Winter 20112012
POSE life at pose
4 behind the scenes with the cover girl
fashion 6 recycle Work your denim button‐downs and leather jackets in six stylish ways.
8 indian summer Take advantage of the extra‐long, delicious daylight of the California winter.
18 gameday fashion !"#$%#&%'#()%*)#+,-%./0)01%0-%1"2.2% 3(12%#(141.5
20 heels vs. height Flaunt those sexy heels, no matter how tall or short you are.
22 halloween costume ideas 6%3#7/)2"2-.082%9(0:2%1#%:)2..0-9% (/%;#)%1"0.%'2,)<.%1)03=>#)>1)2,10-<5
24 halloween costume ideas ?23,/%#;%1"2%!@!%ABCA%3#DD2310#-.%,1% New York Fashion Week.
makeup 28 midnight sonata E"23=%#(1%1"2.2%8,7/0)2>0-./0)2:% looks.
34 style icons Some styles are timeless.
features 42 fall tv shows to watch out for *"2%(D107,12%9(0:2%1#%1"0.%.2,.#-<.% livingroom theater.
44 james blake review 45 iTunes top music chart 46 forever 21 scandal *"2%/#/(D,)%F),-:<.%3#(-12);201% scandal.
behind the scenes with
margaret craib
LIFE AT POSE
%%%%!"2%7,'%F2%G<AH%,-:%(-:2-0,FD'%.1(--0-9I%F(1% J#.2%3#82)%90)D%K,)9,)21%E),0F%.1)2..2.%."2<.%+(.1% like any other girl. The International Relations and Global Health K,+#)%9)2$%(/%0-%L,."0-91#-%M5E5I%K,)9,)21% never noticed how tall she was until she entered high school. There, she says, “I realized that all 1"2%F#'.%$2)2%."#)12)%1",-%725H Because of this, Margaret never wears heels ,-:%)2D02.%#-%,%.12,:'%.21%#;%3(12%N,1.5%!"2%D#82.% F20-9%1,DDI%2./230,DD'%.0-32%01%"2D/.%'#(%.1,-:%#(15% O(1%1"2-%,9,0-I%."2%",12.%"#$%."2%3,-%-282)%4-:% /,-1.%1",1%41%,-:%",.%1#%."#/%#-D0-25 %%%%%%%!#%$"2)2<.%"2)%;,8#)012%/D,32%1#%."#/P%QR##‐ F02<.%3D#.21IH%."2%.1,12.5%6-:%-#I%1",1%0.%-#1%,%"0/% new boutique – although it could be. Instead, Margaret is talking about one of her fashionable F2.1%;)02-:.%,-:%;2DD#$%S,77,%J"0I%T2-%R##F025 %%%%%%%O2.0:2.%"2)%;)02-:.<%3D#.21.I%K,)9,)21%1()-.%1#% #-D0-2%."#//0-9%,-:%U#):.1)#7.5%6D1"#(9"%."2% is tall, her shoe size has remained at a human‐ .0V2%CB%.#%."#2.%,)2-<1%.#%:0W3(D1%1#%9215 %%%%%%%K,)9,)21<.%.1'D2%$,.%/(1%1#%1"2%12.1%$"2-%."2% .1(:02:%,F)#,:%0-%M0+X-I%Y),-32%1"0.%/,.1%.(7‐ 72)I%3#7/D212D'%0772).0-9%"2).2D;%0-%1"2%3(D1()25 %%%%%%%QZ%1"0-=%Z%)2,DD'%.1##:%#(1IH%K,)9,)21%D,(9".5% Well, with her stunning beauty and height, who 3#(D:%1()-%,$,'P
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Fun Facts S#>1#%M,12%[(141\%T2,-.I%3(12%1#/%,-:%N,1. !3"##D%[(141\%T2,-.%#)%D2990-9. J,)1'%[(141\%!=0)1.I%:)2..2.I%,-:%:24-012D'%-#% heels Y,8#)012%K,9,V0-2\%1"2%1,FD#0:.%,-:%]#9(2 Y,8#)012%K#:2D\%*'),%O,-=. Y,8#)012%*]%!"#$\%M,-32%K#7. Y,8#)012%K#802\%*"2%U#12F##= Y,8#)012%K(.03\%6-'1"0-9 Y,8#)012%O##=\%*#%R0DD%,%K#3=0-9F0): Y,8#)012%E#D#)\%^2DD#$ Y,8#)012%Y##:\%J,.1,
Pose Magazine Fall 2011 Staff Dana Jeong, Editorinchief Stephanie Choi, Editorinchief Erika Cho, Assistant to EditorsinChief
Writers Kathy Le, Features Alexa Kosco, Entertainment Sheridan Watson, Fashion Nikki Than Kandace Cook
Directors Melody Adesuyan, Fashion Christian Lai, Fashion Elie Hutchinson, Photo Cindy Lee, Casting Jackie Choi, Beauty Jenay Ross, Music
Diana Dadgar, Event Planner Ujin Kim, Makeup Artist
Stylists Olivia Ulam Noor Alkhadhar Nadia Rawjee Roslyn Saftekin Raymond Courtney Kiko Zang Elizabeth Herring
Models Margaret Craib “Indian Summer” Christine Cheung Connor DeSha “Recycle” Amanda Mescudi
Photographers Kirsten Rice Shabnam Ferdowsi Aditya Tannu Nicolsson Fernandes
“Moonlight Sonata” Rachel Herring “Style Icons” Quinn Mason Alanna Waldman Chelsea Toczauer Molly Leighton
Layout Designers Jolynn Tjhia Lisa Dorrington Natasha Cirisano Hailey Nowak Karen Pham
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the denim buttondown Z/.(.%_(,7%,(1,%:#DD,-:%(302-:0.%2..(.30:27%21%,F%0DD0F2,%0(-‐ 1275%Y2)0%FD,7I%-#F0._(0%,7%2`32)2.1%/2D%7#D#)27/#.%-#-27% "0D%7,9-,12%#:0._(0,.%7,9-0"0%D0_(,72%3#-.2_(0,%:#D(/10#% F2)0.%,(1%(D/,%:#D(/1()P M2.%3#7-0.%:0127%.01,_(,7%0DD(/10.%8#D(/10,%.07#.%_(#%82-1% 82-:0,7%;,32.1%2`/D,(1%/D,%82-:0%)2%282-:0.%,(1%,D01%(1%,.%21%
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recycling
