JULY 2018 | ISSUE NO.4
NICOLAS HERON JEANNE CHEN KAITLYN KELLY MAHTA COLLINGS PATRICK SAMBIASI JOANNA CALÁS ISMAEL LLOPIS NAVARRO COVER: KAITLYN KELLY
TEAM
PROPAAH is an independent, quarterly published online magazine designed by creative professionals working from Spain, Greece and France. Our collective is dedicated to publishing fresh photography talent to support a young community of artists from around the world. Talk to us: propaah.mag@gmail.com
Director - Taushik Mandal Artistic Director - Akashdeep Ghosh Submission Officer - Angelique de Place Development Officer: Florentin Coti Social Media Manager: Ali Abbas Agha Advisor - Claire Saint Jean Submissions : submissions.propaah.mag@gmail.com
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CONTENTS PAGE 7
OBSCURE CLARITY / ORIGINS & OXYMORES An interview with multi disciplinary artist Nicolas Heron
PAGE 19 THE DREAMERS Mahta Collings
PAGE 33 ILLOGICAL Jeanne Chen
PAGE 53 OTHERSIDE Patrick Sambiasi
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COME AS YOU AREN'T Kaitlyn Kelly
PAGE 81 CULTURE Joanna Calas
PAGE 97
PRIMAVERA FASHION Ismael Llopis Navarro
PHOTO CREDIT: NICOLAS HERON
OBSCURE CLARITY / ORIGINS & OXYMORES NICOLAS HERON INTERVIEWED BY ALI ABBAS AGHA
#huyuni Oil painting on printed canvas 90 * 60 cms
We met up with Nicolas Heron, who after several gears of expat life in the building sector, decided in 2002 to return to Paris to study photography. After graduating from Speos, he joined the Lagardere Group as retoucher at Paris Match and than as photo editor at ELLE International. At the same time, he started hiis photography career, but it was only in 2005 on discovering the Manufacture de Sevres that he specialized in decoration and craftmanship. He then made several documentaries on the high-end techniques applied within luxury houses, which resulted (among others) in the book Gestes & Metiers.
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#importexport Oil painting on printed canvas 50 * 33 cms
The photos of these works of craftmanship were exhibited and published on numerous occasions throughout the world. In 2016, Nicolas took over a workshop to study other media. He continues to develop his artistic and spiritual universe by associating photography, painting and sculpture around a reflection begun 20 years earlier, when he was in regular contact with animist communities.
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#kochang Oil painting on printed canvas 50 * 33 cms
Some expressions are paradoxical. "Saving the planet", "sustainable development", "virtual reality"... in a world of communication where we pay for words, their meaning gets poorer. In order to indulge in the poetic expression of opposites, Nicolas Heron wanted to celebrate the oxymoron and borrow from Corneille one of his finest examples: "This obscure clarity that falls from the stars." For his work is made of conflicts, between forms, materials, colors and genres. So as to transform the outlook on our world playing with anamorphic illusions and visual oxymorons.
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#ladamecouchee Oil painting on printed canvas 90 * 60 cms
Spiritually related to animist beliefs since his travels in South America, the Pacific and the Caribbean, the exhibition "Obscure Clarity / Origins & Oxymores" is a reflection on the schizophrenic relationship of modern man with his "inner nature".
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#leschampsdeble Oil painting on printed canvas 90 * 60 cms
What are you currently working on these days?
corners of the world. These people used to
Currently, I am working on my exhibition at
crisis in their countries. It was amazing to see
Speos and Arles. It is in finishing stages. The
how people from different religions could
last 4 pieces I am verifying and working on
live together. I discovered that all the people
their quality. I have been working on this
had one thing in common: spirituality even if
project since one and a half year.
