Music and Dance Fall 2015 by Postmedia Saskatchewan

Sunday, AUGUST 9, 2015

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DANCE DIMENSIONS’ SHOWSTOPPERS The Showstoppers were founded in 1996 by Kara Chernishenko, director of Dance Dimensions studio in Regina. They are multi-talented dancers who range in age from 10 to 20 years old. Every year, the Showstoppers attend various competitions in Saskatchewan and Alberta and receive numerous awards and scholarships. This past season, the Show-

stoppers represented Dance Dimensions in Calgary, Alta., and were invited to the Crystal Dance Off Challenge with four of their routines. The Dance Off represents the top 12 routines of the competition weekend, and the Showstoppers were proud to represent their studio at this challenge. It was an extremely rewarding and exciting season for the Showstoppers and the

50-member group is looking forward to next year! The Showstoppers is a non-proﬁt organization and that has performed at various events over the years in Regina. For more information, please contact Chernishenko at 306-781-6151. This article was submitted by Dance Dimensions.

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Dance Dimensions Optimist Showstoppers.

CELEBRATING 30 YEARS It was in 1985 that Dancer’s Den Dancewear originally opened its doors. “It’s been an interesting dance-business journey,” says Jim Ritenburg, who established and has operated Dancer’s Den Dancewear for 30 years. “You get to know a few things about the dance scene in Regina and Saskatchewan. Somehow, 30 years seemed like such an incredibly long time 30 years ago,” he says. “Now, it seems like yesterday.” Those were the “aerobic days” — Jane Fonda, Richard Simmons and Jazzercise, to name just a few. Those were the days of matching headbands, legwarmers and paisley-printed bodysuits.

“Probably the greatest single challenge, going back 30 years, was just staying in business. The economy in the ‘80s and ‘90s was tough, not anything like it has been in the last few years. It was a struggle to be in business; determination and perseverance were the order of the day. “I think the greatest challenge going forward for Dancer’s Den Dancewear would be remaining relevant and valuable to our customers. We really hope our customers understand that we bring value to their purchase, that our knowledge, experience, assistance and on-hand inventory are valuable. Wheth-

er it is product service and support, or simply a source of advice, Dancer’s Den Dancewear really does strive for excellence. “From a personal perspective, probably the single most signiﬁcant thing has been the relationships over the years — certainly with customers, but also with our staff. Early on I learned ‘we cannot do it without our staff.’ We have been blessed over the years to have had and still have dedicated and loyal staff. “The other great relationships over the years have been with the dance teachers. It is these people — the teach-

ers — that help fulﬁll the dreams of the young, up-and-coming dancers. Without them, there are no classes, no dancers and no need for dancewear. “There is nothing as constant as change itself, but the one thing about Dancer’s Den Dancewear is that customers keep you young. Each year there is a new crop of young dancers, full of life and enthusiasm to start out their dance careers. One cannot help but be infected with that enthusiasm,” says Ritenburg. Dancer’s Den Dancewear is located at 1630 Albert St., Regina. This article was submitted by Dancer’s Den Dancewear.

Dancer’s Den Dancewear staff and guests pause during the Annual Mondor Day, when 100 pairs of tights were given away. From left to right: Theresa Porter (sales associate), Kitty Murphy (national sales director, Mondor), Sharon Morgan (Mondor sales representative for all 30 of Dancer’s Den’s years in business), Debora Banks (sales associate), Kathy Clark (manager), Jim Ritenburg (owner).

ABOUT THIS CONTENT: This feature contains articles created by Leader-Post Special Projects as well as articles contributed by members of the Saskatoon music and dance community to promote awareness of this topic for commercial purposes. The Leader-Post editorial department had no involvement in the creation of this content.

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DANCE SASKATCHEWAN INITIATIVES PROMOTE CULTURAL DIVERSITY

BY JEANNIE ARMSTRONG POSTMEDIA SK SPECIAL PROJECTS Dance is exploding in Saskatchewan! Saskatchewan has the highest per capita number of participants in dance of any province in Canada, says Linda Coe-Kirkham, executive director of Dance Saskatchewan Inc. (DSI), the non-profit organization committed to the advancement of dance. Founded in 1972, Dance Saskatchewan supports and enhances the development of all forms of dance in our province — whether recreational or professional. The organization works to establish an environment for dance that cultivates opportunities for performance and employment and that celebrates heritage and cultural diversity. Dance Saskatchewan receives funding through Saskatchewan Lotteries Trust Fund for Sport, Culture and Recreation, the Saskatchewan Arts Board and SaskCulture Inc. The significant growth in dance participation is directly related to the recent record population growth the province has experienced. Saskatchewan’s population boom has two major drivers: Aboriginal population growth and international migration. As a result, dance has become more culturally diverse than ever in our province, says Coe-Kirkham. Dance Saskatchewan’s membership now represents 32 different dance genres. In 2013, SaskCulture Inc. encouraged its funding recipients to join in a threeyear pilot program designed to encourage cultural diversity. Dance Saskatchewan responded by expanding its programming, resources and representation to be even more inclusive of newcomers, First Nations and Métis peoples. Dance Saskatchewan has completed its first year of the cultural diversity pilot program with a strong sense of accomplishment. A number of exciting ini-

tiatives have been launched, including a compelling “For The Love of Dance” campaign that celebrates the diverse forms of dance in our province. Adrienne Collins Bretell, marketing and communications director with Dance Saskatchewan, says, “We asked our members to take part in a photo shoot that would not only provide us with images to use in our own marketing, but would also give them an opportunity to talk about their dance genre and why they dance.” The images captured during the twoday photo shoot are truly captivating. “We tried to choose a selection of dancers who would represent all walks of life, cultures and types of dance. We followed up the photo shoot with interviews, asking ‘Why do you dance?’” said Collins Bretell. “Some of their quotes are pretty amazing.” The campaign demonstrates how inclusive and accessible dance really is in Saskatchewan. “People have this misconception that dance is an elitist, costly activity, but it’s not,” says Coe-Kirkham. “Dance is everywhere. We’re really lucky to have an art form that is so accessible,” says Collins Bretell. Strategic partnerships have helped Dance Saskatchewan to broaden its focus and increase performance opportunities across the province. A partnership with the Ofﬁce of the Treaty Commissioner and Sunchild Law has ensured the continued presentation of ‘Silent Survivors’, a powerful presentation of song and traditional dance created by artistic director Lorin Gardypie that shares the Indian residential school experience. The ﬁrst full-length performance of `Silent Survivors’ was presented in partnership with Thunder Spirit Consulting, the Truth and Reconciliation Commission of Canada and Dance Saskatchewan in 2013. The project has now evolved into a