the leather jacket Z/.(.%_(,7%,(1,%:#DD,-:%(302-:0.%2..(.30:27%21%,F%0D‐ D0F2,%0(-1275%Y2)0%FD,7I%-#F0._(0%,7%2`32)2.1%/2D%7#D‐ #)27/#.%-#-27%"0D%7,9-,12%#:0._(0,.%7,9-0"0%D0_(,72% 3#-.2_(0,%:#D(/10#%F2)0.%,(1%(D/,%:#D(/1()P M2.%3#7-0.%:0127%.01,_(,7%0DD(/10.%8#D(/10,%.07#.%_(#% 82-1%82-:0,7%;,32.1%2`/D,(1%/D,%82-:0%)2%282-:0.%,(1%,D01% (1%,.%21%,30(7%)2)0F(.I%21%2`/D01,%1(7_(,7I%_(2%/2%,.‐ sequat. [F01,.%:#D#)2)(7%:#D#)0,-1#%:0%3#-232.%.072-10#.1%_(0% :#D#%8#D2-:,7%2-0.%801%21%0-1%,)(7%,(1%8#D(/1,%2..07(.% -(D/,)(7%8#D(/1,1()P%[33(D/,%)0#)27#%D#)01I%#W30%3(7%0.% :092-10.%7#D(/1,1%_(0,1%,33(7%,F%0/0.%:2D0,127%.,7
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INDIAN SUMMER
Take a roadtrip to the seaside and bask in the warm, lingering glow of the California winter sun. J"#1#9),/"2:%F'%!",F-,7%Y2):#$.0
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[-%E")0.10-2\%M2-07%+,3=21I% vintage. White eyelet dress, OO%M,=#1,5%O)#$-%"09">1#/% converses, Converse. [-%E#--#)\%^2DD#$%6Ea%122I%R0DD% E01'5%E,72D%+(-=02%+2,-.I%R0DD% E01'5%],-.5
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gameday n o i h s a f
sponsored by Gameday Gorgeous Z-%6(9(.1% ABCBI%S,72:,'%S#)92#(.% D,(-3"2:% 01.% (-0_(2% D0-2% #;% 3#-127/#),)'% 9,72:,'% 3D#1"0-9% ;#)% $#7,-I% ,-:% since then, gameday has never been the same. *"2% 3#DD2310#-% 0.% 3#7/)0.2:% #;% :)2..2.% ,-:% 1#/.% $01"% ;270-0-2% :21,0D.% 1",1% N,112)% ,% 7(D101(:2% #;% F#:'% 1'/2.I% $"0D2% D2-:0-9% 3#-4:2-32% 1#% 1"2% =-#$D2:92% 1",1% '#(% ,)2% 7,=0-9% '#()% .3"##D% ./0)01% .1,1272-1% 0-% 1"2% 7#.1% 3())2-1% style‐setting trends. R,)0..,% [.1#.=0% 0.% 1"2% 3)2,1082% 70-:% F2"0-:% S,72:,'% Gorgeous and a graduate of FSU with a double major in 6//,)2D% M2.09-@*23"-#D#9'% ,-:% Y,."0#-% K2)3",-:0.0-95% !"2% ",.% "2D:% .282),D% /#.010#-.% ,-:% 0-12)-."0/.% 0-% 1"2% ;,."0#-% 0-:(.1)'% 0-3D(:0-9% .10-1.% ,1% 1"2% M#--,% R,),-% E#DD2310#-I% 62)#/#.1,D2I% U^% e% E#7/,-'I% ,-:% ?2-2% ?(0V% Couture. “After studying fashion at FSU and working in New York, I .,$%,-%#//#)1(-01'%1#%3#7F0-2%7'%D#82%;#)%;,."0#-I%./#)1.I% ,-:% F(.0-2..% 1#% 3)2,12% "09"% _(,D01'I% 3#-127/#),)'% 12,7% clothing for women. Since executing my vision for www. 9,72:,'9#)92#(.53#7I%Z<7%)2,DD'%2`3012:%,F#(1%9)#$0-9% 1"2%F),-:%,-:%,::0-9%7#)2%.3"##D.%1#%1"2%D0-2%0-%(/3#70-9% .2,.#-.IH%.,'.%[.1#-.=05
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EDITOR’S PICKS Sarah Tube Top, $40 “This flirty tube top is the perfect choice for a day game when paired with denim shorts.”
Farrah Dress, $50 “It’s fun to move around the yellow rings to create the style that you want!” Lindsey Empire Dress, $50 “This cute empire-waist dress provides the most flattering silhouette for your body.”
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*"2%3D#1"2.%3,-%F2%/()3",.2:%#-D0-2%,1%$$$59,72:,'9#)92#(.53#75
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HEELS VS. HEIG feel fabulous and powerful in heels no matter if you’re pe tite or have runway, leggy legs
% L2% .22% 01% ,3)#..% /,92.% #;% 282)'% 7,9,V0-2\% '#(-9% .1,)D21.% /,),:0-9% ,)#(-:% 0-% 482>0-3"% .10D21‐ tos, creating a never‐ending valley of legs. Jimmy Choo, Christian Louboutin, Manolo OD,"-0=5%*"2.2%:2.09-2).%/2)/21(,12%1"2%0:2,%1",1%0;% '#(%$2,)%,%1")22>0-3"%"22DI%01%709"1%,.%$2DD%F2%N,1.5% And for some girls, heels are a necessity. Af‐ 12)%,DDI%$"2-%'#(<)2%482%;221%1,DDI%"22D.%3,-%"2D/%'#(% 9082%,%/)2.2-32%,-:%7,=2%'#(%;22D%.2`02)%,-:%7#)2% 3#-4:2-15% As Sex and the E01'<.% E,))02% O),:.",$% 0-;,7#(.D'% (112)2:I% QZ<7% not afraid of heights. Have '#(%.22-%7'%."#2.PH It seems to be an 2,.'% 2-#(9"% ;#)7(D,\% short girls + high heels = normal. So what about us 1,DD%9,D.P % ED#3=0-9%0-%,1%b%;221I%CB%l%0-3"2.I%Z<82%-282)% )2,DD'%",:%1#%$2,)%"22D.5%O(1%Z<7%-#1%9#0-9%1#%D02I%Z% always felt left out when girls were wearing heels to ,DD%#;%1"2%F,)%701V8,".5L01"%7'%:,:%F20-9%G<bHI%7'% 7#1"2)%G<I%7'%F)#1"2)%G<fH%,-:%7'%.0.12)%b<CCHI%Z%,D‐
because everyone’s normal is different
