CL ASSES
S T U D I O R E N TA L
EXHIBITIONS
The Place to Make ART
EVENTS
WINTER 2011
Photo by James Harnois
Pratt Fine Arts Center was founded in 1976 by the city of Seattle’s Parks and Recreation department to provide visual arts training to the Central District, Seattle’s most diverse neighborhood. In 1982, Pratt was established as a 501(c)3 nonprofit organization, and today provides educational opportunities and studio access each year to over 3500 students and 500 artists. Pratt Fine Arts Center makes art accessible to everyone, offering a place for spirited exchange, self-expression and personal transformation through creativity. Pratt is dedicated to fostering artistic development and engagement locally, nationally, and internationally. Pratt is a unique multidisciplinary visual arts resource providing education and instruction, community programs and professionally equipped art making facilities.
pratt programs Images (l-r): Phillip Baldwin, Cooper’s Rings, 14KPW/stg mokume, 22K gold. 2005, Photo courtesy of the artist; James Smircich, Silver Tracery, silver fume on thin dense black thread, 2005, Photo courtesy of the artist; Karina Guevin, Rouge, Flameworked moretti glass, 2009, Photo: Philippe Bouffaut; Cover image Boyd Sugiki, Striped bowls, Photo: Michael Seidl
Adult Education: All year, Pratt offers classes, workshops, and intensives for beginning to advanced students in drawing, painting, printmaking, sculpture, glass, jewelry, metalsmithing, and more. As a non-accredited education center, Pratt’s classes are open to everyone. Youth and Teen Education: Pratt’s longstanding Kids and Youth Art Works program offers free art classes to youth, kindergarten to eighth grade, as well as after-school programs for partnering community organizations. For teens, we offer a summer camp and classes designed to introduce this age group to all of the disciplines taught at Pratt. Free Fridays: To support learning and practicing new skills, included with many Pratt classes is free access to the studios and equipment on certain Fridays. Studio Rental Program: Serving over 500 people annually, Pratt rents its studios, equipment, and tools to artists at all levels. Beginners practice technique and search for artistic voice while professional artists depend on access to Pratt’s industrial equipment. Visiting and Master Artists: Throughout the year, Pratt invites artists of international and national renown to teach
master-level workshops. In addition to sharing their specialized skills and inspiration, many of the artists present free exhibitions and lectures that are open to the public. Professional Artist in Residence: As part of our Master Artist Program, Pratt provides two professional artists each year with month-long residencies in our specialized studios, along with access to experienced assistants to help them explore the potential of new materials and processes. Events and Exhibitions: From art exhibitions at our gallery space in Pioneer Square to free artist lectures, open houses, and fundraising events throughout the year, Pratt presents opportunities for everyone to participate in and enjoy the visual arts. Scholarships, Work Study and Tuition Assistance: As part of our commitment to make classes affordable to everyone, Pratt offers an array of financial support programs. In addition, tuition for all Pratt classes is subsidized by supporters. Custom-Made Classes and Group Art Events: From private classes to large events, Pratt can design and deliver specialized, hands-on learning experiences.
For more information on all of these programs please visit www.pratt.org, call 206.328.2200, or email info@pratt.org.
table of contents 2
Location and Membership Information
3
Drawing
5
Painting
8
Printmaking
10
Diverse Disciplines
12
Sculpture
15
Hot Glass
18
Warm Glass
21
Jewelry/Metalsmithing
24
Youth/Teen Classes
26
Instructors
31
Registration Form
creative crossroads june 1–4 PRE AND POST CONFERENCE WORKSHOPS AT PRATT May 27-May 30, 2011 June 6-June 9, 2011
Seattle is honored to be the host city for the 2011 Glass Art Society conference and to serve as the Creative Crossroads for the world of glass. The conference is packed with demonstrations, presentations, studio visits, a gallery hop, and workshops.
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glass art society conference:
Events Calendar
Pratt Fine Arts Center will host GAS conference demonstrations in the Hot Shop, Flameworking, Cold Shop, and Printmaking studios. Pratt will also offer public demonstrations in Hot Shop and Flameworking studio as part of the “Day of Glass” on June 1 from 3-7pm. Please visit our website for a list of artists participating. Descriptions of pre and post conference workshops can be found on page 17 or at www.pratt.org
a lasting tribute Pratt Fine Arts Center is named in honor of Edwin T. Pratt A prominent local civil rights leader, Edwin T. Pratt served as Executive Director of the Seattle Urban League in the mid-1960s. His assassination in 1969 by unknown assailants was felt by many Seattleites who depended on Pratt’s calm leadership during a period of social upheaval.
Atlanta University. He worked for the Urban League in Cleveland and Kansas City before moving to Seattle in 1956. Five years later as director of the Urban League, he developed the Triad Plan for desegregation of Seattle schools. Later, he led an initiative to create equal housing opportunities.
Born on December 6, 1930 in Miami, Florida, Edwin T. Pratt graduated from Clark College in Atlanta and received his master’s degree in social work from
Since 1976, Pratt Fine Arts Center has been proud to serve as a lasting tribute to a man who devoted his life to improving the quality of life for all people.
Master Member’s only registration: November 8–14
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pratt location Pratt Fine Arts Center is located in Seattle’s Central District neighborhood in and adjacent to Pratt Park. 1902 South Main Street Seattle, WA 98144-2206 Phone: 206.328.2200 Fax: 206.328.1260 Email: info@pratt.org www.pratt.org
ACCESSIBILITY Assistance is available for all persons with disabilities. We will make every reasonable effort to ensure that classes are accessible. If you are in need of special services, please notify Pratt in writing along with your registration and specify your request. If you have questions, please call 206.328.2200.
membership at pratt
Apprentice $50
at Member Partner stores t Discounts (New member partners: See page 30 or www.pratt.org) t Early entry to select events Journeyman $75 All benefits of the Apprentice level plus: to access studios on a rental basis as an t Opportunity independent artist
Master $120 All benefits of Journeyman level plus:
discount on all classes & workshops, with the t10% exception of certain programs Registration for classes & workshops from t Early November 8–14
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scholarships Pratt offers several distinct merit- and financial-need based scholarships each year to adults and teens, artists of color, and emerging and established artists. 2011 – 2012 applications and information will be available on 4/1/2011 and due 7/1/2011. For more information, please visit www.pratt.org.
introducing the jan sewell art bridge fellowship
membership levels
2
A limited amount of financial assistance is available each quarter to adults and youth who otherwise cannot afford to participate in classes and workshops. Applications for Tuition Assistance for Winter Quarter are due on 11/29/2010 and available at www.pratt.org. Photo credit: Emily Brewer
Members play a vital role in Pratt Fine Arts Center’s success. Membership fees help support our dynamic programs and facility and it is the creative energy of members that makes Pratt such a unique place! Becoming a member is also a great way to stay up-to-date about Pratt’s gallery programs, art lectures, and newly introduced classes and workshops. Become a Pratt member today!
tuition assistance
2011
In memory of her kind and generous spirit, friends and family of Jan Sewell have funded one of Pratt’s Art Bridge Fellowships for the next three years, continuing Jan’s passion for supporting and encouraging emerging artists in their work. The Jan Sewell Art Bridge Fellowship will provide emerging artists with the tools to take their artistic career to the next level. It includes credit toward classes and studio time, a supply stipend, funds for photography, career development training, and a space in the Art Bridge Fellow exhibition.
work study A limited number of work study opportunities are available each quarter. Participating students earn credit toward tuition in exchange for assisting Pratt staff. Applications for the Work Study program are available from Julie Custer at jcuster@pratt.org.
Master Member’s only registration: November 8–14
drawing painting
drawing
printmaking
Drawing Fundamentals: How to Draw What You See
diverse disciplines
Anyone can learn to draw; it is a matter of seeing what is in front of you. Learn the fundamentals of rendering realistically by studying line, shape, form, light, and shade as they relate to the world. Interpret objects by examining their basic geometric shapes. Master the principle of perspective as it relates to composition. Through careful observation of light and dark, learn to translate what you see into successful black and white drawings. Prerequisite: None Class #1496tWill Bonner Tues., 10am-1pm, 1/18 - 3/8 8 Sessions Non-member: $260/Master Member: $234
NEW Beginning Drawing: Looking, Drawing, Knowing
Class #1552tAlice Case Thurs., 2-5pm, 1/20 - 2/17 5 Sessions Non-member: $160/Master Member: $144
NEW Drawing Fundamentals: The Basics
Drawing & Compositional Expression – 2nd quarter
Understanding basic drawing concepts and working with basic drawing tools is the essence of this class. You will study line, value, composition, and space using pencil, charcoal, brush, and pen with ink. Draw from observation as well as from invention and imagination. Optional homework will be available for students who want a more intensive program of drawing. Prerequisite: None
In this unique class, you will progressively build your drawing skills through mentored development with the same instructor over four quarters. Second quarter transitions to the three dimensional world, introducing angles, proportions, relationships, shapes, spaces, and value. Learn to frame a composition, make thumbnail sketches, and work subtractively. Build convincing forms in space and see in terms of flat design. Share discoveries in lively open discussions. Prerequisite: First Quarter Drawing & Compositional Expression, or permission of instructor. Inquiries welcome.
Class #1501tKiki MacInnis Thurs., 2:30-5:30pm, 3/3 - 3/31 5 Sessions Non-member: $160/Master Member: $144
Master Member’s only registration: November 8–14
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youth/teen
Class #1505tAlice Case Tues., 7-10pm, 1/25 - 2/22 5 Sessions Non-member: $160/Master Member: $144
Class #1504tJulia Hensley Tues., 1:30-5:30pm, 1/18 - 3/8 8 Sessions Non-member: $350/Master Member: $315
jewelr y/metalsmithing
Drawing is the foundation of the visual language. Learn to effectively see through observation and then record this information through drawing. You will build your rendering skills starting with line and progressing to value and onto proportion, shape, form, space, light, and shadow. These techniques can be used to lead the viewer's eye and to convey a specific feeling or mood, as desired by the artist. Prerequisite: None
Alice Case, Hold Steady, 2010, Oil on Canvas
Photo courtesy of the artist
warm glass
Drawing Fundamentals: Visual Analysis
hot glass
Class #1553tRyan Finnerty Wed., 7-10pm, 1/19 - 3/9 8 Sessions Non-member: $260/Master Member: $234
sculpture
Do you want to 'see like an artist'? Emphasizing careful observation and the shifts in perception that lead to a successful drawing, you will work with a variety of approaches - from fast and energetic, to slow and methodical. Explore drawing's basic elements: contour, shape, proportion, and value. A range of materials and subjects will be used as you learn the science and poetry of drawing from observation. Prerequisite: None
drawing painting printmaking diverse disciplines sculpture
Figure Drawing
Creative Drawing
Working from a live model is a great way to hone your drawing skills and learn to translate what you see into a drawing. This fun and challenging class demystifies the drawing process by applying techniques presented in the Drawing Fundamentals class - line, form, value, and scale - to the figure. Develop a more confident connection between what you see and what you render. Prerequisite: None
How do you take your basic drawing skills and use them to develop concepts from your imagination? This class utilizes the design elements of line, shape, form, value, and perspective, as well as symbolism and text to help you manifest your creativity in a visual art form. This nonreferential drawing class allows you to explore the language and mediums of art to suit your personal expression. Prerequisite: Drawing Fundamentals or equivalent
Class #1495tJeanne Ferraro Tues., 6-10pm, 1/18 - 3/8 8 Sessions Non-member: $360/Master Member: $324
Introduction to Children's Picture Book Illustration Do you have a children's picture book idea just waiting to be discovered? This class will give you creative tools to help: visual storytelling, character development, and making story boards and book dummies. Learn how to find your place in the children's book market and create original art for a professional portfolio. Prerequisite: None Class #1503tRollin Thomas & Doug Keith Wed., 9am-1pm, 1/19 - 3/9 8 Sessions Non-member: $370/Master Member: $333
youth/teen
jewelr y/metalsmithing
warm glass
hot glass
NEW Experimental Ink Drawing Learn new ways of looking at objects in space then translate these observations into ink marks on paper. In each class you will look at the ink work of artists such as Picasso, Henry Moore, Dubuffet, and Gorky then do work based on that particular artist's methods of using ink. Draw from natural objects such as seaweed, tree branches, grasses and seed pods as well as photographs and 3 dimensional constructions assembled by participants in class. Prerequisite: None Class #1500tKiki MacInnis Thurs., 1:30-5:30pm, 1/20 - 2/24 6 Sessions Non-member: $260/Master Member: $234
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Class #1497tWill Bonner Tues., 1:30-5:30pm, 1/18 - 3/8 8 Sessions Non-member: $350/Master Member: $315 Kiki MacInnis, TRUNK, 2010, ink and paint on glassine Photo courtesy of the artist
Workshop: Introduction to Cartooning Have you always wanted to create your own comics? In this class, you will explore drawing and storytelling, the techniques cartoonists rely upon. Using the comic book form, you will bring to life your own characters and narratives while learning to illustrate your ideas visually. Your comics will transform from rough sketches to fully inked panels! Prerequisite: None Class #1499tRandy Wood Sat.-Sun., 10am-6pm, 2/12 - 2/13 2 Sessions Non-member: $180/Master Member: $162
NEW 2D Design The structure used in two-dimensional work is often intuitive, however you can learn to interpret and build on intuition through the study of basic 2D design principles. Through drawing and painting, study line, space, form, color and value while practicing and strengthening the art of seeing. Work from source materials and observation, and learn how to critically examine the design of your artwork in progress and as a finished product. Prerequisite: None
NEW Intermediate Drawing: Perception, Media, Design This class builds on the perceptual skills learned in Drawing Fundamentals. A range of exercises will help you see the visual world in terms of line, mass, value, movement, and perspective. Learn to use and experiment with a variety of drawing materials. Use basic principles of composition to transform your new perceptions into interesting, dynamic drawings. Prerequisite: Drawing Fundamentals Class #1494tJane Richlovsky Tues., 6-10pm, 3/1 - 3/29 5 Sessions Non-member: $210/Master Member: $189
NEW Intensive: Continuing Drawing Further your drawing skills through more intensive studies that allow you to complete and refine you artwork. Continue to develop your observational skills through careful attention to line, geometric shapes, texture, value, and light source. Beginners are also welcome. Prerequisite: Drawing Fundamentals preferred Class #1498tWill Bonner Mon.-Thurs., 10am-2pm, 4/4 - 4/7 4 Sessions Non-member: $180/Master Member: $162
Class #1502tAlice Case Wed., 6-9pm, 3/2 - 3/30 5 Sessions Non-member: $160/Master Member: $144
2011
Master Member’s only registration: November 8–14
drawing painting
painting Oil
printmaking
Oil Painting Fundamentals
diverse disciplines
Discover the richness, flexibility, and imaginative possibilities of this classic medium and learn how to mix color, layer, glaze, and scumble. You will also learn how to create compositions and use brush work effectively. From concept to completed painting and through guided exercises, you will be encouraged to develop your own style and artistic vision. A thorough explanation of materials and plenty of individualized instruction will be provided. Prerequisite: Drawing Fundamentals Class #1561tEmily Gherard Mon., 9am-1pm, 1/24 - 3/14 8 Sessions Non-member: $340/Master Member: $306
Intermediate Oil Painting
Class #1557tMichael Ottersen Thurs., 6-10pm, 1/20 - 3/10 8 Sessions Non-member: $340/Master Member: $306
NEW Workshop: Portrait Painting Learn how to paint life-like portraits. Understand basic rules, approaches, and techniques for speed, accuracy, and expression in the painted portrait. Working from the live model, you will learn the skills necessary to manage the palette, sight the face, and understand anatomy. You will learn how to start, finish, and troubleshoot the painted portrait. Use of oil paints preferred. Prerequisite: Painting Fundamentals Class #1568tRyan Finnerty Sat.-Sun., 10am-6pm, 2/19 - 2/20 2 Sessions Non-member: $180/Master Member: $162
Acrylic Workshop: Acrylic Painting Fundamentals Explore the basics of this versatile medium by learning about washes, thick impasto, glazes, and more. Demonstrations, discussions, and individual instruction will cover issues of color, design principles, paint consistency, and application. You will be introduced to compatible, non-acrylic materials to add to your paint-
