TONIC SOL-FA • JUDY COLLINS • DUO CLASSICA-GERMAN INSPIRATIONS • GUYS AND DOLLS IN CONCERT • COWBOY CHRISTMAS WITH SONS & BROTHERS AND BUCKAROO POET WADDIE MITCHELL • EATING WORDS • COLORADO SYMPHONY-BRANDENBURG CONCERTOS • VIVE LA FRANCE • SWING XING! THREE GENERATIONS OF SWING GUITAR • SERENADE • CJRO A NIGHT IN NEW ORLEANS FEATURING BYRON STRIPLING • 80S NIGHT • CJRO MUSIC OF THE WOODY HERMAN ORCHESTRA FEATURING PETE OLSTAD• SEASONS OF BROADWAY • YESTERDAY & TODAY, THE ALL REQUEST BEATLES TRIBUTE • COLORADO SYMPHONY HOLIDAY BRASS BEETHOVEN’S BIRTHDAY CELEBRATION • ARIAS AND ENSEMBLES & ROMEO AND JULIET OPERA COLORADO YOUNG ARTISTS PROGRAM • SONGS OF LOVE WITH MARK MASRI • HOME FOR THE HOLIDAYS • BUNTPORT THEATRE-YESTERADO • AN EVENING WITH NATHAN GUNN & PIANIST JULIE JORDAN GUNN • STEVE TRASH THE SCIENCE OF ECOLOGY • COLCANNON • THE MOTONES • CJRO-THE GREAT LADIES OF JAZZ FEATURING VOCALIST KIM NAZARIAN • IGOR BUTMAN & THE MOSCOW JAZZ ORCHESTRA • THE 39 STEPS • YELLOWJACKETS • WONDERBOUND BOOMTOWN • JIM HENSON’S DINOSAUR TRAIN LIVE: BUDDY’S BIG ADVENTURE • JAZZ IN THE AFTERNOON • CONJURE • FANCY NANCY • CJRO-BIG BAND CHRISTMAS • COLORADO SYMPHONY-BEETHOVEN’S SYMPHONY NO. 5 • NUTCRACKER BY CLASSICAL BALLET OF COLORADO
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10075 Commons Street, Lone Tree, CO 80124 Box Office: 720.509.1000 www.LoneTreeArtsCenter.org
SEASON SPONSORS
The Lone Tree Arts Center is owned and operated by the City of Lone Tree.
Michael R. Harris and Charlotte Min-Harris FAMILY & EDUCATION PROGRAMS SPONSORS
LONE TREE CITY COUNCIL Mayor Jim Gunning Mayor Pro Tem Jacqueline Millet Councilmember Harold Anderson Councilmember Kim Monson Councilmember Susan Squyer
LONE TREE CITY MANAGEMENT City Manager Seth Hoffman Deputy City Manager Steve Hebert
The Tappan Foundation SEASON MEDIA SPONSOR
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LONE TREE ARTS CENTER
PLEASE NOTE Late seating is at the discretion of the House Manager and may not be available at all performances. Children are welcome in our theater, but bringing infants to a performance is highly discouraged, as they can become a distraction to performers and other audience members. Each individual must be ticketed to enter the theater.
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LONE TREE STAFF LISTINGS Lisa Rigsby Peterson, Executive Director, helped open the Lone Tree Arts Center in 2011 as its first Executive Director. During her twenty-eight year career in performing arts management, she has worked for many of Colorado’s leading cultural organizations, including The Denver Center for the Performing Arts, Opera Colorado, Curious Theatre Company, the Colorado Children’s Chorale, and PHAMALY. Lisa has served on the Board of Directors for Curious Theatre Company, the national Executive Committee of the League of Resident Theatres, and the national peer review panel for Theatre Communications Group’s Fiscal Survey Committee. She served as the International Tour Coordinator for the DCPA/Royal Shakespeare Company production of Tantalus, and worked with the London International Festival of Theatre and the Theatre Royal, Plymouth (UK). A Colorado resident since 1975, Lisa is a graduate of the University of Colorado and the Yale School of Drama.
