UNDERGRADUATE ARCHITECTURAL PORTFOLIO (2016-20) by Pragya Barnwal

Perceptions

Architecture is not just a practise, but also a power. A power to shape the involvement, to instigate curiosity, and to change perception â&#x20AC;&#x201C; the power to generate reaction. This very capability has always intrigued me to learn more and more and broaden my knowledge in this vast spectrum of this creative field. This portfolio is a compilation of series of passionate works that have been done throughout the learning ventures of this course. Each project has its own approach, which deemed fit for the pretext of that very project. This curated collection of works represents the conglomeration of values I hold as an architect.

Beliefs

C PHILATELY MUSEUM

Urban insert - Philately museum + post office redesign Jayanagar 4th block, Bangalore

pg ( 5-10) AROGYA Urban intervention- public toilets across the study area. Multiple venues across Jayanagar 4th block, Bangalore

pg (11-14)

VERANDAH WALKWAY Urban plaza design BDA complex, jayanagar 4th block, Bangalore

pg (15-18) URBAN OASIS Ongoing Thesis project Koramangala , Bangalore

pg (19-30) AGORA` Interior design - Restaurant Bangalore

pg (31-34)

TECHNICAL DRAWING Working drawings of a apartment building

pg (35-38) LEVITATE

Product design - outdoor furniture

pg (39-42)

LUMINESCENCE Fashion design -competition- Winning entry Bangalore

pg (43-46)

POST-OFFICE AND PHILATELY MUSEUM

PUBLIC TOILET

PUBLIC PLAZA

THESIS: OASIS

RESTAURANT INTERIOR DESIGN

TECHNICAL DRAWINGS

PRODUCT DESIGN

FASHION DESIGN

01 03

PHILATELY MUSEUM PHILATELY MUSEUM

PHILATELY : The collection and study of postage stamp. The design studio focused PHILATELY : Thewas collection

on selecting urban area for and study of an postage stamp. thorough studying ( jayanagar 4th design block studio ) and was understandThe focused ingselecting the process of developon an urban area for ment of an urban project which thorough studying ( jayanagar would act as a catalyst in the 4th block ) and understandstudy After of studying the ing thearea. process developarea, i proposed an extension ment of an urban project which of already existing postinoffice would act as a catalyst the and adding philately musestudy area. After studying the um and allied activities to it. area, i proposed an extension Throughout the studio efof already existing post an office fort to understand urban levand adding philately museel documentation and to analum and allied activities it. ysis is done and is carried Throughout the studio an efforward in development our fort to understand urbanoflevown programs andand proposal. el documentation analysis is done and is carried forward in development of our

ARCHITECTURAL DESIGN STUDIO

STUDIO: VII PROJECT TYPE: URBAN LEVEL PROJECT

(PHILATELY MUSEUM AND POSTOFFICE REDEVELOPMENT)

DECODING: The studio focuses on understanding how to design for an urban context, who are the stakeholders and how to propose a project that would engage with the inferences gathered from the survey done throughly throughout the study area.

HISTORY AND MORPHOLOGY:

After a through survey of the area, a public building is to be proposed from which the different stakeholders of the study area would benefit. The study area has an already existing post office, which is not in a very good condition, and is at a prime node , thus it is considered as an oppurtunity to introduce an allied activity which could benefit the society at large. That is where the idea of philately museum comes in , which could benefit the locals

as well as the post-office.

Urban analysis: built and unbuilt analysis (nolli ), to understand the density of built vs unbuilt.

Urban analysis: understanding the f.A.R requirement alterations according to zonal regulations.

Need of the project:

The proposed plan is aimed towards the direction of establishing a public activity in the commercial zones of jayanagr 4th block where the footfall is high but the activity is limited to the commerce part of it. The existing post office is built only on 40% of the total site and there is a scope of better utilization of the site the commercial zones have max g+2 structures , when the f.A.R is much higher , thus it could be utilized as well.

S.W.O.T analysis: Strength: The site is at a major node . Mixed user group ( commercial and residential). Weakness: High density commercial zone , which needs to be redesigned. Moderate traffic movemement between the site blocks at all times. Oppurtunity: Introduction of a landmark at the junction to give it an identity. Threat: Parking of two wheelers on the 8th e main road medles with the pedestrian movement. Area calculations : Site area : Block a : 1300 sq m Block b : 800 sq m Block c : 2460 sq m Total : 4560 sq m Far : 3 Ground coverage : min 50%

Urban analysis: building heights mapping throughout the study area, seperating through zones. Commercial block: A series of mixed use shops which are in a considerably bad condition and are not utilizing the zone far to the extreme, provide for an oppurtunity to condense the shops to a smaller block and introduce a museum unit. Post office: It is a single storey stucture an a prime nodal site close to major hubs and could be made into a point of interest.

DESIGN PROCESS: CONTEXTUAL:

The design is thought out on a micro as well as macro scale . It responds to the exsiting context of jayanagar 4th block and also the upcoming development planning . Jayanagar is more of a traditional market and the design should respond to it.

