VANTAGE
BEYOND HORIZONS
LIGHTROOM MOBILE
VOLUME 5
•
JANUARY 2022
STREAKS AND FLARES
PC - HEET GANDHI
ISO- 500 Aperture- f/6.3 Shutter Speed- 1/500 sec. Shot on- NIKON D5300
Founder's Note
“PHOTOGRAPHY IS MORE THAN A MEDIUM FOR FACTUAL COMMUNICATION OF IDEAS. IT IS A CREATIVE ART.” - ANSEL ADAMS
- DHRUMIL OZA "Historically
Photography
had
been
an
art, application, and practice of creating durable images by recording light. In the new
age
the
definition
re-shaping
the
around
us
by
beyond
one's
means
of
SLRs
to
And
the
from
has
visual
aspects
augmenting vision.
definition
art
of
so
mobile
have
to life
reality
has
changed
developing
negatives
of
the
And
photography
high
changed
the from
cameras.
photographs changed
to
instagram filters !!
Primitively, promote
Pratikriti
was
photography
founded
to
among
the
students at campus, but with passing of time the
it
grew
bigger
biggest
and
then
photography
making
club
it
among
India’s all B - schools came into reality. With
every
passing
successfully events
year
organized
like
Pratibimb,
the
club
national where
has level
students
from India’s B-schools have participated and appreciated the work of Pratikriti.
Every
year
fresh
minds
Sanskrit
translation
photo-graphy
is
at
of
Institute
University, Pratikriti provide
a
enthusiast’s creative life
PRATI-KRITI.
stage
ways
around.
is
founded
of
But
and
an
in
for
IMNU
With
the
to
it.
for
to
us,
Nirma identity.
Aug’2012
to
who
recruits
hold
Beyond
Pratikriti
is
platform
a
the
bunch
purpose
leads of
for
to
the
creative
also
and
activities
of of
about
organizing
the
handing
club
expression,
managing
to
club. over
the
events
Which the
next
this &
eventually
responsibility
gen.
which
is
taken forward under the supervision and consultation
of
photography, this
word
Management,
pratikriti
was
of
club
Pratikriti and brings in fresh perspectives
club
where The
the
I
the
MBA
senior had
a
best
members. vision
of
possible
students
get
Beyond making
platform
experiential
learning of running operations, managing events and apply all their mind with real life
situations
they
can
and
opportunities
assimilate
to
which
become
professional.
photography showcase
means
passing
of time
their
capturing this
club
I,
as
a
founding
member
of
Pratikriti,
would like to welcome each one to join us, and help to create the best learning
has become a community where students
environment
and alumni of IMNU collaborate, express
make
and enrich their creativity. This club is a
showcasing the creative work anong the
refreshment after a long hectic class for
Bschools."
students and gives solace to your mind.
for
Pratikriti
photography the
biggest
and
stage
to for
PC - RUDRA TRIVEDI
ISO- 160 Aperture- f/6.3 Shutter Speed- 1/1000 sec. Shot on- Canon EOS 80D
Photography an
image
is
dimension
in
photographic closeness
to
about
flat have
images. topics;
the
issue
'Perspective'
of
takes
photography
We
are
also
-
on of
what
The the
look
allow
5.0
three-dimensional
creating
is
the put
in
Photography
through to
styles
see
to
ways
connects
the
beyond camera,
Magazine,
and
world.
editing,
readers
the
to
of
frame.
understanding
through its
of
in
and
feeling
indulged
lenses the
a
world
depth
extends
angle
viewpoints
us
Employing
perspective
includes
and
enhancement
themed
in
some
by of
Ranging
a the
from
supplementary social
media
photography
in
& a
manner.
grateful
participation Pratikriti.
CHAITYA SHAH SATYAM YADAV EDITORS
they
Lens
throughout
of
power
a
different
holistic
The
over
ways
aesthetics,
impact
Lens
wondrous
photography
an
it
a
two-dimensional.
subjects,
lays
photographer,
portraying
and
the of
for
the
making the
entire
constant of
this
team
guidance magazine
towards
taking
from and
our
seniors
enthusiastic
ahead
the
legacy
ETON S'ROTIDE
5th
is
can
perspective
The
all
that
PC - SATYAM YADAV
ISO- 200 Aperture- f/3.5 Shutter Speed- 1/350 sec. Shot on- Nikon D5300
09
Beyond Horizons
39
Lightroom Mobile
13
Trailing the wrong paths
43
Streaks and Flares
17
Delicate Bliss
47
Chasing the Lights
23
Beauty of Aesthetics
51
Mesmerising Art of Lights
29
Macro Photography
57
Architecture
33
Stories Behind the Faces
61
Instagram For Photographers
65
Perfect Perspestive
PC- CHAITYA SHAH
ISO - 800 Aperture - f/4.8 Shutter Speed - 1/3200 sec Shot on - Nikon D3300
BEYOND HORIZONS
-VINNY SURANA
All you need to make a landscape shot work
Tips to capture Winter landscapes
Where should you focus?
PC- AMAN PANJWANI
ISO- 125 Aperture- f/2.2 4mm Shutter Speed- 1/4992 sec Shot on- OnePlus 9 Pro
LANDSCAPE PHOTOGRAPHY
A great landscape photo can be captured at any time of the day but sunset and sunrise are two of the best times
to
photograph
landscapes.
But
if
you
prefer
a
bluish, mysterious effect which will make your photos look more alluring, blue hour is the best time. The blue hour happens before sunrise and after sunset, the shots
Landscape photography is the art of capturing the beauty
have limited sunlight and the sky has various shades of
of nature and the spirit of outdoors. It’s about capturing the
blue.
essence of the place, the mood, the feeling in the location and immersing the viewers into the scenery. It shows the photographer's perception and the connection with nature. Landscape photography is all about getting the viewers to experience the world you are capturing with your camera. There’s an expansive concept that encapsulates a lot of the aspects
great
landscape
photographs.
Some
viewers
appreciate a picture for its technical prowess, others view
Composition is another important aspect of landscape
art as mystifying. One attribute common to many compelling
photography. To capture a great landscape photograph,
landscape
you need to work the scene, create a set of images that
photographs
is
the
idea
of
visual
transitions. better
tells a story. Create a flow and a relation between the
understanding of the scene. Sharp to soft transitions can be
supporting elements, in a way that it takes the viewer on
utilized to enhance how your picture is experienced.
a journey through the scene you are capturing.
Visual
10
of
COMPOSITIONAL PERSPECTIVES
transitions
offer
a
richer
story
and
a
PC- AMAN PANJWANI
ISO- 125 Aperture- f/1.9 Shutter Speed- 1/10765 sec Shot on- OnePlus 9 Pro
The winter months are one of the most rewarding months for landscape photography. The freshly fallen blanket of snow and
the
frosty
images
offer
elements
to
create
an
aesthetically
pleasing
picture.
It
creates
a
very
minimalistic
composition and brings out the season’s beauty. Winter landscapes are also perfect for minimalist photography. Snow covered landscapes exhibit a very unique color palette, snow changes the tonality of the landscape. It softens the sharp tones and highlights the less apparent colors.
Winters also offer a perfect opportunity to capture the surrounding landscape in black and white. Capturing the movement of snow as it falls can be challenging. Using an appropriate shutter speed is important to capture the beautiful snowflakes as sharp white specks. A relatively fast shutter speed will freeze the flakes and better evoke the feeling of falling snow. 1/250th a second is a decent place to begin.
It can be difficult to capture a really snowy white scene, manual focus can be used for sharp images. When capturing a snow scene, increase the exposure, this will push the little light in the focus frame slightly up and the photo will become brighter. This will ensure that the snow appears to be white and not underexposed and grey.
PC- CHAITANYA BANSAL
ISO- 110 Aperture- f/2.0 Shutter Speed- 1/238 sec Shot on- OnePlus
11
RECOMMENDED CAMERA SETTINGS
ALL
YOU
NEED
LANDSCAPE
TO
MAKE
SHOT
WORK
PC- ANAND NAIR
ISO- 100 Aperture- f/1.9 Shutter Speed- 1/1873 sec Shot on- Xiaomi
Shutter Speed Shutter speed does not affect the landscape photo much, unless there are some moving elements in the scene like water, people, or clouds. Quicker shutter speeds are best when you’re photographing rapidly moving subjects that you want to stay sharp. And slower shutter speeds are good when there are moving elements in the scene that you want to blur.