Class #1683tAaron J. Power Sat.-Sun., 10am-6pm, 1/22 - 1/23 2 Sessions Non-member: $170/Master Member: $153
Acrylic Painting Fundamentals This class will cover the fundamentals of painting with acrylics. Explore a variety of techniques and applications focusing on the versatility of acrylic paint. Learn basic painting concepts and studio practices to make your foray into painting safe, easy, and fun. Learn color, paint application, and composition while studying from still-life, landscape, and exploring abstraction. Prerequisite: None Class #1559tAaron J. Power Wed., 9am-1pm, 1/19 - 3/9 8 Sessions Non-member: $340/Master Member: $306
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youth/yeen
Master Member’s only registration: November 8–14
ings. Experimentation and the development of personal artistic process and direction will be encouraged. Prerequisite: None
jewelr y/metalsmithing
Are you interested in creating abstract paintings but not sure where to begin? Explore the infinite possibilities of nonfigurative painting while examining the basic building blocks of composition: line, form, color, and surface. You will be encouraged to use visual principles that suit your interest and style to develop a personal visual vocabulary. Art history will be regularly discussed to gain a historical and theoretical perspective. Returning students welcome. Prerequisite: Painting Fundamentals
Photo courtesy of the artist
warm glass
Continuing Painting: Abstract Oil Painting
Suze Woolf, Twilight Loading, 2010, Watercolor
hot glass
Class #1684tEmily Gherard Thurs., 6-10pm, 1/20 - 3/10 8 Sessions Non-member: $340/Master Member: $306
sculpture
This class is for anyone with previous oil painting experience who wants to refresh their knowledge or develop their technique. Discover your individual working method by reviewing how to prepare surfaces, choose a composition, and select a color palette. You will paint a master copy but most of the class time will be spent on individual projects. You will receive individual input about artistic influences in your work and group critiques will be held. Prerequisite: Oil Painting Fundamentals or equivalent
drawing painting printmaking diverse disciplines sculpture hot glass warm glass jewelr y/metalsmithing youth/teen
Special Topics in Painting
Intermediate Acrylic Painting: Mixing Media Continue to develop your knowledge of acrylic paint and mediums in this informative class. Discussions and demonstrations on why and how to choose alternative materials to add to your paintings will be taught. A focus of this class will be on understanding and troubleshooting obstacles. Individual instruction will be given to assist you in developing a body of work. Prerequisite: Acrylic painting experience Class #1560tAaron J. Power Wed., 1:30-5:30pm, 1/26 - 3/2 6 Sessions Non-member: $260/Master Member: $234
Experimental Acrylic Figure Painting Have fun in this class devoted to exploring exciting new mixtures and concoctions using acrylics to paint the figure. Pour, mold, marbleize, texture, and render the figure all at the same time! Using live models in each class, try different approaches to painting while using water-based paint. This class requires no experience, just an excitement to experiment. Prerequisite: None Class #1556tMark Takamachi Miller Mon., 9am-1pm, 1/24 - 3/14 8 Sessions Non-member: $360/Master Member: $324
Unconventional Techniques in Painting Explore the idea of acrylic painting as 'mark making' instead of brush to canvas. Discover another way to express yourself while exploring new techniques and materials. Approaches include hand colored toner copies, multi-level surfaces, image collage, non-canvas surfaces, and unconventional mark making techniques including scratching tools and texture techniques. The instructor will assist you with discovering your personal style and facilitate group critiques. The creative possibilities are endless. Prerequisite: Painting Fundamentals Class #1564tPaul D McKee Mon., 6-10pm, 1/24 - 3/14 8 Sessions Non-member: $340/Master Member: $306
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Color Bootcamp Learn how to mix a wide range of colors from a limited palette. You will create reference charts of the secondaries, tertiaries, tints, tones, and neutrals from various combinations of primaries. Learn how to use these colors in your painting to develop and execute a color scheme. Expand your color vocabulary, knowledge of specific pigments, and ability to create color harmony in your painting. Spend less time aimlessly mixing paints and more time expressing yourself on the canvas. Prerequisite: Painting Fundamentals Class #1554tJane Richlovsky Thurs., 9am-1pm, 1/13 - 2/10 5 Sessions Non-member: $210/Master Member: $189
Shiny, Fuzzy, Clear & Wet Learn how to tackle special problems in representational painting: shiny and metallic surfaces, translucent objects, hair, fur, textures, and water. Develop tools for analyzing the visual structure of hard-to-represent objects by taking inspiration from how previous masters have handled these problems. Learn how to use paint and mediums to achieve the effects you want in your own style. Oil or acrylic painters welcome. Prerequisite: Painting Fundamentals Class #1567tJane Richlovsky Thurs., 9am-1pm, 3/3 - 3/31 5 Sessions Non-member: $210/Master Member: $189
Watercolor Watercolor Fundamentals
Figure Painting Learn three methods of rendering the live model through enhancing your visual perception. An awareness of the formal, conceptual, traditional, and non-traditional use of the figure in art will be explored and encouraged. The technical focus will be on composition, color temperatures, and brush work - from loose and expressive to tight and invisible. Attention will be paid to visual perception focusing on correct anatomy of the figure posing. You will learn to paint what you see rather than what you think you see. Prerequisite: Painting Fundamentals Class #1558tAlice Case Wed., 6-10pm, 1/19 - 2/23 6 Sessions Non-member: $270/Master Member: $243
Learn traditional watercolor techniques such as wash, wet into wet, dry brush, and much more. Learn to combine watercolor with drawing media and materials such as ink and graphite. You will be encouraged to work with subject matter ranging from still lifes and photographs to abstraction and your imagination. The skills you will gain can be used in illustration or fine art. Prerequisite: None Class #1555tYulia Chubotin Sun., 11am-3pm, 1/16 - 3/6 8 Sessions Non-member: $340/Master Member: $306
NEW Workshop: Intense Watercolor
The relationship between painting and photography continues to thrive. Explore this relationship through conversation while examining images. You will make a painting based upon a chosen photograph using several techniques and processes such as toner transfers, collage, and screenprinting. Prerequisite: None
Watercolor doesn't have to be wishy-washy. Painting on papers prepared with a gesso ground can result in vivid pigments as well as a variety of effects not usually thought of as watercolor. If you've been slowed down by a fear of 'sumi-style' watercolor (you think it has to be perfect in the first pass), try out some techniques that allow re-working, lifting, wiping, crawling glazes and more. You will compare and contrast these techniques with traditional watercolor techniques. Prerequisite: None
Class #1565tCurtis Erlinger Mon., 1:30-5:30pm, 2/28 - 3/28 5 Sessions Non-member: $210/Master Member: $189
Class #1566tSuze Woolf Sat.-Sun., 10am-6pm, 3/5 - 3/6 2 Sessions Non-member: $180/Master Member: $162
NEW On Painting and Photography
Master Member’s only registration: November 8–14
drawing painting
Encaustic Intensive: Encaustic Painting
printmaking
Explore the versatile and unlimited field of encaustic painting using traditional and nontraditional approaches to this ancient medium. Work with hot wax, pigment, and a variety of materials such as natural ceramic clay and mud washes as textural backgrounds. Explore techniques on paper and panels including the use of stamping, tissue transfer, photocopy transfer, fabric, and paper collage. Prerequisite: None
diverse disciplines
Class #1563tLarry Calkins & Shaun Doll Fri.-Mon., 10am-6pm, 1/7 - 1/10 4 Sessions Non-member: $420/Master Member: $378
sculpture hot glass warm glass jewelr y/metalsmithing
Larry Calkins, Mixed media on book pages, 2010
Master Member’s only registration: November 8–14
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Photo courtesy of the artist
Monotype and Collograph
drawing printmaking
painting
printmaking
diverse disciplines
Create rich and intriguing surfaces using monotype, collograph, draw-through, and direct printing. Using stencils, elements from nature, drawings, and painting with chine collé, you will create unique layered prints. These techniques may be used individually or combined. Emphasis will be on experimenting with a myriad of printing possibilities with low-tech mediums. Prerequisite: None Class #1573tRickie Wolfe Wed., 10am-2pm, 1/19 - 3/9 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Continuing Monoprint
youth/teen
jewelr y/metalsmithing
warm glass
hot glass
sculpture
Are you ready for more individual attention now that you know the basics of monoprinting? This class will provide you with plenty of time to refine your own style and voice. Demonstrations will be given on an individual basis as a way to add to the work you are doing. Focus on the art of layering, understanding color, and registration. Creating a body of finished work is an achievable goal with this class. Prerequisite: Printmaking Fundamentals or Monotype and Collograph Doris Mosler, Untitled, Monoprint with collage on board, 2010 Photo credit: Cary Cartmill
Printmaking Fundamentals
Screenprinting Fundamentals
Experiment with a variety of printmaking techniques and discover your passion for this art form! This class will cover monotype (painterly prints), paper lithography, shellac plates, collograph, and relief methods. Learn how to confidently use the presses and inks. This class will prepare you to take a variety of continuing printmaking classes. Prerequisite: None
Discover the exciting possibilities of screenprinting! In this class you will gain an understanding of silkscreen equipment, tools, and the history of screenprinting. Experiment with photographic, reductive, and drawing processes while learning how to use and register multiple colors. The class combines instructor demonstrations with time for individual projects. Two group critiques and a final print exchange will complete the class. Water-based inks will be used. Prerequisite: None
Class #1570tKerstin Graudins Thurs., 6-10pm, 1/20 - 3/10 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Teen Screenprinting Experiment with stencils, photographic, and direct drawing process while you learn to create a silkscreen image. Bring in found objects, photographs and drawings to create your own t-shirts, posters and more! Class #1487tKerstin Graudins Wed., 3-5pm, 2/23 - 3/30 6 Sessions Non-member: $150/Master Member: $135
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Class #1666tKerstin Graudins Wed., 6-10pm, 1/19 - 3/9 8 sessions, Free Fridays Non-member: $450/Master Member: $405
Class #1572tRickie Wolfe Tues., 10am-2pm, 1/18 - 3/8 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Letterpress Fundamentals Learn all the basics of letterpress printing! Through a variety of projects, learn to hand-set metal type, lock up a type form, ink up, set up, and operate the press. You will be introduced to good design practices and explore printing imagery with letterpress cuts, linoleum cuts, and wire printing. On the last day of class, you will exchange prints and create a portfolio to take home. Prerequisite: None Class #1579tLisa Hasegawa Tues., 6-10pm, 1/18 - 3/8 8 Sessions, Free Fridays with instructor permission Non-member: $410/Master Member: $369
Class #1569tKerstin Graudins Thurs., 2-5pm, 1/20 - 3/10 8 Sessions, Free Fridays Non-member: $350/Master Member: $315
Master Member’s only registration: November 8–14
drawing
Have you learned the basics of letterpress and can't wait to get back into the letterpress studio? This class offers a refresher of the basics while troubleshooting complex designs and techniques such as using justification to create shaped text, skeletonizing, and curving type. Have a project in mind? Bring your ideas to class and discuss the possibilities. Prerequisite: Letterpress Fundamentals or instructor permission
Monotype is an easy and spontaneous type of printmaking that combines aspects of painting with layering and printing. Learn the basic techniques for creating your own one-of-a kind prints in either simple black on white or with plenty of color or both. Experiment with stencils and elements from nature and collage. You may also incorporate photography, text, and tracing into your prints. Work in any style - from detailed realism to looser abstractions. Both novice artists and more experienced printmakers are welcome. Prerequisite: None
Advanced Intaglio Etching for Copper or Zinc
Wax, Wood, and Paper
Workshop: The Painterly Print Monotypes are a natural transition from painting to printmaking. This workshop explores both technical and conceptual approaches to this painterly technique of printmaking. You will be guided through a variety of monotype techniques, including reductive and additive inking, chine collé, multiple plate, and layered imagery. Individualized and experimental approaches to this medium will be encouraged. Prerequisite: None Class #1578tEric Chamberlain Sat.-Sun., 10am-6pm, 3/5 - 3/6 2 Sessions Non-member: $190/Master Member: $171
Photo courtesy of the artist
NEW Workshop: Drypoint on Plexiglass Create immediate intaglio images on paper from plexiglas. This non-toxic method of incising and intaglio printing allows you to experiment with mark-making, texture, and reproducing an image in new and interesting ways. This technique is perfect for beginners and those extending their printmaking knowledge. Prerequisite: None Class #1583tKim Van Someren Sat.-Sun., 10am-6pm, 3/12 - 3/13 2 Sessions Non-member: $190/Master Member: $171
NEW Workshop: Layering The key to creating rich, compelling prints is understanding how to layer. Learn the photo process of using polyester plates (pronto), stenciling, and effective use of transparent medium. In this class, you will gain a deeper understanding of how to be more involved in creating each individual print with satisfying results. Prerequisite: None Class #1574tKamla Kakaria & Rickie Wolfe Sat.-Sun., 10am-6pm, 3/19 - 3/20 2 Sessions Non-member: $190/Master Member: $171
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youth/teen
Master Member’s only registration: November 8–14
jewelr y/metalsmithing
Class #1576tKelda Martensen Wed., 3-6pm, 1/19 - 2/16 5 Sessions, Free Fridays Non-member: $190/Master Member: $171
Class #1575tTheresa Neinas Sat.-Sun., 10am-6pm, 2/5 - 2/6 2 Sessions Non-member: $190/Master Member: $171
Kerstin Graudins, Tara Thomas, Screenprint, 2010
warm glass
In this class, you will learn how to integrate batik and printmaking.Through woodblock, linocut, and wax resist on paper, you will compose mixed media prints that have the richness of fabric with the detail of a print. This approach to printmaking encourages play and spontaneous decision-making as the piece develops. Focus on color and composition, using examples from folk and contemporary art. Prerequisite: None
Have you always wanted to play with sharp tools but your mother wouldn't let you? Learn to use linoloeum cutting tools and barins safely and get the results you want. Get an overview of relief block printing that touches on composition, technique, and individual style as well as the basics of rolling, hand printing, and printing on the press. This workshop will emphasize how to adapt this process to a home environment. Prerequisite: None
hot glass
Class #1682tKim VanSomeren Tues., 6-10pm, 1/18 - 3/8 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Workshop: Block Print
sculpture
Sharpen your etching skills on copper or zinc plates! Further develop and perfect your techniquesand learn about drypoint, alternative techniques for hard and soft ground, sugar lift, spirit ground and new ways to use aquatint. Experimentation with imagery and materials is highly encouraged. Individual instruction on specific projects will be offered. Prerequisite: Etching Fundamentals
Class #1587tDoris Mosler Sat.-Sun., 10am-6pm, 1/29 - 1/30 2 Sessions Non-member: $190/Master Member: $171
diverse disciplines
Class #1582tLisa Hasegawa Wed., 6-10pm, 1/19 - 3/9 8 Sessions Free Fridays with instructor permission Non-member: $410/Master Member: $369
printmaking
NEW Workshop: Monotype
painting
Continuing Letterpress Printing
Introduction to Collage Explore the many ways to use mixed media and collage to create unique artworks. Everything is a potential art object in the world of collage. Experiment with paint, ink, prints, textiles, found objects, and much more. As part of each project, you will learn the formal elements of art including composition, texture, shape, line, color, space, and surface. Come prepared to have fun and explore the endless possibilities of collage. Prerequisite: None
drawing diverse disciplines
printmaking
painting
diverse disciplines
Class #1591tRickie Wolfe Thurs., 10am-2pm, 1/20 - 3/10 8 Sessions Non-member: $360/Master Member: $324
Workshop: Collage - Explore and Invent
sculpture
In the first day of this workshop you will use paper, cloth, found materials, and other unique elements to make five or more simple collages. Demonstrations on image transferring and alternate means of connection will be given. On the second day, your collages will serve as a foundation for experiments using paint, stencils, crayons, stitching by hand or sewing machine, nails, and other objects that can add dimension. Prerequisite: None
youth/teen
jewelr y/metalsmithing
warm glass
hot glass
Class #1595tRickie Wolfe Sat.-Sun., 10am-6pm, 1/22 - 1/23 2 Sessions Non-member: $180/Master Member: $162
Intuitive Artist Glenn Tramantano, Boysroom, fake flowers, spray paint, urinals, 2009 Photo credit: Gina Grafos
From Old Tin Thing to Art Bling! Bling!
