Professional portfolio

Page 1


Perceptions

Architecture is not just a practise, but also a power. A power to shape the involvement, to instigate curiosity, and to change perception – the power to generate reaction. This very capability has always intrigued me to learn more and more and broaden my knowledge in this vast spectrum of this creative field. This portfolio is a compilation of series of passionate works that have been done throughout the learning ventures of this course. Each project has its own approach, which deemed fit for the pretext of that very project. This curated collection of works represents the conglomeration of values I hold as an architect.

Beliefs


C O

PHILATELY MUSEUM Urban insert - Philately museum + post office redesign Jayanagar 4th block, Bangalore

pg ( 5-10)

N

AROGYA

POST-OFFICE AND PHILATELY MUSEUM

Urban intervention- public toilets across the study area. Multiple venues across Jayanagar 4th block, Bangalore

pg (11-14)

PUBLIC TOILET

VERANDAH WALKWAY Urban plaza design BDA complex, jayanagar 4th block, Bangalore

T

pg (15-18) PUBLIC PLAZA

URBAN OASIS Ongoing Thesis project Koramangala , Bangalore

pg (19-30)

THESIS: OASIS

E

AGORA` Interior design - Restaurant Bangalore

pg (31-34) INTERNSHIP WORK

RESTAURANT INTERIOR DESIGN

Technical drawings projects ( residential+ commercial)

N

pg (39-42) INTERNSHIP WORKS

T


01 03

PHILATELY MUSEUM PHILATELY MUSEUM

PHILATELY : The collection and study of postage stamp. The design studio focused PHILATELY : Thewas collection

on selecting urban area for and study of an postage stamp. thorough studying ( jayanagar 4th design block studio ) and was understandThe focused ingselecting the process of developon an urban area for ment of an urban project which thorough studying ( jayanagar would act as a catalyst in the 4th block ) and understandstudy After of studying the ing thearea. process developarea, i proposed an extension ment of an urban project which of already existing postinoffice would act as a catalyst the and adding philately musestudy area. After studying the um and allied activities to it. area, i proposed an extension Throughout the studio efof already existing post an office fort to understand urban levand adding philately museel documentation and to analum and allied activities it. ysis is done and is carried Throughout the studio an efforward in development our fort to understand urbanoflevown programs andand proposal. el documentation analysis is done and is carried forward in development of our


01

ARCHITECTURAL DESIGN STUDIO

STUDIO: VII PROJECT TYPE: URBAN LEVEL PROJECT

(PHILATELY MUSEUM AND POSTOFFICE REDEVELOPMENT)

DECODING: The studio focuses on understanding how to design for an urban context, who are the stakeholders and how to propose a project that would engage with the inferences gathered from the survey done throughly throughout the study area.

HISTORY AND MORPHOLOGY:

After a through survey of the area, a public building is to be proposed from which the different stakeholders of the study area would benefit. The study area has an already existing post office, which is not in a very good condition, and is at a prime node , thus it is considered as an oppurtunity to introduce an allied activity which could benefit the society at large. That is where the idea of philately museum comes in , which could benefit the locals

as well as the post-office.

Urban analysis: built and unbuilt analysis (nolli ), to understand the density of built vs unbuilt.

Urban analysis: understanding the f.A.R requirement alterations according to zonal regulations.

Need of the project:

The proposed plan is aimed towards the direction of establishing a public activity in the commercial zones of jayanagr 4th block where the footfall is high but the activity is limited to the commerce part of it. The existing post office is built only on 40% of the total site and there is a scope of better utilization of the site the commercial zones have max g+2 structures , when the f.A.R is much higher , thus it could be utilized as well.

S.W.O.T analysis: Strength: The site is at a major node . Mixed user group ( commercial and residential). Weakness: High density commercial zone , which needs to be redesigned. Moderate traffic movemement between the site blocks at all times. Oppurtunity: Introduction of a landmark at the junction to give it an identity. Threat: Parking of two wheelers on the 8th e main road medles with the pedestrian movement. Area calculations : Site area : Block a : 1300 sq m Block b : 800 sq m Block c : 2460 sq m Total : 4560 sq m Far : 3 Ground coverage : min 50%

Urban analysis: building heights mapping throughout the study area, seperating through zones. Commercial block: A series of mixed use shops which are in a considerably bad condition and are not utilizing the zone far to the extreme, provide for an oppurtunity to condense the shops to a smaller block and introduce a museum unit. Post office: It is a single storey stucture an a prime nodal site close to major hubs and could be made into a point of interest.