- SITE PLAN

FUNCTIONAL:

The design development is done keeping the workablility in mind . Being a public building the most important design strategy is functionality . The design is done in such a way that its user centric and sequencial.

CONCEPTUAL:

The concept followed here is one solution vs multiple answers . The site is like pieces of puzzle and the task is to join them together , be it by purpose or functionalty.

- GROUND FLOOR PLAN

MATERIAL:

Another important consideration is the selection of material . The material selected should be responsive to the surrounding and also be aesthetic in nature .

- FIRST FLOOR PLAN

MUSEUM BLOCK:

1. PARKING 2. LOBBY 3. AUDITORIUM 4. EXHIBIT SPACES 5. RECREATIONAL SPACES 6. PHILATELY EXHIBIT 7. EVOLUTION OF POSTAL SERVICE EXHIBIT

POST OFFICE BLOCK:

1. LOBBY 2. CUSTOMER ZONES 3. DEPARTMENT OFFICES 4. BREAKROOM 5. WASHROOMS 6. CIRCULATION SPACES

COMMERCIAL BLOCK

1. RELOCTED SHOPS 2. FOOD COURT 3. OFFICE SPACES 4. CIRCULATION ZONES

It was hard enough to come up with zoning since the site has multiple access points on each side , thus zoning is done according to the sequence of activities and movement. The design is done in a way that the user gets multiple choices and create his own sequence to go around the blocks and create his own unique experience and cater to his need at each visit depending on the purpose.

ALLIED ACTIVITY BLOCK: 1. LIBRARY 2. CAFE 3. INFORMAL EXHIBIT SPACES 4. CIRCULATION SPACES 5. PUBLIC UTILITY SPACES

RENDERED VIEW OF THE FACADE

AROGYA

AROGYA is a sanskrit word which means health of the body, mind and spirit. It means remaining free from illness and diseases. The scenario of public sanitation has always been a hot topic in India. even though we are progressing as a country, yet the basic need of having a planned public toilet is lacking in majority. While we understood the fabric of our study area for urban design studio, this issue stood out, and later when given the oppurtunity of proposing an individual intervention, this very issue was addresed.

ARCHITECTURE DESIGN STUDIO

STUDIO: VII PROJECT TYPE: URBAN INTERVENTION

(PUBLIC TOILET MODULE DESIGN)

ANALYSIS: The existing toilets are in poor condition . The smell is uninviting , plus locating them is hard . Upon further usage , it is noticed that there is no special care taken of womens needs . The major hubs are missing natal care plus female oriented / friendly toilets. The major commercial zones lack a proper toilet , thus identifying the spots where they could be placed , for a better user conviniece and usabilty.

EXISTING CONDITIONS: Site 1: located near the junction of 4th main road and aurobindo marg (bbmp owned) Issues: not maintained properly,no proper lighting , no attention paid to specail needs of women,lacks wheelchair accesibility and toilet. INTERVENTION: Toilets at site 1 and 2, could be rede- Site 2: located on 30th cross road, near jayanagar signed after noticing the reasons for metro station(private). them to not be functioning properly. The Issues:no seperate toilet for women, songs blaring toilets at site 3 and 4 can be combined on loudspeaker , stinky and mismanaged. into one unit. Plus, introduction of toi- Site 3: located near jayanagar bus stop. let near ccd junction and bda complex. Issues: not functional due to existing toilet in the Design of a module of a toilet which bus stop, hence is closed up. could be adjusted according to Site 4: in the jayanagar bus stop complex. the size and shape of the location. Issues: mismanaged and not sanitary.

SINGLE TOILET MODULE (FEMALE ONLY)

Materials: Roof: roof of the restroom is made up of

DOUBLE TOILET MODULE

polycarbonate sheets which allow natural sunlight to come in. Natural lighting reduces the production of harmful bacteria and organisms and is a naturl disinfectant. Floor: the flooring for the restroom has been conceived in polyurethane. It is not only an economical option but also adds character. The seamless nature of the floor eases mopping and sweeping and eliminate any dirt saturation that is common in tiled flooring.

Walls: inner walls;

Aluminium composite panels or of stainless steel sheets. High durability, water resistance and ease of cleaning make it fit for public toilets. While the ease of changing single panels help keep the maintenance economical.

Outer walls:

These walls are also made of stainless steel with perforation. The perforated walls help in cross ventilation of air while letting sunlight in. Furniture:wrought iron furniture. Not very comfortable so doesnt prolong the stay, plus in same colour as flooring

WALLS

FLOORING

ROOF

WALLS(EXT)

VERANDAH WALKWAY

VERANDAH has been a major element of the space making in indian households. It is the informal breathing space in the house. In the urban design studio, an oppurtunity to introduce a public plaza in the study area came forward, as a time problem for us. Initially, how a public space functions is understood and then how important is the context, while designing a public space is understood.

