Sniffin glue 12 0001 opt by Al Symers

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3-,-1;17* and Sniffint snow). of response to eleven, (I liked the line sonebody .l.nloterin en$T,Icr-- to bit, about if Cla.sh loseJheir struggle ihen Patti Srnith l'roirrt be able to conti-nue het's bui uilfortunatly l're lost tire actual letter- a,long T.rith a reke of others l{hen our offices rrere turnec'over one night last week)a lot thor-rgh were re runs of r.rhats alr'ea.d;r bin said anc'l its alright -'r,o know iheres a 1ct goinl; tire snrne r,ray. .\ There should be a sing;le frec in this i-s$ue, (i:.trt sr-rre at tirne of t;'pingJrnhich is of ivia.rks ber.nd, Pouri-ng bacl: 1,he profits. Godyr'retre so rnoro.lo tjniffin Glue: Danntrz T:t.'.kerf Lir,;3k ? {t:e aint sure if he I s coniir I or goin t )/itarry iir:r-

ide got a fair bit Sandy Robe"r:tsont s

lorEski. thanks; angieTi erica/sue sie ( thoug'h r aint sure rhy)gnd rony whose initiaL escapes concert oftheyeargoe st oal ternativetvforthe irriukepubgigseeitaint justthespotsinco$rit o.

ROUOH

TNADH

ClmffrRlqhand ffrd $teveldlreetore of the Rough frade Hultl lfrtll,i,on pound Conglonenate wlsh t@ announce: that they dne neil tradlrrg ln the beet reggae reeond,s that cqtr, be found eq wel} ae thc handeat c@re bfird eore gI-ue stal.ned sounde

of the new wsver

Anyoneetnteree*ed, in aequtrlng these records e's a whoLeeale ltern, aG a malL ord.en eustomer otr firon the shop ltself,r... r

Please

wrtte or call at

ROUGH TRA.DE

LondonrW.l

Rsnember:Thls ls the organtsatton about oToc Pub1te.

,z)z,Kenstngton Park .

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rtrs time to wake up and enrerge from the cocoon. lihen the new-wave first took shape it drew stl'ength, in the sear"ch fo'a solid identity, frorn thereve'ything that went before was shitr attitude. it bolste'ed the force of the rnusic and bnought the seventies to life, Rockrnr::o-rr ainrt just started and the new-wave is the rockrnr"oll of today, rtrs not the onry influenee, with bands like clash and the slits rooking to reggae for much of thein inspiration,. but the pistols, the Ramones and many more af.e power-packed seventies rockrnrroll bands. As a D.J. I attempt to turn new-wave qigs into rookrnrroll experiences. The Heartbreakers are always a g::eat band to work witho because Eddie cochran is as fundamental to their outLook as are the pistols. For the sake of us all, let's hope that their proposed gig wlih Snakinr Stevens proves to be a success, 0f course for mdny people into the new bands, presley, Carl per.kins, the Beatles, stones, seeds, }fho ..... were making their nost vitar sounds before musical awaleness set in. But whatts that matter. rgsy, l4c5 and the New york DolLs have all found favour with people not there the fi'st tine around, rtrs ar1 down to an app'eciation of what they were saying and how they lrere saying it, in their our times. Music is a penfect rnedium for: shoving two fingers up at the establishment, once it beeomes respectable it foses all its potency. Thatrs what cccur:red dr:ring the seventies. A11 the aqgression had faded and rock sta.rs seemed nore interested in becoming tax exiles or partying it up with royalty than looking afte" their fans who, after all had put thera on the top, What they needed was a firm boot up the arse. And thatrs what they got. No more farting about, just 'aw, honest r:ockinr, brought back on the intinate leve1 of the band and thei' audience. Back to the roots, expressed in a conternporary nannen' Yes the music of today has a sound of itsr own, but the unde::lying spirit is ttre same. Frustration and boredorn. unlike recent trends though this time its spewed

out

fnorn

deprivation, from low

wages and long

dole queues.

mistake, this ainrt the first new-wave, and if itrs the fast, then whatrs the point carrying on. But things have to move on. If they stand still they become extinct. Take Presley, known to rirost of us in his frash Las vegas or all-Ame::ican boy er"as. But in the fifties he was an outrager who offended the public monality and was looked upon as a coffupting infruence, rtts ironic that straight society and itst media that today slags off Johnny Rotten and nourns the death of E1ivs, once considered Presley a social outcast, Sholt merno::ies theylve gotl It is sonetimes this bigotry towards the sounds of the fifties and sixties that br:ings about st"ange 'neactions at new-wave gigs to the incrusion of such material. You donrt have to have been there to enjoy it. we.rre all children of rockrnr:ro11. rtts so exciting being involved with rnusic right there and now. but rockrnrroll hasnrt started in the seventies, neither, I hope. has it ended" Make no

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Rightrthis bit isnrt going to be a detailed history of CIIISWICK ald. it ainrt even up to d.ate but I just thought that they d.eserved. & thing in the ma6 seeing as, in the early d.ays, they were the only guys who wanted to know about SG. the first CHISWICIi record. ea"me out in 1975 and. it was I TIIE cour'ir Brsnols-steu:lBAm(ur s'urit ). At the time the band were a 4 pi e ce, Slike Spenser-vo cals, herp, Faul Balbid.nrms rSleve Lewins-ba^ss, Johrury Guitar-guitar,

& Zen-Suitar.Tlre were the best R&B band in the country artd stil1 a^re.This EP features 4 stand.ard.s-tRoute 66t ,tl Aint Got Your ,

Beautiful Delilah t and I Teena.ge Letter t .It a great staxt.I rernember goi:rg into Rock 0n in Soho I',larket and seeing the dapey little t

yra^s

1abel.'fflratrs this ?I asked. and. he was his label.The geezer I asked. was Roger Armstrong.He started. Chiswick with Ted Carroll.they ivere on their w&f r CHISwICK

told ne it

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' s My GAt (s+) . After months of waiting the Gorillas were finally released. on the lrorld (apart from d.oilg a single with Penny t'arthing as the lrammersmith Gorillas ) . I She t s My Ga^1 t is a rouslng foot-stomper just like the o1d. Slade singles.t'his band. were gonna be big.They had the power and. the songs to rnale a great albun.Live they were 6reat, they filled. a gap which had long been opeu, for a firn rock band for teenagers. rlrfhy Wart rgil Tomorrowris on the flip.

