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award winning team employs a personalized, multisensory methodology crafting joyful, liveable homes that nourish the soul and soothe the body.

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Best Architecture Design (Single Residence) Singapore International Property Awards 2019

Best Bespoke Interior Design Tatler Design Awards 2019

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75E Loewen Road, Tanglin Village, Singapore 248845 +65 6506 0920 | designintervention.com.sg


CONTENTS

NOVEMBER

22

NOW

DESIGN NEWS, PLACES TO V I S I T, T H I N G S T O B U Y

17 RAVISHING RATTAN Fashion and lifestyle brand Ong Shunmugam expands its universe with rattan furniture.

18 COLOUR OF THE MONTH Inject a citrusy freshness of the outdoors.

S H O PP IN G 20

GREAT BUYS Our monthly roundup of the hottest new design products for the home.

LIVING 25

TABLETOP FANCIES

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Add a touch of luxe to your desktop landscape with these small items crafted with leather, silver, pop-ofcolour, and a sense of humour.

Villa Copenhagen Experience the very best of classic and contemporary Danish design in one place.

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SIX SENSES BHUTAN The architecture and interior of this luxury hotel’s five lodges perfectly frame the country’s majestic landscape. 30

BAR MILANO This casual-chic Italian bistro in Keong Saik Road instantly transports you to the cobblestoned streets of Europe. 32

VILLA COPENHAGEN Housed in the historic Copenhagen Central Post and Telegraph Head Office building, this much anticipated new hotel is a tribute to both classic and contemporary Danish design. 36

KKI SWEETS The communal spirit of 17th-century London coffeehouses meets the theatricality of Japanese Noh theatre in this minimalist dessert studio on Seah Street.

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H OT S P OT



CONTENTS

NOVEMBER

DESIGN

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I D E A S A N D I N S P I R AT I O N F R O M THOSE IN THE KNOW

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Weaving Webs of Existence Japanese artist Chiharu Shiota works wonders with wool.

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P EOP L E 37

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Chiharu Shiota transforms her interior battles into haunting installations that speak of the human experience.

DuraBlinds founder Shu Ong talks about reclaiming some of the most under-utilised spaces in our tropical urban high-rise environment.

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Is it still possible to reinvent the humble kitchen sponge? 3M shares the brand’s latest cleaning innovation.

Architect Edmund Ng shares about his design style and what inspires his work.

WEAVING WEBS OF EXISTENCE

A CLEAN GETAWAY

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SCANDINAVIAN APPEAL Danish furniture designer Hee Welling on his collaboration with Hay and why Scandinavian design is considered universally appealing.

RECLAIMING THE SEMI-OUTDOORS

EDMUND NG

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STOCKHOLM FURNITURE & LIGHT FAIR We take a look at the emerging trends from Stockholm Furniture & Light Fair. 58

WITH GREAT PERSEVERANCE AND EMPATHY Architect Quck Zhong Yi shares about disrupted projects, the bumpy road to resumption and what we can learn from it.

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CONTENTS

NOVEMBER

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UTTERLY INVITING Sacha Walckhoff, creative director of Maison Christian Lacroix, talks to Karine Monie about the inspiration behind the bold look of the apartment he shares with partner Pascal.

HOMES THE NEW MODERN

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FASHIONABLY TRANSFORMED UNO Interior turned a four-bedroom walkup apartment with awkward spaces into this fashionable onebedroom, open-plan home for a couple and their five cats.

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90

A new modern vernacular arises from reinterpreting the principles of the traditional kampung house.

This resale flat in Woodlands now has a modern, graphic aesthetic, thanks to a unique grid design and a monochrome palette.

KAMPUNG STYLE, REDEFINED

BETWEEN THE LINES

on the cover

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DARING TO DREAM Every level of this 70-year-old terrace house has a fresh and inviting new identity, thanks to designer Kelvin Teo.

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A 70-year-old terrace house transformed into a fashionable home. PHOTOGRAPHY VERONICA TAY ART DIRECTION NONIE CHEN

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CELEBRATING

YEARS


CONTENTS

NOVEMBER

FEATURES T H E L AT E S T I N D E S I G N AND DECOR TRENDS

F E ATU R E 98

THE LAP OF LUXURY

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From the runway to the living room! Here are some of the best new furniture designs and accessories from the home collections of your favourite luxury brands.

The Lap of Luxury When couture fashion meets furniture.

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TAILORED TO FIT Expert and specialists share their tips on creating bespoke and custom-made items to fit your budget. 112

STYLE WARRIOR

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EDITOR’S NOTE 14

H&D.COM.SG 15 DIGITAL EDITION EXCLUSIVES 117 IN STORES 118 WHERE TO BUY 119

BUYING GUIDE 12 0

THE HARD TRUTH

Have you been building a sizeable designer collection over the years? Here’s how to keep those couture pieces in mint condition for as long as possible.

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98

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EDITORIAL

PHOTOGRAPHY

EDITOR-IN-CHIEF Young Lim (younglim@sph.com.sg)

CHIEF PHOTOGRAPHER Veronica Tay (verontay@sph.com.sg)

ASSISTANT EDITOR Asih Jenie (asihj@sph.com.sg)

EXECUTIVE PHOTOGRAPHERS Tan Wei Te (tanweite@sph.com.sg)

WRITER Melody Bay (melodyb@sph.com.sg)

CREATIVE SENIOR ART DIRECTOR Nonie Chen (noniec@sph.com.sg) ART DIRECTOR Kristy Quah (krisquah@sph.com.sg)

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PHOTOGRAPHERS Phyllicia Wang (wanglx@sph.com.sg) Vee Chin (veechin@sph.com.sg)

ADMINISTRATION & EDITORIAL SUPPORT SENIOR MANAGER Juliana Chong (julianac@sph.com.sg) SENIOR EXECUTIVE Cynthia Lee (hhclee@sph.com.sg) SENIOR EXECUTIVE Wendy Wong (wwong@sph.com.sg)


MEDIA SOLUTIONS SALES CHAMPION Sean Chen BANKING, INSURANCE & INVESTMENT Ellen Lee CONSUMER ELECTRONICS & DEPARTMENT STORES Martin Boey Helen Chan MALLS Stella Yeo Helen Chan PROPERTY Stella Yeo For sales enquiries, please contact Maggie at magadpromo@sph.com.sg

GROUP M AR K E T I N G TEAM HEAD, MAGAZINES Lin Shaomei SENIOR MANAGER Chloe Chow MARKETING MANAGER Goh Sze Min

AD P R O D U C T DEVELOPMENT & I N N OVAT I O N

CHIEF EXECUTIVE OFFICER Eugene Wee (eugenew@sph.com.sg)

TEAM HEAD, TITLE DEVELOPMENT Faith Yoong

GROUP EDITOR-IN-CHIEF Caroline Ngui (nguislc@sph.com.sg)

MANAGER, TITLE DEVELOPMENT Carol Low

PUBLISHING DIRECTOR Raymond Goh (raygoh@sph.com.sg)

O P E R AT I O N S TEAM HEAD Alice Chee (siewyuen@sph.com.sg) ASSISTANT MANAGER Lin Feng (fenglin@sph.com.sg)

CHIEF COMMERCIAL OFFICER Ignatius Low GROUP MARKETING HEAD Sharon Cheong CORPORATE COMMUNICATIONS HEAD Chin Soo Fang VICE-PRESIDENT, HUMAN RESOURCES Irene Lee

Home & Decor is published by SPH Magazines, a division of Singapore Press Holdings Ltd, 1000 Toa Payoh N, S318994, Tel: 6319-6319 Distributed by Circulation Department, Singapore Press Holdings Ltd, Singapore registration no.: 198402868E Printed by Times Printers. All rights reserved. No part of this publication may be reproduced in any form or by any means without the written permission of the publisher. The views and opinions expressed or implied in Home & Decor are those of the authors or contributors and do not necessarily reflect those of the publisher. For back issues, e-mail: circs@sph.com.sg. Subscribe online: www.homeanddecor.com.sg.

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EDITOR’S NOTE

W H E R E WO R L D S C O L L I D E The lines are blurred when it comes to design, because good designers view society not in various segments but as a unified entity that needs to be served. All designers share a common belief, and that is the understanding that a well-designed product, whether it be a piece of furniture, appliance or apparel, needs to not only fulfill a function but elicit pleasure and a sense of belonging in its user. For that reason, designers have always been encouraged to cross the boundaries of their regarded specialty and branch out into other forms of creation. This is ever more important in an age where

designers are expected to provide solutions that fit seamlessly in with a client’s lifestyle in a holistic manner. As a result, we are seeing more fashion designers and labels launching home collections to complement their runway creations. For the homeowner, it’s interesting to see how the design philosophy of each brand is interpreted into its furniture, home accessories or even home fragrances. In this issue, we take a look at the latest home collections from some of the most wellknown fashion brands, and find out more about how we can create a couture world of our own at home.

photography ANGELA GUO art direction NONIE CHEN

YO U N G L I M E D I TO R - I N - C H I E F

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REAL-TIME DESIGN UPDATES WWW.FACEBOOK.COM/ HOMEANDDECOR.SINGAPORE The latest on home decor and shopping scoops.

SIGHTS & INSPIRATION CHECK US OUT AT @HOMEANDDECOR_SG

Dyson Lightcycle Morph Review Editor-in-chief Young Lim finds out what the Lightcycle Morph desk lamp can do. https://tinyurl.com/dysonlight

10 Inspiring Japanese-Style Homes Love all things Japanese? Check out these creatively-designed homes. https://tinyurl.com/japhomes

HOMEANDDECOR .COM.SG

Check out popular blog posts of the month

MORE INTERIOR STYLES FROM OUR ONLINE IMAGE LIBRARY

THIS MONTH ON OUR “DINING ROOMS TO DIE FOR” BOARD… WWW.PINTEREST.COM/ HOMEANDDECORSG

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AN A LL-NEW ONLI NE EX P ER IE NC E!

W W W. H O M E A N D D E C O R . C O M . S G YOUR ENHANCED DESIGN JOURNEY INCLUDES: THE OFFICIAL LAUNCH OF H&D TV WITH VIDEO PLAYLISTS & MORE THE LATEST STYLE TIPS, TREND STORIES AND DESIGNER FEATURES EXCITING GIVEAWAYS AND EXCLUSIVE OFFERS

AVAILABLE ON DESKTOPS & ALL MOBILE DEVICES.

MAKE WWW.HOMEANDDECOR.COM.SG YOUR ONE-STOP DESIGN DESTINATION TODAY! 15



D E S I G N N E W S , P L A C E S T O V I S I T, T H I N G S T O B U Y

R AV I S H I N G R AT TA N Fashion house Ong Shunmugam follows up its foray into homeware with rattan furniture this year. The Suvarnabumi collection uses rattan to weave together a tapestry of cultures, mixing several varieties of natural rattan from Malaysia with synthetic rattan and batik from Indonesia, jacquard from China and the indigenous

photo IVAN LIM & THIS HUMID HOUSE

weave patterns of Borneo’s Iban tribe. “Most of our pieces didn’t have a template to build upon. We drew the design from scratch and the craftsmen had to work from the drawings.” says brand founder Priscilla Ong Shunmugam, who designed them during a lockdown in London. The Suvarnabumi rattan furniture collection is available to pre-order from www. ongshunmugan.com. Prices range from $179 to $1,999.

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C O LO U R O F T H E M O N T H

CITRUSY FRESHNESS Various studies have shown that biophilic design, which involves a direct or indirect connection to nature, plays a huge part in one’s well-being. If you’re blessed with a private garden or live near a park or nature reserve, why not plan a communal meal outside? Interior designer and stylist Sabrina Monteleone-Oeino created this breathtaking outdoor table setting for her last birthday party. Granted, we can only have a limited number of guests at our table for the time being – but that’s what makes planning this kind of outdoor occasion even more precious. Of course, we may not need so many chairs, but we can adapt Sabrina’s colour palette. Taking cues from the lush lemon trees in her garden, she set the table in green, white and yellow, which contributed to a fresh, bright and inviting lunch party. A sprinkle of hot pink and peach from the roses on the table and those hanging from the trees took the sumptuousness up a notch, adding a gentle feminine touch without dampening the citrusy freshness of the colour palette.

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PANTONE 134C

PANTONE 232C

C O LO U R O F THE MONTH PANTONE 584C

This colour scheme also works indoors, especially with lush botanical wallpapers and floral furniture upholstery.

the expert says

SA BR I N A M ON TE L EONE OE I NO Interior designer and stylist

photos YVAN GRUBSKI

“I love mixing these colours. They create such a fresh look. Green expresses nature, abundance, rejunevation and inner peace. Yellow is for positivity, happiness, clarity and energy while hot pink is a symbol for love, kindness and femininity. This colour combination also looks great as accents in a kitchen or a bedroom.”


E H T F O T R A P E B

y jo n e o h w s r e v lo Meet fellow food . g in k a b d n a g in k o o dining out, c

, ts n e v e to s e it v in e iv s lu Join us now for exc eals and discounts! giveaways, dining d

TA ST E S O C I E T YS G


SIMPLE & SMART Your living space pulls multiple duties these days – it could be an office, a classroom, a gym depending on the time of day and the restriction posed by the pandemic. The new modular furniture system Smart Desk range from Japanese brand Nissin Furniture Crafters comprises simple desks that elegantly demarcate spaces. The collection is highly configurable, offering multiple lengths, storage and layout to fit your space. Smart Desk is available from Atomi, price by request, www. atomi-jp.com.

TILE OF THE MONTH

CLEAN & CLEAR A stickler for food hygiene? AOX Compac O2+ may be just the thing for you. It provides clean drinking water and cleans your fruit and vegetables with its Active Oxygen Steriliser. Simply fill the bowl of fruit with water, place the air hose into the bowl and let it remove toxins and bacteria. Sleek and compact, it doesn’t take up much space on your countertop! The AOX Compac O2+ retails for $2,780 at Tangs Orchard and Vivocity.

MIX & MATCH Decorative tiles can easily and effectively personalise your space. The Mattonelle Margherita range by designer Nathalie du

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Pasquier for Mutina comprises no less than 41 different patterns in two sizes that can be mixed and matched to create anything from feature walls and

accent surfaces to bespoke furniture. Mutina Mattonelle Margherita collection is available from Rice Fields, price by request, www.ricefileds.com.


EDEN ON A PLATE Botanical exuberance meets French haute couture in Passifolia, a new tableware collection from Hermes. Drawn by artist Nathalie Rolland-Huckel, Passifolia features a glorious riot of plants from all over the world Nowhere else can one see chestnut and banana leaves intermingle or fern and hibiscus cohabit. Plates, platters and cups unfurl on the table and form landsc conducive to contemplation. Hermes Passifolia collection retails from $145 a Hermes. www.hermes.com.

FLUID LINES Inspired by the concepts of languid seclusion and selfrestoration, the organic lines of the Villa bed pedestal by OKHA are a far cry from the traditional square nightstands that one usually sees in the bedroom. Three sturdy legs support the fluid, sensual shape of the Nougat Matis Marble tabletop and the body of walnut timber, which conceals storage space. “I didn’t want to do a box shape with four legs, and as soon as you change those fundamentals everything opens up,” says creative director Adam Court. The OKHA Villa bed pedestal retails from €2,510 (approximately S$4,003) www.okha.com

EDITOR’S CHOICE

TIMBER TERRAZZO Love wood and terrazzo? Meet Foresso’s London, a collection of sheet materials composed of offcut wood chips and plaster waste bind together beautifully with coloured plaster. Sold in a 2.44m x 1.22m sheet in 24mm thickness, Foresso is suitable for all interior surfaces, including Foresso London collection is wall panels, tabletops, available from Panelogue, price countertops and by request, www.panelogue.com. flooring.

