Fulchersu17 single by Randy Dunbar

The Glamorous Fashion Photography of:

Mario Sorrenti 1

Entitled. Magazine

Entitld. Table Of Contents Letter from the Editor Start (9-12) -Food, Travel, 5th Floor

Summer Must haves (14-15) Fashion Forward (17-29) Janelle Monae (30-43) Sugar Coated (44-49) Finish (51)

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Editor in Chief, Savann Fulcher Creative Director,

Solving Fashions Mysteries...

Randy Dunbar Fashion Director, Tonne Goodman Features Director, Eve MacSweeney Market Director, Fashion and Accessories, Virginia Smith Executive Fashion Editor, Phyllis Posnick Style Director, Camilla Nickerson International Editor at Large, Hamish Bowles

Fashion News Director, Mark Holgate Creative Digital Director, Sally Singer Creative Director at Large, Grace Coddington

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Letter from the

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Entitled. Magazine is for the ignored. Entitled showcases millennial fashion designers on the rise. Unlike other magazines who only focus on classic famous designers, Entitled gives the proper exposure to millennials. Often millennials have to work twice as hard to only amount to half of what other generations have. This magazine is a beacon of hope for all young designers. The name Entitled. was created to mock older generations calling millenials. The period emphasizes the fact that we should feel â&#x20AC;&#x153;entitledâ&#x20AC;? because of how hard we work. Entitled. features current fashion trends, and fashion moguls.

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Food Travel 5th Floor

SLICE SLICE BABY IS HEALTHY FOOD REALLY HEALTHY...

submit to you that our beloved kale salads are not “healthy.” And we are confusing ourselves by believing that they are. They are not healthy; they are nutritious. But the kale on your plate is not healthy, and to describe it as such obscures what is most important about that kale salad: that it’s packed with nutrients your body needs. But this is not strictly about nomenclature. If all you ate was kale, you would become sick. Nomenclature rather shows us where to begin. “ ‘Healthy’ is a bankrupt word,” Roxanne Sukol, preventive medicine specialist at the Cleveland Clinic, medical director of its Wellness Enterprise and a nutrition autodidact (“They didn’t teach us anything about nutrition in medical school”), told me as we strolled the aisles of a grocery store. “Our food isn’t healthy. We are healthy. Our food is nutritious. I’m all about the words. Words are the key to giving people the tools they need to figure out what to eat. Everyone’s so confused.”

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Food Travel 5th Floor

DUBAI BYE BYE

DON’T KEEP DUBAI WAITING..

ubai, with its various attractions, shopping centres and extravagant hotels, has traditionally positioned itself as the world’s playground for the rich and famous. With two new gigantic theme parks and flights to Dubai from £380 return, they want to attract families too. The new £3bn Dubai Parks and Resorts resort on Sheikh Zayed Road opposite the Palm Jebel Ali opened on October 31st and is hailed as the Middle East’s largest multi-themed theme park. It is hoping to attract more than 6 million visitors every year to visit the Motiongate park featuring Hollywood characters, Bollywood theme park and its rides and attractions based around blockbusters from the Indian film industry, and Legoland park which also has a water theme park. Between them there are 100 rides, shows and attractions spread over 30.6 million square feet.

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Alexander Wang 11

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Food Travel 5th Floor

THROUGH THE WINDOW Featured Window displays

indow display is the fine art of displaying store merchandise in the store window. Window display is also emerging as the new mantra in retail and is fast changing from a dull, uninteresting exhibition of wares in the store window to a dynamic form of advertising. Retailers are recognizing the importance of window display as the first point of contact between the store and the customer and a chance to create the most critical first impression on the customer. Developed countries look at window display as a critical tool of marketing; however, in India, it is still an emerging concept. One of the most creative and fun aspects of running a pop-up shop is managing the visual merchandising elements of the retail environment. One of the things youâ&#x20AC;&#x2122;ll want to do repeatedly while constructing your window display is taking a moment to step out onto the street and really give your window a good look.

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Entitled. Summer Edition

Fashion is in the eye of the Photograper 17

Entitled. Magazine

Photographer Edition

Mario Sorrenti exploded on to the

fashion scene in the 1990s, largely due to his sexually charged editorial work, published in American and Italian Vogue and Harperâ&#x20AC;&#x2122;s Bazaar.