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ways knew I was going to be tall. My sister was always the tallest in her grade ,-:%N,1.%F23,72%"2)%F2.1%;)02-:5%O(1%1"2-%,9,0-%7'% .0.12)% $,.-<1% 2`1)272D'% #82)$209"1% ,.% ,% 1$2D82% '2,)% old so she had one less awkward feature. % K2I%#-%1"2%#1"2)%",-:P%["I%,1%D2,.1%ACb%/#(-:.% F'% ,92% CA5% U#1% 2`,31D'% 1"2% F#:'% 1'/2% 1",1% .282-1"% 9),:2% 9('.% 9#% ;#)5%[-% 1#/% #;% 1",1I% Z% $,.% ,)#(-:% b<jH% ,-:%,%.0V2%CC%."#25%!#%282-%0;%Z%$,-12:%1#%$2,)%"22D.%,1% 1",1%,92I%01%$#(D:-<1%F2%2,.'%1#%4-:%1"275%O,.03,DD'I%Z% was an awkward child and heels would only accentu‐ ate that fact. % *"2)2<.%#F80#(.D'%,-#1"2)%.0:2%1#%1"0.%;#)7(D,\% tall girls + high heels = Shrek. % [;% 3#().2% 1"2)2% ,)2% ]031#)0,<.% !23)21% 7#:2D.% $"#% /),-32% ,)#(-:% 0-% 1"20)% (-:2)$2,)% ,-:% .10D211#.5% 67% Z% ,%]031#)0,<.% !23)21% ,-92DP%6F.#D(12D'% -#15%*"2'% :#-<1% ",82% 1#% 9#% 1#% ;),12)-0102.% ,-:% $#))'% ,F#(1% 0-‐ timidating the guys. When they walk down the street 0-%"22D.I%01<.%.2`'5%L"2-%'#()%,82),92%1,DD%90)D%:#2.%01I% /2#/D2%.1,)2%m%,-:%-#1%0-%,%9##:%$,'5 Therefore I got into the habit of not wear‐ ing heels as religiously as my friends do. I was lucky 2-#(9"%1#%9#%1#%,%.7,DD%/)08,12%.3"##DI%$"2)2%282)'‐ one knew each other from the age of six, so I started
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GHT EMMA STONE is known for her awkward, quirky self but she still struts her stuff in heels. As SEX AND THE CITY’S Carrie Bradshaw infamously uttered, “I’m not afraid of heights. Have you seen my shoes?” The ladies modelling on PROJECT RUNWAY embrace their height and emphasize it with their dramatic heels.
$2,)0-9%"22D.%0-%CB1"%9),:2%,.%Z%=-2$%Z%$,.-<1%1)'0-9% 1#%/03=%(/%,-'%9('.5 % O(1%,-'%3",-32%Z%9#1I%Z%:230:2:%1#%$2,)%N,1.5% 6;12)% ,DDI% $"2-% '#(% ;22D% D0=2% /2#/D2% ,)2% .1,)0-9% ,1% '#(I%01%$0DD%.3,)2%'#(%282-%7#)2%,-:%/)#F,FD'%3,(.2% '#(% 1#% 1)0/% n1"2% 3#7/D212% #//#.012% #;%E,))02% O),:‐ .",$<.% 70.D2,:0-9% ./)0-1.% 1")#(9"#(1% K,-",11,-o5% Z<:% ),1"2)% +(.1% 1,=2% 1"2% .,;2% )#(12% ,-:% -#1% ",82% 1#% deal with being the amazon in the room. This sort of changed my senior year of high .3"##DI%$"2-%Z%.1,)12:%7#:2D0-95%!(::2-D'I%01%$,.-<1% ,%D0,F0D01'%1#%F2%1,DDI%01%$,.%3##D5%L"2-%Z%/(1%#-%"22D.I% Z% :0:-<1% ;22D% ,$=$,):I% Z% ;2D1% /#$2);(D5% Z.% 1"0.% $",1% ."#)1%90)D.%;22D%D0=2%0-%"22D.I%Z<:%,.=%7'.2D;5% Then it changed as soon as I walked out on 1"2% .1)2215%L",1% Z% D2,)-2:% 0.% 1",1% #-2% ;#)7(D,% n1,DD% 90)D.%p%"09"%"22D.%p%.1(:0#%q%3##D%7#:2Do%3#(D:%2,.0D'% 3",-92%0-1#%,-#1"2)\%7#:2D%p%"09"%"22D.%p%.0:2$,D=% q%/)#F,FD'%,%D#1%#;%.1,)2.5 When I got to college, things changed a tiny F015% Z% ;#(-:% 7'.2D;% 0-82.10-9% 0-% ,-% ,7,V0-9% /,0)% #;% %
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FD,3=% *#))0:% $2:92.% $"03"% 41% 7'% -#$% .0V2% CA% ;2215% *"2'<)2%3#7;#)1,FD2%2-#(9"%;#)%72%1#%;22D%D0=2%Z%3,-% walk in them and not fall as well as tall enough to give 72%1",1%2`1),%:#.2%#;%3#-4:2-325% % *"2%7#.1%07/#)1,-1%/,)1P%*"2'<)2%-#1%1##%1,DD5% *"2'<)2%.10DD%#-%1"2%7,-,92,FD2%.0:2%.#%01%:#2.-<1%D##=% like a trannie has just walked through the doors. !#721072.% 01% F#1"2).% 72% 1",1% Z<7% /D,'0-9% 0-1#% .#30‐ 21'<.%0:2,D%#;%F2,(1'\%"#$%Z<7%.(//#.2:%F2%1,DDI%F(1%-#1% 1##%1,DD5%c#$%Z<7%.10DD%1##%1,DD%282-%1"#(9"%Z%$2,)%N,1% F##1.5%O(1%1"2)2<.%#-D'%.#%7(3"%Z%3#(D:%:#5%Z%$0."%Z%",:% 1"2%3#-4:2-32%#;%,%]031#)0,<.%!23)21%7#:2D%F(1%,D,.I% I do not. % Z% $0DD% ,D$,'.% F2% 1,DD% >% D,.1% 1072% Z% "2,):% 1"2)2<.% no shortening leg surgery around – and I might always ;22D%,$=$,):5%6DD%Z%3,-%:#%0.%1)'%1#%.1)(1%7'%.1(&%$"2-%Z% ;22D%D0=2%01I%,-:%7,'F2%1,=2%1"2%F##1.%)#(12%$"2-%Z%:#-<15% % !#%7,'F2%."#)1%0.-<1%-#)7,DI%/2)",/.%F23,(.2% 282)'#-2<.%-#)7,D%0.%:0&2)2-15%6DD%Z%3,-%:#%0.%1)'%,-:% work with what I have. %
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OLSEN TWINS What to wear: Oversized everything – sunglasses, maxi skirt, boyfriend coat – and overload of accessories. Beauty tips: “I just woke up” hair and drugged-eye smoky makeup. Bonus points: an empty Starbucks cup in one hand.