Workshop: Exploring your Sketchbook
Enter the wonderful world of tinsmithing. Learn to 'quilt', perforate, bend, and twist metals. You'll get started soldering, copper-foiling, and using a stump as an anvil. Manipulate sheet materials with a variety of small tools. Bring a can opener and scrap metal such as license plates, tin lunch boxes, cookie tins, junk jewelry, or anything you'd like to tinker with during class. Prerequisite: None
In this mixed media workshop you will learn how to get in the habit of drawing and creating a dialog with your sketchbook. Begin by covering the pages from front to back with clay washes, paint, and ink to alter the clean white surface. Then you will begin to work in your sketchbook using a variety of media such as photocopy transfer, inks, writing, collage, and stenciling. Prerequisite: None
Class #1643tRoss Palmer Beecher Wed., 6-10pm, 1/12 - 2/2 4 Sessions Non-member: $220/Master Member: $198
Class #1593tLarry Calkins Fri.-Sun., 10am-6pm, 1/14 - 1/16 3 Sessions Non-member: $270/Master Member: $243
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Explore the intuitive art-making process, where childlike play is encouraged and inhibitions are abandoned. Leave your critic at home! Your creative impulse will shift from your mind to the work itself, freeing you from goal and productoriented work. You will be guided through a variety of exercises in painting, drawing, printmaking, collage, mixed media and sumi brush with ink. You will receive individual attention in assisting you to find your own intuitive artist. Prerequisite: None Class #1588tVedika Dietrich Thurs., 9am-1pm, 1/27 - 3/24 (no class 3/3) 8 Sessions Non-member: $350/Master Member: $315
Master Member’s only registration: November 8–14
drawing
Art of Bookmaking
NEW Workshop: Fabric Manipulations for Collage
NEW Workshop: Surface, Form, & Structure
Keeping a written and visual journal of one's life is an enriching, creative practice of selfexpression that is gaining popularity among people from all walks of life. You will learn to use a variety of media, including repurposed materials, to create a journal-keeping practice that you can maintain for less than twenty minutes a day. Learn fun, fast, and expressive mark-making techniques while developing a habit of keeping an insightful and meaningful journal. Prerequisite: None
Push beyond the expected results in this collaborative class. Explore surface design on cloth by using it to create form and adding structure for presentation. Dyes, soy-wax resist, toner transfer, and metal leafing are just some of the techniques you will use to layer pattern, texture, and images onto fabric. Use this cloth to form evocative shapes and fashion metal hangers for display. This class emphasizes process and experimentation, encouraging you to get out of your comfort zone and into a new place of possibility. Prerequisite: None
Class #1589tTina Koyama Fri., 6-9pm & Sat., 10am-4pm, 2/25 - 2/26 2 Sessions Non-member: $100/Master Member: $90
Class #1685tLarry Calkins & Cameron Mason Fri.-Sun., 10am-6pm, 4/1 - 4/3 3 Sessions Non-member: $270/Master Member: $243
NEW Workshop: Photographing for Artists Capture and digitally display your art. Bring a digital camera and learn basic techniques to correctly photograph and edit images of your work. Discussion and demonstrations will include following topics: color balance and light temperature, depth of field and focus, resolution and size, file formats, image composition, editing and preparation for CaFÉ Image submittal standards. Prerequisite: None Class #1599tDale Christopher Lang Sat., 10am-6pm, 3/19 1 Session Non-member: $90/Master Member: $81
Delve into the vivid and dynamic world of Urban/Graffiti Art as esteemed artist and Hip Hop activist Daniel 'King Khazm' Kogita explores the controversial art-form and medium. This class will cover foundational aspects of the art form such as the elements and principles of design, the evolution of letters, hand-styles, throwies, wildstyle pieces, and various techniques that will enhance your skills whether you're a beginner or an expert. Class #1648tDaniel Kogita Friday, 6-9pm, 1/14 - 2/18 6 Sessions Non-member: $190/Master Member: $171
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2011
youth/teen
Master Member’s only registration: November 8–14
Teen Urban/Graffiti Arts
jewelr y/metalsmithing
Class #1590tJodi Waltier Fri.-Sun., 10am-6pm, 1/28 - 1/30 3 Sessions Non-member: $270/Master Member: $243
Workshop: Art Journals for Busy People
warm glass
Would you like to incorporate fiber into your artistic expression? Here is your chance to manipulate cloth through traditional and contemporary textile dyeing methods as well as imbue the cloth with your unique mark-making style. You will create a large stack of cloth drawings and paintings that can be utilized in a variety of ways after the class. Prerequisite: None
Class #1598tGlenn Tramantano Sat.-Sun., 10am-6pm, 3/26 - 3/27 2 Sessions Non-member: $180/Master Member: $162
hot glass
Class #1596tHaley Farthing Wed., 6-10pm, 3/16 - 4/6 4 Sessions Non-member: $190/Master Member: $171
Class #1600tCameron Mason Fri.-Sun., 10am-6pm, 2/4 - 2/6 3 Sessions Non-member: $270/Master Member: $243
Do you want to make art that makes a statement? Do you want to create work that responds to the world around you? The history of art is filled with artists who challenge our perception of things. In this class, you will learn how to turn your passions and unique perceptions into the ideas that drive your work. Special attention will be paid to how a conceptual idea is enhanced by formal elements. Participate in a relaxed environment where you can work in any media you choose. Prerequisite: None
sculpture
If you like to work in series or are looking for news way to develop artwork and ideas in a book format, this class is for you. Discuss grouping and sequencing images and how multiple images can alter the content of one image. Learn to make accordian bindings, concertina bindings, and the Coptic stitch. Review paper choices as well as sewing and folding techniques. You will create three blank books as well as one book with unique images and binding of your choice. Prerequisite: None
Using fabric as a canvas and thickened dye as a medium, you will make marks with a variety of tools such as stamps and silkscreens. Explore the unique qualities of the silkscreen including the ability to reproduce multiple images without using photo emulsion processes. You will create textured and layered art cloth which can be used in collage, print, art-to-wear and quilting. Prerequisite: None
diverse disciplines
Class #1592tMichael Lorefice Tues., 9am-1pm, 1/25 - 3/1 6 Sessions Non-member: $270/Master Member: $243
NEW Workshop: Art and Politics
printmaking
What does it mean to truly see something? Learn different ways of seeing that originate from the tradition of direct observation and the artists that have done so in the past. By combining elements of art history, structured projects, and class interaction, you will have the opportunity to explore and merge time-honored techniques with contemporary practices to gain insight into your creative process through painting and drawing. Experimentation will be encouraged and feedback will be provided through individual and group critiques. Prerequisite: None
Workshop: Textiles - The Printed Surface
painting
NEW Looking at Objects
make a variety of mold types and cast in materials with varying visual, physical, and tactile qualities. Prerequisite: None Class #1619tScott Ball Sun., 10am-6pm, 1/16 - 1/30 3 Sessions Non-member: $310/Master Member: $279
drawing printmaking
painting
sculpture Bronze Casting
diverse disciplines
Introduction to Bronze Casting Learn the ancient 'lost wax' casting process. First, you'll learn basic moldmaking to duplicate a design in wax. This wax copy is then 'invested' in a plaster and sand mixture. Then the wax will be burned out of the plaster, leaving a void to be filled with bronze. Finally, finish your bronze and color it through 'chasing' and 'patination' techniques. All materials except the cost of bronze are included in class fee. Prerequisite: None
youth/teen
jewelr y/metalsmithing
warm glass
hot glass
sculpture
Class #1620tMark Walker Thurs., 6-10pm, 2/10 - 3/31 8 Sessions, Free Fridays Non-member: $480/Master Member: $432
Advanced Bronze Pour
Patrick Maher, Forged joinery Photo courtesy of the artist
Felt Sculpture
Figurative Sculpture
Explore the limitless possibilities of turning wool fibers into two and three dimensional objects. Wool has incredible transformative qualities, allowing its fibers to bind together to create a solid mass, making felt the clay of the fiber world. You will learn about the unique properties of wool and its many uses, both traditional and contemporary. Emphasis will be placed on flat techniques using raw wool and commonly available felt materials. Prerequisite: None
Learn figure sculpture and understand human form in three dimensions. You will begin by mastering the skill of direct rendering in clay from live models. Modeling in clay is one of the central methods sculptors use for studying the figure. Using the additive and subtractive capacities of clay, you will explore anatomical and structural issues with an emphasis on understanding mass, volume, proportion, center of gravity, balance, and negative space. Prerequisite: None
Class #1644tJean Hicks Sat.-Sun., 10am-6pm, 3/26 - 4/3 4 Sessions Non-member: $330/Master Member: $297
Class #1618tJeanne Ferraro Mon., 6-10pm, 1/24 - 3/14 8 Sessions Non-member: $400/Master Member: $360
Workshop: Moldmaking I Moldmaking is an invaluable skill for a sculptor and this class is a great introduction to learning about the sculptural possibilities of plaster. You will practice making one and two-part molds, watch a demonstration of three-part moldmaking, and learn which materials can be poured into plaster molds to create multiples of your original. Prerequisite: None Class #1551tSusan Balshor Sat., 9:30am-5:30pm, 1/8 1 Session Non-member: $120/Master Member: $108
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Moldmaking and Casting in New Materials Explore moldmaking and casting materials while learning multiple mold types. Hollywood and the manufacturing worlds have developed numerous options for artists. You'll learn the characteristics of silicones, polyurethanes, foams, plastics, and latex materials. The class covers short-cuts, coloring, compatibility, release agents, solid, and roto-casting. By the end of class, you'll have the necessary skills to
2011
Intended for experienced investment casters, this class will provide the time, materials, guidance, and a pour! Day one: discuss project and sprue your prepared wax pattern. Day two: invest your work. Day three: cast. Day four: devest and finish your piece. You'll be allowed one single or two small investments. Come to the first class with a completed wax pattern or mold ready to pour your wax positive. The cost of bronze is not included in the tuition. Prerequisite: Introduction to Bronze Casting Class #1621tLee Campbell Sat., 9am-1pm, 1/15 - 2/5 4 Sessions, Free Fridays Non-member: $300/Master Member: $270
Bronze TIG Welding This class is intended for bronze casters or fabricators who still need to learn how to weld their work together. You will focus on bronze welding and brazing techniques and practice on provided castings before working on your own. Prerequisite: None Class #1622tDan Broxon Sun., 6-10pm, 3/27 - 4/3 2 Sessions, Free Fridays Non-member: $110/Master Member: $99
Master Member’s only registration: November 8–14
drawing
Forging Night
is welcome, whether you're interested in taking more advanced blacksmithing classes or you just want a basic understanding of the process. Prerequisite: None
Class #1623tAlair Wells Sun., 6-10pm, 1/9 1 Session Non-member: $60/Master Member: $54
NEW Forged Hardware for the Home
Class #1624tVance Wolfe Tues., 6-10pm, 1/11 1 Session Non-member: $60/Master Member: $54
NEW Forged Steel Roses
Class #1626tAlair Wells Sat.-Sun., 9:30am-5:30pm, 2/19 - 2/20 2 Sessions Non-member: $220/Master Member: $198
Beginning Blacksmithing
Class #1647tVance Wolfe Sat., 6-9pm, 1/22 - 2/26 6 Sessions Non-member: $270/Master Member: $243
Introduction to Welding and Metal Fabrication
Class #1630tVance Wolfe Thurs., 6-10pm, 3/3 - 3/31 5 Sessions, Free Fridays Non-member: $280/Master Member: $252
NEW Introduction to Forge Welding and Power Hammer Once the only non-mechanical way to join steel, forge-welding, is still an essential skill in any forging shop. In this class you'll learn basic forge-welding techniques and get a hands-on introduction to the power hammer. Over four sessions you'll learn how to forge-weld manually and then move to the power hammer. This advanced class will build on skills acquired in Beginning Blacksmithing and prepare you to get accessed to use the power hammer as a renter. Prerequisite: Beginning Blacksmithing or equivalent Class #1631tDavid Tuthill Tues., 6-10pm, 1/25 - 2/15 4 Sessions, Free Fridays Non-member: $220/Master Member: $198
Introduce yourself to the useful and versatile skills needed to begin working with steel. You'll learn oxy-acetylene and MIG welding as well as plasma-cutting and metal fabrication equipment including the bandsaw, chopsaw, coldsaw, drillpress, grinders, shears, and benders. This class is designed for anyone looking to incorporate metal into their artistic and technical vocabulary. Attending the first two classes is imperative. Class includes a blacksmithing demonstration. Prerequisite: None Class #1634tCarla Grahn Sun., 9am-1pm, 1/30 - 3/20 8 Sessions, Free Fridays Non-member: $450/Master Member: $405 Class #1636tMark Rudis Sun., 6-10pm, 1/30 - 3/20 8 Sessions, Free Fridays Non-member: $450/Master Member: $405 Class #1635tVance Wolfe Tues., 6-10pm, 2/15 - 4/5 8 Sessions, Free Fridays Non-member: $450/Master Member: $405
Fabrication Welding Night Spend an evening welding. This class is designed as a short, fun welding experience, and demonstration of the MIG welding process. It is a great opportunity to explore what the Pratt fabrication shop has to offer, and make a sculpture or small stand. If you're not sure if
Master Member’s only registration: November 8–14
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2011
youth/teen
Pratt offers one of the few blacksmithing programs in the region. Blacksmithing, or forging, is about transforming and shaping mild steel through the use of heat. Using basic techniques such as hammering, twisting, tapers, bends, and splits, you will have the opportunity to create sculptural and functional objects. Everyone
Create a variety of home hardware and accessories of your own design including: door knockers, drawer pulls, hinges, latches and more. Working on a small scale, students will learn basic metalsmithing practices that can also be applied to larger projects including forging, welding, riveting, finishes and patinas. This class will look at both modern and traditional styles so students will be able to create works according to their own design preferences. Prerequisite: None
jewelr y/metalsmithing
Blacksmithing is a craft that has been used for centuries with sculptural as well as functional applications. Using hand tools over an anvil, you'll learn six basic techniques: tapers, upsets, twists, bends, punches, and cuts. By practicing these techniques in class, you will get a feel for blacksmithing and create a few pieces to take home with you. Prerequisite: None
For beginning and intermediate students, this class will explore welding and metal fabrication through hands-on projects. Focusing on creative design in 3-D space, by class end you will create your own sculpture, small work, or piece of furniture.
warm glass
Workshop: Introduction to Blacksmithing
Teen Welding
hot glass
Class #1625tAlair Wells Wed., 6-10pm, 2/2 - 2/9 2 Sessions, Free Fridays Non-member: $110/Master Member: $99
Class #1633tAlair Wells Sun., 6-10pm, 1/23 1 Session Non-member: $60/Master Member: $54
Class #1628tLisa Geersten Tues., 6-10pm, 2/22 - 3/29 6 Sessions, Free Fridays Non-member: $330/Master Member: $297
sculpture
Just in time for Valentine's Day! This is a great opportunity to try your hand at blacksmithing for the first time or build on past classes and learn how to make a rose or roses by employing some basic blacksmithing techniques. Students of all levels and experience are welcome. This will be a fun class and you'll leave with a bouquet that will never wilt. Prerequisite: None
Class #1632tVance Wolfe Sun., 6-10pm, 1/16 1 Session Non-member: $60/Master Member: $54
diverse disciplines
Class #1629tPatrick Maher Mon., 6-10pm, 1/24 - 2/28 6 Sessions, Free Fridays Non-member: $330/Master Member: $297
printmaking
Spend an evening forging. This class is designed as a short, fun blacksmithing experience and demonstration of basic forging processes. It is a great opportunity to explore what the Pratt forging shop has to offer, make a sculpture, hooks, or just enjoy hammering and twisting! If you're not sure if you want to take a full length forging class this is an entertaining way to try it out before registering. Prerequisite: None
you want to take a full length welding class, this is an entertaining way to try it out before registering. Prerequisite: None
painting
Blacksmithing
drawing painting printmaking diverse disciplines sculpture hot glass warm glass jewelr y/metalsmithing youth/teen
Introduction to Welding and the Sculptural Form
Welding II Continuing welders and fabricators: take this class to expand your kills and learn TIG welding for stainless steel, aluminum, and bronze. Learn how to design and plan a project, including layout, preparing cost estimates, purchasing materials, and troubleshooting fabrication problems. Bring your own ideas and learn processes to help you complete your project. Prerequisite: Welding I
While covering the same technical material as Introduction to Welding and Metal Fabrication, this class is designed to also increase your understanding of sculpture and the elements and principles of 3D design. You will become familiar with welding processes, as well as plasma cutting and shop equipment. By blending both technical and aesthetic skills you'll gain an aptitude for working with steel and for seeing and creating with purpose. Attending the first two classes is mandatory. Prerequisite: None
Class #1640tBill Baber Wed., 6-10pm, 1/12 - 3/2 8 Sessions, Free Fridays Non-member: $460/Master Member: $414
Class #1637tBill Baber Mon., 6-10pm, 2/14 - 4/4 8 Sessions, Free Fridays Non-member: $450/Master Member: $405
Torch Craft - Oxy-fuel Welding Techniques
Introduction to Decorative Metalworking This class is suited for students wanting to learn some forging, metal forming, and MIG welding processes. You'll learn how to bend, shape, twist, texture, and join steel to realize decorative projects and organic forms without focusing too heavily on traditional, more technical processes. By combining elements of both fabrication and metal forming, you'll become comfortable in the shops and learn techniques you might want to explore more in the future. Prerequisite: None Class #1638tMarc Mullin Wed., 6-10pm, 3/9 - 3/30 4 Sessions, Free Fridays Non-member: $220/Master Member: $198
Class #1641tKevin Wilbanks Tues., 6-10pm, 1/11 - 2/8 5 Sessions, Free Fridays Non-member: $280/Master Member: $252
Creative Metalworking - Forging and Welding Gain a basic understanding of forging, metalforming, and welding in this introductory class. Learn how to bend, shape, twist, texture, and join steel to create decorative and organic forms without focusing too heavily on traditional, more technical processes of Pratt's other blacksmithing classes. By combining elements of fabrication and metal forming, you'll become comfortable in both shops and get a taste for the techniques you might want to explore more in the future at Pratt. Prerequisite: None Class #1639tCarla Grahn Thurs., 6-10pm, 1/13 - 2/17 6 Sessions Non-member: $340/Master Member: $306
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The oxy-acetylene torch is often seen as an antiquated tool, but as you will learn it can be the most affordable, powerful, and versatile tool in the studio. It is the only tool that can weld, cut, bend, and shape steel. This class will cover a variety of techniques and strategies the instructor has developed over the years for working steel into a surprising array of fluid and organic forms. Using the torch as a primary tool, you will practice demonstrated techniques and make one or two small objects. With the remaining class time, you will have the freedom to experiment technically or apply some of these techniques to a sculpture of your own with individual guidance and instruction. Prerequisite: Introduction to Welding and Metal Fabrication or equivalent
NEW Sculpture in Motion Have you wanted to incorporate movement into your work but weren't sure where to start? This class demystifies motors, gears, sprockets, cams, and complex linkages that'll set your projects in motion! Through demonstrations and hands on experiments you'll gain a basic understanding of transferring motion using mechanical switches, and where to find materials . You will be provided a 'kit' of mechanical parts to start, along with one-on-one assistance from the instructor. Prerequisite: Welding I or equivalent Class #1642tJames Salay Sun., 1:30-5:30pm, 2/20 - 4/10 8 Sessions, Free Fridays Non-member: $450/Master Member: $405
2011
Sabah Al-dahar, Loss, Carved marble Photo courtesy of the artist
Stonecarving Stonecarving I Stonecarving has captured the imagination of artists throughout history for its permanence, tactility, and sensual beauty. Take advantage of Pratt’s stone yard facility and begin working with soft stone. You’ll learn both ancient and modern reductive sculpting techniques with hand carving tools, power tools, and pneumatics. This is a great way to learn about types of stone and how to work with them while producing a small piece by the end of the class. Prerequisite: None Class #1645tAnthony Brigance Cook Sun., 1:30-5:30pm, 2/13 - 4/3 8 Sessions, Free Fridays Non-member: $430/Master Member: $387
Stonecarving II In this class for continuing stonecarving students, you'll learn how to design a piece from start to finish -- from sketching on paper to using your skills to transfer that design to stone. The class will include further discussion of tools, types of stone, and a deeper exploration of carving processes. To get the most out of this class, you must be comfortable with using hand, power, and pneumatic carving tools. Prerequisite: Stonecarving I Class #1646tSabah Al-Dhaher Sun., 9am-1pm, 2/13 - 4/3 8 Sessions, Free Fridays Non-member: $430/Master Member: $387
Master Member’s only registration: November 8–14
drawing painting
hot glass Hot Glass Casting
printmaking
Glass Casting I
diverse disciplines
If you are fascinated with hot glass, try casting it! Ladle molten glass into molds pressed into sand. Learn about sand molds and how to use other mold-making techniques such as plaster bandage, steel, and CO2-bonded sand. Participate in weekly demonstrations and discussions. This is a fun and active class that requires 100% student involvement. Work as part of a team for safe and efficient use of the studio. Beginners and continuing students are welcome! Prerequisite: None Class #1521tCathy Chase Wed., 6-10pm, 2/9 - 3/16 6 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $550/Master Member: $495
Workshop: Introduction to Glassblowing
Class #1512tRebecca Chernow Sat.-Sun., 1:45-5:45pm, 2/5 - 2/6 2 Sessions Non-member: $190/Master Member: $171
Teen Glassblowing Beginning and experienced students are both welcome in this small, focused studio class. You will build a solid foundation as you learn to shape glass and create forms. Students must be a minimum of 15 years old.