Ti{s GoRrlrAs-sHE

TH.[ CCU]{T SISHOPS-TRAI$'THAII\/TA](n{G

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I CADILTAC (SZ )

rRocktntroll atr it t s best.Just questions why Chiswick released. it" d.onf t ask j.n It was made 1959 and. it t s one of the best couple of rninutes of rock nnrsie {,tve *s\rer heard. in my life.B-sid.e is a slower jub rflLedging hly Lover.The best was yet to corl€o Yes

(s5).

t beli.eve it.llney just about pa^ss uithout hin.Soth songs are good. but the I

coulbdn

vocals are cmising.

r,/eakrvetTr weak. . .CHIS'SICK were

EP.It

d-ontt need. any help from noone.The Razors were finished. when this wa"s released.ftre eover I s cute (really ! ) and the nnrsic is sof t and. boppin'.Great for late night walks in the parlc, rDrip Oropr, rWhatrs Your Namer, I So Hard To Laughl and I flrat t s lfrr Desire t .

ITIS .101 'F,RS-K,!IYS T0 YOUR HitAIrT(Sr).

Stnroner before he was SfRIInfiMllR. By the time this had been released. the 101ters had sp1it. rKeysrisrl reekonrthe best pub-rock song ever reconled.The f1ip, tl Star Rocltrnl Roll Petrolr rconfi::ns that even if Joe didnrt for"m a band. called the Heartdrops rwho were to become the Clashrhe sould. sti[ be there. Do you get what I mean?

EASY

lhe Sishops without Spenserrl

& rrp. nAz0jE(sr sw6,;. -ROcKr sg:ARpuDonrt worrXr about this vniL:iJ TAft 0R-3RA1[D NE\,i

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r,rrrr,a rog sroRy(s,y?) tr'rench mini bloke and. bald..Iylonte d.e wotsit rocktnrroll with a neat sound...*rt the time this was released. Litt1e Bob wa^s ever;rwhere.Playing every gig in sight.At first he was great but I reekon that hets played too much.flkris is goo$ to remember hinn by. tltm Cryingt r rCome 0n Homet rl Need. blcneyr and-|Saby DonI t Cryt .Great titles. ..

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RAIIp STATLs-pIirrY SICTUIIES(S9 ) . Tkris is the only L:hiswick I just d.onf t want to talk about.I consid.er this to be their d-ark ages.lass.. .

TTU RJ|}IATC.RS 5'RC]'; SPACE-TEI,JiVISIC}T S0fu.jJl'i

6. G,

In SGg $teve l&ck(remember this housewj3lf arner)said. this single was a moronice ness .Well , it ain I t that baC infact it I s more than interesting as is:

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SKX.,:ftulUli/j,n.:Y0U rlt-d

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I consider these tvro singles CHIS;I'ICK I s f irst ventures intotrpurrlcft ,The

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GORIi.,LAS -GATJCnASiidR ( S B )

was funny when this was released.I was expeeting more but I d.idn t t think was as stwrning as rSi:e rs l,ly Gal r.It was still going in the right d.irection but Jesse liector fl ipped and they broke up. I mea.nrit was a pityrcause this band. were one

of the best.

Wha,t

was

all

about was a.

fucking great star-Jessâ&#x201A;Źrfhis guy wa.s amazing, tu:rring head-over-heels on stage ryhile still playing his guitarlHe would have murd.eredtern at, the Rainbow.Yeah+if only he could. have got that far.fhe story end.s with them doinf f Gorilla Got $ier.It seesis ages &3otit was so recent. m{! oF P.i,nr o}l-s.

Rad.iators are from lrelagd and SkrevrCriver from Blackpool.Soth singles are similart theyrre both hard and. fast but they have the saae troublerno suss.Itts like if you

talk like this itrs like yourre trying to

be high and mighter drr something but itf s a plain fact that altough both these band-s are comj,tted up to thej.r highbrows they are behin$.I wished the Chiswick mob had looked. 1n lond.on for new balds.Soth these band.s sound. as though they I ve been record-edtoo early for their own Eood. and that I s a sha.ne"

TqS CCUi{f 3ISH0}'S-3A3Y YOUtnE i{r'"t,NG(S1 2). The newrnew Bishops with vocalist Dave Tice t'rho comes fron Austra"l-ia

a:rd" looks like paul Rogers\slightlyJ.In this context these tracks d.onrt work13-sic-e is t Stay Freer) but on the albr-m they re great " I waited with baited. breath and. I had to wait two months consoling inyself rvith the odd playing of the I Speedball !.!3. t

oR€, Cjilsrd I C44,

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FREElst4).

CrhirstrthLs is a brrrner.Croodrtyes a classie &&8, fas t, breakneck, er-Fairies rnor split,Right gnrne , the Gorilla,s , the 1Oe t em , the Razors a.nd. now the Bings all split,'Bad luclc ,..I hope they have better luck ritJr

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ry!0r!RH!:A -M0T0nEiuI (st I ) The best 12 inch ever released. and the most relevent errer released".Motorhead needdcl the space.This thing is prrre pow€tr Somebod.y had. to get then on plasticrlrn g:Iad it was C$swick.DSotorhead bring tears to your eyes a,s they career through their thele song.Ehe name ,by the way, is taken from I llotor -head.rshe::wood. who was a sa:< player for the MctJrers 0f Invention.

Rotat

nfthslnopo,. ho,{o{, OpsuS o;D .