CHUCK & BLAIR What to wear: For Blair – need we explain the universal Upper East princess style? Think colored tights, mary janes, headbands and girly blouses. For Chuck – whatever you see on display at the Ralph Lauren store, go for it. In other words, fitted blazer + bow tie + pocket square = preppy and charming. Beauty tips: Blair’s perfectly calculated curls and Chuck’s 2:8 side part. Use hair wax shamelessly. Bonus point: Have your friends tag along as Nate and Serena, and you’ve got the whole gang taking over the house in style.
P I C K O F T H E P A T C H
HALLOWEEN It’s always the same old campus parties, try to switch it up a little with these tips and ideas for a great weekend.
!,'%9##:>F'2%1#%1,3='%F(--'%2,).%,-:%#82)/)032:%3#.1(72.%m%32D2‐ brate Halloween in style this year as one of the hottest fashion icons! Y)#7%.1'D0."%3#(/D2%D##=.%;#)%'#(%,-:%'#()%"#1%:,12%1#%2_(,DD'%;,."‐ 0#-,FD2%.#D#%3#.1(72.I%Z<82%9#1%,DD%1"2%10/.%1#%.12,D0-9%1"2%./#1D09"1% ,1%,-'%/,)1'5%
AUDREY HEPBURN
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L",1% 1#% $2,)\%6% .D2282D2..% dOMI% D,'2)2:% -23=D,32I% ,% /,0)% #;% .D22=% black gloves, a tiny tiara. O2,(1'%10/.\%!1,'%-,1(),D%m%,%1#(3"%#;%7,.3,),%,-:%-(:2%D0/%9D#..%$0DD%:#5 O#-(.%/#0-1.\%6::%,-%#D:>;,."0#-2:%309,)21125 %% %% %% %% %% %% %% %% %% %%
RUSSELL BRAND & KATY PERRY L",1%1#%$2,)\%Y#)%R,1'%>%,%.=0->109"1I%3D2,8,92>)282,D0-9% 70-0% :)2..% $01"% ;(-='% /,112)-.% ,-:% )#3=21% "09"% "22D.5% Y#)% ?(..2DDI% ,% 4112:% F(11#->(/% n2`32/1% -#1% F(11#-2:oI% ,% 7,13"0-9% 82.1% ,-:% D#,:.% #;% 1)0F,D>0-./0)2:% -23=D,32.5% O2,(1'% 10/.\% S#% ,DD% #(15%L09.I% 3#D#)2:% 2'2D0-2).I% F)09"1% D0/.103=.I% $",1282)% '#(% $#(D:% 3#-.0:2)% #82)>1"2>1#/% #-% ,%:,0D'%F,.0.5%O#-(.%/#0-1.\%c,82%'#()%F##%9)#$%#(1%"0.% stache well in advance.
THE BECKHAMS L",1%1#%$2,)\%Y#)%]031#)0,%m%F0992.1%.(-9D,..2.% '#(%3,-%4-:I%,%.=0->109"1% /2-30D% :)2..% 0-% FD,3=@ -,8'@$"012I% .='>"09"% /(7/.I% :2.09-2)% /().25% Y#)%M,80:%m%9#%."0)1D2..%$01"%,%.#332)%F,DD%0-%'#()% hand. K,=2>(/\%U(:2%D0/.I%:24-2:%3"22=F#-2.%n=2'\%,% 9##:%3#-1),.1%F21$22-%F)#-V2)%,-:%"09"D09"12)o5 O#-(.% /#0-1.\% M#-<1% 1,=2% #&% 1"2% .(-9D,..2.I% :#-<1%D21%9#%#;%2,3"%#1"2)<.%",-:.5% RACHEL ZOE L",1% 1#% $2,)\% ,-% ,DD>FD,3=% 2-.27FD2% 3#-‐ .0.10-9% #;% ,% D##.2D'>4112:% 1#/I% 7,`0% .=0)1% ,-:% F##1.I%.#72%.#)1%#;%,-07,D%;()%1#%$),/%,)#(-:% ,-:%'#()%2-10)2%,332..#)02.%:),$2)%n1"2%7#)2% 1"2%F2112)o5 O2,(1'%10/.\%"2,8'%7,.3,),%,-:%2'2D0-2)%3#-‐ centrated towards your outer corners, rich red D0/.103=I%/2);231D'%:24-2:%3()D.5 O#-(.%/#0-1.\%:#%-#1%a]a?%D21%9#%#;%'#()%OD,3=‐ F2))'5%6-:%:#-<1%.70D2%0-%;)#-1%#;%3,72),.5 *?^%OaZUS%6%S?aaR%S[MMa!!; all you need is a white sheet
n#)%+(.1%,%$"012%:)2..o%,-:%,-%#D:%"2,:F,-:5%SD(2%D2,82.%n)2,D%#)% ;,=2o%#-%1#%1"2%"2,:F,-:I%102%'#().2D;%,%1#9,%,-:%'#(<)2%)2,:'%1#%9#s% S[*%![Ka%Ka*6ddZE%!J6UMatP% Try being an alien, using ;(-%9D0112)'%7,=2(/%-2#-%,332-1.%,-:%.#72%,-12--,2%,11,3"2:%1#% a headband. ^#(%3,-%)23'3D2%1"2%./,-:2`I%,-:%M?a!!%6!%6%!a6%E?a6*r?a. M),$%.#72%.3,D2.%#-%'#()%F#:'%$01"%9D0112)%#)%F#:'%/,0-1%,-:%(.2% FD(2%#)%1()_(#0.2%2'2%7,=2(/%;#)%,%3(12%(-:2)%1"2%.2,%D##=5
LADY GAGA What to wear: Blow up transparent balloons in all different sizes and stick them to a nude leotard, complete with fishnet stockings. Beauty tips: Fake lashes and blond bob wig. Bonus points: Make sure you are well-covered underneath in case the balloons all disappear by the end of the night.
