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february 2021

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expert insight

D E C O R AT I N G I D E A S T O R E V I TA L I S E E V E R Y R O O M

L I N D A B O R O N K AY ’ S S M A R T LY E D I T E D SHOPPING PICKS

HOW TO OVE RHAU L T H E WAY YO U W F H THIS YEAR’S MOST VIBRANT TRENDS DECODED

build a future OUR GUIDE TO THE VERY BEST BRITISH ARCHITECTS

NICOLA HARDING TA L K S P E R F E C T PA I NT F I N I S H E S MINNIE KEMP ON CHOOSING THE RIGHT SCHEMES FO R YO U R S T Y L E

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news & shopping EVERYONE’S TALKING ABOUT Snuggling up with soft alpaca textiles, the return of ruffles on furniture and the craze for classical columns DESIGN RADAR Interiors pro Linda Boronkay on the beautiful buys she’s got her eye on NEWS A neat desk that’s the perfect space-saving solution, subtle shades inspired by sea, sand and sky to bring serenity to your schemes and glorious grained patterns to perk up kitchen cabinets CATWALK LOOKS Get into the groove with swinging Seventies style, mesmerising metallics and a carnival of circus-themed homeware NEWS REPORT The latest virtual-reality tech inf luencing the way we decorate our homes HOW TO… KEEP A RENOVATION BUDGET LOW Experts share their money-saving secrets HOW WE WORK NOW Rebecca Seal has clever ideas for creating a happy home workspace LIFE.STYLE.ETC Gynelle Leon of PRICK on opening London’s first cacti and succulent shop

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fabulous spaces ROOM OF THE MONTH Form and function come together effortlessly in this elegant and refined Georgian-style kitchen by Kerri Lipsitz COPENHAGEN TOWN HOUSE Architect Danielle Siggerud’s pared-back approach has maximised her home’s space and light while allowing the building’s history to shine K E N T H O M E The rough and the smooth are seamlessly combined in Gary and Keith’s industrial-meets-luxe seaside abode NEW YORK LOFT Clashing colours and joyous patterns create a dynamic energy in designer Rayman Boozer’s hip NoHo apartment LONDON TERRACE Filippa Knutsson of fashion brand Filippa K used her stylish touch to update a Georgian house for modern family living ITALIAN APARTMENT Glam vintage pieces and distinctive artwork give Ginevra and Giulio’s historic flat splendour and opulence

Subscribe to Livingetc now and get 12 issues for just £28.49. See page 90

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COVER PHOTOGRAPHY ANDERS SCHONNEMANN/LIVING INSIDE

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design & decorating DETAIL OF THE MONTH Cole & Son and Historic Royal Palaces have joined forces to create wallpapers that celebrate our iconic buildings NEW MODERNITY Wood and bold colour blend for a fresh take on mid-century style ST YLE FILE Cool kitchenalia – from chic canisters to classy cookware COLOUR INSIGHT Interior designer Nicola Harding on playing with paint finishes PATTERN BOOK Fabulous globally inspired fabrics for a free-spirited vibe COLUMNIST Minnie Kemp on dining rooms ARCHITEC TS G U IDE Choose one of our favourite studios for your big project KITCHEN AND BATHROOM NEWS The latest products and launches CASE STUDY A kitchen that oozes sophistication

rejuvenate dossier NEWS Clever ideas to revitalise your living space LOOK BOOK Style inspo for standout schemes INTERVIEW Little Greene’s Ruth Mottershead

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the lifestyle edit BOOK OF THE MONTH A coffee table tome of gorgeous room schemes to suit every space SUMMER FLAVOURS, WINTER WAYS Aussie chef Bill Granger’s vibrant recipes are sure to brighten dull days IN AND OUT Make the most of your free time with things to do, see and hear – at home or outside HOTEL HOT LIST Stylish European waterside retreats, from the French Riviera to the North Sea GLOBETROTTER Designer Amber Lewis on how to live like a local in Venice, Los Angeles SECRET ADDRESS BOOK Let this east London candlemaker’s evocative fragrances transport you to distant climes

and the rest… EDITOR’S LETTER SUBSCRIBE Sign up to never miss an issue READER SURVEY Have your say – and the chance to win Amazon vouchers

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in with the

new

Happy New Year! How are you feeling? What are your plans and how was your Christmas? I hope that this issue finds you full of positivity and excitement for a fresh start and a chance at another beginning, a sense of hope in the air. No matter how tumultuous 2020 was, I always think January brings with it a sense of opportunity, and I’m optimistic this year will be no different. In my own life, there ought to be lots of newness – at time of w riting I’m ta nta lisingly close to exchanging contracts on a house and beginning a life I’d never have dreamed I’d be embarking on this time last year. All being well, as you read this, I’ll be looking round the new place, planning the Neptune kitchen I’d like to install. I’ve already picked a sofa fabric (despite knowing that nothing is more likely to jinx a house purchase than such optimistic forward planning) – Romo’s Leoni Quince. It’s a dusky yellow linen inspired by Russell Sage’s piece in Livingetc’s September issue where he talked about the grounding joy of choosing colours that have a touch of earth tones in them, and perhaps by now I’m seated on it, wondering what to do next. Whether you’ve got a whole new house to play with or not, I love

the spirit of our Design Dossier on page 121. Called ‘Rejuvenate’, it’s bursting with spirited ideas for how to overhaul existing schemes, all of which can, in theory, be done over a weekend. And Nicola Harding’s take on choosing tonal gradients of the same paint hue in Colour Insight on page 104 had me scribbling notes into the Refurb Google Doc I share with my fiancé. There’s other newness in our pages, too. I’m delighted to have brought the incredible interior designer Linda Boronkay on board as the talented eye for our new regular Design Radar column on page 15. The former Design Director of Soho House has gone it alone, is already working on projects around the world and has a knack for spotting beautiful products that bring a luxe sense of beaut y to our magazine. We’ve also started a monthly News Report feature on page 31, sharing information on what pioneers are up to at the cutting edge of decorating and design. Right now, augmented reality is the hot topic and I’m fascinated by the way it’s reshaping how we do up our homes. So with this much looking forward, I hope this issue puts a spring in your step – one that stays with you all year.

Pip McCormac Editor

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FUTURE PLC, 161 MARSH WALL, LONDON E14 9AP. TELEPHONE: 020 3148 7154 EMAIL: livingetc@futurenet.com

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PRINTED BY Walstead UK Limited DISTRIBUTED BY Marketforce (UK) Ltd, 3rd floor, 161 Marsh Wall, London E14 9AP, 0203 787 9001 REPRO BY Rhapsody Media Limited, 109/123 Clifton Street, London EC2A 4LD We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) and PEFC certification and accreditation. All contents © 2021 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions. EDITORIAL COMPLAINTS We work hard to achieve the highest standards of editorial content, and we are committed to complying with the Editors’ Code of Practice (https://www.ipso.co.uk/IPSO/cop.html) as enforced by IPSO. If you have a complaint about our editorial content, you can email us at livingetc@futurenet.com or write to Livingetc, Future PLC, 161 Marsh Wall, London E14 9AP. Please provide details of the material you are complaining about and explain your complaint by reference to the Editors’ Code. We will endeavour to acknowledge your complaint within five working days and we aim to correct substantial errors as soon as possible.

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Chief executive Zillah Byng-Thorne Non-executive chairman Richard Huntingford !ǝǣƺǔ ȇƏȇƬǣƏǼ Ȓǔ Ƭƺ Rachel Addison Tel +44 (0)1225 442 244

everyone’s talking about... A L PAC A S On the lookout for a new animal to add to your livestock collection? It has to be an alpaca – their coat is softer than cashmere, incredibly strong and naturally hypoallergenic. Failing that, try French brand Innata’s alpaca textiles at George Spencer Designs (pictured), which help support remote Peruvian communities.

COLU M N S Grab your favourite objet and display it on a plinth, immediately. Or at the very least tap into the trend for Roman column-style fluted pillar shapes – see Broste Copenhagen’s Rillo podium (pictured), Flos’ Last Order table lamp and J. Adams & Co’s Flume chandelier to start the ball rolling.

RUFFLES

FEATURE AMY MOOREA WONG

Skirted furniture is back! Dress your chairs and sofas with ruffled edges in bold prints for a modern take on country house chintz, à la interiors brand Ceraudo (pictured). ‘Skirts on upholstery work well with contemporary fabrics,’ says founder Victoria Ceraudo.

M U S TA R D S T O N E WA R E

Time for tea? Only if it comes in mustard coloured, handthrown British stoneware, please. deVOL’s Amber Glaze pottery (pictured) includes a teapot, cups and saucers doused in a caramel finish and handmade in Leicestershire.

JA PA N E S E PAT T E R N S A homage to skilled crafts, Christopher Farr Cloth’s collaboration with Makoto Kagoshima and LA gallery Chariots on Fire (pictured) sees the Japanese ceramic artist’s botanic drawings, which usually decorate clay, reinterpreted and silk screen-printed onto a capsule collection of fabric and wallpapers. Get it while it’s hot.

livingetc.com

design radar Our new columnist, designer Linda Boronkay, on the pieces catching her eye

1 SOF T TOUCH Once you have a mohair rug you never look back – it’s a new level of softness and sheen. Mohair rug in Stripe Jade, £2,210 (1.83x1.22m) or £990m, The Rug Company

2 SO VEIN This vintage table is an investment but it will last for generations, its character never fading. 1970s marble coffee table, £1,560, AU Bespoke

3 R O C K S TA R These vases are all one-offs, made of marble found discarded by quarries in Carrara. Drill vase, €500, Studio EO

4 IN A MOOD I’m always on the lookout for low-level atmospheric lamps, and this works in both a contemporary and more traditional setting. Grey concrete ribbed lamp, £35, houseof

5 P OW E R U P These cushions add an extra layer to the room, the colours punchy enough to be cool but not overbearing. Silk Sari cushions, £110 each, Sister by Studio Ashby

5 3

6 ROUND OFF I’m drawn to this sofa because of its simple curvilinear lines – striking yet timeless. Palais Royal sofa, price on request, Pierre Augustin Rose

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news THE BUILD

show and tell Ne w ye a r, ne w st a r t , ne w hou s e? I f y ou’r e h a n ker i ng a f t er a bit m or e sp a c e – p er h aps s ome double - heig ht c ei l i ng s, f ul l -leng th w i ndow s a nd s ome s er ene g r e en v ie w s – t hen our ne w pr oje c t c ou ld b e r ig ht up y ou r str e et . O r at le a st , up a str e et t h at ju st h app en s t o le a d t o a quiet a nd a r ch ite c t ur a l l y i nc r e d ible ne w de v elopment i n C r a n leig h i n S u r r e y. L i v i n g e tc i s exc it e d t o a n nounc e t h at we h a v e p a r tner e d w it h FA B R IC A at A mb er Pa r k side, de sig n i ng t he i nt er ior s of th is exciting de velopment’s show home s. It’s a br a nd ne w c ol le c t ion of t wo, t h r e e, fou r a nd f i v e b e d r o om hou s e s, a l l w it h c on sider e d l a y out s t h at lend t hem s el v e s p er fe c tl y t o our c ontemp or a r y a e sthet ic . We’ve b e en del ig ht e d t o s e e how wel l t he sp a c e s wor k w it h our t a k e on m o der n de sig n, a nd t he y c ou ld b e t he ide a l b a ckd r op for y ou t o m a k e your m a rk , to o. We’l l r eve a l more pict u re s so on, but for now r eg i ster i nt er e st at a mb er p a rk side.c om .

THE QUICK CLICK

FEATURE AMY MOOREA WONG PLEASE NOTE THAT THE FABRICA AT AMBER PARKSIDE IMAGE IS CGI

shine on

THE INDULGENCE

on paper Deirdre Dyson looked to everyday details for its rug collection, Paper, which explores how the material can be turned into an object of beauty. ‘I challenged myself to create a 3D image using wool and silk instead of paint,’ explains artist Lady Dyson. The collection includes seven designs in Tibetan wool and silk, depicting cut, ripped and crumpled paper. From £1,080sq m (deirdredyson.com)

For affordable illumination, look no further than Lights & Lamps, which has a huge back catalogue of sculptural, modern lights for every budget. The brand was masterminded by Niki Wright, who founded the company after a 15-year career creating lighting for the high street. Designs feature an array of materials, from woven rattan to chunky crystal, gleaming brass and everything in between. Our pick is the Perch 2 floor lamp; frosted grey glass globes balanced on a minimal metal stand. £79 (lightsandlamps.com)

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news THE CORE PIECE

on display T he L ig ne R o s et C a n a let t o c abi net w i l l a dd a n a i r of my ster y t o y ou r c ol le c t ion, it s f lute d g l a s s f r ont s blu r r i ng w h at it hold s w it h i n a nd t ur n i ng t r e a s u r e d o bje c t s i nt o si l houett e s a nd blo ck s of c olou r. It s l a c quer e d or w a l nut shel v e s c a n b e a c c e s s or i s e d w it h opt ion a l i nt er n a l l ig ht i ng , w h ich g low s t h r oug h t he do or s a nd i s r em ot e c ontr ol le d. T he blo ck y str uc t u r e i s s upp or t e d b y a m i n i m a l, b a mb o o -l i ke l i ne a r f r a me i n l a c quer e d br on z e. C abi net , f r om £ 3, 526 (l ig ne -r o s et .c om)

THE FINISHING TOUCH

decadent dining Transport your tabletop to Transylvania with vibrant fashion brand La DoubleJ’s fifth ‘haute homeware’ collection, which promises to imbue your space with feel-good vibes. Inspired by the historic Romanian prints founder JJ Martin came across during her travels in the country, a palette of red, white and blue covers plates, bowls, napkins and tablecloths in folk-style motifs of birds, flowers and painterly marks. Dessert plates, £220 for a set of six (ladoublej.com)

I N T E R N AT I O N A L D E S I G N

mind the gap The Asolo sofa by Antonio Citterio is not one to be pushed against a wall. Designed with optional gaps integrated into its back, it allows space for a coffee or side table to be placed within easy reach. The piece also features a pleat on the tailored armrests, which becomes a subtle decorative feature. The sofa is available in configurations ranging from expansive L-shapes to more compact two-seaters. From £15,553 (flexform.it)

desk job Switching off from work mode just got easier with Bisley’s hideaway wall desk, a space-saving slimline office that camouflages into the background in one smooth movement. A take on the traditional bureau, modernised with USB ports, the desk floats on the wall, poised to flip down. Nine-to-five essentials can be hooked on the steel back panel – which comes in an array of tones – keeping the desktop gloriously clutter-free. £329 (bisley.com)

livingetc.com

FEATURE AMY MOOREA WONG

THE WEEKEND BUY

catwalk looks The big trends stepping straight off the runways and into our homes Green needlepoint zigzag cushion, £95, Fine Cell Work for Pentreath & Hall

Opal bolt retractable cord lamp, £150, Dyke & Dean

Knot No. 2 Blue Steel sculpture, £25, Hay

Longchamp’s catwalk referenced Homage to the Square artwork by Josef Albers

Pukka sofa, £2,443, Yabu Pushelberg for Ligne Roset

Ashish AW20 was an ode to the disco era with head-totoe sequinned georgette dresses

Dipping portable dimming light, £267, Jordi Canudas for Marset at Aram Store

Juju mirror, £1,764, Julian Chichester

For a real groovy look follow fashion’s lead with curvy shapes and pops of bright colour Shona armchair, £349, Charlotte Honcke for Made

livingetc.com

sw inging seventies

FEATURE JO BAILEY

Manto table, from £4,750, Pietro Russo for Gallotti& Radice

Precision double sconce, £1,235, Kelly Wearstler for Circa Lighting

No.4: Dew Drops mobile, £325, The Shop Floor Project

Thursbey accent table, £1,306, Arteriors

Glenn Martens reimagined metal chain detailing for Y/Project

Elisabetta Franchi’s show was awash with glittering gold silhouettes

Nili candle holder, £5, Habitat

Perforated Stanley wall light, £78, Pooky

Bone bowl, £120, Tom Dixon

hot metal Ready, steady, glow – this season shiny brass, mesh finishes and perforated forms stand out