Iook,all I can oay about GI{IsiftCK Le l,lgten to the fuckers aid. nake yer oFn fi1ckilA nind up or walt Giovanni Dad.a.no or any of, theu sunt€ teU you shat to ]isten too... rigtrt, this trhole liece wa^E an exetoige La rhor to bore the pents of you vhi.le reviering reeorte that yourve probably already bea$d o! got". Writir€i ig for cuats who are sca.red. to ehor the facee.{Lreyrve Learrrt thelr cra.ft ln Jou:nalist school or Eb3iah Laneua€E anil they ca[rt wait to tel1 you rhat they think ant balf of you out there take it i.nt

Itrs aot Just the aationaLg that are bu'Llsbittlne. tal<e yer avelage far\ztne (yes lthere ls a fev about) rriter. All he ls is sgne frustrated rock gtar vho voultl love to Srox up and becar alrother teenage plod:ig:r like Nick Kent or Jane $uck. ,Yet1 bolLocks to thetrlf you rant to fight r rea11y flgtrt doa I t bdlshit donrt believe a fucki'rg rord.

ye! vay throu€'h pri:rt...Thatrs rby tJre GLIIE shoufal etop otop rlght nor...atop right non... IF Yt U R$.:.LLY AND G(}

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THE DICTATORS qN Available on Asylum Recordr g[J

NlGHTilrlrs

August 29 at the Vortex turned out to be an unexpected ki11er, a magic night.What was so good about it? The Rich Kids, mate, that,s

what" See Monday

Al1 night we'd been hearing that Glen Matlgck's new band the Rich fiAs were gonna be playing after Chelsea.And they were gonna have an extra guitar on in the form of Mick Jones of The Clash.Wahool, I'd been Iook'ing foruard to seeing that lot for a long time.A.lthough they-formed some months ago they havenrt been able to do too many gigs cos they need another guitarist, another Mick Jones ,going on the set they did on Monday. He fjtted like a glove n and looked incredibly happy about it too, bouncing around the stage with a big grin flashing across his face at regular intervals. The band were obvjously rea1ly happy to be on a stage again and poured tfre lol

nightrs getting to be a highght of the week. I t's somethi ng to do wi th the Vortex h'eing on but that ajn't the sole reason.."Monday is com'ing like a Vortex on wheels. But it's somewhere to go where ya get four bands for a quid but hard luck if you wanna drink and f,ind you've only gotfglty pence left" But if you've flogged some albums in the afternoon then you'll-6e 0K till two. Then you'11 wonder what hit ya when youre standing in the street like you made it there via a scene change in the movies yeah, when it's two o'clock and the bars clos it's sweep 'em out time and no mistake. into a succession of dynamic songs. As I said Monday's a highlight but not It's a very melodic sound but whacked so much for the bands, unless it's the Slits out with the aggression of the early Small or the Banshees" Up the pub at six, out Faces and when topped with the sting.ing three hours later legless and ready to take gui tar the effect i s dynami te.I t'i f e Jones on the Vortex. group's the none-adherence to the punk In the door, down the stairs ,'into the rLlebook.I mean they got 'longish hair and bar then ",.anyth'ing can happen and it often the cl othes weren't exactly t<i ngs Road does. See we have'funrmuch to the disgust of o it was good to see a group carving, tf,. poserswho occas'iona11y spare a cool,super heilr own image,not copying the Sun.-' glance at the giggf ing huddle fa1ling over I s'pose the-highl iiirts-of the set and going WAAAYYYY::: at every familiar face. were the numbers I knew the old "Look at them, not as cool as us, their hairs getting a bit 1ong, too cle.an to be real punl{S ommy Jlmes and the Shondells classic I Think We're Alone Now" recent'ly done (and if you think that last one sounds faragain by the Rubinoos,which they delivered fetched , honest it's true, some mohair meattwice. It was great, after just half-an-hour head said we were too clean to quaf ify.Boo Hoo hearsa'l , brilliant, dn d I hadn't felt as These are the people who cheered with good for months when they were doing it. seld-indulgent glee when the news of Elvis The other familiar song was "pretty Pres'leyts death was announced. The posy sheep Vacant", Mick Jones:"He wrote it so why who flung glasses and gobbed at Danny Baker g[q_lpnrt he do it". At this point Jimmy when he tried to explain that you shouldn't I eapt up and took over the verses, cheer when a geezer snuffs it and Elvis went t he changed the words to tel l 'cept worse shit 20 years ago than you ever did.WhatJ posy pogoers the they're only here for the ever he did with his last 15 years Elvis was just fancy party. dress I WAIT to CAN'T the bloke who stanted it all.Anyway soon the see the Shams with a set of their own at jeers turned to cheers and the girl wjth a this place. They'11 demolish the crowdl face about as attroactive as a bui accident This ranked htith the Slits as one of the who'd flung the glass at Dan.'s head wanted to best even'ings yet down the Vortexr eF I kiss him. mean SETS...the only bjt of the expedition .. These people make me sick. Posers revel-, wherev I can remember eveything what ling in the attention they're getting with happened. their fancy dress" Yet they've-got the l,lew Conviction of a statue of Bert Weedon. Anyway I'm. go'ing off the track. The four Kris Needs 'l

bands came and went in a haze Chelsea went well and Neo created a hard time for themselves when their s'inger started shouting about wanting to see some poets, but under his circumstances 4 a barrage of abuse and glasses cos he was trying to be inject a bit of originality into the music- he can't be blamed for blowing his. New Yawk cool. down

Is that alright

Dan?

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Youthr'. I heard that chorus on a tape Just once and spent the whole week nental.J-y ptaying lt over and over. lltren f saw them live and added four roore to my minds p1ay1ist. neek more and I was vriting Gen X rule in und erground stations. It must be love. - Trgee A Generation X have assets that make you a fan overnight: incredibl-y well conci6ved melodic songs both live andrif you heard John Peels showrin the studio. And whether you like it or not;Generation X with the Rar;ronesrane the seventies prenier pop group.Both of these bands without the prerrYouth, Youth,

fabrication of the

hinnictrap/I'{itce Leand er epitomise lrhat infiuences and ideas put to intelligent original use can achieve. An ideal mesh of new wave speed/enerry in combination with attractive music and genui-ne l;mics r not just the insistent U flat shell shock chords most bands seem to be C

satisfled with. I^lhereas the Ramones are thouroughly AmericanrGen X I band c ould be the t l'Iew York that delivers on all the pronises has broken that overblown scene in the wake of the -itamones