DESIGN PROCESS: CONTEXTUAL:

The design is thought out on a micro as well as macro scale . It responds to the exsiting context of jayanagar 4th block and also the upcoming development planning . Jayanagar is more of a traditional market and the design should respond to it.

FUNCTIONAL:

The design development is done keeping the workablility in mind . Being a public building the most important design strategy is functionality . The design is done in such a way that its user centric and sequencial.

MUSEUM BLOCK:

CONCEPTUAL:

The concept followed here is one solution vs multiple answers . The site is like pieces of puzzle and the task is to join them together , be it by purpose or functionalty.

1. PARKING 2. LOBBY 3. AUDITORIUM 4. EXHIBIT SPACES 5. RECREATIONAL SPACES 6. PHILATELY EXHIBIT 7. EVOLUTION OF POSTAL SERVICE EXHIBIT

MATERIAL:

Another important consideration is the selection of material . The material selected should be responsive to the surrounding and also be aesthetic in nature .

POST OFFICE BLOCK:

1. LOBBY 2. CUSTOMER ZONES 3. DEPARTMENT OFFICES 4. BREAKROOM 5. WASHROOMS 6. CIRCULATION SPACES

COMMERCIAL BLOCK

1. RELOCTED SHOPS 2. FOOD COURT 3. OFFICE SPACES 4. CIRCULATION ZONES

- SITE PLAN

- GROUND FLOOR PLAN

It was hard enough to come up with zoning since the site has multiple access points on each side , thus zoning is done according to the sequence of activities and movement. The design is done in a way that the user gets multiple choices and create his own sequence to go around the blocks and create his own unique experience and cater to his need at each visit depending on the purpose.

ALLIED ACTIVITY BLOCK: 1. LIBRARY 2. CAFE 3. INFORMAL EXHIBIT SPACES 4. CIRCULATION SPACES 5. PUBLIC UTILITY SPACES

- FIRST FLOOR PLAN

RENDERED VIEW OF THE FACADE


02

AROGYA

AROGYA is a sanskrit word which means health of the body, mind and spirit. It means remaining free from illness and diseases. The scenario of public sanitation has always been a hot topic in India. even though we are progressing as a country, yet the basic need of having a planned public toilet is lacking in majority. While we understood the fabric of our study area for urban design studio, this issue stood out, and later when given the oppurtunity of proposing an individual intervention, this very issue was addresed.


02

ARCHITECTURE DESIGN STUDIO

SINGLE TOILET MODULE (FEMALE ONLY) STUDIO: VII PROJECT TYPE: URBAN INTERVENTION

(PUBLIC TOILET MODULE DESIGN)

ANALYSIS:

Materials: Roof: roof of the restroom is made up of

The existing toilets are in poor condition . The smell is uninviting , plus locating them is hard . Upon further usage , it is noticed that there is no special care taken of womens needs . The major hubs are missing natal care plus female oriented / friendly toilets. The major commercial zones lack a proper toilet , thus identifying the spots where they could be placed , for a better user conviniece and usabilty.

DOUBLE TOILET MODULE

polycarbonate sheets which allow natural sunlight to come in. Natural lighting reduces the production of harmful bacteria and organisms and is a naturl disinfectant. Floor: the flooring for the restroom has been conceived in polyurethane. It is not only an economical option but also adds character. The seamless nature of the floor eases mopping and sweeping and eliminate any dirt saturation that is common in tiled flooring.

Walls: inner walls;

Aluminium composite panels or of stainless steel sheets. High durability, water resistance and ease of cleaning make it fit for public toilets. While the ease of changing single panels help keep the maintenance economical.

Outer walls:

These walls are also made of stainless steel with perforation. The perforated walls help in cross ventilation of air while letting sunlight in. Furniture:wrought iron furniture. Not very comfortable so doesnt prolong the stay, plus in same colour as flooring

EXISTING CONDITIONS: Site 1: located near the junction of 4th main road and aurobindo marg (bbmp owned) Issues: not maintained properly,no proper lighting , no attention paid to specail needs of women,lacks wheelchair accesibility and toilet. INTERVENTION: Toilets at site 1 and 2, could be rede- Site 2: located on 30th cross road, near jayanagar signed after noticing the reasons for metro station(private). them to not be functioning properly. The Issues:no seperate toilet for women, songs blaring toilets at site 3 and 4 can be combined on loudspeaker , stinky and mismanaged. into one unit. Plus, introduction of toi- Site 3: located near jayanagar bus stop. let near ccd junction and bda complex. Issues: not functional due to existing toilet in the Design of a module of a toilet which bus stop, hence is closed up. could be adjusted according to Site 4: in the jayanagar bus stop complex. the size and shape of the location. Issues: mismanaged and not sanitary.

