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In this search she found TPRS (Teaching Proficiency Through Reading and Storytelling) which she considers is the most effective method that can be used for developing language competence and fluency in students today.
In this search she found TPRS (Teaching Proficiency Through Reading and Storytelling) which she considers is the most effective method that can be used for developing language competence and fluency in students today.
As an accomplished, dedicated educator, and now author that she is, Patricia Lewis is considered an invaluable asset in the field of education, a passion that has been part of her life for over 45 years. She has spent these years of hard-work and dedication in the following positions:
• Classroom Experience: 17 years
To continue perfecting the method she has attended three National TPRS conferences held in the United States and has been part of the planning committee for three TPRS Panamá Chapter Conferences in Panama City. She plans to continue perfecting the implementations of this method in order to help improve the way second languages are taught in Panamá.
• Elementary Assistant Principal: 9 years
• Principal (current position): 21 years
At present, Patricia Lewis is the principal of the Instituto Episcopal San Cristóbal. She holds a Masters Degree in Linguistics and English as a Second Language. She has been the recipient of many outstanding awards and medals for her hard work in the community and in education. Mentionable are: The Vasco Núñez de Balboa and Manuel José Hurtado Medals of Honor in 2003 and 2008, respectively.
Throughout her years at theInstitutoEpiscopalSanCristóbal, she was able to gather a wealth of experience to support her writing endeavors. One of the most important tasks required while in this position was choosing on the proper didactic materials or textbooks to be used at different levels. She is also a consultant/presenter in a wide array of workshops, conventions and seminars. As of now, she acts as a member of the Board of Directors of the Panama Chapter of TESOL (Teachers of English to Speakers of Other Languages) of which she’s a former President. She has attended more than 250 related workshops and conferences, experiences that have provided her with a broad framework of references and acumen in the field.
Her years of professional and personal growth include several degrees and certificates of participation and/or of merit: Bachelor of Arts with a Major in Education, University of Panama; Master of Arts with a Major in Linguistics, Nova University; Second Language Acquisition; and her latest two: Doctorate in Education of English as a Second Language and Doctorate in Education from the University of Los Angeles.
Being an advocate for language teaching, language acquisition, and language learning, she constantly searches for the optimal language teaching methods. While on this search, she found TPRS (Teaching Proficiency Through Reading and Storytelling), which, in her opinion, is the most effective method for developing language competence and fluency in students today.
To continue perfecting the method, she has attended seven National TPRS Conferences held in the United States and has been part of the Planning Committee for three TPRS Panama Chapter Conferences in Panama City. She plans to continue perfecting the implementations of this method, in order to help improve the way second languages are taught in Panama.
“TPRS is the most effective method that can be used for developing language competence and fluency in students today.”
Patricia Y. Lewis
Currently, Patricia Lewis is the principal of InstitutoEpiscopal SanCristóbal . She has been the recipient of many outstanding awards and medals for her hard work in the community and in education, namely: The Vasco Núñez de Balboa and Manuel JoséHurtadoMedals of Honor in 2003 and 2008, respectively.
Professor Lewis is the author of various ESL books: An A to Z Adventure at the Zoo Student’s Workbook, An A to Z Adventure at the Zoo Short Readings, My First English Adventure Student’s Workbook, and the series TPRS New English Adventure (from levels one to six). All of these educational publications are accompanied by a step-by-step teacher’s manual and several visual aids, as illustrated big books for storytelling, flash cards, and audio compact discs with poems and songs.
TPRS NEW ENGLISH ADVENTURES WORKSHOPS
Each teacher will receive training on TPRS and training on how to get the best results possible from working with this text.
TPRS NEW ENGLISH ADVENTURES STUDENT’S WORKBOOK LEVEL 2
A complete workbook with stories developed with illustrations, vocabulary, exercises, and sight words for speaking, reading, role playing, asking, and answering questions.
CDS FOR LISTENING AND ORAL PRACTICE LEVEL 2
Each text is accompanied by a CD for listening and oral practices. The CD contains the full stories and all of the practice exercises that should be done orally first, then in written form.
CDS FOR CLASSROOM ILLUSTRATIONS LEVEL 2
Each text is also accompanied by a CD that contains illustrations of the vocabulary, the structures, and the sequence of events in each story.
IIf you are looking for a text that helps your students stay engaged in their work at all times, develops their comprehension, works with vocabulary in context, follows a process to ensure language acquisition, addresses all learning styles and intelligences and helps students acquire grammatical structures among other things, then TPRS New English Adventures is the text for you.
This text is based on a methodology called TPRS which wascreatedby Blaine Ray inthe late nineties. According to him, this method is founded on the languageacquisitionhypothesisof Stephen Krashen, tempered in somebyrealities.