Everitt TV stand, £399, Swoon

livingetc.com

Filigrana light, £450, Sebastian Wrong for Established & Sons

Torino bar, £4,500, Jonathan Adler

Tema e Variazioni coaster No. 21, £60, Fornasetti at Amara

Circus mug, £15.50, Marcel Wanders for Alessi

Ami created fashion week theatrics as models walked the runway in Bob Fosse bowler hats Transylvania place mats, £50 for set of 2, La DoubleJ Balmain paid homage to the Harlequin print with showstopper dresses

Echo 2 console, £6,156, Le Berre Vevaud at The Invisible Collection

Lovett chair, £895, Soho Home

Trellis planter in Coral Red, £65, Matilda Goad

livingetc.com

circus act Step right up and join the fun – think bold geometric shapes mixed with primary hues. What a show!

news THE CRAFTED PIECE

bend the rules THE NEW HUES

nature trail Add a dose of calm to your walls with the Earth collection by Earthborn, a series of five harmonious paint tones inspired by the great outdoors, created to enhance wellbeing and encourage a connection with the natural world. The palette consists of chalky shades ranging from Skipper, a mid-blue drawn from ocean waters, to the beachy Sandy Castle, a powdery neutral reminiscent of bright summer light, to Grassy, which evokes swaying meadows and misty landscapes. And exhale. £45 for 2.5ltr (earthbornpaints.co.uk)

A n o de to the a r t of wo o d wor k , t he Tw i ne b ench ch a l leng e s t he c ap abi l itie s of s ol id o a k , m a de t o app e a r a s i f a si ng le pie c e of t he t i mb er h a s b e en lo op e d up a nd dow n it s leng t h l i k e a phy sic s - def y i ng pie c e of r ibb on. D e sig ne d b y St ud io G ud for He a l’s a nd h a nd -f i n i she d i n E st on i a , t he de c or at i v e t op i s s upp or t e d b y si mple t ur ne d o a k leg s, r e a d y t o a dd s ome a r t i str y t o l i fe i n the h a llwa y or at the b ottom of the b e d. £ 59 9 (he a ls.c om)

THE STYLE HERO

tiny travellers Inspire a lifetime of travel with Kalinko’s kids’ collection, a 20-piece range of miniature furniture, accessories and toys all hailing from Burma and created by local artisans. The rattan furniture is light enough to be carried by a child, but strong enough to withstand being jumped upon; Burmese toy animal figurines are made from papier-mâché; unique quilts are created with fabric offcuts and an embroidered wall hanging depicts ancient village life. Furniture, from £65; papier-mâché animals, £45 for a set of three including a giraffe, elephant and zebra; quilt, £120 (kalinko.com)

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A piece of furniture, a sculpture or something in-between? Porro’s abstract Romby was created by architects and design duo GamFratesi, a playful balance between a geometric object and a comfortable chair. A crafted cone-shaped base in solid natural sandblasted or black-stained ash meets a soft swivel seat, upholstered in a choice of almost 200 fabrics and leathers, ranging from neutrals to brights, wool to linen. We can’t help but think it would look great on a plinth. Price on request (porro.com)

FEATURE AMY MOOREA WONG

ONE FOR THE KIDS

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news THE POWER PAT T E R N

f ibre optics

FEATURE AMY MOOREA WONG

After a hiatus of two years, pattern house Black Edition (part of The Romo Group) is back with a vengeance, launching not one but four new collections in an explosion of expressive design and vivid colour. Covering decorative prints, weaves, velvets, plains and wallpaper, the jewels in the range are the Zafaro designs, a kaleidoscope of colour and energy, and a joyful antidote to dark winter days. Drape the layered diamonds of the Susulu jacquard where light will pass through them and take in the feathered-effect finish in its full glory. Susulu fa b ric 9 0 9 6/01 , £ 1 5 1 m (blackedition.com)

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news

THE HIGH-STREET HIT

black mirror

FEATURE AMY MOOREA WONG

Casually leaning your mirror against the wall is the only way to do it these days, so get involved with Made’s vision in rattan, the Coretta. Two arches framed in black tubular timber are bridged with cane. Love the look? Go all the way with the smaller circular version, as well as the coordinating Anakie armchair. Mirror, £249 (made.com)

CRUSHING ON

front runner I k e a h a s stepp e d up it s k it chen g a me w it h S i n a r p a nd H a s sl a r p, t wo de sig n s for f r ont s a nd do or s for it s Met o d c abi net s. B ot h r ich timb er vene er s, Sina r p rejoic es in t he n at ur a l o a k a nd show s of f t he b e aut y of it s g r a i n , w h i le H a s sl a r p t a ke s a more or n a ment a l appr o a ch w it h v a r y i ng wo o d s for m i ng a che v r on p at t er n . S i n a r p, f r om £11; H a s sl a r p, f r om £ 4 0 (i k e a .c om)

SEASONAL BUY

taste rainbow Embrace rich, evocative tones with Summerill & Bishop’s Winter Rainbow table linen, a scalloped design in colours that undulate and dance with each other. The tablecloth edge is a riot of colour while the top remains plain white, ready to be jazzed up. Napkin, £50 for a set of two; tablecloth, £250 (summerillandbishop.com)

livingetc.com

news report Design is going digital – yes, even more so than ever before. So what does virtual reality mean for how you’ll be decorating this year?

FEATURE AMY BRADFORD

CLOCKWISE FROM TOP Dulux’s Visualizer app allows you to beam colours onto your own walls. Brave Ground, its colour of the year, is shown here; Design firm HollandGreen creates 3D modelling of clients’ spaces

to allow for visualization of a scheme and avoid costly mistakes; Made’s virtual apartment makes online shopping more interactive; Graham & Brown’s app illustrates the scale of a wallpaper’s repeat.

emember how revolutionary online shopping felt? Perhaps the first time your groceries arrived in a van it seemed like they brought the future with them. Well, that was just phase one, fuelled by convenience, and in current times, necessity has taken charge. For reports of a surge in web shopping are accompanied by an intriguing trend: burgeoning retailer investment in augmented-reality (AR) technology, from decorating apps that bridge the ‘imagination gap’ – solving the problem of evaluating paint choices by projecting them onto walls via a smartphone – to shoppable ‘rooms’ that reveal how furniture will look in real life. Formerly, these might have felt like a gimmick; today, as we all shop from our sofas, they look essential. These techie updates are going to change the way you design. Take Made, with its virtual, interactive apartment created to launch its AW20 collection. Consisting of four inspiring rooms that ‘visitors’ could shop as they toured the space, it feels more engaging than just scrolling through a site. AR is just as useful for the more practical aspects of decorating. Dulux’s Visualizer app helps you to see how its paints will look with your own decor (the eco benefits seen in how it cuts the number of sample pots you’ll need to try), while Graham & Brown’s version demonstrates how a wallpaper’s scale and repeat will look once hung. ‘It’s a big step forward from the old swatch method, and if you find something you like you can buy it then and there,’ says head of brand marketing Alan Kemp. People make bolder choices after using the app, he adds, which saw a 62% increase in downloads this year. AR tech is changing interior design as well as shopping behaviour. Life Kitchens has a 4D virtual-reality theatre in its Waterloo showroom, which enables customers to ‘jump into their future kitchen’ before it’s built. A costly investment suddenly seems much less of a risk. Design firm HollandGreen explains that 3D modelling of clients’ spaces allows for visualisation of a scheme much earlier in the design process; mistakes are eliminated before installation, and money and resources are saved. ‘The technology allows clients to collaborate more with designers,’ adds co-founder Stephen Green. ‘Changing a colour scheme is just a click away.’ Ollie Kilvert, founder of The 360 View, produces virtual property tours for major developers and believes the practice will go mainstream in 2021. His company started in 2016 when he was selling his own home. After posting a tour online, his pool of buyers expanded dramatically. ‘We eventually sold to a couple from Singapore, who loved all the details they could see – right down to the woodgrain on banisters,’ he says. Not just a substitute for the physical, augmented reality is often several steps ahead.

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how to... keep a renovation budget low Ten experts share savvy ways to control costs when managing an interior redesign

first things first

keep it key

insulate

Planning is key to hitting budgets. Think of your room like a painting and start with the floor and walls first, then add the larger items before you focus on the details. Lots of lovely little bits will look odd in a room where the flooring and wall colours are a little off, whereas a room with a great floor and wall colour will no doubt need fewer items in it. This may also save you money in the end. Matthew Williamson, interior designer

You don’t need a huge amount of furniture, there is much to gain from ‘breathing space’ in a room. Invest in key pieces that are handmade instead of mass-produced – you will get more value out of them in the long run and they will therefore be more cost-effective. Angus Buchanan, creative director, Buchanan Studio

think alternatives If you’re looking to change flooring but don’t want to spend a fortune, there are now numerous alternatives to real wood, marble or slate. As seen here, there are porcelain floors that can replicate a wooden floor – affordable and easier to care for. Enass Mahmoud, founder, Decor by Enass

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Old buildings are noisy so don’t try and mute them. Spending money on improving acoustics in a Victorian building can be a bit of a money pit, so make sensible steps to improve the situation with dense insulation between the joists and recycled rubber matting, rather than trying to eradicate the noise totally with nasty petrochemical-based materials, glues and tapes, which will also use more money you can allocate elsewhere. Wilf Meynell, founder, Studio Bark

prioritise Start with the rooms you use the most, such as the kitchen or family room. Then determine how much quality you expect from each item, to see how much of a priority it is. A bespoke kitchen can become off-shelf carcasses and doors. Charmaine White, founder, The White

FEATURE RODDY CLARKE PHOTOGRAPHS (THINK ALTERNATIVES) ANNA STATHAKI; (PRIORITISE) SIMON MAXWELL PHOTOGRAPHY

House Interiors

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Save money by collecting homeware as you go, rather than buying everything all together

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While there is a lot to be said for planning a scheme to the last detail before you begin, it’s also worth always keeping your eyes out for interesting accessories and ornaments from your travels, flea markets and sites such as eBay. Keep a list of things you know you’ll need – a mattress, say, lighting, white goods – and set alerts on Google for sales of those items. You can pick up great bargains along the way rather than needing to fill a space last-minute and inevitably spending more in-store. While this saves money, it also helps to bring a strong narrative and personality to the space as you find unexpected decorative gems throughout the project. Shalini Misra, founder and creative director, Shalini Misra Ltd

best of four

PHOTOGRAPHS (MAIN IMAGE) TOM SULLAM PHOTOGRAPHY; (IN THE FRAME) TI-MEDIACONTENT.COM

set sale

For homeowners wanting to make their money go further there are a few simple ways to do this. Be savvy with material usage. Use paint instead of wallpaper, you can achieve incredible effects with a good choice of paint colour and clever application of it. And as well as being a more environmentally sustainable option, antiques are financially useful too – you save 20% as there is no VAT. And reuse what you can by breathing new life into pieces without replacing them. Lastly, be brave and watch explanatory YouTube videos so you can take on more tasks yourself, leaving less to the experts. Ottalie Stride, creative director, Albion Nord

in the frame If sticking to a relatively tight budget in a bedroom, one should focus more on the mattress and the bed frame itself, seeing as we spend nearly a third of our life in bed! Saving money on other items and investing in key pieces such as this will help to make the home more comfortable on a budget. It’s always worth splashing out more on the sofa you’ll spend more time on than an armchair, too. James Thurstan Waterworth, founder, Thurstan

tech time

Future-proof your lighting and audiovisual needs. Lighting design will make or break a space and we always gain the expert opinion of a lighting designer in every project we approach to ensure we have considered all the electrical wiring requirements. Spend money on giving the builder a succinct electrical plan to get wires in the places you need them, even if you need to save money by not installing the light fittings or AV until your budget has recovered from the initial spend of a big renovation project. Getting this right from the outset will help create a happy home for years to come. Juliette Wright, co-founder, Stephenson Wright

quality calls

Don’t think about your budget as purely expenditure, consider investing in special feature pieces by named designers that you love; these should retain and possibly increase in value over time. Buy pieces that are built to last in classic shapes that won’t date and consider vintage pieces and items made by craftspeople using traditional techniques. Spend money on a good quality sofa or armchair that can be reupholstered rather than fully replaced. And, when money is tight, opt for lighter touches such as painting a room, adding passementerie trims to existing curtains or restyling with accessories new and old. Louise Lythe, associate director, David Collins Studio

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how we work now With more of us laying claim to box rooms as our office spaces, Rebecca Seal’s new book explains how a little improvement can enhance mood and productivity

plants and texture, are 15% more productive,’ says industrial designer Ingrid Fetell Lee. ‘The way we always thought about workspace design was that we were trying to keep you focused on your work and not distracted. And the problem with that is that’s not how the mind works. The mind needs to take little detours and wanders.’

‘Avoid having a white plasticky desk and get a wooden one. If you The danger is that this visual language filters into how we make our can’t afford a wooden desk buy something vintage (but cheap), or go own spaces look. If you’ve spent years either working in, or being for one with an oak or beech veneer. Have something green as exposed to ideas of an office which is cold, hard and grey, it might well, whether a throw, an armchair or a cushion.’ We can soothe an not occur to you that you don’t have to replicate anxious subconscious by bringing imagery that in your own workspace. of the outside world inside. ‘Anything that how to sit makes you see the sky or see the outdoors is a Over 80% of us sit for four to nine Emma Morley has designed more than 80 really good idea,’ says Emma. hours a day and the ‘correct’ way to sit in front of a computer is like offices since founding her commercial interior this: arrange your chair so your feet design agency trifle* and the principles that Warmth is critical – but many homeworkers are flat on the floor with your thighs more or less parallel to the floor; she has developed can be used anywhere, don’t allow themselves to be warm enough, your forearms should also be parallel including your kitchen table. ‘When you’re because they don’t want to turn on the heating to the floor, gently resting on the desk or table, and your hands should working on your own, you can check in with for an entire flat or house when it’s only them easily reach your keyboard and yourself and ask, what is it that I need, what work ing. T h is is u ndersta ndable f rom mouse; your eyes should be level with the top of your computer screen, are the things that make my day better?’ she an environmental and financial point of which should be about an arm’s says. There are some things which are true view, but there are a number of relatively eco length away. Your back should be supported in a naturally straight for all of us: highly artificial environments portable or plug-in heaters on the market position by your chair, and your stress us all out. ‘We now know how important now, a nd bei ng wa r m enoug h is more shoulders shouldn’t feel hunched, or stretched – your mouse and keyboard daylight, fresh air and nature are to us as important than we might think – studies so should be in easy reach. Sobering hu ma n bei ngs,’ says Em ma . ‘ T hey a re far on office temperatures are smallish in stuff compared to how most of us sit, but all it takes to solve these problems fundamental to how we think, how we feel scale but striking in results: one review study is a footrest and an adjustable chair. and how productive we are.’ But what if you showed that productivity in offices increased live or work in a basement, and you can’t sit as the temperature rose to 22°C, but then near a window? ‘Give yourself a daylight bulb,’ Emma says. ‘It’s started to fall as it got hotter. In fact, it looks as though 22°C is the nice to have cosy lighting, but we recently realised that we had lamp optimum temperature for getting good work done. bulbs in our desk lights at the office, which is not a good idea! I changed them for daylight bulbs. It’s a quick win and it’s not expensive.’ And if you don’t or can’t have a separate room to work in, you can still make room for yourself. ‘If you’re working on the kitchen table, Sticking a plant on your desk is powerful, too. One study found then the most simple thing is to have a lovely big box. Shove that houseplants can lower both mental and physical stress levels; everything in it at the end of the day and then you get it all out the another, at the University of Technology in Sydney, showed a 37% next day,’ Emma says. ‘Carving out a little space, even if it’s just a desk fall in tension and anxiety and a 38% reduction in fatigue after that has a roll top, or that shuts, is worth doing,’ Ingrid agrees. ‘Just plants were dotted around workplaces. ‘Compared to people working having a psychological boundary around it is invaluable.’ in what are known as ‘lean work environments’ – basically the X standard office, that has nothing on the walls, is very minimalist and Extract taken from Solo: How to Work Alone (and Not Lose Your Mind) beige – people working in enriched environments, with art and by Rebecca Seal (£14.99, Souvenir Press)

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PHOTOGRAPH FRANCIS AMIAND

rey carpet. White desks. Artificial light. It is almost as though someone wrote a list of all the things which mess up our circadian rhythms and lower our productivity then used it to decorate traditional office buildings the world over. It’s baffling. So while last year threw up more than its fair share of challenges, it has given the new-found homeworker the chance to get things right.