ISO
Aperture The
aperture
image,
it
additionally image. small the
has
affects
For
affects
huge
has
impact
depth the
landscape
aperture
photo
a the
ranging
of
on
the
brightness
of
photography from
elements
f/8
very
the
field,
to
it
based A
on
lower
the
ISO
time
such
and
as
light
100
will
the
keep the artifacts and noise in the image to a minimum, giving the best possible quality
to
If
the
image.
A
higher
grains
and
ISO
noise
setting into
will
the
introduce
picture.
In
lens, use a narrow aperture and if the scene
landscape photography keep the ISO as low
has only background elements, an aperture
as possible.
of
f/8
Larger
to
f/11
the
will
likely
aperture
get
number,
the
job
the
done.
more
in
focus the photograph will be front to back.
12
varies
conditions.
use
f/16.
close
ISO
A
Everyone
been
to
a
jungle
would
have
an
incident that says, ‘If I had a camera, it would have
been
Photography
the is
best
Photo’.
about
Wildlife
converting
these
chances to opportunities. Wild creatures seem totally
unpredictable
aspects. shots
Photographers
are
Well,
and
randomly
that’s
Photographers
believe
clicked
not face
uncertain
many
that
with
these
sheer
always many
in
luck.
the
adverse
case.
situations
just to get one right shot. These failures are stepping stones to a Perfect Click. When we are shooting in wild there are chances that we are unable to get a right frame for the click, that’s where patience comes in, we need to be patient enough to wait for that moment and be
By Rudra Trivedi Photographs by Rudra Trivedi
prepared
with
right
settings.
These
uncertain environments prepare us to be ready under these
any
circumstances.
uncertainties
by
We
can
observing
reduce
these
wild
creatures. Wild creatures need to be studies thoroughly and wait for the right time to get a perfect
shot.
understand
the
Photographers behavior
patterns
need of
to
these
creatures and act accordingly.
13
Wildlife
Photography
is
more
than
Aperture
and
Shutter Speed, its beyond these technical aspects. Here
the
subject
is
the
wild
creature
whose
routines are to be understood and adapt with it to have the ‘Best Photo’. Every Wildlife Photographer will have a common thing to say when asked about their photos, ’Be at the Wrong place at the Right Time’. Wildlife Photography brings out unseen incredible sides of animals which were unknown to the world. Forest is a place where animals are free in their own utopia, we can view their true self and capture these
natural
moments.
We
have
never
seen
the
softer and emotional sides of animals where they indulge
in
social
life,
their
fights
for
dominance,
care for loved ones, respect for elders and kiddish plays. Professional
Photographers
use
many
different
types of settings for different frames. Depending upon the subject and frame one needs to select a specific
camera
setting.
Let's
have
look
at
some
pre-defined camera settings ;
ISO- 250 Aperture- f/8 Shutter Speed- 1/40 sec Shot on- Canon EOS 80D
Aperture Priority Mode First,
when
you're
dealing
with
rapidly
changing
light and don't want to waste time messing with camera Priority.
settings, With
you
Aperture
should
choose
Priority,
you
Aperture
can
set
an
aperture and your camera will determine a shutter speed that ensures a decent exposure. Aperture
Priority
is
the
way
to
go
if
you're
photographing birds that are going in and out of a shaded habitat, for example. When photographing birds late in the day when the sun is setting quickly, Aperture
Priority
is
especially
beneficial
since
it
eliminates the need to modify your shutter speed to account for the shifting light. When the light is intense and the shutter speed is really
quick,
Aperture Priority
is
especially
useful.
When the light is poor (for example, on a cloudy day), you can increase the ISO to force a faster shutter speed, albeit this will reduce the quality of the image.
14
ISO- 250 Aperture- f/8 Shutter Speed- 1/400 sec Shot on- Canon EOS 80D
Manual Mode When
you
control
want
over
settings, the
your
to
for
mode
go.
choice
want
capture
to
artful by.
blurs
of
is
if
photos,
Manual
is
Manual
example,
wonderful
creative
a
you more
such
birds
mode
as
flying
is
also
useful
in
low-light
conditions
where
choosing
between speed, be
ISO, and
shutter
aperture
challenging.
photographing dark,
use
the
you
can sharp
images. mode
provides
maximum
the
flexibility,
allowing
S
widest
ensuring
Manual
best
to
longest
speed
afford,
at
mode
and
shutter
deer
deer
select
aperture
can When
Manual
carefully
you
to
decision
make
the
possible.
hutter Priority Mode
Shutter other
while the
Priority,
hand,
choose
your
the
on
allows
camera
the
you
shutter
appropriate
For
to
speed selects
aperture.
example,
if
you're
photographing
an
active
bird a
and
know
specific
(1/2000s flight, can
for
a
speed to
are is
your
there
wildlife
heron
the
the
optimum
and
isn't
when to
you
correct leave
a
single
mode
photography,
preferable
in
camera.
camera
times
need speed
example), in
shutter rest
you'll
shutter
for
dial
While
ISO- 160 Aperture- f/6.3 Shutter Speed- 1/160 sec Shot on- Canon EOS 80D
camera
manual
way
mode,
complete
for
there
one
setting
the
others.
15
ISO- 500 Aperture- f/6.3 Shutter Speed- 1/500 sec Shot on- Canon EOS 80D
We
are
big
cats.
lights
but
are
hustle, shoot
that’s
not
day,
are
need
shutter
priority
priority Manual
mode
with
shutter
more
details
reveal
16
mode,
the
gives
and
beauty
of
As
we
can
manual us
the
and
the
we
Aperture
natural
elements
daytime,
of
big
pm,
the
day.
light, big
don’t
freedom aperture
the it
a
sun
was
bright
800
was we
to
need
moving.
If
switch
to
Using to
play
to
add to
Aperture It
was
that
I
it
in
6.3
I
was in
wide
just
used
avoid
the
type
out
Generally,
possible.
set
light. she
speeds. the
maximum the
to
The
was
not
needed
allow
of
The
where
was
we
details
High
missing
to
three
4.30
low as
to
ISO,
right
shade
shutter open
of
around
ISO
motion,
fine the
the The
for
below
get
the at
as
1/100s
helps
These
enough.
low
her.
higher
could
to
see
was
was
features. shots
as
compensate speed
set
daytime
sitting
could
Shutter
motions
creature.
is
hardly
to
was
ISO
this
balance
speed.
essential
keep
Mode,
with
It
should
Lioness
well
Shutter
are
when
Manual
lights
and
lighting.
we
used
the
cats
aperture
mode.
minute
cats and
use
have
To
during
the
I
manage
cool
these
day,
capture of
a
during
care
the
speed
the
Here
up
task.
These
at
mighty
setting
the
creatures
take
or
use
either.
element.
mode
the
so
tedious
during
place
during
click
can
these
to
essential resting
a
relaxing
shooting
we
most
we
them
unapproachable While
is
easy
generally
to
nocturnal,
locations
the and
are
excited
These
and
avoid light
always
to The
light.
size
so
facial
Speed
Continuous
on
moment.
any
PC - TUSHAR VARSHNEY
ISO - 100 Aperture - f/2.2 Shutter Speed - 1/2500 sec Shot on - Nikon D3400
Flowers are one of the most photographed subjects. It's simple to see why: they're all around us, and their diverse range of colors, shapes, and sizes indicates you won't have to look far to find one that needs to appeal to you. Flowers have had a presence in the art for millennia. Over the course of visual arts, colors have become embedded with a rich symbolic history. The pairing of colors and flowers in both nature and art has influenced the reading of floral imagery throughout history. Melding color psychology with floral symbolism touches on our perceptions of visual art history. This is especially relevant if you are presenting your images as a conceptual artwork or as a gift with a heartfelt message layered in meaning.
PC - SHIVANI IYER
A
PINK
carnation
marriage
stood
or
as
a
symbol
betrothal.
of
YELLOW
chrysanthemums have historically signified the
Emperor
and
chrysanthemums
Imperial
indicate
family
purity,
WHITE
truth,
or
grief. Incorporating YELLOW flowers into a photograph reading
and
stimulates sympathy
an is
energetic
conveyed
with
WHITE floral blooms. Photographing BLUE flowers is to conveys peace or emotional depth.