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prodigious debut. Billy Idols voice constantly suprlses me T'rith its flexibil.ity and range. Thrashing around sta,ge dr:ring songs his face into contortions befittlng of a generations crooner, (""ooner I usercatch the opening of Listen) , totfr guitarists play with a confidence that rrlust pride in the material. reflect ' I donttthe usually bother with lyrics but r'rhat f tve cauâ&#x201A;Ź:ht to songs like

ListenoAbove LoverYouthrand already a classj-crReady Steady Gorcanf t be dismissed with a routine adjective. I lcrolrrl knowrrny enthusiasm is becoming redundantrbut its not often these days a band makes you r'rish they could get it all down on vinyl. fu1d nol'r some people look upon Gen X as black sheep because theytre the tpop groupt of the lot, (apparently a label in disgrace)rhowever when the

detractors write a rYoutht ft11 listen to them. Pop may not fit the new wave i-mage which ls why Generation X are so inportant and impres sive r they MAKII it fit and complement it in return. Obviously r'rhen their singles show

:..:.lp tbeyrll Juet as tlkely appear o the oover of 19 as I Sniffih Gluer 13illy IdoL nay Juet be th€ guy to live up to-his suraane, anil th6 banal rl11 outabing olea,riy thi leseer' l]ebts "r'd gdve etiff opposition to oumeat taanesr. fhatever heppensrlf c"lt ohaaing thelr corterporaries by the end of tbe year rrn going uaii to uono. ""iro"=i-"""": Sturtbelr_ nanegere tel1s ne e 1ot of people are jealoue 6f GeaeratLon X, a.ndl it dloesa! t aua'I,lise ne e blt. . tJlsten to.the @es rho 1111 cbange yor relcl. Jereuy

Yeehrlt was e1l set wasnrt lt? W christrthe chance was thene for the taking and we bad a scene ready to take off. Anil th6y blew iirmaaaaan. f,et ne teIl you rhat Itn talking.about. on Tuesday tbe sixteenth at the ----7-*"* --- Arnbasgado hmdeerfully advertised in 1oca1 prees/ehope eto.rThe R;ziito;: 7'45.tt,e people were a dozen strong fifteen mLnuies the doors opened-or du6 to anJr ray'[e were stil1 thero at 9.o5 anil the doors opened before tbenrby which tine about four hunalered peop. re. hatt gatheredg ernce a quarter to nine sone heavies n"i t""r, p".rii"s-;r;i;#;i;; us thatrerrthe Rezillos n!.ghtn I t, er, turn up. a table and a pint and waited. Ard waited. Joiru+a mte/one of the ..^-^ 3:: ii_I"-g:t_03d ,Lsco boya-cane over ahal gave ua Eome startling Lnfo. Seene RezLlloe had beent clelayea t eoe Top of, tbe Porrg had asked to filn then ea,:elier] The peonoter e"t-,rn-t" quieten things alown, anil Eone norons lafped lt up. I met eorae nLee people. Ilrank and got heada,che. People pogoing around the floor. ft ras a batt fa,!ce. Bo be so obviouely uiecl. l{e need €o.e srr-ft noves to get ue outa thig ness. rrm keenrso shourd you be. ltls non event cane at e cruoial tlme just_as Dundee was g";;i"g scene together a,nit nor needs tlne agal'n to__get- baok suppor/respect lopt. Irm **ir"ar[lt adonrt FoRGET. Let th€n kror. Let tbe Rezirros rarorl' He itnt to le nucked about with. Bez11l,og bave been re-appolntecl for tJre 22nrt.August. rtl] let ye loror If we loee sunrlrt & e.i f""t;J-*itn "e"trr.nran Matheson 197?.

Best thing to do

is get hold of a stagc mike and let the assembly lcrow. I{hip it DB

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0n the 26th July at Vor-bex there r;r&.si th.e Vibrators supported by New Heartsr i.t r.ras free admissi on and if ;r6i1 cane early you got tL c r-.ruple of free drinks .

i i

I und erstand CBS T;i.€r€': f ooting ihe b111 . Dtx'ing the Ants set there lras the feel of arrria.l tpunk cohc€:Ttrbut -the er.fter that. . I'ihen it Has finishec,'(alL contracts sigrrerci ) , th*"o lrere cluite a feri sa,d , frust:r:a.ted punks 1e ft , includ in*g ' me . I neern, boi^r can punks iningle so easily with all those buisness heavies? ils t,he nelr hrt'r.ve ceme .thror"igh it attackecl e stablj.shine,nt in music and iraargerand to Dcr both heive disserpeerrecl into the business sponge. I still believe that banC s I j.ke jlm,lamnerd an.l Clash have been had and so have trie o ?hat fucking sponge will get us all if soncthing isnrt done. The ina.ge faired better at firstr cos the music could be ignored by simply not lis'bening to itr'but the lifestylr, 'was t,hrust at iirem on the str.eet. 'l-hen ti:at

marvel l ou-s mout?rpi ecef propagand ar

mac-rr*ine

for tire ruling elassrtlre press picl.:ed it uF. 'Ihe rich hatc rrothing'nore than J)eople who re-fuse to listen to their' lj-es. ,iith ?11 tl:ei tpunks=srrastika=liFr 5;e-bting the hopecl shock reaction (bookeC Jrour hos pital bed Jret?) it forced the punics into an even t ight er g'r oup . S o then c oilri:] s the action of getting the Youth groups fighting arnongst themselv€s r Just another gang of yobs feudin5; on the street;all because the press sd,;r so.Ihe energlr is diverted and only rrhen everyllody is a,ri{&re of thi s will \re get back to the re:al aims of the nell }I&ve r So Purrk has lost rnuch of its energy and the media has shonn us what it can do. lio its: tiure we showed r,.rhat iie cen do.