TPRS is developed upon three basic steps which are:
• Developing meaning
• Asking the story
• Reading These steps enable the teachers to work on comprehension, repetition, interest and reading. As a result, students will be able to acquire the vocabulary and structures needed to increase their reading comprehension and language fluency. Each text has eight mini stories and eight full stories that include the basic vocabulary and structures that are used in the mini stories. The mini story is developed in the past tense. The full story, which may add a few other vocabulary words, is developed in the present tense. This technique increases students’ practice.
TPRS
When using both tenses in sentences and stories, students will learn how to use them when using the language.
At the end of each story, there are a series of practice exercises that provide opportunities for comprehension development and proper or standard pronunciation. They also stimulate retelling, sequencing, and writing skills. We urge the teachers to take advantage of these suggestions to encourage their students to complete the written exercises in order to develop their writing abilities. In addition, we have included in all our readings a group of basic sight words that are found in all reading texts.
“We urge the teachers to take advantage of these suggestions to encourage their students to do the written exercises in order to develop their writing skills.”
To complement the text, we have prepared an audio CD which includes all the mini stories, main stories, and oral practice exercises that will reinforce students’ skills, listening, and speaking skills.
Practice the TPRS commands that appear in the story, and all other commands needed for comprehension of classroom instructions.
• Choose three structures from the mini story to establish meaning. Usetranslation,picturesor gestures.
• Circle, personalize and gesture the structures.
• As you circle and personalize the structures, present the other vocabulary words in the story.
• Add them to the basic structures, for students to become familiar with them.
• Use pictures, gestures or translations as you introduce them. Place them on the board in front of the class with their translations.
• Use the words several times.
The story is developed by asking about it, instead of telling it. Select a statement and ask questions related to it or in yes / no questions format. In order to get as many questions as possible, focus on the subject, the verb and then the complement. This can be done in any order.
TPRS NEW ENGLISH ADVENTURES TEACHER’S GUIDE
Using “Wh” questions
Ask “Wh” questions, and in order to ask even more questions, add variables (other words) to the main statements. This will help provide more repetition. Every time you ask a “Wh” question, point to the word on the board with its translation. During this process, make a brief stop, personalize various structures and do introduce pop-up grammar. Ask questions to help the students understand the grammatical concepts.
The teacher or a student reads a statement or a paragraph. Individual students or the whole group translates the statement or paragraph. The teacher personalizes the story, circles various structures and gives some attention to pop-up grammar. After the story is read, complete the practice exercises in the text. First, develop the exercises orally; then, do them in written form (which could be used for homework).
5. P.Q.A.
6. POP-UP
Refers to Personalized Questions and Answers.
When you personalize, you relate the structures to a student in the class. Use questions to work with personalization.
It is called Pop-up Grammar, because of the brevity of the time element involved in the explanation of the concept.
This refers to the teacher evaluating the student’s progress in order to determine how he or she may help the student improve. Assessment is also used to help the teacher determine the student’s level of comprehension.
The Barometer Student helps the teacher to determine how effective the story was comprehended. Use it to know how good or bad you are doing your presentations.
Assessment is also used to help the teacher determine the student’s level of comprehension.
The three basic steps for developingTPRSstoriesare:
• Developing meaning
• Asking the story
• Developing literacy or reading
Withthese basicsteps, the teacher is able to work on comprehension,repetition, interestand literacy.
TPRS NEW ENGLISH ADVENTURES TEACHER’S GUIDE
1- To begin, choose three to five structures or words.
2- Present the vocabulary words or structures to the class in written form or with pictures (beginners). Use gestures and translation to explain the meanings.
3- Ask yes / no questions pointing to the object, picture or word. Example: Isthisabook? Have students respond yes or no, or signal with their hands if the answer is yes or no.
4- Ask a “Wh”question Example: Whatishisname?, Whoisthis? , or Where istheboy? Have students respond with a word or a phrase.
5- Continue to present the other structures or words, repeating the question forms indicated above.
6- Review the meaning of the words or structures, by asking the students to identify them by giving the meaning in Spanish, or acting out the words.
7– Personalize the words by asking the students personal questions with the vocabulary words. For example “dog”. Ask, Whohasadog?, Whatisitsname?, etc. “Likes to go” Ask: Wholikestogo to….?
8- Signal the grammatical structures, explaining briefly. Contrast them and signal the differences. Have students observe and repeat. Examples: Like: Helikestogo. Iliketogo. An example of this would be: “I like to go,” which means “Me gusta ir.” Show the gestures by rolling both hands.