community residency program including workshops. “We just did a four-day residency with 1,200 students in the Living Sky School Division in the Battlefords. We are touring in the fall to Meadow Lake. Flying Dust First Nation will be the host, and the City of Meadow Lake and five of the Meadow Lake Tribal Council bands will participate. We’re going north with that same production to Prince Albert, hosted by the Peter Ballantyne Cree Nation,” says CoeKirkham. Dance Saskatchewan also organized a dance jamboree for First Nations youth in northern Saskatchewan. “We had 66 young people from 14 different communities participate. Many of those kids had never left their communities before. They spent four days in La Ronge immersed in dance,” says Coe-Kirkham. Dance Saskatchewan has also formalized a partnership with the Global Gathering Place, a non-profit drop-in centre that provides services for immigrants and refugees in Saskatoon. “The Global Gathering Place has been a strong partner for us,” says Coe-Kirkham. The partnership has resulted in newcomers becoming more involved in the governance of Dance Saskatchewan and having a greater say in dance programming. “We’ve had so many enquiries from people who are affiliated with groups of newcomers,” says Coe-Kirkham. “There has been a huge increase in the number of people interested in ballroom and Latin dance, primarily from newcomers. We’ve had African dance workshops here. Three different Ukrainian dance schools use the studio space at the DSI Centre in Saskatoon. A woman from Tanzania came in off the street and the next thing we knew she was performing at our National Dance Week celebration.” The DSI Centre in Saskatoon is the headquarters of Dance Saskatchewan,

a 10,000-square-foot facility with ﬁve dance studios and an extensive resource

dance, but that would serve as a hub for arts and cultural activity. We see ourselves in 10 years in a building double this size, with artists from all different disciplines working together.” For more information about Dance Saskatchewan, visit www.dancesaskcom.

centre that includes Canada’s largest lending library of dancerelated materials. “We run from 9:00 in the morning until 10:00 at night, seven days a week, from September to the end of May. We turn people away. There just isn’t enough space for all of the activity that’s going on in dance,” says Coe-Kirkham. She sees a new home in Dance Saskatchewan’s future, envisioning “a building that would encompass more than just “Through Lion Dancing, I’ve had an opportunity to learn about my parents’ culture and, through extension, my own culture. Growing up in Canada, you aren’t always exposed to that. Dance is one way for me to partake in culture.” - Colin, Lion Dancer, DSI member. (PHOTO: DANCE SASKATCHEWAN INC./KEN GREENHORN)

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“I dance for the love of my culture. It’s for giving my kids something when I go. It’s for enjoyment of myself and to keep myself in shape. It keeps me in tune with Mother Earth.” - Lawrence, First Nations Hoop Dancer, DSI member. (PHOTO: DANCE SASKATCHEWAN INC./KEN GREENHORN)

“Sometimes words are not enough. The stories we have, the experiences to be able to communicate beyond differences, beyond language barriers, beyond any kinds of misunderstanding is through dance, because everyone can dance.” - Samantha, Oriental Dancer, DSI member. (PHOTO: DANCE SASKATCHEWAN INC./KEN GREENHORN)

Regina’s Largest Ukrainian Dance School

Tavria School of Ukrainian Dance Catch the Culture!

The Tavria School of Ukrainian Dance is one of the largest and finest dance schools in the prairies. It is financially sound with a wonderful sense of community and volunteer spirit. Low enrollment fees, a professional dance studio, and many clubowned costumes ensure your children have every opportunity to learn Ukrainian dance in a fun, relaxed atmosphere.

and choreographic experience. Yuriy is assisted by his wife, Oksana, who also holds her degree in choreography. Together they are bringing a fresh new direction to the Tavria Ensemble and School. Tavria also hosts an annual Ukrainian Dance Festival, a popular and well-respected competition which attracts hundreds of dancers from western Canada and the U.S. The 2015 Festival is scheduled for March.

Classes run Monday through Saturday evenings from prebeginner to senior, senior and adult. Instructors within the school are current and alumni dancers of the Tavria Ensemble. The school performs at multicultural shows, fundraisers and nursing homes throughout Regina. It is the “feeder” group to Tavria’s Ensemble.

Tavria enjoys promoting and sharing its culture and is always looking for people with enthusiastic attitudes. New dancer registration will be held Tuesday, esday August 25th, and esday, Wednesday, dnesday August 26th from 6:30 - 7:30 p.m. each evening dnesday, at the Tavria Studio, #200 - 514 Victoria Ave E.

This summer the ensemble had the pleasure of touring Brazil, celebrating the very first International Ukrainian Dance and Arts Festival. They were overwhelmed by the welcoming spirit of the Ukrainian-Brazilian community and look forward to sharing our love for Ukrainian culture on future tours. Tavria is pleased to have Artistic Director, ector Yuriy Sholdra, from ector, Lviv Ukraine. Yuriy obtained his degree in choreography Lviv, at the Lviv National Institute of Choreography and Art in 2001. He brings with him a wealth of dancing, instructing

Contact us by phone at 306-501-8107, e-mail us a tavria@sasktel.net, or visit our website at www.tavria.orgg for more information about our organization.

UKRAINIAN FOLK DANCE ENSEMBLE AND DANCE SCHOOL

Open House

Walk-in lk-in Registration stration Tue. Aug 25th & Wed. Aug 26th 6:30 p.m. to 7:30 p.m. Tavria Studios #200 - 514 Victoria Ave. E. • Financially stable • Low enrollment fees • Many club owned costumes • Professional dance studio atmosphere

Phone 306-501-8107

tavria@sasktel.net Come – Catch the Culture!

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age, the same year he first picked up a guitar. Officially, he received his ARCT diploma in classical guitar from the Royal Conservatory and later went on to earn his Bachelor of Music. He taught and developed programs in classical guitar for the U of S Music Department for some 20 years until 2001, taught high school for five years and was an assistant professor of education at First Nations University of Canada. And while he remains active as a sessional lecturer at FNUC and the U of S, since 2006 his teaching efforts have been focussed on passing on his love, knowledge and expertise in music from his own studio on Thain Crescent. Although Schenstead’s studio offers instruction in piano, drums, bass guitar as well as RCM prep, the focus is on classical guitar. As for his students, Schenstead says they range in age from six to seniors and come from all kinds of

backgrounds. His favourite part of teaching, he says, is “when students ‘take the ball and run with it’. While I do my best to model guitar playing in lessons, it is important for students to listen to good guitarists and musicians in general, and to be curious about music, how it works, and follow up on that interest. Nowadays with YouTube and the internet, it is easy to look up great performances, whatever the instrument, and stay inspired.” For Schenstead, inspiration is a song away. “To me, the warm and personal tone of the classical guitar invites the ear and connects with me.” Music also gives him the chance to connect with his daughter, Melanie, with whom he performs at weddings and special events. And in the end, Schenstead says, “making music is still great fun.” If you would like more information on Ben Schenstead, his music or available lessons, visit www.benschenstead. com.

Ben Schenstead, an award-winning classical guitarist and recording artist, shares his passion for music and education with his students. (SUPPLIED PHOTO)

QCK Gymnastics

QCK Gym Trix Acro Class! Need to learn that aerial to top off yo your dance routine? Havi Ha ng trouble gettingg enough gh height on your spinning heal kick? If so, so QCK’s K’ GymK’s Gym-Tr m-Trix Acro is the class for you!