SMART TOILET FOR CATS Scientists have been working on creating toilets that track our health for a while, but design experts at myKotty are on

their way to beat them in making such products available in the market – for cats. Space Kotty is a futuristic smart

kitty litter box that can monitor your cat’s health (via its weight and bowel movement), eliminate bacteria and odours, re-order litter, and send alerts to your mobile phone. Plus no need to hide it – it is sleek enough to display in your living space. Space Kotty is available for preorder from Kickstarter for March 2021 release, price starts from US$59 ($80), www. mykotty.com.

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EXHIBITION OF THE MONTH Baoli es from ipwreck er 2020 to 2021 nghai d The sations rating the ersary of relations hina and the Asian Museum ed with the Shanghai Museum to

present The Baoli Era: Treasures from the Tang Shipwreck Collection. While 168 artefacts from the collection are on loan to the Shanghai Museum for the exhibition, visitors can see over 900 treasures at ACM’s Tang Shipwreck gallery. Admission is free for Singaporeans and Permanent Residents, and guided small-group public tours have resumed as well.

TRENDING

SWING SWING

SMALL BUT MIGHTY Discreet lighting is now more possible than ever with the Mini, the new addition to the Line Series by Sol Luminaire. The smallest version (Line Mini 2) measures at only 33mm wide, and boasts a significant reduction of visual glare. These are also equipped with dimmable technology, so you can adjust the settings to your preference.

1. Dedon Swingrest Chair, $6,265 (on sale for $2,599 while stock last), from Xtra, www. xtra.com.sg. 2 . Bubble Chair, €3,995 ($6,385), from Eero Aarnio Originals, www.aarniooriginals. com.

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3 . Swing N.1, zł6,700 ($2,340), from Iwona Kosicka, www. kosicka.pl 4 .Kettal Swing A $5,150, f Studio, w p5studio

The Line Mini series retails from $45 at the Sol Luminaire showroom, 395 Guillemard Road. For more information, visit www. solluminaire.com.sg.


ENGINEERED FOR ASIAN HOMES Dyson’s coveted vacuum cleaner just got 20 per cent smaller and 30 per cent lighter with Dyson Digital Slim. We go barefoot in Asian homes, and clean our compact spaces more frequently. Designed with this in mind, Dyson Digital Slim is made lighter for frequent handheld cleaning, with a shorter wand to accommodate smaller physique and no less powerful suction for that barefoot-ready cleanliness.

Dyson Digital Slim retails for $849 at www.dyson. com.sg and select Dyson Demo stores. Additional battery and charger are available to buy separately.

CANDLE LIGHT, STAR BRIGHT Aesop occupies a special place in modern-day lifestyle lexicon when it comes to aromatherapy, and now the brand has expanded its offering with a trio of aromatic candles named after notable ancient astronomers. Ptolemy offers green notes of cypress, cedar and vetiver; Aganice layers mimosa with cardamom and tobacco while Callippus blends frankincense and vetiver. These are, as Aesop’s

innovation director Kate Forbes puts it, “[N]ew aromatic blends that would engender a sense of equanimity and refuge from workaday concerns.” The candles retail for $155 (each 300g) at Aesop signature stores and www.aesop.com.

NEWS

Book Smart Last year, Cosentino Asia invited 13 architects and designers to share their wisdom in its Talks on Architecture & Beyond (TAB) series. The insights have been distilled into a book Talks on Architecture & Beyond, comprising essays, interviews and inspiring built works in Singapore.

Contact Cosentino City Centre Singapore at 34/53 Duxton Road to get a copy, www. cosentino.com.

Natural Beauty Be at one with nature with Crate & Barrel’s Modern Prairie collection. All the pieces in this collection feature sensuous lines, and are made of natural materials like cane, wood, and leather. The warm hues of ochre, amber and russet bring the outdoors in just in time for the fall season.

Home Office Package Office furniture brand Steelcase has teamed up with Singapore lifestyle furniture brand Commune to bring attractive, WFH-appropriate chair-and-desk packages suitable for remote workers. Prices start from $798.40.

The collection retails at Crate and Barrel ION Orchard, #04-21, and www. crateandbarrel.com.sg.

Visit www. thecommunelife.com/ promotions/homeoffice-package for more information. SFIC Presents Creativ-Space The Singapore Furniture Industries Council (SFIC) has launched Creativ-Space, a B2B e-sourcing and marketing platform dedicated to bringing local furniture brands to the rest of the world. Creativ-Space starts with 80 local brands and offers features like 3D Showcase, virtual pop-ups, curated editorials, as well as providing quotations, project listings and data analytics dashboard.

Find out more at www.creativ-space.com.

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E LEVATI NG TH E EVE RYDAY Elevate the aesthetic of your bathroom with Axor Edge, a faucet series by French designer Jean-Marrie Massaud. He dubs it a sclupture made out of an everyday object. “A real functional piece of art that shares your intimacy for life,” he says. Each faucet is crafted from a brass block and dressed with personalised finishes. Visit www.hansgrohe.com. sg or book a visit to Hansgrohe Aquademie to find out more.

COMPACT COMFORT “Anatra was born from my desire to play and experiment with the scale of weaving,” says designer Patricia Urquiola of this new woven rope chair from Janus et Cie. Anatra Teak High Back Lounge Chair offers all the comfort and stateliness of a

APPROACHABLE ART Art can be intimidating and exclusionary, but it doesn’t have to be. Online art gallery The Discerning Palette believes in making art approachable, affordable and educational. The gallery offers a playful and eclectic selection of modernist art from 20th-century European artists. The online gallery also publishes practical and encouraging information around understanding, buying and displaying art – no prior art knowledge required.

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classic high back armchair with a more compact design ideal for smaller urban spaces. Anatra Teak High Back Lounge Chair retails for $5,226 (inclusive of GST) at Janus et Cie, www. janusetcie.com.

Add to cart

Artworks start from $246, visit www. discerningpalette.com for more information.

text ASIH JENIE AND MELODY BAY

A POWERFUL NOTE Jamming out to your favourite tunes doesn’t mean draning your phone battery any longer, thanks to Belkin’s Soundform Elite. Both a wireless charger and speaker co-created with Devialet, it uses a patented technology to create hi-fi sound and powerful bass without the vibration, so that your phone remains steady while charging. Pair it with Alexa or Google Assistant for a hands-free experience. The Belkin Soundform Elite Hi-Fi Smart Speaker + Wireless Charger retails for $499 at www.belkin. com/uk/p/P-G1S0001/.


LIVING

1. Sleeved Jacket Nbr 1 Set, $170, from Bynd Artisan. 2. Wastberg w153 Ile Integrated Multichip LED. $400, from Grafunkt. 2

3 . Stapler, $29.90, fom Kikki.k. 4. Montblanc, Meisterstuck Le Petit Prince Classique Ballpoint Pen, $705, from Mr Porter.

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5 . Bloom Botanica Vase, $110, from Georg Jensen.

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6. Montblanc Leather Desk Tray, $1,394.40, from Mr Porter.

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7. Kartell Air Du Temps Clock, $290, from Space Furniture.

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8 . B&B Italia Tetra Candle Holder by Naoto Fukasawa, $305, from Space Furniture. 9. Medium Valet Tray, $150, from Bynd Artisan. 10. Kong Mini Power Bank, Qeeboo, $70.20, available exclusively in Singapore at Journey East.

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TA B L E TO P FA N C I E S Add a touch of luxe to your desktop landscape with these small items crafted with leather, silver, pop-of-colour, and a sense of humour. 25


H O T S P OT

LEFT

The warm, understated interior of this villa in the Paro lodge maximises the natural views.

S I X S E N S E S B H U TA N The architecture and interior of this luxury hotel’s five lodges perfectly frame the country’s majestic landscape.

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W

hile most countries base success on the growth of their economy, the Kingdom of Bhutan has been doing something completely different for years. Located in the Himalayas – home to Mount Everest, the earth’s highest mountain above sea level – and with Tibet to the north as well as India to its south, east and west, Bhutan focuses on its Gross National Happiness.


FAR LEFT

The bright motifs of the prayer wheels at Kyichu Lhakhang temple in Paro. LEFT

The Dochula Pass, located on the road between Thimphu and Punakha, is home to 108 memorial chortens or shrines. BOTTO M

The Punakha lodge overlooks tiered rice paddies.

good to know Guests may stay at one of the five lodges or opt for a customised journey that can include a combination of experiences in Thimphu, Punakha, Gangtey, Bumthang and Paro.

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TOP

RI GHT

ABOVE

OPP OS IT E

The cosy interior On the Punakha of the Punakha Suspension lodge’s restaurant. Bridge. A traditional Bhutanese dragon motif adorns the wallpaper in a private room at the Thimphu lodge.

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The Paro Valley, as seen from the bathroom in one of the Paro lodge villas.

The four pillars of this philosophy are sustainable development, environmental protection, cultural preservation and good governance – and Six Senses Bhutan practises all of them. The luxury hotel, comprising five lodges, was designed to encourage guests to admire the natural diversity of the country and appreciate the beauty of its majestic landscape. Each lodge has a different style and showcases the characteristics of the five valleys of Bhutan: Thimphu, Punakha, Gangtey, Bumthang and Paro. Each has between eight and 10 suites as well as three to five villas. Amenities include a restaurant, a library, a spa and an indoor or outdoor pool. And all of the lodges have exceptional views of the


natural landscape in a peaceful setting, where wellness and sustainability meet. The spacious interiors are a tribute to Bhutanese architecture that’s expressed through understated timber furniture, traditional wood-burning stoves called bukhari and antiquewashed Himalayan rugs. Six Senses Bhutan aims to help visitors discover the county’s rich culture and experience its warm hospitality and spirituality. Guests can partake in many activities, ranging from art, history, botany and birdwatching to meditation, wellness and sports. At this magical destination, where it is easy to forget about contemporary, fast-paced life, everything encourages reconnection with oneself and immersion in the local culture. With 60 per cent of its land allocated to forestry – as mandated in its constitution – the kingdom puts nature at the centre of its concerns. Six Senses Bhutan follows this approach, maintaining balance in all aspects of its lodges. Here, adventure and serenity go hand-in-hand. Visit www.sixsenses.com/

EVERYTHING ENCOURAGES RECONNECTION WITH ONESELF AND IMMERSION IN THE LOCAL CULTURE.

resorts/bhutan/destination to find more about Six Senses Bhutan.

text KARINE MONIE photos COURTESY OF SIX SENSES

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H O T S P OT

F BAR MILANO This casual-chic Italian bistro in Keong Saik Road instantly transports you to the cobblestoned streets of Europe.

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inding yourself missing the little cafes of Europe during this time of restricted travel? Step into Bar Milano. The restaurant looks like it’s been picked up from the quiet, cobblestoned streets of a sleepy Italian town and dropped directly into the bustle of trendy Keong Saik Road. Launched in early August 2020, the casual-chic Italian bistro was conceived by SJS Group that’s behind Pasta Bar and Employees Only at Amoy

Street. “It pays homage to the classic tavernas of Europe,” says Sarissa Rodriguez-Schwartz, a co-founder of SJS Group. “It’s for aperitivo and Italian food lovers alike.” To achieve the quintessentially inviting atmosphere of a European cafe, SJS bucked convention and hired James Page, a movie set designer, to design Bar Milano. Upon stepping inside, one’s first impression is that of a cosy, intimate place where time has stopped, thanks to the sunshine-


good to know Movie set designer James Page has worked on films like Sandcastle and the upcoming Tiong Bahru Social Club.

TO P

Bar Milano’s interior is straight out of a small Italian town.

yellow hue and old-plaster texture of the walls. A charming wrought-iron chandelier hangs from an intricately moulded ceiling that would not look out of place in an old-world European dining room. Dotted around the room are mismatched wooden and rattan chairs, and taking pride of place is a bar counter at the back, which features an actual gate from a 1960s Italian home as its bar face. “We researched long and hard for our favourite design features from European cafes and either imported specialty items [like the gate] or used amazing local artists and craftsmen to replicate certain features,” shares Sarissa. Bar Milano strives to stand out in its hip area by delivering an authentic casual Italian dining experience. The menu – written on an old flyblown mirror – shows just a few items, but they’re only a fraction of the gastronomic selection available. Foodies will love the four different pizza frittatas, made of fried pizza dough and known as the “pizza of the people”. It’s

tough finding this dish outside of its native Napoli, and Bar Milano’s version is the first of its kind in Singapore. The rest of the mains include classics like Chicken Milanese served with apple and fennel coleslaw, and an Italian Paella with Pugliese baked rice, mussels, prawn, and potato. Of course, as every self-respecting Italian bistro does, Bar Milano serves an extensive selection of coffees to complete the meal. “Our goal at all of our venues is not to create a historically accurate simile, but rather an emotion of something transformative,” says Josh Schwartz, also a co-founder of SJS Group. “Everything – from our lighting, music selection, food and drink offerings, as well as style of service – is carefully crafted to stir up and evoke a time, a place or a feeling. We know we have succeeded when guests say, this place makes me feel like I am somewhere else.” Bar Milano is located at #01-02, 55 Keong Saik Road. For more information, visit www.barmilano.sg.

L EFT

The interior is warm and unassuming, just as an Italian bistro should be. OPPOSITE

Hams and garlic hang above the bar, which has a ‘60s iron gate as the face.

text MELODY BAY photos SJS GROUP

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H O T S P OT

V I L L A C O P E N H AG E N Housed in the historic Copenhagen Central Post and Telegraph Head Office building, this much anticipated new hotel is a tribute to both classic and contemporary Danish design.

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OP POSI TE , TOP

The hotel offers approachable, conscious luxury. OP POSI TE , BOTTOM

The interplay of dark and light hues makes the stairway refreshingly modern. RI G HT

The walls leading to the rooms are lined with Gillian Ayres artworks. B ELOW

The rooms are furnished with both modern and classic Danish pieces.

good to know Completed in 1912, the building was designed in a Neo-Baroque style by Heinrich Wenck, who also did the Copenhagen Central Station.

D

esign lovers visiting Copenhagen now have a new accommodation option: Villa Copenhagen, a new luxury hotel that occupies the Danish capital’s former Central Post and Telegraph Head Office building. Designed by London-based architecture and interior design practice Universal Design Studio, the former post office’s interiors have been completely transformed to accommodate 391 rooms across five floors while retaining its classical Neo-Baroque exterior that dates back to 1912. At first glance, the interiors may seem decidedly modern but look closer and you’ll notice

period details like the grand window surrounds, timber panelling and architraves. All were restored to retain the building’s original character. This nod to the history and context of local architecture, alongside the curated collection of contemporary bespoke furniture from craftcentred European brands, showcases the best of both classic and modern design. Apart from the facade, the interior design was also inspired by the artwork of Danish artist Vilhelm Hammershoi, who lived between the late 19th and early 20th centuries. As a tribute to the painter’s understated, 33


elegant style, the design team created a soft colour palette with muted ochres, green-greys and copper tones throughout the rooms. This palette unites the 55 different room types, so although each is subtly varied in design because of the existing interior architecture, they all exude an equal sense of timelessness and calm. On the lower floors, some of the rooms have a 4m-high ceiling with nearly floor-to-ceiling windows, while the upper 34

ABOVE

All 55 room configurations share the same design philosophy of clean lines and neutral hues. FAR LEFT

Restored original timber beams retain the building’s character. LEFT

Expect to see pieces from renowned European designers in every room.


UNIVERSAL DESIGN STUDIO CURATED A SELECTION OF CLASSIC AND CONTEMPORARY FURNITURE THAT HONOURS FUNCTIONAL, HUMANIST DANISH DESIGN.