WALLS

FLOORING

ROOF

WALLS(EXT)


03

VERANDAH WALKWAY

VERANDAH has been a major element of the space making in indian households. It is the informal breathing space in the house. In the urban design studio, an oppurtunity to introduce a public plaza in the study area came forward, as a time problem for us. Initially, how a public space functions is understood and then how important is the context, while designing a public space is understood.


ARCHITECTURE DESIGN STUDIO

Towards the bus stop

03

STUDIO: VII PROJECT TYPE: URBAN PLAZA (TIME PROBLEM)

Crowd movement near BDA

Site is a flocked by crowd from all the REQUIREMENTS: It is understood that sides, and needs a resting spot for it. the crowd at bda is at a constant move , thus the plaza should act as a resting spot but should not congregate a major crowd, thus there should be a provision for constant movement too, thus a walkway incorporated in plaza seems apt

MOVEMENT ANALYSIS: The crowd along the bda moves at varied speed . There is rushed crowd for the bus stop, slow crowd doing window shopping, students from the nearby colleges strolling around the market, thus the movement varies.

DESIGN STRATEGY: Verandah has been a major ele ment of the space making in indian households . The jayanagar bda complex is more of a cultural and festival oriented market . The major crowd is of traditional house hold of jayanagar vicinity, thus introduction of an already existing concept but in a modified manner to act as an element of urban space making seems appropriate. The walkway concept urges a constant movement, thus there is a continous flow of users , avoiding stagnation of crowd at a point.

View of the walkway, the green gives a sense of lushness

Site selection:

Reason for selection: Located behind the main access of the bda, thus the crowd moves around the bda complex and gets out at the selected site area , thus becoming the perfect spot to include a plaza.

STUDY AREA (Jayanagar 4th block)

PLAN VERANDAHS IN AN INDIAN HOUSEHOLD SECTION

Opens to a deck Mostly verandah lead to an open view point,thus here opens to a deck.

Green latticed screen

ELEVATION

The green lattice gives an essense of foliage in dense urban market.

Wayfinding The curved path provides the wayfinding cues, creating interest.,

INITIAL SKETCH

CONCEPTUAL VIEWS


04 URBAN OASIS

OASIS : In geography, an oasis is an isolated place in the desert where there is vegetation. Most often, this occurs around a source of water. Oases provide a habitat for animals and are used as a source of water for humans. Understanding the concept of relief that is provided by an oasis to its surrounding, inspired me to take it up as a my thesis project. Understanding that there is a need of a similar space within the dense city . our urban environment can be a source of frustration , but when reversed it can help many , for we are nothing but migrating birds searching our spot in the city.


04

ARCHITECTURE DESIGN

STUDIO: VII PROJECT TYPE: UNDERGRADUATE THESIS (CURRENTLY ONGOING)

STUDY AREA AND SITE: - RISE IN STRESS LEVEL IN AGE GROUPS OVER THE DECADE

METHODOLOGY:

DECODING:

In modern times , the development of the country is based on the shoulders of the youth , with this great responsibility comes a great amount of expectations and pressure . we are living in a society with basic need for connection , meaning and purpose .its no longer a framed and constructed way of living given the ever evolving technology .This gives rise to urban stress. This is because our generation is experiencing its highest level of documented mental illness , due to the rise in urban sprawl ,causing pollution, traffic , anxiety, depression and more known as urban stress. The concept of stress release is often related to vacations or retreats, but that becomes like a reward or an escape from the current situation , its seen as a peace and tranquility away from the city , but the city is where most of the tension is, thus providing a space for the city dweller , be it any one , where they can STOP/ BREATHE/ PLAY.

o Urban study of an area and understanding the pause spaces. o Understanding the importance of senses in architecture. o Mapping the pause spaces and learning how they affect mentaL health.. o Creating an all inclusive space for destressing in modern times. o Understanding the importance of ‘vacation’ and the idea of it. o Approaching the design with a ‘hierarchy of interaction .’