While
RED
can
denote
love
and
passion, BLUE can imbue a sense of calm. You
can
also
alter
the
color
of
flowers
completely in post-production, or strip it of
ISO- 2200 Aperture - f/5.6 Shutter Speed - 1/60 sec Shot on - Nikon D3200
its colorful meaning by working in black and white. This draws greater attention to a flower’s form rather than its biological pigmentation.
18
PC - HEET GANDHI
ISO - 640 Aperture - f/6.3 Shutter Speed - 1/500 sec Shot on - Nikon D5300
Photographic Composition While
taking
flower
photography,
many
PC - RISHIKA SINGH
people tend to make basic errors. This can cause images to lack "punch," making them look less fascinating and colorful than they are in person. There are a few tips you can follow to improve the effectiveness of your flower
photographs
by
capturing
more
detail such as the leaves, individual petals, the flower's crown, or whatever part of the plant it is which makes a picture-perfect. For
clarity,
select
your
perspective
and
position on this basis and then take a closeup.
You'll be able to spot the shot of a photo by reframing it in a more interesting way.
·
Capture flowers on a cloudy day.
·
Your flowers would shine in the backlight.
·
Keep an eye on the wind speed.
·
Using a reflector is preferable.
·
Using a reflector is preferable.
·
A cluttered backdrop should be avoided.
·
A shallow depth of field for your shots.
·
Check the clarity of a part of the flower.
·
Change your perspective.
·
Focus on a distinct flower.
ISO - 100 Aperture - f/1.7 Shutter Speed - 1/16533 sec Shot on - Samsung
19
PC - RUDRA TRIVEDI
DEPTH OF FIELD The term "depth of field" simply refers to the "range of what is in focus."
When
photographing
flowers, only a small segment of the
image
must
be
in
focus.
A
shallow depth of field is what this is referred to as. It indicates that the camera isn't looking very far. It also implies that you may blur your background
while
keeping
your
bloom in focus. This is an excellent effect.
We
don't
need
a
clear
background while photographing flowers up close. The F stop means to the aperture of your lens, which is a tiny hole that allows light in or reduces it. The camera can refine its image when there is a smaller hole. This is when the aperture and f stop come into play. When you shoot with a small aperture (high f stop), you
have
a
better
chance
of
getting crisper photographs. Once
you've
experiment
ISO - 50 Aperture - f/2.4 Shutter Speed - 1/161 sec Shot on - Samsung
perfected
with
wide
this,
apertures
(low f stops) to minimize depth of field and blur the backdrop.
LIGHT It's advisable to check your light first as a professional photographer. When shooting flowers, it is ideal to utilize soft, filtered light. A strong light will decrease detail in the colour and the petals. You need to make sure that you bring out as much detailing as possible, which you probably wouldn't be possible to do until you capture in soft light.
On a gloomy, dreary day, capture the light. It's perfect for flowers because it's low-intensity and doesn't produce strong shadows on them. Because there are no strong rays to detract from the beauty and purity of your bloom, these gloomy conditions are ideal for photographing flowers.
TRIPOD
SPEED OF THE SHUTTER
Maintain
as
camera.
It's
much
you
possible
Freezing
the
movement
is
another
technique
for
motionless. Make use of a decent tripod. This will be
have out-of-focus images due to wind movement. This
quite beneficial. Because the camera is rock still, using
is a very common issue. It frequently happens when
a strong tripod provides you an edge in generating
you're using the auto option and shooting in low light. In
sharper and clearer photographs.
gloomy
the
anything
the
unpleasant than precisely aligning your photo only to
keep
know
with
completely
simply
don't
as
outstanding flower photography. There's nothing more
speed;
if
steadiness
about
shutter
fine
camera
light,
the
shutter
slows
down,
and
anything
moving may not appear crisp and hence the picture turns blur.
20
PC - TUSHAR VARSHNEY
ISO - 50 Aperture - f/2.6 Shutter Speed - 1/105 sec Shot on - Samsung
POLARIZE FILTERS A polarizing filter is another useful tool for shooting flowers. When you place the filter on the lens, it darkens everything in your scene because your flower is so little and delicate, bright light might cause it to lose detail. When there is too much light flooding the petals, the camera has a hard time photographing detail in flowers. Darken the light and bring out the details using this filter.
COMPOSITION When your flowers are well-placed, it indicates that your pictorial composition is improving. It's preferable if you keep your composition simple. (This is why a hazy background is effective.) Cr opping your flower photos precisely to eliminate backdrop distractions. When
you
have
a
great
angle,
flower
photography
works.
"Photographic
composition,"
or
simply
"composition," is another name for this. This refers to how you place the intriguing elements in your photograph. You might also refer to it as flower petal positioning. When you zoom in to get a close look at your flower, the image is severely cropped. As you zoom in, you'll see that you're dealing with a smaller space. There is less light in a smaller space. With less light, a slower shutter speed or a bigger aperture will almost certainly be necessary. In any case, the closer you go to your target, the more light you'll require.
21
PC- CHAITYA SHAH
ISO- 100 Aperture- f/4 Shutter Speed- 1/400 sec. Shot on- NIKON D3300
Beauty of Aesthetics
23
PC- CHAITYA SHAH
24
ISO- 1600 Aperture- f/5.0 46mm Shutter Speed- 1/100s Shot on- Nikon D3300
PC- CHAITYA SHAH
PC- CHAITYA SHAH
ISO- 400 Aperture- f/4.2 29mm Shutter Speed- 1/60s Shot on- Nikon D3300
ISO- 100 Aperture- f/4.0 55mm Shutter Speed- 1/500s Shot on- Nikon D3300
25
PC- CHAITYA SHAH
The photograph shown here, can be considered as a portrait photograph, yet two elements are being vital in it being
aesthetic.
shadow
of
creates
a
model’s flowers
One
stripped
face. in
is
window
the
the
pattern
Putting frame
use
bars
on
the
which
of
which the
yellow adds
a
new colour into the frame which has Off
White
colours good the
and
already
overall
lighting
Dark/navy
present,
colour
and
blue
creates
scheme.
editing
a
Also,
which
only
focuses on the model and the fabric of the pillow she’s resting on makes the and
picture can
piece
of
more
be art
visually
praised in
a
as
appealing much
museum
as
if
a
the
viewer recognises this and choose to acknowledge doesn’t
this.
actually
(If
the
notice
viewer
all
these
elements individually, still their mind notices
them
collectively
and
as
a
result almost every person who have a look at the photo finds the picture Aesthetic.) Main topic of interest to its
subscribers.
Newspapers
ISO- 100 Aperture- f/3.5 20mm Shutter Speed- 1/800s Shot on- Nikon D3300
and
leaflets are types of newsletters. For example, newsletters
We
PC- CHAITYA SHAH
explored
how
in
different
previous
elements
photographs
make
a
certain
object appear artistic. Let’s have a final look at a different scenario where using multiple
elements
them
primary
a
but
part
making of
the
none image,
of a
photograph can be visually appealing. In the
given
are
kept
Photograph, in
contribute the
frame
their
own
tone
is
books
they
all
presence
set
on with
elements
and
the
wallpaper
choosing
the
with
image,
specific
the
all
by
in
putting
the
screen,
covers
with
complementing shades and choosing the flowers
and
on
book.
the
lights Each
and
their
and
placement
every
of
these
details contribute to make an individual
ISO- 400 Aperture- f/4.5 18mm Shutter Speed- 1/80s Shot on- Nikon D3300
26
and
collective
mind
while
perception
seeing
the
in
viewer’s
photograph.