The palette of neutral hues was inspired by painter Vilhelm Hammershoi.

floors feature limewashed walls, exposed timber beams and expansive views across the Danish capital. Each room is a showcase of European design at its best, featuring original pieces from renowned Danish designers like Finn Juhl, Ole Wanscher, and Nanna Ditzel. As for their unique layouts, Universal Design Studio curated a selection of classic and contemporary furniture that honour functional, humanist Danish design. There are also many bespoke creations. The statement opal glass and the brass and bronze lighting fixtures, for instance, were inspired by archived images of the former post office. “Our aim was to create a series of rooms which respond to the historic building while centring on contemporary Danish design, humanness and craft,” says Richard McConkey, associate director and head of hospitality at Universal Design Studio. “Copenhagen’s beautiful quality of light, alongside the feeling of quiet beauty in the work of Hammershoi, became a key reference point in our design process.” Villa Copenhagen is located at Tietgensgade 35-39, 1704 Copenhagen, Denmark. For more information, visit www.villacopenhagen.com. text MELODY BAY photos UNIVERSAL DESIGN STUDIO

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H O T S P OT

L EFT

KKI SWEETS The communal spirit of 17th-century London coffeehouses meets the theatricality of Japanese Noh theatre in this minimalist dessert studio on Seah Street.

The lone long table. BELOW

The triangular origami-like Tyvek structure. BOTTOM

J is made with goma, matcha and yuzu and fashioned to look like a planter.

fold matches the positions of the seats. Coming up is a plan to incorporate a projector into the table, thus transforming each fold into a personal show for each diner. Kki Sweets may be made up of only a few parts, but the clarity of the owners’ expression encourages diners to generate a new appreciation for desserts – and for the brand to forge its vision of a multisensory experience. Kki Sweets is located at

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is designed to fan out like a Pantone colour swatches – are only available via reservations. The highlight, of course, is the communal table that seats about a dozen diners. Its trapezoidal shape was derived directly from the shape of the space while its design concept is adapted from the long communal tables in London’s 17th-century coffeehouses that encouraged sociability. Kki Sweets’ version makes room for space between small clusters of diners as per the social distancing regulation right now. The glossy white tabletop is the perfect backdrop for taking pictures of the desserts with their irresistibly Instagrammable plating that runs the gamut of colourful landscapes with mysterious elements to a planter of sorts with a tiny sprout. Organically-shaped openings at the centre of this table hold planters that bring

in nature. A glass wall with a mirrored finish that fades towards the centre separates the kitchen and dining area, offering a view of the dessert preparations. Another attraction is the ceiling installation in a translucent, flash-spun fibre material from DuPont called Tyvek. Inspired by the hashigakari or the bridge-like section connecting the main Japanese Noh stage, it sits at a carefully calibrated height – 2m above the floor – so that it doesn’t obstruct the view but compels diners to duck while they are taking their seats, as if they were entering the stage. “They are invited to participate in the spectacle initiated by Kenneth and Delphine,” shares Produce’s design director Pan Yicheng. The Tyvek panels fold inwards towards the centre of the table, creating a triangular origami-like pattern. Each

text ASIH JENIE spatial photos DANIEL CHIA, FRAME.SG

www.kki-sweets.com.

photo KKI SWEETS

K

ki Sweets is a homegrown dessert studio known for its handcrafted confectionery as well as its plated desserts. Founded in 2009 by wife and husband Delphine Liau and Kenneth Seah, Kki (pronounced keh-kee, after the Japanese pronunciation of cake) first called Ann Siang Hill home before moving to SOTA. Earlier this year, it moved into its newest home at Seah Street. “Natural sugar is great. Processed sugar, on the other hand, is bad for your body. If you’re going to indulge in sweets, be discerning” says Delphine. This reverence for sweets is apparent in her new spot – a chic, minimalist stage for both of its delectable offerings. Designed by Produce, a local multidisciplinary studio, the space has no signboard, and some items on the menu – which features no photo and

3 Seah Street. Reserve a spot at


I D E A S A N D I N S P I R AT I O N F R O M T H O S E I N T H E K N O W

photo COURTESY GALERIE TEMPLON

W E AV I N G WEBS OF EXISTENCE Japanese artist Chiharu Shiota works wonders with wool, transforming her thoughts, feelings and inner battles into moving and haunting installations of immense beauty that speak of the human experience. Writer Y-JEAN MUN-DELSALLE finds out what makes her tick, her thoughts on life, death and art, and why fear is necessary for her to make art.

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SPOTLIGHT

I

38

1

True to self There’s honesty in her creations as Chiharu shares the intimate and fundamental moments in her life, heavy with meaning and truth, and encourages audiences to reflect. Investing her mind and body entirely in her interventions, her innermost thoughts and feelings turn into works of art offering a penetrating glimpse into her soul. Her entire oeuvre is somewhat autobiographical and somewhere between dream and reality. Discovering in 2017 that ovarian cancer had come back to haunt her after 12 years of being

2

photo SUNHI MANG

t might not be considered a noble material, but Chiharu Shiota has made yarn her signature medium in the creation of powerful, delicate and enveloping environments in which recovered objects like suitcases, shoes, dresses, bed frames, windows and doors are sometimes suspended in a web. Inhabiting immense spaces with networks of string or wool interwoven in all directions, from floor to ceiling, that represent the complexity of human relationships, she builds monumental, sitespecific artistic installations of architectural richness. Intended to be places of solace and contemplation, they invite visitors to wander inside and get lost. Aware of the transformational quality of art, Chiharu incorporates highly personal physical and emotional experiences that she expands into something universal that speaks to the collective. “My work is about fundamental human questions about relationships, life and death,” she says. “I try to express thoughts I am unable to talk about through my art, and I think many others have the same emotions. I have also become obsessed with human memories and existence, and have recreated a human presence without a physical body.” Nonetheless, she’s aware that art is for the individual, so although some might feel connected and recognise the feeling that the work expresses, others won’t.


photo BERTRAND HUET TUTTI

“I TRY TO EXPRESS THOUGHTS I AM UNABLE TO TALK ABOUT THROUGH MY ART, AND I THINK MANY OTHERS HAVE THE SAME EMOTIONS. I HAVE ALSO BECOME OBSESSED WITH HUMAN MEMORIES AND EXISTENCE, AND HAVE RECREATED HUMAN PRESENCE WITHOUT A PHYSICAL BODY ”

photo BERTRAND HUET TUTTI

in remission, she became deeply conscious of her mortality and the close link between life and death. “I don’t make art as a kind of therapy for internal anxiety. In my case, the fear is necessary to actually make art,” she notes. Harnessing her distress to create, she realised that her force lay in this battle with death and turned her anguish into a message of hope. She aims to connect her inner universe with the outer universe through her works, with art-making helping her to understand herself and her emotions.

3

Facing death Last summer, Chiharu’s exhibition, Inner Universe at Galerie Templon in Paris, featured 40 new sculptures and paintings examining this very link between life and death. Previously, she believed that when death arrived, she would no longer exist. Then she realised that her mind and her body act independently of one another. “Originally, I thought that if I die, everything else about me would also die. Now, I know that only my body dies – not my mind,” she discloses.

The clear and red glass sculptures in the installation Cell resemble organs or cells entangled in wire-rubbed shoulders with outstretched bronze arms and hands cast from her arms and hands and those of her husband and daughter “to immortalise our connection”. In Out of My Body, an installation expressing her connection with her body, Chiharu’s feet stand beneath net-like suspensions of red leather, creating a whirlwind of energy where her body once was. Her intriguing cubes containing clothing, a skull and anatomy books dangle amidst layers of knotted string, while a maze of threads appears to dress the canvases in “skin”. From the start Born in 1972 in Osaka, Chiharu’s parents ran a factory producing wooden fish crates in the Japanese port city. She recalls the noise of machines whirring from early morning until late evening, churning out 1,000 boxes per day. “It was very frantic,” she recollects. “I hated the factory system working with machines, almost like a machine. I was

photo BEN STONE

– CHIHARU SHIOTA

4

1. Chiharu’s solo exhibition, Inner Universe, at Galerie Templon in Paris. 2. The Beyond Memory (2019) Installation at Gropius Bau in Berlin was made with wool and paper.

3. Out Of My Body (2020) installation at the Inner Universe exhibition. 4 . Becoming Painting (1994), an art performance and installation using red enamel paint.

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photo SUNHI MANG

6. The During Sleep (2002) installation used hospital beds and black wool.

6

40

7. Internal Line, (2019) at Japan House, Sao Paulo, Brazil. 8. Uncertain Journey (2019) at Mori Art Museum, Tokyo.

In Germany, she switched to performance art, training under Marina Abramovic and thereby liberating herself from the constraints of a 2D canvas to focus on the limitless 3D universe of performance and installation art. She remembers a dream in which she was trapped inside a painting and couldn’t breathe because of the oil paint being poured onto her. “During my second year of studying painting, I felt stuck,” she explains. “I could not continue on this path anymore. I had the feeling that painting had so much history, but it was not part of my history.” In 2015, Chiharu was invited to take over the Japanese Pavilion at the Venice Biennale, where she stretched compact, criss-crossing geometries of red thread throughout the space in which rusty keys floated above old rowboats, speaking

photo SUNHI MANG

5. Installation The Key In The Hand (2015) at the Japan Pavilion at Venice Biennale featured old keys, wooden boats and red wool.

5

very young when I knew I wanted to do something more spiritually fulfilling with my life. I wanted to be an artist. I was always drawing and painting, and when my mother took me to a Van Gogh exhibition, I was inspired. I don’t think my parents cared about what I was doing. My brothers would study and work, and I think they believed I would marry and become a mother. They only later understood what I was doing when I was on Japanese TV.” After studying painting at Kyoto Seika University, Chiharu settled in Berlin – where she’s based today – in 1997, having acknowledged the challenge of exhibiting in galleries or museums in Japan as a young artist. She would have to make a name for herself overseas first before gaining recognition in her home country.


What comes after Going where the ball of wool takes her rather than adhering to a set plan, Chiharu allows herself to be steered by a venue, building her installations directly in the exhibition space. This usually takes changing directions, pulling the thread more or less taut, forming lines and angles, and working swiftly and painstakingly at a sustained rhythm, usually with a team of five to 10 assistants for 10 to 14 days per installation. Likening weaving to

7

photo DING MUSA

meditation, she may have mastered the technique after having practised it for the past two decades, but each time is still a struggle. “The single thread is like a line in the air,” she points out. “When I create an installation, it is like drawing in the air. When you draw on paper, you don’t make a sketch of what you are going to draw. You just begin to draw. If you draw a wrong line on paper, you can erase it. When I draw a wrong line with thread, I cut it.” Despite the thousands of metres of string used and the 7 number of work hours, she’s aware that some of her gigantic installations are ephemeral and will be destroyed at the end of a show, only to remain as a lasting presence in people’s memories. She explains her choice of colours: “Red symbolises blood and therefore human relationships. Black forms a surface like a night sky, which gradually expands into the universe. White is a representation of life; it is pure and infinite.” In the works are exhibitions in China, Taiwan, Vietnam, South Korea, Indonesia and Australia, although many have been postponed to next year or even later due to Covid-19. Describing her role, Chiharu says, “As an artist, I am an individual. But society is a team. You cannot go through life without connecting with other people. It is not possible. We need connection. But I believe art helps you return to yourself. If you meet too many people, you can lose yourself. But if you look at art, listen to music or

8

photo SUNHI MANG

of memory, displacement and moving from one culture to another, in her installation, The Key In The Hand. There was power in absence as one felt the presence of these immigrants – although their bodies weren’t there physically – through salvaged everyday objects that once belonged to them, each with their own story to tell and bearing traces of human life. Showcasing a charred piano and chairs enveloped in layers of black thread, In Silence took Chiharu back to a disturbing childhood memory in which she had witnessed a fire at her neighbour’s house, while in Accumulation – Searching For The Destination, a collection of moving suitcases containing people’s entire lives, formed a staircase to the sky, either departing on an adventure or returning home. At the Le Bon Marche department store in Paris, she had a fleet of 150 white wool boats sailing in the air. Their contours were defined by wire, as if they were shipwrecks in an expanse of ocean.

read literature, you can relate to a feeling and become an individual again.” Concerning her views on Asian contemporary art, does she foresee more Asian artists gaining in prominence and becoming international icons in the future? “Yes. There are so many private contemporary museums in Asia now that want to show national artists. There is a much bigger platform than when I was young. I think Asian artists have a better chance now, and I look forward to seeing more of their works.”

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PEOPLE

A CLEAN GETAWAY Is it still possible to reinvent the humble kitchen sponge? Kee Boon Kiat, advanced application development engineer at 3M, shares the brand’s latest cleaning innovation.

up with our cleaning habits is about due – and 3M’s ScotchBrite Scrub Dots Sponge may be the solution. We sit down with Kee Boon Kiat, advanced application development engineer at 3M, to find out about this latest cleaning innovation.

remove the stains and residue without scratching dishes and cooking equipment. It is also important that the sponge has antibacterial properties to inhibit the growth of bacteria. The type and amount of dishwashing liquid is another factor.

WHAT’S THE NEW SCRUB DOTS

T

he kitchen sponge sits in the corner of most office pantry and kitchen sinks, an oft-overlooked but essential part of our daily cleaning rituals. Is it time to reinvent something that’s been around for so long? These days, proud owners of the latest non-stick cooking equipment and delicate tableware have a very different attitude to scrubbing them. It’s no longer a one-size-fitsall affair. Cleaning a cast-iron wok, for example, requires a different level of exertion and care compared to cleaning your child’s plastic Paw Patrol cutlery. We’re also now more vigilant about maintaining strict hygiene standards, thanks to the pandemic, so bacteria-breeding surfaces are a no-no. With all this to consider, an updated version of the kitchen sponge that can keep

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SPONGE ALL ABOUT?

WHAT WOULD YOU ADVISE

The Scotch-Brite Scrub Dots Non-Scratch Sponge and the Scotch-Brite Scrub Dots Heavy Duty Sponge are part of a new series of odourless antibacterial scrub sponges launched by 3M. This series is not only great for people who love to cook at home, but it also helps maintain increased levels of household hygiene needed amidst the ongoing Covid-19 outbreak. Equipped with 500 abrasive dots, the sponge easily cuts through dirt and stains. Unlike ordinary sponges that trap food and dirt, these feature a special coating that repels stuck-on residue and resists unpleasant odours. They are also made with antibacterial foam that prevents the breeding of harmful bacteria.

FOR STUBBORN STAINS?

There are three factors when it comes to cleaning. Firstly, we have to consider the mechanical aspect, with the use of a scrub sponge. Next, there’s the use of cleaning chemicals and water temperature. Lastly, we should also take into account the time allowed for soaking and the type of surfaces being scrubbed. All three contribute to the easy removal of stubborn stains. In situations where some of these factors might not be accessible, you can use vinegar and lemon extract, commonly found in most kitchens, to help to get rid of them. Also, boiling your dishes, pots and pans in hot water first helps to remove oil stains and charring more effortlessly.

WHEN CLEANING DISHES, POTS

HOW DO YOU TH IN K OU R

AND PANS DOES THE AMOUNT

AT TITU DE TOWAR DS

OF FORCE YOU EXERT OR

HOUSE HOLD HYG IE N E HAS

THE AMOUNT OF DETERGENT

CHANG E D IN TH E LIG HT O F

YOU USE AFFECT HOW MUCH

TH E PAN DE M IC ?

BACTERIA YOU CAN REMOVE

Studies have shown that the Sars-CoV-2 virus (Covid-19) can survive on plastic and steel surfaces such as cutlery or cooking equipment for up to seven days. Thus, we’ve noticed an increased concern about household hygiene among consumers.

FROM THE SURFACES WITH ONE OF THESE SPONGES?

The removal of bacteria on the surface is not greatly affected by the amount of force exerted but by the quality of the sponge used. We recommend using a durable sponge that can easily text MELODY BAY photo 3M

For more information, please visit www.scotchbrite.com.sg.


