES,A GRID WAS FORMED.VARIOUS PATTERNS WERE TRIED IN THE GRID REPRESENTED IN A BLACK AND WHITE FORMAT.NOW THERE 2D PATTERNS ERE CONVERTED INTO A 3D MODEL.GIVING DIFFERENT DEPTH TO THE DESIGN,PLASTER OF PARRIS CUBE WAS TAKEN MEASURING 150 MM x 150 MM AND THE DESIGN WAS CARVED INTO IT.WE TRIED OUT TWO DIFFERENT OPTIONS FOR THE DESIGN AND ARCHIEVED COMPLETELY NEW 3D FORMS OF OUR DESIGN.
2 ND YR WORK
1 ST YR WORK
-THE PROJECT STARTS WITH MAKING GRIDS WITH SQUARE AND OTHER WITH TRIANGLE GRID.. -AT FIRST ONLY A PENCIL WAS USED TO EXPLORE A WIDE RANGE OF POSSIBLE FROM VARIOUS CONCENTRATING ON THE BASIC PRINCIPLE OF REPETITION,ALTERATION,ROTATION AND GRADUATION BY DOING A MODULE IN A GRID. -THE DESIGN COULD BE A 2D/3D FORM.THE COMPLETE DESIGN SHOULD LOOK CONTINOUS AND SHOULD HAVE FLOW. -NOW AFTER HAVING NUMBERS OF DESIGNS,THE BEST OF THEM IS SELECTED. -FOR UNITS GRIDS DIFFERENT COMPOSITIONS WERE TRIED OUT. AND THEN TRANSLATED INTO A PATTERN/UNITY WITH THE ARTWORK;WITH GRADATION PRINCIPLE AS WELL AS COLOUR.
1 ST YR WORK 2 ND YR WORK 3 RD YR WORK
KELTHAN WORKSHOP: UNDERSTANDING BRICK AS A MATERIAL...
HADI ISLAND DOCUMENTATION EXIBITION..
DAPOLI BAMBOO WORKSHOP...!
BUILDING CONSTRUCTION & WORKSHOPS ACADEMIC WORKSHOPS
3
4 TH YR WORK
BUILDING CONSTRUCTION
TO STUDY THE WHOLE PROCESS OF FRUIT JUICE MAKING..!
1 ST YR WORK
THE SPORTS CENTER FOR DHARAVI WAS TO BE DESIGNED.THIS SPORTS CENTER WAS SUPPOSED TO DESIGNED FOR PEOPLE OF DHARAVI WHERE THE JUNCTION OF TWO AREAS MEET;IN BETWEEN OF SLUMS AND NEWLY CONSTRUCTED DEVELOPING AREAS/BUILDINGS.
SITE ANALYSIS: .DHARAVI,OPP.MAHIM NATURE PARK .PRIVATE PLAYGROUND .THE SOIL TYPE IS FERTILE AND SOFT .TEMPERATURE .RAINFALL
2 ND YR WORK
ARCHITECTURAL THOUGHT ABOUT IT... PSYCHOLOGICAL NEEDS: SOCIAL AND CULTURAL NEEDS PHYSICAL: BASIC NEEDS LIKE FOOD,CLOTH AND SHELTER.
-WHAT WAS CONCEIVED WAS ANA INTERWEAVING AND MEANDERING LANDSCAPE THAT INTEGRATED EXISTING CONDITIONS WHILE CREATING NEW PUBLIC,COMMERCIAL AND AMENITIES SPACES
BASEMENT PLAN
.BASIC AND MOST IMPORTANT APPROACH IS TO CREATE MAXIMUM OPEN SPACE; IN ORDER TO ACCOMODATE ALL THE FUNCTIONS IN THE STRUCTURE WITHOUT GOING HORIZONTAL,WE CHOOSE TO GO VERTICAL i.e. G+3.