This
again makes the viewer interested in the photograph and feels the urge to have a detailed look at the photograph making it Aesthetic
PC- CHAITYA SHAH ISO- 100 Aperture- f/4.0 18mm Shutter Speed- 1/320s Shot on- Nikon D3300
27
PC - HEET GANDHI
ISO- 320 Aperture- f/6 Shutter Speed- 1/250 sec. Shot on- NIKON D5300
- SHRUSHTI PATEL
PC - AMAN PANJWANI
PC - HEET GANDHI
ISO- 100 Aperture- f/2.2 4mm Shutter Speed- 1/354s Shot on- OnePlus 9 Pro
ISO- 100 Aperture- f/5.6 250mm Shutter Speed- 1/640s Shot on- Canon EOS 1300D
Macro Photography:
Sharpness:
Macro photography is close-up photography of
Photos taken at high exaggeration have a similarly shallow
small
flowers
depth of field. Precisely controlling the position of focus is
and insects. You can take macro pictures in an
thus much more important than normal. This requires not only
outdoor environment or studio so long as you're
cultural opinions about what should be in sharpest focus, but
magnifying your subject sufficiently. Element to
also specialized opinions about how to make the utmost of
be
this sharpness.
subjects,
including
considered
sharpness,
while
background,
hyperfocal distance.
effects
like
photography Macro
lighting
are and
For maximal sharpness throughout, acclimate the angle of the camera so that the plane of sharpest focus aligns with the face of the subject. Alternately, for a more abstract look, try aligning the plane of sharpest focus so that it's vertical to the subject's face. With brutes, it's nearly a universal rule that a subject's
eyes
should
be
the
position
of
sharpest
although other subjects are not always this simple.
30
focus,
PC - AMAN PANJWANI
Background :
In macro photography, the background is many times out of focus that it appears as solid or easily varying patch of color. It's important to choose a background which complements the color
and
tone
of
your
focus
subject.
Fortunately, one can frequently pick a different background
by
simply
shifting
the
camera's
edge point. One should also take care to avoid placing abstracting out of focus highlights or other objects behind their subject. Be careful not to over or under- expose your image when using dark or light backgrounds, independently, since
these
system
into
can
trick
your
allowing
that
camera's the
metering
quantum
of
incident light has dropped or increased. Adding some
negative
or
positive
exposure
compensation can neutralize this effect.
ISO- 100 Aperture- f/2.2 4mm Shutter Speed- 1/297s Shot on- OnePlus 9 Pro
Macro Lighting :
The type of light can play an important part in either concealing or enhancing
the appearance of detail.
Pay careful attention to the color, contrast and direction of natural light. Advanced contrast light tends to enhance texture, but its direction also plays a part : Back lighting which can produce outlines or halos around subjects — emphasizing shape. Front lighting ensures that murk are not easily visible — which results in a flat and two dimensional appearance, but also illuminating everything which is visible. Side lighting casts distinctive murk — enhances face texture, but frequently also concealing other details behind dark murk. Top and bottom lighting are frequently least ideal, primarily because they've the disadvantage of deep murk, but frequently it lacks in the advantage of giving a three-dimensional look to the subject. On the other hand, if the light source is sufficiently verbose ( low discrepancy), also this lighting direction can also achieve good results.
31
Hyperfocal distance:
The hyperfocal distance is described as the focus distance which places the farthest edge of a depth of field at perpetuity. Fastening the camera at the hyperfocal distance ensures maximum sharpness from half this distance all the way to perpetuity. The hyperfocal distance is particularly useful in geography related photography, and will help in making the utmost of the depth of field — thereby producing more detailed final print. Fastening at the hyperfocal distance frequently achieves the stylish balance of sharpness from focus to background. Maybe the stylish way to optimize fastening distance is visually. Try first fastening on the most distant object within the scene, also manually acclimate the fastening distance as close as possible while still retaining sharp background. However, also this fastening distance will nearly compare the hyperfocal distance, if the scene has distant objects near the horizon.
Minimal focal distance :
The minimal focus distance is the shortest distance at which a lens can concentrate. Each lens has a minimal distance from which it can shoot a subject. This distance is called minimal fastening distance. However, one can not concentrate on the subject duly, If you get near to the subject than this distance.
PC - HEET GANDHI
Problem with focal distance :
The problem with the hyperfocal distance is that a distant background is on the farthest edge of the depth of field, and is hence slightly " sharp." This may thus lead to an undesirable loss of detail with images comprised primarily of distant objects. Blind
adherence
to
the
hyperfocal
distance
frequently also neglects regions of a picture, where sharpness is critical. For illustration, a finely detailed focus may demand further sharpness than a hazy background. Alternately, a naturally soft focus can frequently
go
background.
to
lose
Eventually,
some some
sharpness images
for
work
the best
with a veritably shallow depth of field, since this can
separate
focus
objects
from
an
otherwise
background. Hence, the hyperfocal distance may not
be
applicable
for
prints
demanding
judgement or with a limited depth of field.
32
quick
ISO- 800 Aperture- f/5.6 55mm Shutter Speed- 1/200s Shot on- Nikon D3300
Stories behind the faces -Krishna Patel
Portrait Photography PC- CHAITYA SHAH
ISO- 800 Aperture- f/5.6 55mm Shutter Speed- 1/200s Shot on- Nikon D3300
A picture paints a thousand words, whereas a Portrait narrates a person’s whole life story. Portraiture is a style of photography which captures the personality of an individual by using effective lighting, backdrops, and poses.
Portrait Photography can do brilliant things. A great portrait photographer can provide a sense of importance to a person and their life, an awesome portrait can make a person more widely known; it can also give immortality to a person’s character. Portraits do live on forever!
34
PC- SATYAM YADAV
Portrait
Photography
perspective. people sees
as
them.
person
or
is
It
aims
how
the
It
an
they
about capture
photographer
shoots
what
all to
idea
stand
of
for
a
and
stand in.
Portraits
also
tell
us
how
a
person
wants to be looked at and capture the particular mood and the emotion that
the
which
subject
can
be
is
experiencing
presented
through
choice of colour, objects surrounding the subject, apparel
and a general
atmosphere in the picture.
From
austere
pictures blurred
to
dreamy
and
photographer’s their
solely
relies
of
with
portrait
handle sense
white
images
backgrounds,
photography
camera,
black
the
on of
a the
subject,
and their creativity of putting those elements together in unique ways.
ISO- 2500 Aperture- f/5.0 Shutter Speed- 1/90 sec Shot on- Nikon D5300 (18-55mm lens)
35
PC- CHAITYA SHAH
ISO- 200 Aperture- f/4.2 Shutter Speed- 1/1250 sec Shot on- Nikon D3300
Aperture controls our depth of field
Shutter
(how
in
appear blurry or not. A shutter speed
accordingly in order to expose your
focus).There's no right or wrong way
like 1/1000 sec is so short that even
image enough to get a clear view of
to use aperture. If the surrounding or
moving
your
the background is as important as
whereas
like
remember
the
f/11,
1/10 sec will incur some blurring even
entry-level struggle.
much
subject,
of
the
go
scene
narrow
is
(f/8,
speed
makes
subjects a
slow
are
the
motion
frozen
shutter
speed
still,
your
if either the camera or the subject
subject is the central focus, or if the
moves. The camera's shutter speed
background
ugly,
has to be fast enough not to blur
(f/1.4,
your subject, so keep the setting the
f/16).
then
On
use
the
a
f/2.8, f/3.2).
is
other
side,
distracting
wide
if
or
aperture
same
as
the
focal
length
of
Lastly,
you
subject.
should
As
that
a
at
rule
of
above
cameras
your
lens.
Beat the dynamics of Camera and lens 36
set
will
ISO
thumb,
ISO1000, start
to
PC- PARITOSH YAJNIK
Focus on the main characterThe Subject The recipe for a good portrait entails over just photo and lighting gear. It starts with the photographer making an effort to connect with the subject so that they are comfortable with the shoot. This includes a detailed research on subject and his or her interests such as your subject’s most liked color or style of clothing; if there’s a profile angle, a favorite pose or even a past portrait that they like the most, or even the portrait you’ll be making has a specific purpose or
any
production
specifications
you’ll
need
to
match. These details can help in achieving satisfying results. For best results, Go Candid!
ISO- 40 Aperture- f/2.0 4.60 mm Shutter Speed- 1/100 sec Shot on- Samsung SM-A315F
Move and Get on to their Level If you are working with children, don’t shoot down from an adult’s eye level. Getting the camera low to their angle will make your images more personal and
PC- PARITOSH YAJNIK
less
imposing.
Staying
at
connection
The
eye
same
level
is
between
stands
a
great
our
true way
of to
portraits
adults. make
and
a
the
audience.
