Newman Center Presents Magazine 2014-2015, January 24 & 25, 2015

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Season 2014 | 2015


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FROM THE EXECUTIVE DIRECTOR Welcome to Newman Center Presents, and thank you for your participation and support! Our 12th season features the eclectic mix of artists you’ve come to expect. Together, we discover new artists and new works while also reacquainting ourselves with old friends. NEWMAN CENTER STAFF EXECUTIVE Gregg Kvistad, Provost and Executive Vice Chancellor Stephen W. Seifert, Executive Director Richard Michel, Budget Manager Miriam Tobin, Administrative Assistant EVENT SERVICES Diane L. Roth, Assistant Director Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager Andrea Copland, Event Coordinator MARKETING Natalie Raborn, Marketing Director PATRON SERVICES Dee Getchel, Assistant Director PRODUCTION SERVICES Garret Glass, Assistant Director Shakeel Wahab, Stage Operations Coordinator/ Audio Engineer Zack Jovanovich, Stage Operations Coordinator/ Lighting Engineer TICKETING SERVICES Richard Moraskie, Assistant Director, Ticketing Services Max Manoles, Assistant Manager of Ticketing ADVERTISING INFORMATION

This program is produced for the Newman Center by The Publishing House, Westminster, CO Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Michele Garner, Graphic Design & Layout Wilbur E. Flachman, President

The season opens with Edgar Meyer and Chris Thile, two genredefying musicians in an explosion of creativity. With the Hot Sardines we find traditional jazz in the lusty grasp of a young generation of performers, a tap dancer among them! Capitol Steps help burst a few political bubbles, while the audience creates the soundtrack for the Swiss theatrical pantomime troupe MUMMENSCHANZ. The King’s Singers, legendary for their unaccompanied vocal harmonies, will take great advantage of June Swaner Gates Concert Hall’s natural acoustics, as will the Colorado Symphony with renowned conductor and soloist Pinchas Zukerman. Four dance companies show the breadth of movement as artistic expression, from China’s first non-governmentally supported contemporary dance company, to Bill T. Jones’ exploration of the human condition, to Aspen Santa Fe Ballet’s display of today’s most exciting choreographers, to Diavolo’s thrilling and dangerous work with stage contraptions. We also continue our presentation of artists building on the great traditions of concert hall music but eager to express their own experiences of today’s world. The French double bassist Renaud Garcia-Fons added a fifth string to his bass and developed techniques for playing it so that it fits right in to small ensembles of instruments from various world music traditions. Hear that flamenco guitar? It might just have been Renaud’s bass. The exploratory jazz jam band Medeski Martin & Wood allies with Alarm Will Sound (last here for the thought-provoking multi-media show 1969) for an evening of new music created just for us and CU Presents. Roomful of Teeth, an a cappella ensemble of eight, uses vocal performance practices from around the world to create mesmerizing, thrilling, beautiful sound palettes. The youngest winner of the Pulitzer Prize in music is one of their members. She won the Prize, and the group won a Grammy, for a work you’ll hear in their show. Donal Fox, a pianist of prodigious reach, explores the intersections of improvisation in jazz and Baroque classical music. We’re also excited to have the it gets better tour come to Denver for a week of anti-bullying residency work in schools and community centers, culminating in a performance featuring six members of the Gay Men’s Chorus of LA and a community chorus created in Denver just for this show. Welcome to your performing arts center at the University of Denver. Thank you for coming. Have a great time!

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Stephen W. Seifert Executive Director 2014-2015 Newman Center Presents

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NEWMAN CENTER’S VISION STATEMENT At the Robert and Judi Newman Center for the Performing Arts, our responsibility, our purpose, and our vision are to: • Celebrate, entertain, inspire, and feed the imagination • Give voice to the innate human need for expression through performance • Educate and prepare better citizens of our community • Begin conversations of ideas • Foster an eagerness for and habits of curiosity and learning • Make the major sources of our own and other cultures accessible to our community • Embrace our differences; celebrate diversity of forms, attitudes, traditions, and populations • Challenge assumptions and encourage creativity and new work, even at the risk of failure • Help teach our cultural heritage through the performance of great works from the past and support creativity by contemporary artists whose new voices will be remembered in the future • Demand excellence and integrity without avoiding controversy • Remind our community that the performing arts have value to our society because they: • Create self-esteem which is earned by striving to achieve high standards • Integrate with other disciplines such as language, history, math, and science • Foster communication and interpersonal skills