ARCHITECTURE DESIGN STUDIO

STUDIO: VII PROJECT TYPE: URBAN PLAZA (TIME PROBLEM)

DESIGN STRATEGY: Verandah has been a major ele ment of the space making in indian households . The jayanagar bda complex is more of a cultural and festival oriented market . The major crowd is of traditional house hold of jayanagar vicinity, thus introduction of an already existing concept but in a modified manner to act as an element of urban space making seems appropriate. The walkway concept urges a constant movement, thus there is a continous flow of users , avoiding stagnation of crowd at a point.

Site selection:

Reason for selection: Located behind the main access of the bda, thus the crowd moves around the bda complex and gets out at the selected site area , thus becoming the perfect spot to include a plaza.

STUDY AREA (Jayanagar 4th block)

VERANDAHS IN AN INDIAN HOUSEHOLD

Opens to a deck Mostly verandah lead to an open view point,thus here opens to a deck.

Green latticed screen The green lattice gives an essense of foliage in dense urban market.

Wayfinding The curved path provides the wayfinding cues, creating interest.,

INITIAL SKETCH

Towards the bus stop

Crowd movement near BDA

Site is a flocked by crowd from all the REQUIREMENTS: It is understood that sides, and needs a resting spot for it. the crowd at bda is at a constant move , thus the plaza should act as a resting spot but should not congregate a major crowd, thus there should be a provision for constant movement too, thus a walkway incorporated in plaza seems apt

MOVEMENT ANALYSIS: The crowd along the bda moves at varied speed . There is rushed crowd for the bus stop, slow crowd doing window shopping, students from the nearby colleges strolling around the market, thus the movement varies.

View of the walkway, the green gives a sense of lushness

PLAN

SECTION

ELEVATION

CONCEPTUAL VIEWS

04 URBAN OASIS

OASIS : In geography, an oasis is an isolated place in the desert where there is vegetation. Most often, this occurs around a source of water. Oases provide a habitat for animals and are used as a source of water for humans. Understanding the concept of relief that is provided by an oasis to its surrounding, inspired me to take it up as a my thesis project. Understanding that there is a need of a similar space within the dense city . our urban environment can be a source of frustration , but when reversed it can help many , for we are nothing but migrating birds searching our spot in the city.

ARCHITECTURE DESIGN

STUDIO: VII PROJECT TYPE: UNDERGRADUATE THESIS (CURRENTLY ONGOING)

METHODOLOGY:

DECODING:

In modern times , the development of the country is based on the shoulders of the youth , with this great responsibility comes a great amount of expectations and pressure . we are living in a society with basic need for connection , meaning and purpose .its no longer a framed and constructed way of living given the ever evolving technology .This gives rise to urban stress. This is because our generation is experiencing its highest level of documented mental illness , due to the rise in urban sprawl ,causing pollution, traffic , anxiety, depression and more known as urban stress. The concept of stress release is often related to vacations or retreats, but that becomes like a reward or an escape from the current situation , its seen as a peace and tranquility away from the city , but the city is where most of the tension is, thus providing a space for the city dweller , be it any one , where they can STOP/ BREATHE/ PLAY.

o Urban study of an area and understanding the pause spaces. o Understanding the importance of senses in architecture. o Mapping the pause spaces and learning how they affect mentaL health.. o Creating an all inclusive space for destressing in modern times. o Understanding the importance of ‘vacation’ and the idea of it. o Approaching the design with a ‘hierarchy of interaction .’

SITE SELECTION:

BANGALORE AND URBAN SPRAWL : A team of researchers from

URBAN SRAWL AND STRESS:

one of the major causes of urban stress is urban sprawl . our generation is experiencing its highest level of documented mental illness , due to the rise in urban sprawl ,causing pollution, traffic , anxiety, depression and more known

the Indian institutes of science (iisc) has found that bangalore has the worst urban sprawl. in bangalore , a study found whopping growth of 632% in urban areas , especially in greater bengaluru in the last few dcades,

STUDY AREA AND SITE: - RISE IN STRESS LEVEL IN AGE GROUPS OVER THE DECADE

KORAMANGALA

After doing a acomparitive study of all the probable sites in banagalore, koramanagala stands out . The user group targeted for this project is the youth of our country. In bengaluru , the hub for start ups and creative people, koramangala is known for its modern eateries , clubs and multiple offices

Driving usergroup for the study : YOUNG ADULTS ( college students and working professionals) , therefore its important to study an area which interacts with this strata

To develop the program it was important to understand different user groups inter-relations and interdependencies. The groups have a positive as well as a negative impact on each other. Hence the dependency chart has been segregated into positive and negative. The positive interdepency is basically how the source of income and how the rendering of services is co-dependent in each of the usergroup. Negetive interdependencies help us understand how to address those issues as well.

PROGRAM DEVELOPMENT:

The program development is the last stage of the user analysis. The project being a user-dominant project, it is important to understand their strengths, weaknesses, utilize the oppurtunities and lessen the possible threats. Hence the swot analysis of all the user groups are overlapped to find overlapping as well as individual requirements, that could be imbibed in the program.