I ttrink it would do the g;reatest benefit to stop buyin,l records. (Tha Glue gets e,$1troversial and drastic eh?-DB/ I''F ) . Yeahystop buying the records. Ga and see the bands insteadrcos I feel es soon as groups sign up they get the sorporation dictating what goes and doesnIt.'fo stop buying means that those greasy fat exects eanrt make a. penny out of us. Plus with the vinyl market in fnl1 swing ?re can all become armchair punks and all the smaller band s will dissa,pear leaving another set of superg"oups. ltre need communieation. ff yout ve got something to sey-say itrdonft wait for a record to say it for youo Get out into the clubs, anSnrhere, and dance, sing, shout as long as you comrnunicate. ' Don I t let thern buy you out . Tony S

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re sham 69rand we aint goana teLl ya to fuck off cos .we to have a great tine, -irt" but that aint very fashionable is it? Itts alriglit thoughrcos nant *"i=" supp.ort act and punks donrt take no notice of su.pp ort acts tto the:r?"O"Of"'

rrl'le I

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For the next felr pages for fucks sake listen to the support actrand do youreelf a favour. nl t ;rou linolr what e real t punk r i s? .' A real pr;;rk t od ay i s the bl oke rri th a belt joini:rr:: tire legs of his trousers tog:ether, or a girl in fishnet stockint s. llld th.eyr re the first people to shout r.i;.l.iiher et tr;. band . C os they t re in their iiitle sinu.rj Sroups of fashion and they i.toic jusi; liile the liund ay People has t old 'iiren. Theyrll tell Jra bands are :elling out tc busii:ess too. Fuckint snobs. ,,'iiil.t i'ri;:sj i :,

j 'l I

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I er, st year? Bryan Femli, Gl eir

r\i

s frontman, is sayiirg this in e. pub full of the roohair sr.;eater sei,iri.s 'roice is Eetting louder all the 'r,lr'e ,and his eyes and voice car"y emoti-oir f aint seen out siC e Joe Strumrner . Everlr so oftent the frustration of a singer r^;hose band after eighteen months still supports troups Lilce the Re jects, comes top and he ',','iLl pr"::rch the wal1 hard d r.rring certain ,:entenccs. lhere aint none of thatrcool, iiten lri'bh e ni ssi on, gosh f t m so relevent .shit'bhat nine out of ten blokes find need to i.resrr ttSee,lan, thats why 'rrre ! re still bottom of ti:e bill. lfer alrerage cror^rd sees us come on and even before we start theytve got rls sussecl es no hope bandr,raggoners. Then ontll stroll some band in the "if f lig-ifui toEis introduce e song called, Jirnr;r;.,r

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Soring Labour Exehange t , and ever;rcl1e &:*es: f ai: the right attituderthey i;:ust l;e good, t but d |you recl,;on they T.ia'ote 'v?ia"c sonE eos they feel about it o:r cos "birats what theyrre e:;lected to si:ng? f neen surely an audience can see lrhen J ,.:,'i'oujl*q aeting. The first sig:r is to rJo ths: o1a tcof-' ;1rcu lot are so boring.;J'hy d ont _:iou pi. ss off t routine. f I d l ove just orlce ie see ail audience wark out complei;ly cn it j:a"ni like il:at. f cairtt see what that Ite,,,i-iis. I ilever l,rant to Eay piss offrtirats r,,*n'ii""t;ing defeatrf tm up there to try and nti:ile people listennl rrant thenn to hear, i: au c*.n you acheive anyil:ing nlaying for d

i-;rrno,

iroursclf . ff f sing t l{ey little Rieh Boyt I Cr:ntt tr,rant to sing it to me nates. f 'irr,;:t to sing it to the fucking ponces of :'ich i;iel s r f wanna rub thelr noses in the sl:it f t ve had to put up nith. If f nant t o Set at, an apathetie cro-r^rd , f I 11 aim the soi'rg at I em. 3ut just to go r fuck off I i s to get all )rorrr supporters to go I hurrayt

I O, fle.fill FurrraqftevskJ.

Shqno

I'rslike Ripped n Toln fanzine r,rhich said something about how all the time Irn onstage Irm trying to prove how torkirrg class f am and aIl then poncy Nl'{E letters about Inen elLtsmf and stuff. lookr fuck it aIlr then tJrpe of people are gonna ki1l punk. They nust rea1ly think that lrve read a few books on how to act. They want us all to gotnay and caln il own cos they dontt think I know what ltm talklng about. What bollacks is that? ff I say I hate so and sorits cos I kvrow I hate so and sor f know and tbats all there is to it.'3ut these cunts think rah an obvious case of socio-bollocko fucklsrn caused by a disillusioned shitt and they gonna get aL1 artsy with words and telI bands this anrthal ant for you know where you are that â&#x201A;Źiut 1eve1 rock reactionrthat is the onLy vay I knowris gone. trihat was it that bl-oke urote? Oh yeah that T shouliln I t have had a dig at the niddle class cos they can I t help where theyr re born ei-ther.

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'rOh well sorry thenf understand now,hotr sil1y of me. Ir11 go away agaLn.I didnrt realize that you canrt speak out ag:.inst something thate kept ne at the piss hole end of the scale t'hil e Lord Ponconby Allaenby litt1e kid.s run uB a drugs bii.1 on more noney than ny dad, YoIIR DADS, ever earned in a yea.r. lhats just hor it isris it. fhey come and see me cos Irm thls months trend. A bit of rough. Let me say something to all then people who try and file ny attitude rmder sone tisor or another. l,[r attitude might seem thick to you cos I was brought up t9 be thick to lieep rich eunts in money. If f donrt show rneself nowel never wiJ.lrcos nobodies ever wanted to know before and I aint that mrch of a prat to i(now that in a couple of years Tr11 be on me arse again. I{hat it isrsee Danris that most of these people are used to a shamras in fakerw-ith bands comLnl on wlth well thought ou't approache s r d i sguising what they nean to say i.n a load of wordy bollacks. Shan 69 speak exactly what Loads of geysers think and roost inportant I TiIINK. And if Ripped and forn or a1I them fuckin students or people r"'ho r'mite Letters dontt like itrwell sorry darlJ.nr thats

just the way it is. IIow bout thist

wb were

playin

away

did the Other cinena at short notlcerfor the fime Out set. Anyrate end theres a few of the boys danclng in front add altr the rest l"le