Discover the universal appeal of shaping molten glass. Ease yourself into this art form with individualized instruction that covers all the basics of glassblowing, from gathering glass from the furnace, to blowing and shaping bubbles. Learn to use the marver, shape with jacks and begin paper shaping. In addition, learn valuable techniques and safety rules that will give you a solid foundation on which to build your skills. In this class, you will have plenty of time to practice. Prerequisite: None Class #1507tHugh Willa Sun., 6-10pm, 1/23 - 3/13 8 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $690/Master Member: $621
Intermediate Glassblowing Expand on and refine your basic glassblowing skills while working with the four basic shapes: bowl, cone, vase, and cylinder. Learn about teamwork and tool use as well as annealer and glory hole operation. Explore all the details of bits, handles, lip wraps and beginning color application. Learn to design by creating a piece of your own and analyzing the steps needed to
Master Member’s only registration: November 8–14
complete it. Students are encouraged to repeat this class before registering for Experienced Intermediate Glassblowing. Prerequisite: Beginning Glassblowing Class #1508tPaula Stokes Mon., 6-10pm, 1/24 - 3/14 8 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $700/Master Member: $630
Experienced Intermediate Glassblowing Learning to blow glass is like learning to play a musical instrument; it takes a lot of practice and expert instruction. Develop a working routine and method to refine shapes and thin forms using steady heat and efficient moves. Focus on more complicated handles and bits, blown feet, roller wrap, heat, and serve lip wraps. Learn to use the garage, optic molds, and the fluffy torch. Prerequisite: At least two quarters of Intermediate Glassblowing or equivalent Class #1509tRaya Friday Thurs., 6-10pm, 1/27 - 3/17 8 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $700/Master Member: $630
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youth/teen
Class #1649 tElli Bemis Sun., 10am-1:30pm, 1/30 - 3/13 (no class 2/20) 6 Sessions Non-member: $340/Master Member: $306
Beginning Glassblowing
jewelr y/metalsmithing
Class #1514tSasha Tepper-Stewart Sat.-Sun., 1:45-5:45pm, 3/5 - 3/6 2 Sessions Non-member: $190/Master Member: $171
Photo credit: Jeff Curtis
warm glass
Class #1513tHugh Willa Sat.-Sun., 1:45-5:45pm, 1/8 - 1/9 2 Sessions Non-member: $190/Master Member: $171
Paul Cunningham, Sentiero Vases, 2008
hot glass
Beginner glass enthusiasts: here's your chance to try your hand at this fascinating and engaging art form. You will learn to gather glass from the furnace, blow, shape bubbles, and much more. Gain an appreciation for this process while you create paperweights and other basic forms with individualized assistance from the instructor. Prerequisite: None
sculpture
Glassblowing
drawing painting printmaking diverse disciplines sculpture hot glass warm glass jewelr y/metalsmithing youth/teen
Advanced Glassblowing
the garage and hot torch. After establishing a base knowledge by working with literal and abstract shapes, plan and construct your own forms. Learn to use a variety of crimps and tools to create new textures, forms, and skills. Prerequisite: One year of recent glassblowing experience
Are you ready to take your glass work to the next level? Develop the skills to work bigger, longer, and create more complicated pieces. Learn advanced color application and theory, sealed pieces, and switch access while refining your skills. Teamwork and problem-solving will be emphasized including serving more complicated punties! Each session will include a demonstration and time to practice. Prerequisite: 1½ years glassblowing experience
Class #1511tNick Davis Sat.-Sun., 9:30am-5:30pm, 1/15 - 1/16 2 Sessions Non-member: $350/Master Member: $315
Class #1510tCayn Thompson Tues., 6-10pm, 1/25 - 3/15 8 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $700/Master Member: $630
Introduction to Venetian Goblets Learn all of the basic steps to make Venetian style cups. The focus in this class will be teamwork, repetition and patience. Gathering, blowing bubbles, cups, avolios, stems, blown feet, garage techniques, assemblage, and assisting will all be taught. By the end of the class you will have understand what to practice when making Venetian cups. Prerequisite: At least one year of hot shop experience Class #1515tRichard Langley Wed., 6-10pm, 1/12 - 2/2 4 Sessions, Free Fridays to coldshop with current coldshop access card Non-member: $350/Master Member: $315
NEW Workshop: Production to PerfectionAdvanced Venetian Goblet Learn Venetian Goblet techniques including smooth or optic chalice, two-part avolio, stem and blown foot preparation and service, as well as straightening at the bench. Practice and learn various gathering techniques, handles, puntying inside a chalice, and the mezzavolio technique. The appropriate use of frit and color bar to color goblets will also be discussed. Focus on the repetition of difficult techniques to build skills and effectively make Venetian goblets! Prerequisite: Advanced Glassblowing or Introduction to Goblets Class #1520tRyan Staub Sat.-Sun., 9:30am-5:30pm, 3/19 - 3/20 2 Sessions Non-member: $350/Master Member: $315
Want to work more sculpturally but not sure where to start? Learn solid and blown sculpting techniques as well as the basics of working with
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This class will focus on the motions in glassblowing that are not always noticed: precision heating, posture, and efficient movement. Breaking down the basics will be revisited and explored in class so that you can improve your technical ability by understanding your individual difficulties. Dialogue about execution as well as aesthetics will be encouraged. More complex techniques like optic twists, cane, and handles will be demonstrated and tackled, with the understanding that basics should be understood first. Prerequisite: Two years recent glassblowing experience Class #1516tJanusz Pozniak Thurs.-Sun., 9:30am-5:30pm, 1/20 - 1/23 4 Sessions Non-member: $700/Master Member: $630
Intensive: Incalmo
Class #1518tBoyd Sugiki Thurs.-Sun., 9:30am-5:30pm, 3/24 - 3/27 4 Sessions Non-member: $700/Master Member: $630
Coldworking Introduction to Coldworking Welcome to the wonderful world of coldworking! Start with the basics and build from there. Learn to cut, carve, polish, and sandblast glass while practicing safe use of all cold shop equipment. This class will include daily demonstrations. Expect to work hard and have fun! Prerequisite: None Class #1522tRebecca Chernow Sat.-Sun., 9:30am-5:30pm, 1/29 - 1/30 2 Sessions Non-member: $290/Master Member: $261 Class #1523tElli Bemis Sat.-Sun., 9:30am-5:30pm, 2/26 - 2/27 2 Sessions Non-member: $290/Master Member: $261 Class #1524tRebecca Chernow Sat.-Sun., 9:30am-5:30pm, 3/12 - 3/13 2 Sessions Non-member: $290/Master Member: $261
Incalmo, a technique that has a long and distingused history in glassblowing, involves grafting two or more bubbles together while hot, lip to lip, to create horizontal bands of color within a single blown object. Learn this traditional technique, including various approaches to shaping and sizing the blown glass components prior to joining them, while you explore color choices and application methods. Make work you can be proud of as you develop the specific skills necessary to complete this challenging technique. Prerequisite: Two years of recent glassblowing experience Class #1585tPaul Cunningham Thurs.-Sun., 9:30am-5:30pm, 2/17 - 2/20 4 Sessions Non-member: $700/Master Member: $630
Intensive: Tumblers and Bowls
Workshop: Beginning Hot Sculpting
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Intensive: Glass Form, Your Form and What's In-between
and exterior folds will be covered; instruction is personalized and directed to your level of experience. Prerequisite: Two years recent glassblowing experience
Refine your skills and increase your confidence by focusing on tumblers and bowls. These two deceptively simple forms contain a wealth of skill-building information. Discover how to form the glass by using your heat efficiently and effectively. Optic molds, blown feet, interior
2011
Master Member’s only registration: November 8–14
drawing painting
glass arts society
pre and post conference workshops at pratt For the full descriptions and to register, please go to www.pratt.org
Graphic Glass: Screenprinting for Kilnformers
Gain a solid foundation in basic and advanced beadmaking skills with an unusual twist!
Crossing from pen and ink to computer, from kiln room to print studio, incorporate your imagery into glass artwork.
Karina Guévin 5/27 - 5/30, 9:30am-5:30pm $420
Jeffrey Sarmiento 6/6 - 6/8, 9:30am-5:30pm $410
Introduction to Vitreography: Printing from Glass Plates Explore methods of engraving, sandblasting, and etching to create prints that are embossed and rich in color and detail.
sculpture
Morgan Sims & Elli Bemis 5/27 - 5/30, 9:30am-5:30pm $410
Kiln Cast Mold Making: Floating Cores for Hollow Work
Hot Glass Experiment with texture, color, and idea development, all under the guise of having way too much fun in the hot shop.
Paper to Piece, Confessions of a Gentleman Gaffer Learn different aspects and approaches to glass from developing an idea on paper to putting work in the annealer. Jay MacDonell 6/6 – 6/9, 9:30am-5:30pm $720
Advanced Fusing and Design Elements Experiment with numerous advanced kilnworking techniques, including combing and pattern bars, as well as fusing and slumping thicker work. Patty Gray 5/26 - 5/30, 9:30am-5:30pm $680
Jeffrey Sarmiento, Phyllis upon Tyne, 2010, waterjet cut, printed and fused glass
jewelr y/metalsmithing
Laura Donefer 5/27 - 5/30, 9:30am-5:30pm $720
Susan Balshor 5/30 & 5/31, 10am-4pm and 6/6, 10am-2pm $260
warm glass
Dancing with the Diva
Molds for hollow work, both vessels and sculpture, require a unique approach. Learn this technique through demonstration and hands-on experience.
hot glass
Jay Macdonell, Allium Bulb (Poppy Red Mono), 2008, Blown Glass
Photo credit: David Williams
Lampwork: Beyond the Usual Through demonstrations and hands-on practice time, learn new technical skills and methods for generating new ideas and enhancing your creative style. Bandhu Scott Dunham 6/6 - 6/9, 9:30am-5:30pm $460
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2011
youth/teen
Master Member’s only registration: November 8–14
diverse disciplines
More Color!!!!!
printmaking
Warm Glass
designs. Your individual projects and specific needs will be addressed. Be prepared to complete assignments between meetings. You will be responsible for purchasing the glass used in your projects. Prerequisite: Kiln Casting I
drawing printmaking
painting
warm glass Class #1549tSusan Balshor Tues., 6-10pm, 1/11 - 3/1 8 Sessions, Free Fridays to the Mold room Non-member: $490/Master Member: $441
diverse disciplines
Pâte de Verre: Bas Relief and Small Vessel Pâte de Verre is a fascinating technique that involves pressing colorful glass pastes into molds to produce glass sculptures with intricate color layers and textures impossible to create any other way. Learn how to make glass pastes, refractory molds, and the techniques and concepts necessary to create bas relief, glass tile, pieces in the kiln. Both beginning and continuing students are welcome. Prerequisite: None
youth/teen
jewelr y/metalsmithing
warm glass
hot glass
sculpture
Class #1550tKatie Miller Sat.-Sun., 9:30am-5:30pm & Thurs., 6-10pm 2/5, 2/6 & 2/10 3 Sessions Non-member: $270/Master Member: $243
Fusing Rachel Rader, Blue Lagoon, bracelet, glass, polymer clay, fresh-water pearls, Austrian crystal, silver, plastic, polyester, velvet, 2010 Photo credit: Stephen Vest
Kiln Forming Workshop: Image Transfer on Glass Transferring images onto glass has become increasingly popular. Learn this technique using an ultraviolet-sensitive film, glass enamels, and kiln-forming techniques. Get familiar with the basics of glass cutting and design, kiln-programming and set-up, mixing and painting with glass enamels, and sandblasting. Bring your images and ideas to class because there will be lots of time for you to experiment with the demonstrated techniques. Prerequisite: None Class #1548tLaura Ward Sat.-Mon., 9:30am-5:30pm, 1/22 - 1/24 3 Sessions Non-member: $390/Master Member: $350
Kiln Casting II Continue to build your mold-making vocabulary as you explore more materials and techniques in kiln-casting. A variety of materials will be introduced as well as problem-solving kiln-casting
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Fusing Open Studio Be inspired by fellow members of the kilnforming glass community in this six hour open studio. Bring your own glass to create projects and enjoy access to tools, kilns and non-glass supplies. The studio will be staffed for guidance and to answer questions. Kiln space and firing types are based on interest and attendance. No reservations or deposits are required, just drop in during one of our scheduled sessions. Prerequisite: Fusing I or equivalent $15 per day Jan 28 3-9pm Feb 18 3-9pm Mar 18 3-9pm
Workshop: Introduction to Fusing and Slumping Explore the basics of fusing and slumping glass while making beautiful pieces in the kiln! Learn to cut, grind, assemble, and fire glass. With hands-on experience, you will learn to use glass sheet, frit, powder, and more to achieve rich effects in line and color. Prerequisite: None Class #1539tSasha Tepper-Stewart Sat.-Sun., 10am-4pm, 1/15 - 1/16 2 Sessions Non-member: $210/Master Member: $189
2011
Class #1540tSasha Tepper-Stewart Sat.-Sun., 10am-4pm, 3/19 - 3/20 2 Sessions Non-member: $210/Master Member: $189
Fusing I Learn the art of fusing and slumping glass. Study the different principles of cutting and shaping glass, while using glass frits, powders, and stringers to create exciting designs. Learn about metal inclusions, painting on glass, and proper kiln setup and firing. Prerequisite: None Class #1541tMarja Huhta Tues., 6-10pm, 1/11 - 2/15 6 Sessions Non-member: $370/Master Member: $333
Fusing II Getting great results from your fused glass projects requires practice, knowledge of the material, and learning tips and tricks. This class will give you all of that and more. Continue exploring the artistic potential of frits and powders and learn how to use fiber paper and other techniques to create dynamic designs. In this class, you will learn to achieve creative and predictable results. Come with your ideas and learn how to bring them to life! Prerequisite: Fusing I Class #1542tRobin Oakes Wed., 6-10pm, 1/12 - 2/16 6 Sessions Non-member: $380/Master Member: $342
Advanced Fusing - Pattern Bars Create more complex kiln-formed glass pieces by learning to create pattern bars as design components. Expand and stretch your design perspective by creating both organic and geometric pieces with pattern bars. Also, enhance your coldworking skills while refining your work. Kiln-programming for annealing thicker and more complex work will be discussed and demystified. Prerequisite: Fusing I Class #1543tMarja Huhta Tues., 6-10pm, 2/22 - 3/29 6 Sessions Non-member: $380/Master Member: $342
Workshop: Dichroic Fused Glass Jewelry Create fused glass jewelry while exploring your own unique style. Learn about glass compatibility and ways to combine dichroic glass to other glass, creating new results. Multiple techniques will be covered including how to cut, arrange, and stack glass, kiln operation, and proper fusing techniques. Learn how to shape your
Master Member’s only registration: November 8–14
drawing
NEW Workshop: Dichroic Fused Glass Jewelry II
Workshop: Drawing with Frit and Powder
In Strip Cut Construction, the project is composed of precisely cut strips of glass, cut as wide as the thickness of the body of the piece. Learn to achieve very precise designs by varying the colors and the arrangement of the strips. This method is time-consuming and exact, but the results are worth it! Make test panels, and learn cutting methods as well as coldworking and slumping thicker work. Prerequisite: Fusing I
Class #1650tStacy Frost Wed., 3:30-5:30pm, 1/12 - 2/16 6 Sessions Non-member: $150/Master Member: $135
Beadmaking I Get started making glass beads and marbles! This is a great opportunity to work with hot glass on a small scale. In addition to the basics, you'll learn bead shaping and how to work with frit, stringers, and murrini construction and application. This is your first step into the endless opportunities in the art of beadmaking. Prerequisite: None Class #1532tStacy Frost Wed., 9am-1pm, 1/26 - 3/23 (no class 2/23) 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Visiting Artist Program: Understanding Heat in Beadmaking Learn how to properly form beads by understanding the heat they are using. Recognize radiant heat 'colors' in glass that are the key to bead control. This class fills in all the gaps of understanding the bead making process. Move you forward in your quest for the better bead! Prerequisite: Beadmaking I Class #1675tJames Smircich Thurs.-Sun., 9:30am-5:30pm, 3/31 - 4/3 4 Sessions Non-member: $460/Master Member: $414
Workshop: Custom Bronze Tools
Beadmaking II Refine and improve the technical quality of your glass beads. In this class, you will develop expertise in encasing, shaping, and manipulating beads. Surface decoration, color application, and hollow bead making will also be covered. Learn everything you need to know to take your beadmaking skills to the next level. Prerequisite: Beadmaking I Class #1533tStacy Frost Thurs., 9am-1pm, 1/27 - 3/24 (no class 2/24) 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Photo courtesy of the artist
Create custom bronze tools for use in lampworking. Use bronze clay to create texture stamps and mashers. Learn which type of rubber stampings work and how you can customize them for your personal use. Try out your new bronze clay tools to create new and exciting textures in your work! Prerequisite: Beadmaking I Class #1536tLeslie Thiel Sat.-Sun., 9:30am-5:30pm, 1/29 - 1/30 2 Sessions Non-member: $210/Master Member: $189
Class #1534tCheryl Matson Thurs., 6-10pm, 1/27 - 3/17 8 Sessions, Free Fridays Non-member: $390/Master Member: $351
Master Member’s only registration: November 8–14
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2011
youth/teen
Class #1547tKatie Miller Sat.-Sun., 9:30am-5:30pm, 3/5 - 3/6 2 Sessions Non-member: $260/Master Member: $234
In this class you will learn how to manipulate molten glass over a benchtop torch to create a variety of shapes, and then apply designs to the surface of the glass. Creativity, safety, and fun are emphasized!