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2014-2015 Newman Center Presents

FROM THE CHANCELLOR Welcome to another remarkable evening at the Robert and Judi Newman Center for the Performing Arts. With its beautiful concert halls and theaters designed specifically to showcase human creativity, the Newman Center has emerged as one of the crown jewels of Denver’s arts scene. There is no other complex like it anywhere in the state. Over the years, Denver audiences have come to count on the Newman Center and its acclaimed performing arts series. Night after night, the curtain rises on cutting-edge dance troupes, avant-garde music ensembles, or theatrical companies with an experimental bent. By helping us explore our common humanity and look at life from differing perspectives, these productions foster thought, appreciation, delight and community. This is just one of the many ways in which the University of Denver lives its vision of serving the public good. The Newman Center’s stages are also a catalyst for an explosion of student talent. Every production by students in our Lamont School of Music and Department of Theatre represents a transformation of energy, enthusiasm and dedication into art. Here at the Newman Center, our students pursue their passions and discover their capacity to collaborate and create, to which the rest of us can only say, encore! Enjoy tonight’s performance. May it be just one of many offerings you enjoy with us this season.

Rebecca S. Chopp Chancellor, University of Denver


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THANK YOU We applaud the following partners for their support of the Robert and Judi Newman Center for the Performing Arts at the University of Denver. Because of their generosity, Newman Center Presents can introduce dancers, musicians, actors, singers, composers, and story tellers to the University community and to our fellow citizens throughout Denver and Colorado. If you are interested in becoming a Newman Center Presents sponsor, please contact Natalie Raborn, Marketing Director, at Natalie.Raborn@du.edu or 303.871.4154.

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2014-2015 Newman Center Presents


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2014-2015 Season All performances take place in June Swaner Gates Concert Hall at 7:30 p.m. unless otherwise noted, and include a free Behind the Curtain discussion one hour before curtain with guest lecturers. Check www.newmancenterpresents.com for additional details. Artists and programs are subject to change. Chris Thile & Edgar Meyer Tues, Sep 23, 2014 / 7:30 p.m. Following his stunning, sold-out concert for Newman Center Presents last season, mandolinist extraordinaire Chris Thile returns to open our season, this time with legendary American bassist and composer Edgar Meyer. Thanks to his unparalleled instrumental technique and his gift for composition, Edgar’s work is appreciated by a vast and varied audience. Each of these unique musicians is the recipient of a MacArthur Foundation “Genius” award, and each has collaborated with leading musicians of many genres, from Yo-Yo Ma, Emmanuel Ax, and Joshua Bell to Béla Fleck, Mark O’Connor, and Zakir Hussain. Presenting Sponsor – Creative Instinct Hot Sardines Speakeasy Nights Fri, Oct 10, 2014 / 7:30 p.m. Take a blustery brass lineup, lay it over a rhythm section led by a stride piano virtuoso, and tie the whole thing together with a magnetic, one-of-the-boys frontwoman whose voice recalls another era, and you have the Hot Sardines. This NYC outfit (with a tap dancer) has been called “consistently electrifying” (Popmatters). The Sardine sound—wartime Paris via New Orleans, or the other way around—is steeped in the kind of music Louis Armstrong, Django Reinhardt, and Fats Waller used to make: straightup, foot-stomping jazz. Pianist-bandleader Evan “Bibs” Palazzo and Paris-born singer Miz Elizabeth (who owe their collaboration to meeting via Craigslist) describe their

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2014-2015 Newman Center Presents

band as “born in the 1920s, but raised in the ’00s,” reflecting a philosophy that Hot Jazz, Dixieland, and Tin Pan Alley tunes are all pop music, not historical artifacts to be handled with kid gloves. Sponsored by Newman Center Members Capitol Steps Fri, Oct 17, 2014 / 7:30 p.m. The Capitol Steps began in 1981 as a group of U.S. Senate staffers who set out to satirize the very people who employed them. In the years that followed, having bit the hands that fed them, many of the Steps also ignored the conventional wisdom not to quit their day jobs. The ensemble now tours the U.S., delivering heaping portions of much-needed good humor to the long-suffering American public as the best antidote to politics. They have recorded over 30 albums, given many thousands of shows, and they’re funny— very funny! Founding Partner –The Denver Post MUMMENSCHANZ Sat, Nov 8, 2014 / 7:30 p.m. Sun, Nov 9, 2014 / 2:00 p.m. MUMMENSCHANZ is a legendary Swiss silent mask theater troupe that performs in a magical, surreal style. Founded in 1972, the group became popular for its play with bizarre masks and forms, light and shadow. Their weird, timeless creatures join other incredible, colorful, enchanting forms. In 1973, MUMMENSCHANZ toured the USA, Canada, and South America and later enjoyed a three-year run on Broadway.