fMM,Y5\.'0..\1 stuck in the seatsrXtlcror'rra chewing the pipe stalk anr all thatr so f goes to the mike and saidrrl want you to know who it is Itm playint for. Its for these people who come to have a laugh and dance not you cunts just anylising rny attituder. Sorcome the end of the setrthey wanted to ask questions while we stood there" After a lot of shoutinf we says, ralrightrittll be a laughrrbut the first q.uestion up is sorne aussie bird with nothing about the words or songs but, rf sayrwhen you made a remark about us being cuntsrwas it e direct anti feminist reference?t I mean, (faughs) fuck firer o...thats why that t;tpe never acheil'e fuck all I cept depression, f shoulda tolda that it was a term of affectiorrrr.tno lady I love cuntst Then T reckon someone woulda said It m anti

g&$e roo

But thats what I meanrall this crap peop1e mask things with. I just want to call a spade e spader(none in here is there!), and people nant to tel1 me di"fferent. That bird reporter r,rho asked me that cos ft m & punk how much did I see the Velvet Underground as an influence. If you ask me punk goes back to, I dunno, the geysers with the Vikings goinr roh fuck Irm beinr whippedtr its just saying what you feeI. " ft probably dontt come ecross in this but Jim is probably the only bloke in (o" probably out) of punk that can make me cry with laughter. He talks nearly as fast as me and all the time wears an

,expression that sometimes makes you nonder if hef s bothered bbout anything. As long as you listen, though, its clear he ineans it with more passion than it comes ovcr

in prin.t. i{ith that, all the time, he asks every girl going past if she I s alright. i'Ihen a row a busi-ness gents mad e f or the bog, Jim got there first and stood by the door like a commislonaire and gave each one a napkin and I good morning sir I , and told thern the water was on their desks and he hoped they would be able to sort it all out. I tel1 Uat every tno minutes its a nudge on the arm and i I ere lratch thisrwe t 11 have a laugh heretf If you ask what kind of past the bandrs had yout 11 need a packed lunch. "l"tre were playing this cotrlege, a while backrwheir it T{as the old band, (only Albie the bassist is still there)tant wetre on and all the students are chrlckinr cans ant stuff and theres a. near riot. So I does a stroll to the mike and s&$soo.

SiLu euedeihioVstt frlookryou wankers, donr t chuek anybhing r less you mean it-right t " Anr a f\rckj.n I great party seven goesfwalloprto the side of me nut. I rras thinking rwhat did I say that for for ftrcks sake I , anr I look over anr Albies got the bass by the neck and swinginr it at this bunch of geysers so f jump down anr Irm doinr the old ryoutre dead and yourre dead, rbit pointinr the finger at about thirty g:eysersrytknow. A11 this time the rest of the band are pla.yj.n I on up there t I shouted here I s your encore and give tr.ro fingers and -we I ve run off . And they chased us r So we barracaded ix.trself into the dressinl room which lras at the top of some stairs;while our manager went out to try and calm em down. An;rate as soon as he lqalked down some geystr nent |rhackf and laid hin out,an! we|ve been approached by the college secretary who tells US to go and apologise. So I saw abou,t four of them fire buckets hanginr-two with sand and two of nater-we walks out and goes rbosht

all over the fuckin 1ot. fhe kil1er is that as theyrre tryinr to get out of shot theyrre tramplin all over our manager whor s still on the deckr &o t he I s 6roanint I f\rck Shan 6). . . fuck alL of $ero..ltt At this point the tape run out but the stornies flowed...the time they played a parent

YOUARETHEJUDGE. THESEARE THEWITNESSES. "Not forthe sensitive'

'Audio stimulation of

dazzling beauty"

-News Of TheWorld

-Melody Maker

"lts an obvious, unashamed,

i:,id lessly inventive"

instantclassic"

"the sensation of a remarkably

fruitfulseason" -

Sounds

-ZigZag

-TheTimes

..teacber t56re lnetltute curtaLas op€nedr (or:ltains?), ba^nd pleying intro anil Jira wlth baok to oloril. -I{hen Jloqr tr:rnetl to eing the opeailg verse I thlnlc nost people notlce6 the fucklo€u I l,onelSr Nlghtsr tll.l<Io strapped oa to the f,ront of hie Jeani. Curtains closeal but $e ra,n in f,rort of reu tiIl be ras dragged off anr beat up. {h re dliil alL EontE of idiot stuff back thenlplqyin etandarde to niddLe aged people, ._ ilealt thats all we rere therE fcrrtbe 3,augh..rt I sald.I fierenr t stuprleetl people harilly book. then norlend Jln stoppect laughlng. r wish lt ras something as basio aE that. Ti.ke that lroii*itcd [rri"E. r a"o" -nI knowrbqt rerre doinr it a^n| the bandt are feellnr €reatrytknor pIa$ing to a few people at tast. so tb.ere we are al.l ready anr thatrtill oae alay f sees a poster fd it on a ra11. 3,nil ltn rea& irg ttom a'ntl clorn those bands lrve necer heard of ti11 Irn roading printed tn l{atforrl. So I goe,s tbrough it again. Do you ]axon that $as the first I Uoew tAit ny banal had been alr|oppeal to nake ray fc 6one new boys....sone fuckint buslness d.ea1 I spose. Dqrrt no one te1l ne punks about just gettlnr up and playiag. As it staJrds now its abod rhat buel'negs coutract...what ilealts gone ontall that. We triert to go on at tbe Vortex, Just cos- re rranted to playr nayte sone peopLe evea ranted to hear usrbut what bappene? Sbit 'get6 ne for tryin I to nick guitars. 3ut tloe€ a4rone care? Do they f,r"t. ft" licketl outa .fi:rther and further a$ay fron etreet kLils end lf thb,t sounrls hlppy e ciiahed thatsCettlnr too firckinr bad. t' (fts about tl.oe I gaitl that Sham 6! are pJ.aying the best live set ar: ormd, an6 f spose apart froo anythlng else thatrs whet natterseanal sinoe we did the interview it"t follorlng the Shane le getting bigger by the Fdlf@roanoe. The hartt thins nondays if"=oia you nlite about a banal you g€aul-nIy thlnk are anong the blg six, (rhatever yiurs i.s)ris tlat alwaye eoneone else i$ gonna think your rrritlng it fe eone arse lick reaEon. I'Iien we diil CheLsea,/Cortinas Lntervlews aI1 ne got was letters saSrlng hor theyrre only in G1u€ cos Step n'orward si.gnecl ren. f (lonrt spose lt had anythtni t6 ao r,rftU- tuern being gooil banals who rere otheryise ignored Ln the press had it? At this tine l{ark P is tr-rrin I Uara to get the Sbans to do a one off single fo the Label he signs good b?nats for. Slockinr aint ftf) I tlonrt oa,ro lf they eurface on Step Fortard, Etr{I e leuisches Grarnop}rone l tgrov the mna are etrong enou€b to firck any big biz *riprcos they feel like you and ne adtr they ]dxofi this scene has nore tha.n Lts fair bhare of bail snalLs. But if Sbarn,:69 go ciown withoui atUr recogs nJ,tLon, we1l, that t il be sickening. We oan'sort a lot of this current sbit"'out if, ne reoognise the genuine fron the crudls rho natlt our noney anil nothing else. I aint 'gonna say Siam 5! are-lHE AI{SIfER cos who rea11y believes that lts all gonna faL1 i,nto !1ac€ one dayrbut they are part of what r always tbougbt this lark r"as about. 'rI care about the people tlho come aird see usrthats w\y I did the Ro4y encore when only f,our peopl€ clapped, f dontt even thlnk about the others.I iare about what happens to qy band anal 8€ysers like us. f hope I donrt cone over ll-ke some rhiter than white preacher or sone fuckin I nan-who-wuz-Frong€d, oos that aint,it. r aint got nothing to proverbut r got plenty to 6ay f@ neselfranr rether peoi16'think rrn a cunt or not ii up io taen. jus! e