Gym Trix Acro Classes Dancers, Divers, Martial Artists, Skateboarders and more ! www.qckgym.com (306) 757 -5311 office@qckgym.com

Gym-Tr Gy m- ix Acro students work on spe m-Tr specialized aerial skill sk s that are not only a lot of fun but can really ly help with other sports like dance, divi di ng ng, martiall arts andd even skateboarding or snowbo ow arding. owbo ng Skill Skills that can bbee ttaught auug ught ght iinclude nclude flfloor oor w work, orrk, rkk, flflipping, iipp ppingg,, ddaannce ce m movements, ovements, aerials, wall covers, handsprings, spr tumbling ng and more. All sski skkkiilllls aare skill re llearned earned pprogressivel rooggressiveely elly aand nd ssafely afellyy bbyy uutilizing tilizing oour ur tram ampolines, fast trackk and foam pits. QCK’s Q QC K’ Gy K’s Gym-Tr m- ix Acro Classes are taught m-Tr ught by NCCP ug train ained andd certified coaches, many of which are current oorr fformer foormer nnational ational llevel evel aathletes. thletes. Gym ym-Tr m- ix Acro not the class for you? QCK offer off s a varietyy of recreational r classes for pr pre-schoolers, grade-schoo hool kkids, ki ids ds, tweens tweens and and teens. teens. We We al also so offer off offer pprivate rivate bookings bookings and and birthday birthday parties. parties. C Check heck oout ut www.q www ckgy ck m.com to see all a our program guides!

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THE ART OF FLAMENCO BY HILARY KLASSEN POSTMEDIA SK SPECIAL PROJECTS In another life (where I choose my own adventure), or a parallel one, I am an accomplished dancer. I am supremely svelte and toned, the envy of half the female population. I consume copious calories with blatant disregard for my weight because, of course, I’ll dance it all off later! Chocolate and wine are my daily companions, and men fall under my spell at the flick of a castanet. In my current life (fantasies begone) this person is Kari Alba. Alba is the personification of flamenco dance. The spirited Spanish art form encompasses all we truly love about dance — the fire of passion, beautiful swirls of movement, soulful vocals with guitars, and rhythmic footwork, often accompanied by castanets. Alba saw her first flamenco show at age 16 and was riveted. “I’d never seen a show before in my life where I felt like my whole body was just shivers. I was completely enthralled by the entire show.” She started a lifelong pursuit that began with extensive flamenco training. An initial grant to study in Spain confirmed her aspirations. “I decided that’s what my career is going to be.” For a time, she lived and trained in Spain anywhere from eight to 10 months each year. The pursuit led Alba to develop a dance studio in Saskatoon. “Alma Flamenca” was established in 1999, and is dedicated solely to flamenco dance. Here, Alba indulges me with a dynamic mini-performance. The music expresses the sultry influence of Indian gypsies who migrated to southern Spain. An audience of one, I am beyond impressed. Immediately, I sense her skills and finesse represent years of growing mastery. I’m up next. Alba takes me through a few flamenco moves and I’m there, though I feel slightly gauche next to this accomplished dancer, with the wall mirror telling no lies (note to self — lose a few pounds and don’t wear four-inch spike heels next time!). Then again, she has performed internationally and I have

Kari Alba performs flamenco dance with singer Celedonio Garrido from Spain and guitarist, Ricardo Diaz (California/Spain).

not. “Alma Flamenca” means flamenco soul, which is appropriate since the dance typically expresses deep emotion. Below the surface of what Alba calls the top 40, user-friendly flamenco moves the general public does, lies a deeper, more authentic version of flamenco that remains fairly underground in Spain. “It’s almost like a secret art form. It comes from a lot of persecution because of the gypsies, it comes from a lot of maltreatment and suffering,” says Alba. “I think that’s why you’ll see in a lot of the forms, we’re not afraid to be angry, mad, sad or in pain.” It’s not like country music lyrics where your girlfriend dumped you. Sometimes it’s, “they burned my house down and my child was inside.” She says not everyone can digest that, but I find myself totally resonating with it. “That’s why it ends up underground because it’s not happy all the time, or joyful

or nice,” she adds. The flamenco community in Saskatoon has grown significantly since Alma Flamenca opened. The studio has classes for everyone — from girls and boys, up to grandmas and grandpas. While there’s definitely fun to be had, many Alma Flamenca students are looking for more than that. “They say, ‘give me history, tell me how the singer works with the dancer.’ They’re very intelligent people who want something that’s very stimulating, not just physical exercise,” says Alba. She has taken students to study in Spain, and will do so again in 2016. She has brought instructors and musicians over to do workshops. This year, dancer/ instructor Miguel Infante and guitarist Ricardo Diaz are coming from Spain to perform at the Ness Creek Music Festival. Then they’ll do a four-day workshop at Alma Flamenca. Alba constantly challenges herself,

looks for ways to be creative and add modern twists. “In April we brought Spaniards here, and we had a painter who was painting my dress while I was dancing, the singer was singing, the guitar was playing, and I was playing castanets. It was not a huge step outside the traditional but it was still something we’ve never done before.” She loves the fact that ﬂamenco offers both structure and freedom. “It has a lot of improvisation but a lot of choreography at the same time.” Once students have learned the rhythm and all the different forms, they need to be free to compose in the moment of performing. The singer, guitarist and dancer exchange signals to facilitate that. Alma Flamenca’s early student recitals evolved into shows at the Broadway Theatre and then many other opportunities to perform. “It’s been because that’s what my heart said I had to do,” she says. Sign me up!

In April, Alma Flamenca brought Spaniards over and, in one inspired and creative performance, an artist painted Kari Alba’s dress while she danced and the musicians played.

Students from Alma Flamenca travelled to Spain for training with the masters. Instructor Miguel Infante (far left) performed and taught a workshop in Saskatoon last April and is performing at Ness Creek Music Festival with Alma Flamenca on July 17. (Alba is on the far right.)

The Alma Flamenca studio offers classes for children right up to grandparents. “The nice thing about flamenco is you’re taught to move within your limits,” says Alba.