SITE SELECTION:

BANGALORE AND URBAN SPRAWL : A team of researchers from

URBAN SRAWL AND STRESS:

one of the major causes of urban stress is urban sprawl . our generation is experiencing its highest level of documented mental illness , due to the rise in urban sprawl ,causing pollution, traffic , anxiety, depression and more known

the Indian institutes of science (iisc) has found that bangalore has the worst urban sprawl. in bangalore , a study found whopping growth of 632% in urban areas , especially in greater bengaluru in the last few dcades,

KORAMANGALA

After doing a acomparitive study of all the probable sites in banagalore, koramanagala stands out . The user group targeted for this project is the youth of our country. In bengaluru , the hub for start ups and creative people, koramangala is known for its modern eateries , clubs and multiple offices

Driving usergroup for the study : YOUNG ADULTS ( college students and working professionals) , therefore its important to study an area which interacts with this strata

To develop the program it was important to understand different user groups inter-relations and interdependencies. The groups have a positive as well as a negative impact on each other. Hence the dependency chart has been segregated into positive and negative. The positive interdepency is basically how the source of income and how the rendering of services is co-dependent in each of the usergroup. Negetive interdependencies help us understand how to address those issues as well.


PROGRAM DEVELOPMENT:

The program development is the last stage of the user analysis. The project being a user-dominant project, it is important to understand their strengths, weaknesses, utilize the oppurtunities and lessen the possible threats. Hence the swot analysis of all the user groups are overlapped to find overlapping as well as individual requirements, that could be imbibed in the program.

DESIGN STRATEGIES: The site plays an important role in developing strategies which would become the reference points to be taken note of while coming up with a design. The selected site has view of a teak plantation towards its side, so the priority is to maximize views and orient building accordingly. The central foliage gives an oppurtunity to place seperate blocks in a way that it acts as a seperater. The orientation of the building should be in way to maximise the catchment of wind and benefit from the sun movement.

CONCEPT: UNWIN’S ANALYSIS: “Analysing Architecture” by Sir Raymond UnwIn, offers a unique ‘notebook’ of architectural strategies to present an engaging introduction to elements and concepts in architectural design (The basic elements of design defined by sir unwin is taken as a base for the study and then all six elements are positioned on each other and is broken down to analyse how they effect each other and the design.these different permutations and combinations become the guiding lines for the concept development

The highest point on the site could be used as an interest point and build something intreguing there which creates a governance. These strategies are carried forward in the zoning process and is implemented in the design development.


DESIGN DEVELOPMENT:

COMMUNITY BLOCK:

SITE PLAN:

The building is divided into wellness zone and community zone, is mostly spread across on a ground floor keeping the requirement of the space in mind and spreading across floors accordingly.

GROUND FLOOR PLAN:

The design is refined more in terms of sequence of activities, and different forms are explored. The teak plantation along the site inspires the usage of natural material ,bamboo being the material here, and also the design is tried to be made as flexible as possible, since being a public space, each user is entiltled to explore and utilize the space as they percieve it. the more informal activities have organic and dymanic design, whereas the formal activities have more inorganic layout. The orientation is kept towards NE to SW to utilise the external viewpoint , and get catchment of air.

The community block consists of admin, auditorium, worshops and restaurant on the ground floor and library and rooftop garden on the top floors. the idea was to keep to zone introverted but not make it overly exclusive , thus the block is oriented inward but still connects to the rest


WELLNESS BLOCK:

INFORMAL EXHIBIT SPACE: The wellness block comprises of counselling rooms, individual therapy rooms and group session studios.The main idea is to keep the focus towrds the elements of nature which would eventually help one to connect with themselves.The individual theraphy rooms are designed in a way that the focus goes to the water feature and not on the activities happening around, focusing the user to be more relaxed.

WHY?

The major existing site feature is the belt of foliage on site, by the feature is reccesed towards the back of the site, so to welcome the usergroup to the site and give an essence of the same canopy of trees on site, the informal exhibit space mimics a canopy of trees, with no established movement just like a meadow.

central opening

Section of group therapy

section through individual therapy rooms

collected water id spread

GATHERING BY THE WATERBODY:

bamboo vortex column resembles a funnel and if sliced through would act as a supporting structure plus a watercollection unit

The central opening allows water to percolate to the ground where it is supplied throughout the grass pavers flooring keeping them green in rainy season, and they also act as spot light for the space through the day.