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life.style.etc Gynelle Leon, founder of PRICK, London’s first cacti and succulent shop, on her favourite garden, following her instincts and finding an upside in the pandemic

espite a successful and varied career that has included a spell in private and investment banking, Gynelle Leon decided on a radical life shift and retrained in floristry. After spotting a gap in the market, in 2016 she opened PRICK, London’s first cacti and succulent shop – with more than 150 rare varieties – and has since published her first book, Prick: Cacti and Succulents: Choosing, Styling, Caring (£15, Mitchell Beazley). She lives in Essex with her husband and two-year-old son.

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better, like changing to a next-day courier service, which means plants arrive quicker and healthier. The point was to try and emulate the high customer care we provide in our physical shop and it has worked well. Your best tip for the less greenfingered? Find a plant that best suits your home environment. Or if you find a plant you like, Google the name before you commit to it. See what care it needs and how low-maintenance or fussy it is. What are your favourite stores? A New Tribe, which has a curation of such beautiful homeware products, and the

fashion brand Lazy Oaf – I love patterns and clothes that make me feel happy. Do you have a favourite garden? Jardin Majorelle in Marrakech. I fell in love with succulents after visiting there in 2011. Recommend one gardening book… Apart from mine I would say The House Plant Expert by Dr D. G. Hessayon. It’s great for all-round indoor plants. Share your best business tip… Research, research, research – and also follow your gut instinct. It’s rarely wrong. X

prickldn.com

The biggest challenge? The yo-yo of emotions involved in running a business – and having little time for self-care

FEATURE BUSOLA EVANS

Sum up your business in five words… High-quality, low-maintenance plants. What was the light-bulb moment that led to you launching your business? I was working as a fraud and compliance analyst but studying floristry part-time and noticed a demand in houseplants. I was an avid houseplant collector and was looking for more unusual cacti and succulents – I went to Google to search for a cactus shop in London and couldn’t believe one didn’t exist so I decided to create my dream store. What do you particularly love about cacti? Their endurance and incredible diversity of form structure and shape. They are truly the plants with the most character. The greatest sacrifice you’ve made for your business? I sold my flat in Bow, east London, to help fund it and also gave up my job! It was a big risk stepping out to a whole new kind of business and believing in my idea. Having the idea and then not doing it would have plagued me. And the biggest challenge? The yo-yo of emotions involved in running a business – and having little time for self-care. How has the pandemic affected your business? I’ve had to move completely online and worked on making the experience

FEATURE MARY WEAVER PHOTOGRAPH MALCOLM MENZIES STYLING KERRI LIPSITZ

Bespoke kitchen with countertop and splashback in Carrara marble; island work surface in titanium granite in satinato finish; ladder and joinery, all Blakes London; designed by Kerri Lipsitz. Brass pendant light, Rowen & Wren

fabulous spaces E AC H M O N T H W E C H O O S E O N E R O O M TO G E T YO U I N T H E H O U S E S M O O D

A refined colour palette and restored Georgian features align in this beautifully curated kitchen designed by Kerri Lipsitz. It’s a functional space with ample storage – bespoke cabinetry shows off the proportions of the room – yet still feels like a place to entertain livingetc.com

serene dream Architect Danielle Siggerud’s relaxed Copenhagen home celebrates the beauty of natural materials and tactile surfaces X

PHOTOGRAPHY Anders Schonnemann/Living Inside WORDS Amy Moorea Wong

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houses

DINING AREA The rosewood chairs were bought from a dealer in Milan and thought to be by Tobia or Carlo Scarpa. ‘I was intuitively drawn to them,’ says Danielle. Table, Klassisk Living. For similar vintage chairs, try 1stDibs. Light, Louis Poulsen. Art (behind table), Paco Knöller

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houses

L I V I N G S PAC E Danielle is drawn to sculptural forms and the curves of the furnishings reflect the shape of the window niches. The doors open onto a view of the harbour. Linen sofa, Ikea. Coffee table, Isamu Noguchi. Portrait sketch on the wall by Danielle

houses

‘It’s a big thing creating your own home. It’s about trying to identify the core of who you are,’ says architect Danielle Siggerud. ‘When we moved, my husband and I spent a huge amount of time discussing how we wanted to live.’ The result is somewhere between the laid-back luxury of a hotel and a set of individual apartments, with the couple’s home spread across four open-plan f loors of a tow n house in a 200-year-old listed naval building on Copenhagen’s harbour. ‘We mostly use the first two floors on a daily basis,’ says Danielle, with the second and third floors dedicated to sleeping, guests and functional spaces. ‘So, despite its size, the house feels intimate.’ With Danielle’s family in Norway, room for visitors was vital and the guest rooms include a living area and kitchenette. ‘Because the house is quite open – we don’t have a lot of doors – it was important for us to be able to withdraw and have people here without always noticing,’ says Danielle. After moving to Copenhagen in 2008 to study architecture at the Royal Danish Academy of Fine Arts, Danielle worked with John Pawson in London and for a property development company before establishing her eponymous firm in 2016, as she turned 27. ‘I knew early on I wanted to run my own practice,’ she says. ‘I needed to take the leap before I was too moulded by another a rchitect or compa ny.’ Now Da nielle directs a ‘small and busy’ studio, working on

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home profile TH E OWN E RS Architect Danielle Siggerud, her husband Mathias, a property developer, and their almost one-year-old daughter Nora.

THE PROPERTY A house in Holmen, Copenhagen. On the ground floor is the hallway, kitchen-diner, cloakroom and an en-suite bedroom. The first floor has two living spaces and an office area, the second floor has the master bedroom and bathroom and Nora’s room, and on the third floor is a further office, bedroom, bathroom and living area.

projects currently including a Notting Hill town house, several homes in Copenhagen and a wellness retreat on the Danish coast. Danielle’s style is one of understated refinement and serenity, and her love of natural materials, simplicity and artful approach to form permeates her home, from the tactile plastered walls and the reoccurring use of Carrara marble to the pale-and-neutral palette and the sculptural furniture and art. ‘I want to create spaces that are relaxed and full of emotion,’ she explains. ‘Not using a lot of colour means I can focus on the architecture itself.’ When moving into the house in 2015, Danielle immediately sought to expose the space. ‘The Nordics don’t have that much light during winter – daylight is very

important,’ she says. ‘We opened up each level so light could travel all the way through the building.’ The house is an artful merging of old and new, with Danielle drawing upon the building’s history and weaving her minimal style into it. ‘The beams are the signature of the house’ she says of the dark wood structure, which is complemented by the historic furniture Da n ielle habit ua lly buys at auct ion. ‘ W hat carpenters did 50 years ago is unbelievably beautiful, I’m really drawn to the thought, love and craf t of vintage furniture,’ she says. ‘I love the sense of history and soul.’ Danielle also turns her hand to furniture design, creating pieces that are elegant and poetic as well as fulfilling a function. Case in point is the asymmetric Mattina desk, which she designed for Mathias as a wedding gift; two separate tabletops supported by three legs. ‘They are unable to stand alone and only together is the piece complete, referencing the love between two people,’ says Danielle. The new addition to the family, almost one-year old Nora, poses perhaps the biggest change to the house, bringing a splash of brightness to the other w ise serene aesthetic. ‘I knew it was going to be messy and crazy and colourful, and that’s exactly how it should be now,’ says Danielle. ‘I wouldn’t wish for it to be any other way.’ X

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L I V I N G S PAC E S The wall display features a mix of artwork from local galleries, drawings by Danielle and family photos. The sofa is where the family come together to relax. (this page) Vase (left), Arne Bang. White sculpture, Gunhild Aaberg. Vase (right), Gunnar Nylund. Blue ceramic carafe from Florence. (opposite page, top) Sofa, Eilersen. Lounge seats, Rud Thygesen. Coffee table, Poul Kjaerholm. Tube light, Michael Anastassiades

OFFICE AREA Danielle designed the Mattina desk for her husband in elm to symbolise family roots and a new growing generation. ‘My furniture is where I can be bolder and explore new shapes,’ she says. Chairs, Pierre Jeanneret. Black painting by Danielle. Vase by Anders Tage

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houses

home truths W H AT D O E S T H E H O U S E S M E L L L I K E ? Dried flowers and French potpourri.

B I G G E S T CH A N G E YO U R DAU G HTE R HAS HAD ON THE HOUSE? The atmosphere, it’s pure joy – and, of course, there are lots of toys.

G O -TO D I N N E R - PA R T Y M E A L? Ravioli with brown butter and sage – we love to make homemade pasta!

FAV O U R I T E AT- H O M E D R I N K ? A good glass of Chardonnay.

W H AT A R E YO U L I S T E N I N G T O ? The album Woman by Rhye.

BELOVED CLOTHING BR ANDS? Celine and Swedish brand Totême.

KITCHE N ‘I didn’t want the cabinets to take away from the beams, the walls and the vintage pieces, so I kept them very minimal,’ says Danielle. The kitchen was designed by Danielle. Find similar Carrara marble at Rossi Stone Surfaces. Grey teapot, Arne Bang

houses the blueprint WA L K - I N CLOSET

BED ROOM

BEDROOM

OFFICE KITCHEN DINER

GROUND FLOOR

LIVING ROOM

MASTER BEDROOM

FIRST FLOOR

SECOND FLOOR

B AT H R O O M The honey-hued tiles add warmth to this bright white, gallery-like space, decorated with only a sculpture on a plinth, letting the marble basin take centre stage. Basin designed by Danielle. Sculpture, Gunhild Aaberg

MASTER BEDROOM ‘We have barely anything in here so it’s a pared-back space just for sleeping,’ says Danielle of her tonal, textured bedroom. ‘We wanted a soft, calm feel that focuses on our senses.’ Bedside lamp, Serge Mouille

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industrial

luxe

The transformation of Gary and Keith’s home from

period property to warehouse-style abode is amazing

PHOTOGRAPHY James Merrell X

STYLING Mary Weaver WORDS Amy Moorea Wong

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LIVING AREA The natural soft pink of the exposed plaster sets the tone in here. ‘It’s such a relaxing, enjoyable space,’ Gary says. Vint modular sofa, HK Living. Pendant ceiling light, Moooi. Suede tasselled floor cushion, Nordal. Carlo sideboard, Habitat

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DINING AREA ‘The view from the table is of the staircase running the entirety of the other floors – it has a beautiful sculptural feel to it,’ explains Gary. Compass table, Matthew Hilton for SCP. Velvet dining chairs, HK Living. Liv rug, Benuta

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LIVING AREA Tactile finishes of plaster and brick are juxtaposed with soft textiles, luxe details and a rich pop of red. Dawn swivel lounge chair, Bloomingville. Black floor light, French Connection Home. Rug, Zara Home

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houses

home profile THE OWNERS Gary Marshall, co-founder of playful beauty brand Anatomicals, his partner Keith Hirst, director of structural engineer company H|F-K, and rescue dogs Sniff the terrier cross and Labrador Ruby.

THE PROPERTY A four-storey Victorian house, remodelled with a warehouse vibe, in Ramsgate. The ground floor has an open-plan living room, dining area and kitchen. The first floor holds a spare bedroom and the bathroom, the second floor the master bedroom and en suite and guest room, and the third a roof terrace.

KITCHE N ‘The green-black kitchen allows the other colours to pop out and make a statement,’ Gary says. Units in RAL 6007 Bottle Green. Walls and surface, microcement. Designed by structural engineers H|F-K

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e took away about 350 square foot of f loor space, wh ich might seem a bit mad,’ says Gary Marshall o f t h e d r a m at i c re d e s ig n o f h i s n ow warehouse-style seaside Victorian home. ‘It’s in Ramsgate’s conservation area, but it isn’t listed which was a real stroke of luck – it meant that I could be brave with the space.’ With courage as the catch of the day, Gary emptied the box-like building of many of its walls, replaced the staircase and sacrificed two existing bedrooms for high ceilings and structural surprises. ‘I wanted to create volu me i n the house a nd do someth i ng interesting,’ he ex plains. ‘There wasn’t anything of architectural or historical merit, so tearing it apart didn’t feel too sacrilegious – it was always a quirky building that looks more east London than east coast,’ smiles Gary, who swapped 30 years in the capital for salty air and expansive beaches two years before the projected completed, watching the progress from rentals a few streets away. There was a story to be found on the walls. Decades worth of time-worn plaster was carefully uncovered, a tactile, chalky finish preserved in jagged-edged blocks atop the ex posed origina l brick work . ‘ I wanted it to be rough and I hoped that once I brought in other materials it would feel welcoming,’ explains Gary. ‘I had a blip in

great layout for conversation, you can have pockets of people in different areas and still communicate easily,’ says Gary. ‘It’ll be a very good party house’. This is a home designed to ebb and flow w it h t he t ide s , w it h t he mu lt it ude of met a lwork , f rom t he ex p osed copp er piping to the fretwork covering the staircase and k itchen cabinets, liable to take on a patina as it ages. ‘I find the idea of embracing the passing of time quite charming, and I think it suits the nature of the building with the other historic marks and indentations it carries,’ Gary says. Perhaps the most unexpected space in the house is the light well, which runs the height of the building’s four storeys. ‘ It creates a different type of light and opens the whole house up,’ explains Gary. ‘It’s very dramatic and exciting – if you look down from upstairs, it makes your heart race.’ The ‘void’, as Gary and Keith call it, is ruled over by a troop of whimsica l Seletti mon key lamps, each framed by a window leading off the bedrooms, and adding a playful twist to the house. ‘The wall needed something, and I just thought, “let’s have some monkeys”, it seemed like a natural place for them to hang,’ smiles Gary. ‘They’re an extra bit of fun.’

the middle of winter when there was nothing but bare walls and I thought “is this going to be nice to live in? I don’t know any more!”, but it’s really harmonious now.’ For the furniture, Gary chose nude and rose tones to tie in w ith the plaster and brickwork, adding flashes of luxe materials a nd rich colou rs to combat the house’s industrial hardness. ‘I wanted a contrast, but u ltimately it was about creating a n environment that felt warm and relaxed,’ Ga ry ex plains. ‘ The tex tiles add to the feeling of comfort – I find it really restful and centring, a real head-clearing space’. W hat sta r ted out as a solo vent u re somewhat surprisingly became a home for two, with structural engineer Keith working on the project – masterminding the staircase among other areas – before the pair became a couple. Gary and Keith have been in the house only a few months and are yet to host the large gatherings and dinner parties the X flowing space would be so suited to. ‘It’s a anatomicals.com.mt

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LIGHT WELL The structure runs to the top of the house, with the playful monkey lights able to be viewed from bedroom windows, which frame them like pieces of art. Monkey lamps, Seletti

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BEDROOM This space doubles as an office. ‘It’s a very restful place to sit and work’ says Gary. ‘I find it one of the most calming rooms in the house.’ Clothes rail, Maisons du Monde. Ivar wall light, Habitat

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home truths W H AT ’ S C O O K I N G ? Keith’s the chef of the house – he’s a big fan of Nigel Slater.

FAV O U R I T E T H I N G ABOUT WINTER? Sweaters.

I F YO U C O U L D H AV E A N Y S U P E R P O W E R , W H AT WOU LD IT B E ? Invisibility – I’d get up to all sorts.

W H AT D O E S T H E H O U S E SMELL LIKE? Czech & Speake No. 88 fragrance.

D I N N E R PA R T Y M E N U ? Champagne and fresh local seafood.