Z;%'#(<)2%$0DD0-9%1#%82-1()2%,$,'%;)#7%3,7/(.I%1"2)2%0.%/D2-1'% to do for Halloween weekend in Los Angeles. ZY%^[r%dZRa%*aEcU[, try a festival like Hard Haunted Man‐ .0#-%,1%!")0-2%6(:01#)0(7%#)%a.3,/2%;)#7%L#-:2)D,-:%0-%!,-% Bernadino. Z;%'#(<)2%ZU%*ca%K[[M%Y[?%6%K[]Za%UZSc*, got to the U(,)1%*"2,12)%0-%!,-1,%K#-03,%#-%!,1():,'I%[31#F2)%Ak%;#)%,% midnight showing of The Rocky Horror Picture Show. Y[?%6%*?rd^%!E6?^%c6dd[LaaU, go to Universal Studios for Halloween Horror Nights and wander %% %% %% %% % %% %% %% %% through mazes and haunted houses.
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AbAf
NYFW
SPRING 2012
OMBRE ME WITH SOME BRIGHT A Recap on New York Fashion Week COLORS!
I
-%2,)D'%Y,DD%Z%$,.%2`3012:%,F#(1%1$#%1"0-9.\%.1,)1‐ 0-9%7'%4).1%.272.12)%,.%,%T(-0#)%1),-.;2)%,1%u!E%,-:% being able to join the fashion magazine—this maga‐ V0-25%6-:%.#%;#)%7'%4).1%,)103D2I%Z%9082%'#(%7'%0-.09"1.% ,-:%)23,/%#;%1"2%.270>,--(,D%K2)32:2.%O2-V%Y,."0#-% $22=%1",1%1##=%/D,32%1"0.%/,.1%!2/127F2)5%a82-%1"#(9"% Z%$,.-<1%/)2.2-1%1#%.22%1"2%."#$.%4).1>",-:%n70-:%'#(I%Z% /D,-%1#%.#72:,'soI%Z%$,.%;#)1(-,12%2-#(9"%1#%$,13"%1"2% ."#$.%;)#7%c(D(53#7%,-:%802$%,DD%1"2%3#DD2310#-.%#-%aDD25 3#75%*"0.%'2,)I%#82)%fBB%:2.09-2).%,112-:2:v%1"2%D0=2.%#;% K,)3%T,3#F.I%K03",2D%R#).I%?,D/">d,()2-I%,-:%O,:9D2'% K0.3"=,5%Z-%,::010#-%1#%1"2%F09%:2.09-2)%-,72.I%(/%,-:% 3#70-9%:2.09-2).%.(3"%,.%J)#+231%?(-$,'<.%$0--2)I%E")0.‐ 10,-%!0)0,-#I%7,:2%,-%,//2,),-32%,-:%3#-1)0F(12:%,%D#1%1#% the recurring theme of trends we saw throughout all the shows. What stood out for me most were about six trends ;#)%!/)0-9%ABCA5%%
Ag% %
M2.09-2).%1"0.%.2,.#-%.2272:%1#%F2%/(."0-9%F)09"1% colors—and lots of it, covering models in bright blues, 9)22-.I%)2:.I%2135%d#-9%N#$'%F#11#7.%.2272:%1#%F2% .$22/0-9%(/%1"2%)(-$,'.%,.%7#:2D.%.1)(112:%F'5%Z-%,::0‐ tion to bright colors, a few designers; namely BCBG Max‐ ,V)0,%,-:%J2))'%aDD0.%%:,FFD2:%,%F01%$01"%1"2%3#D#)>FD#3=0-9% 123"-0_(25%6%1)2-:%1",1%Z<7%.10DD%-#1%282-%.()2%$0DD%1,=2%#&% too well. Along with the color‐blocking, BCBG Maxazria ,D.#%2`/2)072-12:%$01"%3(1>#(1.%0-%92#721)03%.",/2.I% 2`/#.0-9%/,)1.%#;%.=0-%0-%8,)0#(.%/D,32.5%*"2%"01%1",1% resonated with me besides the bouts of bright color was 1"2%#7F)2%1)2-:5%Z<82%F22-%9#0-9%1")#(9"%1"2%/)#32..%#;% #7F)2%$01"%7'%",0)%;#)%1"2%/,.1%'2,)%,-:%,%",D;w9#0-9% 0-%,-:%#(1%#;%7'%3#D#)0.1<.%.,D#-%3#-.1,-1D'%1)'0-9%1#%921% 7'%",0)%1#%.",:2.%1",1%3#7/D072-12:%7'%)##1.%,-:%Z<82% got to say, I have wondered a bit if the trend would die F2;#)2%Z%$,.%4-,DD'%.,10.42:%$01"%015%Z1%7,:2%72%,%D011D2%.,:I%1"0-=0-9%,DD%1"2%xCBB%80.01.%Z%:0:%0-%1"2%/,.1%$#(D:% ,DD%F2%0-%8,0-w-#%/(-%0-12-:2:5%!#%-,1(),DD'I%,%$0:2%.70D2%3,72%,3)#..%7'%;,32%$"2-%Z%.,$%*,:,."0%!"#+0I% K03",2D%R#).I%,-:%,%1#-%#;%#1"2)%:2.09-2).<%7#:2D.%$,D=%:#$-%1"2%)(-$,'%$01"%#7F)2%#-%1"20)%3D#1"2.5%61% D2,.1%7'%",0)%$0DD%D,.1%1")#(9"#(1%-2`1%!/)0-9I%1",1%$,'%Z%3,-%$,01%1#%/(1%7#)2%;2,1"2).%0-1#%7'%",0)%n'#(%,DD% =-#$%1",1%1"2%1"0-%;2,1"2)%1)2-:%0.%#-%"0,1(.%10DD%D,12%ABCAw$2%/D(3=2:%,DD%1"2%3"03=2-.s%J)#F,FD'%,D.#%,-#1"‐ 2)%)2,.#-%$"'%Z%:0:-<1%)2,DD'%.22%,-'%#;%1"2%:2.09-2).%(.2%01%#-%1"20)%7#:2D.o5%*"2%D,.1%1)2-:%1",1%Z%-#1032:%$,.% 1"2%#82),DD%3#(/D0-9%#;%#(141.%:2.09-2).%",:%#-%1"2%7#:2D.v%1"2%$"#D2%+(`1,/#.010#-%#;%.#;1%,-:%",):5%*"2% 7#:2D.%$#(D:%",82%#-%2:9'I%3"03%FD#(.2.%,-:%+,3=21.%4-0."2:%#&%$01"%.$22/0-9%.=0)1.%,-:%;270-0-2%#`;#):.5% *#%921%7#)2%0-1#%:21,0D%,F#(1%"#$%Z%.,$%,DD%1"2.2%1)2-:.%D21<.%D##=%,1%.#72%:2.09-2).%,-:%1"20)%."#$.5 %% %% %% %% %% %% %% %% %% %% %% %% %% %% %%
2