James Smircich, New Black Web, Reduction of thin Opal White glass on transparent Uranium Yellow glass, 2007
jewelr y/metalsmithing
NEW Workshop: Strip Cut Construction
Teen Glass Beadmaking
warm glass
Class #1546tRobin Oakes Sat.-Sun., 9:30am-5:30pm, 3/26 - 3/27 2 Sessions Non-member: $250/Master Member: $225
Class #1531tDonna Prunkard Sat.-Sun., 9:30am-5:30pm, 1/15 - 1/16 2 Sessions Non-member: $210/Master Member: $189
hot glass
Looking for complex colors and designs in fused and slumped glass? Delve into the mysteries of transparent and opaque colors and how they react with each other. Use small chunks of glass (frit) or powdered glass to create intricately designed pieces that you can fuse together, and then slump them to create a variety of shapes. Also learn how light affects your creations, and how to use it to your advantage. Prerequisite: None
james smircich
sculpture
Class #1545tMarja Huhta Sat.-Sun., 9:30am-5:30pm, 3/12 - 3/13 2 Sessions Non-member: $260/Master Member: $234
Glass beadmaking is your chance to work hot glass on a small scale at a bench torch. Learn techniques including molten glass manipulation, basic bead shapes, stringers for surface embellishment, marving for shaping, surface design application, bead cleaning, annealing in a kiln or vermiculite, and more. Although oriented toward beginners, continuing students are also welcome! Prerequisite: None
visiting artist
diverse disciplines
Build upon your basic fused glass jewelry skills. Practice your technique and improve your work through thoughtful design, coldworking methods, and multiple firings to create one of a kind jewels. Access to cold shop equipment, including the flat lap and belt sander, will be included. Learn how to finish your polished jewels into pendants, earrings, and pins by adhering findings and wire wrapping. Home studio setup - including costs and other considerations, will be discussed. Prerequisite: Dichroic Fused Glass Jewelry or equivalent
Workshop: Introduction to Beadmaking
printmaking
Class #1544tMarja Huhta Sat.-Sun., 9:30am-5:30pm, 2/26 - 2/27 2 Sessions Non-member: $250/Master Member: $225
Beadmaking
painting
work by coldworking and fire-polishing in the kiln. Finally, learn to finish your pieces by using wrapping wire and adhering findings. Prerequisite: None
drawing painting printmaking diverse disciplines sculpture hot glass warm glass jewelr y/metalsmithing youth/teen
Flameworking
Off Mandrel - Sculptures at the Torch There is a world of sculptural possibilities beyond beadmaking. This class will introduce you to working 'off-mandrel' at the torch and will focus on creating small sculpture rather than beads. Learn techniques on how to control heat, use a punty instead of a mandrel, and the full potential of the tools in the flameworking studio for sculptural applications. Prerequisite: Beadmaking I Class #1535tRachel Rader Tues., 6-10pm, 3/8 - 3/29 4 Sessions, Free Fridays Non-member: $210/Master Member: $189
Using a bench top torch, combine simple stainless steel screws and rods of soft glass into unique drawer pulls. Learn the basics of manipulating soft (soda lime) glass on a torch, how to shape and marver, as well as how to use color in the form of glass frit, powder, stringers and the use of metal leaf. The possibilities are endless. Bring your ideas to life and take home drawer pulls of your own design! Prerequisite: None
Workshop: Stems and More By disassembling store-bought wine glasses, learn to incorporate off-mandrel techniques to create unique stems using soft glass. The instructor will teach different latticino, twists and sculpture techniques. You will also be introduced to techniques in blowing soft glass with the torch and how to use these pieces to decorate your work. Leave this class with a set of custom wine glasses. Prerequisite: Introduction to Beadmaking or Flameworking Class #1538tCheryl Matson Sat.-Sun., 9:30am-5:30pm, 2/19 - 2/20 2 Sessions Non-member: $210/Master Member: $189
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Flameworking I Learn the fundamentals of flameworking, melting, and manipulating glass over a benchtop torch. Explore the artistic possibilities of this warm glass technique used for creating everything from beads to vessels to sculptures. You will learn about tools, safety, equipment, and techniques of this versatile and popular art form. The emphasis of this class is on borosilicate glass. Beginning and returning students are welcome. Prerequisite: None Class #1525tJames Minson Wed., 6-10pm, 1/12 - 2/16 6 Sessions, Free Fridays Non-member: $370/Master Member: $333
Workshop: Flameworked Drawer Pulls
Class #1537tStacy Frost Sat.-Sun., 9:30am-5:30pm, 2/5 - 2/6 2 Sessions Non-member: $210/Master Member: $189
Workshop: Introduction to Hollowware If you are interested in making vessels and goblets in borosilicate glass at the torch, then this class is for you! Learn the basics of using tubing on the torch and borosilicate techniques, such as hollow forms, incalmo, and goblets. Experiment with a variety of color applications and learn about annealing for borosilicate glass. Prerequisite: Flameworking I Class #1527tJustin Bagley Sat.-Sun., 9:30am-5:30pm, 3/5 - 3/6 2 Sessions Non-member: $250/Master Member: $225
NEW Workshop: Montage - Color, Pattern, and Technique
Take your flameworking skills to the next level and learn standards of boroscilicate techniques, including advanced hollow forms, incalmo, proper use of a blow hose, and goblet production. Applications of colored glass and annealing processes will also be discussed. Prerequisite: Flameworking I
Take your work to the next level while learning the basics of flameworking Montage techniques. Learn to work with multiple sections as well as working in the interior of borosilicate tubing. This hands-on class will teach using borosilicate color to create a variety of complex patterns including basic inclamo, reverse axis, disk flips, implosion marbles, and pendants. Prerequisite: Flameworking II
Class #1526tJustin Bagley Wed., 6-10pm, 2/23 - 3/30 6 Sessions, Free Fridays Non-member: $370/Master Member: $333
Class #1530tNick Ashman Sat.-Sun., 9:30am-5:30pm, 3/19 - 3/20 2 Sessions Non-member: $250/Master Member: $225
Flameworking II
Workshop: Goblets and Vessels Have you always wanted to make goblets but weren't sure where to begin? Or maybe you've already tried and want to refine your techniques? Start from the beginning with the basics and move through the steps necessary to create a finished piece. Learn a variety of methods for making cups and feet and joining them together. Prerequisite: Flameworking I Class #1529tMike Conrad Sat.-Sun., 9:30am-5:30pm, 2/26 - 2/27 2 Sessions Non-member: $250/Master Member: $225
2011
Master Member’s only registration: November 8–14
drawing painting
jewelry/metalsmithing Intensive: Jewelry/Metalsmithing I with Sarah Loertscher
printmaking
In four days, instruction covers the basics of metalsmithing with an emphasis on design. Jewelry is often a study in multiples, and for this intensive you'll take a favorite shape and continue repeating it in basic techniques. You'll learn piercing, filing, riveting, soldering, bezel setting, surface design, and finishing. Whether you're a beginner or taking this as a refresher course, expect to leave the class with one completed piece of jewelry, and the skills and materials to make many more. Prerequisite: None
diverse disciplines
Class #1601tSarah Loertscher Thurs.-Sun., 9:30am-5:30pm, 1/13 - 1/16 4 Sessions Non-member: $350/Master Member: $315
Jewelry/Metalsmithing I
Class #1614tSusanne Lechler Osborn Thurs., 1:30-5:30pm, 2/3 - 3/24 8 Sessions, Free Fridays Non-member: $350/Master Member: $315
Jewelry/Metalsmithing II
Class #1611tJennifer Stenhouse Tues., 1:30pm-5:30pm, 1/18 - 3/8 8 Sessions, Free Fridays Non-member: $360/Master Member: $324
Introduction to Jewelry Lost Wax Casting
Alternative Metals and Materials in Jewelry Making
Learn how to design and create wax models for the centrifugal casting process. Additional topics include cuttlefish casting, direct pour processes, creating stone settings in wax, finishing, problem solving, and small-scale production. You will be able to produce several finished pieces for jewelry, sculptural, and functional applications. This class accommodates all skill levels. Prerequisite: Jewelry/Metalsmithing I or equivalent
With the cost of precious metals rising many contemporary jewelers are turning to nonprecious materials as an alternative to silver and gold in their jewelry. This class explores the possibilities of low cost alternative materials in jewelry making. You will learn to solder and etch with steel, explore cold connections and anodizing with titanium, forge with iron, and cast with concrete. The instructor will also cover incorporating materials like paper, wood, found objects, acrylic, and resins into jewelry. Prerequisite: Jewelry/Metalsmithing I or equivalent and ability to solder
Class #1612tJennifer Stenhouse Tues., 6-10pm, 1/18 - 3/8 8 Sessions, Free Fridays Non-member: $360/Master Member: $324
Stone Setting: Bezel and Beyond
Class #1661tAmy Reeves Wed., 1:30-5:30pm, 1/19 - 3/9 8 Sessions, Free Fridays Non-member: $360/Master Member: $324
Cabochon, faceted or free form stone, found object--if you have it, you can learn how to set it! Although the basic bezel is a great place to
Master Member’s only registration: November 8–14
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youth/teen
Designed to build upon your basic skills, this course will expand your technical vocabulary, allowing you to create increasingly more complex designs. Make hollow forms with the hydraulic press, join metal with various cold connections, enhance surfaces with chasing
Class #1660tAmy Reeves Wed., 6-10pm, 1/12 - 3/2 8 Sessions, Free Fridays Non-member: $350/Master Member: $315
jewelry/metalsmithing
Class #1659tSarah Gascoigne Thurs., 9am-1pm, 1/20 - 3/10 8 sessions, Free Fridays Non-member: $350/Master Member: $315
start, many other settings often work better for a particular stone or better highlight its unique qualities. Expand your repertoire! Demonstrations include bezel, basket, prong, post, turtle, tube, flush, channel settings, and more. You will produce both samples and finished elements for jewelry applications. Prerequisite: Jewelry/Metalsmithing I and ability to solder
warm glass
Class #1616tSarah Gascoigne Sun., 6-10pm, 1/16 - 3/13 8 sessions, Free Fridays (no class 2/6) Non-member: $350/Master Member: $315
and repoussé, and practice several stone settings. You will also learn fold-forming, create your own findings, and recycle your scrap metal into sterling, shibuichi, and reticulation silver. Students are encouraged to repeat this class, as content varies according to the instructor. Prerequisite: Jewelry/Metalsmithing I or equivalent
hot glass
Class #1613tRoger Horner Wed., 9am-1pm, 1/19 - 2/23 6 Sessions, Free Fridays Non-member: $260/Master Member: $234
Photo Credit: Hap Sakwa
sculpture
Designed for beginners and those needing a refresher, this class introduces students to the fundamentals of metalworking. Via demonstrations, individualized instruction, and plenty of practice, you will develop basic skills in sawing, filing, soldering, riveting, texturing, and polishing, as well as the safe use of power and hand tools and studio chemicals. We encourage you to repeat this class with several teachers, not only to strengthen your skills, but also to benefit from the expertise of each instructor. Prerequisite: None
Sarah Loertscher, Structure Earrings, Sterling silver and gold, 2009
drawing painting
Workshop: Many Ways to Make Metal Beads
youth/teen
jewelry/metalsmithing
warm glass
hot glass
sculpture
diverse disciplines
printmaking
Learn how to construct hollow metal beads by forming, sinking, dapping, and stretching sheet brass, copper, and Sterling silver. You will also be shown wire and openwork techniques, as well as stringing possibilities, linkages, and patinas. Enhance your soldering and bench skills by making numerous kinds of beads beyond just spherical shapes. Originally offered as an 8-week class, the course material has been condensed to accommodate weekend workshop students. Retuning students are welcome. Prerequisite: Jewelry/Metalsmithing I or equivalent Class #1673tJane Martin Sat.-Sun., 9:30am-5:30pm, 1/22 - 1/23 2 Sessions Non-member: $200/Master Member: $180
NEW Workshop: Flatware Teaspoons & Demitasse Spoons
Amy Reeves, River Rocks, Collar, Sterling Silver, 2006 Photo Credit: Doug Yaple
Chasing and Repoussé
Tool Making
Explore a technique that has been used since antiquity. Using small punches, you'll create designs in low or high relief, adding texture and form to your work. The hydraulic press will help you create repeated forms to develop. Choose your own designs or rise to the challenge of working from microphotography as you create small tiles or jewelry pieces. You will also learn to make a few custom tools. Your individual projects and needs will be encouraged and accommodated. Prerequisite: Jewelry/Metalsmithing I or equivalent
Does it seem like some people 'just know' how to make their own tools? Learn how to make your own specialty chisels, chasing tools, and stamps in this class! Customize a readymade hammer and turn it into a signature texturing hammer that you'll have forever. You'll acquire an understanding of how steel is different from the nonferrous metals commonly used in the jewelry studio, as well as a set of tools to take home with you. Prerequisite: Jewelry/Metalsmithing I or equivalent
Class #1664tSarah Gascoigne Thurs., 6-10pm, 3/17 - 4/7 4 Sessions, Free Fridays Non-member: $200/Master Member: $180
Working with Resin
NEW Production Design & Fabrication This class was created to strengthen your design and fabrication skills. While geared towards designing a production line, this class is extremely useful for anyone interested in building a related body of work. We will cover how to hone your design skills to create an aesthetically cohesive body of work, how to best finish jewelry for wearability, when and how to use commercial findings, and advanced soldering and fabrication techniques. Prerequisite: Jewelry/Metalsmithing 1 or equivalent Class #1662tSarah Loertscher Thurs., 6-10pm, 1/20 - 3/10 8 Sessions, Free Fridays Non-member: $360/Master Member: $324
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Class #1658t Roger Horner Wed., 9am-1pm, 3/9 - 3/30 4 Sessions, Free Fridays Non-member: $200/Master Member: $180
Are you curious about resin? Looking for a fresh way to add color to your work? This short class introduces you to Ice Resin, a clear, nonyellowing substance that is perfect for capturing bits of your world and enhancing your handcrafted jewelry. Learn how to embed images, small found objects, and other materials into metal bezel cups of your own making. Once the resin hardens, everything caught beneath it is forever held in place. Prerequisite: Some soldering experience is helpful but not required
Bronze has been used for flatware by Thai smiths for a long time. Now it's your turn. Learn how to make your own demitasse spoons or teaspoons or flatware of your own design. Through step rolling and forging, you'll create flatware that conforms to the final template that you will scribe onto your metal. After some filing, bending, and piercing, along with a final polish, you'll have what will surely become a family heirloom. Prerequisite: Jewelry/Metalsmithing I or equivalent Class #1602tRoger Horner Sat.-Sun., 9:30am-5:30pm, 1/29 - 1/30 2 Sessions Non-member: $200/Master Member: $180
Workshop: Let's Make a Ring Have you ever wanted to make a special ring for yourself or for someone else, but you lack the basic skills? This workshop covers everything you need to know to design and create a ring with a stone setting. If you have an interest in jewelry making, this is the perfect short introduction. This is a fun course for couples or anyone interested in making a unique Valentine's gift. Novices and the curious are encouraged to enroll. Prerequisite: None Class #1604tJennifer Stenhouse Sat.-Sun., 9:30am-5:30pm, 2/12 - 2/13 2 Sessions Non-member: $200/Master Member: $180
Class #1663tSusanne Lechler Osborn Wed., 6-10pm, 3/9 - 3/30 4 Sessions, Free Fridays Non-member: $220/Master Member: $198
2011
Master Member’s only registration: November 8–14
drawing
NEW Workshop: Get It & Go - Hinges
NEW Workshop: Chains, Chains, Chains!