Paul Ackerman, Technical Director, is a native of Long Island, NY. Paul received his degree in Technical Theatre and Design from the University of Virginia. He has worked in Atlanta with The Alliance Theatre/Atlanta Children’s Theatre, Atlanta Ballet, and the Georgia Institute of Technology where he participated in the 1996 Cultural Olympiad. Paul joined the team at the Lone Tree Arts Center prior to its opening in 2011 after serving as the Senior General Manager of Production for Blue Man Group.
organizations as Nederlander Alliances, Center Theatre Group, Alley Theatre, and Arts Club Theatre Company. Katie currently sits on the Public Awareness committee for the Scientific & Cultural Facilities District and is actively involved in the arts and cultural community here in Denver. Originally from the Midwest, Katie has lived in Colorado since earning her BA in Arts Administration & Theatre from Drury University in Springfield, MO.
Jeannene Bragg, Operations Director, has over 20 years of experience in arts and local government administration in Colorado. Prior to joining the team at LTAC, she served as Director of Artistic Partnerships and Strategic Initiatives at the Colorado Symphony. She also worked for the Town of Parker for 18 years in a variety of roles including Town Administrator; she oversaw the planning, funding, design and development of the Parker Arts, Cultural and Events (PACE) Center. Jeannene holds an MA in Arts Administration and a BA in Theatre. She is a practicing theatre artist and writer whose work can be seen at The LIDA Project, a meta-media arts collective, in Denver.
Lesley Colwell, Special Events Coordinator
Katie Maltais, Marketing Director, joined the Lone Tree Arts Center staff in early 2012. Before coming to LTAC, Katie worked for the international consulting firm TRG Arts where she was the Manager of Accounts and Services. She has a broad range of marketing experience with fine arts venues, working with such notable 6
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Stacie Cisco, Rentals and Events Coordinator Ashley Vander Weg, Box Office Manager David Laird, Assistant Box Office Manager Jen Kiser, Assistant Technical Director Chris Husted, Rental Events Technician Kathy Denzer, Administrative Assistant Kara Schmahl, Marketing Administrative Assistant Technical Staff: James Bryant, Mallory Hart, Don Post, Brett Ranieri, Randy St. Pierre, Rick Thompson House Management & Box Office Staff: Ken Fisher, Bonnie Kobzoff, Jim Murphy, Robin Scurto, Thaddeus Valdez Bar Staff: Camille Collett, Richard Davis, Linda Foreman, Michelle Hendershott, Krista Johnson, Charine Lung, Melani Shulla
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Proud supporter of the Lone Tree Arts Center’s 2014–15 season of dance, theater, music and performance
The arts enrich us all.
Brian Folkerts, CFP® Branch Manager Lone Tree Branch 9899 Schwab Way Lone Tree, CO 80124 (720) 895-3416
Schwab is pleased to support the Lone Tree Arts Center. Investing isn’t the only thing we’re passionate about—which is why we support the arts as fervently as we do. For passionate help managing your financial life, stop by our branch, visit Schwab.com, or call (720) 895-3416.
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Lone Tree Arts Center is not affiliated with Schwab or any of its subsidiaries or affiliates. ©2014 Charles Schwab & Co., Inc. All rights reserved. Member SIPC. CS19752-24 (0414-2421) ADP81930-00 (07/14) https://client.schwab.com/Public/BranchLocator/BranchDetails.aspx ?BranchID=1290 (Lone Tree, CO)
SMIRK
Spotlight on...
In December of 2013, the Lone Tree Arts Center held our first sensory-friendly performance. A special evening of Home for the Holidays included house lights that were only dimmed halfway, sound turned down, and waving hands instead of clapping. The show was modified in lots of ways to avoid startling noises or lights.
Friendly) Family Tree, we will be working with regional and national partners to make sure we get the modifications right to serve this population. We’ll also be working with local partners like Developmental Pathways and Jewish Family Services to share the word about this important new service to our community.
“When the show ended, we were flooded with messages on the phone, over email, and in person from those that attended,” says Executive Director Lisa Rigsby Peterson. “People had their first opportunity to bring children and family members to the theater without fear of judgment from other audience members or embarrassment if something happened. It was an exhilarating experience for people to see their child experiencing live entertainment for the first time, singing along, and filled with joy. We believe the arts are for everyone and we saw there is an entire community we could be serving.”