They appeared as special guest stars in the first season of The Muppet Show in 1976. They also appeared on the award-winning TV show Northern Exposure in the 1990s. In 2012, they toured the world with a 40th anniversary show. If you like MOMIX and Pilobolus, you will enjoy MUMMENSCHANZ! This is a great experience for the whole family! Presenting Sponsor – VAL-U-ADS® – Nov 8 Sponsored by Newman Center Members – Nov 9 Pinchas Zukerman, soloist and conductor with the Colorado Symphony Sun, Nov 16, 2014 / 2:00 p.m. Violist and violinist Pinchas Zukerman has been a phenomenon in the world of music for over four decades and is highly regarded as both a conductor and an instrumentalist. Newman Center Presents is proud to present the best orchestra in our region, the Colorado Symphony, in the region’s best acoustical venue. Come experience classical music as it is meant to be heard. Sponsored by Newman Center Members Beijing Dance/LDTX Tues, Nov 18, 2014 / 7:30 p.m. Established in 2005, Beijing Dance/LDTX is China’s first independent, professional, contemporary dance company, beholden in no way to the government. LDTX translates literally as Thunder Rumbles Under Heaven. Artistic Director Willy Tsao, China’s foremost figure in modern dance, and Deputy Artistic Director Li Hanzhong hold true to the


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2014-2015 Season company’s origins, bringing to the stage a diverse repertoire, giving young Chinese artists a place to express themselves freely, and highlighting the works of Chinese choreographers. This technically exquisite and thoughtprovoking company tours throughout Asia, Australia, Europe, and North America. It also hosts the annual Beijing Dance Festival, bringing the rest of the world’s most innovative work to the nation’s capital. With performances, educational programs, commercial engagements, classes, and outreach activities, Beijing Dance/LDTX serves as an important voice in the evolution of contemporary Chinese dance. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. The King’s Singers Wed, Dec 10, 2014 / 7:30 p.m. The King referred to was Henry IV, founder of King’s College, Cambridge (1441), where the original King’s Singers was founded in 1968. This legendary ensemble has over 150 recordings and 200 commissioned works to its credit, ranging from Renaissance scores to transcriptions of tunes by The Beatles. With another 120 international performances on its schedule each year, The King’s Singers is one of the most famous vocal groups in the world. Come celebrate the holidays with this peerless ensemble. Sponsored by Newman Center Members

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2014-2015 Newman Center Presents

Renaud Garcia-Fons Quartet La Línea del Sur Sat, Jan 10, 2015 / 7:30 p.m. From the moment Renaud Garcia-Fons first held a double bass at age sixteen in Paris, the future of the instrument was destined for change. In a flash of insight, he saw possibilities to use the bass to explore all the music that interested him—classical, jazz, Persian, Indian, Mediterranean, South American, and other forms from the world over. He added a fifth string to the high register and innovated bowing and pizzicato techniques. The result is an utterly new sound—an amalgam of double bass, cello, violin, guitar, lute, oud, and more—that exceeds any conventional idea of playing the double bass. La Línea del Sur features a quartet made up of Renaud on double bass, Flamenco guitarist Kiko Ruiz, accordionist David Venitucci, and percussionist Pascal Rollando. Sponsored by Newman Center Members Bill T. Jones/Arnie Zane Dance Company Play and Play – An Evening of Movement and Music Sat, Jan 24, 2015 / 7:30 p.m. Sun, Jan 25, 2015 / 2:00 p.m. Play and Play showcases Bill T. Jones’ brilliantly i n v e n t i v e choreography set to some of the most enduring music of the ages, including works by Mendelssohn and Mozart. The distinguished director and choreographer has shaped the evolution of contemporary dance over the past three