FLEXIBLE WORKSHOPS : WHY? The program developed required workshop spaces, but the space has to be designed in a way that it could adapt and evolve according to the need of the activity. The basic idea is to achieve perfect balance between flexibility and usabilty of the space.

The movement space around the main workshops also act as informal space / seating space / drying space. The workshps have central reccessed stage as the conducting zone and seats around it


05 AGORA

AGORA was the term used for market or public space in ancient greece. Interior of a building play a pivotal role in understanding of that building. It expresses the mood that was tried to be achieved through the design, and a proper amalgamation of textures, lighting and furnishing give the user comfort and triggers other senses into play as well. In this interior design project, the restaurants interior is designed with the inspiration of greek town santorini, which has its own distinct features and style of architecture.


05

INTERIOR DESIGN-1

STUDIO: VI PROJECT TYPE: INTERIOR DESIGN

(DESIGN AND INTERIOR OF A THEME RESTAURANT)

DECODING:

The studio was focused on understanding importance of interior design and the effect that could be created using just furnishing, textures and lighting in a proper way in a building. For the project, we had to come up with a theme for a fine dining restaurant in an urban scenario, and work on the design as well as the interior of it.

REFLECTED CEILING PLAN: GROUND FLOOR PLAN

Indicating the position of all the lighting fixtures and other electrical units placed on the ceiling.

The theme selected for the cafe is basedon the town in SANTORINI in greece. Santorini is among the top destinations in Greece but also in the world and is characterized by its Cycladic architecture: white painted villages that stand on the top of the high red-coloured cliffs. The architectural language of the Cyclades is a harmonious mix of white cubic houses, cobblestone streets, pristine windmills, and ubiquitous blue domed churches, which is tried to be replicated throughout the design of the restaurant.

GROUND FLOOR PLAN

Wine and cheese boutique:

BAR FURNITURE DESIGN:

Special furniture designed to suit the interior was a part of the project, thus a bar seating inspired by the pristine white of santorini.

The boutique aims on selling wine and artisinal cheese which is a speciality of greek food culture. It is required to showcase the items to be sold in the show window , hence it is designed to display the products as soon as customers enter the complex. Specially designed furnitire to showCase wine and spot lighting is used.


06

INTERNSHIP:

TECHNICAL DRAWINGS

SKILLS are the strongest asset in an architect , as important as his creativity and innovation. Technical drawings are an important tool in conveying the design process from studio to site. Thus, the studio was focused on producing working drawing for a project good enough to be passed down for construction of a real time project.


PRODUCED BY AN AUTODESK STUDENT VERSION

06

METAL SCREEN DETAIL-1

STUDIO: INTERNSHIP PROJECT TYPE: TECHNICAL DRAWING

WORKING DRAWING

(MALABAR OUTLET STORE - COMMERCIAL BUILDING)

GENERATOR CABIN

1235 SECURITY CABIN

LOCATION MAP: MAIN ROAD

2500 RESIDENTIAL

27104

ANKITA

1000

2500

Ar.George

Project Architect.

1800

B C D E F G

X

Sheet Title :

METAL SCREEN IN BRUSHED BRASS FINISH

No. Date.

Revision details.

Revision Suffix.

Drawing status.

N

Architect

MGD

Client.

METAL SCREEN DETAILS-1: GROUND FLOOR

Notes.

Project Title :

Drawing No.

........................

MGD TNAGAR, CHENNAI

FOR REFERENCE

1

Scale.

Date.

Drawn.

1:16@A2

04.12.20

PRAGYA

Checked.

SHRESHTH

Project Code :

MGD_I_TNAGAR

KEY PLAN:

670 715 450 315

MALABAR

SCHEDULE OF OPENINGS:

GOLD & DIAMONDS

3000

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

3000

4.0 TR

4.0 TR

1425 725

SEAL & SIGNATURE: GRIDWORKS

1600

N

12

10 11

SETTING OUT PLAN PRODUCED BY AN AUTODESK STUDENT VERSION

N

Project Title :

Drawing No.

MGD TNAGAR, CHENNAI

bangalore architecture planning interiors .................................................................................................................... ................

FALSE CEILING LAYOUT

Architects.

MGD

Client.

FALSE CEILING LAYOUT - SECOND FLOOR

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

FOR REFERENCE

1

Scale.