CONCEPT: UNWIN’S ANALYSIS: “Analysing Architecture” by Sir Raymond UnwIn, offers a unique ‘notebook’ of architectural strategies to present an engaging introduction to elements and concepts in architectural design (The basic elements of design defined by sir unwin is taken as a base for the study and then all six elements are positioned on each other and is broken down to analyse how they effect each other and the design.these different permutations and combinations become the guiding lines for the concept development

DESIGN STRATEGIES: The site plays an important role in developing strategies which would become the reference points to be taken note of while coming up with a design. The selected site has view of a teak plantation towards its side, so the priority is to maximize views and orient building accordingly. The central foliage gives an oppurtunity to place seperate blocks in a way that it acts as a seperater. The orientation of the building should be in way to maximise the catchment of wind and benefit from the sun movement. The highest point on the site could be used as an interest point and build something intreguing there which creates a governance. These strategies are carried forward in the zoning process and is implemented in the design development.

DESIGN DEVELOPMENT: SITE PLAN:

The building is divided into wellness zone and community zone, is mostly spread across on a ground floor keeping the requirement of the space in mind and spreading across floors accordingly.

GROUND FLOOR PLAN:

The design is refined more in terms of sequence of activities, and different forms are explored. The teak plantation along the site inspires the usage of natural material ,bamboo being the material here, and also the design is tried to be made as flexible as possible, since being a public space, each user is entiltled to explore and utilize the space as they percieve it. the more informal activities have organic and dymanic design, whereas the formal activities have more inorganic layout. The orientation is kept towards NE to SW to utilise the external viewpoint , and get catchment of air.

COMMUNITY BLOCK:

The community block consists of admin, auditorium, worshops and restaurant on the ground floor and library and rooftop garden on the top floors. the idea was to keep to zone introverted but not make it overly exclusive , thus the block is oriented inward but still connects to the rest

WELLNESS BLOCK:

The wellness block comprises of counselling rooms, individual therapy rooms and group session studios.The main idea is to keep the focus towrds the elements of nature which would eventually help one to connect with themselves.The individual theraphy rooms are designed in a way that the focus goes to the water feature and not on the activities happening around, focusing the user to be more relaxed. Section of group therapy

section through individual therapy rooms

GATHERING BY THE WATERBODY:

bamboo vortex column resembles a funnel and if sliced through would act as a supporting structure plus a watercollection unit

INFORMAL EXHIBIT SPACE: WHY?

The major existing site feature is the belt of foliage on site, by the feature is reccesed towards the back of the site, so to welcome the usergroup to the site and give an essence of the same canopy of trees on site, the informal exhibit space mimics a canopy of trees, with no established movement just like a meadow.

central opening

collected water id spread

The central opening allows water to percolate to the ground where it is supplied throughout the grass pavers flooring keeping them green in rainy season, and they also act as spot light for the space through the day.

FLEXIBLE WORKSHOPS : WHY? The program developed required workshop spaces, but the space has to be designed in a way that it could adapt and evolve according to the need of the activity. The basic idea is to achieve perfect balance between flexibility and usabilty of the space.

The movement space around the main workshops also act as informal space / seating space / drying space. The workshps have central reccessed stage as the conducting zone and seats around it

05 AGORA

AGORA was the term used for market or public space in ancient greece. Interior of a building play a pivotal role in understanding of that building. It expresses the mood that was tried to be achieved through the design, and a proper amalgamation of textures, lighting and furnishing give the user comfort and triggers other senses into play as well. In this interior design project, the restaurants interior is designed with the inspiration of greek town santorini, which has its own distinct features and style of architecture.

INTERIOR DESIGN-1

STUDIO: VI PROJECT TYPE: INTERIOR DESIGN

(DESIGN AND INTERIOR OF A THEME RESTAURANT)

DECODING:

The studio was focused on understanding importance of interior design and the effect that could be created using just furnishing, textures and lighting in a proper way in a building. For the project, we had to come up with a theme for a fine dining restaurant in an urban scenario, and work on the design as well as the interior of it. The theme selected for the cafe is basedon the town in SANTORINI in greece. Santorini is among the top destinations in Greece but also in the world and is characterized by its Cycladic architecture: white painted villages that stand on the top of the high red-coloured cliffs. The architectural language of the Cyclades is a harmonious mix of white cubic houses, cobblestone streets, pristine windmills, and ubiquitous blue domed churches, which is tried to be replicated throughout the design of the restaurant.

BAR FURNITURE DESIGN:

Special furniture designed to suit the interior was a part of the project, thus a bar seating inspired by the pristine white of santorini.

REFLECTED CEILING PLAN: GROUND FLOOR PLAN

Indicating the position of all the lighting fixtures and other electrical units placed on the ceiling.

GROUND FLOOR PLAN

Wine and cheese boutique: The boutique aims on selling wine and artisinal cheese which is a speciality of greek food culture. It is required to showcase the items to be sold in the show window , hence it is designed to display the products as soon as customers enter the complex. Specially designed furnitire to showCase wine and spot lighting is used.