decades, garnering MacArthur Foundation “Genius,” Obie, and Tony awards, as well as Kennedy Center Honors and a 2014 National Medal of Arts. The evening’s program includes D-Man in the Waters (1989), a joyful tour de force and genuine classic of modern dance. All of the music will be performed live by students of the Lamont School of Music. [Program includes nudity.] This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Medeski Martin & Wood + Alarm Will Sound Thu, Feb 5, 2015 / 7:30 p.m. Alarm Will Sound returns to Newman Center Presents after its provocative multimedia show, 1969, a few years ago. AWS is one of the most creative alternative classical musical ensembles working today. Just beyond the cutting edge, this 20-member group consists of young, unstuffy musicians presenting virtuosic new compositions. Medeski Martin & Wood has been an experimental jazz and jam-band trio since 1992. This improvisation-driven group, led by keyboardist John Medeski, offers a unique, groove-oriented mix drawing from jazz, African music, funk, and hiphop. Both AWS and MMW have performed throughout the world, from Carnegie Hall to the Biennale in Frankfurt, from Lincoln Center to the Montreux Jazz Festival. This performance marks the premiere of all new works created jointly by the two ensembles for performance at the Newman Center and at the University of Colorado. Sponsored by Newman Center Members


Aspen Santa Fe Ballet Sat, Feb 21, 2015 / 7:30 p.m. Sun, Feb 22, 2015 / 2:00 p.m. Aspen Santa Fe Ballet’s bold vision—top global choreographers, distinctive groundbreaking works, and virtuoso dancers—has fostered a jewel of a dance company in the American West. For 17 years, ASFB has served as a prestigious arts incubator and a showcase for choreographic invention, to both popular and critical acclaim. ASFB’s repertoire resonates with eclecticism and energy. The company exudes a European classical aesthetic charged with American athletic vigor. Since 1996, ASFB has commissioned over 27 new works. Among their many choreographer-collaborators are Jorma Elo, Nicolo Fonte, Trey McIntyre, Moses Pendleton, Dwight Rhoden, and Cayetano Soto. Sponsored by Newman Center Members Roomful of Teeth with the Colorado Symphony Fri, Mar 6, 2015 / 7:30 p.m. Founded in 2009, Roomful of Teeth is a vocal project dedicated to mining the expressive potential of the human voice. Through study with masters from non-classical traditions the world over, the eight-voice ensemble continually expands its singing techniques and, through an ongoing commissioning project, invites today’s brightest composers to create a repertoire without borders. Their debut album was released in 2012. The New York Times called it “sensually stunning.” It was included on many Best of 2012 lists, topping the classical charts on iTunes and Amazon, even breaking into the top 10 on the Billboard charts. NPR called the album “fiercely beautiful and bravely, utterly exposed.” The album

won a Grammy for Best Chamber Music/ Small Ensemble Performance. In April 2013, ensemble member Caroline Shaw received the Pulitzer Prize in Music for “Partita,” one of the works on the debut album. An iTunes exclusive EP of “Partita” was subsequently released and ranked number one on iTunes Classical charts. ROT will be joined by a string ensemble from the Colorado Symphony. This project received support from The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. Donal Fox Inventions Trio: Scarlatti Jazz Suite Project Thu, Apr 2, 2015 / 7:30 p.m. Declared “one of the most successful classical/jazz unions in recent memory” by All About Jazz, Donal Fox and the Scarlatti Jazz Suite Project will bring an electric energy to June Swaner Gates Concert Hall. Fox plays with an improviser’s spirit of adventure, whether playing stride piano on Baroque repertoire or blending the harmonic language of the New Viennese School with bebop. Be prepared to be wowed as he de- and reconstructs Bach, Piazzola and Schumann, adding propulsive grooves and using composed themes as springboards for glorious improvisational flights. Fox has earned a reputation for fluency across the genres which has led to collaborations with jazz artists such as David Murray, John Stubblefield, and Oliver Lake, as well as the Richmond Symphony, American Composers Orchestra, and the St. Louis Symphony. With his wide-ranging tastes and virtuosity, you can also expect music from Monk, Coltrane, and Ornette Coleman to round out the evening. Supported by The Porter Adventist Hospital Endowment for the Performing Arts