Phillip Baldwin, Cooper’s Rings, 14KPW/stg mokume, 22K gold, 2005
For our weekend students, we've compressed our popular 8-week soldering class into this workshop, designed to expand your soldering skills and encourage confidence at the torch. We will review basic soldering joints, discuss various soldering techniques and their appropriate usage, cover common soldering problems and solutions, and have plenty of time in class to practice. You can expect to leave with an assortment of soldering samples that will serve as helpful reminders of all you've learned. Prerequisite: Jewelry/Metalsmithing I or familiarity with soldering Class #1609tSarah Loertscher Sat.-Sun., 9:30am-5:30pm, 3/19 - 3/20 2 Sessions Non-member: $200/Master Member: $180
NEW Workshop: ImagOn for Etching & Enameling Etching is great for transferring detailed designs to sheet metal. Learn a reliable method for affixing imagery to metal before etching. ImagOn allows for high detail and holds up extremely well in ferric chloride. You'll learn how to use ImagOn in the studio, how to set it up at home, and how to etch with ferric chloride. On the last day, you'll practice various approaches to enameling these dimensional surfaces, as you work on pieces from your own etched sheets. Prerequisite: None
Photo courtesy of the artist
Mokume-Gane Pattern Making Learn how to produce a pattern in raw Mokume using flat grain and rod stocks. The range of different patterns is infinite, and by developing your own pattern, you can make the material unique to your own work. Workshop participants will start by making sample pattern pieces in brass/copper Mokume and will then produce a finished work such as a bracelet, belt buckle, or small dish using the Mokume stock of their choice. Sample pattern stock will be supplied as a part of the workshop; students wishing to purchase other stock for use in the workshop will be able to do so at wholesale prices. Phillip Baldwin has been working with patterned metals since 1968. He has made many of the mistakes already, and is more than willing to share this information with the workshop participants. Prerequisite: Jewelry/Metalsmithing I or equivalent Class #1603tPhillip Baldwin Sat.-Mon., 9:30am-5:30pm, 2/5 - 2/7 3 Sessions Non-member: $320 Master Member: $288
Class #1610tRebbecca Tomas Sat.-Mon., 9:30am-5:30pm, 3/26 - 3/28 3 Sessions Non-member: $270/Master Member: $243
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youth/teen
Master Member’s only registration: November 8–14
jewelry/metalsmithing
Class #1607tTheresa St. Romain Sat.-Sun., 9:30am-5:30pm, 3/5 - 3/6 2 Sessions Non-member: $200/Master Member: $180
NEW Workshop: More Soldering - Intermediate & Advanced Techniques
warm glass
A chain can be the highlight of any piece of jewelry, whether worn alone as a necklace or bracelet, or used to suspend a pendant or charm. In this workshop you will learn several chain patterns of various styles and complexity and will make sample lengths of each. The instructor will also demonstrate a variety of clasps and findings. This is an excellent class to practice your soldering skills. Prerequisite: Jewelry/Metalsmithing I or equivalent; ability to solder without assistance
Class #1674tVirginia Causey Sat.-Sun., 9:30am-5:30pm, 3/12 - 3/13 2 Sessions Non-member: $310/Master Member: $279
hot glass
Class #1606tVirginia Causey Sun., 10am-6pm, 2/27 1 Session Non-member: $100/Master Member: $90
philip baldwin
sculpture
There is something irresistible about articulated jewelry. People like moveable parts! Hinges are functional elements that help create an enclosed space (as in a locket) or give movement and form (as in a segmented bracelet) to your work. Learn how to make a perfect basic hinge from a pro in this short workshop. Variations will also be demonstrated, time permitting. Prerequisite: Jewelry/Metalsmithing I or equivalent
master artist
diverse disciplines
Class #1605tRebbecca Tomas Sat.-Sun., 9:30am-5:30pm, 2/19 - 2/20 2 Sessions Non-member: $210/Master Member: $189
Precious Metal Clay and BronzClay are remarkable substances that are worked like clay, but fire into solid metal objects that can be manipulated just like raw metal. Come learn how to make hollow forms, beads, molds, and texturing stamps. You'll also learn how to solder, enamel, and finish your fire pieces. Experimentation is encouraged! This workshop accommodates beginner through advanced students, and may be repeated. Supply fee is included in the tuition. Prerequisite: None
printmaking
Learn the art of enameling and add color to your work! Once you understand how to apply and fire enamel, you'll learn several ways to treat and build upon your base coat, and how to design and lay wires for cloisonné work. You'll then be able to choose between practicing surface design techniques or working on a cloisonné piece. By the end of the weekend, you'll have samples or finished earrings and pendants to take home. May be repeated. Prerequisite: None
Workshop: PMC & BronzClay!
painting
Workshop: Introduction to Enameling - Surfaces & Cloisonné
drawng painting printmaking diverse disciplines sculpture hot glass warm glass jewelr y/metalsmithing youth/teen
youth art works To spark young imaginations and create the next generation of artists Pratt provides over 800 children and youth with an experiential arts education. Programs are offered during the school day, after school, and on weekends at Pratt and nearby partner organizations such as The Seattle Urban League, Chinese Information & Service Center, and Washington Middle School. Teen Afterschool & Weekend Classes Teen Glass Beadmaking In this class you will learn how to manipulate molten glass over a benchtop torch to create a variety of shapes, and then apply designs to the surface of the glass. Creativity, safety, and fun are emphasized! Class #1650tStacy Frost Wed., 3:30-5:30pm, 1/12 - 2/16 6 Sessions Non-member: $150/Master Member: $135
school year art weeks for middle school and high school students Mid-Winter Break February 21-25
Teen Welding
Beginning and experienced students are both welcome in this small, focused studio class. You will build a solid foundation as you learn to shape glass and create forms. Students must be a minimum of 15 years old.
For beginning and intermediate students, this class will explore welding and metal fabrication through hands-on projects. Focusing on creative design in 3-D space, by class end you will create your own sculpture, small work, or piece of furniture.
Class #1649 tElli Bemis Sun., 10am-1:30pm, 1/30 - 3/13 (no class 2/20) 6 Sessions Non-member: $340/Master Member: $306
Class #1647tVance Wolfe Sat., 6-9pm, 1/22 - 2/26 6 Sessions Non-member: $270/Master Member: $243
Teen Screenprinting Experiment with stencils, photographic, and direct drawing process while you learn to create a silkscreen image. Bring in found objects, photographs and drawings to create your own t-shirts, posters and more! Class #1487tKerstin Graudins Wed., 3-5pm, 2/23 - 3/30 6 Sessions Non-member: $150/Master Member: $135
Come join us for a week of art during the school year! Art week packages include welding, hot glass beadmaking, screenprinting, jewelry, sculpture and more. You will also watch glassblowing demonstrations, take part in mini-workshops, and show your artwork at a gallery reception for each week’s artists! Registration begins midNovemeber. Contact the Youth Art Works Coordinator for more details at 206-328-2200 x224 or email lhotchkiss@pratt.org
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Delve into the vivid and dynamic world of Urban/Graffiti Art as esteemed artist and Hip Hop activist Daniel 'King Khazm' Kogita explores the controversial art-form and medium. This class will cover foundational aspects of the art form such as the elements and principles of design, the evolution of letters, hand-styles, throwies, wildstyle pieces, and various techniques that will enhance your skills whether you're a beginner or an expert. Class #1648tDaniel Kogita Friday, 6-9pm, 1/14 - 2/18 6 Sessions Non-member: $190/Master Member: $171
Spring Break April 18-22
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Free Teen Screen! Night Out Workshop In this free teen workshop you will get a hands on look at how to screenprint t-shirtsall in one night! Bring a t-shirt and come prepared to make something fun to wear! Dinner included. Kerstin Graudins Sat, 5-9pm, 1/15 Free
Master Member’s only registration: November 8–14
drawing painting
Kids Art Works Free Classes
More classes for K–8
Class #1657tShannon Kelly Anderson Sat., 2-4pm, 1/15 - 3/5 8 Sessions Non-member: $120/Master Member: $108
Class #1676tAaron Murray Sat., 10am-11:30am, 1/15 - 3/5
Foundations in Art: Egyptian Style (Ages 8-10) In this class you will learn techniques in a variety of mediums to create 2-D and 3-D artwork. From hieroglyphics to masks, Ancient Egypt will come alive as you build a greater foundation of basic skills. Class #1677tEllen Hochberg Sat., 12-1:30pm, 1/15 - 3/5
Urban Arts: Adding Style to the Alphabet (Ages 11-14)
8 Elements of Art - Exploring Birds (Ages 8-10)
Class #1656tTrisha Gilmore
Class #1678tSara Ferguson Sat., 2-4pm, 1/15 - 3/5
Sat., 10-11:30am, 1/15 - 3/5 8 Sessions Non-member: $100/Master Member: $90
To register for a youth art works class, a parent or guardian must complete and sign the youth registration form. You may fax, mail, or drop off registrations in person. The youth registration form is available at www.pratt.org or in person at Pratt.
Master Member’s only registration: November 8–14
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youth/teen
Contact: Lily Hotchkiss, Youth Art Works Coordinator lhotchkiss@pratt.org / 206-328-2200 x224 Visit Youth Art Works at http://prattyouthartworks.wordpress.com/
jewelr y/metalsmithing
Adding Style to the Alphabet is an introduction course to the urban arts, designed to provide you with a foundation of skills that apply to all art forms. Starting with the origins of graffiti you will learn about urban and public art as they learn how to create their own stylized lettering and tags.
Learn eight elements of art using birds as the common thread. Explore the concepts and vocabulary of a single element each class. Create take-home project such as bird monoprints, eggs, collages, still lives with nests, art trading cards, and more!
warm glass
Class #1655tAaron Murray Sat., 12pm-1:30pm, 1/15 - 3/5 8 Sessions Non-member: $90/Master Member: $81
Discover the excitement of creating art with reclaimed and recycled materials. Invoke your imagination with bottle caps and trinkets while learning a variety of techniques. By the end of class you will have created a vivid personal narrative through the process of making a unique assemblage grotto.
hot glass
Robots, birdhouses, creatures, or picture frames - practical or playful - you can create almost anything out of cardboard and still use it again! In this class you will free your imagination as you explore the fundamentals of 3-D art and construction.
Shipwreck Grotto - Mixed-Media Mosiac Assemblage (Ages 11-14)
sculpture
Building in 3-D - A Cardboard Recylcling Lab! (Ages 5-7)
Long time Pratt Youth Art Works teaching artist, Aaron Murray, offers up a wide variety of mediums and techniques for you to explore. Drawing, clay, wood….it's a time to create! Projects are open ended and developmentally appropriate for k-2 students.
diverse disciplines
Explorations in Art: In a Myriad of Mediums (Ages 5-7)
printmaking
Our free Saturday classes are intended to introduce students to a wide variety of mediums and art forms. Priority is given to students who live in the Central District. Pratt’s free kids classes are sponsored by The Laird Norton Family Foundation, Fales Foundation Trust, and D.V & Ida J. McEachern Charitable Trust.
instructors Phillip Baldwin picked up a hammer and started smithing hot metal in 1967 and has yet to put it down. His work ranges from jewelry to architectural scale with side investigations into forge building and other for-the-field development. He has widely taught (first class in 1976) and has exhibited nationally and internationally.Scott Ball received a BFA at UW, MFA at SUNY-Albany, and is currently the Sculpture Manager at Pratt. Scott has also worked on theatre, television, and retail projects in NYC where he managed casting/moldmaking and mecha-tronics projects. His work is primarily mixed-media and installation. He has shown in Washington and New York. Susan Balshor holds degrees in Sculpture and Philosophy. She has been a scholarship recipient, teaching assistant, artist assistant and on staff, as well as an instructor, at Pilchuck. She was included in Bullseye’s 2008 Emerge and Corning New Glass Review in 2009. Her work is primarily mix media incorporating bronze, glass, wood, plaster, steel, and paint. Ross Palmer Beecher studied at the Rhode Island School of Design. She moved to Seattle in 1979 and is represented by the Greg Kucera Gallery. She has created public artworks for the Seattle-Tacoma International Airport, Vashon landfill, and Harborview Medical Center. Beecher is the recipient of SAM’s 2002 Betty Bowen Artist Award. Elli Bemis received a BFA from the Susan Balshor, Light House #2, Kiln Cast Lead Crystal, 2004 Photo courtesy of the artist
Sabah Al-Dhaher was born in Nasri-
yah, Iraq. He studied classical art at the Institute of Fine Arts in Basra, Iraq and graduated first in his class. Sabah has taught stonecarving at Camp Brotherhood in Mt. Vernon, WA since 1998.
Shannon Kelly Anderson is a
teaching artist with over 20 years of experience, working with numerous organizations and schools including Arts Corps, Gage Academy, Orca K-8 and Seattle Academy. Originally from Austin Texas, she works in her Seattle studio creating commissioned public works for parks, hospitals, schools and civic facilities. www.shortbusgallery.com
Nick Ashman began blowing glass at Pratt in 1992. He has studied across the nation and in Murano, Italy. Nick has a strong background in Venetian stem-
ware and sculpting in Borosilicate, and uses cross over torch techniques in the hot shop. Nick currently co-owns a glass studio in Ballard.
Bill Baber received a BFA from the University of Washington. Since 1976, he has taught art classes at The Bush School including: sculpture, painting, ceramics, glass, and computer arts. He has taught at Pratt since 1994. He has sculpture and paintings included in collections throughout the Northwest. Justin Bagley has been working with
glass since 1995. He has studied at Gossamer Glass Studios, Pratt Fine Arts Center and has apprenticed with several Pacific Northwest artists. Justin’s unique work, made by hand in his Seattle studio, is exhibited locally.
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Cleveland Institute of Art. She has received scholarships to study at Pilchuck Glass School and the Corning Museum of Glass and she has been teaching at Pratt since 2002. Her work has been exhibited locally and is represented in numerous private collections.
Will Bonner received an MFA in Paint-
ing from the University of Arizona and a BFA from the Cleveland Institute of Art. He has worked on numerous urban mural projects and has taught at the University of Arizona and Pima Community College. Will’s work has been exhibited in Arizona and Cleveland.
Dan Broxon is a life long potter who was Artist in Residence at Kirkland Art Center in 1991. He’s been casting bronze at Pratt for several years and applies his professional industrial welding and mechanics background to his casting work. He also assists artists with TIG welding.
Larry Calkins uses metal, fabric, pa-
per, paint, drawings, photographs, found objects, wax, and clay in his paintings and sculptures. His work is currently exhibited at American Primitive Gallery in New York City, the Rice/Polak Gallery in Massachusetts, Gallery 500 in Pennsylvania, and G.Gibson Gallery in Seattle. www.calkinsart.com
Lee Campbell has been working and taking classes at Pratt for 10 years. He started working in bronze 8 years ago by taking the bronze classes at Pratt. For the last 6 years he has helped teach the Bronze I, II and patina workshops. His work combining bronze and glass is shown locally and nationally. Alice Case received her MFA in Paint-
ing & Drawing from the University of Washington in 2009. Her work has been exhibited in San Francisco, Los Angeles and New York, as well as the Henry Art Gallery, Gage Academy of Fine Art, and a solo exhibition at East Shore Gallery in Bellevue.
Virginia Causey has an extensive
background in metal and jewelry fabrication, stone work, metal clay, and other artistic venues. Her involvement in teaching and creating jewelry art spans four decades. She has taught at Pratt for over 20 years. Her work has been exhibited nationally and internationally.
Eric Chamberlain received an MFA
from Southern Methodist University-Dallas and a BFA in Printmaking from the University of Washington. He has been a UW Artist in Residence. Eric’s prints have been exhibited locally and nationally.
Cathy Chase received a BFA from The Evergreen State College. She has been teaching at Pratt since 1997 and has taught at UrbanGlass in New York, Pilchuck Glass School and the National College of Art and Design in Dublin, Ireland. Cathy’s work is represented in private and public collections. Rebecca Chernow received a BFA
in glass sculpture from Alfred University in New York. She has worked in glass studios across the country, including the Studio at the Corning Museum of Glass, the Glass Axis, and Pilchuck Glass School. Rebecca’s work has been exhibited nationally.
Yulia Chubotin received an MFA from Kiev State Art Institute in Ukraine. She teaches at Kirkland Arts Center, Seattle Central Community College and Frye Art Museum. Her paint-
Master Member’s only registration: November 8–14
ings have been exhibited in numerous group shows and are represented in public and private collections in Canada, US, Russia, and the Ukraine. www.chubotin.aedeneditions.com
Mike Conrad is a local artist whose
roots are in lampworking, but he is now focusing on furnace work. Classical Italian techniques as well as contemporary American forms inspire him. Conrad strives to recreate his torchwork in the hotshop and take hotshop techniques to the torch.
Anthony Brigance Cook has exhibited sculpture and photography in London, Edinburgh, Los Angeles, Seattle, Boston, and Argyll, Scotland. He received his BFA from Cal Arts and his MFA from the Edinburgh School of Art. Paul Cunningham began his glass
career in 1984. He has taught glassblowing at Pilchuck Glass School, Pittsburg Glass Center, and Urban Glass. Paul has worked with artists including Benjamin Moore, Lino Tagliapietra, Dante Marioni, Richard Royal, Dick Marquis, and Dan Dailey. Paul exhibits his work nationally and is in collections worldwide.