TECHNICAL DRAWINGS

SKILLS are the strongest asset in an architect , as important as his creativity and innovation. Technical drawings are an important tool in conveying the design process from studio to site. Thus, the studio was focused on producing working drawing for a project good enough to be passed down for construction of a real time project.

STUDIO: VI PROJECT TYPE: TECHNICAL DRAWING

WORKING DRAWING

8477

100

3000

100

31175

MASTER BEDROOM

PEDESTRIAN ENTRY

TO BWSSB

3000

1235 SECURITY CABIN

2500 GENERATOR CABIN

SCHEDULE OF OPENINGS:

9000 TWO WHEELER PARKING

LVL + 0.0 M

1567

915

C13

200

2462

41475

STUDY ROOM

C12

APPROACH ROAD 9M WIDE ENTRY/EXIT

5151

4950

915

BALCONY 2

7300

C15

C14

LVL + 9.45 M LVL + 6.45 M

3285

4900

915 300

1000

1850

100

5212

KEY PLAN:

764 D2

4385

LIVING ROOM

200

WC 2 LVL 2 +400

1436

1828

5212 5600

2194

3300 2038

200

4000

225

200

1624

1893 2900

2827

C11

C10

LVL 2 +400

6933

C8 1950

8250

1500

200

664 1000 664

8 7 6 5 4 3 2 1

BEDROOM 2

5212

917

1445

1400 LVL 2 +400

DINING

LVL 1 +450

914

1600

5000 WC 1

KITCHEN

762

200

2838

UP S1

3100

13 10 11 12

D2 W1

762

700

1838

8250

1730

LVL 1 +450

H I

255

LVL 2 +400

1727

1430

L1 3252

B C D E F G

BALCONY1

1000

14 15 16 17 18 19 20 21

LVL 0 +0.0

1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN CONJUNCTION WITH PLUMBING ,ELECTRICAL,AND STRUCTURAL DRAWINGS 4-UNLESS OTHERWISE SPECIFIED ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE DRAWINGS.

DECODING: To produce technical drawings for an two storey apartment building, comprising of four apartments.

NOTES:

APARTMENT BUILDING)

LVL + 11.45 M

200

538 WC762 1

1386

1727

LVL 2 +400

C21 915

915

1650

243

27104

2500 29121

4950 200

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

C23

C22

1386

300

2038 762

4900

100

923

100 D3

SEAL & SIGNATURE:

1858

LVL 2 +400

GRIDWORKS

3300

2899

BEDROOM 2

1891

1850

KITCHEN

896

915

1400

3300

C19

915 100

BALCONY1

LVL + 6.45 M

C18

5212

LVL 2 +400

100 764

5212

2783

2120

WC 2

1600

1950

8250

200

C17

SUMP TANK 3000 MM*3000MM*2100MM

BALCONY 2

LVL 2 +400

200

4200

200

C20

CAR PARKING

200

1830 862

1538

5800

C16

DINING

5000

4950

3000 1850

LIVING ROOM

LVL 1 +450

1500

MASTER BEDROOM

915

4485

J K

1000

5500

STUDY ROOM

915

1445

5543

200

3800

200

4700

41475

SITE PLAN

CLIENT DETAILS:

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112

200

PROJECT TITLE :

4 5

7 8

10 11

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

Y CHECKED BY:

DRAWN BY: PRAGYA BARNWAL A 1800

DWG NO.RES/02/2019/WD4

B C D E F G

SHEET TITLE :

550 750 670

SCALE:

715

1:100

NOTES: 1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN CONJUNCTION WITH PLUMBING ,ELECTRICAL,AND STRUCTURAL DRAWINGS 4-UNLESS OTHERWISE SPECIFIED ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE DRAWINGS.

3000

1425

725

K L

3100

1700 1620 1280

1270

750

850 1570

1400

2025

1600

3600

1000 SWB @1350

SWB @1350

EXHAUST FAN

6 7 8

800

1791

200

1300

800

1800 3348

1170

1800

800

200

499

200

450

7752

800

450

8250

500 499

1316

486

1112

450

2608

1900

502

500

199

200

450

800

200

1800

600

1900

2300

1303

498

802

3677

PROJECT TITLE :

3099

1900

959

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

13 1

4 5

7 8

10 11

CHECKED BY:

Y ELECTRICAL PLAN

200

500 2750

3350

850

1700 975

500

800

502

775

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112 1700

10 11

4300

800

2027

725

450

2252

2254

1700

2625

600

1800

800

375

CLIENT DETAILS:

200

500

498

3097

800

502 800

200

700

3914

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

298

600

800

200

675

7 8

800

3587

800

600

1300

600

1800

1700

1250

600

1300 300 3348

C23

200

800

824 1

400

1674

4800

S.no.