they belong to different religions. Animals,
What was the inspiration behind your current project: Obscure Clarity/Origins and Oxymores? A part of this exhibition constitutes of pictures that I made long ago during my travel. I lived in French Guiana in 1995 and I lived in a jungle with different people from all
come to French Guiana due to war and other
living organisms, forests: humans are just a part of this life. In 1997 when I came back, it was very difficult to talk about these things. I tried to follow my experience and my vision. It was the beginning of ecology and these ecologists put me in a cage trying to classify me as an activist. PAGE 11 | JULY 2018 | ISSUE NO.4
#petrosurf Oil painting on printed canvas 50 * 33 cms
I am not an activist. Ecology is just a word
When I joined Speos, I decided to produce
invented by the governments to put people
stories which was the start of my
in a cage. So, I decided to go and live in
photography job. I love my job. Photography
French Polynesia and I moved back and forth
is a job. The artistic part is different. I do not
to Paris and back. I then went back where I
wait for a moment to do business with it.
met my wife. There I learnt surfing and I started wondering if I could make a living out of surfing but I soon realized that it was just a hobby and nothing more. Then I decided to come back to Paris and join Speos. When I was 15 years old, I told myself that I will become a photography student but due to some reasons it wasn’t possible and I lied to myself for a long time. PAGE 12 | JULY 2018 | ISSUE NO.4
So, your approach towards art and photography are entirely different? Absolutely! This is more spiritual work. When I started this work, it was very personal work related to my past. This time of my life is the period when I look back and that is why I have named this project Origins because these landscape pictures are the origins of
#sunflowers Oil painting on printed canvas 90 * 60 cms
my work and that’s why I have divided it into two parts: origins and oxymores. Oxymores is different pictures but in the same spirit. The term sustainable development was invented in 1984 approximately. It is used by economical and political people just to make people believe that they’re doing good work which in reality they aren’t. All these terms
You did a project “the Bordeaux blend” with a wine columnist. How exciting was it for you to work with a wine columnist and why exactly did you do it?
The reportage? It was a project for The Wall Street Journal. They asked me to do it with William Lyons. It was very nice.
for me, are used to put people in a box. Everyone says “Save the planet” but the society doesn’t realize what we’ll leave for future generations. Like virtual reality. Virtual reality brings people to a different world from where going back to reality isn’t possible.
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#purpletotem Purple wooden sculpture 114 * 37 cms
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#westpier Oil painting on printed canvas 50 * 33 cms
Sometime it gets very hard to get the results that you want. What do you do when a situation like that comes up?
At that time, there were big photographers like Cartier Bresson working in analogical laboratories. And they were introducing
No, I don’t think so. The photography part is
digital. So yes, it actually was a transition
very commercial. I try to have my style to
period. Things are a lot more different now.
have coherence in my work.
At the beginning, Speos used to concentrate
What difference did you see in photography school back from 2002 and in 2017? Yes, there is a lot of difference. The market
only on the photography part only. Now it takes care of the business market as well so the students know how to get in the market after they graduate.
has changed. When I came to Speos in 2002, it was a transition period between analogical and digital. PAGE 15 | JULY 2018 | ISSUE NO.4
The competition is getting tough every day. Everyone with a camera is a photographer these days. What advice would you like to give to young aspiring photographers to stand out? One needs to be passionate about what they do and need to keep going. And then it depends on the objective of the people. If you want to be a good photographer with your own style, then there are no rules, never give up. Try to be yourself, don’t be fake. Photography market is very commercial. There are a lot of photographers out there and if you’re different with your own style then no one can stop you
www.nicolasheron.com
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What are your plans for the future? First, I want a job security. I don’t want to stop photography. It’s my job and I like it. I also want to continue with the artistic work parallel to photography. Because photography alone isn’t enough for intimate and spiritual side!
THE DREAMERS MAHTA COLLINGS
MAHTA COLLINGS is mostly a self taught photographer continuously learning through workshops and classes. Her passion for photography started around six years ago while traveling and using her camera to document her travels. Since then she has been using photography as a medium for communicating and exploring different concepts such as beauty, identity, nature and topics concerning females. With a background in Sociology these themes and concepts have been natural starting points for her. Currently she is focusing on conceptual themes and experimenting with elements of nature and beauty.