Nick Davis received a BFA from Emporia State University. He has worked at Penland School of Crafts and Pilchuck Glass School as a teaching assistant and various staff positions. Nick has assisted glass artists in Kansas, New Mexico, and Seattle where he currently lives and works. Vedika Dietrich is a painter living and working in Seattle. She investigates the creative slipstream between opposites, where the mind disengages and nature takes over. Vedika has taught at the Academy of Art in Honolulu and offers classes in writing and painting. www.artsurgery.com Shaun Doll is the founder of North-
west Encaustic and teaches encaustic painting and printmaking classes. His current encaustic work occupies the intersection of print arts and encaustic painting and can be seen at The Susan Woltz Gallery. His print work can be seen in various group shows in the Seattle area. www.nwencaustic.com
Curtis Erlinger has taught in many
programs including Foundations at SUNY Buffalo, Youth Photography Education at CEPA Gallery, and an Artist in Residence and Americorps – VISTA in the Northshore School District. He is a member of SOIL and PUNCH Gallery. He received an M.F.A in Painting from the University of Missouri – Columbia. curtiserlinger.com
Haley Farthing received an MFA in painting from the University of Washington in 2009 and a BFA and BA in painting and art history from Boston University in 2007. She has taught drawing at the University of Washington and currently works as a preschool teacher. Farthing’s work has been exhibited in Ohio, Boston, and Seattle. www.haleyfarthing.com Jeanne Ferraro received an MFA
from the Rochester Institute of Technologys School of American Crafts in New York and a BFA from Kent State University in Ohio. She has shown sculpture, paintings, and glass art internationally. She is represented locally by Traver Gallery.
Sara Ferguson’s childhood passion
of the urban arts influenced her to become a mural artist. Sara has created many public murals in cities across the nation and in Seattle. She has been on discussion panels for youth in the arts and hopes to create more opportunities for future female artists.
Ryan Finnerty received an MFA in
Painting from the University of Washington and a BFA in painting from Savannah College of Art and Design. He has taught at the University of Washington and Gage Academy. Ryan’s work has been exhibited nationally, in France, and at the Henry Art Gallery. www.finnertyfinnerty.com
Raya Friday received a BFA from
Alfred University. She has worked with glass for 14 years with 8 years of experience teaching glassblowing. Raya has taught, performed and worked at a variety of institutions including the Corning Museum Studio, Hot Glass Show, and Pilchuck Glass School.
Stacy Frost is a working glass artist. She has studied with Lucio Bubacco, Larry Brickman, Roger Parramore, and Larry Scott. Stacy has taught in the United States, Italy, and Dubai, UAE. She received Pratt’s 2008 Glass Instructor of the Year Award. Her work has been exhibited locally and in Japan. Sarah Gascoigne studied at the Central School of Art and Design in London. Her innovative work sold at Goldsmith's Hall and Liberty’s. Sarah rediscovered jewelry at Pratt after years spent raising children, small-scale farming, and designing software. She has worked in Pratt’s jewelry studio in various positions since 2001. Lisa Geertsen received a BFA from
work focuses on designing and building custom commissioned works. Lisa has shown at the Pratt Gallery, Frida, and Twilight Artist Collective.
Emily Gherard received an MFA in
Painting from the University of Washington and a BFA in Illustration from the Rhode Island School of Design. She was a Betty Bowen Finalist and received a PONCHO special recognition award. Emily’s work has been exhibited at Crawlspace, 4Culture, and Francine Seders Gallery. Her work can be seen at www.sedersgallery.com
Trisha Gilmore has been teaching and exploring art for well over 15 years. She is an accomplished painter and has shown widely throughout Seattle. Her love of birds can be seen throughout her art and in her work as a teaching artist. Trisha is also part owner of the Columbia City store Retroactive Kids. Carla Grahn has studied forging,
welding, and bronze casting for over ten years. She was the recipient of the 1994 Dan Starr Scholarship. Carla’s work has been exhibited at galleries in France and Seattle, including a solo show at Davidson Gallery.
Kerstin Graudins received an MFA in Studio Art from New York University and a BFA in Printmaking from the University of Washington. Her work has been widely exhibited in Seattle and New York. www.artsypants.com Lisa Hasegawa received an MFA in
Book Arts/Printmaking from The University of the Arts in Philadelphia and a BFA in Printmaking from the University of Washington. She is sole proprietor of ilfant press and an Artist Trust GAP grant recipient. Her work can be seen online at www.ilfant.com
Julia Hensley received a BFA from Boston University. She has taught drawing and painting to adults since 1999 at Kirkland Arts Center, North Seattle Community College, and Pratt Fine Arts Center. Julia is currently represented by the Paul Thiebaud Gallery in San Francisco. www.juliahensley.com Jean Hicks has received degrees in
history, Spanish and education, Jean also studied millinery under Wayne Wichern, developing a distinctive style of hand-blocked felt. Other influences include ceramics and studies at the Escuela de Artes Applicadas y Deseños in Spain. Her work can be found in numerous collections, theater collaborations and interior design.
Ellen Hochberg received her MFA in
studio art from New York University and BS in Graphic Design from Southern Illinois University. She has taught as an artist in residence and after school arts director at Mercer Island schools for over 10 years. Her work has been exhibited both nationally and internationally.
Roger Horner received a BA, BFA and MFA from the University of Washington. He has his home and studio in Shoreline where he resides with his wife and partner, Eileen. He has taught at Pratt Fine Arts Center, Bellevue Community College, and the University of Washington. Marja Huhta received a Ph.D. in
Chemistry from the University of Michigan. Her journey began in glass by creating jewelry and immediately became addicted. She enjoys running her business, Glass Elements, selling her fused glass jewelry, and housewares. Marja loves helping people find their joy in glass.
Kamla Kakaria received an MFA in
Printmaking from the University of Washington. Pratt’s Print & 2D Studio Manager, she also teaches at Kirkland Arts Center and Northwest Encaustic Studio. Kamla’s work has been exhibited in Seattle area galleries including Shift, Kirkland Arts Center Gallery, and SAM Gallery. www.kamlakakaria.blogspot.com
Doug Keith has over thirty years ex-
perience in illustration, graphic design, and fine art. He has received a television Emmy for his graphic designs and several Publishers Marketing Association awards for his children’s book illustrations. Doug has created commissioned artwork for Windermere Real Estate, Puget Sound Energy and Evergreen Hospital. www.dougkeith.com
Daniel ”King Khazm“ Kogita has
been a formative force in the Hip Hop scene for years, and his momentum as an artist, educator, music producer, performer and community leader continues to expand. Khazm's visual work has been showcased in print, galleries and media throughout Seattle and around the United States.
Tina Koyama has shown work and taught classes in beadwork and fiber arts locally and nationally. A member of Northwest Designer Craftsmen, Tina has a certificate in fiber arts from the UW Extension Program and an MA in creative writing. Tina is a 2009 PONCHO artist-in-residence at Pratt. www.tinakoyama.com
West Virginia University. She has been blacksmithing since 1999 and founded Firelight Forge in 2007 in Georgetown with her husband Andy Blakney. Her art-
Master Member’s only registration: November 8–14
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Dale Christopher Lang, Photogra-
pher PhD, AIAP. Dr. Lang is a professional architectural photographer. He uses most types of camera equipment and also photographs other artists’ work for them. He’s won several award competitions and is in many local and national publications. Dale opened his Fremont District studio in 2005.
Richard Langley began blowing
glass as an apprentice in Bend, Oregon in 1997. He worked with various artists until 2000, when he moved to Montana to open his own hot shop, Cloud Cap Glass. Richard moved his studio to Seattle in 2003 and pursues his own work.
Sarah Loertscher received a BFA
from Ball State University. A former core student at Penland School of Crafts, she has been monitoring and teaching at Pratt for the past two years. Her work can be found at the San Francisco Museum of Craft + Design and at Penland Gallery.
Chuck Lopez received an MFA from
Alfred University, a BA from the University of Colorado and has been working glass for 20 years. Pratt’s Glass Studio Technician, he has worked as a staff member and teaching assistant at Pilchuck Glass School. Chuck lives in Seattle and pursues his own work.
Michael Lorefice earned his MFA
from the Memphis College of Art. He has exhibited his work nationwide and works within the fields of painting, drawing, and filmmaking. In addition to being featured in New American Paintings, Michael has been an artistin-residence at the Santa Fe Art Institute and Constance Saltonstall Foundation. www.neoimages.net
Kiki MacInnis received an MFA in painting at the Otis School of Art and Design in Los Angeles. She is a member of the SOIL. Kiki grew up in Taiwan and lived in Japan for three years. She has been studying Chinese calligraphy for the past four years. www.kikimacinnis.com Patrick Maher studied at the Art Institute of Boston and Cornish College of the Arts. He has worked as a blacksmith since 1992 and founded Red Door Studios in 1996. Patrick has created extensive public and private artworks, including for the Edmonds Ferry Terminal, Meridian Playground, and several Seattle P-Patches. Kelda Martensen received an MFA in Visual Art from Washington University in St. Louis and BA from Willamette University, including semesters at the University of Ireland and the University of Natal in South Africa. Her prints
and artist books have been shown in Lithuania, Germany, Denmark, Korea and across the United States. www.keldamartensen.com
Jane Martin received a BFA in Jew-
elry/Metalsmithing from the University of the Arts in Philadelphia. Her work has been published in Ornament, Lapidary Journal, and American Craft magazines.
Cameron Anne Mason delves
deeply into surface design. She brings extensive research, studio technique and a sense for exploration and experimentation into her two- and three-dimensional artworks. Her work has been exhibited at The Textile Center, Greenwood Artwalk, Contemporary Quilt Arts Association, Bumbershoot, Teatro Zinzanni, and the Fremont Solstice Parade. www.cameronannemason.com
Cheryl Matson has been making
glass beads since 2002. She has studied with Larry Brickman, Elaine Alhadeff, Jim Smircich, and Kathy Johnson among others. Cheryl enjoys spending as much time as she can in her home studio creating wild and crazy sculptured beads.
Donna McCord received a BFA in
glass and photography from California College of the Arts. She has studied at Scuola del Vetro Abate Zanetti in Italy with Victorio Ferro, and Pilchuck Glass School. Donna’s work is represented in private and public collections in the United States, Italy, Greece and Sweden.
Paul D. McKee received a BFA from
Cornish College of the Arts and an MFA from Wichita State University. Paul taught at Wichita State and currently teaches privately as well as for Dale Chihuly's Foundation; Seniors Making Art. His artworks are in private collections across the United States and Europe.
Katie Miller received a BFA from the
University of Washington and an MFA from Tyler School of Art. She has been a student, staff member and assistant at Pilchuck Glass School. Katie’s installations and sculptures incorporate video, metal, glass, fibers, beeswax, and found objects. Her work has been exhibited nationally.
Mark Takamichi Miller received
an MFA from the University of Iowa. He was a recipient of the Neddy Artist Fellowship Award for painting in 2002 and has taught at the Cornish College of the Arts. He is a two time McDowell Colony Fellow. He is represented locally by Howard House Gallery. www.whitelead.com
James Minson is a third genera-
tion flameworker. He has degrees from Sydney University, Tama Art University
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Tokyo, and Antioch University Seattle. He teaches internationally and his work is represented in several museum collections including the Corning Museum of Glass, Tacoma Art Museum and The Australian National Glass Collection.
Doris Mosler is a Seattle Printmaker
and Monotype artist represented at the SAM Gallery, Image Conscious, Roma Moulding and Grand Image. She teaches privately at her studio. Her work is represented in both regional and international collections. See her work at www.dorismosler.com
Marc Mullin received his BA in urban
planning and art from the University of Washington. He developed an appreciation for ornamental ironwork while growing up in Italy and has rented Pratt’s studios since 2000. Pratt’s Sculpture Studio Coordinator, Marc’s work is represented in collections in Japan, New Orleans, and Washington.
Aaron Murray has taught art to children and adults at the Seattle Asian Art Museum, the Museum of Flight and Kirkland Arts Center. He specializes in ceramic sculpture and woodcuts. Aaron was a PONCHO Artist in Residence at Pratt in 2003. His work can be found locally at Nancy.
Theresa Neinas is a Seattle, Washington based artist who transplanted from the Midwest. Five years after receiving her BA in art from the University of Washington she started doing linoleum block prints. Self-taught in this discipline, she has embraced its challenges. Her art has been shown locally and abroad. Robin Oakes has been working with glass since 1980. She has worked with glass in a variety of ways, but now focuses on fusing glass. Robin has taught at Pratt since 2002. She exhibits her work nationally. Robin lives and works in the Seattle area. Susanne Lechler Osborn is a German artist living in Seattle. She received an MFA from the University of Washington. Susanne shares her passion for metalsmithing by teaching, coordinating exhibitions, and making one-of-a-kind pieces. Her work has been exhibited nationally and internationally. Michael Ottersen received a BFA
from Tyler School of Art in Philadelphia. He teaches at Northwest College of Art and Kirkland Arts Center and is the recipient of an Artist Fellowship Grant. Michael’s work is represented in the collections of University of Washington Medical Center and Pierogi Gallery in Brooklyn.
AJ Power received a BS in Biology from Ohio University and works as a professional studio artist, drawing from diverse life experiences to create his paintings. Aaron recently received a public art commissions from the Van Asselt Community Center in Seattle. www.ajpowerstudio.com Janusz Pozniak was educated and
trained in England. Since moving to the States, he has worked with a variety of glass artists including Dante Marioni, Lino Tagliapietra, Richard Marquis, and many others. Janusz has made a name for himself as an artist making modern designs as well as unique, humorous, and compelling works.
Donna Prunkard has a MS in Bio-
chemistry from the University of Florida. She has studied lampworking from a variety of instructors including Roger Parramore, JC Herrell, Mauro Puccitelli, Larry Scott, Kimberly Affleck, and Genevieve Church. She shows her work nationally and is the on the board of Fire and Rain, our local bead collective.
Rachel Rader received a BFA from
Virginia Commonwealth University. Her work is performance-based. She strives to saturate the audience with vibrant colored forms that entice and entangle the audience in another world. Rachel has studied and worked at Pilchuck Glass School and Pratt. She works as a professional glass artist in Seattle.
Amy Reeves received a BFA from the University of Washington. She has studied with Andy Cooperman, Virginia Causey, and Maria Phillips, among others. Her work has been published in Art Jewelry and Metalsmith magazines and Lark Books' 500 Bracelets. Jane Richlovsky received a BA in Art
and Filmmaking from Columbia College in Chicago. Her work has been exhibited at Tacoma Art Museum, A Shenere Velt Gallery in LA, The Painting Center in New York City, Heineman-Myers Contemporary Art in Maryland, BallardFetherston Gallery, and SAM Gallery in Seattle. www.janerichlovsky.com
Mark Rudis received a BFA from Cor-
nish College of the Arts and has been a teaching assistant for Bertil Vallien. He has worked with the Kienholtzes, Chris Burden, Marvin Oliver, and Ginny Ruffner. Mark’s metal and cast glass works have been exhibited at CoCA and Lead Galleries in Seattle.
Master Member’s only registration: November 8–14
James Salay received a BS in me-
chanical engineering from the University of Washington and a BA from Evergreen State College. Pratt’s Sculpture Studio Technician, he has also worked as a sculptor, craftsman and engineer. James works primarily in wood, metal and stone and is asscociated with the Burning Man Project.
James Smircich has 31 years ex-
perience in the glass arts. In 1979 he apprenticed as a glassblower. In 1992 James began making beads with soft glass. He is now a master teacher of bead making. James is a founding member of The International Society of Glass Beadmakers.
Theresa St. Romain is a practic-
ing jewelry artist and has been teaching jewelry and metalsmithing at the Spruill Center for the Arts in Atlanta, Georgia for 7 years. Her work is shown at Topaz Gallery in Atlanta.
Ryan Staub is a Seattle native with 11 years experience and encountering new techniques from the 10 countries he has worked. Staub has taught workshops on Venetian technique in Norway, Denmark, Iceland and America. He has served as TA and Translator for numerous Venetian glass masters at Scuola del Vetro Abate Zanetti in Murano and Pilchuck. Jennifer Stenhouse received an
MFA from the University of Wisconsin, Madison. She has been an instructor and guest artist at the Vermont Art Exchange as well as a professor and Jewelry Department Chair at Savannah College of Art and Design in Georgia.
Paula Stokes received a BDes in
Glass from the National College of Art and Design in Ireland. She studied at the International Glass Center in England and has taught at the Museum of Glass, Pilchuck Glass School, and the Seattle Glassblowing Studio. Her work is represented locally by Vetri, SAM Gallery, and SHIFT.
Boyd Sugiki started working with glass at Punaho High School in Honolulu and received a BFA from California College of Arts and Crafts in 1991 and an MFA from the Rhode Island School of Design in 1996. For the past 13 years he has taught extensively, most recently in Korea and Japan. His work is exhibited internationally.
Sasha Tepper-Stewart received
her BFA from Alfred University where she studied glassblowing, glass casting, and kiln-working. She combines all these techniques along with enameling and imagery. She teaches private lessons, group classes, is an artist assistant, a staff member at Pilchuck Glass School and an instructor at Pratt Fine Arts Center.
Leslie Thiel describes herself as "a
glass artist, not a lampworker, not a fuser". She has been working with glass since 1998, and has taught and exhibited widely. She is also active in the International Society of Glass Beadmakers.
Rollin Thomas, award-winning art-
ist, illustrator, and author, has a BA in art and education. A member of the Society of Children's Book Writer's and Illustrators since 1981, he has 46 years of illustration experience. Rollin teaches children's book publishing at the University of Washington Extension program.
Cayn Thompson received a BFA in Sculpture and Glass from the University of Hawaii. He has studied glassblowing at the University of Hawaii, San Francisco State University, Haystack, Pratt Fine Arts Center, and Pilchuck Glass School. Rebbecca Tomas received a BA in
Metalsmithing and Jewelry Design from the University of Iowa. She is Pratt’s Jewelry/Metals Manager and also serves as the contact for Washington State Enamelists.