Written By: Harper Sandoval

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orrenti cemented his place at the top of the industry by shooting Kate Moss in Calvin Klein ’s iconic Obsession campaign. In 2012 alone, Sorrenti shot for Vanity Fair, Vogue Hommes, W, The New York Times T, W, Self Service and the French, Italian and Japanese editions of Vogue. Unsurprisingly, Sorrenti’s commercial work is equally popular. His advertising clients include Chanel, Hugo Boss , Max Mara, Kenzo and Barneys New York . In 2011, Sorrenti published Draw Blood for Proof, a one-to-one reproduction of an exhibition he put on in 2004. “The work comes out of the first 10 years of my photographic career — probably the most intensely creative time I’ve had,” he told Interview magazine. “I was shooting Polaroids all the time, I was creating diaries, I was painting, I was drawing. My work was- my life, and my life was my work, and there was a kind of blur between reality and what was being created.” The powerful, unusual and often raw imagery perfectly encapsulates the photographer’s unique ability and aesthetic. In 1993, a picture of his naked girlfriend was all it took to launch then 21-year-old Mario Sorrenti’s explosive career in fashion photography. Of course, it helped that his girlfriend was Kate Moss, and that the piercing image was for Calvin Klein’s iconic Obsession campaign. Now, almost 20 years later, Sorrenti’s bold, sensual images frequent Vogue, Vanity Fair, Interview, and W, for whom he recently shot a cover with the Fanning sisters. The Italian-born, New York-raised photographer is famed for his ability to capture the vulnerable beauty of nude models with his lens. So it’s no surprise that Sorrenti, who now lives in New York with his wife, Mary Frey, and two children, was tapped to shoot the 2012 Pirelli calendar. Working as a model in his youth, Sorrenti, whose Mediterranean good looks often rival those of his subjects, spent his fair share of time posing (sometimes nude, sometimes not) for the cameras of Richard Avedon, Bruce Weber, and Steven Meisel. Perhaps these experiences are what

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help him to connect with the models he photographs. Although, he admits, he’s not sure exactly how it happens, Sorrenti forges an intimate bond with his subjects; he creates an ease on set that translates into raw intensity on the page- This is precisely what we see in the Pirelli calendar, which, released Dec. 6, the photographer titled “Swoon.” Inaugurated in 1964, the seductive calendar is only gifted to an exclusive list of celebrities and Pirelli’s VIPs. In previous years, its pages, always graced by scantily clad (if that) supermodels and starlets, have been snapped by greats like Hans Feurer, Peter Lindberg, Mario Testino and Karl Lagerfeld. Needless to say, that’s a pretty intimidating list of predecessors. But shooting the likes of Isabeli Fontana, Natasha Poly and yes, Kate Moss, in the ethereal wilderness of Corsica, Sorrenti—who is, funnily enough, the first Italian photographer ever to shoot the calendar—more than held his own. Milla Jovovich, Lara Stone, and Joan Smalls become one with the landscape as they perch beneath the soft shadows of branches or arch across jagged cliffs. Clothed in nothing but their own skin and flecks of sunlight, each of Sorrenti’s 12 sirens radiate an empowered elegance and pure sexuality. Here, the mega-photographer talks

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THE story behind how the Kate Moss Calvin Klein Obsession campaign - her first major international moment - came about is legend: Klein himself recognized that photographer Mario Sorrenti, Moss’s thenboyfriend, was “obsessed” with her from the intimate pictures that filled his book and enlisted him to capture her on a holiday that the company arranged. The model’s perspective of the shoot that ensued, however, has never been revealed until now. Her nude perfume campaign for Calvin Klein’s Obsession saw her soar to fame in 1993. And Kate Moss was reunited with the photographer who shot the ad, her ex-boyfriend Mario Sorrenti on Thursday. Attending the launch of the fragrance at London’s Spencer House, the 43-year-old supermodel looked radiant as she cosied up to her former flame.