-THE INTERNAL SPACES FORMED RADIALLY SUCH THAT THE CENTRAL SPACE CREATES ATRIUM . -THE HIERARCHY BETWEEN ATRIUM AND FUNCTIONAL SPACES IS MAINTAINED BY PROVIDING INTERACTIVE SPACES; LIKE VIEWING BALCONIES.
PICTURE WINDOW OF DHARAVI
GROUND FLOOR PLAN
-THE BUILT FORM IS PLANNED ON THE BASIS OF SELF SUPPORTING SYSYEM.
FIRST FLOOR PLAN
SECOND FLOOR PLAN
SPORTS COMPLEX AT DHARAVI ARCHITECTURAL DESIGN
3 RD YR WORK
-THE CHALLENGE WAS TO UPGRADE THE CURRENT SPORTS FACILITIES TO MEET INTERNATIONAL STANDARDS.
.INSTEAD OF FOLLOWING THE USUAL FABRIC OF SURROUNDING WE CHOOSE TO DESIGN SOMETHING DIFFERENT IN ORDER TO ATTRACT MASSES
THIRD FLOOR PLAN
4
4 TH YR WORK
SPORTS CENTER CONCEPT....
WHAT IS OUR OBJECTIVE !!!
BAMBOO: -USED FOR THE MAIN STRUCTURAL MEMBER.HIGH STRENGTH TO WEIGHT RATION;USEFUL FOR STRUCTURES. -BAMBOOROO -BAM TREAT BAMBOO WITH NATURALLY OCCURING SALTS AND ENVIRONMENTALLY FRIENDLY PRESERVATION CHEMICAL.
DRY WALL: -IT IS USED TO MAKE INTERIOR WALLS. -DRYWALL CAN REDUCE SOUND TRANSMISSION THROUGH WALLS. -TYPICAL THICKNESS 1/2” , 1/4” , 5/8”.
STEEL: -STEEL IS ONE OF THE WORLD’S MOST RECYCLED MATERIAL. -THE EXTERIOR SKIN OF THE BUILDING IS ANCHORED TO THE FRAME USING A VARIETY OF CONSTRUCTION TECHNIQUES.
PROCESS MODELS:
3 RD YR WORK
SITE SECTION BB’
FIBREGLASS WALL: -THESE PANELS ARE DURABLE,FLEXIBLE BUILDING MATERIAL AND EXIBIT EXCELLENT RESISTANCE TO MOISTURE AND MILD CHEMICAL. -IT COME IN A VARIETY OF COLORS,INDOORS AND OUTSIDE IN MANY APPLICATIONS
SECTION RR’
SECTIONAL VIEWS
SPORTS COMPLEX AT DHARAVI ARCHITECTURAL DESIGN
2 ND YR WORK
SITE SECTION AA‛
PLASTIC INTERLOCKING TILES: -COMFORTABLE WALKING SURFACE. -WATERPROOF -IT CAN BE REPLACED AT ANY TIME OR PUT TOGETHER IN DIFFERENT STYLES.
5
4 TH YR WORK
MATERIALS
AQUA GREEN GLASS: -GIVES THE BEST AVAILABLE SOLAR CONTROL. -GLASS STAYS CLEANER FOR LONGER. -AQUA TINT HELP TO ABSORB THE SUN’S LIGHT.
1 ST YR WORK
MATERIALS:
1 ST YR WORK
THE PROJECT WAS TO DESIGN THE 2BHK APARTMENT FOR THE CLIENT,THE INITIAL IDEA WAS TO STUDY THE CLIENT PROFILE AND THEN DESIGN THE HOUSE ACCORDING TO IT.THE CLIENT WAS IMAGINARY.
MODEL PHOTOS:
CONCEPT:
-THE THOUGHT PROCESS BEGAN WITH THINKING ABOUT CATERPILAR. -THE THINKING INVOLVED HOW THE PATTERN OF SKIN OF CATERPILLAR IS.... -HOW CATERPILLAR’S SKIN PATTERN LOOKS LIKE. -WHAT KIND OF LINE INTENSITIES IT HAS ON IT’S SKIN ETC.