W H AT ’ S O N R E P E AT AT THE WE E KE N D? Usually Kylie Minogue’s album Disco.

the blueprint

BEDROOM

KITCHEN/ LIVING/ DINING AREA

GROUND FLOOR

BEDROOM

MASTER BEDROOM

FIRST FLOOR

SECOND FLOOR

MASTER BEDROOM Gary had some of the furniture sprayed black to match the beams. Brass bedside table, House Doctor. Eugenie chest of drawers, La Redoute. Print above drawers, Migrants by Mary Claire Smith

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houses

B AT H R O O M Textured Venetian plastering gives the space movement and nods to the home’s coastal locale. Basin and bath, both Lusso Stone. Hemp rug, Nordic Nest. Soap dispenser bottles, Kuishi

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STYLING LILI DIALLO

houses

LIVING AREA ‘The bookcase is the focal point,’ says Rayman. ‘I love blue because it makes me happy, but it’s also universal. There isn’t a bad shade.’ Bookcase in Ol’ Blue Eyes by Benjamin Moore. Carnival rug by Paul Smith, The Rug Company. Perspex coffee table, Lillian August. Sofas, ABC Carpet & Home. Cushions, Susi Bellamy

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“I always mix things together because it’s the clashing that makes it interesting” X

LIVING AREA ‘Photography is my thing,’ says Rayman, who has pieces by Bruce Weber and Arthur King. Sofa, Crate & Barrel; covered in Kansai Zinnia velvet by Romo. Exercise at Home photograph by Luke Smalley, ClampArt. Painted wall plate by Kehinde Wiley, Brooklyn Museum

STYLING LILI DIALLO

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art and souvenirs from a globe-trotting life. Previously owned by Joe Jonas – yes, of Jonas Brothers fame – it was a typical bare brick New York loft space when Rayman bought it in 2015. ‘It was really nice, but it felt too industrial to me and I’m not into that vibe,’ he says. So, he set about making it his own. Firstly, by painting over those red bricks in a bluey grey – Benjamin Moore’s Sea Life – which he then carried through the whole apartment to pull it together. ‘I think paint is the easiest way to add colour and it’s also the cheapest thing to change,’ he explains. Used here as a neutral, the shade neatly offsets all the other elements Rayman introduced into the space, including the spectacular blue bookcase he custom-designed to house his collection of design books and travel mementoes: ‘My theory is that since I have put them all in one place, it feels like a collection and not just clutter,’ he says, laughing. Painting the shelves in that particularly bold blue was an easy choice: ‘Blue is my favourite colour and I like bright, bright colours for some reason. I think they make you happy.’ It was five days after graduating from his degree in interior design and fashion at Indiana University, in his home state, that Rayman moved to NYC – a dream he had held since childhood. ‘When we were eight years old, my best friend brought a book to school about New York and showed it to me. I said: “We should go there”.’ The pair made a pact to move to the city when they grew up and luckily it panned out: ‘We’re both still living here and we’re still friends.’ After a series of jobs, including a formative period at The Conran Shop, Rayman opened his cult interiors store, Apartment 48, in 1994. Rather radically for then, it was styled as a series of rooms, which led to his first interior design commissions. When that side of the business really took off, he finally closed the store in 2010 to focus on interiors. Rayman was WFH before WFH became a thing. In fact, one of the few structural interventions he did to the apartment was to carve out a separate office space from the main open-plan living area for him and his team. And while he freely admits to being a bit of a workaholic – but in a good way: ‘I almost spend no time not working. Work is my life really, I love it’ – it’s not entirely all work, no play. ‘It’s a great space for entertaining and I have lots of events and parties here. So, I do socialise!’ His own blurred lines between work and play, public and private might also explain Rayman’s aim of injecting a bit of glamour into every interior he designs. ‘I never want a room that feels super, super formal, but I also want you to be able to dress up in your house and not feel out of place,’ he says. ‘So, you can wear jeans and a t-shirt most of the time, but if you want to wear a tuxedo or a gown you should still feel at home in your space.’ Probably time we all followed his lead and retired our lockdown joggers in favour of some cocktail-hour glitz.

home profile TH E OWN E R Rayman Boozer of celebrated New York interior design company Apartment 48.

THE PROPERTY A live-work loft apartment in a converted factory in NoHo. It has an open-plan living/dining/ kitchen area, an office area, a master bedroom with en suite and a further bathroom.

apartment48.com

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the blueprint MASTER BEDROOM LIVING/ DINING ROOM

KITCHEN EN SUITE

OFFICE

WO R K S PAC E ‘Some of my favourite fabric sources are Designers Guild, S Harris, Pierre Frey and Kerrie Brown,’ says Rayman. Parrot candlestick, Apartment 48; Aubaho sells a similar version

DINING AREA ‘I try to make a room look effortless, like it happened over time, although I do put a lot of effort into that!’ Table and chairs, Restoration Hardware. The chandelier is vintage; try London Antique Chandeliers for similar. Painting by Barbara Brewton

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home truths I F YO U W E R E A N I N T E R I O R S A C C E S S O R Y, YO U W O U L D B E ? A colourful candle; bright, romantic and timeless.

FA S H I O N W E A K N E S S ? Prada. I can’t help myself!

A D V I C E T O YO U R YO U N G E R S E L F ? Don’t stress, it will all work out.

FAV O U R I T E A L B U M ? More recently, Swimming by Mac Miller. I also love Angie Stone.

FAV O U R I T E A R T I S T ? Cy Twombly – his freedom and spirit inspire me.

I F YO U C O U L D L I V E A N Y W H E R E ? It would be the Amalfi Coast or Paris. Can I pick both?

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BEDROOM ‘I always think bedrooms should feel romantic – even though nothing happens in my bedroom, it’s just me!’ says Rayman.

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Headboard in Bora Bora by Schumacher. Bedside table, Bungalow 5. Lamp, Safavieh. Bedding, ABC Carpet & Home. Curtains, Fabricut. Wall in Sea Life, Benjamin Moore

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sartorial Fashion designer Filippa Knutsson has brought a sense of lightness, fluidity and family functionality to this gorgeous Georgian terrace

lead X

PHOTOGRAPHY The Modern House WORDS Juliet Benning

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LIVING ROOM Painting the shutters and architrave in the same dusty pink tone brings a chic uniformity to this scheme. Walls in Setting Plaster, Farrow & Ball. Sculpture (left of fireplace), André Bloc. Painting, Jacques Nestlé

home profile THE OWNER Swedish-born fashion designer Filippa Knutsson who set up her sustainable fashion brand, Filippa K, in 1993. She lived in the house with her children Nina, 25, Tom, 22, and Dylan, 19, from her previous marriages.

THE PROPERTY A Georgian town house in Islington, north London, built in 1828 and laid out across five floors. The lower ground floor has two bedrooms, a utility room and cloakroom. The ground floor has a dining/living room, kitchen and cloakroom and leads out to the garden. On the first floor is another living room and home office. The second floor has the master bedroom and large en-suite bathroom. The thirdfloor bedroom has an en-suite bathroom and balcony.

H A L LWAY The original panelling from 1828 was restored and new solid oak floorboards were laid. Flooring, Havwoods. Sisal stair runner, Alternative Flooring. Walls and woodwork in Cornforth White, Farrow & Ball

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in on Barnsbury, finding it the ideal location for her home, which has recently been sold through The Modern House. Despite having been born in Sweden, the fashion designer’s formative years in the capital imprinted on her heavily. ‘I came to London when I was three and didn’t leave until I was 21 so I do feel culturally part-British,’ says Filippa. Following a period of living in Paris, her children’s educations prompted the move to London and now that they are all independent, Filippa is readying herself to move to Corsica to live with her partner Thomas Fourtané, a French architect, who is based there. ‘I loved the fact that London was so open and diverse,’ says Filippa. ‘I focused my search on Barnsbury and Canonbury as I’d become aware of the area through a friend. From my bed in Paris, I’d spend so long looking at Google Street View that I’d get arm ache from propping up the iPad.’ Filippa took a few trips from Paris to get a feel for the area and then after five viewings she bought the fifth house. ‘I’d originally intended to buy a flat, but the appeal of these Georgian houses with their gardens proved impossible to resist. In Stockholm, I’d had this huge apartment and I realise now I’d felt quite lonely in it. I wanted a home with a human scale, that would feel cosy. The idea of living vertically rather than horizontally appealed to me as it was such a contrast from Stockholm and Paris.’ Although the house was in relatively good condition when she bought it, further investigations proved a considerable renovation was needed, with Filippa placing her faith in

architect Angus Shepherd of Powell Tuck Associates. ‘I enjoyed working with him as he really understands these old Georgian houses and has an amazing eye for detail.’ Together the pair sympathetically updated the house for modern family life, improving the basement with a utility room and updating the kitchen and loft extension. Her sons, Tom and Dylan, were soon settled and later daughter, Nina, came to join the family while finishing her degree in fine art. ‘I never thought I’d end up with all three but it is probably the last time we will all live together under the same roof so it was a special time,’ she says. The layout allowed the youngsters plenty of their own privacy both in the basement and attic bedrooms while the kitchen and living/dining room became the central heart of the house. ‘So many of the properties around Barnsbury put the kitchen in the basement but I wanted it on the ground floor where the light is good,’ says Filippa. It is this light that she attributes to creating the mellow yet seductive glow of the living room walls. ‘Farrow& Ball’s Setting Plaster very accurately mimicked the plaster below. It would look different in darker, north-facing rooms – it needs a lot of light to look that lovely,’ Filippa notes. After such a strenuous renovation, it’s easy to assume that Filippa would be sad to be moving, but she is content to leave the home to its next custodian. ‘I’m not a nostalgic person and before I make a decision I go through an intense process,’ she says. ‘I see it as a new phase in my life.’ While the Mediterranean island beckons Filippa, someone here in London will no doubt be delighted with their new Islington home. X

Filippa’s house was listed for sale on themodernhouse.com

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DINING AREA The large overmantel mirror increases the sense of space. Building the banquette seat into the wall made it less obtrusive in this snug area. Bespoke joinery, Ashley Smith Furniture; painted in Lamp Room Gray, Farrow & Ball. Table and bench, Ilse Crawford for De La Espada. Golden Bell lamps by Alvar Aalto for Artek. Find similar cabinet knobs at Yester Home

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KITCHE N A long shelf and rail keep cooking gear close to hand. The glazed Moroccan tiles have a reflective quality that bounces light around. Cabinetry in Inchyra Blue; walls in Strong White, both Farrow & Ball. Source a polished concrete worktop from Worktop Express. Find similar handles at Door Handle Company. Oven, hob and extractor, all Gaggenau

S ECON D FLOOR BEDROOM Filippa chose a muted, restful scheme for her room. The gib door of the en suite blends with the wall when closed. Walls in Clunch, Farrow & Ball. Mustard cushions and bedding, Caravane. Table lamp, Garbo Interiors. Recipio side table, Maxalto

REAR BASEMENT BEDROOM Bamboo planting in front of the doors adds privacy to this space. Walls in Ammonite, Farrow & Ball. CH27 chair, Hans J Wegner. Linen cushion, Svenskt Tenn

home truths M O S T FA S C I N AT I N G P E R SO N YO U ’ V E NEVER MET? Georgia O’Keeffe

A MEMORABLE SCENT? The herbal aromatic scent of the Corsican maquis, the shrubland that covers the island.

B O O K YO U WI S H YO U ’ D WR IT TE N ? Anything by Ernest Hemingway – I adore his sparse writing style.

B E S T S C A N D I N AV I A N EXPORT? Stylish simplicity.

I D E A L D AT E N I G H T ? Delicious dinner with plenty of wine in a small, cosy restaurant.

A DVI CE FO R YO U R 1 8 -Y E A R - O L D S E L F ? Don’t worry too much about what others think.

THREE DESERT ISLAND ESSENTIALS? Box of matches, strong sun protection and a good knife for carving up all those fish.

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“I wanted my bedroom to be simple, pure and uncluttered” X

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GARDEN This richly planted space features a pathway of concrete sleepers softened by white hydrangeas, sculptural box bushes and lush ferns. Garden landscaping by Stuart Craine Design

THIRD FLOOR BEDROOM Built-in cabinetry makes clever use of the space in the dormer. The entirely grey scheme draws attention to the crisp architectural forms. Bedspread, The White Company. Wall lamp, Arne Jacobsen

BEDROOM

LOWE R GROUND FLOOR

DINING/ LIVING AREA

GROUND FLOOR

OFFICE

BED ROOM

KITCHEN

UTILITY

the blueprint

LIVING ROOM

FIRST FLOOR

BEDROOM

SECOND FLOOR

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past with the present, architects Ginevra Calisti and Giulio Ubini have reinvented their historic apartment X

ancient meets modern

By balancing the

PHOTOGRAPHY Alessandra Ianniello/Living Inside WORDS Jenny Tucker

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LIVING ROOM Statement pieces, such as the gilded mirror and vintage chandelier, share the limelight. Mirror, 18th century; for similar, try 1stDibs. Sculptural head by Ako Atikossie. Sculptural feet by Alfio Antognetti. Custom fabric collage artwork; vintage chandelier, bought at auction

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LIVING ROOM Teal walls provide a distinctive backdrop to the exceptional artwork and furnishings. Sofa, for similar try Vinterior. Artwork by Ako Atikossie. Brass and glass wall lamps, for similar try Heal’s. Wall paint, try Goblin (311) from Little Greene

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It takes courage, and a connoisseur’s inspired by homes from the 1920s, eye, to intermingle such a diverse which often included rich collections blend of st yles, eras a nd colour of objects from exotic experiences,’ combos. Ginevra and Giulio’s Italian she add s. ‘ We sou rce mater ia ls apartment is a dedicated testimony everywhere, but auctions and specialist to its ancient beginnings (built in dealers are interesting to us. The main the 12th century and once home to criteria when we buy is “love at first King Alboin), but there is another sight”, then we consider how it will fit contemporary layer that adds an in. When we bought the 1950s lamp enchanting modern edge to the mix. that sits in the dining area, we didn’t ‘When we first saw the property have the table and chairs. But we two years ago, we immediately fell in instinctively knew it would work.’ TH E OWN E RS love with it,’ remembers Ginevra. A link with the natural world is also Ginevra Calisti and Giulio Ubini, both ‘Structurally we wanted to leave the evident, with the merging of the lush freelance architects who specialise in original layout, in respect of its vegetation in their garden and their interiors, and their dog Arturo. historical value. The high wooden bot a n ica l f u r n ish i ng choices. THE PROPERTY coffered ceilings, wide chimneys, ‘Although we live in the urban centre A ground floor apartment in Pavia, just immense f ireplaces, doors w ith of Pavia, the property is surrounded outside Milan. It sits within a section exaggerated frames – they are all by a luxuriant garden that penetrates of a royal palace built in 1100 and very distinct heritage statements. the whole building through the large comprises two living rooms, an But of course, we also wanted to windows. We’ve accentuated that open-plan kitchen and dining area, accommodate our modern lifestyle. by adding f loral upholstery, lots of one bedroom, two walk-in dressing That’s where the challenge came in – indoor pla nt s a nd a n incred ible rooms and two bathrooms. balancing the past and present to Chinese cabinet in the dining area create a stylish and welcoming home.’ decorated with birds and f lowers. Colour is an obvious commitment, and the apartment pulses It’s so important to us to feel connected to nature.’ with vibrancy. The expansive walls of the main rooms are And although the couple emphasise that their home should painted in beautiful blue shades, reminiscent of perfect skies and reflect their deepest selves, the purpose of their dwelling is, calm seas. Then, dotted throughout, are furnishings in splashes again, multilayered. In more normal times, Ginevra and Giulio of luscious pinks, reds, greens and corals. It’s a veritable jewel box travelled whenever the opportunity arose, but now they utilise of hues. ‘We spent a lot of time researching the backdrop wall their surroundings 24 hours a day experimenting with colours,’ admits Ginevra. ‘We wanted the rooms to feel design inspirations and expanding projects for clients. ‘It’s more hospitable, and colour is the best way to give character to an than a simple home, it’s a kind of workshop for us,’ says Ginevra. environment. There are many contrasts in our home, and we As the dappled winter sunlight throws a flicker of warmth both enjoy mixing it up. It’s kind of our trademark.’ on to their lovely veranda, thoughts move forward to the As the saying goes, life is all about balance. And there’s a inevitable spring. There is hope that friends will gather there distinct level of harmonising going on here. Ginevra says that again soon, surrounded by the greenery, to celebrate… well, just the couple love to collect pieces from all over the world, which is being together. ‘I’ll look forward to that,’ says Ginevra. ‘The best evident with their fusing of Japanese wall screens, African time is at dusk, when I would light some candles and a friend sculptures, Scandinavian chairs, Chinese tables – there’s even a might pass by, a bottle of wine in hand, to join us for dinner. Tibetan horse saddle used as a rug in the bathroom. ‘We’re Wouldn’t that be incredible!’

home profile

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“Every object, every colour choice has a meaning for us and reflects our lifestyle” X

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KITCHE N

DINING AREA

Green, gold and black bring an opulent look in this space.