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PEOPLE

SCANDINAVIAN APPEAL Danish furniture designer and educator Hee Welling talks about his collaboration with Hay, the lifespan of furniture and why Scandinavian design is considered universally appealing.

T

he son of a cabinetmaker, Hee Welling grew up watching materials transformed into products by hands and machinery through processes, which shaped his design philosophy. Today, he is a prolific designer and educator, and his studio in Copenhagen, Hee Welling Design, is a frequent collaborator of wellknown furniture brands such as Lapalma, Cane-line and Hay. Hee’s collaborations with Hay, for instance, date back to 2004 and are still going strong. The brand’s popular AA Collection or AAC, comprising a family of highly versatile chairs that can easily traverse the residential and commercial setting, keeps expanding. The latest additions are the AAC (About-A-Chair) and AAL (About-A-Lounge) Soft, which were recently virtually introduced in Singapore in an event hosted by distributor Proof Living. We asked Hee to tell us more.

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WHAT MAKES SCANDINAVIAN DESIGN UNIVERSALLY APPEALING?

It is based on simplicity, logic, superb craftsmanship, minimal visual expression, respect for the environment, longlasting materials and close collaborations between the designer and the manufacturer. I believe that the combination of these things is the main reason why it is still relevant and has universal appeal. WHAT ARE YOUR THOUGHTS ON FURNITURE REPLICAS?

It remains a huge problem for the design industry in Denmark. But it’s good that more and more manufacturers that used to replicate designs have found that it is much more interesting and rewarding to invest in creating their own collections. This is great for the local young designers, too. The customers also need to understand that buying a replica is a bad investment; the quality is often so lousy that it will only

last for a short time, while the original can last for decades and fetch high prices in second-hand or auction markets. So buying cheap replicas really doesn’t make sense. WHAT CHARACTERISES A HEE WELLING PRODUCT?

I grew up surrounded by Scandinavian design traditions. I worked and played in my father’s carpentry workshop since I was six, so I see myself as a product of that combination. When designing new furniture, I always focus on simple shapes, high comfort, functionality, sustainable materials and well-considered construction. Hopefully, these intentions can be seen in the final products.

need to be disposed of. They can be sorted according to materials – steel, aluminium, wood, plastic and so on – and then recycled. Another focus has been to create a timeless visual expression with a high level of comfort, ergonomy and functionality. We want to make it relevant for generations. The AA Eco variants in the range feature shells made from recycled plastic, while wood used for the base is FSCprotected and treated with a water-based lacquer. WHAT IS THE BEST DESIGN ADVICE YOU’VE HAD?

A professor at KADK (The Royal Danish Academy) told me to always keep it simple and follow my intuition. HOW HAS THE NEW NORMAL

WHAT CAN YOU TELL US

IMPACTED THE INDUSTRIAL

ABOUT THE AA COLLECTION’S

DESIGN SCENE?

SUSTAINABILITY ASPECT?

The last eight months have had a massive impact on the whole design industry. Markets have been shut down, projects have been put on hold, and most design fairs in the world have either been cancelled or postponed. No one knows when – or if – things will ever be the same again. But we have found out that online meetings really work well and, in many cases, can replace physical meetings. That should make us travel a lot less in the future. Hopefully, everyone has had some time to rethink the whole situation and find new ways to create better, smarter and more sustainable products, too. We all need to take responsibility in taking better care of the planet. We owe that to our kids.

We have spent a lot of time in the construction of AAC products so that their parts can be easily separated when they eventually

text ASIH JENIE & MICHELLE LEE photos COURTESY OF HAY

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PEOPLE

I RECLAIMING THE SEMI-OUTDOORS Shu Ong, the founder of DuraBlinds, talks to us about reclaiming balconies – some of the most under-utilised spaces ever – with blinds.

f you seldom or rarely use your balcony, you might want to rethink the design to maximise it. In 2013, interior designer Shu Ong was looking for a way to maximise the use of balcony spaces when she discovered Glass Curtains, a frameless, retractable, sliding glass system from Europe, and became the first to make it available here in Singapore. It was so warmly received that she decided to look for other products and discovered Australian brand Ziptrak’s outdoor blind system with a patented design that glides smoothly and stops at any height in 2017. She formalised her distributor business by founding

DuraBlinds with husband Kevin that same year. The company aims to help businesses and homeowners maximise usage of their outdoor spaces by protecting them from UV rays, rain, wind and haze. We invite Shu to tell us more. DURABLINDS AIMS TO HELP SINGAPORE HOMEOWNERS RECLAIM THEIR LIVING SPACES. CAN YOU ELABORATE ON THIS?

Since URA introduced a scheme to facilitate high-rise greenery in 2001, we have observed an increase in the presence of large balconies and patios across many developments. Living and dining spaces are getting smaller, while balconies and patios are getting larger. In our climate, these semi-outdoor spaces are often hot, wet and very dusty. As a result, many homeowners have found them unsuitable for family activities. Using blinds that protect them from the heat, rain and dust makes them accessible in any weather. HOW IS ZIPTRAK MORE INNOVATIVE THAN TRADITIONAL BLINDS?

Unlike traditional cabled blinds that are exposed at the sides and the bottom, Ziptrak blinds can fully enclose a semi-outdoor space. They move down a track on the left and right sides without leaving a gap for rain, dust or insects to enter or for cold air to escape. Blinds also allow homeowners to transform clean, dry and cool balconies into a

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study, play area or a dining or workout room. Even better, results from recent tests also show that Ziptrak’s blinds from its using RainOut fabric range can effectively reduce external noise. We’ve found that homeowners who have noisy neighbours, live in areas with high traffic or are close to areas where there always seems to be construction work going on truly appreciate this quality. The brand’s no-gap system, coupled with its PestOut pelmet, also stops flying insects from invading the space.

HOW SMART IS ZIPTRAK?

WHAT ARE YOUR TIPS FOR

With a choice of either Somfy or Dooya tubular motors, you can operate the blinds via remote control or pair them with smart operating systems using voice commands such as Alexa or Google Assistant. Ziptrak can also be automated through the use of sun and rain sensors for the weather-based activation of blinds. These motors come with features like smart obstacle detection to prevent damage to the fabric by obstacles when the blinds are descending.

SELECTING THE RIGHT BLINDS?

“SELECTING THE RIGHT BLINDS FOR YOUR SPACE DEPENDS ON HOW YOU INTEND TO USE IT AS WELL AS THE LEVEL OF RAIN AND SUN YOUR HOME GETS.”

Selecting the right blinds for your space depends on how you intend to use it as well as the level of rain and sun your home gets. For instance, homeowners who are blessed with a fantastic view and hope to use the space as an outdoor dining area may opt for blinds with 1 per cent PolyWeave or FiberWeave fabrics. These allow you to enjoy the view even when the blinds are down, and particularly when your unit is not exposed to high wind conditions that may cause rainwater to mist through. When deciding between manual or motorised, we encourage you to think about your family unit and who is likely to be operating the blinds. If you are looking to use smart home hubs or have family members with limited mobility, we would typically suggest motorised blinds. If you have small children, the manual system. The blinds remain below the railing height once the child safety latch is activated. CAN HOMEOWNERS CONVERT THEIR BALCONIES INTO AN ADDITIONAL WORKSPACE BY USING BLINDS?

Certainly. For this, we recommend blinds using the RainOut Frosted fabric. It allows light through but is entirely waterproof and protects documents and electronics from the rain.

text ASIH JENIE & MICHELLE LEE

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U P C LO S E

EDMUND NG We sit down with award-winning architect Edmund Ng to learn more about his design style, why family is important and how his travels have inspired his work.

heritage, tradition and history. We broaden our horizons through sight and experience. What’s one thing people don’t know about you? That I am an introvert.

What’s your favourite time of the day? The morning. It signifies the start of a brand new day. I always look forward to and am grateful for it. There is a simple joy in being able to wake up in good health and start anew. What’s the best compliment you’ve ever received? The time when I took my parents to see my first-ever completed project – a contemporary Italian restaurant – and they said, “this is a good design”. They have always supported me in everything, including my education in architecture, without ever expecting anything in return. It was very heartening to hear their compliment and see the pride in their eyes while we dined there.

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What’s your personal design style? I live by the mantra “form follows function”. It is important to study and fully understand the intended function of a space or building before incorporating a design. What’s your biggest strength? Having a good wife as a partner in life to share both joy and sorrow. When are you the most inspired? When I travel. The only way to fully experience a space is to be physically in it. We can learn more about design and architecture through travelling as we are exposed to various design styles that are influenced by

text MELODY BAY

What’s the most adventurous thing you’ve done? Backpacking through Tibet in the early ’90s. I spent three months travelling around China with a few friends. We went our separate ways at certain points and, despite the travel restrictions then, I managed to visit Tibet. This area, which is less familiar and filled with a vast landscape, is an entirely foreign culture and was a complete eye-opener. It changed my perspective on life. What did you want to do with your life at age 12? To be a forensic doctor because it’s his calling to seek the truth based on clues left behind. To this day, I am always interested in seeking the truth or the root cause of things. I suppose an architect does that, too. I strongly believe that function comes before form. How would you define yourself in three words? Faithful, hopeful and happy.


H E H O R L G A S I N EC A SP

SPLASHING FUN No more accidental scalding or an owie from sharp edges while showering. Thanks to hansgrohe’s new Croma E range, showering is fun and safe for everyone, whether you are tall or small.

Rubber duckies, bath bombs and sing along sessions – showertime should be a splashing good time for the kids. Ensuring their safety in the shower requires vigilance and well-designed shower fittings. Afterall, who doesn’t have one or two memories of shower woes like accidental scalding from touching the faucet, scalding (or freezing) when the water temperature inexplicably changes, and an owie when you bump into sharp edges? The risk multiplies exponentially for the small and the elderly. hansgrohe brings safety and fun in the shower for everyone with its new Croma E range. The Croma E range combines proprietary technology with optimal safety functions. Croma E’s SoftCube design features softly rounded corners that eliminate sharp edges while its Ecostat E thermostat features a CoolContact technology that keeps the surface cool to the touch and a SafetyStop technology in the handle that prevents

unexpected increase in water temperature. Pair this accident-proof system with the Showerpipe feature that allows the hand shower to be heightadjusted with ease, and a shower head with intuitive spray modes – SoftRain for a powdery shower, IntenseRain for more power and Massage to target fatigue areas – for relaxing, bespoke, and worry-free shower experiences for you and your loved ones.

For more info on Croma E range, visit www.hansgrohe.com.sg or contact info@hansgrohe.com.sg to make an appointment to visit the Hansgrohe Aquademie.

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DESIGN REPORT

Stockholm Furniture & Light Fair Besides the highly anticipated Milan Furniture Fair, the Stockholm Furniture & Light Fair is another design exposition that has gained international recognition as a key industry event showcasing emerging trends.

H

eld in the Swedish capital in February, the world’s leading fair for Scandinavian furniture and lighting ran parallel to Stockholm Design Week. Spread over a 70,000 sqm space and held just before Covid-19 spread to Europe, around 700 brands and designers – with at least 80 per cent from Scandinavia – participated in the 2020 edition, which attracted 40,000 visitors from 99 countries in February. Highlights included an installation by the guest of honour Neri&Hu that spotlit social issues in China. Other favourites were the Design Bar – a mix between an

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exhibition space and a topclass restaurant marrying Scandinavian atriums and Japanese aesthetics – by Anderssen & Voll of Norway, the Temperament showcase by set designer Sahara Widoff, and the NM & A New Collection exhibition highlighting the design process of the Nationalmuseum’s Restaurant. Also, the Greenhouse exhibition showcasing emerging designers and students, and the award programme Born Classic, which crowned a mirror made from scrap wood and designed by design studio Front for Swedese as this year’s winner. Here are five trends that emerged from the fair.

TREND 1

T H E M AG I C O F S O U N D

Eco-awareness, high performance and beautiful design characterised several sound absorber pieces. “In the face of climate change, environmental pollution and excessive consumerism, we as an industry can no longer afford to ignore the part we play,” says Fredrik Franzon, CEO of Baux. “Designing and prototyping for the future is not enough. We need to create a sustainable future today.”


These were produced in collaboration with design studio Form Us With Love and are 100 per cent bio-based and biodegradable. They combine high performance, in terms of sound absorption, with aesthetics and sustainability. www.baux.se

photo COURTESY OF BAUX

B A U X AC O U S T I C P U L P PA N E L S

Soundsticks was co-created by furniture brand Offecct Lab and Italian-Hungarian industrial designer Andrea Ruggiero, who describes it as “an innovative room-dividing concept that helps reduce ambient noise in public spaces or open-plan workspaces.” www.offecct.com

photo COURTESY OF OFFECCT

SOUNDSTICKS

This modular system, available as Sky Ceiling and Sky wall, was developed by Abstracta and designer Stefan Borselius. “My aim with Sky was to make it not just possible but simple as well to liven up spaces and radically change their look while dampening ambient noise at the same time,” Stefan says. https://abstracta.se

photo COURTESY OF ABSTRACTA

S KY

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TREND 2

The growing interest in wood, particularly in pine and spruce, was apparent at many booths. “Wood is a fantastic material,” says Torbjorn Anderssen, cofounder of Anderssen & Voll, that created the Design Bar. “We chose pine for our installation because it grows here in the Nordic region, it is a living material and it smells good. It also has a natural warmth and is easy to work with.”

HUNTSMAN CHAIR

Furniture brand Carl Hansen & Son reissued the classic Huntsman Chair that was designed by Borge Mogensen and debuted at the Copenhagen Cabinetmakers’ Guild Furniture Exhibition seven decades ago. www.carlhansen.com

photo COURTESY OF CARL HANSEN & SON

R E N A I S S A N C E I N WO O D

MIRROR

Produced in limited editions by Swedese and designed by Front, the awardwinning Born Classic Mirror was created from waste material.

www.designhousestockholm.com

photo COURTESY OF DESIGN HOUSE STOCKHOLM

www.swedese.com www.frontdesign.se

photo COURTESY OF STOCKHOLM FURNITURE & LIGHT FAIR

T H E F L I P TA B L E

Designed by Jesper Stahl for Design House Stockholm, the Flip Table is part of a threepiece furniture suite made for small spaces that also includes a desk and a sideboard.

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photo COURTESY OF OFFECCT

photo COURTESY OF NUURA

APIALES

Inspired by the shape of a flower and designed by Danish designer Sofie Refer for Danish brand Nuura, the Apiales chandelier – with nine or 18 mouth-blown glass globes – comes finished in brushed brass and satin black. www.nuura.com

FONT

SCULPTURAL FORMS

Adding both volume and interest to any interior space, sculptural furniture and lighting make a strong visual statement. With their curvy shapes, these products evoke comfort and create a sense of movement while looking decidedly contemporary.

www.offecct.com

NEST

Designed by Form Us With Love and presented in Stockholm by +Halle, the Nest System Tables is a modular solution that turns and bends to allow different configurations. www.formuswithlove.se www.plushalle.com

photo COURTESY OF FORM US WITH LOVE AND +HALLE

TREND 3

According to its designer Matti Klenell, the sofa system Font by Offecct “is based on a simple form with a round backrest, which gives the furniture its graphic expression and character, and inspired its name.”

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photo COURTESY OF KRISTINA DAM STUDIO

TREND 4

E A R T H Y TO N E S

Browns, terracotta, walnut... Versatile and useful for creating inviting atmospheres warm colours dominated this year’s fair.

K

By Space Copenhagen for &Tradition, the Loafer, available as a two- and threeseater sofa, is a new addition to the family of lounge seating of the same name designed for the former SAS Royal Hotel in Copenhagen.