2 ND YR WORK
-LEADING TO THE CATERPILLAR.. BELOW IS THE IMAGE OF THE CRYSALIS SHOWING THE DIFFERENT INTENSITIES OF LINES THAT ARE REPEATEDLY FORM ON THE SKIN.
PLAN
INTERIOR OF 2BHK APARTMENT INTERIOR DESIGN
5
4 TH YR WORK
3 RD YR WORK
THIS SAME INSPIRATION USED FOR PATTERN/TEXTURE ON THE WALL/FURNITURE/FABRIC.
1 ST YR WORK
THE PROJECT WAS TO REDESIGN THE INTERIOR OF THE EXISTING CAFE LOCATED IN HAMPI,MADHYA PRADESH. IT’S A CONTOUR SITE WHICH HAVE RIVER VIEW IN FRONT OF IT.
VIEW OF V.I.P AREA AMALAKA IS THE UPPERMOST PART OF TEMPLE.IT IS IN THE LOTUS SHAPE WHICH IS DEDICATED TO LORD VISHNU.
MUSIC
-NATURAL AND AESTHETIC PLEASING WAY TO UPDATE THE LOOK OF OUTDOOR SPACE. -GRASS -GR TO GROW BETWEEN THE TILES IN PATIO FLOORING GIVES IT NATURAL LOOK.
IN HAMPI,WE SAW HUGE STONES EVERYWHERE. IM USING THE COLOUR OF THIS STONE.i.e. TINTS AND SHADES OF BROWN IN MY CAFE.
LIGHTING
SECTION PP’
CARVED BRICK NICHES -BUND WALL IS PROVIDED IN COUPLE AREA WITH CARVED BRICK NICHES IN IT. -LIGHTING FIXTURES IS PLACED INSIDE THE NICHES.
FRAMED GLASS RUSTIC LOOK IS TRYING TO WINDOW GIVE FOR THE CAFE -IT IS DESIGNED IN SUCH DESIGN....! A WAY THAT ONE CAN GET DIFF. VIEW FROM EACH GLASS WINDOW,TO ENJOY THE BEAUTY OF NATURE.
RECEPTION AREA -UNIT AND REPETITION OF FLORAL DESIGN USED ON THE WALL OF RECEPTION AREA.
POTS -POTS ARE PROVIDED INSIDE OF A WALL FOR AESTHETIC. -COVERING OF JUTE ROPE ON THE POTS.
ROPE PENDENT LIGHT -IT IS VERY SIMPLE BUT EYE CATCHING PENDENT LIGHT LAMP MADE OF ROPE. -IT HAS TIME LESS LOOK,ALSO BOLD AND SIMPLE.
LOWER SEATING AREA -ON THE LOWEST LEVEL,LOWER SEATING IS PROVIDED FACING TO THE RIVER VIEW -WALL IS CREATED OF -W CREEPERS.
PLAN
INTERLOCKING PLASTIC TILES -NEW TRENDY DESIGNS WITH AFFORDABILITY . -IT CAN BE REPLACED AT ANY TIME OR PUT TOGETHER IN DIFERENT STYLES.