The table was designed by Ginevra and Giulio.

Antique wall lamps, try Pure White Lines. Walls, Arsenic by Farrow & Ball is a similar green

Chairs by Giacomo Moor. Lamp, try 1stDibs for similar. Wallpaper panels by Elena Carozzi for Lizzo

houses home truths TOP OF WISH LIST ? To look back at my life and be happy with what I have achieved.

I D E A L B R E A K FA S T ? I have such a sweet tooth! I can’t start my day without a cappuccino full of foam and a cornetto pastry.

L A S T T I M E YO U L AUG H E D? I laugh so often that I don’t remember exactly when and why.

W H AT A R E YO U WAT C H I N G O N T V ? I get bored quickly and chop around. Right now, it’s Vis a Vis, Desperate Housewives and Peaky Blinders.

A R E YO U T H E B O S S WHEN IT COMES TO YO U R I N T E R I O R S ? No! Not at all!! It’s a completely democratic process.

PARTY PERSON OR NOT? I adore meeting new people, but give me good music and I’d dance all night.

houses the blueprint EN SUITE

WA L K - I N CLOSET

BEDROOM

KITCHEN LIVING ROOM

LIVING ROOM DINING AREA

WA L K - I N CLOSET B AT H R O O M

BEDROOM

B AT H R O O M

Contrasting fabrics create a seductive boudoir feel.

Vintage fittings are paired with bottle green shades.

Wallpaper screen by Elena Carozzi for Lizzo. Side tables, designed by Ginevra and Giuilo

Vanity unit, 1930s. Rug, Tibetan riding saddle. Curtain fabric, for similar, try Colefax and Fowler

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“The botanical element is very recurrent in our choices. Nature is so important to us” X

V E R A N DA Whether it’s to eat la prima colazione or to discuss ideas for new designs, the couple love to sit outdoors on warmer days. Vintage cane furniture, try Etsy

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Chamber Angels wallpaper, £145 a roll (cole-and-son.com)

design & decorating FEATURE AMY MOOREA WONG

A CO O L D E TA I L S E T S T H E TO N E FO R O U R P R OJ E C T S S E C T I O N

A thousand years of British heritage hits our walls with Cole & Son’s collaboration with Historic Royal Palaces. The 17 designs honour the interiors and gardens of iconic buildings from Hampton Court to Kensington Palace – spot dancing figures, glorious landscapes and entwined flowers livingetc.com

When it comes to design trends, there is a modernist vibe in the air this season. Mid-20th century influences abound (think wood and bold colour) and black notes are key. We look back with reverence and move forward with fresh eyes X

PHOTOGRAPHY Simon Bevan STYLING Hannah Franklin

decorating

P L AY A N D D I S P L AY Colour lifts the spirits and adds a playful touch to this sophisticated scheme. Group chaise by Philippe Malouin, £3,891.70, SCP; seat covered in Abstract 1928 in Serpentine, £119m, Zoffany. Ardingly cabinet in Burnham Red, from £1,775, Neptune. Tessa armchair, £3,396, by Antonio Citterio for Flexform at Interdesign UK. Hotaru double bubble floor light by Barber Osgerby for Ozeki + Co, £780, Twentytwentyone. Monolog stool, £815, Ligne Roset. Ficus Lyrata (fiddle leaf fig), £220, in antique white doughnut planter, £355, Fake It. Wendingen rug by Eileen Gray, £2,790, Aram. Opening painting by Sharon Drew, £1,150, M.A.H Gallery. Marlie cushion cover in Green, £75, The Conran Shop

THE CIRCLE A N D T H E S Q UA R E A fresh take on a classic steam bent chair illustrates the modernist approach to design and material. Iklwa large chair in Earth Orange by Mac Collins, £2,275, Benchmark. Jelly side tables by C. Ballabio with frame in black chromed metal and solid canaletto walnut, £1,292 (top in White Calacatta Gold marble) and £1,039 (top in cast transparent glass), Porada. Moon Jar III sculpture in smoke-fired white-textured clay, £500, Ruth Elizabeth Jones. Gather 4 sculpture, £460, Vic Wright. Curtain in District in Cobalt, Kelly Wearstler V collection, £189m. Lee Jofa at GP&J Baker. Dicksonia fern, £69.50, Fake It. Purlin runner by Eleanor Pritchard, £250, Case Furniture

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decorating

CU RVES IN ALL THE R I G H T P L AC E S Rounded organic shapes are a beautiful contrast to the more linear forms in this workspace. Kidney desk in naturally ebonised solid oak by Fred Rigby, £4,000, Francis Gallery. Dining chair, £209, West Elm; upholstered in Oxley in Multi, £85m, Romo. Ring chair in walnut and Crème by Nanna & Jørgen Ditzel for Getama, £3,495, The Conran Shop. White Bay painting by Virginie Hucher £4,200, M.A.H Gallery. Jut rug, from £449.65, Calligaris. Mars lamp. £342, Julian Chichester. Pleomorph 21 sculpture in black stoneware with clear glazed inside, £560, Abid Javed. Monograph Forest paperweight, £35, Amara. Stapler, £9.99; wooden set square, £11.99, Zara Home

CHECK IT OUT A chequered rug in bold emerald adds depth and dynamism to the formality of the structured dining designs. Four dining table in Dutch Green, £1,675, Another Country. Afra & Tobia Scarpa Monk chairs for Molteni, £1,100 each, Béton Brut. Grid Construct rug by Christopher Kane, from £3,907, The Rug Company. Le Grand Etourdi mobile by Volta, £299, The Conran Shop. Table lamps, £69.99 each, Zara. Roman bowls, £8 each, Habitat. Mushroom vase No.1 (larger vase), £130; Mushroom vase No.2, £100, both Vulcan Clay, The Clay Assemblage

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decorating

DESIGN DRAMA Revival pieces embrace the strong lines of the interior architecture, including the ultra-high ceilings. Botero modular sofa set in Natural, £6,285, Oka. Mono hand-tufted rug in Green, £1,850, Aram. Slatted bench by Robin Day, £695, Twentytwentyone. Lawn cushion, £135, Heal’s. Dar Mudcloth cushion cover by Memòri, £210, The Conran Shop. Fabric panel in Limpopo F3357001, £297.60m, Pierre Frey. Cherry Bakewells sculpture in cherry wood, £3,800 for a pair (one pictured), Jan Hendzel. Vintage clay sculpture, £400, M.A.H Gallery. Hashira pendant cluster, £1,339.95, Menu. Mars 1936 artwork by Nathalie du Pasquier, £415, Twentytwentyone. String of pearls succulent in grey concrete hexagon pot, £35, Fake It

SHELF LIFE A solid concrete ledge is the perfect foil for the display of fluid and sculptural objects. (Left to right) Vintage clay sculpture XL, £450, M.A.H Gallery. Sculpture 4 in stoneware clay, £140, Haar East. Abstract form wooden sculpture, £110, M. Kardana. Standing Facet 3 sculpture, £460, Vic Wright. Reverse table lamp in travertine and bronzed brass, £539.95, Menu. Bowater bookends in baked ash, £180 a pair, Jan Hendzel. Pleomorph 27 sculpture in grey stoneware with clear glazed inside, £210, Abid Javed. Adiantum fern, £22.50, in cream ribbed ceramic pot, £19, both Fake It

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st yle f ile: kitchenalia COOK, SERVE AND STORE BEAUTIFULLY WITH OUR EDIT OF CHIC BUYS

PESTLES AND MORTARS ERGONOMIC DESIGNS TO CRUSH AND GRIND Porcelain flat mortar with ball pestle, £145, John Julian

Kendra pestle and mortar, €26.90, Bloomingville

Clay pestle and mortar for Som Tum, £21.50, Sous Chef Tondo pestle and mortar, £144, Jessika Källeskog at Design House Stockholm

Cast-iron pestle and mortar, £14, Robert Welch

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Kulti pestle and mortar, £88, House Doctor at Amara

FEATURE HOLLY PHILLIPS

Stone pestle and mortar, £155, Tom Dixon at Heal’s

decorating

Roos round plate, £36, Serax at Latzio

NEUTRAL DINNER PLATES ORGANIC SHAPES DELIVER TACTILE ELEGANCE

Milky stoneware plate, €28, Caravane

Dinner plate, £22, Amber Lewis for Anthropologie Daisy plate, £105, Astier de Villatte at Summerill & Bishop

Fade plate, £24, Made In Japan

Arabesque plate, €34.90, Sthål

Artisan speckled plate, £15, Love Frankie

WASTE-FREE CANISTERS SLICK AND STYLISH REFILLABLE STORAGE JARS (From left) Deeka glass jar, £34.95, Nkuku; Raw porcelain storage jar, £18, Workshop; Smoked glass and wooden topped storage jar, £23, The Forest & Co; Basalt storage jar, £40, Freight HHG; Bailey storage jar No6, £25, Daylesford; Lidded jar in Raw Sienna, £55, Pottery West at Oggetto

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SPECIALITY COOKWARE EQUIPMENT TO EXPAND YOUR REPERTOIRE Oak handle wok, £65, Netherton Foundry at The Conran Shop

Copper nabe, $383.45, Fuukidou at Analogue Life

Donabe rice clay pot, £165, Native & Co

Copper crepe pan, £293, Mauviel at Goop

Tierra Negra tagine, £106, Objects of Use

PRETTY LITTLE THINGS HELPFUL ARTISAN TOOLS THAT JUST HAPPEN TO BE GORGEOUS

(From left) Grog clay pinch pot, £9, Reste; Coconut wood cake server, £38.85, Qasa Qasa at Akojo Market; Gold juicer, £65, Feldspar; Glazed stoneware spoon, £10, Object; Cobalt sugar bowl, £45, Silvia K Ceramics at The New Craftsmen

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APRONS BECAUSE YOU DON’T WANT YOUR BEST OUTFIT COVERED IN FLOUR...

Linen apron in Mustard Yellow, £17.99, H&M Grid apron in Indigo, $125, Minna

Criss cross apron Brooklyn fit in Greenery, £75.21, Pillowpia Trudy apron, £28, Anthropologie

Original apron with cork straps and trim in British Navy, £155, Risdon & Risdon The Upton waxed canvas and leather apron in Green, £69.95, Cotswold Hipster

Washed linen pinafore in Moss Green, €54.90, Linen Tales

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colour insight I N T E R I O R D E S I G N E R N I C O L A H A R D I N G TA L K S P E R F E C T PA I N T F I N I S H E S A N D S PA C E - E N H A N C I N G S T R AT E G I E S

I a l so l ove Pa i n t & Pa p e r Li b ra r y ’s Architectural range. Each colour is formulated using different strengths of the same pigment and then numbered I, II, III, IV or V according to its tonal weight. This allows you to achieve subtle colour shifts within a space. In the kitchen at my current client’s home, we’ve painted the woodwork one of the darker shades of Wattle, the walls a paler shade of Wattle, then the ceiling and cornice paler again. It’s always interesting to play with finishes. In the hallway of my current project, we’ve painted the walls Rouge II from Paint & Paper Library and the woodwork in Courtly Rose from Pure & Original. The full gloss finish of the woodwork really pops out against the velvety finish of the walls. Another of my go-to finishes is called Fresco by Pure & Original, which is like a limewash and gives an uneven texture. I’ve used this in my kitchen at home as it’s north-facing and doesn’t get a huge amount of natural light. If I’d used a flat paint, I think it would have felt a bit shady and sad, but having this uneven colour finish gives the walls texture.

When painting the woodwork around a window, think about the effect you want to create. For example, in the family room at my current client’s house, we’ve used Wattle II by Paint & Paper Library, which is a greeny shade of white that blends with the green outside and encourages the eye to travel outwards. In the orangery, we’ve painted the window woodwork in a dark chocolate colour that frames the garden beautifully. If your skirtings and architraves aren’t in great condition or you live in a modern home and they’re less of a statement, you don’t want to create much contrast between the woodwork and the wall colour. But if it’s a period property with gorgeous skirtings and windows, pulling them out in a contrasting colour highlights them. Rather than automatically painting a ceiling white, I often wrap it in colour. For example, if you want a space to feel cosy, choose a darker colour for the ceiling. If you want it to appear lighter, go for a pale colour. If you would like a space to feel bigger, and when the ceiling is quite low, either continue the wall colour across the ceiling or choose a shade that doesn’t contrast much with the wall colour. This makes the space feel larger because you’re creating fewer junctions to stop the eye. I love pale-coloured painted floors that bounce light into a space. Finding a really tough floor paint is tricky, but one of the best ones I’ve found is from Little Greene. nicolaharding.com

the edit Oxford Blue fresco lime, £110 for 2.5ltr, Pure & Original

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Wattle II pure flat emulsion, £50 for 2.5ltr, Paint & Paper Library

Shirting intelligent floor paint, £72 for 2.5ltr, Little Greene

Linen Wash intelligent floor paint, £72 for 2.5ltr, Little Greene

Skin Powder fresco lime, £110 for 2.5ltr, Pure & Original

Courtly Rose Marrakech walls, £121 for 2.5ltr, Pure & Original

FEATURE SOPHIE BAYLIS

I’m really fond of Pure & Original, a paint company that, as its name suggests, only uses natural ingredients. Its colours are also soothing to be around. I’m currently working on a project where we’ve painted the family room in a Pure & Original shade called Skin Powder. It’s a calming, nurturing colour – perfect for spaces where people will spend a lot of time.

decorating

If you want a space to feel cosy, choose a darker colour for the ceiling

Nicola often uses paints with different tonal weights to create subtle colour shifts in a room

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PROMOTIONAL FEATURE

happy place C R E AT E T H E U P B E AT, C O L O U R - F I L L E D H O M E YO U D E S E R V E

hile many of us have been ma k ing the shif t to a healthier lifestyle for some time, the last year has taught everyone just how important it is to create an environment that not only makes us happy, but is filled with things that are made with our best interests at heart. This means taking the time to research where products are produced, what they are created from and whether or not they qualify as quality items that are beneficial to us. TA K I N G C A R E We’re not just talking about furniture and everyday essentials either – the decorating materials we use also fall under this umbrella. Upgrading to a certified asthma and allergy-friendly formula, such as Crown ’s Breatheasy® paints for example, will leave you reassured when you decide to revamp your walls with stunning colour.

WHERE TO BUY Find Crown Paints Breatheasy® range at crownpaints.co.uk, Homebase, Crown Decorating Centres and leading independent decorating stores.

