PROTTOY SHAMS Architecture Portfolio | 2017 p_shamss@hotmail.com 0412955122
PROTTOY SHAMS Architecture Portfolio | 2018 p_shamss@hotmail.com 0412955122
PROJECTS
01 02 03 04 05 06
Anti Facadism
Page 4
A public oriented project that reinvents the typical relation between the facade and the heritage listed ‘Job Warehouse’ building on Bourke Street.
New Abbotsford House
Page 10
A residential building proposal for a sculptor, challenging the typical form of a terraced house.
Red Cabbage Pavilion
Page 12
A Pavilion proposed for the NGV that evoke the natural patterns found on a red cabbage through both digital and physical processes.
Too Good To Waste
Page 16
A waste management network set out across two existing decomissioned power-plants in Latrobe Valley, which sorts out the municipal waste from the city into recyclable products that restarts it’s own industry,
MUMA Art Collection Center
Page 20
A display space for the vast collection of Artworks at the Monash University Museum of Arts which also functions as a study space.
Other Works
Page 22
A research based analysis of JBA’s ‘Monts Et Merveilles’ featuring diagrams of the housing project.
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Section drawing
ARC 3001 | Monash University | 2017
01
Anti Facadism A public oriented project that reinvents the typical relation between the facade and the heritage listed ‘Job Warehouse’ building on Bourke Street.
Nestled on the main strip of Bourke Street, Job Warehouse became significant for facilitating a variety of public amenities, most significant of which was the famous fabric store. After it’s closing however, a large part of this four shop blocks remained derelict and defunct. The project essentially references and reinterprets inherent spatial qualities of the site to enhance it’s public presence on the human scale. This idea gets explored through an attitude of Anti-facadism which shifts focus on to a deeper understanding of the site rather than preserving the container which fences out a more successful public interaction.
Anti Facadism | 2017
Upper Floors
Massing of the new volumes around the voids
Extracted Column grid structure with the two voids connecting upwards
Referenced void Reinterpreted void
1880
1900
1960
I began by tracking back the evolution of the site and it’s role in public engagement. What was interesting in particular was two very key spatial features that existed during 1980 as seen by the diagrams on the top.There was a clear existence of a corridor linking Crossley and Liverpool along with a courtyard on the back side. Their coexistence entail a more fragmented organization of spaces that provides a more engaging event-experience for both the public and the tenants. However, these inherent spatial qualities were blocked out as the site matured to form four shop front blocks. With the awareness of porosity in mind, i wanted to both reference and extend these spatial qualities as i thought it was more important to extract and preserve these aspects rathen than glorifying the facade.
Demolished Facade
Ground floor
Axonometric Drawing
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Prottoy Shams | Architecture Folio 2017
Site Plan
Anti Facadism | 2017
Perspective Section
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Prottoy Shams | Architecture Folio 2017
1. Inside a studio space
2. Material gap intentionally juxtaposes old and new Detailed Atmospheric Sections
3. Tectonic expression shows the bare nature of elements
Anti Facadism | 2017
1. Entry into the plaza from Bourke Street
2. Patio linking office spaces
3. Seconday entrance / corridoor connecting between Crossley and Liverpool streets
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ARC 1002 | Monash University | 2015
02
New Abbotsford House A residential building proposal for a sculptor, challenging the typical form of a terraced house.
Occupying a corner plot marking the end block of a series of terraced houses, this project challenges the typical shared party wall feature and tilts away from it. The interior spaces were designed to flow together as a sequence and as a visionary proposal for the sculptor residing here, the house takes an aerodynamic form as if to express the future. The overall effect is to present a radical model of how a house could be imagined in a community that is dynamically shifting into modern living.
New Abbotsford House | 2015
Elevation
Cross Section
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ARC 2001 | Monash University | 2016
03
Red Cabbage Pavilion A Pavilion proposed for the NGV that evoke the natural patterns found on a red cabbage through both digital and physical processes.