nyetlfieo ne how kids cen be satisfied with a scene that has got twisted 60 that ,{t. trtul&s are Judg.ing you on your looks and how blg your nanets on the bil.l-_ _-Punkte 8ot so nanJr folloners lrho donrt give a fuck what you say or think....so whatE it all about?tr Ansrers on SedLtionaries notepaper onlyo

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402-1939 262-05 16

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YorrR NEw -FoR WFIOLESAI E CATALOGLIE

FAST DESPATCH SMALL ORI]ERS TAKEN EXCE L LENT TRADING TE R}VI S

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COMPREHENSIVE S OCK CFIEAPE,R PRICFS

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FRENCH , DI.JTCH,U.S. Phil sPector

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This page is about the record.s I bou,-:'it or: ri,g jlst.Aug:Lls t,r 77.yes rI bou6lht rem...â&#x201A;Źxcâ&#x201A;Źpt no lies. lorcitltulAD (cniswi-trk

FOvriLr.lr'uj,.Head shakis

madness rheavyrloud.nwe all lcve llittorhead rd.onr t we.Iiost of itts fast and" hard..Itf s good when

itrs turned up a long way.I like their energy their guts , that I s why I actually bought the thing. Tracks are:!iot orhead.fVibratorf tnst

and.

Johnny/Iron Horse (b)Born To lose/ithite Line Train Kept a Rollirr.I wouldn't get too near the bass speaker if I was you.This band. take no prisoners ! TiiJ FAIITEIjI-liooligan(EnoI 4j).I had this Fever/Kgep_ Us 0n the- Road/The firatch er/

Effitrre

titre and. it ainrt bad.Itrs a very stead.y rocker with },,;ighty Diamond.s tfpe vocals . TLre dub on the flip is a gas .It a great backing traek.The cruns sound. like gun-fire.Yeahrt,some like ar ooligan. . . rr,$

IAJI DURY-Sex & Dnrgs &, Rock & fr.oll(Stiff 4j) . Talk about fu$ky.Vfith the i:rcred.iblermake ny funk the p-funkntype bounce' this is a kil1a. Dury sings in his best Upninster accent.Buy itrkeep itrlove it., .tt&azzl e In tWy pocketrf is the ll-sid.e and it,s about teethinr,BUflT,

A LI FE pAn f(Vffrite label albr:n). r think it 's called t ltsalus rn hrb but r f m not sure.You can get it in Rough tta.de and a couple of other shopo in londor.The first track is the lrord.ts Testqpent(reggae versionf and. it sets the scene for nost of the albr:.m. Yeah+it's a plastic bible that goes'round. a.nd round..rtrg an albrrn you have to sit down withryou have to listenrlristen good. and haxd., itf ll make up for a}l the tine you nissed. flon Sund.ay School(vith eapital letters).At a;4.5O itrs a strrrggle but trly and get itritrs beautiful.Sice onerpa3 t! t+g COUI{q B+Sq0ps(Ctrisrf c\ alburn) who put the bleed.erg' in this ord.er?The Bishops nake a gog'd albwr that I've been l,ietening to for weexs(I get a new one today),Itrs sirnpre, honest and good.Good enough to nelp you come down from the heavens al'ter l*ar lri*.st.No, rt is a goodie a^rrd itts taken rons enough to Pf+NU.Ei

happen"Fave

track is rDoxm the Hoi:d Apiece I .

or just onerat least.