We hope SF Family Tree is just a jumping off point. It’s our hope that arts colleagues throughout the metro area begin offering sensory friendly performances. There are already a few programs in place, but we hope to help lead the charge in making the arts a vital part of every person’s life, no matter what the circumstances.
This season, LTAC has doubled down on its commitment to serving this audience, starting a new series to provide sensory-friendly, relaxed performances to individuals with intellectual or developmental disabilities. Called SF (for Sensory 12
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Our next SF Family Tree performance is Sunday, December 21 at 7:30pm – a sensory friendly showing of Home for the Holidays. Please invite those you know that would love a chance to enjoy a live performance, just as they are, to join us. We are also looking for generous donors to help keep our sensory friendly programs affordable. If you are interested in learning more about this new LTAC initiative, please call Lisa Rigsby Peterson at 720-509-1010.
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Home for the Holidays
Where are they now? In just three and a half years, the LTAC has grown… and grown! Many of you have been with us since we were nothing but a concrete slab. Some of you are coming through our doors for the first time. We need and appreciate you all. We can’t thank you enough for embracing the Arts Center, telling your friends, and helping us grow to serve the entire region. Here’s a quick look at where we are now.
Number of Performances
60
118
129
130
8,400 5,400
Tickets to Children’s Performances
14
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1,200
10,000
Nutcracker
SMIRK
700
1,000
2,100
3,200
Tickets to Senior Performances
Total Tickets Sold
14,000
2011
Number of Art Exhibitions
1 2011
20,500
2012
2 2012
29,000
2013
34,200
2014
5
8 2013
2014
*all calculations are based on shows presented by LTAC and do not include income or tickets from rental events **2014 numbers are projections www.LoneTreeArtsCenter.org
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Monday-Friday 7am - 8pm / Saturday 8am - 5pm / Sunday 10am - 5pm Colorado Community Media is proud to present the Winners of the 2013 Best of the Best as voted by readers in 18 of our community publications. Use the color-coded key to the right to help you find your local favorites in each category.
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Home for the Holidays
Give a memory, not a trinket. This year, spread holiday cheer to everyone on your list. Tickets and gift cards available now!
Timmy, age 4 Let them see their undisputed heroes up front in Dinosaur Train LIVE, January 9-10. They’ll never forget it. Stocking stuffers are easy with $3 Seedlings tickets!
Maddie & Jake, age 13 & 16 Take this hard-to-please age group for the magic and razzle-dazzle of Conjure before they head back to school. December 27 & 28.
Michelle, age “No, I’m still 38” Take your wife on a date, mister! That’s what she really wants. We recommend Wonderbound on April 25 or Broadway star Jarrod Spector on April 26. Don’t forget to get your Valentine’s Day tickets now too – Songs of Love with Mark Masri means you are out of the doghouse for quite a while.
Sue & Jim, age “We may be grandparents, but we’re not old” Let this Beatles generation relive their best memories with the all-request Beatles tribute, Yesterday & Today on January 30. They may also love The Motones on March 14. 18 1 8
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Judy, Linda, Betty, and Ginny, ageless Grab the girls for an evening of dazzling opera mega-star Nathan Gunn on March 10. He’s starred in nearly every major opera house and musical theater company you can find. Need stocking stuffer or gift exchange ideas for this group? Try an Arts in the Afternoon ticket, they’re just $18!
Dan, retired Dan may have seen Bucky Pizzarelli back in his heyday or he may just love swing guitar. Either way, Swing Xing! is sure to be a hit on January 4. More of a trumpet man? Try the Colorado Jazz Repertory Orchestra’s tribute to Woody Herman on January 23. Can’t decide? No worries – we can do a gift card in any amount to give anyone a little holiday treat they can use anytime. Call or visit the box office today! 720.509.1000 www.LoneTreeArtsCenter.org
2014-2015 SEASON Muse in Motion . . . . . Elements . . . . . . . The Story of Jephthe . . . Marie (with Wonderbound ) Friends and Rivals . . . .