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Flowers and brides have been two main subjects I've always tried to avoid in photography. The idea of photographing such ordinary and conventional subjects never seemed attractive to me as I couldn't see the story and the depth in them. Creating this project, I wanted to challenge that idea and my own view on them.
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As a child I always enjoyed Fairy-tales and magic, I still very much do, and as a teen I daydreamed a lot, another thing I still do. I have always enjoyed creating and imagining dreamy scenarios in my head, which is something that really pushes me forward in my photography.
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Imagination is not always the easiest thing to communicate and we all have our preferences of medium in terms of bringing them to life for others to see. Taking photographs and the creative post-process allows me to do that and to bring out the magic and the beauty within my subjects.
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Going back to my love for fairy-tales and joy in daydreaming has helped turning this project into something mystical and I can't seem to get enough of it now. To me beauty does not need to be conventional or obvious in any way.
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It is true that beauty lies in the eyes of the beholder, but just as much true that beauty comes from within, as in something that needs to be communicated and explored in order for it to flourish. This is my idea of beauty.
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www.mahtacollings.com
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ILLOGICAL JEANNE CHEN
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Jeanne Chen is a Chinese photographer based in Paris. She was born in Beijing, China and specializes in fashion, portrait, still life photography. She studied graduate from Spéos Ecole de Photographe, Paris. Earlier in her career in China, she worked freelance for several magazines. Later on, she decided to study photography in France. Last year she held a solo exhibition at Gallery Cosmos, Paris.
The theme of this fashion photography series is 'Illogical'. The designer combined the elements of the military uniforms and the suits of the businessmen using materials such as leather, striped cashmere, yarn, etc., so the series was born with a traditional way of manufacturing. His inspiration referred to the clandestine mod - style of the youth of the 50s and 60s. We find the trace of this style in the outfits of Phil Daniels in the movie Quadrophenia in 1979. Through a mixture between the subculture (born in the 50s in London) and luxury that was not compatible at the beginning, the stylist wishes to obtain a strong contrast that did not exist in the subculture of the time nor in the professional outfits these days. When I photographed the illogical series, I used the unusual means, the different tools of stitching, treatment of vintage colors, to imitate the large granulation of a film, to create an atmosphere soliciting the imagination of everyone . Through surrealism, the omnipotence of dreams, the disinterested play of thought, I try, in my own way, to show the inspiration of the creator. ‘’My universe feeds on illusions. I do not depend on anyone, I am what I am.’’
Photographer: Jeanne CHEN Designer: Kass CHEN MUA: Margot PRIOLET Model: Alexandre BARADEL
www.chenjeanne.com Jeannechenphotographe@gmail.com
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OTHERSIDE PATRICK SAMBIASI
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From an early age, Patrick Sambiasi was always interested in telling stories. He started creative writing when he was 14 in Italy. At the time he felt greatly inspired by Edgar Allan Poe's stories and his talent to instill fear in his readers. After moving to France he started writing poetry inspired by the work of French poets Paul Verlaine and Charles Baudelaire. It was only years later that he realized that his passion for literature and his love for cinema would lead me into a Bachelor Degree in Film Studies. He spent three years in the UK writing and watching everything he could get his hands on. Visual storytelling became his drug and he couldn't imagine myself doing anything else. He moved back to Paris, France and completed a Master's in Photography. During those years he not only learnt to love the patience it takes to create a perfect image but also the hard work that goes into building a strong coherent photographic series. His work has been greatly inspired by a series of different film directors: Nicolas Winding Refn and his use of colors to create metaphors, David Fincher and his obsession of the perfect frame, Lars von Trier and his talent for inspiring haunting performances that linger in our minds for days. HIs ambition is to create photographic series that provoke the same emotional attachment that films do and, one day, to be able to create and capture haunting moments like the ones of Gregory Crewdson.
