3 minute read
ONE SILENT AUCTION
Carmen D’Aquila is a Seattle native who began working in glass in 1984. Her work incorporates kiln-forming and bead making. D’Aquila shows work nationally and internationally. She is a past instructor at Pratt Fine Arts Center.
1009 Diana Friend
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Pistachio Large Shallow Bowl with Wenge Ties | $420
Wood | 16 x 3 | 2018
Diana Friend turns her wooden bowls with solar power on a remote Pacific Northwest island. Teased by complex bark and intense grain; cracks and voids then become a further draw. These elements are the design cues she follows to guide her final forms.
@what_the_wood_wants
Manya Drobnack is a Mercer Islandbased painter who creates large scale paintings inspired by the early European abstract expressionists. Her work contains organic patterns and forms that emit a care-free joie de vivre.
1016 Lynn Rosskamp
Spring Heeled Jack | $300
Etching with Aquatint | 14 x 16 | 2019 printwitchery com / @lynnprints
Lynn Rosskamp is a printmaker who creates intimate portraits of the natural world. Growing up above her parents’ veterinary clinic in rural Appalachia instilled a deep love of animals and nature, leading her to create this wry portrait of a jackrabbit, who is less a fluffy bunny than a wild and sinewy trickster.
1017 Jan Tervonen
In the Groove No 5 | $450
Watercolor, Polyester Film | 18 x 24 x 1 | 2015 dajanarts com
Jan Tervonen is an abstract artist who comes from a small town in Upper Michigan. She grew up in a FinnishAmerican family, and was taught the values of simplicity, organization, and a good pun. She has developed a minimalistic style with a wry sense of humor. This piece is inspired by 1960s groovy psychedelic culture emerging from the MCM era.
1018 Vicki Platts-Brown
End of Season | $250
Intaglio | 12 x 16 | 2022 vickiplatts com
Vicki Platts-Brown has been a printmaker in the Seattle community for the past twelve years. Her work explores the natural world of the Pacific Northwest. She loves the continual surprise of printmaking: how prints made from the same copper can be printed in entirely different colors; how subtle changes in pressure while wiping or printing the plate can alter the work’s final form; but most of all, she loves the community and exchange of ideas that comes from taking classes at Pratt.
1019 Sharon Wada
Tribal Bonds (Alor Island, Indonesia) | $300
Photograph Printed on Canvas | 20 x 30 x 2 | 2012
Sharon Wada is a Seattle-area native who loves to connect with the world through photography. Her subjects range from tiny coral reef shrimp in Indonesia to hyena clans in Zambia to sunrises in Seattle to street life in Cuba. In this image, she was captivated by the beauty and strength of the Abui people who live in a remote Indonesian village. sharonwada com / @seashaz
1020 Gary Drobnack
Silhouette of Argonaut Peak | $300
Photography | 19 x 25 5 | 2014
Gary Drobnack is a Mercer Islandbased photographer. This work depicts Argonaut Peak in the Cascade Range in Washington.
1021 Ashley Hale
Traveling Armadillo with Succulents | $200
Linoleum Block Print with Watercolor | 12 x 12 | 2022
Ashely Hale is a Seattle-based printmaker working in relief linoleum. She adds elements of watercolor to her prints, along with gold ink. Her imagery spans the living inhabitants of earth, focusing on visual detail while capturing the essence of soul. She pairs this with the spirituality of natural forces and suggesting halos or auras as a significant symbol.
@ashleyhaleart
1022 Catherine Trapani
Meadow Ballad | $500
Encaustic, Cold Wax, Collage | 10 x 8 x 2 | 2023
Catherine Trapani is an artist working with printmaking, encaustic, cold wax and alternative photo processes. The title Meadow Ballad refers to the color and memory of a field the artist encountered. Of her work, she says,
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“for me, a successful work of art is not perfect. It leaves you wanting, to serve as a provocation, a doorway into the unknown.” trapanistudio com / @cattrapaniartist
1023 Kathleen Hargrave
Kindred | $500
Collagraph | 14 5 x 18 5 | 2023 kathleenhargrave com
Kathleen Hargrave is an interdisciplinary artist and educator working in the Pacific Northwest. This collagraph is about love, loss, and the importance of family. The process is based on adding materials to and subtracting from a Tetra Pak substate. It is created on BFK paper.
1024 Sharon Wada
How We Learn (Port Gardner, Washington) | $175
Photography | 16 x 20 x 2 | 2021 sharonwada com / @seashaz
Indonesia to hyena clans in Zambia to sunrises in Seattle to street life in Cuba. In this image, she captured an iconic Seattle scene, framed by a layer of fog and the warmth of first light.
1100 Shirley Sing
Eva | $500
Acrylic on Canvas | 36 x 36 x 3/4 | 2022 shirleysing com / @shirleysingart
Shirley Sing is associated with the post Mudd Club group while informally studying painting in New York City 1989 – 2002. Sing formally studied at Pratt Fine Arts Center and drew from the figure at trapeze model sessions. Eva is a creation depicting gun violence in a series to be displayed at a later date in Seattle, Washington.
1101 Becky Birinyi
Shaped Plate #8 | $600