The natural patterns found on the cross section of a red cabbage was my precedent to extrapolate and translate into a canopy that would host multiple events such as talks and performances inside the entrance court of the NGV. The process switched between digital scripting in Grasshopper and physical testing of materials to create modular ‘leaf’ structures that could be easily produced and combined into the pavilion structure that evoke the light-weightiness of the cabbage leaf materialized by bent timber frames and weaved plastic infill.
Red Cabbage Pavilion | 2016
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1 Cabbage Section
2 Fibonacci Spiral + Solid void relation 3 Squiggle Pattern
5 Script2 - Fibonacci +Squiggles 6 Script3 - 3D Weave 9 module for the pavilion
10 Physical module
7 First Pavilion
4 Script1 - creating the squiggles 8 Scaling down and Modeling the ‘leaf’
11 Combined modular structure 12 The Pavilion, modeled 13
Prottoy Shams | Architecture Folio 2017
Roof Plan
Section
Elevation
Red Cabbage Pavilion | 2016
Render showing the Pavilion on the main entrance hall.
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SORTING SYSTEM
Morwell Metal Workshop
HAZELWOOD SORTING STATION
1. 2. 3. 4. 5. 6. 7.
Celcius
RECYLABLE MATERIAL IS COLLECTED MOVED TO STORAGE FACILITY GLASS REMOVED VIA SMALL GRATE CONVEYOR BELTS PLASTIC REMOVED VIA AIR PRESSURE BURSTS + HUMAN SORTING METAL REMOVED VIA ELECTRO MAGNETIC CONEYOR BELT PAPER CONTINUES TO END OF SYSTEM WITH THE AID OF LOW PRESSURE AIR ALL MATERIALS ARE COLLECTED POST SORTING + BAILED
2000
3000
lb/MWh
1400
1500
GWh
1400
1100
1000
1500
Waste
Coal
Waste
Yallourn Waste To Energy Facility & Soda Bar
700
300
Coal
W/T
1100
700
500
300
Coal
Waste
Coal
Waste
PRODUCTION OF METHANE CAUSES TURBINE TO SPIN THUS GENERATING ENERGY BIOWASTE STORED INSIDE COOLING TOWER
KERBSIDE WASTE COLLECTIONv 18% Green / Orgainc 28% Recyclable 54% Garbage
GREEN WASTE + BIOWASTE TRAVELS DIRECTLY TO YALLOURN WASTE TO ENERGY POWER PLANT
FERMENTATION TANKS SUPPLY WASTE WITH 02 + NO3 TO SPEED UP PROCESS
WASTE FROM MELBOURNE IS CARRIED OUT TO HAZELWOOD SORTING STATION
WASTE IS INCINERATED, ACTING AS A HEAT SOURCE TO MOVE A CLOSED SYSTEM OF STEAM PASSED A COLLECTION OF TURBINES
Melbounre CBD COMBUSTION BIPRODUCT CARBON DIOXIDE (C02) CAPTURED + FILTERED
C02 COMPRESSED + ADDED TO SODA
UNRECYCLABLE WASTE STORED PRIOR TO INCINERATION RE-PURPOSED CLAWS TRANSFER RECYCLABLES FROM TRAIN TO RECYCLE PITS
CONVEYOR BELTS CONNECTING HAZELWOOD TO MINE REARRANGED, PERFORMING AS A SORTING SYSTEM
CONVEYOR BELTS CONNECTING HAZELWOOD TO MINE REARRANGED, PERFORMING AS A SORTING SYSTEM
METAL MANUFACTURER PAPER MILL
GLASS BLOWER PLASTIC REFORMER SORTED GLASS REFORMED INTO BOTTLES FOR SODA
ARC 3002 | Monash University | 2017
04
* TOP PROJECT OF THE YEAR LEVEL AWARD *
Too Good To Waste A waste management network set out across two existing decomissioned power-plants in Latrobe Valley, which sorts out the municipal waste from the city into recyclable products that restarts it’s own industry,
The rich coal mining past of the Latrobe Valley has ended! what could be the future? This project tries to answer that exact question by ambitiously establishing a waste management system that establishes the Hazelwood power plant as a re-purposed sorting factory with an interactive learning space. The Yallourn power station is also re-purposed as a Waste incineration plant, a bottle making factory and an open Bar that serves filtered CO2 for their carbonated drinks. Ultimately this project tries to merge the utilitarian role of a waste management facility along with a tourism and educational side that seeks to inform the public and raise awareness of our consumption habits. An underlying theme however is the up-cycling of materials such as glass and metal that begin to kick-start their own industries (Morwell-Metal), which helps preserve the energy production identity of Latrobe Valley. PS - This was a group project in collaboration with Lindsay Mckittric & Annika Lammers.