. . SEPTEMBER 19 . . NOVEMBER 7-8 . . JANUARY 9-11 . FEBRUARY 14-22 . . . MAY 16-17
“Artistic vision, authenticity, and devotion.” The Denver Post
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COLORADO JAZZ REPERTORY ORCHESTRA Art Bouton, Executive Director Steve Wiest, Artistic Director
CJRO Favorites Friday, January 23 at 8pm Pete Olstad......................................................................Trumpet 1 Chris Walters...................................................................Trumpet 2 Brad Goode.....................................................................Trumpet 3 Dawn Kramer...................................................................Trumpet 4 Art Bouton............................................................ Alto 1 Saxophone Tom Myer............................................................. Alto 2 Saxophone Eric Erhardt........................................................Tenor 1 Saxophone Lynn Baker.........................................................Tenor 2 Saxophone Wil Swindler..................................................... Baritone Saxophone Scott Bean....................................................................Trombone 1 Paul Mckee....................................................................Trombone 2 Adam Bartczak..............................................................Trombone 3 Lindsey Gardner............................................................Trombone 4 Eric Gunnison................................................................... Keyboard Mark Simon............................................................................. Bass Mike Marlier........................................................................... Drums Mike Abbott............................................................................Guitar Heidi Schmidt........................................................................ Vocals Sponsored by:
PROGRAM
Don’t Get Sassy ................................................... Composed by Thad Jones Stompin’ at the Savoy ................................... Composed by Edgar Sampson, Arranged by Bill Holman Blues in Hoss’ Flat .............................................. Composed by Frank Foster To You ...................................................................Composed by Thad Jone Beautiful Love .............Composed by Victor Young, Arranged by Paul McKee Bye Bye Blackbird ...Composed by Ray Henderson, Arranged by Thad Jones The Time is Now ... Composed by Eliane Elias. Arranged by Bob Brookmeyer Besame Mucho ......................................Composed by Consuelo Valezquez, Arranged by Steve Wiest (Nominated for a 2007 Grammy Award for Best Instrumental Arrangement) Intermission
Greasy Sack Blues ................................................. Composed by Don Rader American Express ............................................ Composed by Bob Brookmeyer Come Rain or Come Shine ................................ Composed by Harold Arlen, Arranged by Bill Stapleton Shiny Stockings ......... Composed by Frank Foster, Adapted for Ella Fitgerald Black Coffee ...............Composed by Sonny Burke, Arranged by Thad Jones. West Side Story ...................................... Composed by Leonard Bernstein, Arranged by Bill Reddie
Songs of Love with Mark Masri The Perfect Valentine’s Day Date Saturday, February 14 at 8pm
The Boston Globe says Canadian tenor Mark Masri is “...melting the hearts of female audience members like warm chocolate� and we agree! Be sure to book soon for this romantic evening; with a champagne intermission and a songbook of love songs from all over the world, this is the ideal date night for any couple. After tours with Jim Brickman, and appearances with Olivia Newton-John and David Foster, Masri takes center stage to deliver songs in a multitude of languages, with the common theme of love behind them. Part Andrea Bocelli, part Luther Vandross, this artist with a jaw-dropping vocal range brings audiences to their feet.