Date.

NTS

02.01.20

Checked.

Drawn.

PRAGYA

Project Code :

SHRESHTH

MGD_I_TNAGAR

Partner

Ar.George

Project Architect.

PRODUCED BY AN AUTODESK STUDENT VERSION

O

1

2

3512

2568

1900

3604

1900

3117

1900

600

200

600

700

675

450

775

2

3

800

900

200

800

500 2750

1700

3350 800

1170

500

KEY PLAN:

SCHEDULE OF OPENINGS:

200

200

450

7752

800

8250

850 500

SEAL & SIGNATURE:

499

499

775

3 2

2

D2 1

1 1

2

2

O

450

2608

1900

502

500

199

200

450

800

486

GRIDWORKS

1112

3099

1900

3677

1900

959

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

CLIENT DETAILS: MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112

1

2

3

4 5

6

7 8

9

PROJECT TITLE :

10 11

12

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

SECTION DD'

CHECKED BY:

EXCAVATION PLAN Client.

CODING LAYOUT -SECOND FLOOR

1

Revision details.

N

MGD TNAGAR, CHENNAI

FOR REFERENCE Scale.

Date.

Drawn.

NTS

30.10.20

ANKITA

MGD

Project Title :

Drawing No.

PRODUCED BY AN AUTODESK STUDENT VERSION

Revision Suffix.

Drawing status.

Checked.

JYOTI

Project Code :

MGD_I_TNAGAR

bangalore architecture planning interiors .................................................................................................................... ................

No. Date.

Notes.

Architects.

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

Partner Project Architect.

Ar.George

DWG NO.RES/02/2019/WD3 SHEET TITLE : SCALE:

EXCAVATION PLAN

Sheet Title :

SECTION

MARBLE CLADDING- ( REFER DETAIL DRAWINGS FOR ALL) 1.

PERLATO BEIGE MARBLE- LIFT WALL, STAIRCASE WALL, STORE HEAD CABIN WALL & WASHROOM AREA WALL

2.

ELISE GREY MARBLE- LIFT LOBBY FLOORING, STILT FLOORING, STAIRCASE STEPS AND LANDING, ARTISTRY WALL CLADDING

1:100

Client.

SECTIONAL ELEVATION

No. Date. Revision Suffix.

1

Revision details.

Notes. N

Drawing status.

MGD

Project Title : Drawing No.

MGD TNAGAR, CHENNAI

FOR REFERENCE Scale.

Date.

Drawn.

NTS

21.11.20

PRAGYA

Checked.

SHRESHTH

Project Code :

MGD_I_TNAGAR

Architects. bangalore architecture planning interiors .................................................................................................................... ................

Sheet Title :

DRAWN BY: PRAGYA BARNWAL

PRODUCED BY AN AUTODESK STUDENT VERSION

2

1

D1

3

1

O

1900

N

500

498

450 200

2

D1

+12.40

600

800

3

2

1

O

802

1316

2300

1303

800 298

DOOR DETAILS

800

800 500 800

200

500

400

800

3348

800

1700

502

4

450

1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN CONJUNCTION WITH PLUMBING ,ELECTRICAL,AND STRUCTURAL DRAWINGS 4-UNLESS OTHERWISE SPECIFIED ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE DRAWINGS.

4300

975

200 675

SECTION CC' NOTES:

1700

725

450

L

1674

800

200

498

800

3097

CENTERLINE PLAN

1:100

2254

2625

3

375

SCALE:

2252

800

700

200

600

502

800

3587

3914

600

2

800

600

1800

1300

800 1800

+12.10

3

2

O O 1

200

2027

2

800

600

SHEET TITLE :

800

200 1300 300

200

500 300 500 800 824

2683

4800

200

3

800

600

J

M

700 2977

511

600

800

200

450

200

H

K

450

3100

2300

1311 600

489

800

600

1800

200

1800

4

PRODUCED BY AN AUTODESK STUDENT VERSION

500

1200

I

500

800 700

UP

800

600

200

1768

500

200

300

UP 600

1800

600

3

2

O

1

1800

600

2

+12.10

B C D E F G

DWG NO.RES/02/2019/WD2

700

600 600

A

DRAWN BY: PRAGYA BARNWAL

1900

1

D2

1900

CHECKED BY:

1791

Sheet Title : Drawing status.