it gets better Speak Theater Arts / Gay Men’s Chorus of LA / It Gets Better Project Fri, Apr 24, 2015 / 7:30 p.m. it gets better provides a performing arts response to the difficult issue of bullying, one of the most challenging issues among today’s young adults and adolescents. Written and directed by Speak Theater Arts’ Liesel Reinhart, whose company lives by the mantra “don’t be boring!,” it gets better is infused with the dynamic musical energy of the Gay Men’s Chorus of Los Angeles and the internationally recognized It Gets Better Project. In the course of a single week, six members of the Gay Men’s Chorus of LA will work closely with students and schools in a series of workshops, rehearsals, and community dialogue. The week will culminate in a performance of the show in the Newman Center and is intended to heighten awareness of bullying and its damaging effects on any community. The show features a local chorus and local guests and will include video and text projections from the archives of the It Gets Better Project. This project received support from Colorado Creative Industries; WESTAF, the Western State Arts Federation; and the National Endowment for the Arts. Diavolo Sat, May 9, 2015 / 7:30 p.m. Sun, May 10, 2015 / 2:00 p.m. Diavolo, returning to Newman Center Presents after two spectacular performances several years ago, uses abstract and recognized structures on stage to explore the relationship between our built environment and the fragile human 2014-2015 Newman Center Presents

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BOX OFFICE INFORMATION

2014-2015 Season body. Diavolo calls itself “architecture in motion” and fuses many different movement vocabularies—from everyday pedestrian movement to ballet, contemporary dance, acrobatics, gymnastics, martial arts, and hip-hop. According to Artistic Director Jacques Heim, “What we do on stage is like a live abstract painting. There is no narrative, but strong themes pervade the work such as human struggle, fear, danger, survival, chaos, order, deconstruction, reconstruction, destiny, destination, faith, and love.” Diavolo’s performances will include Fluid Infinities, a stunning work set to the music of Philip Glass, commissioned by the LA Philharmonic and premiered in The Hollywood Bowl. Sponsored by Newman Center Members

DID YOU KNOW?! There are about 500 events in the Newman Center every year, which means that the Newman Center has hosted almost 5,500 events in 11 years! Of those 500 events per year, about 350 are through the Lamont School of Music, about 100 are community rentals, about 25 are Newman Center Presents, and about 25 are by the Department of Theatre. Nearly 150,000 people attend events at the Newman Center every season!!!

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2014-2015 Newman Center Presents

M Allan Frank Family Box Office 2344 E. Iliff Ave., Denver, CO 80208 Hours: Mon–Fri, 10 a.m.–4 p.m.Sat, 12 p.m.–4 p.m. (Sep–May) Phone: 303.871.7720 Email: newmanboxoffice@du.edu Website: www.newmancenterpresents.com Tickets can be purchased in person at the Newman Center Box Office, by phone at 303.871.7720 during the hours listed above, or online anytime at www.NewmanTix.com. Service charges may apply for tickets purchased by phone or online. Discounts are available for students, seniors, and DU faculty and staff. For more information, or to request accommodations for a disability, call 303.871.7720. Group discount tickets are available for groups of eight or more to most NCP events. For information, contact Molly Epstein at molly@mepstein.net or 303.619.6196.

To view a listing of our previous 11 seasons, please visit www.newmancenterpresents.com and select Archive.

COMMISSIONED WORKS The Newman Center is committed to bringing new works of music and dance to life. We are excited to have commissioned or co-commissioned the following works: Co-commissioner, “Kites Over Havana,” by Paquito D’Rivera, performed by the composer with Imani Winds Commissioner, “WE MARCH,” Concerto for Guitar and String Orchestra, by Daniel Bernard Roumain, performed by Eliot Fisk, guitar, and the Stuttgart Chamber Orchestra

Co-commissioner, “Foreign Bodies,” by Diavolo Dance Theater, commissioned by the Los Angeles Philharmonic Orchestra, Esa Pekka Salonen, Music Director, and cocommissioned by the Carpenter Performing Arts Center, Cal State Long Beach Co-commissioner, “Reign Forest,” by Robert Moses, co-commissioned by EcoArts Connections and Lincoln Center Fort Collins, performed by Robert Moses’ Kin Dance Company Co-commissioner, “Provenance,” by Maya Beiser with composers from Israel, Palestine, Algeria, Morocco, Iran and the US, co-commissioned by The Carnegie Hall Corporation, The International Festival of Arts and Ideas, The Jerome Foundation, The Kathy Abelson Foundation, Ronald P. Stanton, NYFA, and NYSCA. Performed by Maya Beiser, cello, Jamey Haddad, percussion, Shane Shanahan, percussion, Bassam Saba, oud, and Shahrokh Yadegari, live electronics Co-commissioner, “Bolero Colorado,” by Larry Keigwin, co-commissioned by EcoArts Connections and the Denver School of the Arts, performed by Keigwin + Company and Denver community performers Co-commissioner, “Imaginary City,” by So Percussion, co-commissioned by Myrna Loy Center/Helena Presents, Flynn Center for the Performing Arts, The Cleveland Museum of Art, DiverseWorks, and National Performance Network Commissioner, “NO one To kNOW one,” by Andy Akiho, performed by the composer and The Playground Ensemble during the Newman Center Presents’ Mile High Voltage Festival Co-commissioner, “the wood & the vine,” by David Lang, co-commissioned by University of California, Riverside and Santa Fe Concert Association