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AN INCLUSIVE DANCE ENVIRONMENT BY JENNIFER JACOBY-SMITH POSTMEDIA SK SPECIAL PROJECTS Dance class with Agility Ballet Company (ABC) looks very much like any other ballet class. There is a notable exception, though. Two of the dancers are in wheelchairs. “If you came to see, it would look exactly like a regular ballet class except the girls are doing a plié in a different way,” explains Michelle Weimer, director of the University School of Dance and the dance coordinator in the College of Kinesiology. Agility Ballet Company started when Weimer took over as director of the School of Dance in 2005. One of the groups started by the previous director — Kids in Motion — was geared toward children with spina bifida. Weimer saw a couple of the students who, in her words, “could be challenged more.” She started Agility Ballet Company with Sheri Lynn Turgeon and Christine Scherr. Weimer then invited fully mobile students from the University School of Dance and College of Kinesiology to audition to participate with them. After ten years, the group continues to take an advanced ballet class every week. As well as dance technique, the class also works on cornering, turning and wheelchair techniques. Because dance sometimes requires fast, precise movement, dancers need to be able to turn their chairs quickly and practice doing so in unison. “It takes a lot of control,” Weimer notes. Ballet classes also include how to wheel correctly. The specialized chairs the dancers use are basketball or court wheelchairs with angled wheels. To avoid injury and sprained fingers, dancers must learn to keep their hands flat so their fingers don’t get caught in the spokes. Last year, the school was able to purchase four new chairs for use by dancers as well as the College of Kinesiology. Stand-up dancers also use the chairs from time to time for dance routines. The two sit-down dancers, Turgeon and Scherr, are now in their early 20s. Both participate in other activities and sports and have jobs, but over the years dance has continued to be an important part of their lives. Agility Ballet Company performs several times throughout the year and has travelled as far away as New York, where, in 2009, they visited a wheelchair dance company called Infinity Dance Theatre. “It’s a learning experience for me. I think it is for all of us. I think that’s why the girls continue. It’s al-

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Poltava: 2015-2016 Season

The Association of United Ukrainian Canadians welcomes new members to both the Poltava Ensemble of Song, Music and Dance and the Poltava School of Ukrainian Performing Arts. Centrally located at the Ukrainian Cultural Centre, 1809 Toronto Street, the studio features a wooden dance floor, floor mirrors and a professional audio system. Unique to Saskatchewan, PoItava dancers are accompanied by a 25-piece orchestra and wear regional costumes created in Ukraine and provided (at no extra cost) to the School and Ensemble. The Poltava Ensemble welcomes senior dancers, musicians and singers, while the School offers six levels of dance as well as mandolin classes.

Agility Ballet Company is a unique wheelchair ballet company at the University of Saskatchewan School of Dance. Two of the dancers have spina bifida and dance using a wheelchair. Auditions are held to fill the other four positions for stand-up or able-bodied dancers. Dancers are: front row (left to right) Sheri Lynn Turgeon, Christine Scherr, and Kathleen Bindle. Back row: Gabrielle Charpentier, Megan Andal, Melanie Deneiko, and Dale Wilson. (FINELITE PHOTOGRAPHY)

ways new. There’s always something different we can try. Or ‘Let’s look at this or adapt that to make it work for us in a chair.’ It’s continuing to learn about that,” says Weimer. Weimer says the group aims to challenge most people’s deﬁnition of dance. “It doesn’t need to be buns and point shoes all the time. It doesn’t need to be your long hair ﬂipping around and your midriff showing. It can be something different. It’s art is what it is. It should make you think about things.” As the years have progressed, the choreography the dancers choose has become more meaningful and artistic. It’s become more about communicating something new to the audience or evoking emotions. For Ability Dance Company, there’s no sign of slowing down. Interest is always keen on campus with many dancers auditioning to be part of the group. Who doesn’t want to balance in an arabesque on a spinning wheelchair? ABC is just one of three groups at the College of Kinesiology for special needs groups. Kids in Motion continues to provide dance instruction for ages six to 16 to those with mobility challenges. Spirit Flyers is broken up into four age groups and is devoted to children and adults with developmental challenges. “It gives them an outlet. It gives mom, dad or whoever the caregiver is, a bit of respite,” says Weimer. For more information, refer to the University’s Activity Guide, which comes out this month. Or visit www.recservices.usask.ca and click on School of Dance.

The School is featured at its annual concert in February and at five performances during Regina's Mosaic. The Poltava Ensemble is also available to perform at corporate functions, weddings and other special events. Please contact us at info@poltava.ca. The Poltava Ensemble and the School of Dance are sponsored by the Regina Branch of the Association of United Ukrainian Canadians (AUUC). For more information, please call (306) 522-1188 or register online at www.poltava .ca

Classes start Tuesday, September 8th

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Youth Ballet and Contemporary Dance of Saskatchewan Over the past 30 years, the Youth Ballet and Contemporary Dance of Saskatchewan (Youth Ballet) has been committed to excellence in the art of dance. Youth Ballet is guided by Executive Director, Brenda Bancescu and Artistic Director, Michelle McMillan. Along with an experienced and inspiring staff, they continue Youth Ballet’s tradition of insightful training, artistic freedom and the belief that dance is for everyone.

The School

Youth Ballet and Contemporary Dance of Saskatchewan offers a variety of programs and classes for those ages 3 to adult, in all levels of Ballet, Pointe, Royal Academy of Dance Exam Program, Jazz, Modern, Hip Hop, Rhythm and Movement, Yoga, Pilates, Conditioning for Dance and more. We also offer programs such as the exciting Boys Program; designed specifically for male dancers, and our unique Intensive Day Program, for High School and University students who may wish to make a career in dance. We offer Ballet and Modern dance classes for Post-Secondary students who still want to dance but can only commit to one or two classes a week. Our Adult Program offers classes in Ballet, Jazz, Modern, Yoga and Pilates and is a great way to stay fit and have fun! All programs at Youth Ballet put a strong emphasis on the well-being of every student, physically and emotionally.

Youth Ballet is a wonderful place to learn the technique behind the steps and truly enjoy the art of dance, in a fun, family atmosphere. We take great pride in our small class sizes which allows more individual attention to each dancer.

The Company and Ensemble

The Youth Ballet Company of Saskatchewan provides young artists an opportunity to dance and perform in a Pre-Professional Dance Company. Auditions for the Youth Ballet Company are held in early spring. Each season the Company performs exciting new works choreographed by some of the country’s most renowned artists.

Youth Ballet and Contemporary Dance of Saskatchewan

…..more than just steps

for • Ballet, Modern Dance, Jazz fo or all ages, including adults • Rhythm and Movement for 3 and 4 year olds • Wednesday morning Yoga Class, and Tuesday evening Pilates class for adults • Boys Program for boys ages 8 to 13 • Intensive Day Program • Pre-professional Performing Company

Our Ensemble is for young dancers, ages 10-13, who love to perform and aspire to join the Youth Ballet Company. Dancers register in August/ September for Ensemble and can sign up for ballet and/or modern. No audition is necessary. These dancers participate in the November Company performance. The Youth Ballet Company of Saskatchewan’s 2015 performance titled “A Dance Through Time” will span the evolution of dance from the early centuries to present day, showcasing the dance genres of Kathak, Baroque, Flamenco, Classical Ballet, Modern/Contemporary and Street Jazz. We hope you will join us on November 20th and 21st at the Riddell Centre at University of Regina to see the Youth Ballet Company perform. Youth Ballet and Contemporary Dance of Saskatchewan, through the School and Performing Company is committed to offering the highest level of dance education and performance while maintaining a friendly and enjoyable atmosphere. Here at the Youth Ballet, we are more than just steps!