PROJECT TITLE :

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

13

Y

Notes.

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112

1700

1300

9

7 8

2300

1800

6

4 5

3

1200

3348

2

1

1500

1600

1000

2500

500

1100

3300

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

CLIENT DETAILS:

1800

700

4700

PRODUCED BY AN AUTODESK STUDENT VERSION

3100

4.0 TR

4.0 TR

L

SECOND FLOOR- FALSE CEILING LAYOUT

PRODUCED BY AN AUTODESK STUDENT VERSION

METAL SCREEN DETAIL

PRODUCED BY AN AUTODESK STUDENT VERSION

STAIRCASE DETAIL

J

K

RECESSED LIGHT FIXTURE

A

Revision details.

1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN CONJUNCTION WITH PLUMBING ,ELECTRICAL,AND STRUCTURAL DRAWINGS 4-UNLESS OTHERWISE SPECIFIED ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE DRAWINGS.

750

550

UP

M

Revision Suffix.

NOTES:

I

DETAIL B

No. Date.

KEY PLAN- GROUND FLOOR LAYOUT

A

X

H

SECTION-AA

SCALE : 1:120 1:

UP

DETAIL E

4.0 TR

4.0 TR

PRODUCED BY AN AUTODESK STUDENT VERSION

Partner

MGD_I_TNAGAR

DWG NO. :RES/02/2019/WD1 :RES/02/2019/W SHEET TITLE:SITE PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION

JYOTI

DRAWN BY: PRAGYA BARNWAL

................

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

MGD TNAGAR, CHENNAI Project Code :

Checked.

Drawn.

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

Architects.

08.10.20

PROJECT TITLE :

MGD

Date.

NTS

Client.

Ar.George

Drawing No.

Scale.

+4.90

CLIENT DETAILS:

CHECKED BY:

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

Drawing status. FOR REFERENCE

4.0 TR

4.0 TR

DETAIL E

Notes. N

Y

bangalore architecture planning interiors .................................................................................................................... ................

Revision details.

1

Architects.

MGD

Client. Project Title :

+4.90

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112

bangalore architecture planning interiors ....................................................................................................................

DETAIL B

Revision Suffix.

Partner

Project Architect.

A

SILL LVL. LINTEL LVL

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

Project Title :

MGD_I_TNAGAR

D3

SITE PLAN

NO DIMENSIONS

GRIDWORKS

MGD T-NAGAR, CHENNAI

Project Code :

LVL + 6.45 M

COMMERCIAL

SEAL & SIGNATURE:

Checked.

SUMP TANK 3000 MM*3000MM*2100MM

Drawn.

PRAGYA

5000

CAR PARKING

Drawing No.

1500

COMMERCIAL

VIVEKANANDA CIRCLE COMMERCIAL RESIDENTIAL

SCHEDULE OF OPENINGS: S NOTITLE

5500

RESIDENTIAL

80 FEET ROAD, GIRINAGAR

RESIDENTIAL

STAIRCASE CLADDING DETAIL

21.11.20

LVL + 6.45 M

Date.

LVL + 9.45 M

LVL + 11.45 M

Sheet Title :

LVL + 0.0 M

FOR REFERENCE

NTS

LVL + 0.0 M

Scale.

9000 TWO WHEELER PARKING

PEDESTRIAN ENTRY

TO BWSSB

3000

PRODUCED BY AN AUTODESK STUDENT VERSION

GROUND FLOOR PLAN

PRODUCED BY AN AUTODESK STUDENT VERSION

31175

ENTRY/EXIT

Drawing status.

29121

Notes.

+4.90

+4.90

PRODUCED BY AN AUTODESK STUDENT VERSION

Revision details.

41475

1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN CONJUNCTION WITH PLUMBING ,ELECTRICAL,AND STRUCTURAL DRAWINGS 4-UNLESS OTHERWISE SPECIFIED ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE DRAWINGS.

PRODUCED BY AN AUTODESK STUDENT VERSION

1

Revision Suffix.

+4.90

PRODUCED BY AN AUTODESK STUDENT VERSION

APPROACH ROAD 9M WIDE

7300

GROUND FLOOR PLAN

Sheet Title :

+4.90

NOTES:

41475

No. Date.

No. Date.

DECODING: To produce technical drawings for a three story jewellery outlet store along with the gfc drawings.

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

Partner

Ar.George

Project Architect.