Askquestionssuchas: Whatdoes “Iliketogo” mean?, Whatdoes “liketo”mean?, WhatdidI say?,andsoon.
9- Keep going back and forth with yes/no and “Wh” questions, and also use gestures to help students learn the meanings of the words and structures.
ryQuestions and strategies to guide the students to the content of the story .
1- Present statement by statement, orally or in writing. Observe the following example:
There is a duck. Isthereaduck? Isthereadog? Istherea dogoraduck?Whatisthere?
Circling permits the teacher to work on repetition and motivation. Circling or asking questions should not be done in any specific order.
2- The teacher continues to develop or ask the story by using yes/no, and “Wh” questions. There should be approximately eight to ten questions per statement asked in any order. The teacher can also take the opportunity to signal grammar points, review gestures, personalize structures and assess comprehension of the structures.
3- To add repetition to the structures, the teacher can add a parallel character to the statement and ask the same questions, this time about the parallel character. Example: The name of a student in the class. Let’s say, if the story is about John’s car: John drives a Jaguar. The parallel character could be a boy named Peter. So, the statement would be Peter drives a Chevrolet.
John drives a Jaguar. Peter drives a Chevrolet.
• Does John drive a Jaguar?
• Does John drive a Chevrolet?
• Does Peter drive a Jaguar?
• Does John or Peter drive a Jaguar?
• Who drives a Jaguar?
• Who drives a Chevrolet?
• What does John drive?
• What does Peter drive? These and many other questions could be generated from the addition of the parallel character.
TPRS NEW ENGLISH ADVENTURES TEACHER’S GUIDE
1- This step has to do with reading the story. One way of doing this is by reading statement by statement, and asking the group what each sentence means. Ask the whole group as well as individual students. Remember to ask the questions according to the students’ ability. Obvious questions for low achievers, questions with a little more difficulty for the regular achievers, and the criticalthinking questions for the superstars.
2- Another way of reading the story is having the whole group read a statement or a paragraph while an individual student explains the meaning in Spanish.
1- Ask questions for all the students to respond oral- ly, in group and individually.
2- Use gestures for students to retell the story following the gestures. Accompany the gestures with questions for students’ participation
3- Place students in groups for them to look at pictures and retell the story together.
4- Vary the stories by having students change the names of places or things, points of view, tenses, etc., as they recreate or retell the story.
Assessment is used to evaluate the student’s comprehen- sion progress. The teacher should stop periodically, to check student’s comprehension of the story. There are several ways to do this.
1– In order to check comprehension, ask the students to show five fingers if they have understood everything.
2- Explain the evaluation scale in use. 1-5 (excellent), 1-4 (good), 1-3 (needs reinforcement)
Constant assessments help the teachers determine who are their barometer students. The barometer students are the students who have not comprehended or mastered the new structures (These are the students who help the teacher determine how much repetition is needed, and how fast or slow to develop the lesson.) Assessments help the teacher identify the barometer students. The whole story development should be done slowly. Teachers should observe students’ participation – and teach accordingly, as stated by Susan Gross, a TPRS expert.
TPRS NEW ENGLISH ADVENTURES TEACHER’S GUIDE
1- Signal the structures on the board and have students observe, repeat orally and use them correctly.
2- Use the structures in statements and underline them.
3- Contrast the structures and signal the differences to the students.
4- Always use the structures in context, because the structures should be meaningful at all times.
A brief way of attending grammatical structures
Example:
• What does like mean?
• What is the difference between like and likes?
• If likes means “le gusta” what does “le gustaba” mean?
• How do you say “a ellos les gustaba”?
• Does likes refer to one or two persons? How do you know?
This is the acting out of the story. The story can be acted out as it develops, during the retelling or after the retelling. Acting out the story is very important to TPRS, because it helps the students reinforce comprehension of the structure.
How to measure and evaluate grammatical knowledge
Structures
• Use in sentences
• Fill in the blank exercises
• Match with words or pictures
• Identification by underlining, circling, or drawing an “X”
Questions
Quizzes
Sequence
• Answer yes/no questions
• Answer “Wh” questions
• Short answers (one word phrases)
• Identify by numbers or letters
• Order the sentences sequentially
• Recreation of stories, changing tenses, points of view and characters
• Recognize the plot sections: beginning, middle, and ending of the story.