800

500

511 800

C22

700 2977

SEAL & SIGNATURE:

200

GRIDWORKS

1200

800

500

3100

450

500

800

200

450

600

200

500

500 1311

MAIN BOARD 489

600

200

800

700

800

700

600

GEYSER SOCKET

G SOCKET

10 500

1900

775

450

SWITCH BOARD

300

UP 600 600

1768

675

SOCKET WITH SWITCH SWB

600 600

200

3117

1900

700

900

600

C19

500

1800

B C D E F G

2683

G SOCKET

600

300

800

3604 SWITCHES

1900 600

1800

SWB @1350

G SOCKET

4 5

2568

1900 200

SWB @1350

TUBE LIGHT

3512

800

3200

2300

1900

2300

1300

1360

CEILING FAN LIGHTING OUTLET

800

SWB @1350

CHANDLIER

2 3

C18

10 11

S.n

SWB @1350

C21

7 8

400 1600

TV SOCKET @1200

MB @2100

1550

2000

2250

C17

4 5

LOCATION MAP:

3500

C15

840

399.79

TV SOCKET @1200

2500

C13

MB @2100

1300

1700

SETTING OUT PLAN

G SOCKET

C20

2300

SWB @1350

C14

SWB @1350

C16

1200

SWB @1350

1900 2150

SWB @1350

C12

C11

1300

2000 1550

C10

G SOCKET

C9 3900

J K

1000

H I

SWB @1350

1500

1600

1000

2500

500

1100

3300

1700

992.38

730

B C D E F G

C4 G SOCKET

700

4700

G SOCKET

GROUND FLOOR PLAN

450 315

3000

GROUND FLOOR PLAN

DRAWN BY: PRAGYA BARNWAL

EXCAVATION :RES/02/2019/WPLAN DWG NO. :RES/02/2019/WD17 SHEET TITLE:ELECTRICAL LAYOUT SCALE : 1:100 1:

NOTES:

2550

150

Level 6 10350 Level 5 9450

TERRACE FLOOR

150

6450

1200

Level 4 7650

150 840

8 7

11 10

300

2850

3450

2850

NORTH

300

1200

SCHEDULEA OF OPENINGS:

GROUNDFLOOR

450

150

1350

1200

KEY PLAN: FIRSTFLOOR

H G F E D C B

450

L K J

9X9mm GROOVE IN PLAST

STAIRCASE SECTION

100mm GRANITE SKIRTING

SECTION XX ( SCALE 1:50)

10X10mm CHAMFERED EDGE FOR NOSING IN GRANITE

SEAL & SIGNATURE: GRIDWORKS

Level 4 7650

TERRACE FLOOR

X D2

UP S1

150

CHECKED BY: GROUNDFLOOR

LINTEL LEVEL

300

15MM THK PLASTERING 5

TREAD AND RISER DETAIL ( SCALE 1:20)

1350 ELEVATION

SCHEDULE OF OPENINGS:

FFL

ELEVATION

9X9mm GROOVE IN PLASTER

1800

PE 1:40

SLO

12MM DROP

10X10mm CHAMFERED EDGE FOR NOSING IN GRANITE

764

915

775

300

100mm GRANITE SKIRTING

SECTION XX ( SCALE 1:50) 70

50 MMØ S.S. PIPE AS HAND RAIL 40 MMØ S.S. PIPE AS BALUSTER

PLASTER

624

RISER

15mm MORTAR OUT SIDE

OUT SIDE

PLAN OF- ''D2''

PLAN OF- ''D1''

DOOR DETAILS A

B C D E F G H

TERRACE FLOOR WEATHER PROOF COURSE (10 MM THK)

M10

D1 D2 D3 W1

10 2 16

MAIN ENTRY,KITCHEN,STUDY, , BEDROOMS BALCONY , TOILETS

BALUSTRADE FITTING DETAIL WP SP FP (SCALE 1:10)

LIVING ROOM KITCHEN , BEDROOM, STUDY LIVING ROOM, LIFT LOBBY WASHROOMS Level 4

7650 6450

NOTES:FT HF

PROJECT TITLE :

1-ALL DIMENSIONS IN MM UNLESS EQ SPECIFIED EQ 400 400 OTHERWISE 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE CHECKED BY: NOTICE OF THE CONSULTANT OVER HEAD 3-ALL DRAWINGS TO BE READ IN DRAWN BY:SHOWER PRAGYA BARNWAL CONJUNCTION WITH PLUMBING DWG NO.RES/02/2019/WD11 ,ELECTRICAL,AND STRUCTURAL EL-1 SHEET TITLE : DOOR DETAIL DRAWINGS EL-4 EL-2 EL-3 4-UNLESS OTHERWISE SPECIFIED SCALE: 1:16 ALL CHAJJAS ARE 600MM AND BEARING WIDTH OF 75MM. FOR FURTHER DETAILS REFER TO STRUCTURE WASH BASIN AS DRAWINGS.