Glenn Tramantano is a mixed me-
dia artist whose work deals with issues of sexuality, nature and design. He received an MFA from Washington University in St. Louis and a BA from the University of Pennsylvania in Philadelphia, and has exhibited his work nationally. www.glenntramantano.com.
David Tuthill has studied art at sev-
eral universities and has a certificate in farrier science. His work is influenced by nature and the Northwest’s industrial history. David has owned and operated Fire Horse Forge for over 15 years, where he teaches and produces architectural commissions, furniture and sculpture.
Kim Van Someren received an MFA in Printmaking from the University of Washington and a BA from the University of Wisconsin-Lacrosse. Her prints are in the collections of the University of Washington, University of Wisconsin, University of Iowa, NY Public Library, and the Yale Beinecke Rare Book and Manuscript Library. www.kimvansomeren.blogspot.com
Master Member’s only registration: November 8–14
Mark Walker received an MFA from the University of Washington. He has taught 3D design and tool-making classes at Bellevue Community College and sculpture and drawing at Mountlake Terrace High School. Mark casts bronze at RockNob Studio in Enumclaw, WA and his work is exhibited locally. Jodi Waltier received a BFA in Fibers
from the University of Washington. She has taught at Penland School of Crafts, Coyote Junior High School, and The Valley School in Seattle. Jodi was a Washington State Arts Commission Resident Artist and currently operates Inner Sanctum Studios.
Laura Ward holds a BFA from Mas-
sachusetts College of Art and MFA from University of Illinois in ChampaignUrbana. Laura was Emerging Artist in Residence at Pilchuck Glass School and worked as a technician for the same program. She lives in Seattle and lectures and shows her work locally, nationally and abroad.
Vance Wolfe received degrees in phi-
losophy and comparative literature from the University of Washington. He is a gifted welder, woodworker, and designer who enjoys architectural design, art, and creating furniture.
Randy Wood received a BFA in 1993 from Ohio University. His cartoons and illustrations have been published in The Stranger and Tablet. He is a member of SOIL Art Gallery and has exhibited his at Aqua Art Miami, Big Cat Gallery (New York) and SOIL Art Gallery and Roq La Rue Gallery. www.randywoodart.com Suze Woolf is a watercolor painter obsessed with industrial scenes, burnedover forests and the numbering systems on utility poles. Her work has been shown at the WSD of Ecology, Port of Seattle, Kent City Hall, Blue Heron Gallery and Phinney Center Gallery. After 25 years in the high tech world, she’s returned to her roots in fine art. www.suzewoolf-fineart.com
Alair Wells has a BFA in Sculpture from the Atlanta College of Art and an MFA from Louisiana State University. Alair has organized numerous iron casting events and exhibited nationwide. Before moving to Seattle she taught at Binghamton University. Alair also works as a metal fabricator and blacksmith. Kevin Wilbanks has studied at the
University of Wisconsin for over a decade where he developed unique skill sets creating organic anatomical forms in steel. He continues to work in a simple low-tech manner focusing exclusively on welded and formed steel with an oxy-acetylene welder and a grinder. www.kevinwilbanks.com
Hugh Willa is a geneticist turned glassblower. He studied Genetics at the University of British Colombia and subsequently worked for the UW in Seattle, where his interest in blowing glass began. His work is focused on his interests in biology and on his fascination with the unique properties of glass. Rickie Wolfe received a BFA in Printmaking and Painting from Cornish College of the Arts. Pratt’s Print Studio Coordinator, her work has been exhibited in galleries around Seattle and can be seen at SAM Gallery and at Fresh Paint Art in Los Angeles. www.rickiewolfe.com
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your gifts make art happen! Thank you so much to the hundreds of individuals, businesses, and foundations who support Pratt each year. Your gifts make a real difference!
5 Wonderful Ways to Support Pratt Fine Arts Center: Include an Annual Fund gift to Pratt in your class registration or membership renewal form. Q Make a tax-deductible donation online at www.pratt.org. Q Double your gift through the matching gift program offered by your employer. Q Consider providing for Pratt in your will. Call (206) 328-2200 x 260 for more information. Q Honor someone special, family, friend, or mentor with a gift to Pratt.
Great Reasons to become a Pratt Member Today:
Did you know that Pratt Members receive discounts at many art supply stores and organizations? Show your membership card, and enjoy: 15% off framing at Baas Gallery & Framing 15% off framing at Frame Central and Museum Quality Framing 15% off framing at Framesmith 15% off Seattle Art Museum Memberships 10% off framing at Allison and Ross Fine Arts 10% off color at Olympic Color Rods 10% off at Frantz Art Glass and Supply* 10% off at Cascade Glass Art Center* 10% off at Crosscut Hardwoods 10% off supplies at Daniel Smith* 10% off supplies at Dakota Art* 10% off supplies at Bellevue Art and Frame 10% off glass color at Hot Glass Color and Supply 10% off supplies at Utrecht Art Supplies 10% off supplies at Blick Art Materials 10% off beverages at Soho Coffee *Some restrictions may apply. For further details about membership partners and their locations, please contact 206.328.2200 X 264 or membership@pratt.org.
thanks to our sponsors Pratt would like to thank the following organizations for their generous support: Adobe Foundation Paul G. Allen Family Foundation Art Alliance for Contemporary Glass Benaroya Foundation Clise Properties, Inc. Fales Foundation Trust Klorfine Family Foundation The Laird Norton Family Foundation Lucky Seven Foundation MacPherson Construction D.V & Ida J. McEachern Charitable Trust Merck Microsoft Corporation
M.J. Murdock Charitable Trust Rubinstein Foundation SAFECO Corporation Seattle Print Arts Seven Bridges Foundation Jon and Mary Shirley Foundation Taproot Foundation Washington State Art Commission Washington Women’s Foundation Wells Fargo Wyman Youth Trust
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Master Member’s only registration: November 8–14
pratt registration form
winter 2011
You may register in the following ways:
4.
By fax, using VISA, Master Card, American Express or Discover. Fax 206.328.1260 anytime.
1.
Online by visiting www.pratt.org.
2.
In person, at the main building, Monday through Sunday from 9am – 9pm.
5.
Download the registration form from our website www.pratt.org and either mail or fax it to Pratt.
3.
By mail, using VISA, Master Card, Discover, American Express, check or money order. Send registration form to: 1902 South Main St., Seattle, WA 98144. Make checks payable to Pratt Fine Arts Center.
6.
If you are adding a class to an existing registration please visit www.pratt.org or call the Front Desk at 206.328.2200.
7.
Full payment is required at registration.
8.
We are unable to accept registrations over the phone.
personal information
demographic infomation (optional)
P Please check if this is a new address
Gender Male
Name
Birth Date
Address
month
Female day
year
Ethnicity City State
Zip Code
Hispanic Asian/American
Native American
Caucasian
Mixed Ethnicity
Day Phone Evening Phone
African/American Pacific Islander
P Please describe any physical or other limitations that may require accommodations:
If you are under the age of 18, please specify age:
Emergency Contact Name: Phone:
Member Discount: Current Master Level members are eligible for a 10% discount on classes and workshops with the exception of Travel Abroad, CustomMade Classes, and Mini classes.
withdrawal. Students withdrawing fewer than ten days from the first day of class are not eligible for a refund.
Confirmation: Pratt confirms paper registrations by mail and within two weeks. Students who do not receive a confirmation or who have registered fewer than two weeks before the first day of class should contact the front desk to confirm enrollment and receive class information. Online registrations receive immediate confirmation. Pratt will not issue refunds to students who do not receive confirmations.
Free Fridays: Pratt Fine Arts Center offers students enrolled in classes the opportunity to practice techniques they are learning through the following Open Friday studio use policy. Students enrolled in a class have access to that studio on the Friday of the week that their class occurs and only for the duration of their class session. The student may stay up to 8 hours to practice their techniques (in the studio in which their class occurs, not any other studio). Students must sign in and indicate which class they are enrolled in. Enrolled students have priority over independent users. Studio space and tools are limited, and sharing them is expected of all users. The Studio Monitor has the authority to determine tool and space sharing, in addition to overseeing proper and safe use of tools and studio. If there is no monitor present, the studio is not open to students. We do not guarantee that every Friday will be available due to holidays, events, maintenance and Pratt activities. Supplies and materials are limited on Free Fridays and will be administered by the monitor working that day.
Adding Classes: Students may add classes to an existing registration by calling 206.328.2200 x0 or online at www.pratt.org. Waiting Lists: If a class is full the student will be placed on a waitlist. If space becomes available in a class, waitlisted students will be offered the space in sequential order and contacted by phone or e-mail. Please do not attend the first session unless you have been contacted by Pratt. If paying with a credit card, no charges are assessed until the student is placed in a class. Payments by cash or check from waitlisted students will be refunded when the class starts if the student is unable to join the waitlisted class. Withdrawals and Refunds: If Pratt cancels a class or significantly alters a class a full refund will be issued unless the student decides to be placed in an alternate class. In order to withdraw from a class voluntarily students must submit a signed drop form to the front desk. Drop forms may be submitted by US Mail, e-mail, or fax, but must clearly bare the student’s signature. Students who withdraw from a class at least ten days prior to its first meeting will receive a full tuition refund less the drop fee. The $15 drop fee is associated with withdrawing from a class. Please note that the $15 processing fee is not part of tuition and therefore is not refundable. Refunds will be issued within 14 business days from the date of PA G E 1 O F 2
Master Member’s only registration: November 8–14
Missed Classes: There are no discounts or refunds for missed classes.
Processing Fee: There is a non-refundable $15 per class processing fee for all students at Pratt enrolling in workshops or classes. Pratt refunds this fee only when Pratt cancels or significantly alters a class or workshop. Drop Fee: There is a $15 drop fee for each class dropped at any point during registration. The fee is subtracted from any refund due to the student. The drop fee is charged when a tuition refund is due to the student. The fee does not apply to students who add one class for each dropped class in a given quarter. Class Cancellations: All classes not meeting their minimum enrollment one week prior to their start date may be cancelled. Pratt calls all affected students to explore placement in alternate classes.
Continued on following page.
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winter 2011 Please enroll me in the following classes: Title
Class #
1.
$
2.
$
3.
$
4.
$ Subtotal
$
Membership Fee
$
I am a current Master level member or have signed up for a Master level membership below and am eligible for Master Member prices.
P
membership information To take advantage of the member benefits, including Master class prices please begin my annual membership: P Apprentice $50 P Journeyman $75 P Master $120
pratt fine arts center annual fund
Annual Fund Donation
$
Pratt needs your support! Tuition only covers half of our operating costs. Your donation makes a difference! P YES! Please accept my tax-deductible contribution* to Pratt’s Annual Fund
$
P My company has a matching gift program: Company Name
*Pratt Fine Arts Center is a registered 501 (c)(3) organization. Donations are tax deductible to the extent allowable by law.
$
There is a required $15 processing fee for each class. ($15 x total number of classes - REQUIRED)
payment method
T O TA L D U E
P Visa/MC/Discover/Amex
P Check enclosed (payable to Pratt)
Card Number P Workstudy $ P Tuition Assistance $
P Cash
$
$
P Gift Certificate #
Exp. Date P Staff $
P Scholarship(s) $
Specify
P Voucher
x signature required for registration For youth under 18, parent or guardian name and signature on application are required.
Submission of this signed registration form constitutes applicants acceptance of payment method indicated above and all terms and conditions in the registration policies including the conditions of Pratt’s refund policy and the waiver below. Pratt reserves the right to cancel any class or workshop in which case we are liable only for the tuition, lab, model and processing fee paid by the applicant to Pratt. Pratt reserves the right to reschedule any class or workshop or replace any instructor. In the event of unreasonable conduct, Pratt reserves the unconditional right to terminate a student’s enrollment. All the above terms and conditions apply to any classed added to this registration. Waiver: In consideration of my participation in the educational programs and use of the facilities, I hereby discharge and forever hold harmless Pratt Fine Arts Center, its staff, volunteers, the City of Seattle Deparment of Parks and Recreation and all agencies whose property and personnel are used as part of Pratt’s program and any sponsoring, cosponsoring or funding agency(ies) or individual(s) for responsibility for any injury, illness, death, damage, less, accident, delay or irregularity which may be occasioned for any reason whatsoever during the course of my participation. I certify that I am physically able to participate in all the activities for which I am enrolled. Pratt assumes no responsibility for losses or additional expenses due to included beyond my control. I also give my permission for Pratt Fine Arts Center to use without limitation or obligation photographs, film footage, tape or video recordings that may include my image or voice.
If you have questions regarding these policies, please contact Ryan Davis at 206.328.2200 x265 or email rdavis@pratt.org.
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Master Member’s only registration: November 8–14
pratt winter calendar january 2011
6
february 2011
3
OPENING MADE AT PRATT
OPENING INTRODUCTIONS: NEW INSTRUCTORS SHOW
at Pratt Gallery at Tashiro Kaplan Studios*
EXHIBITION: JAN. 6 – 28 Opening Jan. 6 from 6-8pm A juried show featuring artists who are part of the Studio Rental Program at Pratt. The work included in this exhibition will represent all the studios at Pratt: printmaking, painting, drawing, glassmaking, sculpture, jewelry and diverse disciplines.
YOUTH ART WORKS at Pratt Hallway Gallery** JAN.11 – FEB. 7 An exhibition of work from Pratt’s Youth Programs
Pratt is closed in observance of Martin Luther King Day on January 17.
at Pratt Gallery at Tashiro Kaplan Studios*
Alair Wells, Blue, Mixed media installation, 2006 Photo courtesy of the artist
EXHIBITION: FEB. 3 – 25 Opening Feb. 3 from 6-8pm This exhibition will feature work by new Pratt instructors Curtis Erlinger, James Minson and Alair Wells.
WORKS IN PROGRESS at Pratt Hallway Gallery** Feb. 8 – Mar. 7 An exhibition of student work from the Painting, Drawing, and Printmaking departments.
20
Youth Mid Winter Break Art Week – Feb. 22-25
at Seattle Design Center
29TH ANNUAL FINE ART AUCTION ART DROP- OFF PARTY
OPENING THE CHAIR PROJECT GROUP SHOW
EXHIBITION: JANUARY 20, 2011 – AUGUST 2011 Opening January 20, 2011 A group show highlighting a selection of work by the artists participating in the Chair Project. The Chair Project represents an exciting collaboration of the art and design worlds. Honorees of Seattle Design Center’s Northwest Design Awards have teamed with ten of Pratt Fine Arts Center’s favorite artists to transform everyday chairs into works of art. This Group Show will showcase the personal work of these 10 artists: Romson Bustillo, Larry Calkins, Tom DeGroot, Steve Jensen, Judith Kindler, Chris McMullen, Brian Murphy, Piper O’Neill, Jared Rue, and Laura Ward.
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Location TBD FEBRUARY 25 FROM 4-7PM Drop off your donation for the 29th Annual Fine Art Auction and enjoy drinks, nibbles and an all-around good time! Come out and join your fellow artists as we celebrate the 2011 auction season!
march 2011 SMALL SCALE at Pratt Hallway Gallery** MAR. 8 – APR. 4 An exhibition of student work from the Jewelry/Metalsmithing Department.
3
OPENING RACHEL RADER at Pratt Gallery at Tashiro Kaplan Studios*
Romson Bustillo Moltas Series IV, 2008, Mixed media on paper Photo courtesy of the artist
EXHIBITION: MAR. 3 – APR. 1 Opening Mar. 3 from 6-8pm Her Majesty is an exhibition of over-the-top proportions. Rader explores beauty in excess through an interactive fantasy world featuring an installation of sculpture, flaunting decadent cakes, jewels, and finery fit for a Queen.
Rachel Rader, Mermaid Food, Sand-cast glass, Blown & sculpted glass, 2009 Photo courtesy of the artist
* Pratt Gallery at Tashiro Kaplan Building, 306 S. Washington St. Public Hours: Friday and Saturday 12-5pm and by appointment ** Pratt Hallway Gallery, 1902 S. Main Street, Open during Pratt business hours
Non-Profit Org. U.S. Postage
PA I D
Seattle, WA Permit No. 1354
1902 South Main Street Seattle, WA 98144-2206 www.pratt.org
IF YOU PREFER TO VIEW OUR CLASS CATALOG ONLINE AND BE REMOVED FROM OUR MAILING LIST, PLEASE CONTACT 206.328.2200 X0.
Holiday Art Sale DECEMBER 2 – 11, 2010 Pratt Fine Arts Center’s Holiday Art Sale is moving to 155 S. Main Street in Pioneer Square! Don’t miss this chance to find unique holiday gifts for all of your friends and family. Featuring the works of local artists in glass, jewelry, painting and sculpture, you are sure to find something for everyone on your list!
OPENING NIGHT CELEBRATION WEDNESDAY, DECEMBER 1, 2010 6-9PM $50 ADMISSION
Eat, drink, be merry and shop! There’s no better way to get in the holiday spirit than with your friends at Pratt.
JOIN PRATT!
BECOME A MEMBER! PUBLIC SALE HOURS DECEMBER 2–11TH 10AM-7PM
MASTER LEVEL MEMBERS NOW ENJOY EARLY REGISTRATION FOR PRATT CLASSES.
(Open until 9pm on First Thursday!) Free Admission
JOIN TODAY AND GET FIRST PICK OF OUR CLASSES AND WORKSHOPS.
For directions or more information, visit www.pratt.org or call 206.328.2200.
Members play a vital role in Pratt Fine Arts Center’s success. Membership fees help support our dynamic programs and facility and it is the creative energy of members that makes Pratt such a unique place! Join the fun and become a Pratt member today! For a full list of Pratt Member benefits, please see page 2.