Keep it Raw and Real While larger
shooting file
raw
size
brings
and
the
converting files in post,
it
a
disadvantage
added
of
complexity
a of
is especially beneficial
while bringing to life a finished portrait. If the raw file is your starting line, you will be working from the best
available
preserved
intact
image in
the
capture, storage
which
will
device
of
be your
choosing.
ISO- 40 Aperture- f/2.4 1.87 mm Shutter Speed- 1/106 sec Shot on- Samsung SM-A750F
37
PC - CHAITYA SHAH
ISO- 100 Aperture- f/ 4.2 ShutterSpeed- 1/ 1250sec. Shot on- Nikon D3300
mobile Chaitya Shah
Post processing is not just limited to removing obstacles from a picture or perfecting ‘the art of deceiving’, but also includes playing with colours, enhancing certain areas of a picture by adjusting the highlights and shadows. This is where editing softwares comes into play. While there are a bunch of different editing tools available, lightroom stands out in its own way by providing detail-oriented editing options, hence it is considered as a standard editing app by most photographers. Lightroom is an extensive editing software that facilitates editing of photos, from light adjustments to lens correction, along with providing storage and saving adjustment settings. It is available in both desktop as well as mobile.
39
WHY LIGHTROOM MOBILE? Adobe
Lightroom
is
basically
the
mobile
before
version
of
Lightroom CC (desktop). While most of the tools in the app are free, one needs an Adobe Creative Cloud subscription to
use
the
software
to
its
full
potential.
But
apart
from
certain limited features that are available on subscription, lightroom minute
gives
details
features,
a
user
a
range
of
tools
with
full
control.
When
Lightroom
for
mobile
doesn't
to
it
freely
comes hold
edit
to
the
editing
back,
and
it
competes with full desktop programmes. Exposure, contrast, highlights,
shadows,
temperature, reduction, all
be
whites,
saturation,
cropping,
controlled
colours,
vibrance,
geometry, using
the
automatic
editing,
interesting
pre-made
profiles
style.
Lightroom
mobile
The
blacks,
there's
grain,
tint,
colour
sharpening,
noise
and
mobile
also
an
gives
more
version.
auto
within
much
the
edit app
that
For
may easy
button
to
extra
and
develop benefit
a of
mobility and convenience of use, with more intuitive touchbased controls.
Editing features Light adjustments Exposure - The middle range and brightness of the picture are affected by exposure. Contrast-
The
photograph
range
can
be
of
high
whites
adjusted
by
and
dark
bringing
blacks
changes
in
in
a
the
contrast. Highlights
-
The
centre
of
the
brightness
range
and
overexposed areas can be adjusted by moving the slider to the left to reduce the highlights. Shadow- Affects the image's dark parts but not the black hues. There is a slider for the black tones. Whites
or
Blacks-
Only
affects
the
image's
pure
whites
or
blacks.
Adjusting the HSL Curve Adjusting the curve may appear difficult, but understanding what each section represents, helps making the changes according to individual
picture
settings
easier.
There
is
a
diagonal
line
throughout the box after you access the curve option in the app. On the bottom, there are three terms. It says shadows, mid-tones, and highlights on the left. The shadows are at the bottom third, the mid-tones are in the centre, and the highlights are at the top. Easily modify the curve for the whole photo or tweak each colour separately. You may also change the exposure, contrast, highlights, shadows, whites, and blacks in the colour settings. Play around with these options, and double-tap to reset the slider.
40
after
Colour Adjustments You may experiment with colour in any image using the colour
panel.
saturation
may
The all
temperature, be
adjusted
tint, in
the
vibrance, general
and
colour
options. Here's a step-by-step guide on using the colour panel in Lightroom Mobile.
Temperature and Tint Adjust the image's cool or warm temperature. For a higher temperature,
slide
right,
and
for
a
colder
temperature,
slide left. Your image will take on a more blue or yellow hue as a result of this. To vary the colour shade of your photograph, adjust the tint.
Saturation and Vibrance The colour is adjusted more softly with the vibrance slider. It boosts the brightness of bright colours but has less of an impact on yellows and skin tones. The Saturation slider
Presets
raises the intensity of all of the image's colours. If you're
One of the most unique, captivating, and
retouching photographs of people, I recommend utilising
features about Lightroom is that it allows you to save
vibrance.
your photo settings, which can be applied to pictures of
interesting
similar types. While it allows you to have control over
Colour Mixer
adjusting every detail in an image, Lightroom Mobile is
The colour mixer in the lightroom allows control over all the colours in the picture to make changes individually. You may modify the hue saturation and brightness of a given colour with the colour mixer. Because the colour spectrum frequently spans over into more than one hue, you may not
also helpful in saving time. Each photograph takes a long time to edit. We frequently desire pictures that are comparable in appearance and feel. Lightroom Mobile makes
it
simple
to
save
presets.
Go
to
the
presets
option on your phone after you've finished editing your
know exactly what colour it is.
image. Choose to create or manage presets by tapping
Effect adjustments
the three dots on the right-hand side. You may make a
With tools like texture, clarity and dehaze, the smoothness of a picture can be defined. The reduction in texture and clarity
can
result
in
better
skin
quality
when
portraits.
editing
preset group and choose all of the characteristics you want in your presets. Then, instead of starting over, you may
use
your
presets
and
make
a
few
simple
modifications the next time you edit your photo.
While there are various mobile apps available for photo editing that have pre-made filters that can be applied to your photos for an instant edit, lightroom allows controlling every aspect of the picture along with editing the minutest details.
before
after
41
PC - HEET GANDHI
ISO- 100 Aperture- f/6.3 Shutter Speed- 1/750 sec. Shot on- NIKON D5300
STREAKS AND FLARES SATYAM YADAV
PC- SATYAM YADAV
ISO- 400 Aperture- f/4.8 Shutter speed- 8s Shot on- Nikon D5300
One of the main elements of photography, the lights, is what photographers become the most creative with. A good light painting is born after many takes. A photographer’s mind continuously keeps taking new directions while working on it and is always mesmerized by the results it gives. The possibilities one can create using a light source and a dark space are endless.
The first light painting photography was done in 1889 and photographers are still experimenting with it, expanding its scope even more and adding more meaning to their clicks. What differentiates light painting from the stills is the long exposure in which the photographer encapsulates their vision using all different kind of artificial lights.
The perspective behind a light painting photograph is what cannot be seen with naked eyes. It starts with an
idea, with an
imagination, in a domain as wide as infinity. The 'what' part of this kind of photography is what takes the most time, and the 'how' part, is breifly explained ahead.
44
Light On Technique Light
painting
photography
requires
a
few
pieces
of
equipment in order to create art in a picture:
A light source : There are a wide variety of light sources that
can
be
used
in
a
light
painting,
even
a
simple
A camera with slow shutter feature: A Slow shutter or
flashlight. With new types of lights being introduced in
a long exposure means that the camera would be
the market, Light painting’s scope keeps getting even
capturing one single photo for a selected period of
wider.
time. For a light painting, it’s generally more than 5
fireworks and flashlights are also used.
seconds
and
less
than
30
because
any
little
LED
lights,
luminescent
materials,
pyrotechnics,
light
source can overexpose an image in more than 30
A dark space : Light painting is preferred to be shot in
seconds.
an area where any external light is minimum as it can overexpose the image. When shooting indoors, a dark
A stable surface or a tripod: The camera must be
room is best for light painting. When shooting outdoors,
placed on a tripod or a surface where it will not shake
a place where there is no light must be used and a new
at
moon night is preferred best for it
all.
blurring
A
little
the
flutter
whole
can
image.
ruin To
a
light
reduce
painting the
by
camera
shake to a minimum, photographers use a remote or self
timer
to
start
taking
the
long
exposure
photograph.
ISO 100 Aperture f/13 Shutter speed- 20s Shot on- Nikon D5300
PC- HEET GANDHI
ISO- 100 Aperture- f/4.5 Shutter speed- 8s Shot on- Canon 1300D
PC- SATYAM YADAV
45
PC- SATYAM YADAV
ISO- 400 Aperture- f/6.7 Shutter speed- 8s Shot on- Nikon D5300
To Keep in Mind Paint from various perspectives: Try painting objects from the side or above to bring out their textures instead of beaming a light from behind (or directly at) your camera. To add texture and detail to the surface, shine a light source at ground level—this effect is especially good for grassy regions.