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FROM TOP, CLOCKWISE Walls in Crown Paints Breatheasy® Pashmina; Teal; Spring Bud and Khaki Twist, all matt emulsion, £18 for 2.5ltr

WORDS LAURIE DAVIDSON

B E AU T I F U L H U E S Designed to limit our exposure to airborne triggers of asthma and allergies, the Breatheasy ® range is low odour and 99 per cent solvent free. Plus, you’ll be pleased to know, these features don’t mean you have to compromise on colour – there’s a myriad of shades from which to choose, all grouped into eight easy-tonavigate paint families. From matt, silk or mid-sheen emulsion, this is Crown’s widest choice of colours. Fancy a soft pink in the living room? Maybe teal tickles your fancy? Colour is what brings our homes to life, so enjoy the paints and relax, safe in the knowledge that you’re creating a happy home for you and your family.

decorating

pattern book

FEATURE HOLLY PHILLIPS

T H E FA B R I C FO R E C A S T FO R 2 02 1 I S O N E F I L L E D W I T H W O R L D LY A N D F A B U L O U S LY B O L D P R I N T S

FROM TOP RIGHT The base cloth was specially woven to bring texture to this fabric. Kasma in Azure, £142m, A Rum Fellow for George Spencer Designs A more simple print for the minimalists out there. Managua in Nude, £62.30m, Camengo Bright and beautiful sums this one up. Dazzle, £125m, Mulberry Home at GP & J Baker This has a rustic edge that would suit a country look. Ankara in Slate/Tangerine, £58m, Julia Brendel A feel-good design to lift the spirits. Delgado in Red/Sienna, £75m, Colefax and Fowler

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columnist Minnie Kemp considers how the finishing touches to a dining space can also complete the fabric of life

There is always one thing that sparks the imagination and can inspire a whole scheme. For you morning glory worshippers behold artist Hermione Skye, her hand-painted, mosaic-like murals and floating looms dance with the light and will transform any space into a treasure box. When commissioning an artist it ’s i mpor t a nt to k now you r desired colour scheme and, in this case, fresh and timeless Setting Plaster by Farrow & Ball will give a warm hue without fighting against the artwork. I also love the rustic yet joyful colours in the hand-blocked print Pulbrook Bouquet by Hazelton House. This fabric will be perfect for cur tains. If you are luck y enough to have a high ceiling go for a boxed pelmet or a covered lathe and fascia. By giving Hermione this fabric and paint colour she can pick up the accents to use in her mural and thread colours for the floating loom to weave her magic into the space. For fun, long-lasting upholstered dining chairs use No.9 Thompson’s Anatolia Stripe in Sky Blue with a Samuel & Sons chartreuse leather pipe. This fabric, made from cotton and jute, should survive a few orange juice spills while giving a tailored finish. If you have space for some armchairs why not tr y a combination of Nobilis’ Mont Blanc wools in a soft sky blue and rusty burnt orange? I also love the new Jane Churchill Rae fabric – this could be used for blinds or cushions. For finishing touches, Amy Balfour has a wonderful selection of hand-painted table lights with shades. John Cornall

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has a vast selection of folk art antique pieces and collections of wonderful things like breadboards and ceramic pots. Why buy one when you could have 10?! Try as I might, I am but a lady of the night. For me, a dining room needs to be sexy and what could be more alluring than a de Gournay hand-painted wall panel? Its antique-stained, monochromatic Earlham Chinoiserie design feels like walking into a dreamland. Surround yourself in romantic teal hues with accents of lavender, turquoise and peach. Woodwork painted in Farrow & Ball Dix Blue and curtains made up using Morris & Co Woodland Trees in Celadon and Ivory. The upholstery will need to be bold, working with the ornate wallcovering and Güell Lamadrid’s Akim is perfect. Reminiscent of a classic brocade jacquard, this printed fabric is the bee’s knees. Carolina Irving’s Tamar Tonal in Persian Blue w ill a lso look ver y sma r t for cushions, blinds or upholstery. Sit back a nd enjoy t he g low oozi ng f rom a n A ppa rat us Studio Talisman four-pendant light hanging over your Julian Chichester Rotary dining table in a sturdy dark smoked oak finish with bronze legs. Yes, it’s winter and it’s cold and dark but don’t let that black dog get you down, now is the time to start planning your spring revamp. Gather your fabrics and lift your spirits – day or night, get that dining room right.

Yes, it’s winter and it’s cold and dark but now is the time to start planning your spring revamp

PHOTOGRAPHS (RIGHT) TI-MEDIACONTENT.COM

Designing a dining room is a tricky business. First you must ask yourself the question: are you an early bird who enjoys breakfast, soaking in the sunlight, surrounded by funky floral fresh? Or are you a night owl, more suited to dark, romantic, smoky evenings?

OPPOSITE Minnie’s mood boards for the two sides of her dining room style THIS IMAGE Walls in Lighthouse Palm wallpaper in Pentle, £90 a roll, Hugo Dalton for Paint & Paper Library

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architects g uide

ZCD Architects Multidisciplinary practice ZCD Architects is run by Dinah Bornat and Cordula Weisser. Ideal for complex projects, their firm’s work covers award-winning buildings, masterplanning and regeneration, but one notable thread is a certain knack for gaining planning permission for ‘sensitive locations and tight sites’. And not by playing it safe: the studio’s portfolio is peppered with eye-catching building facades. Recent projects include a striking skinny terrace home clad in Corten steel, an extension defined by white-glazed bricks and a larch-clad addition that has more in common with a Scandi cabin than a Victorian maisonette.

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FEATURE TESSA PEARSON PHOTOGRAPHS (ZCD ARCHITECTS) CHARLES HOSEA; (BRADLEY VAN DER STRAETEN) FRENCH+TYE

I F T H I S I S T H E Y E A R YO U S TA R T YO U R B I G P R O J E C T, T H E N C H E C K O U T S O M E O F O U R FAVO U R I T E S T U D I O S

design Bradley Van Der Straeten Best friends Ewald Van Der Straeten and George Bradley founded Bradley Van Der Straeten in 2010 after making good on a promise to start an architectural studio together. ‘We wanted to fall back in love with the profession by focusing on s m a ll - s c a l e re si d e nti a l projects, where we could work closely with clients to make their dreams and ideas happen,’ explains Ewald. The pair are now surrounded by a tight-knit, talented team, and have a rapidly expanding portfolio of dynamic, playful and sustainable projects. We love this corner of a recent east London renovation, which saw an entire home transformed to suit the needs of a family, without the need for an extension.

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McLean Quinlan Family business McLean Quinlan is run by mother-and-daughter duo Fiona McLean and Kate Quinlan alongside Kate’s partner Alastair Bowden. With two architectural studios in London and Winchester, the practice’s projects span a mix of country and city homes, both in the UK and abroad. ‘We love what we do and delight in the detail, the use of light and materials, and the making of spaces that age with grace,’ say the founders, who prioritise sustainability in all their projects, their Devon Passivhaus being one such example.

William Smalley Respec t for tradition meets a quiet minimalism in William Smalley’s projects, which range from a Zen-like 17th-century chateau in the French Alps to a painstakingly updated, centuries-old country house in Devon and a series of peaceful, pared-back London apartments. Founded in 2010, William’s practice is underpinned by a deep appreciation for historic buildings and traditional craftsmanship, tempered with an uncompromising eye for clean -lined , contemporary interiors.

Chan + Eayrs

PHOTOGRAPHS (M CLEAN QUINLAN) JIM STEPHENSON

Drawing on a shared background in architecture, husband-and-wife duo Zoe Chan and Merlin Eayrs’ highly personal approach to designing homes ensures they are involved in every aspect of the project, from finding the right site to choosing the furniture. ‘Our holistic method of working means that we retain complete creative freedom to bring our visions to life,’ say the pair, who spend at least two years on each project. Their process has led to a small but beautifully formed portfolio of unique, soulful homes.

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design Retrouvius A name that needs no introduction, west London-based Retrouvius has been a destination for architectural salvage and unique reclaimed finds since 1993, when it was set up by husband-and-wife team Adam Hills and Maria Speake. Driven by the belief that ‘good materials and well-made things are precious’, the studio’s hugely varied design projects are glorious testament to the beauty and versatility of reused materials and pre-loved pieces. Their inventive, tailor-made interiors have so far breathed new life into brutalist apartments, lakeside cabins, mountain chalets, medieval buildings and everything in between.

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design

Rural Office for Architecture

Archmongers ‘Some properties just need a little help to grow into the buildings that they should have been,’ says Johan Hybschmann, who cofounded east London practice Archmongers with Margaret Bursa in 2013. Many of the firm’s projects have tackled overlooked post-war properties in urban corners which are garnering more interest due to the competitive housing market. Benefits of a more recent build, explains Johan, include a more straightforward planning process and a less expensive renovation. Which of course frees up budget for the firm’s signature inventive solutions and a playful mix of materials.

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PHOTOGRAPHS (RURAL OFFICE FOR ARCHITECTURE) IOANA MARINESCU; (ARCHMONGERS) FRENCH+TYE

Founded when architect Niall Maxwell and his ar tist wife Helen relocated to the Welsh countryside from London in the early 2000s, ROA takes a sensitive approach to building and converting rural properties defines the studio’s work. ‘We classify ourselves as regionalists,’ says Niall, heading up a growing team of architects and technicians. ‘We often work within rural settings, responding to our context and surroundings by r e i n te r p r e t i n g t h e familiar architectural language of the past.’

LIVINGETC / PARTNERSHIP

buy art online F I N D FA S H I O N - F O C U S E D A R T AT R U N WAY G A L L E R Y, A N O N L I N E P L AT F O R M F E AT U R I N G A R T I S T S I N C L U D I N G G G S T O K E S , W H O S E B AC KG R O U N D I N FA S H I O N

FEATURE JACKY PARKER ARTWORK (CLOCKWISE, FROM TOP LEFT) SUPER GIRLS THE FACE 1995, £3,995; VALENTINO HC SS20, £495; PALE AND INTERESTING POP SS02, £3,395, ALL GG STOKES AT RUNWAY GALLERY LIVING ROOM PHOTOGRAPH MARC VAN PRAAG/ TI-MEDIACONTENT.COM DINING ROOM PHOTOGRAPH JAMES MERRELL/TI-MEDIACONTENT.COM

S T Y L I N G A N D P H O T O G R A P H Y I N S P I R E S H E R T E X T U R A L O I L PA I N T I N G S

One minute with GG Stokes Creative background? I did fine art at school, but I’ve always loved images of all kinds. I studied fashion photography at the London College of Fashion. Creating fashion images was the perfect vehicle for me at the time, so I stepped away from painting and into photography. Inspiration? I’m obsessed with images from the past, whether that’s David Bowie and Elizabeth Taylor from the 70s or war photography by Lee Miller. At the moment, it’s fashion shots. Your style? I love figurative painting and messing with perspective. My work is about a feeling I need to assimilate. What’s the process? I shoot lots of options before I edit and manipulate the image. Then I start painting on canvas. Career highlight? Selling my first painting within 24 hours of joining Runway Gallery. To buy artwork by GG Stokes, visit runway-gallery.com

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kitchens and bathroom news B E I N S P I R E D B Y O U R E D I T O F T H E L AT E S T P R O D U C T S A N D D E S I G N S

NATURE CALLS Caesarstone has launched its fifth quartz surface over the past year with the Calacatta Maximus, which cleverly captures a genuine natural form. Created with a white backdrop, it has striking grey veining and a closer look reveals highlighted details in copper and gold. It’s durable, low-maintenance and, red wine lovers will be thrilled to know, stain-resistant. Calacatta Maximus, from £550sq m (caesarstone.co.uk)

Shape up With most choices straddling between round and square, the bathroom basin has been long overdue a shake-up. Ca’ Pietra has hooked up with independent designers Elle + James to create a collection of concrete shape-shifting sinks. We have our eye on these hexagonal styles. Ferla basins, from £694.80 (capietra.com)

Hurrah! deVOL has finally launched an online store for all its kitchen accessories, from tableware to marble sinks. (devolkitchens.co.uk)

FEATURE BUSOLA EVANS

Mix it up A change of tap is an easy kitchen update and this black monobloc mixer tap by Blanco is versatile enough to use in any scheme. With a 360-degree swivel spout, flexible rubber hose and a removable handset this is one hard-working piece of kit. Further proof? The variable jet options mean it can go from gentle stream flow, perfect for rinsing delicate ingredients, right up to a powerful jet spray for filling your deep pots and pans at the speed of light. Or pretty close. Catris-S Flexo tap, from £448 (blanco.com)

S T O N E L OV E Mandarin Stone has unveiled some exciting new additions to its already extensive range. The largeformat Stellar hexagon tile has a matte finish and comes in eight shades, while the Carnaby range is textured and decorative with a slight retro twist. Stellar Green hexagon tile, from £94.73sq m; Carnaby Mint ceramic tile, from £46.80sq m (mandarinstone.com)

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case study P R O F E S S I O N A L C O O K I N G M E E T S T H E AT R I C A L TOUCHES IN THIS SUMPTUOUS SWE DISH KITCHE N

Brass was used to contrast the dark greens and blues – it’s like travelling in an old railway carriage

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need to know THE PROPERTY The art deco-inspired Hotel Pigalle in Gothenburg, Sweden. DESIGNER Martin Olander, senior project manager, Himlekök, +46 340 431 60, himlekok.se.

KEY FEATURES Bespoke kitchen cabinetry in Ultramarine Blue (RAL 5002), from £40,000, Himlekök. Restart 90cm range cooker, from £8,400; bespoke cooker hood, £9,280, both in custom finishes, Officine Gullo. Verde Guatemala

marble worktops, from £195sq m, Lapicida. Classic FME181 kitchen tap in brass, £445, Tapwell. Double one-piece brass patina sink, £872, SidSid. For similar bevelled wall tiles try Metro Forest tiles, £30sq m, Topps Tiles

Designed for Bibliothèque, a private meet i ng space w it h i n G ot henbu rg ’s exclusive Hotel Pigalle, this exquisite kitchen makes a great study on how to finesse culinar y entertainment in the home. It may be hugely theatrical, with layer upon layer of luxuriousness, but make no mistake, this kitchen can cater for more g uests tha n you would ever care to invite into your home. At the heart of the kitchen is a powerful Restart range cooker made by Italian brand Officine Gullo. Chosen for its professionalgrade performance and elegant design – inspired by old Florentine villas – the range sits proudly beneath a custom hood. ‘The hood is Officine Gullo’s design, made in response to our request for a classical shape that would enhance the environment,’ adds designer Martin Olander.

The Officine Gullo Restart 90cm range cooker features an electric spit roast, multifunction oven and five gas burners

FEATURE LINDA CLAYTON PHOTOGRAPHS OSMAN TAHIR

The overall design takes inspiration from the glamorous 1920s. ‘The feeling when you step into the room should be like you are travelling back in time, to another dimension where the combination of rich colours lets you discover different layers as your eyes gradually adjust to the darker lighting,’ explains Martin. Another brilliant design takeaway is the brass-accented racks suspended above the island. They also double as a source of task lighting for the surfaces below.

Turned legs on the island unit lend a romantic feel that recalls the sweeping turns of art-deco furniture

The one-piece double bowl brass sink is hand-hammered

T h e Ve r d e G u a t e m a l a m a r b l e worktops are undoubtedly desirable, but are they practical? Martin thinks so. ‘Like all marble it is sensitive to acid but because it has a rich pattern it still doesn’t show stains that easily. And over time it will develop with a beautiful patina,’ he says.