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Home for the Holidays 2013
Who are... Whether it’s reindeer prancing by or an overcoat thrown on a couch, costume designers breathe life into a show by creating one of the most true ways we “meet” each character – by what they choose to wear. Laurie and Rae Klapperich are a mother-daughter team that have created that vivid experience for many LTAC shows, including each year of Home for the Holidays. Laurie got her start as a costume designer by taking an internship at the renowned Guthrie Theater in Chicago during art school. After leaving the Windy City for Denver, she has spent the last 30 years designing and building costumes for theaters in the area. During her years at the Arvada Center, Laurie was recognized multiple times by the Drama Critics Circle; but this downto-earth and chuckling designer can’t remember exactly how many awards she has! When asked why she loves costume design, Laurie responds, “I see the characters so clearly when I read a script. I see where they shop and what they wear and I enjoy making the audience sympathetic towards the characters.” After 30 years and over 200 productions, Laurie remains fresh by working with students at the University of Denver as the Resident Costume Designer and a course professor. She also takes on numerous outside design jobs each year. People often refer to the theater community as a family; in Laurie’s case it couldn’t be truer. Laurie’s daughter Rae began working with her about four years ago, creating a costume design powerhouse team. Along with what Laurie calls a “great eye for design”, Rae brings her eye 22
LONE TREE ARTS CENTER
LAURIE AND RAE KLAPPERICH for detail and perfectionism to the duo. Also a magnificent performer with a great reputation for being a hard worker, Rae knows what it’s like to wear the costumes and demands a high level of execution on each garment and accessory. Rae’s first theater experience came the week she was adopted; it just so happened to be “tech week” – the week before a show opens when performers and artistic staff are at the theater seemingly 24/7 - for a children’s show called Neanderthals. Laurie said if Rae could make it through a bunch of odd looking creatures cooing at her, she was set up well for a life in the arts. During Laurie’s time with the Arvada Center, Rae would often sneak upstairs to the dance studio and sit in the doorway to watch the ballerinas rehearse. As she grew older (meaning, she could walk rather than crawl), Rae would practice outside the window, following along with the exercises. Rae’s love for the theater and dance was engrained early and her ability to sew and design was practically innate with the amount of time she spent backstage in the costume shop. Although the two don’t work together fulltime, LTAC has been lucky enough to have this dynamic team on-board for many of our shows. Both Laurie and Rae bring a spunk and joy that permeates their designs and their work ethic. We hope you’ll enjoy their costumes for this year’s Home for the Holidays and look forward to seeing what’s next for this pair!
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Listening to our clients’ objectives and dreams is paramount. Educating them on their options and protecting their financial house for generations to come is our ultimate goal. David R. Cichon, M.Ed., CEP®, RFC®, is Regional Vice President of Householder Group and has more than 35 years of experience in the Five financial services industry. We take pride in being a father-daughter team committed to creating a warm, reliable and client-centric environment. As a registered investment advisory firm, we have a fiduciary responsibility to keep our clients’ interests first and foremost. Call us for more information on our services!(c)
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Waddie Mitchell “When you live in close proximity like that with the same folks month after month, one of your duties is to entertain each other, and I suppose that’s where the whole tradition of cowboy poetry started.” Those words from Waddie Mitchell, one of the founders of cowboy poetry, give more than a look into this unique and entertaining genre; they capture the start of Waddie’s illustrious career as a storyteller. Since leaving the full-time cowboy scene in 1984, Mitchell’s charm, charisma and humor have touched lives all over the world. Born in Elko County, Nevada in 1950 as the son of a rancher, Mitchell was introduced to the cowboy way of life and entertainment early. By the age of 10, he was reciting poetry on his own and by age 16 followed his heart and dropped out of school to pursue the cowboy lifestyle. In the following 18 years Mitchell would work hard during the day and spin rhythmic yarns for folks in the evenings. In 1984 he and some friends arranged a gathering that was initially thought to be a good weekend party. This annual event has since become the internationally renowned Elko Cowboy Poetry Gathering. The inaugural event hosted over 2,000 people sparking Waddie to leave the cowboy lifestyle behind and pursue his love of the art of storytelling. Today Mitchell is recognized internationally as the face of cowboy poetry and since his first public performance in 1984 has performed for audiences from Los Angeles to New York, Zurich to Melbourne, and all points in between. In 2001 Mitchell was asked what he gets back from sharing his gift with the world. His response was true to his roots: 26
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“It has given me a brand new lease on life. For 26 years, I loved my cowboy’n life. I did it professionally. Now, I have the opportunity to get around the world and I know that there’s a lot of good people out there whose lives are enhanced by the spirit and the values of the ‘cowboy.’” Over the last 30 years as a buckaroo poet, Waddie Mitchell has released several books and full albums with original poetry and ‘Waddieisms’. He has also shared his cowboy wisdom on several popular shows including The Tonight Show, Larry King Live, and Good Morning America. He has been featured in several major publications such as People, Life, New York Times, USA Today, Fortune, National Geographic, and the Wall Street Journal among others. Mitchell is a member of the Nevada Writers Hall of Fame alongside popular authors Will James and Mark Twain and despite his lack of education received the title of Adjunct Professor from the University of Wyoming based on “Real world credentials which Waddie possesses in wealth.” Today, Mitchell continues to spearhead the cowboy poetry movement locally, nationally, and across the world. He is on the road over 200 days a year bringing cowboy wisdom, humor and joy to as many people as possible. His last stage performance in Colorado was in Colorado Springs at Theatreworks in December of 2010 where he performed his own version of the classic Charles Dickens tale A Christmas Carol. For more information on Buckaroo Poet Waddie Mitchell, please visit www.waddiemitchell.com.