Wear dark clothes: If you're employing an on-camera light source, make sure your light rather than the person carrying it) is the focal point of your shot by dressing them in dark, non-reflective clothing.
Use a red filter: Try using red filter to your testing lights to focus better on the subject.
PC- SATYAM YADAV
46
ISO 400 Shutter speed 4s Aperture f/6.7 Shot on: Nikon D5300
CHASING THE LIGHT - RDDHI MITTAL
In recent years, shadow photography has become extremely popular. This style of photography is noted for its ability to turn a mundane image into something spectacular. The use of shadows can help to improve texture, balance, and contrast (with little effort).
If you're not familiar with how shadow photography works, you're in for a treat — let us show you how it all works.
Let's start by defining some of the terminologies used in shadow photography. A shadow is described as an object's outline that forms when a light source is blocked. The shape of a shadow varies depending on the object's position and the light source. The angle, distance, and size of the light source and the item determine the shape, scale, and intensity of a shadow. The manipulation of the light source, the exposure of the shadow to add or remove darkness from the image, and the heightened dramatic depth of a photo are all examples of shadow photography.
PC - RUDRA TRIVEDI
48
ISO- 160 Aperture- f/5.6 Shutter Speed- 1/640 sec Shot on- Canon EOS 80D
PC - HEET GANDHI
Strong sources of light and shadows of objects and people are used in light and shadow
photography.
abstracts,
and
silhouettes
are
a the
Patterns,
combination goals
of
of
light
and
shadow photography. Depending on the scene you're striving for, your output can be monochrome or multi-colored.
With
light
and
shadow
photography, there are no limits to your creativity;
the
dramatic
results
will
always turn out stunning. The following are some of the reasons why
a
shadow
might
improve
your
photos: Shadows aren't meant to be the centre focus; subtle
rather, and
they're
meant
enhancing
photograph,
shadows
to
detail. give
be
a
In
a
contrast,
dimension, composition, and a sense of equilibrium. For black and white images, shadows provide superb contrast. When there are enhancing shadows behind the subject, monochrome images will appear less dreary. The look of the topic is affected when a shadow is cast directly on it. As a result, the photographer has more freedom to play
around
with
pattern,
texture,
and
emotion. A
shadow
has
a
deliberate
and
substantial relevance in terms of visual aesthetics. As
a
focal
shadows
take
Reflection your
point
has
in
on
a
the
the life
of
power
photographs
photograph, their
to
from
own.
transform something
mundane — a lake, a window, a mirror — into something imaginative and artistic. Reflective
surfaces
can
be
found
all
around us, and incorporating them into our
photos
may
result
in
some
very
stunning works of art that attract viewers
ISO - 100 Aperture - f/5.6 Shutter Speed - 1/640 sec Shot on - Canon EOS 1300D
into
the
scene
and
allow
them
to
experience the world in a new way.
49
PC- CHAITYA SHAH
How to Make Use of It-
To
include
reflection
into
your
personal
photography, consider the items that you come into contact
with
reflections.
on
a
Perhaps
regular that's
basis a
that
glass
cause
of
wine,
reflecting the fire's warmth. Perhaps the water in your pool reflects the patterns of palm trees above in
the
summer.
It
may
be
the
reflection
of
your
young boy's blue eyes in your sunglasses. Whatever it is, chances are you are always surrounded by reflections. Often, all you have to do is keep your eyes peeled for gleaming surfaces!
ISO- 400 Aperture- f/3.8 Shutter Speed- 1/1250 sec Shot on- Nikon D3300
RECOMMENDATIONS While capturing shadows and reflections the major focus is upon the light settings. The element of light will determine the composition and intensity of shadows. Here to get the required amount of light we have kept the ISO level minimum i.e. 100. The aperture was wide open to allow maximum light and was set to f 6.6. While capturing motion we keep the shutter speed comparatively high to get a still shot. For this picture the shutter speed was set to 1/250 second. To capture a perfect reflection we have avoided the use of flash.
PC - HEET GANDHI
50
ISO- 100 Aperture- f/10 Shutter Speed- 1/250 sec Shot on- Canon EOS 1300D
Mesmerizing art of lights - Anand
Nightscape photography as a wonderfully challenging
They all are effective, but the first three are the ones
and
you’ll likely use most often. Each time when camera
engaging
marriage
of
artistic
vision,
exploration, and technical sophistication
nocturnal
with
dose of
captures an image, it need to go through so under a
sleep deprivation thrown in for good measure. We need
combination
an excellent understanding of the gear, the night sky,
and
the
sensitivity to light. The main key part to get used for
locations
where
we
plan
to
shoot,
and
how
to
process what all captured.
shutter
of
settings
speed.
that
ISO
include
refers
to
ISO,
aperture,
the
camera’s
nightscape captures is the aperture, aperture is the size of the hole in the diaphragm of the lens through
All
the
which light passes, controlling how much light enters
moment, sometimes in very straightforward way, while
strong
photographs
take
the
viewer
into
each image by making the opening bigger or smaller.
others can be a bit more meandering. Techniques to
The smaller the aperture number, the larger the hole
help you bring your viewer into your photograph include
and so that more light can be received inside the
the “rule of thirds,” “frame within the frame,” “leading
image
lines,” “foreground and depth,” “center and symmetry,”
opening is small and so like opposite of low aperture
and “diagonals and triangles.”
less light will be received by the image sensor.
sensor.
If
the
aperture
number
is
high,
the
51
PC - HEET GANDHI
ISO - 64 Aperture - f/2.2 Shutter speed - 16.8 Shot on - Huawei COR AL00
Another shutter
most speed,
important Shutter
settings
Speed
is
the
controls
mastering how
long
of
We need to always keep in mind that all nightscapes will
the
have some noise, some distortion, and probably a bit of
image sensor is exposed to light coming in through the
star trailing. There are some advanced techniques, such
aperture, allowing only a certain amount of light to be
as
captured in each image. For better implementation of
dramatically improve the noise signature and edge-to-
the snapes its preferred to use Adobe Lightroom for
edge sharpness of the nightscapes.
image
stacking
and
focus
stacking,
that
can
organizing, evaluating, and editing your images.
A Sturdy Tripod Is Required You'll need a solid tripod before diving into night photography. Long exposures are required for photographing in low light, which means your camera must remain steady at all times. Choose one that can support a heavy camera and is made of aluminium (or carbon fibre if you have more money) because it is both light and robust.
52
PC - HEET GANDHI
ISO - 800 Aperture - f/4.5 Shutter Speed - 1/10 sec Shot on - Canon EOS 1300D
Use Manual Focus
Although autofocus on modern cameras is quite reliable, it is not without flaws. Its flaws are most obvious while taking images at night, when your camera struggles to adjust due to the darkness. When you use manual focus, your camera won't focus on any region of the scene you're capturing at random. Set your manual focus to infinity. Turn on Live View Mode and hit the Zoom-in button to guarantee that the scene you're photographing is crisp
Magnify the topic you want to focus on, then fine - tune the focus until its razor sharp. During the photo shoot, do not activate the autofocus function. Otherwise, it will overrule any manual changes you made. This method may take some practise to master, but it's more reliable than your autofocus in low-light situations.
53
PC - PARITOSH YAJNIK
ISO - 64 Aperture - f/1.7 Shutter speed - 1/50 sec Shot on - Samsung A750F
Using Low ISO Is Recommended When photographing at night, using a high ISO may
Learn how to use your camera's ISO levels to their full
seem like a good idea, but it also increases the amount
potential. Take several low-light test photographs with
of
various
ISO
images
to
noise
cameras capture
in
your
these
photographs.
days
noiseless
are
so
newest
levels
see
at
to
accomplish
what
ISO
level
this.
Examine
the
they
become
too
lower than that. It doesn't imply you should use ISO
3200 or more). Sticking to a lower ISO is the most
25,000 just because your camera can. It's safe to keep
feasible
your ISO low because you're using a tripod
most
outrageously
to
noisy. If ISO 1600 appears to be useless, choose a level
for
at
you
high
approach
photographs
high-end
allow
ISO settings (up to ISO 3200 or higher) (up to ISO
limited light sensitivity range.