Dictation
• Words
• Sentences
• Sight words
• Correct spelling
• Usage of words in context
Illustrations
• Story vocabulary
• Sight words
• Sentences
•
Description
• Illustrated vocabulary of the story
• Story scenes
How to measure and evaluate grammatical knowledge
Structures
• Use in sentences
• Fill in the blank exercises
• Match with words or pictures
• Identification by underlining, circling, or drawing an “X”
Questions
Quizzes
Sequence
Spelling
Dictation
• Answer yes/no questions
• Answer “Wh” questions
• Short answers (one word phrases)
• Identify by numbers or letters
• Order the sentences sequentially
• Recreation of stories, changing tenses, points of view and characters
• Recognize beginning, middle, and ending
• Words
• Sentences
• Sight words
• Correct spelling
• Usage of words in context
Illustrations
• Story vocabulary
• Sight words
• Sentences
•
Description
• Illustrated vocabulary of the story
• Story scenes
TPRS NEW ENGLISH ADVENTURES TEACHER’S GUIDE
OBJECTIVES:
• Identify story elements
• Compare setting and characters
Teachers can use this scheme to introduce the literary analysis
◼ Title and Author:
I. Setting: Where? ______________________________
How is the conflict resolved? Resolution How does the story end?
Basic situations Who?What?
Who are the characters?
What does the character want? Here we can find the problems or the conflict.
How is the conflict resolved?
How does the story end?
The person who tells the story determines its point of view. - Personal (1st person point of view): “I did…”, “I went…” - -Other perspectives (3rd person point of view): “He did…”. “He went…”
Tom the cat could not meow.
NOUNS/ PRONOUNS
ACTION WORDS
Tom liked to everyone greeted cat got up evening tried up night to say day saw morning began to moon meow friends look at
1. Present the vocabulary words and pictures from page 5, and practice orally several times. Do practice exercises on pages 5 and 6.
2. Create a gesture for each verb or adjective. Maintain the same gestures throughout the book.
3. Teach the present tense first and practice with gestures.
4. Match the words with the illustrations.
5. Do the gestures with the students to reinforce and check comprehension of the verbs.
6. Practice the present and past tenses of the verbs. Use the thumb finger to signal backwards, a gesture to indicate the past tense of the verb. Always teach the present tense first, and then teach the past tense. Practice both tenses with gestures.
7. Read the mini story aloud, and have the students act out the verbs as they hear them.
8. Prepare questions to circle or practice the statements.
• Present the vocabulary words and pictures from page 7, and practice orally several times. Do practice exercises on pages 7 and 8.
• Create a gesture for each verb or adjective. Maintain the same gestures throughout the book.
• Teach the present tense of the verb first and practice with gestures.
• Write the words in red on a flash card, and read aloud several times.
• Do the gestures with the students to reinforce and check comprehension of the verbs.
• Practice the present and past tenses of the verbs.
• Use the thumb finger to signal backwards, a gesture to indicate the past tense of the verb. Always teach the present tense first, and then teach the past tense. Practice both tenses with gestures.
• Read the mini story on page 9 aloud, and have the students act out the verbs as they hear them.
• Prepare questions to circle or practice the statements.
• Finally, do practice exercises on pages 10-12, first orally, then in written form.
TPRS NEW ENGLISH ADVENTURES LEVEL 2 TEACHER’S GUIDE
Ask the following questions for the students to answer in unison or individually:
• Who has a cat at home?
• What is the color of your cat?
• What is its name?
• What does your cat like to do?
here was a cat. His name was Tom. Tom liked to meow all the time. That is how he greeted everyone. He got up one morning, and he tried to meow to say “Good morning,” but he could not. He went outside in the evening, and he tried to greet his friends with a meow, but he could not. In the night, Tom went out and he looked at the moon. Tom said “Meow!” to the moon. Tom began to meow all day long. Tom was happy.
Student’s book page 7
Problem Maggie cannot see her cat Cuky.
• Name parts of the house and furnishing
• Identifying colors.
• Use possessives.
• Describe emotions and feelings
• State chronological order of events
• Answer to questions with “What,” “Who,” “Where,” and “When” question words
• Answer yes/no questions
fairy
cannot see Maggie sits on house goes to pencil screams meow cat gets angry
living room takes out sofa turns into bedroom bed
P.Q.A means Personalized Questions and Answers. Use it to reinforce the comprehension of question words and answers. Practice switching the pronouns that you worked with. Explain the meaning of the word “what” in the students’ native language, then ask the questions: Where do we see fairies? What fairy story do you remember?
There is a fairy. Her name is Maggie. Maggie’s house is completely blue inside and outside. She has a cat. Her name is Cuky. Cuky is blue all over, too. Maggie cannot see Cuky. When she goes to the living room and sits on the sofa, Cuky screams “Meow.” When she goes to the bedroom and sits on the bed, Cuky screams, “Meow” again. Maggie gets angry and takes out her magic pencil, and turns the house into different colors. Now, Maggie can see Cuky wherever she goes.