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2014-2015 Newman Center Presents

Co-Commissioner, “Lifeboat No. 6,” by Payton MacDonald, performed by the composer, JACK Quartet and co-commissioned by Denver Friends of Chamber Music, Historic Denver, Inc., and the Molly Brown House Museum Young Voices of Colorado Co-commissioner, “From Darkness to Light,” music by Ofer Ben-Amots, choreography by Garrett Ammon, co-commissioned by Ballet Nouveau Colorado, Central City Opera, Colorado Symphony Orchestra, Robert E. Loup Jewish Community Center, Mizel Arts and Culture Center, and performed as part of A Journey of the Human Spirit Commissioner, solo, acoustical guitar version of Derek Bermel original work “Ritornello” performed by guitarist Mak Grgić

BEHIND THE CURTAIN The Newman Center hand-selects each and every Presents performance, bringing to Denver entertaining, intriguing, and thought-provoking dancers, actors, and musicians. We invite you to join us for free Behind the Curtain discussions where artists, members of the ensembles, or experts in the field discuss anything from that evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Talks are free, take place in June Swaner Gates Concert Hall, are open to the public, and start one hour before curtain. Tickets are not required for these pre-performance talks and no RSVP is necessary. Please check the Newman Center event calendar for updates to Behind the Curtain and upcoming speaker announcements. (Speakers are subject to change.)

THE LAMONT SCHOOL OF MUSIC & DEPARTMENT OF THEATRE The University of Denver’s Lamont School of Music presents more than 300 concerts

a year, many of them free. Complimentary performances include concerts by the symphony orchestra, choirs, wind ensemble, soloists, jazz ensembles, and steel drum ensemble. Some of these concerts require free tickets are available in person only at the Newman Center Box Office. Tickets may be reserved online for a small service charge at www.newmantix.com. Again this season, $5 reserved seats in the Parterre section may be purchased for Lamont Symphony Orchestra concerts. In addition to free concerts, faculty recitals and guest artist performances are presented with a $10 ticket price. DU students, Pioneer Card holders, and other students with valid ID are complimentary. Fall and Spring Lamont Operas and Musicals, South Pacific and The Merry Wives of Windsor, are reserved seating ranging from $11 to $30. Summer and holiday carillon concerts are presented on the Ritchie Center lawn by artists from around the nation. For information, visit www.du.edu/lamont or call the Concert Line at 303.871.6412. Follow us on Facebook, Twitter, and YouTube. DU’s Department of Theatre offers students the ability to take part in numerous productions throughout the academic year, including a full slate of student-created productions, all of which are open to the public. For the 2014-15 season, the Department of Theatre will present: • A staged reading of Cleansed (Sep 2014, Byron Theatre) • Fall Quarter’s main stage productions of The Nina Variations by Steven Dietz (Oct 2014, White Box Theatre at J-MAC) and Seagull by Anton Chekhov (Oct and Nov 2014, Byron Theatre) • A staged reading of Rapture, Blister, Burn (Jan 2015, Byron Theatre)


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• Winter Quarter’s main stage productions of An Evening of One Acts: Beth, Lobster Boy, and The Dumb Waiter by various authors (Feb 2015, Black Box Theatre at J-MAC) and Stage Door by Edna Ferber and George S. Kaufman (Feb & Mar 2015, Byron Theatre) WASH PARK GRILLE

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• A staged reading of God of Carnage (Apr 2015, Byron Theatre) • Spring Capstone Cycle—Cycles 1 and 2: Senior Capstone Productions (Apr & May 2015, Byron Theatre • Independent Student Productions throughout the year Call 303.871.2518 or visit www.du.edu/theatre for information about all Department of Theatre events. Tickets for Lamont and Theatre productions can be purchased at the Newman Center Box Office, Mon–Fri, 10 a.m.–4 p.m., and Sat, 12 p.m.– 4 p.m. (Sep–May), by phone at 303.871.7720, or online at www.newmantix.com. (Phone and online orders are subject to service fees.)