3 RD YR WORK
2 ND YR WORK
WHEN WE ENTERED IN A CAFE,BASICALLY THERE ARE SOME ELEMENTS WHICH CATCHES OUR EYES: -COLOUR -MUSIC -LIGHTING
VIEW OF COUPLE SPACE
SECTION RR’
MANGO TREE CAFE,HAMPI INTERIOR DESIGN
7
4 TH YR WORK
COLOUR
NATYAMANDARA OF HAZARAMA TEMPLE,HAMPI
QUEEN’S MAHAL,PATTADAKAL
SUN TEMPLE
VITTAHL TEMPLE,HAMPI
IBRAHIM ROUZA
AXONOMETRIC INK DRAFT IN NASA LIK 2013 KUTTICHIRA FINAL SHEET
NASA ANDC 2012 FINAL SHEET
MINDSPARK COEP 2014 FINAL SHEET
KARNATAKA IS FAMOUS FOR ROCK CUT AND OTHER STRUCTURAL TEMPLES.IT IS ALSO FAMOUS FOR ITS SANDSTONE CAVE TEMPLES.LARGE SCALE OF ARCHITECTURE,THE COMPLEX ELEVATION,THE RICH ORNAMENTATION IN THE DIFFERENT BUILDING STYLES CAN ALSO BE SEEN.ALTHOUGH THE TEMPLES ARE RUINS,THEY STANDS AS A REFLECTION OF THE ECONOMY,LANGUAGE,SCRIPT,POLITY,SOCIETY AND OF COURSE AS SYMBOLS OF PREVAILING RELIGIONS DURING THE REGION.
ARCHITECT FRANK LLOYD WRIGHT DESIGN PHILOSOPHYCONCLUSION
STUDY TOUR SKETCHES & SOME GRAPHICS SKETCHES
8
4 TH YR WORK
3 RD YR WORK
2 ND YR WORK
VISHNU TEMPLE,HAMPI
1 ST YR WORK
SEONYUDO PARK,SOUTH KORREA, CASE STUDY SKETCHES:
SITE PHOTOS -VERTICAL MOVEMENTS AND CONVENIENCES WERE VERY IMPORTANT CONSIDERATION IN PLANNING OF SUCH SPACES.
-THE SITE IS LOCATED IN GOREGAON(E). -SINCE THERE IS HIGHWAYITS A PRIME ROAD FOR VEHICULAR MOVEMENT. -THERE IS SCOPE FOR DESIGNING A PETROL PUMP BECAUSE OF THIS REASON.
ARCHITECT AND THEIR DESIGN PHILOSOPHIES:
1 ST YR WORK
THE BRIEF GIVEN WAS TO STUDY HISTORY’S FAMOUS ARCHITECTS’S PHILOSOPHY,THEIR WORK,LASTING INFLUENCES AND THEIR INNOVATIVE STYLE AND THEN TRANSLATION INTO A BUILT FORM GIVING CONTINUITY AND VARIETY TO THE ARCHITECT’S WORK.THE WORK TO BE STUDIED OF AR.FRANK LLOYD WRIGHT AND PROJECT WAS TO DESIGN A FUELLING STATION AND AN AUTOMOBILE SHOWROOM.
PROCESS MODELS:
EMPHASIS ON DIRECT EXPRESSION OF FUNCTION AND SIMPLE FORM
2 ND YR WORK
ORGANIC ARCHITECTURE ROOTED IN NATURE
VERTICAL MEMBER BINDS HORIZONTALITY OF STRUCTURE
SITE PLAN SITE AREA 6750 SQ.M
CASE STUDY: MAIN ENTRANCE
FLOWERING TREES
SMALL WATER BODY
AUTOMOBILE SHOWROOM
FUELLING STATION
COMPOUND WALL
TREES(SOUTH ORIENTED)
3 RD YR WORK
BUCAN CINEMA CENTER(SOUTH KOREA) BUCAN CINEMA CENTER HAS ITS LARGEST CANTILEVER ROOF IN THE WORLD.
CONCLUSION: THREE DIMENSIONAL STRUCTURE OF STEEL BEAMS THAT FORM A SERIES OF TRUSSES CONNECTED TO EACH OTHER AND IN TURN THE PILLAR THAT SUPPORTS THEM CONTINOUSLY.