54
The
smart,they
consumer
cameras
with
PC - HEET GANDHI
ISO - 1000 Aperture - f/4.5 Shutter speed - 1/80 sec Shot on - Canon EOS 1300D
Shoot RAW Switch
your
image
files
to
RAW
in
your
camera's
Because JPEG files don't take up a lot of space on
settings when shooting at night. RAW files take up a
your
lot
of
space
your
converted.
the image quality will be kept. Low light and post-
format severely compresses your image files, which
processing
might be troublesome when photographing situations
therefore
be
also
be
casual
files
having
can
most
JPEG
shooting in RAW is the best option.
your
for
to
images,
and
ideal
without
grainy
card,
they're
photographers.
cause
memory
card,
photographs will need to be modified afterwards, but
can
on
memory
uploaded
However,
this
file
with a wide dynamic range.
Shoot In Aperture Priority Mode For Static Subjects If you don't understand how Manual Mode works, you can utilise Aperture Priority instead. When you shoot in this mode, you can set the aperture you wish and the shutter speed is automatically selected.The quickest approach to capture images at night is to use Aperture Priority. You're ready to shoot once you've set your camera to this mode and selected a wide aperture. This setting is the safest technique to take nighttime shots as long as there are no moving subjects.
55
PC - HEET GANDHI
ISO- 100 Aperture- f/3.5 Shutter Speed- 1/30 sec. Shot on- Canon EOS 1300D
ARCHITECTURE Riddles of Eternity BY RISHIKA SINGH
Architecture is one of the most dynamic art forms
Rock-cut, or cave, architecture—temples or other
engraved
into
structures
from
pyramids
the
the
fabric of
of
Giza
human to
the
civilization, temples
of
carved
Ancient Rome, from a suburban home to a soaring
be
modern skyscraper. Because no two structures are
Sculpture
alike
inextricably linked.
and
image,
no
two
viewpoints
architecture
is
a
produce
favorite
the
same
subject
into
cliffs—is
frequently
little
more than massive sculpture. Sculpture can also seen
on
free-standing
and
architecture
stone
structures.
are
frequently
for In today's image-obsessed culture, we consume a
photographers.
great deal of architecture through images rather
Perhaps
the
greatest
architecture. illustrious years. the
The
Architecture
history
that
sculpture
preferred
aesthetic
also
mode
has
dates
of
is
than tangible, spatial encounters. The benefits of
and
architectural photography are numerous; it helps
achievement
back
appears
a
vast
thousands to
aesthetic
of
individuals
to
gain
a
visual
understanding
of
been
structures they may never have the opportunity to
expression.
visit in person, resulting in a useful resource that
have
Architecture and sculpture have a long history of
allows us to expand our architectural vocabulary.
collaboration.
57
PC- HEET GANDHI
ISO- 400 Aperture- f/3.5 Shutter Speed- 1/1600 Shot on- Canon EOS 1300D
When it comes to architecture, though, one must remain skeptical of photography's drawbacks. "The photograph permits us to forget what has happened before (the pain of extended labor to obtain the delivery of the fully formed building) and what is to come later," Jeremy Till, author of "Architecture Depends," writes in his chapter "Out Of Time" (the affront of time as dirt, users, change, and weather move in). It slows down the passage of time, or rather, slows down the passage of time. Architectural photography is today's most direct and commonly utilized technique of communicating the true shape of the built environment. However, capturing the perfect architectural shot is significantly more difficult than one may think.
The
following
pointers
are
intended
to
help
you
improve
not
only
the
aesthetic
strength
of
your
architectural
photography, but also the tales you can tell with it, by moving beyond individual photographs to explain buildings' interactions with their settings, space, and time.
Shoot in a variety of weather conditions and times of day When photographing architectural marvels, people frequently seek the most dramatic lighting, such as sunset hours, when
shadows
are
long
and
colors
are
vibrant.
Although
technique
typically
produces
incredibly
atmospheric
photographs, it only captures the atmosphere of the building at a single point in time. Taking a sequence of photos at different times of day, or even in varied weather conditions, might assist to tell a more complete story about the building's interaction with its surroundings.
Prioritize good lighting Regardless
of
when
you
are
shooting
photographs,
adequate
lighting
should
always
be
a
top
priority.
Great
architectural lighting draws attention to a space, a specific structure, or an ambiance, and so serves to shape one's perception of what is significant in that particular architectural project.
58
PC- HEET GANDHI
ISO- 2500 Aperture- f/3.5 Shutter Speed-1/40 Shot on- Canon EOS 1300D
Explore details as much as the whole
PC- CHAITYA SHAH
When it comes to architectural photography, shooting with a wide-angle lens is usually the best option, yet buildings have hundreds of delicate minute details that are lost when an entire facade or room is photographed in
one
frame.
example,
may
Up-close disclose
examination fresh
of
details,
for
about
the
information
building's history or construction.
Use post-processing tools Processing
photographs
has
become
a
common
practice in photography, allowing you to fine-tune your shots to completely match the mood you're going for. While photographs should only be altered with a clear understanding
of
what
alterations
are
appropriate,
applications like Photoshop and Lightroom are simple to use and include advanced features like lens correction.
Research the building beforehand Before
visiting
an
architectural
site,
conduct
some
research on its history and context. This will undoubtedly help you focus your photography on a relevant story or idea that portrays the soul of the structure.
ISO- 200 Aperture- f/4.8 Shutter Speed- 1/4000 Shot on- Nikon D3300
59
PC- PARITOSH YAJNIK
Look for a unique angle Playing with perspective is not only enjoyable,
but
extremely time
to
it
can
rewarding.
picture
perspective
also
be
Taking
from
a
can
the
different
reveal
a
neglected form of abstraction of a building's detail, resulting in a new level
of
beauty
and
appreciation
for its form.
nvest in appropriate photography equipment I
Investing in the correct equipment will
pay
serious
off
big
about
time
getting
high-quality A
widely
to
used
interior
tripod
wide-angle picture
spaces,
allows
you
light
situations,
things.
A
help
to
to
photographs A
and
and
make
in
other also
to
your
them
more
with
could go
a
low-
can
equipped
to
is
using
filter
camera
way
lens
shoot
contrast
drone
high-quality exciting
with
buildings
among
polarizing
enhance
vibrant.
you're
architectural
photography.
and
if
started
be
if
a an
ISO- 200 Aperture- f/2.4 Shutter Speed- 1/200 Shot on- iPhone 11
you're
seeking something more advanced.
T
ry not to objectify the building
Imagine you've from One
visiting only
that of
a
one,
the
a
point
it
much
where
the
specific but
can
inflated
architects
rather
says.
not
the
be
"It's
seen
not
myth
them
that
for
is
in is
to
so
that
buildings of
the
reference It
only
urban
plan
images
becomes
flaws
structure
perspective.
PC- AMAN PANJWANI
viewpoint.
serious
photography
objectifying
one
that
photographed
perfect
most
architectural
from
structure
seen
with
in
mind,
photography
major
source
architecture," easy,
but
it
of Till
is
not
impossible, to document the entire spatial
environment
of
the
building.
Given
that
we
architecture ancient
to
are
surrounded
ranging
the
from
ultra-modern,
by the
it's
a
good thing that capturing the right photo
requires
knowledge.
As
camera,
as
you
experimenting photography
little
long
can
with at
talent you
have
or a
start
architecture
home
before
moving on to the rest of the globe.
60
ISO- 250 Aperture- f/1.8 Shutter Speed- 1/8 Shot on- OnePlus 9 Pro
INSTAGRAM FOR PHOTOGRAPHERS - SANCHIT TIWARI
Instagram beneficial
needs to
no
introduction.
everyone
whether
It
has
been
it
be
some
freelancer, a small business just starting out or some big brand. Visuals leave a great impact on one’s mind and in a world where most Internet users come from the mobile sector, images and videos have already spoken way more than a thousand words. They end up in our long-term memory instead of short-term, and so they stick around
longer.