Open House and Registration August 26th – 4:00 pm to 7:00 pm or In advance by phone, e-mail or in person

306-352-9908 Youth Ballet and Contemporary Dance of Saskatchewan 1106 McNiven Avenue, Regina, SK S4S 3X3 (South Regina near the University) Fax: 585-2565 ybcs@sasktel.net www.youthballet.com REG00219084_1_1

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WHAT’S IT LIKE TO PLAY THE HANDBELLS? BY BLAIR BRAITENBACH FOR SP SPECIAL PROJECTS As I take hold of a glimmering bronze handbell for the first time, I quickly discover there is more to these heavenly sounding chimes than I previously imagined. Betty Alexander, director/conductor for the Bronze Reflections handbell choir in Saskatoon, has prepared a few tables where a four-octave set of 49 bells lay before us. Providing me with an introductory lesson, I immediately learn that handbell ringing even requires proper posture and grip with specific starting and stopping techniques (something my musically challenged hands struggle with). Holding the instrument in an upright position, one must move it forward and flick the wrist to allow the clapper to strike while continuing the movement in a backward circular motion — letting the ring fade out or “damping” it just below the collarbone to stop the sound. After a few tries under Alexander’s tutelage, I more or less get the hang of the basics (at least I think I do). But when my teacher for the day performs a simple alphabet song on her own with about 10 bells, I fully realize how intricate this music style is — and the amount of skill and practice it takes to ring with confidence and expertise. “A lot of people are not familiar with handbells, or they don’t understand everything that’s involved,” Alexander explains after my lesson. “If you came to one handbell rehearsal, you would put on a special pair of gloves and I know you would be surprised at all that is required in ringing a handbell — not just the movements themselves but all the techniques, tempos, dynamics and expectations of the director and ringers. It is quite something.” That high level of musicianship extends to understanding how to read music competently, as well as where one’s notes are played during a particular song. Typically Alexander directs 12 ringers in her adult choir, emphasizing the importance of each player as they contribute to the whole. “With handbell music, each ringer has the complete score, and from this they need to be able to find their own designations, be it two, four or more bells. Every assigned note is required and necessary. Every ringer is essential and equally important to the group,” she says. When everything is pieced together, Alexander says the beautiful music that radiates from the bells — which varies from “sacred” to secular to contemporary

All About Dance – Dancewear and Supplies “F All Your Dancewear “For Dancew Needs!”

Another Dance Season is upon us, and at All About Dance we are ready to help you with all of your dance supply needs. Our friendly Staff af know dancing – we are all aff dancers or former dancers, so we know what it’s like to be up on that stage or in that studio. Tap, Ballet, Jazz, Ukrainian, Baton, Pointe, Acrobatics, Cheer, even Figure Skating – together our staff af has experience in most of aff the dance disciplines. We’ve even got some experience at the front of the studio, either as a dance teacher, cheer coach, or an assistant teacher. And of course our Store Manager Lisa, in addition to her years as a dancer, class assistant and junior dance teacher, was a Dance Mom for almost 20 years. So whatever your question, we should have an answer for you. And if we actually don’t know ourselves, we will track down the answers you need. We’ve been very busy this summer moving things around – we can’t wait to show you what we’ve changed! Our new Shoe Trying on area is Tr worth a visit all on wo its own! it

include Bloch, Capezio, Mondor, Bunheads, Ainsliewear, Grishko, Dasha, Danshuz, Motionwear, Starline, Limeapple and Dancer Hairdos. We are also pleased to be able to of r, through Motionwear also has quite an offe extensive Gymnastics line, and don’t forget those adorable leotards for your teddy bear or doll! We are pleased to also carry the Mondor line of Gymnastics and Figure Skating wear. Our Back To School Sale is from August 4th to September 30th, and features a 10% discount off of everything in the store, (e luding used shoes and costumes). (exc Bring in the coupon below or from your studio to enter in a draw for a $25 Gift Gif Certificate! Like us on Facebook for an extra entry in the draw. No purchase necessary to participate in the draw (draw to be held on August 4th to September 30).

Our Customer Appreciation Rewards Program has been very popular and is going into its fourth year. By signing up, you get a 5% discount throughout the year which stacks with all of our other sales and We try to work promotions. Plus upon reaching a total of with all of the $1000 in purchases, you will automatically wi Dance Da Studios receive a $10 coupon! to make sure we We are located at 318 University Park know what each of kn their specific Class Drive, in the Gardiner Park Village Square th Attire requirements Mall. We have lots of parking, and promise to At are. Our Suppliers greet you with a smile! ar

Betty Alexander, director/conductor of Bronze Reflections, demonstrates the techniques required to successfully play the handbells. (PHOTO: JEFF LYONS/STARPHOENIX)

and more — can stir up all kinds of feelings within both listener and player alike. “I don’t know how to explain it; it just amazes me. The wide range of emotions that bell music will evoke is incredible and sometimes leaves you quite speechless. You almost can’t believe what you have just heard,” she describes. While the bells can be rung as a solo instrument, Alexander emphasises the camaraderie aspect of a handbell choir — noting that choir members provide invaluable mentorship and assistance to one another. All of her musicians practice together at least once a week — with the group performing at a host of venues, including churches, weddings, memorial services, private functions and public events like the Western Development Museum’s Festival of Trees. “An important part of handbell ringing is sharing your love of music, talents and repertoires with other people,” she says. After 25 years directing handbell choirs, Alexander has cultivated an impressive ringing ability. However, the retired school teacher says it’s the pursuit of lifelong learning and passion for the instrument that pushes her to further hone her skills. As such, the conductor attends as many handbell workshops and symposiums across Canada and the U.S. as possible. “It’s the challenge, the ringing and directing, the ringers, the versatility and creative use of the instrument and the wide range of repertoires available that keep me at it,” she says. “You can work with choirs at many different levels and still come together to create and share a love of music.”

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Betty Alexander, director/conductor of Bronze Reflections, demonstrates the techniques required to successfully play the handbells. (PHOTO: JEFF LYONS/STARPHOENIX)

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Ef ctive Aug Effe g 4 to Sept 30

Summer hours in effect ef until Aug 10th Ask Ask how how you you can can

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FALL MUSIC DANCE

PLANNING IS KEY FOR A FANTASTIC MUSIC FESTIVAL EXPERIENCE (NC) — Canada offers up some major music festivals on home turf, including the Pemberton Music Festival in B.C., Festival D’ete de Quebec in Québec, Wayhome and Boots and Hearts in Ontario, and the Craven Country Jamboree in Saskatchewan. Whether you’re a little bit country or a little bit rock ‘n roll (or a little bit EDM), good planning is essential for what should be an amazing weekend with friends and family. Consider some of these tips when heading out:

PICK A GOOD CREW A solid group of people can make or break your festival experience, especially if you are camping. Be sure to choose the people that will keep you laughing on a long road trip and late nights around the tent. The constantly-ﬁghting couple or the ﬂakey friend are probably going to have you more annoyed than relaxed. Make sure everyone is on the same page — and brings their own toilet paper.