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’DD%.1,)1%#&%4).1%$01"% one of my favor‐ ites—Marc Jacobs. In his show, I dubbed it 1"2%Q70D01,)'%3)#//2:% +,3=21%7221.%1"2%/2,32%D#80-9% "2,:>$),//2:%90)DH5%L2%)2,DD'% see the bright colors, mostly greens, yellows, and blues. c2%=22/.%3D#.2%1#%"0.%3#7;#)1% zone, reusing sequins and the same bright leggings, but what really stuck to me was 1",1%$"#D2%/D,.103>D0=2%."22)% skirt business. A comeback #;%/D2,1"2)I%F(1%0-%,%."22)% ,D7#.1%3D2,)%,//2,),-32P% S#:I%Z%"#/2%-#15%*"2%:2.09-2)% did an excellent job showing 1"2%+(`1,/#.2%.#;1%,-:%",):% D##=%#-%"0.%7#:2D.%nD##=%,1% 7'%:(F%-,72o5%6-#1"2)%1"0-9% 1",1%Z%=2/1%D##=0-9%,1%:()0-9%"0.%."#$%$2)2%,31(,DD'%0-%1"2%7#:‐ 2D.<%",0)w"2,:$),/.5%6D7#.1%282)'%7#:2D%#-%1",1%)(-$,'%",:% 1"20)%",0)%(/%0-%,%$),/I%)270-:0-9%72%#;%1"2%Z%d#82%d(3'%'2,).%,-:% 1"2%/031()2%#;%1"2%Q^#(%3,-%:#%01H%$#7,-%0-%7'%j1"%9),:2%"0.1#)'% book during the Industrial Women of America World War II era. 6F#(1%1"0.%1)2-:I%Z%:#-<1%=-#$%0;%01%$,.%,%3#0-32:2-32%#)%0;%T,3#F.% $,.%1)'0-9%1#%-(:92%(.%0-1#%01I%F(1%Z<7%=0-:%#;%:0990-9%015%Z%,D)2,:'% D0=2%1"2%72..'%/#-'1,0D@F(-%D##=%,-:%01%D##=.%D0=2%1"2%.1'D0.1.%"2)2% ",82%1,=2-%1",1%,-:%F(-3"2:%01%1#921"2)%$01"%,%$),/5%Z1%$#(D:-<1% F2%1##%",):%,%D##=%1#%2,.2%0-1#5%Z%,D.#%",82%1#%9082%/)#/.%1#%1"2%2-:%#;%1"2%."#$%$"2)2%0-.12,:%#;%",80-9% the models go down the runway one more time, they stand in the background in a freeze‐frame while the curtains close them out. Really cool way to end the show so that we can see all the models at once, not one by one. Good job Marc Jacobs.
*ca%Uat*%Ma!ZSUa?%Z%D##=2:%,1%$,.%7'%;,8#)012%3",)‐ acter on Project Runway, Christian Siriano. At the show, he
let us know that he hasn't died out yet—a force still to be reckoned $01"5%c2%.,0:%1",1%1"0.%'2,)I%"2%$,.%0-./0)2:%F'%6(:)2'%c2/F()-y.% Summertime and focused his collection around the “cool trav‐ 2D2)H%n0-12)802$%$01"%E"03518I%c(D(53#7o5%c2)2I%$2%.22%7#)2%#;%1"2% D#-92)I%N#$0-9%.=0)1.%=22/0-9%1"2%."#$%7#)2%1#%,-%6-1")#/#D#902> 1'/2%D##=5%O)09"1%3#D#).%$2)2%/)2.2-1I%F(1%!0)0,-#%(.2:%7#)2%3#)‐ ,D.5%c2%72-10#-2:%1",1%0-%"0.%/)280#(.%3#DD2310#-.I%"2%$,.%(.2:%1#% (.0-9%9),'.%,-:%:,)=%3#D#).%,-:%$,.%",//'%1#%921%0-1#%1"2%F)09"1% color trend. I'm glad Siriano is sticking around and wish him luck in his future collections. %
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*,:,."0%!"#+0%$,.%,%"2,:>1()-2)%$01"%"0.%/)2:#70-,-1%#7F)2%."#$5%*"0.%0.%$"2)2% Z%.,$%7#.1%#;%1"2%#7F)2%D##=.5%L"0D2%:2.09-0-9%"0.%3#DD2310#-I%"2%2`/)2..2:%1",1% "0.%0-./0),10#-%$,.%;)#7%,%F##=%1",1%/,0:%"#7,92%1#%1(D0/.5%c2%7,)82D2:%,1%1"2% F2,(1'%#;%1"2%N#$2)%,-:%01%1),-.;2))2:%0-1#%"0.%#7F)2%:)2..2.5%%
FLOWER GIRL Ga. Ita voluptatio endipsum harchitaquo
Zz%{|}%~•€•%z‚ƒ% OEOS%E€„„ƒ…z†€‡
that you witness the color‐blocking and cut‐out techniques. The show N#$2:%$01"%D#1.%#;%:)2..2.I%0-%92#‐ metric designs with various shades of bright colors. Some dresses had all the techniques in one, which may be a loud statement to some but hey that's ;,."0#-5%Z1%$,.%,//,)2-1%1",1%OEOS% $,.%,D.#%1)'0-9%1#%."#$%1"2%+(`1,/#.0‐ tion of the soft and hard by blending 1"20)%#(141.%$01"%./#)1%,-:%2D29,-325% The color‐blocking style is a little weird for me because I like things in a certain /,112)-%,-:%01%$#(D:%F2%1##%),-:#7%1#% just see a block of color on my shoul‐ ders. It makes me fear that shoulder‐ /,:.%709"1%3#72%F,3=I%F(1%0;%,%:2.09-‐ er can make it suttle enough for me to ease into, I'll be willing to give it a try.
“
He marveled at the beauty of !"#$ %&'#($ )*+$ ,!$ !()*-.#((#+$ into his ombre dresses.
“
There’s no sex appeal to that and it’ll call for a heinous tan line. Recalling the show makes me think of the “tribal trooper”.