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OtherSide is first and foremost a study of appearances and an introspection on the nature of Man; a journey through two universes, ours, and the other side. I started with one simple definition: Man exists by opposition to all the other beasts who surround him. My project defies this definition and proposes something quite different: maybe all the emotional characteristics and the physical features that we decide to label as 'human' are not what we think they are. The project was imagined as a diptych series, I wanted to put my characters one against the other, close, but at the same time very far away when it comes to space and time. I imagined the white space in between them as an unbreakable door and the only way to communicate would be through a key hole. And this was where the light painting technique came forward. I worked on the technique for several months, experimenting with a torch light on a parallel series that I called Dark Lines. The concept was very simple, I imagined a world of darkness, where people would not need their eyes to navigate but only their other senses. One of the characters would discover the door and look through the key hole, light would enter this other world for the first time in history and reveal its occupants. They are mirror images of us, sometimes they might even be what we desperately want to be. We live in a universe where physical appearance is key to everything. It opens the door to social media fame, to self-boosting compliments in the street, to successful skype interviews, to socio-economical privilege and some would argue to an easy life. OtherSide allowed me to get a glimpse of a different type of human being, one that would live in harmony with others. A creature that wouldn’t see race or disabilities; at least at the beginning. I put together a photographic story born by a question but by the end of the journey the result scared me. It’s something that we see quite often in dystopian films (from which I draw a lot of inspiration), the concept seems wonderful at first until the ugly part starts showing and we desperately want to go back to ‘the way things are supposed to be’.
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OtherSide - HIM Photographer: Patrick Sambiasi @patricksambiasi Assistant: Flaminia @flaminiareposi Model: Maxime Bonafe @maximbonafe MUA: Marion Chedru @marionchdmakeup Stylist: Thomas Barone @_thomasbarone
OtherSide - HER Photographer: Patrick Sambiasi @patricksambiasiphotography Assistant: Santana @santanapetchsuk Model: Marina de Munck @arrinthorn MUA: Marion Chedru @marionchdmakeup Stylist: Thomas Barone @_thomasbarone Hairstylist: Harley @harley_hp www.patricksambiasi.com patricksambiasiphotography@gmail.com
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COME AS YOU AREN'T KAITLYN KELLY
Before and Afters
Kaitlyn Kelly is a Canadian multi-disciplinary artist currently based in Paris, France. She holds a BFA in Acting from the University of Windsor, and spent eight months extensively training with the SITI Company of New York City. While primarily a theatre artist and singer, Kaitlyn fell into photography and film when she began her recent project, Come As You Aren’t, five years ago. As film and photography were meant to be used only as documentation and research for what she anticipated would be a theatre piece, she was later encouraged by colleagues to pursue it as a film – despite her being a novice in the discipline. Kaitlyn has written, directed, performed and produced two original plays with her theatre ensemble, Sundays and Mondays Theatre Collective, based in Windsor, Canada. One of her short stories was also featured in Pamela Des Barres most recent anthology, “Let It Bleed: How To Write a Rockin’ Memoir”.
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Karly and Milly
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Adhesive
Come As You Aren’t is an intimate look into lives of people and how they relate to cosmetics. The basis of the project is interviews consisting of a series of questions which delve into the participant’s experiences in wearing, or not wearing, cosmetics.
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Mily
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Eileen and Caitlyn
Why do we choose to participate or not? Is there a source of influence or societal pressure? How do we view ourselves when we look in the mirror? And do we feel we are putting on a mask and becoming someone else when we step out into the world?
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Eileen
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Gifted
The interviews are all filmed as the participant does their daily face routine, and before and after Polaroids are taken. What draws me to this content is the way the people deal with these questions while confronting themselves in the mirror.
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Caitlyn
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Naureen, Kaitlyn and Dolos
Sometimes there is a sense of shame in how involved they realize they are, others a nonchalance. Some will admit they see the beauty in themselves bare-faced, while others insist they cannot leave home without at least a little powder and mascara on. We have a well-documented obsession with beauty that is both current and past. We are constantly bombarded with information encouraging us to want to alter our appearance in some way. How do we come up against that? Are we buying into it? Or, are we rebelling against it in our day to day use of cosmetics?