Axonometric map of the project - Shams, Lindsay, Annika
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1980
Hazelwood Waste Sorting Facility Morwell Metal Industries
Metal
Paper
Welding & Soldering
Hybrid Perspective drawing - Shams
Plastic
1990
2000
2010
2017
CO2
POST -COAL
Yallourn Waste To Energy & Soda
Cyrup
Mixing Chamber CUB tanks
Fig 1.1
Glass Furnace
Glass
Fig 1.2
CO 2 LA
CO 2 LA
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Comissioned Work | Monash University | 2017
05
MUMA Art Collection Center A display space for the vast collection of artworks at the Monash University Museum of Arts which also functions as a study space.
The art collection center is a proposed space that fuses the study of artwork along with the display and storage of the extensive collection of paintings and sculptures at the Monash University Museum of Art. This was a project that I was commissioned to do in which I had to envision what the proposed spaces would look like through a series of rendered imagery and concept plans. The spatial outcomes was a dynamic one in which the processes involving the preparation of artworks prior to exhibitions was a key feature with which occupants and students could engage with and learn from the artwork in their various display setups in their native form in an un-prescriptive manner; almost as if it was an archive or a library for the artworks.
Section AA’
26700 A
A’
8000
30000
MUMA Collection Center - Revised Plan & Elevation
Proposed Plan for the whole scheme.
The group study space
Entrancy Lobby / Sculptural display
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‘Monts Et Merveilles’ - Jean Bocabeille Architects
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Other Works A research based analysis of JBA’s Monts Et Merveilles.
This first part shows a compilation of diagrams and drawings that analyses Jean Bocabeille Architect’s ‘Monts Et Merveilles’ in Paris. The series of diagrams were an integral part of a research unit that looked into dense housing precedents across Europe and Asia. This project is particular was signified by it’s mixed use in program, merging commercial and shared spaces with a residential super-block. The overall effect was this creation of a form that resembled a mountain with it’s cutouts and slants, and the Architects were cautious about providing a distinctive identity to each of the residents by using a warm color palette to inform the facade of the entire project as simultaneously unique and consistent.
Other Works | 2016
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900 residents
261 apartments
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= 10 people
6 5 4 3 2 1 G
53.52 m2 per person Site = 11,741m2
F.A.R - 2.27
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D12 PROJECT DENSITY AXONOMETRIC
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Monts Et Merveilles - JBA + Atelier du Pont
Apartments
Lift circulation
Church
Lobby / lounge
Cinema
1 Figure-Ground 2 Site-Context 3 Facade Expression 4 Typical section (program) 5 Floor Area Ration Axonometric 6 Concept Diagram
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7 Typical program (ground) 8 Typical Floor Layout 9 Typical Apartment Layout 10 Structure Diagram 11 Circulation Diagram
12 Typical program (upper floors) 13 Day/Night Zones 14 buffer Spaces 15 Sunpath Diagram 16 Ventillation diagram
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PROTTOY SHAMS Architecture Portfolio | 2018 p_shamss@hotmail.com 0412955122