SECTION AA’
COMPOUND WALL FLOWERING TREES
AUTOMOBILE SHOWROOM
FUELLING STATION
SMALL WATER BODY
SLAB WITH CANOPY
CROWN SECTION BB’
STRUCTURAL SYSTEM OF STRUCTURE
CAR SHOWROOM AND FUELLING STATION DOUBLE CONE
ARCHITECTURAL DESIGN
9
4 TH YR WORK
-NATURE(GUIDE/INSPIRATION) -CLEAN LINES AND GEOMETRIC FORMS AN GEOMETRICAL CLEARITY. -VISUAL CONNECTION BETWEEN INSIDE AND OUTSIDE. -SITE SPECIFIC AND SITE RESPONSIVE. -FREE FLOWING SPACES-FLUIDITY. -TIMELESS -CIRCULATION IN A WAY TO EXPRESS HORIZONTALITY.
1 ST YR WORK 2 ND YR WORK
3 RD YR WORK WE DID THE WORKING DRAWING OF AD PROJECT AUTOMOBILE SHOWROOM AND FUELLING STATION.
WORKING DRAWING
10
4 TH YR WORK
FOUNDATION PLAN
GROUND FLOOR PLAN
WORKING DRAWING
4 TH YR WORK
11 3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
GROUND FLOOR STRUCTURAL PLAN
WORKING DRAWING
4 TH YR WORK
12 3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
ARCHITECTURAL DETAIL
WORKING DRAWING
4 TH YR WORK
11 3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
STAIRCASE DETAIL
WORKING DRAWING
4 TH YR WORK
14 3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
ELEVATIONS
WORKING DRAWING
4 TH YR WORK
15 3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
16
FLAT SLAB CONSTRUCTION(RIBBED SLAB) BUILDING CONSTRUCTION
4 TH YR WORK
3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
WE HAVE EXPLORED DIFFERENT KINDS OF CONSTRUCTION METHODS THAT COULD BE USED:E eg. FLAT SLAB,WAFFLE SLBA,IAGIRD SLAB,RIBED SLAB ETC.
17
FLAT SLAB CONSTRUCTION(RIBBED SLAB) BUILDING CONSTRUCTION
4 TH YR WORK
3 RD YR WORK
2 ND YR WORK
1 ST YR WORK
WE HAVE EXPLORED DIFFERENT KINDS OF CONSTRUCTION METHODS THAT COULD BE USED:E eg. FLAT SLAB,WAFFLE SLBA,IAGIRD SLAB,RIBED SLAB ETC.
-THE SIDDHIVINAYAK TEMPLE IS A POPULAR TOURIST (RELIGIOUS ATTRACTION,WITH VISITORS FROM INDIA AND ABROAD. -THE ACADEMIC INSTITUTIONS TOO ARE VISITED BY FOREIGN REPRESENTATIVES. -THUS,THE SITE FOR THE PARK IS SIGNIFICANT FROM THE POINT OF VIEW OF ESTALISHING AN IDENTITY OF MUMBAI. -GREEN OPEN SPACES ARE THE LEED OF THE HOUR.
VISUAL EXPERIENCE KA
KA SA H
K)
EB
R PA N(
I UJ
YA UD
R
NE
SA
GU
GA
DG
IL
RO AD
CONCEPT: THE LIGHTING FIT TOGETHER THE SURROUNDING...!
EXPERIENCE OF SPACE
THE CENTRAL THEME IS THE SPLITTING OF WHITE LIGHT TO CREATE RAINBOW, ENCOURAGING OTHERS TO PLAY THE LIGHT(GARDEN WITH MIXED FEEINGS)
2 ND YR WORK
GUIDANCE AT NIGHT
-AS A PLACE TO REST AND CALM THE MIND OF BUSY CITY LIFE. -CONCEPT OF GREEN SPACE WITH PARK AND OTHER PUBLIC SPACE.
A
AC
SITE AREA 4.64 ACRE
CANOPY OF OLDAGE PEOPLE
SEATING PLACE BY LEVELS
WALKWAY
CANOPY FOR OLDAGE PEOPLE:
3 RD YR WORK
G
OF MY E D
C AR
T EC
T
HI
AR
CHILDREN’S PLAY AREA:
E
UR
IM
N YA SA
RAVINDRA NATYA MANDIR
SITE LAYOUT PRISM TUNNEL: -VIEWERS CAN WALK THROUGH TUNNEL ILLUMINATED BY INTRICATE INTRIC PATTERN OF LIGHT,FROM DIFRACTION GRAFTING IN THE CEILING.