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he photographer told Interview "I'm pretty open. I'm not afraid of men. I'm not afraid of women. I'm not afraid of sex and sexuality.  It's part of me, and it comes out in the photograph. It's as if at that moment when I'm taking pictures, I'm not a man and I'm not a woman. If I see a moment that seems true to me, that seems honest, whether it's female or male, it's part of me as well.”

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to Interview about playing in the nude, the calendar, and his “very personal” new project. KATHARINE ZARRELLA: What do you feel separates your work from that of other photographers? What are you all about? MARIO SORRENTI: I don’t know! [Laughs] Those are questions that you should ask other people. I mean, I guess my work is described a lot of the time as very sensual and sexy. When I take a picture, I’m very focused on trying to discover something about a person. Or about an idea. I try to be quite successful at it. ZARRELLA: Now, you were born in Italy and grew up in New York. Considering the idea of a New York- woman and the idea of an Italian woman are both very strong in different ways, how do you feel that has influenced your perspective? SORRENTI: Good question. They’re- 2004. “The work comes out of the first 10 years of my photographic career — probably the most intensely creative time I’ve had,” he told Interview magazine. “I was shooting Polaroids all the time, I was creating diaries, I was painting, I was drawing. My work was my life, and my life was my work, and there was a kind of blur between reality and what was being created.” The powerful, unusual and often raw imagery perfectly encapsulates the photographer’s unique ability and aesthetic. In 1993, a picture of his naked girlfriend was all it

very different. I try not to let the material aspects of

photograph the people who were around me. I was so

woman.

with me everywhere,

of the person I’m photographing.

Whether it’s a man or a Wherever they’re from, I try not to let social status or cultural background affect me or affect the person. I

obsessed with photography at the time that I carried a camera

24 hours a day. I just took thousands

and thousands of pictures of everybody around me—friends,

strip all those things away to get down to the essence of the

girlfriends, whatever was happening, I always had my camera

be, whether it’s sexuality, whether it’s sadness or a pain or a

stopped. I had kids and there seemed to be no more time, and

human being, the person, the woman and what her beauty may

smile or happiness. I focus on and tune into whatever it may be that seems to be quite powerful in that person at the moment.

The essential part of who they are as a person, that’s what I focus on. Even when I’m doing a fashion picture, I still try

and go beyond the clothes or beyond the handbag to reach the person.

ZARRELLA: How do you achieve that? Would you say you have a method or do you think you have a natural connection with your subjects?

SORRENTI: It’s not a method. It’s just a relationship. It’s a communication that’s very natural. We talk about it. I talk about the things that are not important to me in the photograph and the things that I would like to focus on. I try to make the subject very comfortable so they’re able to feel at ease and reveal themselves and so on. There has to be some trust on both ends. I think somehow the subject comes to trust me or I need to win that trust. I don’t know how it happens. I just direct them slowly away from the things that might be making them nervous or whatever might be in our way at the moment.

ZARRELLA: Obviously you’re famous for your nudes. Do you

remember the first time you saw a naked woman?

SORRENTI: To be honest with you, when I was young, my

mother and my father were hippies and we grew up naked.

We’d spend most of our summers running around naked on the beach. Until I was 9, 10 years old, I remember just being naked on the beach and stuff. I’ve always been surrounded by nudity. I’ve never had a problem with it. ZARRELLA: Speaking of your childhood, you began documenting your life through photographs when you were young.

Can you tell me a bit about that?

SORRENTI: I started taking pictures when I was 18

and basically, the first thing that I started to do was to

different cultures distract me from getting to the essence

on me. I did that until about

10 years ago, and then I just

stopped carrying a camera around.

ZARRELLA: Would you ever pick that up again? SORRENTI: Yeah. I think about it all the time. Because when I’m walking down the street, I see something, or when I’m in an elevator or somewhere, I always see these incredible things happening, these moments, these photographs, and I’m always like, “Damn, I’ve got to start carrying my camera around with me again.” I should do something that’s about these moments that you see randomly when you’re walking around. So yeah, I would like to do that again. ZARRELLA: The list of photographers who have shot the Pirelli calendar is quite prestigious. And it includes Bruce Weber, who you’ve noted is one of your mentors. What was your reaction when you learned you’d be shooting the calendar? SORRENTI: I was super excited, and the funny thing is that it’s been a couple of years in the making. They contacted me a few times before this and it didn’t end up happening. And I was quite let down when it didn’t happen. And when they said, “Oh, we’d like to meet again, we’d like to talk again,” I was like, “Oh, OK. One more time.” And then when they decided to go with me, I was super excited. ZARRELLA: Do you know what happened the first few times,

or was it just not in the stars?