1442

PER ARCHITECT APPROVAL

PE 1:40

FLOOR TRAP

KEY PLAN:

300150

12MM DROP

1099 150

450

GROUNDFLOOR

450

PLAN WITH FITTING DETAILS SCHEDULE OF OPENINGS:

TOILET DETAIL

SECTION YY

S NOTITLE

1:100

11 10

8 7

5 4

SLO

3450

1442

SECTION

FIRSTFLOOR

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

2209

3000

LOCATION

1099

3000

1 2 3 4

TITLE

PRO SEC

DETAIL A SCALE 1:10

2209 450

BRICK WALL (230 MM THK) PLASTERING IN CM 1:4 ( 12 MM THK)

RM FFL

CLIENT DETAILS:

TERRACE FLOOR D2

TISSUE HOLDER

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

450

RCC SLAB (150 THK) PLASTERING IN CM 1:4 ( 12 MM THK)

SNO

300150

450

BRICK PARAPET WALL(230 MM THK) PLASTERING IN CM 1:6 (15 MM THK)

MR BA

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, FLOOR TRAP BASAVANGUDI ,BANGALORE , 560112

J K

G A BA 95

200 200

PLAN OF- ''D2''

100MM Ø SS CAP TO BE USED (PREFERABLY NOT FIXED) 150MM Ø MS BASE PLATE TO BE FIXED TO THE SLAB WITH ANCHOR FASTENERS

800

117

55 165

OUT SIDE

FLOOR MOUNTED W.C AS PER ARCHITECT APPROVAL

18mm THK GRANITE

IN SIDE

20MM Ø SS PIPES FIXED AT 150MM C/C PARALLEL TO THE HAND RAIL

PLAN

SEAL & SIGNATURE: GRIDWORKS

IN SIDE

450

FFL

R.C.C STAIRS

ALDROP

FFL

PE 1:40

150

KEY PLAN:

12MM THK BOTHSIDES TEAK VENEER PLY PANEL

SLO

ALDROP

2850

1-ALL DIMENSIONS IN MM UNLESS OTHERWISE SPECIFIED 2-ANY INFORMATION THAT IS MISSING OR INCORRECT BE BROUGHT TO THE NOTICE OF THE CONSULTANT 3-ALL DRAWINGS TO BE READ IN STARTING 5no. 6x6mm GROOVE TILE CONJUNCTION WITH PLUMBING 9mm 2 O/O1IN GRANITE ,ELECTRICAL,AND STRUCTURAL FT DRAWINGS 10mm CHAMFERED 4-UNLESS OTHERWISE SPECIFIED EDGE FOR NOSING IN 2 ALL CHAJJAS ARE 600MM AND BEARING GRANITE WIDTH OF 75MM. FOR FURTHER 6X6mm GROOVE DETAILS REFER TO STRUCTURE 15MM THK DRAWINGS. 3

1200

2100

2012

2100

2012

30MM THK SOLID CORE FLUSH SHUTTER WITH FACE VENEER ON OUT SIDE & 1MM THK LAMINATE ON INSIDE

150

35MM THK SOLID CORE FLUSH SHUTTER WITH FACE VENEERS ON BOTH SIDES

HOLD FAST 40X5X400MM

1350

HOLD FAST 40X5X400MM

150

60X100MM MALAYSIAN SAL WOOD FRAME

300

2850

60X100MM MALAYSIAN SAL WOOD FRAME

LINTEL LEVEL

1:100

STAIRCASE PLAN PLAN ( SCALE DETAILED 1:50)

NOTES:

1200

ELEVATIONS

20 MM THICK FIBRE GLASS PANEL FIT IN ALUMINIUM PANEL

2100

SCALE:

150 840

150

1:100

300

2550 1200

EAST

HANDLE WITH FLUSH LOCK

DWG NO.RES/02/2019/WD8 SHEET TITLE : NORTH EAST ELEVATION

LINTEL LEVEL

2035

L1 PRAGYA BARNWAL DRAWN BY:

450

PROJECT TITLE :

PROPOSED RESIDENCE FOR MR.ROSHAN HUDDA SECTOR 7, BANSHANKRI SECOND STAGE,BANGALORE

3450

1O 2 O N 3 C ,E D 4 A W D D

MR. ROSHAN HUDDA,BULL TEMPLE ROAD, BASAVANGUDI ,BANGALORE , 560112

FIRSTFLOOR D2

CLIENT DETAILS:

6450

GRIDWORKS ARCHITECT PRAGYA BARNWAL 9513848064

10111213 9 14 8 15 7 16 6 5 17 18 4 19 3 2 20 21 1

RISER

18mm THK GRANITE 15mm MORTAR

Level 6 10350 Level 5 9450

TREAD AN

1350

1:100

NO DIMENSIONS

SILL LVL. LINTEL LVL

915*2100*200

0.00

2100

764*2100*200 760*2100*200

0.00

2100

2 1730*2100*200

0.00

2100

900

2100

3 1850*1200*200

900

2100

1 2350*2827*3000

0.00

915*1200*200

2300*2827

RM FFL

LEVITATE`

LEVITATE`: To rise and float in the airbecause of, oras ifbecause of, lightness and buoyancy. Product design was one of the electives taken over the period of course. The studio aimed at understanding the basics of product designing, understanding the end user and process from prototyping to final product. The final project was to design a product using elements from nature a.k.a BIOMIMICRY.I chose aqustic leaves and used their attributes into designing a pool furniture.