Designed by Kristina Dam, this wall sculpture was inspired by an ancient depiction of the world using pictures and patterns carved in wood. Available in two different sizes, it can be placed on the floor or mounted on the wall.

www.andtradition.com

www.kristinadam.dk

T H E LOA F E R S O FA

NICHE CHAIR

Based on the larger version originally designed by TAF studio and made exclusively by Fogia for the Restaurant in the renovated Swedish Nationalmuseum, Niche is a modern interpretation of the club chair.

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photo COURTESY OF FOGIA

photo COURTESY OF &TRADITION

www.fogia.se


PA N O R A M A , D I O R A M A AND SUITE

Exploring the relationship between stripes, colours and bindings, Panorama, Diorama and Suite are satin-woven curtains by Margrethe Odgaard.

TEXTURES CREATE CONTRASTS AND ADD ELEMENTS OF TACTILITY. THEY ARE AN EXCELLENT WAY TO ADD PERSONALITY AND SHAPE A SPECIFIC AMBIENCE.

DIVERSITY

Bolon’s 2019 collection, Diversity, celebrates variation, participation and inspiration through three patterns, Bling, Buzz and Bouquet, that are available in 12 colourways. www.bolon.com

photo COURTESY OF HEM

photo COURTESY OF KVADRAT

www.kvadrat.dk

ROPE RUG

Created by French designer Pauline Deltour and available in four colours and three sizes, the Rope Rug is the first cotton rug from Hem and was inspired by the Japanese tatami pattern. www.hem.com

TREND 5

These are an excellent way to transform an interior space, giving it personality and shaping a specific ambience. Textures create contrasts and add elements of tactility. Whether on the floor as carpets or against the walls as curtains, textured fabrics with different colours and patterns offer many possibilities.

photo COURTESY OF BOLON

T E X T U R E D FA B R I C S


COURTESY OF RADISSON COLLECTION HOTEL, STRAND STOCKHOLM

Both elegant and dynamic, Stockholm is one of the best cities to discover different aspects of the Scandinavian culture, from food to design and art.

RADISSON COLLECTION S T R A N D H OT E L , S TO C K H O L M

Located between the harbour and the medieval centre, this iconic hotel (above, right) by architect Ludwig Peterson originally opened for the 1912 Olympic Games. The newer parts of the building are by architecture firms Wingardhs and DOOS while the furnishings are by brands like Jensen Hilding, Gubi, Normann Copenhagen and Baccman & Berglund Sweden. www.radissoncollection.com/en/ strandhotel-stockholm

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N AT I O N A L M U S E U M

After a complete renovation led by Wingardhs and Wikerstal, the Nationalmuseum, with its collection of paintings, sculptures, drawings and prints from 1500-1900, as well as applied arts, design pieces and portraits from the early Middle Ages to present day, reopened in the fall of 2018. Matti Klenell, TAF studio, Carina Seth Andersson and Stina Lofgren were in charge of creating the sublime Restaurant and the Glass Bar and Cafe. www.nationalmuseum.se

COURTESY OF NATIONALMUSEUM/PIA ULIN

STOPOVER MUST-VISITS


photo MARTA VARGAS

K AVA L L E R I E T C A F E

Situated in the city’s oldest industrial building, its name means “the cavalry” and is a nod to its location from which a bakery supplied the military with fresh bread. Open for breakfast, lunch and dinner, Kavalleriet – as charming inside as it is on the outdoor terrace – is known for its speciality drinks and fancy sourdough toasts. www.kavallerietcafe.com

photo ARTIPELAG

COURTESY OF NATIONALMUSEUM/BRUNO EHRS

A R T I P E L AG

Set on a 22ha property and offering breathtaking views of the Stockholm archipelago, Artipelag is the venue for art, culture, design and food. In addition to the art gallery and other features such as two restaurants and beautiful footpaths, the site also hosts Artbox, a concert, event and studio space. www.artipelag.se

text KARINE MONIE

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VO I C E S

A

WITH GREAT PERSEVERANCE AND EMPATHY Architect Quck Zhong Yi, a partner at Asolidplan, addresses how the pandemic has disrupted his projects, the challenging process of resumption and what we can learn from it.

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fter months of planning and building, two of our newly-completed houses were finally scheduled for Temporary Occupancy Permit (TOP) inspections on April 8 and 9 this year. This inspection is a critical milestone that allows owners to move into their new homes. In preparation for it, the hoarding was removed, the swimming pool filled and dust washed off. Gradually, the construction sites started to look like homes. Then on April 7, the circuit breaker kicked in and the scheduled inspections were cancelled. The sites were closed off and no one could enter. The finishing line of our marathon, to which we were madly rushing, vanished. Like our clients and contractors, we experienced a bundle of emotions: disappointment, incredulity, and a smidgeon of anger. However, the unprecedented gravity of the pandemic quickly put things into perspective. We looked on the bright side and started to prepare all we could for the resumption of works. Our practice was quite ready for the lockdown because we were already using laptops with a cloud server and had integrated flexible workfrom-home arrangements into our operations. It is fortunate that, as design consultants, we could still work on the design and tender phases of our projects while at home. In a way, the suspension of site works was a chance for everyone to slow down and catch up on paperwork and planning. During the circuit breaker,

we learned about the dire living conditions of migrant workers. Suddenly, the lives of our builders’ employees, many whose names we did not even know and to whom we have never spoken, were thrown into the public light. And they are the ones who literally build our projects and homes, and make our visions come true! The contrast between their lockdown conditions and ours could not have been starker. Shaken by the situation, we gathered friends, clients and colleagues to raise donations of masks, cleaning products and sanitisers. Later, we also supported the many NGOs doing the under-appreciated groundwork. When the circuit breaker eased in May, the clients of the two did you nearly-completed know? projects were looking forward to There are the resumption of 320,000 migrant works, but because workers in the construction of the unresolved industry in situation in the Singapore? dormitories, the entire construction industry came under a different and often confusing set of guidelines. In early June, the BCA (Building Construction Authority) allowed owners and contractors to submit a request for a permit to resume work, with priority given to large infrastructural projects. Later, renovation projects that did not need a BCA Permit were allowed to resume work. Our two projects did not fit into these categories, so the clients had to keep waiting. As they did so, they became


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1. & 2. The interior and exterior of Asolidplan’s Dunbar Road project that were photographed after the construction resumed.

3. Zhong Yi in his work from home setting. 4. Workers rushing to prepare the Branksome Road house for TOP inspection.

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increasingly anxious. The news they received about construction and renovation resuming contradicted the reality of their stalled projects. Cities previously successful in containing the outbreak reported second and third waves. And the numbers emerging from the dormitories were still troubling. Our clients dreaded being locked out of their almost-completed homes again. The builders were suffering, too. Construction projects are paid by monthly progress claims based on completed work. Since the circuit breaker came into effect, they hadn’t had any income yet still had to pay their workers and fixed overheads. The new Covid-19 regulations imposed on worksites would cost time and money. The workers we were in touch with agonised over reduced income, uncertain job prospects, and the fear of catching Covid-19. Their mental health was especially fragile given the dense and intense lockdown conditions.

Eventually, all our projects obtained approval to resume works, albeit with some delays and challenges. A few subcontractors had quarantined workers, a shortage of materials or prioritised equipment for bigger projects. Still, when we finally met on site, there was a palpable sense of relief and gratitude to see everyone active and healthy. Both projects are completed now and the clients moved in at the end of October. During long projects, people are often reduced to their contractual title – employer, architect, contractor, worker. Interpersonal interactions sometimes turned defensive, even adversarial. This shared anxiety and uncertainty created by the pandemic – admittedly affecting everyone unevenly and asymmetrically – brought about a renewed sense of understanding. There was visibly more empathy expressed by everyone, which will be much needed to bring each other out of this long-drawn crisis.

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photos ASOLIDPLAN & QUCK ZHONG YI

Quck Zhong Yi is one of the partners at Asolidplan, an award-winning architecture and interior design studio. To find out more, go to www. asolidplan.sg.

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The apartment’s architectural shell dates back to the 1840s. The eclectic artworks and furniture are from around the world.

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UTTERLY INVITING Sacha Walckhoff, creative director of Maison Christian Lacroix, talks to KARINE MONIE about the inspiration behind the bold look of the apartment he shares with partner Pascal.

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e often associate Paris with classical style. Nestled in an 1840s building in the 10th arrondissement, this 1,453 sq ft apartment could have been a testament to that notion if it weren’t for the very different story that unfolds inside. Designer and decorator Sacha Walckhoff, creative director of Maison Christian Lacroix since 2010, opens the doors to the home he shares with partner Pascal Ferrero, an internationally known wig and hair designer for the film and theatre industry. “We moved in just after a famous young French actor left. He’d done such a great job that we did not have much to do!” confesses Sacha. “We both work

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from home a lot and wanted a place where we could also invite clients for a drink so we could share our ideas and style.” The entrance immediately reveals the unique ambience of this creative place where audacity rules. The dark vestibule, painted in Railings – a soft black with blue undertones by Farrow & Ball – contrasts with the rest of the bright rooms. The space features an antique stove in ceramic and brass from the end of the 19th century, a Michael Anastassiades IC Ceiling Light for Flos and a

AB OVE

Various knickknacks are unified by the monochromatic colour palette. R IG H T

Sacha in his home office. FA R RIGH T

The mirrored finish of the stools emboldens the graphic black and white curtains, wallpaper and rug. OP P OS ITE

The dining room juxtaposes minimalist pieces, like Michael Anastassiades’ IC Ceiling Light for Flos, with maximalist ones such as the rug and taxidermied zebra.

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pair of bronze Pulcinella wall lamps made in 1987 for the Lacroix Haute Couture Salons by Elizabeth Garouste and Mattia Bonetti. Other statement pieces include a folding screen embellished with 17th-century Dutch embossed leather panels that was designed by Sacha and manufactured by Karen Mourra, as well as a Fur Play armchair in brass and steel, another Sacha creation in collaboration with French ornamental metalworking firm Pouenat for Galerie Gosserez. “Pieces of art and design are placed here and there and



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LEFT

The bathroom’s soft green – Cooking Apple Green from Farrow & Ball – references a colour popular in 18th-century boudoirs. OPPOSIT E

The bedroom, which Sacha and Pascal say reminds them of being in a library, is also not short of statementmaking pieces.

might be moved from time to time to keep the energy vivid,” Sacha says. “Moving furniture is great therapy!” The square living room, which has 19th-century architectural details and a French fireplace in Carrara marble, features a mix and match of antiques, modernist and contemporary pieces of art and designs that pop against the white background. A Knotted Chair by Marcel Wanders, a vintage Model 498 beige tweed armchair by Pierre Paulin, a burnt oak and copper console table by Valentin Loellmann for Galerie Gosserez, a Janette Laverriere brass floor lamp from the late 1940s, a steel bench – an original piece made for Air France’s first-class salons in

the 1970s – by Maria Pergay, a three-legged Charlotte Perriand chair, Mathieu Mategot 1950s side tables and shelves, and a green chair by Maarten Baas are some of the many furniture pieces in Sacha and Pascal’s collection. “This contrasting mix is our signature and typical of the French decor tradition that goes from Madeleine Castaing to Henri Samuel and even Jacques Grange,” Sacha notes. The designer also custommade some items, like the Riviera rug and the sofa – a unique piece using Maison Christian Lacroix fabric that he designed with Rodrigo Almeida. Several artworks adorn the walls and corners of the room, including ceramics by Picasso and Marlene Mocquet,

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BELOW

The herringbone timber floor, antique sideboard and screen add a golden hue to this corridor. O PPOSI TE

A wall of curiosities – ranging from a vintage anatomical sculpture to artisanal ceramics – awaits visitors.

as well as photographs by Thierry Fontaine, Mohamed Bourouissa and Veronique Ellena, among others. The surprises continue in the dining room. A taxidermied zebra from the Paul Bert Serpette market in Paris sits on a trolley. Elsewhere, you’ll find Agua Parati wallpaper, black and white striped Cabanon curtains and a Pantigre rug by Christian Lacroix Designers Guild. “Everything is black and white with splashes of red and blue,” says Sacha. Vintage pieces such as the large table with ebony inlays by Hans Bellmann and the black table on wheels by Jacques Adnet create a dialogue with

the contemporary Aim ceiling lights by Ronan & Erwan Bouroullec for Flos and a blue Fan sculpture by Maarten Baas. Facing the dining room, the studio has a desk by French designer Alain Richard, a red chair by Christian Lacroix Designers Guild, and One to Three side tables by Sacha Walckhoff for Verreum. “Surrounded by shelves and archive boxes, the studio can be extended into the dining room table for big meetings and projects,” explains Sacha. In the bedroom, the couple wanted the feeling of being in a library. “We both love to spend hours in bed while in the middle of our books and documentation, looking for inspiration and exchanging ideas,” he adds. A light green hue – a nod to 18th-century boudoirs – was chosen for the bathroom. “Pascal was specific about this. We finally found this Cooking Apple Green at Farrow & Ball,” says Sacha. “It is an amazing colour to start the day with. The bathroom is facing south, so the colour is truly radiant. Its style is rather simple but sophisticated, like the easy luxury of small Swedish castles.” Conceptualised as a multifunctional space, the apartment highlights Sacha and Pascal’s extensive collection of art and design objects that are “displayed in our way”, according to the designer. “It is eclectic and unique but with a strong Parisian flavour and a little bit of humour.”

photos FRANCIS AMIAND

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KAMPUNG STYLE, REDEFINED A new modern vernacular arises from reinterpreting the principles of the traditional kampung house. LYNN TAN ventures into this green microcosm.

M

ention vernacular architecture and images of bamboo huts, stone cottages and log cabins come to mind. However, a response to local climate, sensitivity to microsite context, and appropriate use of natural materials need not always adopt a rustic form. Take this detached home in Bishan, for instance. Designed by FOMA Architects, its modern expression draws inspiration from the traditional kampung house. “The circulation is always part of external space, just like in a kampung house,” says architect, Terence Tan Chin Chieh. The enclosed rooms open out onto semi-outdoor spaces, similar to the verandahs of a kampung house. It was Terence’s unconventional design pitch that clinched him the project. “The proposals by other architects

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The open-plan layout blurs the boundary between interior and exterior, allowing the landscaped garden to form a natural backdrop for the living spaces.

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ABOVE

Every space enjoys a view of the greenery around the perimeter and at staircase landings. OP POS IT E

The building blocks and inward-looking approach were a response to the site context.

WHO LIVES HERE H OM E

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A family of seven A detached landed house in Bishan S IZE 5,307 sq ft (land area); 6,674 sq ft (built-up area)

mostly consisted of just one building, but Terence’s scheme had a two-building concept, which I liked,” says homeowner Patrick Hui. Terence’s proposal was driven by site constraints. The trapezoidal plot, surrounded by other houses and a school, has limited frontage. With not much of a view outside, Terence turned the focus inwards, dissecting the typical single massing into two and then sliding and shearing them apart in perpendicular directions along the east-west and northsouth axes respectively. “The rooms are pushed to the sides, while the circulation and external spaces, including the swimming pool, occupy the

centre,” Terence explains. The result is an H-shaped plan comprising two long, inward-looking blocks that contain the living, dining and sleeping areas connected by an open circulation core overlooking the pool. The volumes are oriented to channel the prevailing wind along the north-south axis, which runs through the heart of the home. Appropriate sun-shading elements on the east and west facades minimise the heating load to the interior. Except for when the sun is directly overhead, the two long blocks also keep the central spaces well-shaded. Trellises and planters along the circulation core provide an


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THIS $3M PROJECT WAS ABOUT CREATING TROPICAL ARCHITECTURE THAT TAKES PRECEDENCE OVER THE LOCAL VERNACULAR WHILE MAINTAINING THE GENIUS LOCI OF THE PLACE.