Ar.Jyoti

Partner

Project A


06

STUDIO: INTERNSHIP PROJECT TYPE: TECHNICAL DRAWING

WORKING DRAWING

(FAROOKH RESIDENCE - RESIDENTIAL BUILDING)

DECODING: To produce technical drawings for an four story luxury residence for a family of five in the heart of the city.

PRODUCED BY AN AUTODESK STUDENT VERSION

A

B

D

C

E

F

Notes.

23932 1000

5550

2575

5250

3270

4260

2027

1910

Special Notes. 4

4

1

3

2

1

2

6

1

5

7

6

8

7

9

8

10

9

11

10

12

11

5000

3

5

13

12

14

13

15

14 15

6 9

2

RES 6

5

2225

9

1

5

4

No.

4

8

8

1

RES

Date.

7

3

2

7

6

13

3160

6

13

12

11

14

10

15

16

9

17

8

18

7

19

6

20

5

21

4

22

3

23

2

12

24

1

14

11

15

10

16

9

17

8

18

7

19

6

20

5

21

4

22

3

23

2

24

1

1

5 4

5

................................................

................

4

186,18th A Bangaloree : bangalo

4

3

1920

3

2

5

1

6

7730

32981

2

5000

3

PRODUCED BY AN AUTODESK STUDENT VERSION

1

3

2

3

1

2

4

5

6

7

8

9

10

1

11

7

12

10 10

9

8

7

6

5

4

3

9

8

7

6

5

4

3

No.

2

2

Date.

Revision details.

2430

RES

1

8

1

10

9

8

7

6

5

4

3

2

10

11

9

8

7

6

5

4

3

2

bangalore architecture planning interiors ....................................................................................................................

1

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

BRASS STRIP

1

3605

11

................

12 12

SELECTED STONE SILVER RIVER

PRODUCED BY AN AUTODESK STUDENT VERSION

GOLDEN EMBRADOR

PRODUCED BY AN AUTODESK STUDENT VERSION

ORVI SURFACES

FK-R-BLR

RUSTIC BEIGE SELECTED MARBLE

No.

FLOOR PLAN ................

2575

5250

3270

4260

2027

78 77 76 75 74 73 72 71 70 69 68 67 66 65 64

61 60 59 58 57 56 55 54 53 52 51 50 49 48 47 46 45 44 43 42 41 40 39

3600

38 37 36 35 34 33 32 31 30 29 28 27 26 25 24

8

23

7

22

6

21 20

2915 3600 8 7 6

19

5

18 11

PRODUCED BY AN AUTODESK STUDENT VERSION 9

16

9

10

15

8

1880

3

1 B e

12 11 10 9 8 7 6 5 4 3 2 1

DETAIL SHEET

SECTIONS e architecture . planning . interiors e architecture . planning . interiors

Date.

..................................

14

6 5 4

No.

13

7

2

4

17

10

DOOR DETAILS

1880

2

1500

4

Checked.

1500

3750

63 62

3750

79

3600

80

5

Drawn.

3115

SITE LINE 2915 3600

81

3

Date.

................

PRODUCED BY AN AUTODESK STUDENT VERSION

83 82

1

8

Scale.

e architecture . planning . interiors

PRODUCED BY AN AUTODESK STUDENT VERSION

7

96 95 94 93 92 91 90 89 88 87 86 85 84

PRODUCED BY AN AUTODESK STUDENT VERSION

6

Tender Revision Suffix.

GRANITE

F

E

3115

5550

D

C

PRODUCED BY AN AUTODESK STUDENT VERSION

SITE LINE

Revision details.

186,18th A Main, 3rd Cross,6th Block,koramangala, Bangalore-560095, India. t : + 91 80 25503796, 41288506 e : bangalore@stapati.com

B

1000

5

PRODUCED BY AN AUTODESK STUDENT VERSION

11

ICE GREY WOODEN FLOORING

A

Flooring-GF

LARISSA FLOWER

Date.

bangalore architecture planning interiors ....................................................................................................................

FLOORING LAYOUT

N

PRODUCED BY AN AUTODESK STUDENT VERSION

2


07

3D + RENDERS

STUDIO: INTERNSHIP PROJECT TYPE: 3D MODELLING AND RENDERS FAROOKH RESIDENCE

MALABAR GOLD AND DAIMONDS- ITHRA


THANK YOU pragyabarnwal24@gmail.com +91 9513848064


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.