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DESIGN DOSSIER

Hit refresh– ideas to update your home in a flash

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news

New year, new look? Buys and advice for quick wins

In the frame Introducing Doorpaper by Italian wallpaper brand Instabilelab, which is revolutionising an oft-overlooked area of the home and viewing it as an opportunity for creativity. Choose from designs ranging from painterly florals and abstract patterns to textural effects and trompe-l’œil images. Simply measure up the panel and apply to a smooth surface to transform your door from drab to dashing. Profonda 03, around £72sq m (instabilelab.com)

Welcome to the era of eccentrically shaped rugs – if it’s got right angles we’re not interested. Join in the fun with Nani Marquina’s collaboration with Barcelonabased artist Santi Moix, a three-piece collection that depicts different stages in the life cycle of a flower. Sizes can be customised. From £1,440 (gomodern.co.uk) 122

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D E S I G N D O S S I E R : R E J U V E N AT E

EXPERT VIEW

Decorating with colour & texture Sarah Lavoine, interior designer

INSIDE OUT Make an impactful first impression with Wall&decò’s Out System, a durable, weatherproof wallpaper-like decoration that adds oomph to outdoors. The soft geometric pattern of Unlocked by Bertero Marzoli will add an inky fabric feel to your facade. Feeling shy? Take the look indoors with the waterproof Wet System for bathrooms instead. From around £140sq m (wallanddeco.com)

FEATURE AMY MOOREA WONG

Light fantastic Originally designed for the iconic Four Seasons restaurant in New York, British designer Michael Anastassiades’ Last Order table lamp now has a home in Flos’ collection. Small and beautifully formed, the portable piece is made from solid glass – with or without fluted detailing – and a top in a choice of metal finishes. We think it is a delicate way to up the ambiance in any room. From £320 (chaplins.com)

Colour adds soul to the home. Using bold colours can b e sc a r y a nd , ye s, t one s shou ld b e considered, but it’s worth it to give a room character and identity. Texture conveys feeling and creates atmosphere. Use a variety of materials – from metals to fabrics – to make a room feel welcoming, tactile and cosy. Choosing colours doesn’t have to be tricky. Come up with combinations that enrich each other, then decide how to place the tones in the room. Start with existing materials when adding texture to a room – the floors, the walls, the furniture. What textures will play off them? Mix in contrasts. To combine different colours, think about how they balance and react to each other. Lay them out to see how they respond to one another. Thin k about juxtaposition; add bold tones to soft spaces with a vibrant pop to dark areas. Don’t be scared of using black. It can provide warmth, set off another tone and create a great backdrop or contrast to a colour combination. It’s very versatile yet often overlooked. Accessories are quick, easy and cost-effective routes to texture and colour. Wall art, rugs and textiles add personality and contribute to the overall vibe. Mix sizes and designs that can be easily be changed with the season. Know when you should use colour in moderation. For example, I like bathrooms to be calming, so I add colour in doses by pa int ing the batht ub or through the use of tiles, art or a rug. (maisonsarahlavoine.com)

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D E S I G N D O S S I E R : R E J U V E N AT E

EXPERT VIEW

Lighting a room Will Earl, design director, J. Adams & Co Picking the right lighting is important and much-underestimated. Every room has unique needs; think about the how and when the space is used and how you want it to feel – where are you going to need light? Good lighting can transform how a room looks and feels. It needs to be functional, but also set the mood. Consider the layout and architecture of the space, and where the natural light comes from. Layer light to create visual depth. Start with a background light level, such as a centralised pendant, then layer on top of it, highlighting key features, before adding low-level lighting for balance. Find opportunities to create drama – choose architectural features, surfaces, artwork or objects to highlight. Invest your budget on multiple light sources – think beyond one centralised ceiling light and remember wall, floor and table lights. Dimmers are the best kept secret of lighting design. They can make a room feel intimate and cosy instantly. Good bulbs are vital. Look for dimmable LED bulbs with a colour temperature of 2700K or less, a CRI of above 90 and low flicker. You shouldn’t really notice a well-lit room – when it is done successfully, it should just feel right (jadamsandco.com)

Looking glass With its powder-coated frame in Poppy Red, matching shelves and magnetic close, the Haze vitrine by Danish design studio Says Who is a cheerful take on the industrial and will brighten any room. The only tricky decision to make is whether to get the matching sideboard or the wall cabinet. £1,389 (viaduct.co.uk)

OFF THE HANDLE Named after the illusive comet (see you in 2061!), the Halley handle by Londonbased brand Plank Hardware is a weighty, solid, machined brass sphere, ready to add some character to cabinetry. £6.95 each (plankhardware.com)

Establishing her cushion brand in 2006, Copenhagen-based creative Christina Lundsteen mixes rich tones with a mastery for colour combos honed in the Danish fashion industry. Her patchwork cushions – there are more than 100 different varieties – are made to order in velvet and finished by hand. From £85 (libertylondon.com) 124

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M AT E R I A L WORLD Nothing says out with the old and in with the new like a fresh window treatment. Full of textured plains, global influences and expressive patterns – our collab with British maker Hillarys is just the ticket. Serene Linen Voile, from £101 for 127x137cm; Mahale Henna curtain, from £171 for 127x137cm; Wild Sienna Roman blind, from £237 for 65x75cm (hillarys.co.uk)

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D E S I G N D O S S I E R : R E J U V E N AT E

LITTLE BLACK BOOK LOG BURNERS FOR A WINTER UPDATE

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Stovax The UK’s largest producer creates a huge array of stoves in a mix of contemporary and traditional styles from its Exeter HQ. (stovax.com) Morsø The Danish brand has been producing wood burners for over 100 years, with today’s pieces combining practicality with sleek Scandi design sensibility. (morsoe.com) Charnwood The family-run brand’s woodburning and multifuel stoves incorporate the latest clean burn technology. (charnwood.com)

C U R TA I N CALL Accessorise your curtains with an ornamental final touch with the Elina glass tieback from Anthropologie. It floats, moon-like, on the material, gracefully sweeping it to one side to let in the light. Either that, or put it on a chain and wear it as a necklace. £22 (anthropologie.com)

Grab your coat because you’re going to need something to hang on Porada’s Jupiter wall hooks. The brushed metal discs are encircled with glass and supported with the brand’s signature material – solid canaletta walnut. Easy update. From £292 (porada.it)

FOA M PA R T Y

P L AT E U P

A design-led soap or lotion can elevate the bathroom, turning a habit into a pleasure. Albamhor’s botanical body care range is infused with Highland herbs and plants that are steeped in essential oil and presented in gloriously Wes Anderson-esque bottles. Any excuse to wash our hands 10 times a day. Hand & Body Lotion, £30 (shop.thefifearms.com)

Revamp your tableware with new brand Monoware’s simple shapely stoneware by renowned British ceramicist Ian McIntyre. The core collection comprises natural tones in a tactile matt glaze, created to be added to over time. From £15 for a side plate, £60 for a dinner set (monoware.com)

Wax lyrical Candle brand Evermore London, known for its all-natural approach to fragrance, has teamed up with illustrative artist Fee Greening for its Winter Solstice candle. Hand poured rapeseed wax in an evocative scent of amber, clove and star anise is held in a recycled black glass vessel, decorated in ethereal motifs in Fee’s distinct style. £70 (evermorelondon.com)

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D E S I G N D O S S I E R : R E J U V E N AT E

Plant power Go big on greenery. Hilton Carter, author of Wild Interiors, says room size matters when it comes to plants. ‘If you’re looking to bring a plant into a room with high ceilings, I’d suggest opting for a larger one or hanging a pot from the ceiling so that it pulls your eye higher up, allowing the space to feel more full. For a small space, smaller plants are key, as well as utilising shelving to get them off the floor.’ GET THE LOOK For a similar chair, try Form velvet dining armchair, £338 for two, Danetti

(PLANT POWER) WORDS WILD INTERIORS BY HILTON CARTER (PUBLISHED BY CICO BOOKS, £16.99) PHOTOGRAPHY HILTON CARTER © CICO BOOKS

lookbook

Small decorating and design hacks with big impact

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Paint by numbers A quick and easy way to refresh is by painting accent woodwork. Give traditional cornicing and skirting boards a contemporary update by painting them in a contrasting colour to the walls, using your chosen shade throughout the woodwork in the room to create a cohesive look. Here the floorboards are given the same treatment creating a cosy, cocooning feel.

PHOTOGRAPH PAUL MASSEY

GET THE LOOK For similar woodwork, try Down Pipe estate eggshell, £64 for 2.5ltr, Farrow & Ball. Fireplace tiled with Majadas tiles, from £5.30 a tile, Bert & May

D E S I G N D O S S I E R : R E J U V E N AT E

Sunshine state A fresh lick of paint on your back door and bar stools will lift the mood in a room without having to commit to a complete redecoration. Simply introducing one bold colour can make a huge impact, even if the rest of the scheme is otherwise neutral. Here, yellow brightens up the whole kitchen, while complementing the cool blue undertones of the room. GET THE LOOK For similar paint, try Mister David 47 in intelligent satinwood, £73.50 for 2.5ltr, Little Greene

PHOTOGRAPHS MATTHEW WILLIAMS

Into the wild The downstairs cloakroom is one of the smallest rooms in the house, but also the one most of your guests will see, so it’s an ideal opportunity to show flair. ‘If there’s one room you can take risks in, it’s the bathroom,’ says House of Hackney’s decorating consultant, Steve Corcoran. ‘To make a big splash, opt for wallpaper in a deep, rich shade, which will contrast beautifully with white ceramics and metallic finishes.’ GET THE LOOK Limerence wallpaper, from £125 for a 2m roll, House of Hackney

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Make a big impact with a new splashback. ‘Not only are tiles practical but they can create an eye-popping focal point, making the whole kitchen look effortlessly stylish,’ says Louisa Morgan, creative director at Mandarin Stone. To make a real impact, look out for bold colours, intricate detailing and textured finishes. ‘Don’t be afraid to use pattern – you can’t go wrong if you opt for something you love,’ she adds. GET THE LOOK Bazaar Valetta glazed terracotta tiles, from £166.40sq m, Mandarin Stone

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PHOTOGRAPH (DISPLAY TYPE) PAUL MASSEY

On the tiles

D E S I G N D O S S I E R : R E J U V E N AT E

Display type We so often forget to incorporate ar t into a bathroom, but it is a great way of adding warmth and character to the space. Provided it is out of the way of any splash zones and in frames, creating a salon wall with some of your favourite pieces of art and photography creates something beautiful to draw your eye as you soak in a relaxing hot bath. GET THE LOOK Gallery wall, prints from John Lewis & Partners, family photographs and antique art. Bath, CP Hart

D E S I G N D O S S I E R : R E J U V E N AT E

Reflection factor The use of mirrors to create the illusion of more space in a home is a tried and tested trick. Antiqued mirrors – with slightly mottled and smoky finishes – offer a more subtle look, but are just as effective at bouncing light around the room and increasing the sense of space. Apply panels to an entire wall for an all-out dramatic look. GET THE LOOK For similar antiqued mirror glass, try Rupert Bevan, where bespoke commissions are priced from £540sq m

PHOTOGRAPHS (REFLECTION FACTOR) SARAH HOGAN; (VANITY FAIR) ANNA STATHAKI

Vanity fair A dedicated pampering area to get ready in sounds like a luxury, but is attainable if you are clever about it. All you really need is a space with good natural light where you can add a few shelves. In this master bedroom, a vanity area has been created within the built-in storage, complete with shelving, a mirror and there’s even room for a stool. GET THE LOOK For similar bespoke storage, tr y Neville Johnson, where prices start from £3,000

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FEATURE YVETTE MURRELL AND TERESA CONWAY PHOTOGRAPH SIMON BEVAN

Artistic licence Staring at the same four walls all day long? How about a colourful cubist mural in your home office. Oranges and pinks can have an energising effect, whereas blue hues evoke a more soothing feeling. If you’re not up for picking up the paintbrushes and having a go yourself, check out wall mural panels or wallpaper to get the look.

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GET THE LOOK A Walk in the City – Afternoon wallpaper by Hermès, £870 a panel; skirting and architrave in Cobalt 50 perfect water-based eggshell, £70 for 2.5ltr; door in Delft Tile 53 per fect water-based eggshell, £70 for 2.5ltr, all Designers Guild

D E S I G N D O S S I E R : R E J U V E N AT E

You can use paint to change the feeling of a space. When picking shades, start by considering how you would like to feel in each room. The bathroom, for example, is a space for relaxation so look to warm colours as you don’t want to feel cold in there.

FEATURE YVETTE MURRELL

It is more important than ever to create a relaxing home environment, and neutrals bring a sense of serenity and calm. We’re seeing a shift towards the warmer tones within the neutral palette. Colours like Little Greene’s Portland Stone and Rolling Fog – both warm neutrals – can be paired w ith clean whites for a sophisticated cont rast or prov ide a backd rop to bold colou r highlights. A move away from grey is definitely on the cards over the nex t 12 months. These comforting tones can also be used in an all-over scheme for a cocooning feel. I believe the perfect design is what you feel comfortable with. Colour is something you will live with every day; it’s a much more considered choice than buying a dress you may wear a couple of times. As we are all spending more time at home and connecting with our natural environment, we’re focusing more on creating a sanctuary, looking to those more muted, earthy tones that evoke calm and tranquillity. Greens are still really popular for us as they feel very secure, which is how you should feel within your home. For a simple transformation, update existing woodwork, such as skirting boards, door frames and windowsills. These small details can

make a big impact on your final scheme and are the perfect place to be adventurous with colour. Wooden furniture is also a good place to start if you’re looking for a smaller project. Use bold, bright shades to create a colour highlight using our Intelligent ASP primer and Intelligent Satinwood, a durable, hard-wearing finish. Colourblocking works well for creating a contemporary scheme. Don’t forget about the ceiling – it is often painted white out of habit but this has a big impact on the way that the room will feel. To create a focal point to draw Wall in Oak the eye, paint the ceiling a Apple, Little contrasting colour. For the Greene illusion of space, simply paint the walls and ceiling in the same shade to extend the walls upwards. This works particularly well in narrow hallways that may be lacking in natural light. To lower the ceiling and create a more intimate set ting, simply ex tend the shade on the ceiling down to the dado rail to draw the eye downwards.

interview

Little Greene’s Ruth Mottershead on the power of colour

Another way of using colour is by opting for white shades with different undertones. I’d personally never use Brilliant White as it contains a lot of blue. This makes a scheme feel very cold and, in my opinion, it is too powerful for most spaces. Warm whites can work well in north-facing rooms where the light is cooler, while cool whites are best for south-facing ones. Artificial light can impact hugely on the end result; for example, if you have a yellow light, be aware that if you choose a warm white, it will make the room feel even warmer. X

littlegreene.com paintandpaperlibrary.com

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reader survey W E WA N T T O H E A R F R O M YO U O N W H AT YO U L I K E A B O U T O U R H O U S E S T O R I E S . W H AT D O YO U R E S P O N D B E S T T O ? W H AT W O U L D YO U L I K E T O

PHOTOGRAPHS (FROM FAR LEFT) ANNA STATHAKI; JAMES MERRELL

S E E M O R E O F ? I S T H E R E A N Y T H I N G W E C O U L D D O D I F F E R E N T LY ?

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FEATURE LAURA VINDEN INTERIOR DESIGN AMANDA LINDROTH

Juicy pink and pale green are offset by graphic black and white. We love the upholstered walls in Great Barrier Reef and the watermelon pink sofa in Sophia velvet by Schumacher

the lifestyle edit T H E O N E T H I N G W E ’ R E E XC I T E D FO R T H I S M O N T H

A feast for the eyes, S Is for Style: The Schumacher Book of Decoration by Dara Caponigro (£50, Rizzoli New York) is a style guide from US fabric and wallpaper house Schumacher, best known for its joyful prints in bold colours. Delve into some extraordinary interiors in this collection of riches livingetc.com

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summer flavours, winter ways B I L L G R A N G E R ’ S S U N S H I N E - O N - A - P L AT E R E C I P E S A R E G UA R A N T E E D T O WA R M YO U F R O M W I T H I N

A great vegan dish, inspired by Sydney’s Chinatown

YELLOW SPLIT PEA & TURMERIC DHAL

serves 4-6 1 onion, roughly chopped 8cm piece fresh ginger, peeled and roughly chopped 3 garlic cloves, roughly chopped 5cm piece fresh turmeric 4 tbsp light-flavoured oil 3 tsp fenugreek seeds 3 tsp yellow mustard seeds 3 tsp ground coriander 3 tsp ground cumin 1½ tsp chilli powder 250g yellow split peas 600ml coconut milk 6 makrut lime leaves TO SERVE Fruity chutney 1 large handful mint, chopped 1 large handful coriander, chopped 1 green chilli, sliced Coconut yoghurt

BR AISE D TOFU & MUSHROOMS WITH BL ACK B E A N S & C H I L L I T O M AT O S A U C E

Pickles, optional

Put the onion, ginger, garlic and turmeric into a food processor and mix to create a rough paste. Heat the oil in a large heavybased pan over medium heat. When the oil is hot, add the paste, fenugreek seeds and mustard seeds. Cook for 5 minutes, stirring frequently, until the paste is fragrant. Add the ground coriander, ground cumin and chilli powder and cook for another minute.

serves 4 FOR THE SZECHUAN SALT 1 tsp fennel seeds 1 tsp Szechuan peppercorns 1 tsp sea salt FOR THE CHILLI TOMATO SAUCE 2 tbsp light-flavoured oil 50g fresh ginger, peeled and finely chopped 50g finely chopped garlic 700g cherry tomatoes, halved

PHOTOGRAPHS MIKKEL VANG.