SORRENTI: I guess so. Maybe they didn’t feel at the time that what I wanted to do was appropriate for them. I don’t know what it might have been. I have no idea. ZARRELLA: You were recently quoted as saying that you How, in your opinion, do you make a gaggle of naked supermodels not appear sexy? didn’t want the calendar’s images to be sexy.

Entitled. Magazine

took to launch then 21-year-old Mario Sorrenti’s explosive career in fashion photography. Of course, it helped that his girlfriend was Kate Moss, and that the piercing image was for Calvin Klein’s iconic Obsession campaign. Now, almost 20 years later, Sorrenti’s bold, sensual images frequent Vogue, Vanity Fair, Interview, and W, for whom he recently shot a cover with the Fanning sisters. The Italian-born, New York-raised photographer is famed for his ability to capture the vulnerable beauty of nude models with his lens. So it’s no surprise that Sorrenti, who now lives in New York with his wife, Mary Frey, and two children, was tapped to shoot the 2012 Pirelli calendar. Working as a model in his youth, Sorrenti, whose Mediterranean good looks often rival those of his subjects, spent his fair share of time posing (sometimes nude, sometimes not) for the cameras of Richard Avedon, Bruce Weber, and Steven Meisel. Perhaps these experiences are what help him to connect with the models he photographs. Although, he admits, he’s not sure exactly how it happens, Sorrenti forges an intimate bond with his subjects; he creates an ease on set that translates into raw intensity on the SORRENTI: It’s funny, because I’ve realized that that’s a very personal view. A lot of people have come up to me and said that the images are very sexy. When I was taking the photographs, I realized that I could do something really overthe-top, something that really pushed the sexuality aspect of the shoot. I was going to use clothes to heighten [the sexuality] even more by not revealing so much, or wetting the clothes and doing all that stuff. I started doing that the first day and then as the day went on we said, okay, let’s just try doing some nudes and we took all the clothes away and focused on the body. Sometimes it was very sculptural. Sometimes it was just very simple. •

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SORRENTI: It’s funny, because I’ve realized that that’s a very personal view. A lot of people have come up to me and said that the images are very sexy. When

I was taking the photographs, I realized that I could do something really over-the-top, something that really pushed the sexuality aspect of the shoot. I was going to use clothes to

Entitled. Magazine

Janelle Monรกe Janelle Monรกe Robinsonborn December 1, 1985 is an American singer, songwriter, actress, and model signed to her own imprint, Wondaland Arts Society, and Atlantic Records. After making a mark with her first unofficial studio album, The Audition, she publicly debuted with a conceptual EP titled Metropolis: Suite I (The Chase), which peaked at number 115 on the Billboard 200 in the United States.

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Janelle Monáe’s Black-and-White Wardrobe Is Everything!

anelle Monáe wears many hats: critically acclaimed musician, actress in awards season contenders like Moonlight, and fashion risk-taker. Though Monáe has never been afraid to approach a new trend, or experiment with unique pieces, there is one constant that runs through her eclectic wardrobe. Sticking to the color scheme of black and white (and the occasional hint of gray), Monáe and her stylist, Maeve Reilly, create a striking and completely distinctive look. Other singers may play with poppy shades and kaleidoscopic prints, but Monáe keeps things simple, graphic, and delightfully offbeat in a deliberately limited palette. Though she’s worn some variant of her monochromatic look for years, Monáe kicked things into high gear during the press tour for her latest film, Hidden Figures. Whether she was stepping out in wide-leg striped pants from Tome at yesterday’s London screening, wearing a diamond-patterned Lela Rose dress to Variety’s Creative Impact Awards, or arriving at the Palms Springs International Film Festival in sumptuous color-blocked Jenny Packham, Monáe stood out. Avoiding the usual red carpet suspects in favor quirky pieces that speak to her aesthetic, Monáe has become the rare celebrity