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extended overhang that offers additional protection against the sun and rain. “However, during heavy downpours, the blinds need to be drawn to prevent the rain from splashing into the corridors,” Terence points out. Indeed, the well-conceived response to our climate has proven effective. Patrick and his extended family of three generations have hardly had to turn on the air-conditioner during the day since moving into the home in June 2017. The business owner likes to spend time off work in the cool, shaded sanctuary of the garden surrounding the swimming pool. He also enjoys landscaping and tending to his fish. Working with CPSA Design Studio, the interior’s modern oriental style reflects Patrick’s preferences. There was also input from a feng shui consultant that Terence managed to incorporate into the scheme without having to make

any major changes. For Terence, this $3m project (including construction, architecture and interior) was about creating tropical architecture that takes precedence over the local vernacular while maintaining the genius loci of the place. As for Patrick, this was a promise come true for his wife. When they first got married, they were living in an HDB flat in the vicinity. “I told my wife I would buy her a private property one day,” he recalls lovingly. And he did it.

photos VEE CHIN art direction KRISTY QUAH

ABOVE

The master suite on the attic level enjoys a relatively unblocked view over lower-rise neighbours. BOTTOM

The combination of raw concrete, recycled wood and timber screens as well as trellises is a nod to nature. OP POSITE

Inside the huge master bathroom, a horizontal band of glass between the vanity counter and mirror offers a glimpse of the neighbourhood.

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Dynamic, sleek and functional, each floor serves a different purpose.

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DARING TO DREAM Every level of this 70-year-old terrace house has a fresh and inviting new identity, thanks to its designer and owner Kelvin Teo. ROSSARA JAMIL takes a tour.

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WHO LIVES HERE

A family of four HOM E 1950s corner terrace house S IZE 1,350 sq ft (land area) 1,900 sq ft (built-up area)

T

he vintage architecture and pitched roof of this compact corner terrace house built in the 1950s sealed the deal. Drawn by the charm of its architecture, designer Kelvin Teo retained its structure. “I’d been on the lookout for property in District 13 for a while,” says Kelvin, the founder of Space Sense Studio. “The house was also in its original state, which was one of my criteria.” This gave him the freedom to transform the house – with a built-up floor area of 1,900 sq ft – to his taste. He dressed the facade with grey bricks and steel

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cladding, instantly giving it a contemporary update. Past the main entrance, Kelvin overhauled the entire layout of the ground floor, creating an open-concept communal space with a “fireplace” cabinet beside the sofa, and used acoustic wall panelling with a fish scale pattern for the feature wall. Its installation was not without trial and error. The same goes for concealing the bathroom door, fridge, pantry and storeroom door which he tackled with L-shaped wood panelling. The furniture and interior designer shares: “My design

ABOVE, L EFT

The fish scale feature is composed of acoustic panels made of felt. After coating the wall with magnetic paint, Kelvin glued strong magnets onto the felt scales before attaching them to the wall. ABOVE, R IGH T

What looks like wood panelling is the entrance to the bathroom. A door that slides over the display cabinet conceals the refrigerator and pantry. And a mirror door leads to the storeroom.


With its greenhouselike glass roof and full-height windows, this cosy dining area brings in elements of nature.

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RIGHT

Kelvin keeps the second floor free from distractions by leaving it clean and spare.

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narrative was to create a different concept for each level that was based on a monochromatic palette. Each space forms its own personality and identity, and their themes were enhanced through the use of natural materials with strong, visible textures.” The dark flooring gives the ground level a bold, masculine vibe. A variety of textures, like the burnt wood-textured flooring, oak veneer wood strips, marble surfaces and acoustic wall panelling, enriches the setting. Kelvin’s Paper Fold chair, which won the President’s Design of the Year Award in 2009, adds a splash of colour. Further in, the kitchen has a floating island counter that’s connected to a pull-out dining table. In addition to full-height

AB OV E

The ground floor is for meeting clients and entertaining family and friends. It provides flexibility with three areas: a sitting lounge, an island table with a bar and a retractable dining table. RIGH T

The minimalist black and white staircase leads to the loft.

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windows, a glass roof lets in more natural light. “I like the feel of standing in the rain without getting wet. That’s the idea of having the glass roof. I get to experience the raindrops,” he adds. The second level, with epoxy flooring and brick walls doused in white, is a doublevolume space. Furnished with tables and bookcases, this minimalist home office is designed to promote focus. Up above, the pitched ceiling sits over solid wood planks salvaged from other projects. He shares: “I’ve always liked interiors with attic roofs. It gives the emotional, laid-back and cosy feel of a cottage, a farmhouse or a summer house.” The sleeping space is in the loft, away from everything else and reachable by a narrow flight of steps. Inspired by the Danish concept of hygge, its wood-textured vinyl flooring complements the woodclad ceiling. With this home, Kelvin enjoyed the challenges of birthing new ideas and implementing his experiments. “As a designer, the nature of my role is to experiment with new things and to challenge myself. It’s always exciting to create unique designs – even when I know I will be getting my hands dirty.”

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ABOV E

The staircase, fashioned out of an ultra-thin metal sheet folded into steps, and the sculptural bent steel handrail, transform this space into a work of art. The frameless door opens up to the second-level bathroom.

LEFT

The floor, wall, vanity and door panel use the same material for harmony. OPP OSITE

The sleeping area that sits under the roof is at once cosy and spacious. It is furnished and decorated sparingly with treasured collectables.


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ABOVE

The glass floor section in the loft provides additional space and creates a connection with the floor below. FAR LEFT

The main entrance is through a wooden alcove with a large steel and glass door fitted at an angle. The wood pattern warms up the grey. LEFT

Peek into the bathroom on the ground floor, and you will see a stand-alone vanity island with different counter heights. An artificial vertical garden livens it up.

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R IGHT

Constructing the 3D origamishaped main gate that he designed called for Kelvin to be hands-on for the fabrication.

“AS A DESIGNER, THE NATURE OF MY ROLE IS TO EXPERIMENT WITH NEW THINGS AND TO CHALLENGE MYSELF. IT’S ALWAYS EXCITING TO CREATE UNIQUE DESIGNS.” - KELVIN TEO, HOMEOWNER AND FOUNDER OF SPACE SENSE STUDIO

photos SPACE SENSE STUDIO

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The kitchen, dining, living, and working areas share one big open space. The windows have been enlarged and fitted with custom metal mesh to keep the cats safe.

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H FASHIONABLY TRANSFORMED UNO Interior turned a four-bedroom walk-up apartment with awkward spaces into this fashionable one-bedroom, open-plan home for a couple working the design industry and their five cats. ASIH JENIE Finds out more.

omeowner Candy Chen has always wanted a walk-up apartment, but finding one in a convenient and quiet location was not easy. So when she and her husband found one above a quaint coffee shop in a tranquil area of Bukit Timah, they looked past its awkward existing design, focused on its potential and immediately made an offer. The 40-year-old unit had four bedrooms and just one bathroom and a toilet as well as a narrow service yard. The living and dining areas shared one window that didn’t provide sufficient natural light. The three common rooms with an underutilised triangular balcony wedged between them, on the other hand, hoarded all the natural light. And the master bedroom, positioned more like a service bedroom, was tucked away

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at the end of a long corridor, accessible only from the kitchen – once you got past the toilet and the shower ( each housed in a separate, snug space). A narrow service yard capped this corridor. Today, this once-perplexing unit is a sun-drenched openplan apartment with a dark and sleek material palette, thanks to the capable hands of the designers of UNO Interior, who designed the owners’ previous home. “We engaged UNO Interior again because we worked so well together before, and pretty much gave them free rein for the design,” says Candy. The brief was simple: the couple wanted ample light, enough room and amenities for their five cats and lots of open space where Candy’s husband, who works in the design industry, could easily and quickly locate his items. “This was a challenge for me because when everything’s out in the open, things clutter easily. Call it an occupational hazard, but I like to keep everything neat,” says Candy, who owns a small boutique in Haji Lane. UNO Interior had little trouble meeting both their needs and delivering a sweet spot that appealed to both their personalities. Completed in

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The pivoting door to the master suite features a circular opening for the cats. The cupboard next to it conceals a washer and dryer. RIGH T

The additional powder room.

WHO LIVES HERE

A couple in their 30s and their five cats HOME A one-bedroom walk-up in the Bukit Timah area S IZE 1,313 sq ft

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LE FT

Separated by a glass wall, the shower and toilet are completely open to both the bedroom and walk-in wardrobe. B ELOW

An uninterrupted view of the master suite from the walk-in wardrobe, where clothes are hung according to colours, just like in a boutique.

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OP POSIT E

The master bedroom pairs screed cement and calming navy blue. The area next to the bed used to be the rather narrow service yard.

15 weeks, their new home has just one bedroom: the master bedroom. The other rooms and living and dining areas have been merged into one large, open space lined with storage and dotted with pocket areas for different activities. While other walls were removed and fenestrations enlarged, the kitchen was left completely open. The dining counter, featuring Sensa by Cosentino granite top, segues into a working space. The bedroom at the far end is now a sitting space, featuring a bookshelf that flips open into a spare bed that can accommodate overnight guests. Brought indoors, the triangular balcony is now another sitting area with planters. The living area consists simply of a sofa, a coffee table and a TV mounted on a pole that has the space visually seamless. The entrance to the master suite has been shifted to make space for a powder room and given a new, oversized pivot door that also leads to the walkin wardrobe with rows of open racks with clothing neatly hung by colours. It sits in a space that used to be the kitchen. Further inside, the original layout of the shower and toilet remains, but all the fitting and finishes are new. Now, there are no doors that separate the three areas in the master suite, leaving the visual and spatial flow entirely uninterrupted. “We’d like to maintain the openness since it’s just us and the cats here,” shares Candy.


The cats, of course, helped shape the home’s aesthetic. “One of the challenges was how to cat-proof the place without making it feel like a cage,” shares the design team. One of many other solutions: a custom black metal grille on the windows, giving the space a decidedly industrial feel where they can roam independently. The pivot door to the master suite features metal mesh to

allow them to climb up to the open shelving above the kitchen cabinet. Round openings in the carpentry provide hiding spots and hide litter boxes. The couple’s previous home was an HDB unit dressed mostly in white. This new home shifts the material palette to the opposite end of the monochromatic spectrum, playing up grey and black shades accentuated by teak,

plants and mirrored finishes. “The walls and ceilings are clad in screed cement to give a neutral base,” says the team. It goes with the grey terrazzo flooring containing white marble chippings, giving the entire home a subtle, rich texture. Now, here is one fashionable home that’s truly tailored for the homeowners – all seven of them.

photos UNO INTERIOR

“ONE OF THE CHALLENGES WAS HOW TO CAT-PROOF THE PLACE WITHOUT MAKING IT FEEL LIKE A CAGE.” – UNO INTERIOR

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BETWEEN THE LINES This resale flat in Woodlands now has a modern, graphic aesthetic, thanks to a unique grid design and a monochrome palette. MELODY BAY does a walk-through.

Striking artworks give the home a presentday vibe. 91


I WHO LIVES HERE HOME

A couple in their late 20s Executive apartment in Woodlands SIZE 1,400 sq ft

t is not often that one comes across a home like this executive flat in Woodlands that is both spacious and cosy. Homeowners Ken Chin and Caselyn Lee, a civil servant and financial consultant respectively, prioritised a monochrome palette and hotellish ambience when they approached Sherlynn Low, founder of Millimeters Studio to design their resale flat, which was ready for moving in after a three-month renovation. Having adequate space for entertaining was a key consideration as the couple has friends and family over quite often. Their goal: an open plan that would allow everyone to move seamlessly from the dining area to the living space. “During celebrations, we want people to

feel like they’re together even when they’re in different parts of the home,” says Caselyn. This communal living idea was inspired by Ken’s frequent stays in hostels overseas, where sharing spaces and amenities is usually intentional. To achieve this, Sherlynn reconfigured the layout. The original kitchen wall made way for an integrated kitchen and dining space, and one of the three bedrooms was knocked through for a larger master bedroom, en suite bathroom and walk-in wardrobe. Since socialising over meals is a frequent activity, Sherlynn made the dining area a focal point of the home. The kitchen island and dining table are easily joined together to form one long L EFT

Caselyn and Ken love hosting gatherings – an important consideration in the design. OPPOSITE

The free-flow kitchen and dining areas, where the table and island are easily combined, invite lots of opportunities for interactions when they have guests over. Another eyecatching detail is the ceiling grid.

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surface, and the clean lines are mirrored in the grid design that runs the length of the ceiling. “Every home we design has a unique highlight,” says Sherlynn. “For this home, it was the ceiling grid that proved to be a versatile design element. It not only conceals the wiring for the lamps but also allows the couple to hang fairy lights and plants for special occasions.” Although Ken and Caselyn were at first concerned about the grid reducing the height of the ceiling, it has had quite the opposite effect as it draws one’s eye upwards. This design element is echoed throughout the home. The living room showcases, coffee table and their openconcept wardrobe are great

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ABOV E

Bright yellow task lighting offsets the monochrome kitchen. RI GH T

Hooks and an ottoman help to create a functional entryway. OPP OS ITE

The counter by the window provides a cosy working and reading nook for the couple.


“WE WANTED OUR HOME TO HAVE A HOTELLISH VIBE SO WE’D ALWAYS FEEL LIKE WE’RE ON A STAYCATION.” – CASELYN LEE, HOMEOWNER


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LEF T

The grid design is also echoed in the en suite wardrobe and bathroom. RIGH T

The wall of an adjoining room was knocked down to create a more spacious master bedroom.

iterations. Combined with the black and grey palette, complemented by a luxe touch via features such as tinted mirrors and chrome finishes, they offer a look that’s both contemporary and industrial. To balance the monochrome scheme, Sherlynn used shades like yellow for the accessories. Millimeters Studio also curated pieces from the couple’s collection of travel memorabilia to display and even custom-painted bold graphic artworks for the walls. “Those with the alphabets K and C were a housewarming gift,” says Sherlynn. These and the couple’s mementos give their home plenty of personality.

photography VEE CHIN art direction KRISTY QUAH

A lot of thought also went into the light and spacious master bathroom with his and hers basins and a luxurious 1.7m-long bathtub. On top of the elements introduced primarily for entertaining, Sherlynn also allocated plenty of space for we-time. One of the features she introduced was a counter by the living room window with an expansive view of the greenery outside, that has become Ken and Caselyn’s favourite spot for working and reading. “We wanted our home to have a hotellish vibe so we’d always feel like we’re on a staycation. Sherlynn helped us achieve that,” laughs Caselyn.

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F E AT U R E

1

The Lap of Luxury From the runway to the living room, here are some of the best new furniture designs and accessories from the home collections of your favourite fashion labels.

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1. Virtus armchairs, from Versace Home.

ARMCHAIRS

S I T B AC K A N D R E L A X

C

outure lovers will be glad to know that their homes can look as spectacular as they do, with high-end fashion brands presenting luxury home furnishings that'll make their hearts skip a beat or 10. Most launch new home lines only once or twice a year, bringing the same level of detail and beauty to these creations as they do their fashion collections. Whether meticulously handcrafted by a leather artisan or created to honour a famous artist, each piece usually has a story behind it. Here, we share our favourite picks from recent collections.

Armchairs complete a living room by complementing the sofa or adding a design accent. Use these to even out the profile of your furniture or to add a pop of vibrant colour.

2. & 3. Portable Lounge Chair by Marcel Wanders and collapsible Concertina Chair by Raw Edges, from Louis Vuitton Objets Nomades. 4. Oval armchair by Carlo Colombo, from Trussardi Casa. 5. & 6. Mere and Wickham armchairs, from Bentley Home.