Pour the split peas and coconut milk into the pan along with 500ml cold water. Add the makrut lime leaves. Bring to the boil, simmer strongly for 10 minutes, stirring frequently, then reduce the heat and simmer gently for 45 minutes, stirring to prevent sticking. If it looks dry, add more water.

100g chilli bean paste 100g fermented Korean bean paste

To make the chilli tomato sauce, heat the oil in a pan and add the ginger. Cook until slightly coloured, then add the garlic. Add the tomatoes, let them blister and release their juice, then add bean pastes. Stir in 100ml hot water, a little at a time. Simmer for 5-10 minutes.

(doenjang) 2 tbsp light-flavoured oil 250g chopped mixed mushrooms 400g firm tofu, cut into 2cm dice 100g edamame beans 60g soaked fermented black beans

Serve the dhal with a rich, fruity chutney along with the mint, coriander, chilli, a dollop of coconut yoghurt and, if you like, some pickles.

1 2

To make the Szechuan salt, toast the fennel seeds and peppercorns in a dry pan for 5 minutes over low heat. Put in a spice grinder with the salt and grind to a powder.

1 small bunch coriander, chopped 1 spring onion, finely chopped 1 tbsp crispy shallots Steamed rice, to serve

Meanwhile, heat the oil in a pan and add the mushrooms and tofu. Cook until the tofu is just crisp, then add the edamame and black beans and heat through gently. Add to the chilli tomato sauce and stir through.

Spoon into bowls and garnish with coriander, spring onion, shallots and Szechuan salt. Serve with steamed rice.

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COCONUT FISH CURRY

serves 4 1 tbsp chilli flakes 1 tbsp Korean chilli flakes 2 red chillies 3 garlic cloves 2 French shallots, peeled 70g fresh ginger, peeled and roughly chopped 2 lemongrass stalks, white part only, bruised and roughly chopped 1 tbsp curry powder 1 tbsp ground cumin 1 tbsp ground coriander 1 heaped tsp shrimp paste Light-flavoured oil 60g palm sugar, crumbled or grated 3 tbsp tamarind purée 400ml coconut milk 10 makrut lime leaves 1kg barramundi fillet, cut into bite-sized pieces TO SERVE 1 cucumber, sliced into thin ribbons 50g fresh ginger, peeled and finely chopped 1 small handful holy basil 1 small handful coriander 1 bunch gai lan (Chinese broccoli), stalks removed, blanched 1 tbsp sambal ranggup ikan bilis 1 lemon, cut into wedges

C H I C K P E A , K A LE & PA N E E R CU R RY

Steamed brown rice

serves 4 2 tbsp light-flavoured oil 200g paneer cheese, cut into cubes 1 onion, chopped 3 garlic cloves, crushed

2 3 4

2 3

Heat a d rizzle of the oil in a la rge non-stick frying pan over medium heat. Fry the paneer until warmed through and browned on all sides, then remove from the pan and set aside.

3cm piece fresh ginger, peeled and grated 1 tsp hot curry powder 1 tsp ground cumin 1 tsp ground turmeric ½ tsp dried chilli flakes 2 x 400g tins chickpeas, rinsed 300g curly kale, stalks removed, roughly shredded 400ml vegetable stock Juice of ½ lemon, plus extra wedges to serve Steamed white rice, to serve

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Add the remaining oil to the pan and fry the onion for 5 minutes, or until soft. Add the garlic, ginger and spices and fry for 2 minutes, or until fragrant. Add the chickpeas, kale and stock to the pan, stir to coat in the spices and then bubble until the kale is tender and the stock has been absorbed. Add the lemon juice, fold in the paneer, and serve with steamed white rice and lemon wedges.

To make the curry, blend the aromatics, spices and shrimp paste with a little oil to make a curry paste. Heat a little more oil in a heavy-based pan and cook the paste over low heat for 6-8 minutes until it deepens in colour. Add the palm sugar and cook until dissolved. Add the tamarind and cook for 3-5 minutes. Add the coconut milk and 600ml water with the lime leaves and simmer for 20-30 minutes until the sauce has deepened in flavour and colour.

Add the fish to the sauce and heat through for 5-6 minutes until the fish is cooked. To serve, toss together the cucumber, ginger, basil and coriander to make a salad. Arrange the gai lan in 4 bowls, add the curry, and garnish with the cucumber salad. Serve with ikan bilis, lemon wedges and brown rice.

Created to bring Aussie sunshine to the dark and chilly UK

Australian Food by Bill Granger (£20, Murdoch Books)

in and out T H I N G S T O D O , S E E A N D H E A R – AT H O M E O R O U T S I D E

THE I N S TA ACCO U NT

THE G E TAWAY

Travel club Our need to explore and search out new places may have been quietly simmering over the past year, but as we look ahead to new travel possibilities let Kip Hideaways fill you with a sense of excitement. For the small membership fee of £10 a year, you can unlock a curated selection of over eighty boutique rental properties across the British Isles. Will you choose a cabin on Skye, a welsh tree house or a Cornish lakeside retreat? kiphideaways.com

A new name to know in interior design is Stephanie Barba Mendoza. After 10 years at Martin Brudnizki Design Studio, working on such lauded projects as Annabel’s members’ club, she’s just launched her own design studio. Scroll through her instagram account @stephaniebarbamendoza for a moment of pure joy. Her interiors match her stylish and adventurous spirit, and she expertly mixes bold patterns and bright colours to great effect. We are waiting with anticipation to see her latest project, a private residence in Coconut Grove, Miami.

THE NEW LAUNCH

Mexican flavour

It was the seaweed, chilli and mezcal broth with pistachio mole that had us hailing a cab to take us to KOL, a new restaurant hosted by Mexican chef extraordinaire Santiago Lastra. His kitchen serves up memories of Mexico reimagined with the best of British produce and there’s also a mighty fine mezcaleria for one last tipple. kolrestaurant.com

THE SKILLS CLASS

New year, new you Fancy learning a creative skill in 2021? Let the Create Academy’s industry experts guide you through online courses – take your pick from floristry with Willow Crossley, interior design with Rita Konig or nutrition with Amelia Freer (right). Each course costs £127 and is broken down into short video lessons that you can absorb at your own pace. createacademy.com

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FEATURE LAURA VINDEN PHOTOGRAPHS (THE EXHIBITION) DAMIEN HIRST, THE HAT MAKES THE MAN, 2004-07, DAMIEN HIRST AND SCIENCE LTD, PHOTO, JONTY WILDE, (THE NEW LAUNCH, THE PLACE TO EAT) CHARLIE MCKAY

Maximalist joy

THE PL ACE T O E AT

Mixing it up Take the soul of New Orleans, the sophistication of Paris, the buzz of New York and you’ve got the influences behind Louie, London’s hippest new restaurant. Responsible for this eclectic gathering of inspiration are hospitality group Paris Society and Guillaume Glipa – the name behind other hotspots including Chiltern Firehouse. The noteworthy interiors come from French duo Dion et Arles, who’ve created cosy nooks and plush corners making it an intimate setting, with a mass of foliage and a mix of objet giving it a welcoming feel. On the menu you’ll find classic French fare and a twist on Creole dishes from chef Slade Rushing, but top of the list for any visit is a sip of the Voodoo cocktail. louie-london.com

THE D AY O U T

Calming retreat Celebrate the rising trend for all things Japandi with a day at Pantechnicon in Belgravia, where five floors of modern design and craftsmanship explore Japanese and Nordic cultures through food, drinks and shopping. After some retail therapy you can head upstairs for anything from a Japanese breakfast to a Nordic cocktail. pantechnicon.com

THE EXHIBITION

Wide open space Stride out across Wakefield’s Yorkshire Sculpture Park this year and you can’t miss four major bronze sculptures by Turner Prize winner Damien Hirst. Running until April 2022, works include The Hat Makes the Man, 2004-07 set near the Lower Lake, which was inspired by Max Ernst’s collage (1920) of the same name. Also making an impact in the 18thcentury estate parkland is the 10-metre tall The Virgin Mother, 2005-06.

THE PODCAST

Health brigade Lean into a fresh start this year with Lemon Water, a podcast hosted by wellness enthusiast Michelle Siman. Expect to find conversations with women from the wellness community about diet, skincare, exercise and beauty, as well as a host of tips and tricks on how to live a healthier life. itslemonwater.com

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hotel hot list T H E E U R O P E A N WAT E R S I D E R E T R E AT S L I G H T I N G U P O U R S T Y L E R A D A R

Strandhotel Zoomers, The Netherlands

Hotel Le Sud, Juan-les-Pins, France

North Holland might not be the first place that comes to mind when you think of a beach holiday, but the pale sand dunes of Castricum’s coastline are undeniably beautiful and often blissfully quiet. In a location that is walking distance to the vast dune reserve of Natura 2000, the building that’s become Strandhotel Zoomers was completed early last year, opening in the summer after a top-to-toe interior design by studio The Other Season. They’ve given the space a simple, neutral look in keeping with the surroundings, making the most of natural wood in a scheme of ivory, tan and warm beige. We particularly love the bedrooms and their handsomely chosen art and accessories; they feel like something we might just have put together for a shoot in this very magazine.

There is a particular kind of nostalgic magic in this part of the French Riviera. You can still feel the cultural ghosts of the mid-century luminaries who set up studios and homes here. From Picasso in nearby Antibes, to Juan-les-Pins’ famous American settler F. Scott Fitzgerald, the region bubbles with artistic legacy. Joining the area’s storied grande dames is Hotel Le Sud, a 29-bedroom bolthole just a stone’s throw from the fine sand beaches. The quintessentially Gallic interiors were devised by interior designer Stéphanie Lizée, who has given the property the feel of a Mediterranean villa. Expect whitewashed walls, terracotta plant pots and a healthy dose of rattan, all set off in a pleasingly sunny palette of azure blue and burnt orange.

IN THE KNOW

Explore the exquisite local landscape on bike – you are in the Netherlands, after all. Pack a suitcase that will ready you for the great outdoors – you can hike, swim, fish and go horse riding here. Book it Rooms from around £130 a night (strandhotelzoomers.nl).

Eat on the terrace at Michelin-starred La Passagère within Belles Rives, the building where Tender is the Night was written. Visit the Musee Picasso in Antibes, to see some of the artist’s Riviera-inspired works. Book it Double rooms from around £180 a night (hotellesud.com).

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Casa na Terra, Alentejo, Portugal A year spent mostly indoors means we are still very much craving natural landscapes and the freedom of wide open spaces. There are few new properties that capture our yearning for the outdoors better than Casa na Terra, the latest architectural gem from Portuguese hospitality group Silent Living. Architect Manuel Aires Mateus utilised the brand’s signature monastic aesthetic to create a minimalist masterpiece hidden in the earth. All that peeks out from beneath tufted grasses is a dramatic concrete pavilion that affords guests a spot for spectacular views of Alqueva, the region’s iconic man-made lake. Best of all, you need not worry about your new-found peace and quiet being disturbed: the house is exclusively yours whether you visit alone, as a couple, or in a small group.

IN THE KNOW Experience the beauty of the lake, either through local watersports companies or on the house’s own private boat. Explore the nearby medieval village of Monsaraz, a picturesque commune perched high above the countryside. Book it From £315 a night for two in low season (silentliving.pt).

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FEATURE PATRICK HAMILTON COURTNEY PHOTOGRAPHS (CASA NA TERRA) NELSON GARRIDO; (PATER NOSTER) ERIK NISSEN JOHANSEN

Pater Noster, Sweden Forget social distancing, this hotel is an exercise in distance from society. At Livingetc, we love an architecturally interesting building in a remote location, but we’ve never found something quite as bonkers as Sweden’s Pater Noster. For over a century the lighthouse on this tiny, virtually uninhabitable clump of rock in a strait off the North Sea was home to generations of keepers and their families, who dutifully guided seafarers past invisible dangers. No longer in service, the island has been transformed into a rugged nine-room resort that, given the barren landscape, boasts some surprisingly cosy interiors. Twentieth-century design pieces nestle up against deep, comfy sofas, while a smattering of nautical art provides an appropriate historical anchor.

IN THE KNOW Experience the island’s unexpectedly large array of activities, including sea kayaking, scuba diving and deep sea fishing. Request a meditation session in the lighthouse itself. Book it From £350 per person per night on a half board basis (paternoster.se).

globetrotter DESIGNER AMBER LEWIS TELLS US ALL ABOUT VENICE, LOS ANGELES

Amber Lewis

Bikes on Venice Beach

Best spot for the ’gram? The Venice Canals are great for a stroll – modelled after Venice, Italy, this mini Californian version has picturesque bridges and walkways.

Amber’s book explores colour

First things first, where should we stay? When you land at LAX, head to Hotel June (thehoteljune.com). It recently opened up in a mid-cent ur y building g iven a modernist makeover in West LA and looks great – though you might be tempted to spend all your time by the outdoor pool!

App to download before we go? Gwyneth Paltrow’s Goop has an app called G. Spotting – it has good recommendations for places to eat and things to do. The LA fashion label to note? Christy Dawn (christydawn.com) makes all her dresses sustainably from deadstock fabric repurposed from larger fashion houses that would otherwise go to waste.

Best place for a smoothie? The Greentastic smoothie f rom K reation Organic Kafe & Juicery (kreationjuice.com) is my favourite – it’s delicious and healthy, too. It’s made with orange juice, banana, avocado and almond milk.

Best for vintage finds? The Mart Collective (themartcollective.com) is great for vintage treasure. From art to furniture, it is stocked with many different sellers so you never know what you’ll find.

What’s your favourite local eaterie? I’d suggest you head to Felix (felixla.com) where all of the focaccia and pasta is made in-house. The menu changes seasonally, but I always order the sfincione focaccia when it’s available – it’s so light and airy – and the rigatoni all‘Amatriciana is one of my favourite pasta dishes. Where would you go for a shopping m o m e n t ? Check out Gjusta Goods (gjustagoods.com) at 324 Sunset Ave – the sister shop to the café and bakery. Pick up a copy of the Gjelina: Cooking from Venice,

California by Travis Lett. Oh, and don’t forget their seeded honey while you’re there.

Kreation Organic Kafe & Juicery

View of the Venice Canals

Don’t leave without visiting? The beach, of course! A bike ride along the boulevard is a must. Last word on Cali... I’m transfixed by how you can fly an hour in one direction, or drive five hours in another, and you find yourself in completely different worlds. I love that I can jump from snowy mountains to forested lakes to some of the most beautiful beaches on the planet, yet I always know I’m in California. This notion – consistency without uniformity – is the cornerstone of how I approach putting rooms together.

For more travel ideas and hotel inspiration, visit thecaribou.com 150

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FEATURE YVETTE MURRELL PHOTOGRAPHS (AMBER LEWIS) YE RIN MOK, (VENICE BEACH) AILBHE O’DONNELL/GETTY IMAGES, (KREATION ORGANIC KAFE & JUICERY) AMANDA EDWARDS/GETTY IMAGES, (VENICE CANALS) YUEN LI/ALAMY STOCK PHOTO

he signature st yle of interior designer Amber Lewis effortlessly encompasses authentic California cool, and her debut book Made for Living (£32, Clarkson Potter) shows how we can achieve this laid-back look on this side of the pond. We snatched five minutes with Amber to ask how we can live like a local in Venice, Los Angeles.

The one-stop edit of the best modern style inspiration and design ideas

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secret address book The Livingetc team flicked through its Rolodex to find an east London candlemaker you need to know EARL OF EAST

FEATURE PIP M C CORMAC

It’s not just the fonts used by candlemakers Earl of East that are so beautifully simple and relaxing, its fragrances are softly meditative, too. Take the Greenhouse candle, pictured, £50. Hand poured in the brand’s studio, it smells of summers, of long lazy lunches and longer afternoon naps. It will transport you to the romanticised version of Greece that one of the co-owners grew up in, where vine tomatoes ripen on the terrace. All the scents have these magically restorative qualities, an evocative flicker of almost-forgotten climes. earlofeast.com

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