LIST OF FIGURES

1. Elizabeth Hooper and M. Edgeworth, Different types of archaeological deposits in an urban context. (London: Geological Society, Special Publications, 2014). Accessed on August 10, 2021. https://sp.lyellcollection.org/content/395/1/91/tab-figures-data. p. i

2. M. Edgeworth, Excavations in Causeway Lane, Leicester, UK: Composite Section across the Site. (London: Geological Society, Special Publications, 2014). Accessed on August 10, 2021. https:// sp.lyellcollection.org/content/395/1/91/tab-figures-data. p. i

3. Zaid Prasla, Generating new architectural patterns through the concept of ‘Artificial Excavation’. p. 1. 4. Zaid Prasla, Tracing South Bridge’s history by superimposing historical maps. p. 1 5. Peter Eisenman, Moving Arrows, Eros and Other Errors: An Architecture of Absence. p. 1

6. Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Green Box), 1934. 13 x 11 1/8 x 1 in. (33 x 28.3 x 2.5 cm). The Met Museum, New York. Anonymous Gift, 2002 (2002.42a–vvvv). Accessed on August 10, 2021. https://www.metmuseum.org/art/collection/search/492389. p. 1. 7. Zaid Prasla, ‘A House of Leaves’: Study of South Bridge Ruins visualised to be invaded by the ‘New Caledonian Forest’. p. 2.

13. Zac Thompson, The Site of Julius Caesar Assassination in Rome: A juxtaposition of ancient Rome with the modern one. April 20, 2021. Accessed on August 11, 2021. https://www.frommers.com/blogs/ passportable/blog_posts/site-of-julius-caesar-assassination-in-rome-to-open-to-tourists-for-the-firsttime. p. 3. 14. G.B. Piranesi and Stanley Allen, Diagrams showing the chronology and framing of the Campo Marzio in Rome. Accessed on March 18, 2021. https://www.jstor.org/stable/3171144. p. 4. 15. G.B. Piranesi and Stanley Allen, A collage of fragmented borders and frames on the city of Rome. Accessed on March 18, 2021. https://www.jstor.org/stable/3171144. p. 4.

16. Patrick Geddes and F.C. Mears, The beginnings of the first human settlements as a hill fort. p. 5.

17. Zaid Prasla, The present city of Edinburgh. Clicked on December 24, 2020. p. 5. 18. Patrick Geddes and F.C. Mears, The early town of Edinburgh surrounded by the King’s Wall in 1450 A.D. p. 5. 19. Patrick Geddes and F.C. Mears, The two cities of Edinburgh. ed. Zaid Prasla. p. 5.

8. Zaid Prasla,The locations of the excavation sites along the Cowgate (2050 A.D.). p. 6.

9. Zaid Prasla, The Princes Street Gardens, New Town, Edinburgh. Clicked on October 05, 2020. p. 7.

10. Zaid Prasla, Holyrood Park (Salisbury Crags): A mnemonic device for the city. October 05, 2020. p. 8.

11. Zaid Prasla, The Geddes Gardens: A Forest in the city. p. 8.

12. Zaid Prasla, A Palimpsest of Memory: The City of Edinburgh, 1851 A.D. showing the layers of presence, absence, and immanence. p. 10.

20. Office of Peter Eisenman, Architect, Presentation drawing: axonometric including Cannaregio West and Le Corbusier’s Venice Hospital, 1978. Pen and black ink with transparent coloured adhesive film on acetate over gold cardboard, 99.7 x 99.7 cm. p. 83.

21. Office of Peter Eisenman, Architect, Presentation drawing: site plan, 1978. Pen and black ink with transparent coloured adhesive film on acetate over beige Pantone paper, 99.7 x 99.7 cm. p.84.

22. Office of Peter Eisenman, Architect, Sectional model of el structure. Grey, beige, and pink paint over wood with Plexiglas, 100.3 x 100.3 x 27.0 cm. p. 85.

23. Office of Peter Eisenman, Architect, Conceptual diagrams, 1980. Transparent coloured adhesive film on photostat, 46.2 x 36.0 cm and 46.6 x 37.3 cm. p. 86.

24. Office of Peter Eisenman, Architect, Presentation drawing: site plan, 1980. Transparent coloured adhesive film on photostat, 92.0 x 92.0 cm. p. 87.

25. Office of Peter Eisenman/ Robertson Architects, Photometric survey of the California State University at Long Beach Campus, September 11, 1985. p. 88.

26. Office of Peter Eisenman/ Robertson Architects, Presentation model: upper level plan relief, phase 4, between June 2 and August 5, 1986. Transparent coloured adhesive film and gold paint on the white museum board, 80.0 x 75.5 cm. p. 89. 27. Office of Peter Eisenman/ Robertson Architects, Presentation drawing: site plan, phase 4, August 5, 1986. Transparent coloured adhesive film and gold paint on photostat, 28.1 x 22.0 cm. p. 90.

28. Bernard Tschumi, Grid of follies superimposed on the Parc de la Villette site and the Canal de la Villette, Paris, 1983. Accessed on August 13, 2021. http://www.tschumi.com/projects/3/. p. 91.

29. Office of Eisenman/ Robertson Architects, Presentation model of the second scheme, September 1986. Pink, grey, and gold paint over basswood, 10.2 x 61.3 x 61.1 cm. p. 92.

30. Smout Allen, Rescue Lines: Forest Mythology, 17th annual Venice Architecture Biennale, The Central Pavilion, Giardini, May 2021. Accessed on August 13, 2021. http://www.smoutallen.com/rescue-lines. p. 94.

31. Zaid Prasla, Visualising the city in the vegetal being. p. 95.