Studies
show
while
we’ll
remember only 10-20% of what we hear or read 3
days
later,
we
hold
onto
65%
of
visual
information.
works
as
a
universally
accessible
business card, which is versatile enough to allow you to utilise it in a personalised way. It has enabled photographers to showcase their work on
a
global
audience. talking
Clippings
about
real-time personality
platform
and
from
various
behind
in-process
experiences and
reach
help
connect
a
the
scenes,
projects portray
better,
large
and their
alongside
showcasing photography talent. Photographers can use instagram to increase audience base to consume their content, establish their personal brand, attract visitors to a portfolio, website or blog,
network
with
other
photographers,
and
engage with fans and followers.
61
Keeping up with the latest trends, and strategizing instagram, photographers can create an audience for themselves and keep them engaged in the work they are sharing online.Some of the basic things that can help a photographer grow individually can be
USE RELEVANT HASHTAGS
Hashtags
not
followers'
engagement,
also
only
attract
new
boost but
ones.
popular,
specialised,
appropriate
hashtags
photo
more
gain
Instagram, hashtag
one
and
content
that
appear
in
your
It's about engagement, not simply
High-interaction posts (those with a
they
numbers,
lot
Using and
helps
attention. may
have
follow all
of
Look
for
a
it
relevant
comes
to
community.
photographers
whose
of
likes
and
identified
by
comments) the
are
algorithm as high-quality, engaging
the
work you admire. Follow them on
content
On
social media and leave likes and
Additionally, if your image receives
a
comments on their work. They will
a
almost
posted, it'll be seen by even more of
the
certainly
reciprocate.
You
lot
that
of
people
attention
soon
see.
after
other photographers, which would
respond
relevant to the photograph can be
help you reach a wider audience.
comments.
hashtagged, including the location,
Collaboration with several brands
remarks,
subject, client, brand, business, and
will also increase a photographer's
thank
even
exposure.
leave a comment, and thank them
For
the
equipment time
you're
being,
using.
those
who
Respond
answer
them
the
it's
Anything
to
Take
to
your
feed.
followers.
want
might also consider partnering with
their
that
creating
when
hashtag
the
uses
KEEP IN TOUCH WITH YOUR AUDIENCE
BUILD YOUR COMMUNITY
for
have to
their
taking
time
to left
their
questions, the
time
to
for their time. It's proper manners, as
permits up to 30 hashtags per post,
well
so try to keep them relevant to the
Return the favour by complimenting
shot
and
in
order
to
attract
the
most
people.
62
The reach of relevant hashtags and how it attracts new audience
as
a
chance
thoughtfully
for
feedback.
commenting
their posts.
One of the ways to motivate audience to engage with content
on
KEEP YOUR CONTENT CONSISTENT AND POST STRATEGICALLY
USE ALL MEDIUMS OF DELIVERING CONTENT REELS ARE THE THING NOW
Developing a posting pattern or routine on
You can do a lot more than just post a photo
on
sense
of
not
only
helps
community,
but
you it
generate
also
a
improves
Instagram.
additional
ways
There to
are
share
a
variety
your
of
information
your photography . Posting quality content
and keep people interested in the work you
time to time keeps your profile updated with
do. Instagram stories may be utilised as a
different
daily posting platform to keep your profile
trends
and
also
the
audience
would only keep following you until you are
updated.
You
active
showcase
behind-the-scenes
on
your
account
.
Prioritize
quality
may
also
use
stories
photos
to
from
over quantity, and post photographs on a
your shoots and to give viewers advice on
regular basis. Relevant, high-quality content
how to take better photos. These stories can
is more likely to elicit a positive response,
also be saved as a reminder for future use.
which can help your posts rise in the feeds
Reels have become a popular approach to
of your followers .
reach a broader audience and promote your material
in
recent
years.
With
the
help
of
reels, you can also keep up with the latest trend. It has been observed that reels gather more attention and views rather than when the
same
content
has
been
posted
as
a
video on instagram .
Reel insights
VIdeo post insights
When you join Instagram's creative community, you'll be able to engage with your audience, share, be inspired, and continue to inspire others as your business grows. Your photos will continue to reach more and more people with each post if you upload excellent content, be strategic about when and what you share, and interact with others on the site.
63
PC- SATYAM YADAV
ISO- 100 Aperture- f/4.2 Shutter Speed- 1/90 sec Shot on- Nikon D5300 (18-55mm lens)
PERFECT PERSPECTIVE -Chaitanya Bansal
Photography dimensional
is
all
about
depiction
how
to
a
photographer
capture
the
uses
essence
of
a a
twothree-
PC-SATYAM YADAV
dimensional scene. Deep knowledge, passion, and in-depth idea of composition techniques make a photographer stand out from the
crowd.
With
creative
compositions,
a
basic
three-
dimensional scene can be made more presentable. With a slight modification of the angle and/or position of your body, a whole different
and
unique
perspective
of
the
photograph
can
be
established. Using
perspective
as
a
tool
can
make
a
two-dimensional
flat
image into a conspicuous and striking photograph. There exists a lot of ways to showcase perspective in a photograph. Because perspective strong
photography
foreground,
is
used
middle
to
ground,
establish and
depth,
background
using in
a
ISO- 4000 Aperture- f/5.6 Shutter Speed-1/200 Shot on- Nikon D5300
your
composition is the greatest approach to portray perspective in a photograph.
This
can
make
the
image
more
impactful
and
pleasing.
In photography, using perspective may transform a flat, two-dimensional image into a beautiful image with
a
realistic
feeling
of
depth
and
scale.
Simply
by
arranging
your
photo
to
capture
the
unique
perspective inside the image, you are essentially generating the appearance of three dimensions.
65
Tips for improving perspective You can convey perspective in your photographs in a variety of ways. Because perspective photography is used to establish depth, using a strong foreground, middle ground, and background in your composition is the greatest approach to portray perspective. This will help to draw your viewers into the image and make it more powerful.
You may use these tips to improve the perspective-
Photography through objects:
PC-SATYAM YADAV
Allow the object to bring the viewer's attention
to
the
main
point.
This
approach can be used in a variety of ways,
including
crystal
balls,
fence
openings, and even cell phones. You may really start to perceive things in a new and interesting light when you start looking through them and using them as the frame for your subject.
ISO - 320 Aperture- f/3.8 Shutter Speed-1/125 Shot on- Nikon D5300
Fill the frame: When
PC- HEET GANDHI
photographing
subjects
such as trees, flowers, or unusual shapes the
and
patterns,
frame
entirely
incorporating background
aim
much or
other
to
fill
without of
the
objects.
When you snap a photo of a tree from a distance that includes the complete trunk, branches, leaves, and a portion of the sky, you get an image of the tree as a whole, just as you would see it in nature. You
get
an
entirely
different
result if you zoom in and focus on a
certain
area
or
pattern,
completely filling the frame from that perspective.
66
ISO- 1250 Aperture- f/6.3 Shutter Speed-1/4000 Shot on- Nikon D5300
PC- HEET GANDHI
PC- HEET GANDHI
ISO- 100 Aperture- f/4 Shutter Speed-1/50 Shot on- Canon EOS 1300D
ISO- 1100 Aperture- f/1.8 Shutter Speed-1/50 Shot on- Realme X2
Leading lines and symmetry: Knowing
how
to
employ
leading
Photograph up and down: lines
in
your
When
strolling
a
Your
up or down, though, you will see things from a
even
completely different angle. Instead of shooting
significance symmetrical
rather
than
photographs
more as a result of this.
look
will
flat.
stand
out
straight and
ahead,
capture
tilt
your
subjects
camera and
matter,
city
and
shape
that
down
them.
have
for
or
natural to look straight ahead. When you look
will
else
path
street,
compositions
anyplace
a
photographs can also help you create depth to Your
or
down
up
things
or
it
is
down
from
a
perspective you wouldn't ordinarily see.
"Photography takes an instant out of time, altering life by holding it still."
67
PC- CHAITYA SHAH
ISO- 1100 Aperture- f/1.8 Shutter Speed-1/50 Shot on- Nikon D3300
PC - SATYAM YADAV
ISO- 400 Aperture- f/4.5 Shutter Speed-1/60 Shot on- Canon EOS 1300D
Conceptualised, Designed and Developed by PRATIKRITI - THE PHOTOGRAPHY CLUB OF IMNU
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