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Naureen
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Shadows
There is a constant pressure to pursue youth and beauty; be sure to wear some makeup, but not too much. But, also, not so little that you still look fatigued. And don't you dare have any wrinkles, zits, or weird moles. It's all unbelievably unattainable. The purpose of Come As You Aren’t is to educate and investigate. To showcase people of varying cultural backgrounds, ages, social standings, and genders. It is an insight into how we present ourselves to the world and how that acts as a common thread in our humanity.
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Powder
www.instagram.com/msultraviolet
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JOANNA CALÁS
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Joana Calás is a portuguese photographer based in Paris, France. Born in Porto, Portugal Joana specializes in Street-wear Fashion. This has allowed her to work closely with the french media company Superbe Media, who are dedicated to french culture and lifestyle. Through fashion and music statements, Superbe Media is changing the way people see the fashion scene in Paris, in the process also empowering and supporting the new street-wear brands.
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The project Culture is a combination of artists and brands and everything involving the french underground scene, from rap to fashion and also promoting both at the same level of excellence. Photographer: Joana Calás (www.joanacalas.com ) Videographer: Hendy Harsanto Stylist: Ill’yo Media: Superbe Media (www.cestsuperbe.fr ) Artist: Chatnoir Brand: Lacoste Artist: Shagadelic Brands: Chevignon, Ptit Con x Simone Headwear Artist: Take a mic Brand: Hologram Clothing Artist: Tengo John Brand: Biffin Artist: Uzzee (Zero) Brands: Godfidence, Vision of the South Artist: Vicelow Brands: Chevignon, Family First, Isakin Paris
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PRIMAVERA FASHION ISMAEL LLOPIS NAVARRO
Ismael Llopis Navarro, b. Castellón de la Plana, 1978, has over fifteen years of experience in photojournalism having worked for an assortment of local and international media such as Rockdelux, Vice, Grupo Z. He is the founder and manager of Momo Magazine.
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I've been been photographing festivals and concerts for many years. I did not start by taking photographs of my friends, in my environment almost no one played music, and I did not start taking pictures until after twenty. Before working as a photographer at festivals I worked in the backstage, access control.
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I was put in the back stage roles because I behaved normally with the musicians, I did not ask them for autographs or anything, I just said good afternoon and did my job.
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Although I can appreciate the experience of live music in the first person, what I truly enjoy is the mediation with the camera, through the subjects I photograph, it is how I live it fully.
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Photographing the experience of the musician playing or of the people who observe him in mystical ecstasy produces an enjoyment that I never felt as public.
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The clothing in the venue of a music festival fascinates me as much as or more than live music. I enjoy it and value it as a genuine form of art that I need to sift and keep in my photographs so that it does not vanish as quickly as it was created.
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I usually photograph more women because they tend to be more relaxed and creative in their clothes, although I do also find some wonderful men.
www.momo-mag.com
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a big thanks to all the featured artists in issue#4
Issue #5 Submission Call For our next issue which is planned for release in October 2018, we invite submissions in the following genres: 1. Fashion 2. Documentary / Photojournalism 3. Fine Art 4. Travel 5. Interviews 6. Culture / Society 7. Architecture 8. Street Photography The submission guidelines are: 1. Upto 12 images per submission. 2. Images should be submitted in .jpeg format 3. Image dimension should be 1000 px max on the wider side. 4. Images should be profiled in sRGB or AdobeRGB1998 5. Images should be less than 250 KB in size and should be saved for web. 6. Image naming format should be 'firstname01.jpg' (ex. brooklynbeckham01.jpg) 7. Send in a text file with the following details: > Photographer Name > Photographer Bio > Project Title > Project Description (400-800 words in English) > Photography Genre > Image titles and Sequencing of series 8. Send in your files to submissions.propaah.mag@gmail.com as an attachment in .zip format or using wetransfer. 9. Last date to receive submission is September 05, 2018 Follow us on our Facebook, Instagram and Twitter channels (@propaahmagazine). To get featured on our Instagram profile, use #propaahmagazine in your posts.
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PHOTO CREDIT: ISMAEL LLOPIS NAVARRO