HOW IS THE SEASON SELECTED? A note from Executive Director Lisa Rigsby Peterson
I’m often asked where we find some of the great performers that we present each season. Many of the groups that we bring to you have never played in Denver before, and that begs the question “how did you find out about them?” The answer involves trips to conferences across the country, a subscription to the New York Times, and a lot of research and team effort. One of the best ways for LTAC staff to discover new performers is by attending industry conferences. We belong to the Association of Performing Arts Presenters (APAP), which is made up of presenters and theatres, agents, independent artists, and international cultural alliances. Each January, the APAP conference in New York City brings over 4,000 industry professionals together in the city’s largest convention hotel for six days. Think of it as a very specific (and entertaining) trade show. For sixteen hours a day, performers are singing, playing, acting, juggling, etc. in fifteen to twenty minute showcase excerpts at three dozen banquet rooms and ballrooms in the hotel, as well as at dozens of venues across the city. Over 1,000 showcases take place during the conference. LTAC staff hurry from room to room, listings in hand, looking for great performers whose talents are matched by their ability to perform like pros under incredibly difficult conditions -- people banging doors on their way in and out of the room, woefully dim hotel lighting, low ceilings (this is especially problematic for the jugglers), and the occasional blast of an exceptionally loud Led Zeppelin tribute band from across the hallway. Once we identify potential artists we think could work well for our audiences, we head into the three exhibition halls (which take up two separate floors of the hotel) to find their agents and get more information about programs, costs, travel plans, and other details. Then we do more homework, reading reviews from other performances, thinking about how the artist might fit into the wider vision for the season, looking at a calendar to see if the timing of tours coincides with theatre availability, and checking in with presenters around the country to see if the artists live up to the promise we spotted in a fifteen minute showcase. Last season’s hit presentation of Yesterday and Today: The All-Request Beatles Tribute, was one of the shows that made the cut. Throughout the year, we make concerted efforts to keep up with artists and trends in all genres – music, theatre, dance, and multidisciplinary work. The New York Times Arts & Leisure section gets a workout in the break room, as do several industry websites dedicated to highlighting excellent performers. This research can spark an idea which leads to programming innovation for us: for example, our Seedlings program for the very young was born from an article about a Scottish opera troupe performing arias for infants. We also talk to our colleagues in the Rocky Mountain Arts Consortium, a loosely organized group of presenters, primarily located in Colorado and Wyoming, to find out which artists might be on their radar for us to consider. All of these efforts and more are then consolidated in late January each year into one very large spreadsheet that lists the multitude of programs and artists we could present in a season. How we go from that spreadsheet to a season announcement each spring is another story entirely (which sometimes involves lobbying and our own form of juggling, among other things), but that will have to wait for the next issue of The View! Yesterday and Today: The All-Request Beatles Tribute
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Night Cap?
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Home for the Holidays
Donor Profiles PARK MEADOWS Park Meadows, “Colorado’s Only Retail Resort”, salutes the Lone Tree Arts Center’s fourth season bringing art to south Denver and Lone Tree. Park Meadows is the perfect destination for your fashion needs and is committed to providing delectable dining choices in a beautiful resort setting. Enjoy a variety of restaurant options with a comprehensive selection of menus and patio seating with spectacular mountain views from any of our restaurants; dining choices include Colorado’s only Perry’s Steakhouse, Seasons 52, Lyfe Kitchen and White Chocolate Grill, along with other delectable choices like The Cheesecake Factory, P.F. Changs, Earls, Brio Tuscan Grille, La Sandia, Yard House, Thai Basil, Nordstrom Sixth & Pine Restaurant, Red Robin, and California Pizza Kitchen. As Colorado’s largest enclosed regional shopping center, Park Meadows features a collection of over 170 of the nation’s top retailers in the Rocky Mountain Region. Park Meadows favorites include the largest Nordstrom in a 5 state area, Dillard’s, Macy’s, Michael Kors, Coach, Sundance, Francesca’s, Athleta, and Colorado’s first Madewell store. Park Meadows is excited to announce that L.L. Bean will join the mix in late November. Park Meadows shares your interest and love for art and culture as a proud sponsor of the Lone Tree Arts Center and invites you to view an extensive collection of art on display by Colorado artists at Park Meadows located at I-25 and County Line Road. For more information about Park Meadows, visit parkmeadows.com or call guest services at 303-792-5384 for assistance making your dinner reservations.