STUDIO: VII PROJECT TYPE: PRODUCT DESIGN

ELECTIVE -1

(BIOMIMCRY IN FURNITURE DESIGN)

DECODING:

Biomimicry forms the basis of the project, . Humans have looked at nature for answers to problems throughout our existence. For this project, each individual had to pick something from nature which inspired them, and design a product around it. LEVITATE is a furniture module designed using the principals of biomimicry. It is inspired by the basic dynamics of aquatic leaves

AMAZONIAN WATER LILY I POOL FLOATIE

POOL RECLINER

CHAIR

It is an experimental furniture which explores workability in two mediums â&#x20AC;&#x201C; on ground and on water. It explores the possibility of an outdoor furniture and threads on the thin distinction of a chair being recreational or it being FUN!. Levitate works on the principals of air girders as found in the base of Amazonian water lily which helps it float on the surface of water . it also combines the two basics of a pool floatie and an outdoor furniture and caters to a larger user-group, mostly in the growing hospitality and community sector.

ANTHROPOMETRY :

DESIGN FEATURES:

Air girder like structure present under the seat To help the chair to stay afloat

IDENTIFICATION OF CUSTOMER

oPortable oEase of load on and off the truck oAble to fit through standard doorway oSafe oProtection from cutting devices oMinimal hard edges

A: Air girder like structures

The pedestal is attached to the ground with help of bolt system and the seat is deatachable from the pedestal , thus the location of the chair is fixed on the ground but the seat can be detached and used in water.

A- seat B- pedestal

Thus the pedestal can be removed and the seat can be used as a pool float chair in Water and once that use is fulfilled it can be attached back to the pedestal and used as an outdoor furniture.

oWater resistant oFast assembly oDurable oEconomical oSmall footprint oEasy maintenance oChild safe

Here the lead customers are hospitality groups and recreational sectors. The chairs are designed as a pool furniture which is often seen in luxury hotels and resorts,community centres,villas with pools etc.

WORKING: The chair has Styrofoam casing around the rim which helps it float in water . the air girder like structures holds the wait in water and on the ground . The pedestal is attached to the ground but is detachable from the the seat , thus whenever required the seat can be detached from the pedestal and can be used as a pool chair. The mesh on the side expands to the surface of water giving support to the person floating and acts like a fishâ&#x20AC;&#x2122;s fins. The Styrofoam helps the chair to alwys stay on the surface of water top first so that its easier for users

A : air girders B: polyster mesh C: back support cased with styrofoam D: metal pedestal

FINAL PRODUCT:

A : Styrofoam Casing B : Hdpe Chair Mimicking The Veins Of The Leaf C: Polyester Mesh D: Air Girders E: Metal Pedestal

08 LUMINESCENCE

LUMINESCENCE: Luminescence is a soft, glowing light. The competition was a part of contemporary architecture studio, as one of the projects to breakdown the architectural style of a particular contemporary architect (TOYO ITO in my case), and represent his style through costumes. many theories in the field is derived from theories prevalent in other fields, fashion being one of them. â&#x20AC;&#x153; Fashion is architecture, it is a matter of proportionsâ&#x20AC;? -Coco Channel

(founder -channel)

COMPETITION ENTRY

STUDIO: EXTRACURRICULAR PROJECT TYPE: FASHION DESIGN

(COMPETITION- WINNING ENTRY)

DECODING:

Design is a vast spectrum,expanding through all creative fields, so why just stick to one representation of it? The best way to understand anything is to break it down to its core meaning and create your own intepretation of it. This strategy was used for contemporary architecture studio, where we were each given a contemporary architect and were asked to understand his design philosophies and express them through costumes designed using inspiration from his work.

TOYO ITO:

Toyo Ito is a Japanese architect known for creating conceptual architecture, in which he seeks to simultaneously express the physical and virtual worlds. His architecture projects an air of optimism, lightness and joy, and is infused with both a sense of uniqueness and universality. For these reasons and for his synthesis of structure, space and form that creates inviting places, for his sensitivity to landscape, for infusing his designs with a spiritual dimension

Mikimoto ginza:

inspired by the exterior of this commercial complex designed by TOYO ITO, where the facade looks like a block of cheese bue to irregularly arranged windows .

Museo Internacional del Barroco :

Inspired by the museum designed by TOYO ITO in mexico. The fluid sequence of sail like forms inspired the fluid pristine white design.

Porta Fira Hotel, Barcelona:

The exterior of the hotel has red cylindrical metal tubes as facade, which inspires the design, in contrast with inspiration from his serpentile pavilion as a hat.

THANK YOU pragyabarnwal24@gmail.com +91 9513848064