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*"2%3(1>#(1.I%"#$282)I%Z<7%-#1%1##% ,;),0:%#;%F23,(.2%$2<82%.22-%1",1% F2;#)2%0-%3#11#-%;#)7>4110-9%:)2..2.% 1",1%",82%3(1>#(1.%#-%1"2%"0/.%n0;%'#(% ",82-<1%.22-%1"27%F2;#)2I%$,D=%0-1#% Y#)282)%AC%#)%,%D011D2%F#(10_(2o5%Z%1"0-=% those are adorable. Cut‐outs in weird ./#1.I%D0=2%),-:#7D'%#-%'#()%3"2.1%#)% thigh might make me hesistate a little. *"2)2<.%-#%.2`%,//2,D%1#%1",1%,-:%01<DD% call for a heinous tan‐line. Recalling the show makes me think of the “tribal 1)##/2)H5%
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!†•†„|•†„ˆ%z‚ƒ%•ƒ‡y}%~|}‚†€‡%}‚€{%}ƒƒ•ƒ‰% z€%}‚€{…|}ƒ%z‚ƒ%}|•ƒ trends we see in women. Girls, read this to your boy‐toys and boy friends and see their reactions to the run‐ way scene or if you're a guy reading this, jot down some notes...you want us to have something to drool about, :#-y1%'#(P%M2.09-2).%D0=2%J2))'%aDD0.% used bright colors—namely salm‐ #-w,-:%,//D02:%01%1#%3#D#)>FD#3=2:% sweaters. A slight hint to men to ditch the everyday t‐shirt and jeans ,-:%D082-%01%(/%,%D011D2%,D1"#(9"%$2% still love a man in a t‐shirt and jeans n3,DD0-9%?',-%?2'-#D:.%,-:%T,72.% Y),-3#o5%Z-%12)7.%#;%/,-1.I%$2%.22% less of the skinny jeans trend and D##=%1#%=",=0%3,/)0.5%aDD0.%$),/.%(/% the show with white on white suited men.
LET'S JUST HOPE OUR MEN CAN KEEP IT WHITE.
“
M()0-9%K03",2D%R#).<%."#$I%1"2% :2.09-2)%$2-1%,%F01%#//#.012%#;%,DD% his fellow designers. I called his ."#$%1"2%QZ-:0,-,%T#-2.%!,;,)0H5% Bright colors rolled down the )(-$,'%$01"%N#$0-9%.,)#-9.% and large scarves. The ombre $,.%213"2:%0-%/,-1.I%+,3=21.I%,-:% scarves.
I called his show the
“INDIANA JONES SAFARI”
/(,0"!$1&2&(-$(&22#+$+&'*$!"#$(3*')4$',!"$%&',*0$-)(&*0-$ and large scarves.
”
!€%{‚|z%}‚€Š„‰%ˆ€Š%z|‹ƒ%~•€•%•ˆ%•ƒ…|Œ%€~%Uƒ{%^€•‹%Y|}‚†€‡%Lƒƒ‹P% *#%.(7%01%,DD%(/I%1"2%:2.09-2).%F2D0282%1",1%1"0.%3#70-9%!/)0-9%$2<DD%.22%F)09"1%3#D#).%n1"0.%0.%D0=2 1"2%(/122-1"%
1072%Z<82%.,0:%01oI%N#$0-9%F#11#7.I%#7F)2I%3#D#)>FD#3=0-9I%3(1>#(1.I%,-:%1"2%+(`1,/#.2:%.#;1%,-:%",):%D##=5% ^#(%3,-%)(."%#(1%1#%1"2%.1#)2.%1#%.1#3=%(/%,"2,:%#;%1072%#)%/(DD>#(1%,DD%1"2%#D:%3D#1"2.%'#(%.1(&2:%0-%1"2%F,3=% #;%'#()%3D#.215%[)%'#(%3,-%09-#)2%282)'1"0-9%Z%+(.1%.,0:%,-:%9#%3#7/D212D'%#//#.0125%^#(%3,-%282-%.01%F,3=%$"2-% ./)0-9%3#72.%,)#(-:%,-:%+(.1%#F.2)82%,-:%3"(3=D2%1#%'#().2D;%,.%'#(%.22%,%9)#(/%#;%F)09"1>3#D#)2:%#7F)2%90)D.% $,D=0-9%:#$-%1"2%.1)221%0-1#%'#()%D#3,D%ceK%.1#)25%L",1282)%'#(%:#I%:#%$",1<.%)09"1%;#)%'#(5%Z%+(.1%.#(9"1%1#% :2D082)%'#(%$01"%7'%0-.09"1.%#;%U2$%^#)=%Y,."0#-%L22=5%6.%;#)%72I%'#(<DD%.22%72%,)#(-:%3,7/(.%$01"%7'%#7‐ F)2%",0)%0-%,%$),/%$01"%F)09"1>3#D#)2:%3D#1"2.5%S#11,%921%7'%7#-2'<.%$#)1"%#-%7'%",0)s% %
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Purple, gray and black eyeshadows with a nude lip color accentuate an elegant facial structure. Aj%
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idnight onata
Go vamp with a pale complexion, dark and smokey eyes, and bold lips. J"#1#9),/"2:%F'%R0).12-%?032
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"2'<)2%3,DD0-9%01%1"2%,92%#;%1"2%],7/0)25 % Y)#7%*$0D09"1%1#%*"2%],7/0)2%M0,)02.%,-:%282)'1"0-9%0-%F21$22-I% c#DD'$##:%",.%,-%,::0310#-%1#%1"2%.(/2)-,1(),D%3)2,1()2.5 % L",1%0.%01%,F#(1%,DD%#;%1"2.2%/,D2%/2#/D2%1",1%921<.%282)'#-2%9#0-9P % ],7/0)2.%.(3=%FD##:I%,-:%,33#):0-9%1#%70DD0#-.%#;%D,:02.%#(1%1"2)2I%1"2% danger is what is so enticing. % *"2%#F.2..0#-%$01"%8,7/0)2.%",.%D2:%1#%,-%0-N(`%#;%8,7/0)2>0-./0)2:% 7,=2>(/\%FD##:%)2:%D0/.I%7,112%.=0-I%,-:%.2`'%F2:)##7%2'2.5%*",-=;(DD'I%;,-9.% have been excluded from the must‐have look of the season. % *"0.%;,DDI%F23#72%,%7'.12)0#(.%,-:%F2,(10;(D%8,7/0)25 % 6;12)%,DDI%$"#%:#2.-<1%$,-1%1#%D082%;#)282)P %
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Steely blue eyes and electric blue lips complete an intense, sexy look.
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A coral lip color subtly compliments and brightens a darker look. %
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Bright colors highlight a delicate mouth.
