Pa m e l a D orm a n on T he D a ma ge b y C ai t l i n Wa h re r What I love about The Damage is that it’s gritty and American, but it also subtly turns, with a kind of devastating, Highsmithian feel, into a very creepy noir story— one whose shocker of an ending gives new meaning to the term “sang-froid”. . . I can’t wait to compare notes on whose blood you think runs coldest here! Share your thoughts with Pam pdorman@prh.com
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