whose look isn’t dictated by brand allegiance. Taking things full tilt by playing with her beauty signatures, Monáe decorates her hair with gold spirals, safety pins, and even googly eyes straight from the crafts store. When paired with a signature red lip, the hair accessories add caprice to each outfit and a sense of possibility. For a star who can turn even commonplace addons into conversation pieces, there are no style limitations. So what’s the story behind Monáe’s colorless closet? The decision to wear fewer shades has a lot to do with the inspiring women in her life. “I’m a minimalist by heart, but a lot of it had to do with me wanting to have a uniform like the working class, like my mom and my grandmother,” Monáe told the Huffington Post back in 2013, explaining that her goal wasn’t just to be well-dressed but to have a uniform that connects her to her roots, too. Still staying true to that sentiment, Monáe has crafted one of Hollywood’s most individual wardrobes and a fashion sensibility that’s about more than a moment.

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"You are only as beautiful as the many beautiful things you do for others without expectation. " -Janelle Monae

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SUGAR COATED The daily dose of Sugar for your nails...

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The daily dose of Sugar for your nails...

harm no foul right? If you don’t absolutely love it,

may help pull your outfit together. Wanting more?

who says you have to keep them? Changing up your

Try going for a slightly neutral color as your base

look is as simple as a quick change of color. Recently

to keep the nails from looking too out there, and

‘bubble nails’ became trendy but were definitely a

then pile on the sprinkles. Not really, but feel free

matter of taste. Followers of this trend applied acrylic

to add any cute decals, and if you’re feeling daring

to their nail tips in the shape of bubbles. While most

go all out! Kawaii nails are great inspiration as well,

people did not understand the trend, those who

these designs include sugar, spice, and everything

were daring enough to try it knew they had nothing

nice and that’s not an exaggeration. Although they

to lose. We can all agree that commitment isn’t for

are best known for their use of 3D bows, hearts, and

everyone, especially when you are someone who

pearls, Kawaii nails incorporate everything from

changes their mind as much as they do outfits.

animal shapes to fruit slices. Don’t bother planning

Luckily unlike a new hair color, your nails can change

your designs, just have fun, and change up the colors

as often as you like! After all, nails can be one of your

and the patterns on each nail and grab yourself some

best accessories.Still not sure what to do with your

cool 3D accessories!The possibilities are endless

nails? Use your nails to complete your outfit! If you

and you can never go wrong. Nail design is an art

find that your wardrobe tends to fall in the neutral or

form and you are the artist, so take your canvas and

dark tones color pallets, throw in some color. Maybe

create something that speaks to you! The meaning

you would never wear a highlighter yellow blouse,

of the manicure has been transformed in the last few

but having that color as an accent on your nails

years. Until recently, painted nails were a symbol of

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U S VI

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U S 48

D E T D A E O T C A R O A T C G A U S AR CO E The daily dose of Sugar for your nails...

classic,

grown-up

elegance.

Traditional

shades with timeless names – pillarbox red, or

T G R A U S GA CO A ballet-slipper pink – dominated the market. But the boom in nail art and the trend for eyebrow-raising colours – like steel grey, neon tangerine and moss green – have turned the

rules upside down. Nails have never been so

high profile in fashion and in popular culture and a new generation of young women are

using nail polish to express their individuality,

O C A U AR COAT G R O U GA C R C their fashion savvy, creativity and even their

U S GAR

humour. Nail art – the painstaking business of

painting and gluing designs and tiny jewels onto nails often lengthened with extensions

to create a larger canvas – has its roots in small local salons, but has rapidly become big business and a favourite of female

celebrities from the worlds of music, sport and fashion. Last year, the American singer Katy Perry attended the MTV awards with a custom-painted manicure in which the names of each single from her most recent album

were represented on different nails. Rihanna

has been photographed with hundreds of different eye-catching manicures, from Acid House smiley faces to sharpened metallic

talons. Fresh from the manicurist, many

Instagram their new looks around the world. At the 2012 Olympics, patriotic nail art was the trend to sweep the park, with Rebecca

Adlington’s union flag nails competing for

attention with US swimmer Missy Franklin’s stars and stripes

•

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Until Next Time... 51

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