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style icons
decades of the
Some things never go out of style, and neither do some people. J"#1#9),/"2:%F'%aD02%c(13"0-.#-
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fb
Ingrid Bergman (1915-1982) Swedish actress fG%
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Audrey Hepburn (1929-1993) English actress fG% fj% 38
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â&#x20AC;&#x153;Twiggyâ&#x20AC;? (1949-present) English model, actress, and singer %
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fi fk 39
farrah fawcett (1947-2009) american actress and artist.
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^jggdi\ nom\_\ TTT ALIIFK?PQO?B? ALJ
fall tv shows to watch out for NEW SHOWS
Th FO
2 Broke Girls CBS Mondays, 8:30PM
Z;% 10,) $" F2 F2 #;
Z;%'#(<)2%10)2:%"2,)0-9%,F#(1%,DD%1"2.2% confusing shows with their crazy /D#1D0-2.I%)2D,`%$01"%1"2%A%O)#=2%S0)D.\% A%$,01)2..2.%/D,'2:%F'%R,1%M2--0-9.% n1"2%1#(9"I%$#)=0-9>3D,..%#-2o%,-:%O21"% O2").%n1"2%F#)->)03"I%-#$>$#)=0-9%#-2o5%
On AB
American Horror Story FX Wednesdays, 8PM ^#(<:%F2%.()/)0.2:%1#%"2,)%1",1%1"2% same guys behind this show created the little hit that is Glee. After all, this ."#$%0.%,F#(1%,%7,))02:%3#(/D2%#-%1"2% rocks who move into an LA haunted house with their moody teen daughter. L0DD%01%7,-,92%1#%.3,)2%282)'%$22=P%
6%9 1), ;# ba an 1"
Hart of Dixie CW Mondays, 9 PM
Pa AB
?,3"2D%O0D.#-%)21()-.%1#%*]%0-%,%."#$I% ,.%2`23(1082%/)#:(32)%d2-%S#D:.120-% 2`/D,0-.I%0.I%Q,%1"0):%72:03,DI%,%1"0):% 4.">#(1>#;>$,12)I%,-:%,%1"0):%)#7,-103% 3#72:'5H%
Th as Ck 1" 3)0 ."
How To Be a Gentleman CBS Thursdays, 8:30PM
Pe CB
K0 1" he Ju th 1" Ne cu cri
6-#1"2)%/#D,)>#//#.012%:(#%D2,)-0-9% ;)#7%2,3"%#1"2)%0.%1"2%1#/03%;#)%1"0.% ."#$5%Z-%1"0.%3,.2I%Z1<.%6D$,'.%!(--'%0-% J"0D,:2D/"0,<.%M,80:%c#)-.F'%/D,'.%,% gentleman of a character that recon‐ nects with his much more abrasive "09"%.3"##D%3D,..7,12I%/D,'2:%F'% a-1#(),92<.%R280-%M0DD0#-5
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The Secret Circle CW Thursdays, 9PM *"2%3)2,1#).%#;%*"2%],7/0)2%M0,)02.% 1,3=D2%,-#1"2)%7'1"03,D%.(F+231\% witches.
Up All Night NBC Wednesdays, 10PM
he New Girl OX Tuesdays, 9PM
r/%6DD%U09"1%+#0-.%1"2%.D2$%#;%UOE% 3#72:'%."#$.%n*"2%[W32I%J,)=.%,-:% ?23)2,10#-I%E#77(-01'I%fB%?#3=oI% $"03"%F'%,..#30,10#-I%F)0-9.%01%(/% to being a contender for The Most Charming New Fall Sitcom.
%,%*,)921%3#772)30,D%3#7/D212%$01"% -=D0-9I%(/F2,1%7(.03%,-:%90)D.%1$0)D0-9% )#(-:%0-%F,DD21%N,1.%,-:%N#),D%.(-:)2..2.% "0D2%."#//0-9%0-%,%;,)72)<.%7,)=21%3#(D:% 2%2/01#70V2:%0-1#%#-2%.0-9D2%"(7,-% 20-9I%01%$#(D:%F2%1"2%#->.3)22-%/2).#-,% ;%•##2'%M2.3",-2D%0-%*"2%U2$%S0)D5%
OLD SHOWS
Dancing With the Stars ABC Mondays 8PM, Tuesdays 9PM
nce Upon a Time BC Sundays, 8PM
A Trojan alum will be fox‐trotting his $,'%0-1#%672)03,<.%*]%282)'%K#-:,'% -09"1s%?#F%R,):,."0,-I%,D#-9%$01"% .1,).%D0=2%M,80:%6)_(2112I%?03=0%d,=2I% R)0.10-%E,8,DD,)0I%E",V%O#-#I%?#-% 6)12.1I%,-:%c#/2%!#D#%$0DD%$2,)%1"2% F2:,VVD2:%F,DD)##7%921>(/.%0-%"#/2.% #;%92110-9%CB.%;)#7%1"2%+(:92.%,-:% votes from you!
9)#(/%#;%;,0)'>1,D2%3",),312).%,)2% ,//2:%0-%,%K,0-2%1#$-%,-:%3().2:%1#% #)921%1"20)%0:2-10102.5%[-32%$0DD%N,."% ack to their lives in fairy‐tale land to nswer burning questions like, “Why did "2%a80D%Ž(22-%F23#72%280DPH%
an Am BC Sundays, 10PM
The XFactor FOX Wednesdays, 8PM
his new show has already been touted s Mad Men meets Alias. Set in the kGB.I%1"0.%/)0721072%.#,/%2`/D#)2.% "2%D082.%#;%1"2%.12$,):2..2.%,-:%/0D#1.% 0..3)#..0-9%1"2%9D#F2%#-%/D,-2.%#;%1"2% "#$<.%-,72.,=25
Simon and Paula reunited! Solo and 9)#(/%,31.s%U#%(//2)%,92%D0701s%O(1% $01"%672)03,-%Z:#DI%*"2%]#032I%*"2% !0-9>[&I%,-:%672)03,<.%*#/%*,D2-1I% are these attributes good enough to =22/%,-%,(:02-32%",-90-9%#-%$01"% *"2%t>Y,31#)P%
erson of Interest BS Thursdays, 9PM
Two and a Half Men CBS Mondays, 9PM
0..%d#.1P%K03",2D%a72).#-I%(-:2)% "2%1)(.1'%$0-9%#;%/)#:(32)%T5T5%6F),7.% eadlines this new high‐tech thriller. ust like Lost and the usual Abrams fare, his is a show that will require viewers to "0-=5%Z1%2`/D#)2.%,%%/#.1>k@CC%2),%$"2)2% ew York City is so connected with se‐ urity cameras that forces can tell when imes were about to be committed.
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