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Ceasar Tailor Sofa and Benson sofas and armchair, from Fendi Casa. 8. Modergen sectional sofa, from Trussardi Casa. 10. Virtus sofa, from Versace Home. SOFA

LO U N G E I N S T Y L E

The focal piece of the living room or lounge, sofas aren’t just for watching TV or taking a nap – they’re a place for entertaining, too. Pick a generous design that can accommodate guests or mix and match different seating options for larger spaces.

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11. Shogun sofa by Kenzo Takada, from K3.

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OFFERING MOR SOFA CAN EASILY DIFFERENT SE

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DINING TABLES

FINE FOR DINING

Invest in both aesthetics and durability because you’ll want a dining set that will last you for years to come. When picking out a table, take into consideration the dimensions of your space and how often you will have dinner guests. 13

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12. Whitby table, from Bentley Home. 13. Suvarnabumi dining table, from Ong Shunmugam. 14. Constellation Effe dining table with Tilda chairs, from Fendi Casa. 15. Ford dining table, from Fendi Casa.

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BEDS

SWEET DREAMS

These chic beds promise a good night’s sleep. Most have headboards and accents upholstered in luxe materials like velvet and leather, which lend elegance to the bedroom.

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16. & 20. Lambert and Montgomery beds, from Fendi Casa. 17. Deven bed, from Trussardi Casa. 18. Virtus bed, from Versace Home. 19. Maiko collection by Kenzo Takada, from K3.

21. 30 Montaigne candle, from Maison Christian Dior.

HOME FRAGRANCES

SCENTS OF STYLE

22., 23. & 24. Rattan diffuser in Ivy, Tomato Leaves candle, and scented wax candleholders (Cypress Ball, Tomato Leaves, and Luscious Pea), from Loewe.

A beautiful home should always smell wonderful. These days, it’s an easy task, thanks to the different ways you can scent your home – whether you choose a diffuser, scented candle or room spray.

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26 25. Handwovenn Clamp Dye plaid, from Hermes.

TEXTILES AND ACCESSORIES

26. Bois Paradis Screen by Maison Christian Lacroix, from Roche Bobois.

A L L I N T H E D E TA I L S

PHOTO: STUDIO DES FLEURS

Details enliven a space to no end. Add visual interest with eye-catching colours and unconventional shapes or use soft fabrics like cashmere for unparalleled luxury.

27. & 28. My Shelves by Raw Edges and Diamond Screen by Marcel Wanders, from Louis Vuitton Objets Nomades.

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INTRODUCE A COUPLE OF CUSHIONS WITH A STRONG FOCAL POINT, DRESS UP WALLS WITH SCREENS OR THINK OF FURNITURE THAT WOULD LOOK WAY BETTER WITH A THROW – THE POSSIBILITIES ARE ENDLESS.

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LIGHTING

LIGHTS ON

The shape and colour of a lamp are other important details that can finish the look of a room. Use these accent lamps sparingly and choose a suitable design based on whether you want them to be a focal point or a discreet addition.

31 29. Mendori light by In-Ei Issey Miyake, from Artemide. 30. Potence Lamp by Jean Prouve reimagined by Virgil Abloh, from Vitra.

text MELODY BAY

31. & 33. Le Cercle table lamp and Infinity Line Up suspension lights, from Fendi Casa. 32. Barber & Osgerby Bell Lamp, from Louis Vuitton Objets Nomades.

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F E AT U R E

TAILORED TO FIT Have you always wanted to have custom-made furniture and homewares? Don’t know where to start? Afraid that it will break the bank? Overwhelmed by the sheer options? Custom experts answer all your burning questions about bespoke items.

B

espoke, custom, tailored, one-of-a-kind, artisanal – these words have been associated with hefty price tags that would spook budgetconscious homeowners. Design is inherently a collaborative process, and custom furniture is one of the great ways to assert your

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personality in the final design of your home. And there is a broad spectrum of price points for custom items, ranging from budget to bewildering. You may associate custom furniture with couture fashion – expensive, exclusive, and aspirational – which is true, for one extreme end of the spectrum.

Think of this extreme end of the spectrum like a kinetic couture gown by, say, Iris van Herpen and on the other end, a Uniqlo T-shirt. Yes, even a Uniqlo T-shirt offers a custom element in them, albeit in a limited capacity, namely the standard sizes: XS, S, M, L and XL. Between the couture gown


and the T-shirt are items with various tailored elements, from the simple to the elaborate. Custom furniture also has a similarly broad spectrum, and you’d be surprised that most of the customisable items fall in the range of affordable, reasonably priced, and worth investing. We quizzed custom experts from various brands and specialists, from fit-out, furniture, fabric, artwork, and accessories to give you tips on all things custom-made in Singapore and a ballpark of how much you need to set aside to acquire them.

COMPETITIVE PRICE POINTS Is custom furniture always more expensive than commercially available pieces?

photos URBAN SALVATION

BESPOKE VS MASS-

“BESPOKE FURNITURE IS NOT AS EXPENSIVE AS MOST PEOPLE BELIEVE.” – AHMAD HABSHEE, URBAN SALVATION

BALLPARK

PRODUCED

PRICE TAG

“Bespoke furniture is not as expensive as most people believe,” says Ahmad Habshee, founder of Urban Salvation. “We can deliver customers’ vision with quality materials and expert craftsmanship at competitive price point, especially when compared to mass-produced furniture of similar quality.” One of Urban Salvation’s most complicated custom pieces is a TV console with mechanical features that can hide the TV via remote control, built for a couple who wanted to regulate their children’s screen time.

From $300 to $500 for smaller pieces and $5,000 for larger and more complicated ones. Urban Salvation, www. urbansalvation. com.

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“IF WE COMPARE IMPORTED KITCHENS AND WARDROBES VERSUS LOCAL-MADE BESPOKE, THE BESPOKE PIECES CAN WORK OUT TO HAVE BETTER PRICE POINT photo WONG WEILIANG

WITH SIMILAR FINISHES, SYSTEMS AND FITTING, WITH SIGNIFICANTLY SHORTER LEAD TIME.” – XIN LIN WOO, 4 PLUS 8

“IF YOU’RE COMPARING CUSTOMISING A SOFA VERSUS BUYING A COMMERCIALLY-

photo 4PLUS8

AVAILABLE SOFA FROM A RENOWNED EUROPEAN BRAND, THE LATTER WOULD BE MORE EXPENSIVE.” – CHERIN TAN, LAANK & LAAT

“It really depends,” says Cherin Tan, founder of interior design firm LAANK. “For example, if you’re comparing customising a sofa versus buying a commercially-available sofa from a renowned European brand, the latter would be more expensive.” Cherin is a huge fan of repurposing and upcycling. For her own home, she transformed giant planters into sculptural free-standing washbasins with the help of a local craftsman. Her new furniture label LAAT was founded to breathe a new life into leftover materials and unwanted items by turning them into limited-edition furniture. In the future, it will take requests to upcycle old furniture.

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photos LAAT

U P CYC L E , R E C YC L E

BALLPARK PRICE TAG

Ranging from low hundreds to high thousands, depending on the factors such as material choice, size, lead time, production methods.

SHORTER LEAD TIME

“Not necessarily,” says Xin Lin Woo, designer at interior fit-out specialist 4 Plus 8. She gives an example: “If we compare imported kitchens and wardrobes versus local-made bespoke, the bespoke pieces can work out to have better price point with similar finishes, systems and fitting, with significantly shorter lead time. Bespoke also allows a personalised touch and flexibility to cater to on-site conditions.” BALLPARK PRICE TAG

From $20,000 for a fully kitted kitchen for an apartment, up to $300,000 for a full interior fit-out for a landed home. 4 Plus 8, www.4plus8.com.

LAAT is available at Art Now www. artnow.sg or via Instagram @laat.sg.


S U R FAC E S M AT T E R

M O S A I C M AG I C

While exclusive custom-designed tiles may only make sense at the scale of commercial projects, some tile brands are founded solely to provide custom-designs, like Appiani. The Italian brand offers a myriad of mosaic tiles to build unique designs on your wall. The brand can practically recreate any image with mosaic tiles, transforming that feature wall in your home into a work of art.

BALLPARK PRICE TAG

Depends on the size of the covered area and the specs of the mosaic. For quotes, contact Appiani’s Singapore distributor, Rice Fields. Rice Fields, www.rice-fields. com.

R U G S TO R I C H E S

photo SYNERGRAPHIC

BALLPARK PRICE TAG

GRAPHIC GLASS

Glass artwork has long been a revered medium of storytelling. At once fragile and resilient, it can last for centuries with a proper care. Local glass art company Synergraphic offers custom glass artworks, with a free consultation to determine the optimum glass working technique and design style. “You can also come to us with a budget, as this is helpful to shortlist glass techniques to be used,” says Synergraphic founder Florence Ng.

photo THE RUG MAKER FOR WOHABEING

photo APPIANI

Don’t forget the 2D elements, permanent or otherwise.

From $10,000 for a custom feature wall, and $15,000 for bespoke sculptures, installations and chandeliers. Don’t be spooked though; in addition to this couture price, Synergraphic also offers a ready-to-wear catalogue of reasonablypriced artwork that can be reworked to fit a client’s budget.

A custom rug is the best bet when you prefer a more portable 2D bespoke design. Local rug atelier The Rug Maker offers bespoke rugs made of (in ascending price point): acrylic, New Zealand wool, viscose, bamboo, Tencel and pure silk that can serve as artwork on both horizontal and vertical surfaces. All you need to do is come in with the desired dimension, picture of your space, preferred colour scheme and design theme. “There is no minimum order,” says Melvyn Khong, sales manager The Rug Maker. “However, the rug should be at least 3.5sqm in size so the clients won’t have to pay an additional premium for the wastage.” BALLPARK PRICE TAG

Synergraphic, ww.synergraphic.com.sg.

From $1,500 to $5,400 for 2mx3m rug for acrylic, wool, viscose, bamboo and Tencel, and from $7,800 for a pure silk rug. The Rug Maker, www.therugmaker.com.sg

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B E S T R AT E G I C

Invest in custom made pieces where they matter.

“A CUSTOM-MADE ITEM IS TAILORED TO YOUR LIFE AND YOUR PERSONALITY – NO ONE ELSE WILL HAVE THAT SAME EXACT ITEM.” – MORGAN YEO, ROGER & SONS

GO BIG OR GO SMALL

“A custom-made item is tailored to your life and your personality – no one else will have that exact same item,” says Morgan Yeo, one of the titular sons in woodworking studio Roger & Sons. He advises investing in custom-made key pieces in your home, like dining tables and consoles that you can take with you as you move houses. Are you still figuring out your style and not ready to commit yet? Start small with everyday objects like tableware and accessories. No object is too small for Roger & Sons to craft from timber. The company’s small fine objects include tableware and grooming kits.

From $10 (for a pair of chopsticks, with minimum order) all the way to thousands, depending on the the design and materials. Roger&Sons, www.rogerandsons. sg

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photo ROGER & SONS

BALLPARK PRICE TAG


NEW SKIN, WHO DIS?

you’d like to upgrade it after a few years,” says Romanez owner and managing director Jennifer Hu, “You can customise that with designer fabric with superb craftsmanship for roughly the same price.” Some of the textile brands also offer bespoke, specially designed exclusive fabrics for clients, with a minimum order of 200 to 300 metres of fabric (one roll of fabric is about 50-metrelong), the price varies according to materials, lead time and production methods.

BALLPARK

Romanez,

PRICE TAG

www.romanez.

Around $1,500

com.sg.

to $2,500 for a reupholstered two-seater sofa.

photos ROMANEZ

A two-seater sofa or an armchair from a high-end furniture brand like, say, Maison Christian Lacroix, can retail up to a five-digit price. But you can spend way less to add a couture element to an existing sofa. Soft furnishing specialist Romanez offers a wide selection of designer fabrics, including from the aforementioned fashion house Maison Christian Lacroix, to breathe new life to your old Ikea sofa. “For example, you spent $1,000 for a sofa from Ikea with standard finishes, and

C ATA LO G U E

DON’T DISCOUNT THE DEPARTMENT STORE.

Most reputable furniture brands offer customisation for their catalogue products – some advertise the service while others may not, all you have to do is ask. “Most of our pieces are customisable,” says Pamela Ting, co-founder of Scene Shang. “We are usually quite open when customers come to us with ideas. We will see if it is something we can do within the parameters and limitations of our workshops.” Customisation is built into Scene Shang’s price points so the brand doesn’t charge an additional design fee, though premium may apply for special materials.

photo IVAN TAN

BALLPARK PRICE TAG

Around $400 to $2,240 for items in the catalogue, with additional premium for custom size. Scene Shang, shop.sceneshang.

photo HARVEY NORMAN

C U S TO M I S AT I O N

Fancy an Australianmade bespoke sofa? Harvey Norman’s furniture department offers a wide range of customisation, ranging from its structural materials (a variety of metal and certified hardwood), upholstery (over 2,000 fabric options from Warwick) and cushions. Prices range from $699 to $8,879.

com.

text ASIH JENIE

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F E AT U R E

STYLE WARRIOR Have you been building a sizeable designer collection over the years? Here’s how to keep those couture pieces in mint condition for as long as possible.

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P

aging all fashionistas: are you storing your designer pieces correctly? If you’ve carefully invested in a collection over the years and want to keep them in mint condition for the next generation, you’re going to need to take appropriate action to protect every garment and

accessory like their couture. And while it might be tempting to display your Louboutins or Birkins, such practices are harmful to your beloved collection. Time to reassess your wardrobe and take note of these 10 tips to protect your clothing, shoes and bags.

good to know

id EHKA

V E N T I L AT E YO U R WA R D R O B E

Humidity is your enemy. Clothing and leather articles are targets of mould and mildew growth in high moisture content environments. Keep wardrobe doors and windows open daily to increase ventilation and light to the area. A good dehumidifier or air purifier near the wardrobe helps to prevent mould and mildew. Regularly having a fan running on low for as much as possible helps to circulate the air. This is especially important when it is raining, and you can’t leave the windows open to get airflow naturally. Finally, remove the plastic bags from the dry-cleaner as they encourage mould growth, too.

Ask your interior designer about having a wardrobe custom-made with a built-in dehumidifier. Opt for glass doors and LED light strips to turn your wardrobe into a boutique-worthy display case.

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W R A P W I T H AC I D - F R E E

U S E C E DA R A N D L AV E N D E R

T I S S U E PA P E R

T O K E E P M OT H S AWAY

In The Devil Wears Prada, Miranda Priestly, an influential New York Citybased editor-in-chief of a fictional fashion magazine, had tissue paper cut to the shape of each item of clothing before packing for a trip. You don’t have to do the same, but you should check that the paper you’re using is acid-free, so it doesn’t destroy clothing fibres. It is also useful for stuffing your handbags and protecting your shoes.

Cedar blocks or sachets of lavender help to repel pesky moths. These need to be refreshed regularly to remain effective. A good rule of thumb: if you can’t smell them any more when you open the wardrobe, it’s time for a change. And make sure they don’t touch your clothes because their oils can seep into the clothing fibres.

LG STYLER

S W I TC H TO A R T I F I C I A L L I G H T I N G T H AT G I V E S L E S S H E AT

The quickest way to elevate the dressing experience and show off your designer collection is by installing lights in your wardrobe. But be sure to use LED bulbs that give off less heat and instal them in areas where your clothes cannot come into contact with them. Heat can damage clothing fibres and embellishments. If you have the luxury of a walk-in wardrobe with a window, use the blinds to keep your clothes out of direct sunlight.

The LG Styler retails for $2,199 at Harvey Norman, Courts, Best Denki and Gain City.

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id PROZFILE

Want to keep your delicate clothing clean between trips to the dry-cleaners? The LG Styler might be just what you need. It’s a sleek, wardrobe-style appliance that utilises LG’s TrueSteam technology to sanitise your clothes and remove odours without the use of chemical additives. There are four cycles available that you can set and control via the LG ThinQ app on your smartphone. As a bonus, it smooths out wrinkles as well.