READ THE FINE PRINT Most festivals have strict regulations on driving, parking, camping, etc. Know exactly where you are going to park, how many people to a camping site, what you can bring to the site and the festival, and what everything costs. Festival-goers are pretty helpful to each other too, so check the event Facebook page

and follow the hashtags to see if other attendees have posted any useful tips to navigate the weekend.

DISCOVER THE MUSIC One of the best parts of a festival is being exposed to a plethora of new bands you’ve never heard of. Do some research before heading out and get to know some of the unknowns on the bill. On the drive up, explore your SiriusXM satellite radio to hear the latest buzz bands before seeing them live. Channels like Sirius XMU, AltNation and The Verge play all the newest rock, while The Highway will keep you up to speed with the hottest in country. BPM, Shade 45 and Hip Hop Nation have you covered for EDM, Hip-Hop and Rap.

TECH IS YOUR BEST FRIEND (OR WORST ENEMY) Plan on not having cell phone service. Plan on not having anywhere to charge your phone. Plan on getting lost from your group. When you wander off to get some tacos and your friends head to the cooling station, make sure to set a designated meeting spot so you can always be reunited, even without texting. Bring a power stick to cordlessly charge your phone anywhere. Also, make sure to download the Festival app ahead of time to seamlessly organize your lineup

for the day and follow the fest on Twitter and Instagram for real-time giveaways on the grounds. Most importantly, have fun and be respectful to everyone around you. It’s bound to get sweaty, someone will accidentally push you and not apologize, and lineups will frustrate you. Just don’t forget the real reason you’ve all gathered: to enjoy amazing music with your loved ones in the great Canadian outdoors. www.newscanada.com

HELPING MAKE ARTS AND CULTURE MORE ACCESSIBLE Creative Kids provides funding for 1,000 children per year, paying for dance and music classes — activities that create long-lasting friendships and increase confidence and self-esteem. Families with challenging financial situations can apply to Creative Kids for lesson costs and supplies. “Creative Kids is a charitable program, and we are often unable to provide funding for every family who applies,” said program coordinator, Shawn Bauche. “Parents call us about how their kids light up before a dance recital, how they feel included and are making new friends. We would like to give every child a chance to try dance and music — just about any creative activity — and we could use the support of families who already love dance and music to help us get there.” Visit www.CreativeKidsSask.ca to make a difference in your community.

APPLAUSE DANCE ACADEMY IN ITS 29TH SEASON Applause Dance Academy offers classes in tap, jazz, ballet, hip hop, lyrical, pointe, modern, contemporary and acro to boys and girls, aged three and up, in all levels, beginner to advanced. Each year, students take exams, attend competitions and workshops, and take part in the year-end performance. Adult eight-week sessions are offered in tap, jazz, ballet and hip hop. The staff at Applause work together to ensure that everyone enjoys their dancing and progresses to their full potential. The dancers are encouraged to work for their personal best, which builds conﬁdence along with good technique to become a talented performer! Barbara Miller, director, has over 40 years’ teaching experience and is on the Canadian Dance Teachers’ Association

(CDTA) national executive as past-president, and on the Saskatchewan branch executive as modern chairperson. She also has her Member in Stage (tap and jazz), Member in Modern and has her Associate Member in ballet. Miller is also a registered teacher with the Royal Academy of Dance (RAD) and Applause is a registered ADAPT school. All of these qualiﬁcations allow the dancers at Applause to take exams in tap, jazz, ballet, acro and modern, which helps perfect their dance technique. “We believe that anyone can learn to dance and Everyone Deserves Applause!” Register now: online at www.applausedanceacademy. bravehost.com, or in person Aug. 25 and 26 from 4 p.m. to 7 p.m. at 1363 Rose St., Regina, Sask. S4R 1Z7.

DANCE CLASSES FOR ALL AGES

If music and dance are an important part of your family,

306-352-4950 Pre-school To Adult

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• Lead guitar playing & improvisation • Recording studio basics • How to write your own music • All Styles of Music • Very Reasonable Rates • Private or Small Groups • Help Buying or Renting Instruments

Tap | Jazz Ballet | Hip Hop Modern |Acro 1-855-277-9469 www.CreativeKidsSask.ca A program of SaskCulture Inc.

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KEEP THE VOLUME LOW Earbuds enable music lovers to enjoy their favourite tunes uninterrupted and without distracting others around

them. People often use earbuds while commuting to work, at the gym and even at home. But according to hearing aid manufacturer Belltone, noiseinduced hearing loss can occur by using earbuds at a high volume for extended periods of time. Earbuds can put audio

SING WITH THE REGINA LADIES CHOIR Regina Ladies Choir has been sharing music with Regina and area for over 80 years, and is excited to welcome new conductor Stacy Allan. Members showcase their skills annually at the Tea Musicale held in May. The choir also performs in senior citizens’ homes around the city, the Rotary Carol Festival and any venue they may be invited to. The choir is actively seeking new mem-

bers. Women of all ages and skill levels are welcome to join this three-part choir. Rehearsals begin Sept. 14 and are held every Monday evening from 7:30 p.m. to 9:30 p.m. in Saint Mary’s Church on the corner of 15th Avenue and Montague Street. For more information call Lucille at 306-949-1076. This article was submitted by the Regina Ladies Choir.

signals close to the inner ear, which is the equivalent of boosting it by nine decibels. Even moderately high volume

can cause hearing loss. It’s important to keep the volume low and to take frequent breaks when using earbuds. Keep

AUDITION DANCE SUPPLY

For ALL your dancing supplies CAPEZIO GAYNOR MINDEN MONDOR New and Used Shoes

306-522-1895 522-1895

1363 Rose St., Regina

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REGINA LADIES’ CHOIR

THE REGINA MANDOLIN ORCHESTRA

Singing Broadway, Modern and Coral Music Welcoming female voices for all voice parts

The Regina Mandolin Orchestra (RMO) has been entertaining audiences in Saskatchewan for over 25 years. The orchestra is made up of more than 30 musicians, including mandolin, mandola, mandocello, violin, bass, ﬂute and guitar. The RMO has a varied repertoire including folk, classic, ﬁddle and wartime musical formats. The orchestra is available for bookings throughout the year. The Regina Mandolin Orchestra also offers classes for all people wanting to learn mandolin. Levels of instruction are beginner, intermediate and advanced. All instruction

Practice every Monday evening beginning Sept 14th, 2015 from 7:30 to 9:30

and rehearsals are held at the Regina Christian School, September through May each year. Music director Natalia Osypenko has great plans for the RMO’s 2015-16 season, and the group is very pleased with its new venue in the Regina Christian School, which it will use for its Saturday rehearsals. For more information about the Regina Mandolin Orchestra and mandolin lessons, phone Inez at 306-545-5371 or visit www. mandolin.ca. This article was submitted by the Regina Mandolin Orchestra.