FeeI Good ( I Got you) (virsi:r 41-) . fhe A-side isrlove and the Single Girlrbut d.onrt worryritts cr&po tI Feel Good.tis great. Thre way they go into it after the frealr1r start is incredible.Get a listen to it even if you donrt wanna lash out for the thing. TRli{Iff-hee Piece Suit (lig,frtening 4| ). Onfiilif/ not tEE- best reggae singt-e-ihat's been released this yeer.It I s Sot a great tune nice singingnsharp rocking and a brilliant toast.Get it or starverfool. TRII,IITY-iiarvest tay(Hutk 45 ) . Another fron thetthree piece suitrrnob.l,lot as sharp as the other but sti1l a cut above nost of the pre-release stuff thatls around. at the monent . And. ge t this , the fl ip j.s by BLATJK RO0GAIAIIOR-I

tsdr-R} .A.I{u r,Hg PIRATi,:j , even

torry Pleb

good.

a^nd.

better

To$N qt[

hr5 ntu9 BEe u

i,han Fac-

the Troutsrnearly.A really

single..,find. arid catch!

llJ,ljNGcjrt:"ttat -ubot Hustl ings ( fhird" ;iiorld 45 ) a. long time out but itrs got a great startItlr[r d.add.y was a d-reao old. rnan and $o he d.ied. with a shovel. in r is hand.. . . ,r r oh yeah rwe f re off .A tnre borra hustler....another single to get o= regretlThe dub is fub:

DON'T

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6ol THE LUnuenS; , 50\ THE BoIS + teg Ssi ! 1r?r4T/ RLgo

L rJUSlJ,eg ,flleea1 121' 45 ) . Ls cause ;he SG offiee is

and all care. Eve: r try udnd leroes ne" t! A-sidr ;h grest e rs rriolr r

;bat crowd.It ras

rith is excitin I thturk that thi

d.ie, . . tt ,you b :Chicken Shit-a ' verdubbed. voice's coues in it I s I

Gablerdon I t asl ve -iugt r of to brrv ttris H icle:Eed.dl

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?ts

oF GuRsr,

fr'om being ...n :inerican roci< bi:-nd rri:o I never ca::od fo:rrdryou linor- fihat ?avlovs soneone had tr;,r.j-noij to co thi.ngs at the sowrd

It uas some dog the alrtl]orities ol: of a bel1. Cort of br.ain lr! srhecl .

nog nas?

l.zr.s

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To:..i;r,';r irjrei.r i;ner lr,J s-'r:.id

tfuc.ilinI gre,:,,r.tI. tO cl o. . . . . ini.rit?

and giricl ti:ii"r,is iil'e

i:uriies c..t:'c sposr.:rr'

lllvis ?t-.oi,,' r'.€Ji-l-:rs; C*-.id. Iroads 0f peo,ole chccr.cic'l ojl tl:*rn,ftlrr sllr,goi-;:r.el,i iili)-o llut thatn lihat

.Icr,..r

T coirld li;vs seen it if 'che::erd been I fcwrso i..'h:,;s r rfeir shrugs rnt thatrcos if you rea11y olidnr-i tnink an;rl,liing a.bout sonr-rone il; rj 6i; t 1 cut yop u1l noy]e peg out, ',..'hen tbey but that ni-ghl; the Vo:r-l:er;: ltgcr' to be see,n to be the rrrindless idiot the SunCay papere t:lti'1 6111 oli cu{'. I g;ot u9 ori !:t3f'e ::tti ,r'aiJircri :r nikerco;: f uas so fuckin I uild about hou dopey thie r'.hcle set up is 5etti-ng. "lut oi coiiL r'c ',.:ho r s gotrne ii stetr nhen ycu can throly 6'lasses a.t the tar5ot. There r'ras one bloke i;r';rist 16 1e?-d everidrody in shouf,ing t off off off I ,plenty of shouts of rcu:rtr,i.ltd }oe.:.i of glasscs. Jee t?re;' hao' already nade up their nlj.nds thet r uas talkina :Lborrt tha.t fat geysar serve all grornr u? to knon,anc that was i*. punks Tci?.d iit [he papers e.boul. hoTn conccri;s ar+ being banne,j ]efi right and centre a.nd irolr ihs iiliitehouse tries to stot ;rou seeing soincthing, or irow records are banned cos certain leople dontt l,".ant thon he;;r:d, and they go t terrible, fasci st , opnres sive r and all the rest. Yet the same pu::ksrrhen fs.cec 'h'ith something they thilrii they dontt lillerare no fucking 1-re tte:r: than the coundillors llho ban tbe iex Flsto1s. Purrks are the garre ::,s the Goventrnent. lie dont l, wo.nt to know. Shut it up. If you donr l; Lrelieve r.,e t-..y gettinS: on ..:;ta,1e at a puuk gig and talking again,<t t?re agrced pose for the iright. If those peolle r;1ro at firrt lroocd rnerlhen 'r'rhen the mood changed (after .I nas allorE od to shou'; above the rnirrdless ir:sults) l-cnt quietrdont',, knou riltat .lIvis Presley did why are tlr.ey following his rausic? iiack then it lr:r.s Presley lool. al-il.:es; l:lic got stick in the streeisrwho lrere the filt;h of the hati.on. Presle;r gave Touth a fucl.:inr voice for the filst timerrrhich died till we got it back again. forget tl)e rogn. I aint tal-king rbout an}' one. Itra ialking about youth rebellion rr:hich ffc IIc"c srroscd to bc abou1,. :Ihatevelr the geyser rre Srer up , " l:-:'-.';. '' lin,! r. - :-:-' :,rci - -. its firr.b l;o lr:o1,- i:i, (or- iiLl:rr - -r:;, l.;" ; . 1... reel kick up the arse. Werre suppos.rtl 'uo be doi.nt it nolrrbut it seens that if serre given a club and s orne records rerlL o,:ieten dor*r, and Contt vorr;- i'ir Authority netll deal with anyone lrho tri.es to step outa 1-ineruerll throlr sorne 651esses at rem. Cos r.-e really nOllr T CARX.

Its all a big giggle aint it? on. Chuck g}aeres at ne a d let somebody else do th;rt in Lewis}iam cos that aint your ldea of tfunr. iiear badges that say llo iieroes. Yeah that r,ras another thing. A girl grabbed the nike off ;iie anr s:ridr"iie aint got no heroes" and as per brochure got a bi.g cheer fe it. Sr.:re yourve got no heroes. If the DJ rould rve said Joe Strurnner had just been knifed to death Srpu rn'oi;ld have chee1'ed too.....cos your ve got no heroes. .Ti€'.,hi? The $ew ilave Reaction. It r.ralks.It talks. It says itro Heroes. Shitrl bet you sti11 think Trr,r taliring bout llvis Presley. 'i{e11 go

na,nny Saker

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