1 ST YR WORK
THE BRIEF WAS TO DESIGN A GARDEN IN PRABHADEVI IN SANE GURUJI PARK NEAR TO SIDDHIVINAYAK TEMPLE.THE PROGRAM WAS TO CATER ALL THE USER IN PRABHADEVI ALSO AROUND THE AREA.SINCE THERE IS LESS OPEN SPACES IN PRABHADEVI THE DESIGN SHOULD FULLFILL THE REQUIREMENT OF OPEN SPACE AND ALSO THE FINCTIONAL PART OF IT.SITE ANALYSIS PART HAD ALSO DONE TO SEE THE VARIETY OF USER KEEPING IN MIND WHICH WILL USE IN DESIGN PART .
SECTION AA’
SPACE FOR TEENS
OPEN PLAY AREA
FIELD OF LIGHT: -ILLUMINATED BUTTERFLY WHICH MOVE AND RESONATES HARMONIOUSLY IN THE WIND. SCULPTURE: -COLOR OF GLASS HOLDS ALL THE COLORS OF RAINBOW.AS IT SHINES AND SHIMMERS IN THE DAYLIGHT.
SECTION BB’
PRABHADEVI GARDEN DESIGN LANDSCAPE DESIGN
18
4 TH YR WORK
WATER POND
BRIEF: EARTH ARCHITECTURE; TO DEMONSTRATES THE FINER TECHNIQUES OF CONSTRUCTION IN EATHEN MATERIALS ALSO ITS VERSATILITY AND BRINGS OUT THE MERITS AND NUANCES OF USING EARTH FOR CONSTRUCTION.DEMONSTRATES THE USE OF EARTHEN MATERIALS IN CREATING SIMPLE AS WELL AS ELABORATE STRUCTURES WITH EQUAL EFFICIENCY.DEMONSTRATES A LINK BETWEEN THE ARCHITECTURE OF THE STRUCTURE AND THE LIFESTYLE OF THE PEOPLE OCCUPPYING IT.
L I
E R
C R
T I H
D A
A F O Y M E
C A 19
U T C E
K T R O P H Y 2 0 1 2 1 3
BRIEF: TO SELECT A PART OF CBD(CENTRAL BUSINESS DISTRICT OF THE CITY YOU LIVE IN AND TO REDEVELOP IT WITH LOGICAL AND COMMON SENSE BASED ARGUMENTS AND EXPLANATION TO CREATE AN ARCHITECTURAL MASTERPIECE YET SENSITIZED IN APPROACH AND UTILITY.
A N D C T R O P H Y 2 0 1 3 1 4
19
BRIEF: OVERLAY OF TIME; ARCHITECTURE WITH COMBINED INFLUENCES OF MULTIPLE TIME ZONES.THE OBJECTIVE IS TO IDENTIFY AND DOCUMENT PRE INDEPENDENCE PERIOD STRUCTURE/S FROM INDIA THAT SHOW CREATIVE AMALGAMATIO/FUSION OF TWO STYLES OF TWO TIMES/PLACES OR TRANSFORMATION OF STRUCTURE OVER TIME AS EVOLVED INTO NEW RESOLUTION.THIS WILL UNDERSTAND FORCES OF TIME ANND ARCHITECTURE’S TENANCITY TO INTEGRATE IT OVER TIME.
L I
E R
D A
Y M E
C A 21
F O
R A
H C
T I
U T C E
K T R O P H Y 2 0 1 3 1 4
BRIEF: METROPOLIS -TO DESIGN PUNE AS A SMART CITY
C O E P M I N D S P A R K
22
2 0 1 4
THANK YOU...!! PORNIMA BUDDHIVANT CONTACT- 8108373797 9768424717 EMAIL ID-12.pornima@aoamumbai.in