Home for the Holidays
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Dinosaur Zoo, 2014
Donor Profiles SCIENTIFIC & CULTURAL FACILITIES DISTRICT The Scientific and Cultural Facilities District (SCFD) is a polar bear at the zoo, a Van Gogh at the museum, a pirouette at the ballet, and Henry V at the theater. Over 300 cultural institutions in the Denver metro area receive support and funding via the SCFD. This creates a rich, robust landscape of cultural opportunities for our children and our neighbors. From a child on a field trip seeing a woolly mammoth to a grandfather showing his family what his aircraft looked like in WWII to a family celebrating the holidays together with live entertainment, the SCFD helps make the memories we cherish possible. One penny on every $10 purchase within the seven-county region (Adams, Arapahoe, Boulder, Broomfield, Denver, Douglas and Jefferson counties) is distributed via the SCFD. Since its inception in 1989, the SCFD has served a mission that enlightens and entertains the public. Annually distributing approximately $40 million, the Denver metro area has been elevated to a worldclass cultural center through the funding the SCFD provides to cultural organizations of all sizes and disciplines. For information on free days and organizations, visit www.scfd.org.
BELLCO Bellco is both passionately dedicated to your financial success and to contributing to the quality of life in the communities we serve. We donate funds and employee volunteer hours to many Denver-metro and Western Slope area organizations, including the Family & Education Series at Lone Tree Arts Center. Bellco is a progressive financial institution that offers a full range of financial services to residents and businesses in the Denver metro area and Colorado’s Western Slope. Celebrating more than 78 years, Bellco is one of the largest financial institutions founded in Colorado for Coloradans, with more than 235,000 members and over $2.5 billion in assets. Financial education for Colorado’s young people is a primary area of focus for Bellco. Bellco youth accounts not only encourage children to begin saving money early, but they also teach them how money works, how to make it grow, and how to be responsible in the financial choices they make. Stop by our branch located in Lone Tree at 9220 Park Meadows Drive to learn about Bellco and to get more information on how Bellco serves your community. Bellco is Federally Insured by NCUA.
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Come Sing With Us! www.youngvoices.org
Friendly Auditions fall, spring and summer Membership information: office@youngvoices.org 303.797.SING D. U. Newman Center Concerts December 7 - May 3 - June 28
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2014 PARTNERS & SUPPORTERS This list includes donors to the Lone Tree Arts Center from October 1, 2013 to October 15, 2014. If we have inadvertently omitted your name, please contact us at 720-509-1010 so that we can correct our listings. Thank you for your support.