LOST THE ORIGINAL DUST BAG THAT CAME WITH YOUR HANDBAG PURCHASE? USE A CLEAN WHITE PILLOWCASE INSTEAD. IT CAN ALSO HELP TO SHIELD YOUR HANDBAGS FROM DUST, DIRT AND photo POLIFORM

EVEN INSECTS THAT FIND THEIR WAY INTO YOUR STORAGE AREAS.

GET PROPER HANGERS

photo POLIFORM

Wire hangers can stretch expensive clothes and cause kinks in fabrics. It they are prone to rusting, they could stain your clothes. Use wooden or velvet padded hangers. These should be sturdy and slightly arched forward to hold the shape of the shoulders, especially for suits and jackets.

S TO R E WO R N C LOT H E S S E PA R AT E LY

S H E LV E S F O R S T O R I N G B AG S U P R I G H T

Bags are the often the piece de resistance of an outfit, which is why you should dedicate a section of shelves to them so you can stuff them with tissue paper to maintain their shape and store them upright. Clutches should be laid flat. Never pile bags on top of each other. If you only have hanging room for them, place your bags in their dust bags and hang those up instead. As with shoes, gently clean the interior and exterior of your bags after each use before putting them away. Also, make it a point to regularly remove them from the dustbags and air them for 24 hours at a time in an airconditioned room.

This should go without saying, but never place worn clothes next to clean ones – even if they’ve only been worn for a short while and aren’t due for a trip to the dry-cleaner’s. The oil from your body and perfume can spoil clothing fibres. Store them in separate sections of the wardrobe.

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H AV E E N O U G H D R AW E R S FOR FOLDED ITEMS

id DISTINCT INDENTITY

Not everything needs hanging. Some clothes can lose their shape when hung for too long. Identify these pieces – they’re often made of delicate material like lace or knit – and fold them instead. When there isn’t enough height in your wardrobe, long, sweeping dresses should be folded and placed in a drawer, too. Ensure your drawers or boxes are lined with acid-free tissue paper before placing items hem-side down first and folding each piece accordion-style with a sheet of tissue paper between each layer to protect the fibres.

good to know

id PROFILE

K E E P YO U R S H O E S E L E VAT E D W I T H A D E D I C AT E D C A B I N E T

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Although we tend to place shoes on the floor, it’s not ideal because the lower airflow means poor ventilation. After cleaning with every use, keep shoes elevated in a dedicated cabinet. For serious shoe lovers, apply leather conditioner once a month while airing them and then it’s best to keep them in their cloth dust bag or box. Also, you’ll find that cedar shoe trees remove excess moisture produced by your feet and are critical in maintaining and extending the life of leather shoes and their shape. Avoid storing suede and leather shoes in plastic boxes as they need to breathe.

text MELODY BAY stock photos 123RF

Love embellishments? In between wears, protect embellished or beaded areas by covering them with tissue paper for extra protection.

U S E B R E AT H A B L E G A R M E N T B AG S

Instead of using plastic, keep the dust off your clothes by investing in garment bags made of a light, breathable material like muslin. These help to prevent individual pieces from coming into contact with each other without compromising airflow. To identify your clothing, attach Polaroid or Instax snapshots to the bags.


I N S TO R E

S I LV E R I O N M AG I C Hong Kong air purifier brand Aurabeat uses silver ion (AG+) to eliminate at least 99 per cent fungi, airborne bacteria and viruses, including SARS-CoV-2 virus that causes Covid-19. It is now available for Singapore homes thanks to Aurabeat AG+(NSP-X1), which features a threestage disinfection mechanism: patented AG+ Air Filtration, UV Disinfection and Plasma Sterilisation, which can purify the air in an indoor area up to 40sqm within 30 minutes. Retails for $1,099 from Aurabeats Singapore www.aurabeatsingapore.com, Ante, eCapitamall, iShopChangi, Tangs and Takashimaya.

L A P TO P P OW E R B A N K Office furniture brand Steelcase has collaborated with smart device charging expert Anker to create Steelcase Flex Mobile Power, a sleek, portable and powerful charging unit that not only charges multiple devices simultaneously, it also detects which device is running the lowest and directs the most power. Its charging tray charges five units overnight, sits on any flat surface and can be integrated into a Steelcase Flex Collection cart for extra mobility. It features both USB-C and USB-A ports and delivers best-in-class charging output.

And if you think it looks like designer tableware, it is because it has been fashioned like one. Steelcase principal designer Hyun Yoo looked for inspirations in ceramic tableware. He shares: “We added 3-D texture patterns on the top cap and body to broaden what might be expected in a charging device. There’s a soft and silky feel of the finish on it, and the handle flexes ever so slightly to give the user the impression it is responding.” Steelcase Flex Mobile Power retails for US$2,600 (S$3,527) from Steelcase and sg.steelcase.com.

text ASIH JENIE

A U TO - P OW E R E D CHIMNEY Ever had a good day in the kitchen where you cook a fabulous meal just to find out that you forgot to turn the hood on and now your laundry smells like your food? A cooker hood is an essential but oft overlooked part of the kitchen. Turbo Italia presents Turbo Incanto TD8096, touted to be Singapore’s firstever retractable power chimney hood. It boasts a smart sensor that automatically ups the suction power when it detects smoke and fumes while you’re cooking. The smoke guide board will descend when the hood is activated, and retract once it is switched off, reverting to its sleek design, cue an odourless kitchen and happy meals! Turbo Incanto TD8096 retails from $1,898 at Audio House, Courts, Best Denki, Harvey Norman and all major hardware stores. www.turbo-italia.com.

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WHERE TO BUY

4 PLUS 8

GRAFUNKT

LOUIS VUITTON

ROCHE BOBOIS

THE RUG MAKER

223 Kaki Bukit Avenue 1 Shun Li Industrial Park Tel: 6748-0048 www.4plus8.com

#04-01 to 06 Funan Mall 107 North Bridge Road Tel: 6336-6046 www.grafunkt.com

ISLAND MAISON

SINGAPORE

#B2-36 Bayfront Avenue, Marina Bay Sands Tel: 6788-3888 ap.louisvuitton.com

#01-02 Boon Siew Building, 75 Bukit Timah Rd Tel: 6513-1918 www.roche-bobois. com

#07-01, 92 Lower Delta Rd Tel:6270-2823 www.therugmaker. com.sg

ARTEMIDE

HERMES

LOEWE

Million Lighting 203 Kallang Bahru Tel: 6743-2033 www.millionlighting. com

www.hermes.com

#02-12B/C/D Ngee Ann City 391 Orchard Road Tel: 6733-6477 www.loewe.com

BYND ARTISAN

37 Jalan Pemimpin #08-13 Mapex Tel: 6267-5066 www.byndartisan.com BENTLEY HOME, FENDI CASA, TRUSSARDI CASA

Royal Interiors 315 Outram Rd, Tan Boon Liat Building #0607/08/09, #05-05 Tel: 6299-0701 www.royalinteriors. com.sg DURABLINDS

#01-14/15/16 i-Biz Centre, 32 Old Toh Tuck Rd Tel: 6912-4016 www.sg.ziptrak.com

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JOURNEY EAST

#03-02 Tan Boon Liat Building 315 Outram Road Tel: 6473-1693 www.journeyeast.com KIKKI-K

1 Harbourfront Walk, #01-K32 Vivo City Tel: 6873-9891 www.kikki-k.com/sg/ home K3

www.k-3.com

#01-01, 115 King George’s Avenue Tel: 6269-6269 www.rogerandsons.sg

9005 Tampines Street 93 Tel: 8338-8955 www.urbansalvation. com

FOMA ARCHITECTS

#04-11, Block 531A Upper Cross Street Tel: 6906-1749 www.foma.com.sg MILLIMETERS STUDIO

Tel: 9680-1477 www.millimeters. com.sg

VERSACE HOME MAISON CHRISTIAN

ROMANEZ

DIOR

#b2-52 Ion Orchard Tel: 6834 3277 www.dior.com

#03-00, 278 River Valley Rd Tel: 6463-9330 www.romanez.com.sg

PROOF LIVING

SCENE SHANG

#01-01 Vanguard Campus, 1 Kallang Junction Tel: 6538-4688 www.proofcontract. com.sg

263 Beach Rd Tel: 6291-9629 shop.sceneshang.com

LAAT

Art Now #02-28 to 32 Raffles Arcade, 328 North Bridge Road Tel: 6734-5688 www.artnow.sg

ROGER & SONS

URBAN SALVATION

INTERIOR DESIGNERS

RICE FIELDS

#01-03, 213 Henderson Rd tel: 6692-1199 www.rice-fields.com

Da Vinci Lifestyle 100 Orchard Rd, Concorde Hotel #01-01 Tel: 6468-6333 www.davincilifestyle. com VITRA STORE SINGAPORE BY W.

SACHA WALKHOFF

www.walckhoff.com SPACE SENSE STUDIO

11 Jalan Wangi Tel: 8200-8777, 6241-8991 www. spacesensestudio. com.sg

ATELIER SPACE FURNITURE

77 Bencoolen Street Tel: 6415-0000 www.spacefurniture. com.sg SYNERGRAPHIC

#14-08 Tan Boon Liat Building 315 Outram Road Tel: 6637-9601 www.watelier.com/ living/vitra

DESIGN

10 Changi South Street 1 Tel: 6546-4133 www.synergraphic. com.sg

XTRA

#02-48 Marina Square Tel: 6336-0688 www.xtra.com.sg

UNO INTERIOR

44C Haji Lane Tel: 8322-7956 www.unointerior.com


BUYING GUIDE

YOUR ONE-STOP RESOURCE FOR PRODUCTS AND SERVICES

ELECTRICAL & ELECTRONICS

FURNITURE, APPLIANCES & FURNISHINGS

ACORN

#02-09 512 Chai Chee Lane Tel: 6445-6144 www.acorn ceilingfan.com

HARVEY NORMAN

#01-59 to 63 Millenia Walk Tel: 6311-9988 www.harveynorman. com.sg

BRANDT ASIA

#02-51/52 Oxley Bizhub 65 Ubi Road One Tel: 6508-4639 www.brandt.sg

FURNITURE & FURNISHINGS

STAR LIVING

MOW INTERIOR DESIGN

1 Pasir Panjang Road Tel: 6273-2522 www.starliving. com.sg

#08-02 Tai Seng Point 11 Irving Place Tel: 6246-6614 www.mowinterior.com

XZQT

NEU KONCEPTZ

#01-05 8 Pandan Crescent Tel: 6774-8031 www.xzqt.com.sg

#03-11 Bizhub 28 28 Senang Crescent Tel: 6746-3723 www.neukonceptz. com.sg

INTERIOR DESIGNERS

HOME 2 U GALLERY EFENZ CEILING FAN

#06-01 1 Kallang Way 2A Tel: 6747-2742 www.efenz.com.sg ELECTROLUX S.E.A.

#07-10 Galaxis 1 Fusionopolis Place Tel: 6727-3699 www.electrolux.com. sg FISHER & PAYKEL

#03-01A Ubi Biz Hub 150 Ubi Avenue 4 Tel: 6547-0100 www.fisherpaykel. com/sg

#02-719/720 Suntec City Tower 4 Tel: 6737-7838

DESIGN INTERVENTION

THREE-D CONCEPTWERKE

24 Eng Hoon Street Tel: 6293-8001 www.three-dconceptwerke.com

MUJI

75E Loewen Road Tel: 6506-0920 www.design intervention.com.sg

#02-198 Vivocity Tel: 6376-8023 www.muji.com/sg

DWELL INTERIOR DESIGN

LIGHTCRAFT

11 Kim Yam Road Tel: 6883-1005 www.dwell.com.sg

131 Jalan Sultan Tel: 6297-6658 www.lightcraft.com.sg

HAIRE LIVING

SOL LUMINAIRE

Level 4 29 Mayo Street Tel: 6441-3345 www.haireliving.com

395 Guillemard Rd Tel: 6612-1221 www.solluminaire. com.sg

ROCHE BOBOIS

#01-02 Boon Siew Building 75 Bukit Timah Tel: 6513-1918 www.roche-bobois. com SCANTEAK

60 Sungei Kadut Drive www.scanteak.com.sg SPACE FURNITURE

77 Bencoolen Street www.spacefurniture. com.sg

IMAGINE BY SK66

#01-22 UB One 81 Ubi Avenue 4 Tel: 6604-8330 www.imaginebysk66. com

LIGHTING

RENOVATION MATERIALS CAESARSTONE S.E.A.

#08-06 The Spire 10 Bukit Batok Crescent Tel: 6316-1938 www.caesarstone.sg COSENTINO

34/35 Duxton Road Tel: 6713-9543 www.cosentino.com DURAVIT ASIA

(Singapore Branch) 63 Tras Street Tel: 6221-9315 www.duravit.com HAFARY

105 Eunos Avenue 3 Tel: 6250-1368 www.hafary.com.sg NATURAL FOREST

#10-01B Keck Seng Tower 133 Cecil Street Tel: 6238-5920 NOVITA

#04-00 Techniques Building 8 Tagore Drive www.novita.com.sg TIMPLEX

#01-13 18 Sin Ming Lane Tel: 6898-1120 www.timplex.sg

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K

WHAT’S TRENDING & WHAT WE THINK

HOME AT LAST

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enzo Takada passed away recently on Oct 4 in Neuilly-sur-Seine, France, becoming one of the most well-known personalities to have succumbed to Covidrelated complications. An indomitable force throughout his life, Kenzo was born to a family of seven children in Himeji, Japan, in 1939, He developed a passion for fashion design when he accompanied two of his sisters to their sewing classes. In 1965, he bravely travelled alone to the heart of the fashion industry, Paris. What was supposed to be a six-month visit became a permanent stay. Known for his signature use of cheerful colours, animal motifs, floral and geometric patterns, Kenzo was the first Japanese designer to be established in Paris, even before his peers like Rei Kawakubo and Yohji Yamamoto. In 1970, he launched his eponymous label, and six years later, he opened his flagship boutique along Places des Victoires. Having made a name in the world of women’s fashion, he launched a men’s fashion line in 1983, followed by a fragrance brand in 1988. All these ventures proved to be so well-received that in 1999, the Kenzo brand was sold to luxury conglomerate LVMH at a whopping amount of US$80 million. In 1999, Kenzo retired, ending his illustrious career in fashion. Yet it was a start of his foray into interior design, for architecture and interiors, it seems, were key reasons behind Kenzo’s decision to give up his fashion empire.

“Investors and banks with a keen nose for business opportunities approached me unofficially looking to buy shares. Of course, I kept my guard well up. But, thinking just a little bit couldn’t hurt, I tried selling a four-per-cent stake. I was astounded. An incredibly large amount of money had fallen into my lap all at once. If I sold some more shares, I might be able to build my own ‘castle,’ one that’s not only gorgeous but also incorporates all of my aesthetic sensibilities,” he shared in an interview with Nikkei Asia. Kenzo’s dream came true when he purchased a 1,100sqm building along Place de la Bastille, spending the next seven years to turn it into a three-storey mansion with Eastern-style interiors and a Japanese garden. Kenzo’s love for home interiors culminated in the launch of a new furniture and home accessories label K-3, whose inaugural collection debuted at Maison & Objet Paris in January, just months before his untimely demise. The world mourns with the knowledge that we will not be able to see what wonders the man can wield in this new field, in the same way that he had taken the fashion universe by storm. However, one has to be thankful that at the very least, Kenzo has taken that first step into the world of furnishing with K-3, and leaves behind his team, comprising longtime managing partner Jonathan Bouchet Manheim and creative assistant Engelbert Honorat, to carry on his legacy.

photo ZOE FIDJI

HARD TRUTH


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