Saint Mary’s Church, 15th Ave and Montague St.

For more information call Lucille at 306 949 1076 REG00219048_1_1

ADULT & CHILDREN’S MANDOLIN LESSONS Gr Group lessons for aIl levels lev including Absolute Absolut Beginner. ginner ginner. Lear to read music & progr Learn progress ogress to Adv Advanced classical techniques! Some mandolins available av for rent. Registration, Display and Demonstration Saturda Satur urday, 12 September September, ember, 09:30-11:00 a.m. Regina Christian Chr School 2505 23rd 23r Ave Av Regina For more mor infor information ormation phone 306-545-5371 www www.mandolin.ca admin@mandolin.ca REG00218986_1_1

Jodie Soulodre Piano Studio

RUMBA • CHA CHA • SAMBA • MAMBO • MERENGUE

Regina Ballroom Ballr Dancing Club The Regina Ballroom Dancing Club offers members a variety of classes on weekday evenings, as well as practiced dances and special events. Registration Night: September 9th, 2015 7:30-9:00 PM Lakeview United Church, 3200 McCallum Ave WALTZ • FOXTROT • SWING • TANGO • TWO STEP

Interested in dancing? Want to have fun? Want to meet new people? Then come join the fun with Regina Ballroom Dancing Club (RBDC). RBDC has expanded the Club’s dance lessons to ensure that classes are not overcrowded, while meeting out clubs ever-increasing demands. Lessons are held weekday evenings, and classes will be offered at the Austrian Club and the Lakeview United Church in Regina, to give members more convenient class options. Classes range from beginner to advanced. RBDC Instructors are qualified and experienced. As a member-based, volunteer ballroom dance club, we emphasize the enjoyment of learning to dance and social dancing, rather than competition. A yearly RBDC membership is as follows: Adult: full season - $100.00, half season - $60.00 Students: full season - $50.00, half season - $30.00

For more information: Call (306) 586-9771 Email contactrbdc@rbdc.ca or Visit www.rbdc.ca www

Creative piano studio now accepting new students for the fall (PHOTO SUBMITTED BY JODIE SOULODRE STUDIO)

Classes Begin The Week of September 14th, 2015

B.Mus.(Mus.Ed.), B.Ed., ARCT, RMT

Student-centered, creative learning is available at Jodie Soulodre Studio.

earbud volume below 60 per cent and wear them for no more than 60 minutes per day.

Like us on Facebook!

Douglas Park Area 306-525-8921 jodie.soulodre@sasktel.net facebook.com/JodieSoulodrePianoStudio

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SASKATCHEWAN SASKATCHEW TCHEWAN EXPRESS MUSICAL MUSIC THEA THEATRE STUDIO A passion for performing. Quality instruction by dedicated professionals. A chance to live your dream! The Saskatchewan Express Musical Theatre Studio invites you to step into the wonderful world of the performing arts. Registration for fall classes is now underway and in-person registration takes place August 26th and 27th from 5:30 to 8:30 p.m. in our studio at 2272 Pasqua Street. Classes will begin on Monday, August 31. The Saskatchewan Express Musical Theatre Studio is under the direction of Jaezila Crittenden, BFA BF Contemporary Dance. The Studio offers a wide selection of programs including recital and competitive classes in musical theatre, jazz, tap, ballet, lyrical, modern/contemporary and hip hop as well as voice and piano classes. The studio also offers the cl popular Kindermusik program, po for newborns to children three fo years of age, with Educator, ye Educator Breeann DeHaven. For advanced Br students, the studio provides st CDT exam classes in Jazz CDTA CD and Tap and new this year, an ar we ar, are offering RAD Ballet exam ar classes. Please see our ad for the cl

instructors for these classes. The Saskatchewan Express Musical Theatre Studio is the home of our two junior performance groups: Mini Express and The Expressions. These outstanding ensembles, ages 8 to 11 and 12 â&#x20AC;&#x201C; 16 respectively, ly ly, perform throughout Regina and surrounding area from September 2015 to June 2016 and are under the direction of Amy Fong and Breeann DeHaven. They provide an excellent opportunity for students to fine tune their performance skills and build confidence. For information on the Saskatchewan Express Musical Theatre Studio or to register for classes, visit www.saskatchewanexpress.com or contact Jaezila Crittenden at 306-522-3402 or jaezila@saskatchewanexpress.com.

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SASKTEL SUMMER INVASION ROCKS WASCANA PARK BY BLAIR BRAITENBACH FOR POSTMEDIA SK SPECIAL PROJECTS Celebrating its 10-year anniversary, SaskTel Summer Invasion has transformed from primarily a spectator sports event to a full-scale music and family entertainment extravaganza. Taking place in Regina’s picturesque Wascana Centre Aug. 28 and 29, SaskTel Summer Invasion promises a wide array of exciting activities to be enjoyed by all. Throughout the two-day event, attendees can check out skateboarding and wakeboarding demonstrations, sample a variety of local cuisine from participating restaurants and food truck vendors or catch some of the hottest provincial, national and international artists on the main stage with evening performances from Dead South, Lights, Lil Jon and Dear Rouge. The Conexus Family Zone has face painting,

games and more for the kids, while the beer gardens and Festival Village — with its extensive selection of products and services — offer grownups something to cheer about. “We want SaskTel Summer Invasion to be one last big celebration party — something for people to look forward to before they head back into their school or work environment and the long winter ahead,” says festival coordinator Doug Elder. “We’re trying to put together the best show we can for fans and spectators. It’s a special year for us, but we want to make every year as engaging as possible.” Originally, the late summer festival catered more exclusively to the X Gamesstyle crowd, but gradually organizers began incorporating music and other forms of entertainment to reach a more diverse

On Aug. 28 and 29, SaskTel Summer Invasion welcomes great artists including Dead South, Lights, Lil Jon and Dear Rouge to the stage. (SUPPLIED PHOTO: DALLAS HORDICHUK)

CONTINUED ON PAGE 18

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The SaskTel Summer Invasion has evolved from an X Games spectator event to a full-scale music and family entertainment extravaganza. Skateboarding and wakeboarding demonstrations continue to be a big crowd-pleaser at SaskTel Summer Invasion, now in its 10th year. (SUPPLIED PHOTO: OWEN WOYTOWICH)

audience. And, in addition to the top-billed musicians, SaskTel Summer Invasion plays host to a lengthy list of local and provincial acts throughout the day — which, in turn, provide the artists a wealth of exposure and live performance experience. “Music is something that is a common denominator and unites us all, and there are so many great genres that we wanted to showcase,” Elder says. “Also, music and action sports ﬁt so well together that it’s been a natural progression. The festival is more of a complete package now.” New to this year’s festivities is a “winto-get-in” kick-off party on Aug. 27 at the DoubleTree by Hilton hotel, featuring the bluegrass/folk sounds of Regina’s own Dead South. Elder says the inaugural gala will be a more intimate affair, but as the SaskTel Summer Invasion continues to grow and take shape, he hopes to feature more such shows away from the main fes-

Conservatory of Performing Arts Centre for Continuing Education

tival site. “It’s the future evolution of the event, if you will,” he explains, adding that for the ﬁrst time, the main stage will include a giant video wall throughout Lil Jon’s “Vegasstyle DJ set.” And perhaps one of the best enticements of all? Taking in the sights and sounds amidst one of Canada’s largest and most scenic urban parks. “Wascana is amazing, and being in the middle of the city, it’s really accessible for the entire community. It’s one of Regina’s jewels and a beautiful place to host an event like this,” Elder says. Entrance into the festival site from noon to 8 p.m. is free for everyone. Access to the evening’s headline concerts is by admission. Tickets can be purchased in person at both OffAxis Boardshop locations, and online at www.summerinvasion.ca. Stay tuned for festival updates and full lineup announcements.