$20,000+
Bellco Credit Union Scientific and Cultural Facilities District
$10,000 – $19,999
Andrews Winslow Foundation Charles Schwab Colorado Creative Industries Lone Tree Arts Center Guild Lone Tree Cultural Arts Foundation Park Meadows Business Improvement District Sky Ridge Medical Center and Rocky Mountain Hospital for Children
$5,000 – $9,999 Linda Bjelland Janet & Joel Kaufman Scott Leonhart and Maggie Eichenlaub Peter and Virginia Loeffler Ralph and Trish Nagel Developmental Pathways FirstBank RidgeGate KEZW Starkey Theatrix Vi at Highlands Ranch
Big River, 2014
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2014 PARTNERS & SUPPORTERS $2,500-$4,999
$100-$249
Michael R. Harris and Charlotte Min-Harris The Tappan Foundation
Carole and Bob Adelstein Ms. Jeannene Bragg Johnny Cash Linda Casteneda George and Marilyn Dockery Theora Favr’e Don and Audrey Fisher Dennis and Margaret Holman Dr. Weston Johnson Betty W. Kelley Michelle Konishi Nancy Kuhn Tom and Doris Larson Kim Laudenslager David and Bobbie Marfitano Mary M. Mathews Alicia McCommons and Craig Johnson Leslie Modesitt William M. Moon, AIA Dr. and Mrs. M. O’Brien Melvin Stolzenburg Tim and Kathy Sullivan Mr. Leon Veremeychik Gary and Irene Visco Ambida Family Dentistry, PC
$1,000-$2,499 Pokey and Colin Jensen Betsy Schutte Virginia and Melvin Semrad Employees of the City of Lone Tree Firehouse Subs Western States Arts Federation (WESTAF)
$500-$999 Sheryl and Andy Gurrentz Al Sharp and Susan Lloyd Rod and Marilyn Nielsen Paul and Susan Squyer Jim and Barbara Wightman
$250-$499 Shirley and Roland Calhoun Jim Harvey Bruce and Mary Lou Laubach Janice and Stuart Sanderson Sheila and Paul Shepherd Charles and Brenda Vitaska
Guys & Dolls, 2014 www.LoneTreeArtsCenter.org
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PLEASE DONATE TODAY TO KEEP THEATER
IN CHILDREN’S LIVES!
Your contribution of $50, $100, or more will help us... • Keep tickets affordable (some programs as low as $3 per person!) • Bring prominent national touring artists like Doktor Kaboom to school matinees • Commission original work from local groups such as Buntport Theatre • Teach and entertain over 10,000 children and families each year • Expand our Seedlings programs for the very youngest audience members – ages 1 – 4!
Dinosaur Zoo, 2014
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Your generous support of the Lone Tree Arts Center is tax-deductible, and will help us create and sustain programs specifically designed to introduce and welcome children of all ages to the magic of theater. To make your gift, go to lonetreeartscenter.org or send your contribution to: The Children’s Programming Fund, LTAC, 10075 Commons St., Lone Tree CO 80124. For more information, please call us at 720-509-1010. Thank you!
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The Center Stage Club offers online versions of the View Magazine for patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.
CenterStageClub.com The Center Stage Club is produced by Colorado’s Performing Arts Publications
The Perfect Taste
Night Cap?
Theater Trivia What does it mean to tech a show? a) To increase the level of computer technology involved in producing a show b) To integrate the technical elements of a production with the live performers c) To perform a modern style of show involving techno music d) To call in technology experts when there are problems with a show ANSWER: b) A “tech” refers to a technical rehearsal, when the technical elements of a production are planned out and integrated with the actors and musicians. This can include (but isn’t limited to) planning scenery moves with stagehands or automation; writing light cues (often stored in a computerized light board for easy playback); setting vocal and/or instrument microphones, sound playback and effects; designing video cues; getting actors into costume, and working out quick costume changes. The time it takes to tech a show varies widely, depending on the complexity of the technical elements, and the needs and resources of the venue and personnel involved. “Paper tech” is a meeting during which lighting, sound, video, scenic and any other cues that the design team believes will be needed are discussed with the stage manager, who will be responsible for calling all of these cues. Dry tech is a rehearsal when technical cues can be worked out and set with no performers present. Dress rehearsals are usually the final rehearsals prior to the beginning of public performances, and are sometimes the first time the actors rehearse in costume. Tech weeks are hectic but exciting here at LTAC! 38
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We have learned before that early stagehands were often sailors, who brought many nautical terms and techniques to the theater. Which of the following is a sailing term that is NOT commonly used in the theater? a) Starboard b) Boom c) Bowline d) Deck ANSWER: a) Starboard. We don’t use sailing terms for directions here—whereas starboard is the right hand side of a ship facing forward, the right hand side of an actor facing forward (towards the audience) is referred to as “stage right.” A boom on a ship is attached to the sail— but onstage, it refers to a vertical pipe on which lighting instruments can be hung, or to the arm of a microphone stand. A bowline is a type of knot used frequently in theater, just as it is in sailing! The deck is another word for the surface of the stage, much like the top surface of a ship. Other theater terms borrowed from nautical tradition include “wings” (the offstage sides of the stage), “strike” (to take down), and “batten” (in theater, a pipe hung over the stage from which scenery, lighting and other equipment can be hung).
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