Conservatory

Creative Preschool

Conservatory Creative Preschool Registration Now Open 306-585-5748 www.uregina.ca/cce www

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Martin School of Dance & Baton Twirling - over 60 years of quality dance education Martin School of Dance & Baton Twirling has been a dance icon in Regina for over 60 years. Starting in the basement of a Regina home with only a handful of students, Martin has grown to become one of the most prestigious dance and twirl studios in Regina and Saskatchewan. Students who have grown up and trained through Martin have gone on to perform professionally on Broadway, cruise lines, Vegas, Stratford, Disney World, and So You Think you Can Dance — Canada, and have continued their training in such places as Juilliard School of Arts in New York. At Martin, certified teachers train the students using syllabi from world-acclaimed organizations. Martin is the only studio in the city that offers two different syllabi in tap and jazz CDTA (Canadian Dance Teacher’s Association) and ADAPT (Association Dance Arts for Professional Teachers); one syllabus in ballet, through the Royal Academy of Dance; one syllabus in acrobatics, through Acrobatic Arts; and one for twirling, through CBTF (Canadian Baton Twirling Federation). “It’s all part of our high standard of instruction,” said Wendy Spicer. “These syllabi allow the teachers to train the students safely and correctly, ensuring that each child reaches their potential while not suffering harmful injuries.” Spicer, owner and director of Martin, heads up a strong, qualified group of teachers. Spicer’s credentials include: Registered teacher (Royal Academy of Dance); Member (Canadian Dance Teachers Association – Stage Division)aswellasbeingpresidentoftheCDTAexecutive (Saskatchewan Branch);Accredited and Certified teacher (Associated Dance Arts for Professional Teachers); and, most recently, a certified teacher in the Acrobatic Arts certification. Along with Spicer are highly qualified teachers, including Maureen Johnson, and Lindsay Klumpp. Klumpp’s credentials include: Associate Member (Canadian Dance Teachers Association – Stage Division); Accredited and Certified teacher (Associated Dance Arts for Professional Teachers); and certification in the Acrobatic Arts program. Johnson is the previous owner of Martin School of Dance, with over 60 years of teaching behind her, and is the director of the Sundown Optimist Buffalo Gals, the world-acclaimed baton twirling group that is trained through Martin. This year, Johnson will travel with 16 athletes (of the 104 representing Canada — the most from any single club) to Abbotsford, B.C. to compete at the World Baton Twirling Federation International Cup.

whole life. As a studio and business, it has been locally owned and operated for over 60 years, and that says something to me about their business model, not to mention their talent. The truth is, 20 years ago there weren’t a lot of options when it came to picking dance schools for your kids. Now, we are lucky enough to have plenty of options, so I just wanted to take a moment to explain to you why I chose Martin — one parent to another. For our family, it started out as generational – my friends went to Martin, I spent some time there, it seemed familiar to me and I liked that. Then I met the teachers. Wendy Spicer understands the importance of letting kids try different things, helping them succeed in the ones they enjoy, and encouraging them when they doubt their abilities. These are all great things in a dance school director but, more importantly, they are qualities that I want to surround my kids with. I also went there because the schedule was mine to decide. The staff have always been very helpful and honest about what classes my kids were ready for, and which could wait. No one said I had to be competitive to succeed and the recreational program is wide and comprehensive as well. Everyone in full-year classes performs in the year-end recital in age-appropriate choreography and costumes. This mattered to me because my kids are going to grow up, but I don’t want them to grow up too fast. I admit that, in the beginning, trophies and awards really didn’t cross my mind. I wanted a place where my kids could be active, creative and still figure out what they liked and have fun. In the early years, I got this in spades. I was lucky enough (so I thought at the time) to have teachers who had endless patience with my two-year-old, who did not want to stand in line and wait

her turn to do somersaults and rhythm instruments. After a couple of years, I learned it wasn’t luck — it is who the teachers are at Martin. They understand how kids learn and encourage their creativity, all while keeping order and discipline in the class so that everyone has fun. As the years went on, I found out that they are competitive too — but not at the expense of the kids. If you work hard and show up, you are a part of the team. Talent is nurtured, but teamwork is rewarded. Sometimes a great routine and performance that you are proud of is just as memorable and important as the first place trophy. In the end, it’s about the skill and memory, not just the hardware. Martin School of Dance has a motto – a dance education lasts a lifetime. Martin has some illustrious alumni in the arts world that can attest to that. I don’t expect my kids will fall into any of those categories, although if that was their choice I am confident that Wendy and the staff would have them as ready as possible to take that challenge on. What I truly believe will last their lifetime is the friendships they have made, the ability to win and lose as a team, the ability to stand on their own on a stage and have confidence that their preparation and abilities will ensure their success; these are the lifetime lessons we are taking with us from our time at Martin. From one parent to another….join us and see what it is all about.” - Natasha Frehlich, mother of two daughters age 7 and 9 For more information about Martin School of Dance, visit www.martindance.com or phone 306-352-3601 anytime. Also, there will be open registration at 2078 Pasqua St. on Aug. 19 from 5 p.m. to 8 p.m.

The following is a testimonial from a parent with daughters at Martin School of Dance: “From one dance parent to a potential dance parent…. I am a born and bred Reginan and, as such, Martin School of Dance has been part of the landscape for me my

Photo Credit: Royal Studios

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MARTIN

&B Baattoonn TTw annccee & Da wiirrlliinngg SScchhooooll ooff D

A Dance Education Lasts A Lifetime ...Take The First Step. Programs Include:

• Nursery Rhymes‘n Rhythms • Preschool Dance • Combination Dance Class • Tap • Jazz (CDTA and ADAPT) • Ballet Royal Academy of Dance • Hip Hop • Acrobatics and Tumbling • Baton Twirling • All levels of Baton Twirling Instruction from Recreational to Championship

CBTF Badge ge Program gr CBTF Accredited Coaches

Classes begin August 31st, Register Now!

CALL...306-352-3601

~2078 Pasqua Street~

(Corner of 13th Avenue & Pasqua Street)

www.martindance.com martindance com

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