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are the ingredients that make the Enrichment Program so popular. The Newman Center proudly partners with the Enrichment Program to bring you innovative courses like you’ve never experienced before. Meet with DU’s expert faculty, gather with likeminded adults to embark on a unique and meaningful journey, and connect with Denver’s rich cultural community. Check program inserts for upcoming Newman Center related classes. Fall 2014 registration is available now for classes held September through early December, and Winter/Spring 2015 offerings, held mid-January through mid-May, will be announced in early December. To view and register for courses across a wide range of subjects, please call 303.871.2291 or visit www.universitycollege.du.edu/enrichment.

DID YOU KNOW?! The University serves the cultural community in many ways. One of those ways is by making rehearsal and performance venues in the Newman Center available for rent by community groups at rates which are subsidized by the University. About 100 performances in the Newman Center each year are produced by beloved local non-profit organizations. While universities may not themselves be recipients of funds from the Scientific and Cultural Facilities District (SCFD), most of the Newman Center’s rental clients do receive annual support from the SCFD.


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These avid philanthropists and winners of the 2014 Colorado Business Committee for the Arts’ John Madden Jr. Leadership Award smile when they remember becoming involved in the campaign to create an outstanding center for the performing arts at the University of Denver. Daniel L. Ritchie, then chancellor, invited Judi to head the effort when the Center was only a dream. Later, the Center was named in the couple’s honor. The couple’s passion for performing arts and education harmoniously intersected with the Newman Center, which is home to exceptional performance venues and DU’s Lamont School of Music and Department of Theatre. “Dan Ritchie has often said that love is the principal ingredient in any successful building,” says Judi. “The Newman Center, as well as the University’s many other new buildings, show just how true that is.” The Newmans appreciate the masterful collaboration between Ritchie and DU Architect Emeritus Cabell Childress, and the expertise of Joseph Docksey, then director of the Lamont School, and William Temple Davis, then chairman of DU’s Department of Theatre. They delight in the superb array of Newman Center Presents’ programs presented by Executive Director Stephen Seifert. Prominent in Denver’s cultural community, the Newmans serve on many boards. Among those, Bob is a member of the University’s Board of Trustees. He also is a member of the Executive Advisory Board of the Daniels College of Business at DU. Judi sits on the Visiting Committee for the Frost School of Music, the Academic Affairs Committee, and the Board of Trustees of the University of Miami. “Each year brings more recognition to this venue and its world-class programs,” says Bob. “Judi and I are delighted to be part of the University of Denver community.”


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R. Strauss

LA FINTA GIARDINIERA COLD MOUNTAIN

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Mozart

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Composer Jennifer Higdon Librettist Gene Scheer

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JULY 3 – AUGUST 29

2015

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BILL T. JONES/ARNIE ZANE DANCE COMPANY January 24 and 25, 2015

Bill T. Jones Artistic Director

Janet Wong Associate Artistic Director

featuring: The Company Antonio Brown, Rena Butler, Cain Coleman, Jr., Talli Jackson, Shayla-Vie Jenkins, I-Ling Liu, Erick Montes Chavero, Joseph Poulson, Jenna Riegel

The creation of new work by the Bill T. Jones/Arnie Zane Dance Company is made possible by the Company’s Partners in Creation: Ellen Poss, Jane Bovingdon Semel & Terry Semel; Anne Delaney; Stephen & Ruth Hendel; Eleanor Friedman & Jonathan Cohen; and Zoe Eskin.

in The second piece of this program includes nudity. Play and Play – An Evening of Movement and Music “ . . . take something and do something to it, and then do something else to it . . . “ –Jasper Johns Production Staff: Stacey Boggs, Sam Crawford, Carley Manion

This project received support from the Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc.

There will be a 20-minute intermission this evening. No portion of this performance may be photographed, recorded, filmed, or videotaped.

Educational residency work and master classes are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. This programming is sponsored in part by The Grynberg Family Endowment for Dance Programming, Roger and Meredith Hutson, and The Porter Adventist Hospital Endowment for the Performing Arts. Bill T. Jones/Arnie Zane Dance Company

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TONIGHT’S PROGRAM SPENT DAYS OUT YONDER (2000) Choreography by Bill T. Jones Music by Wolfgang Amadeus Mozart, String Quartet No. 23 in F Major, K. 590, Andante (1790) Music performed by students in the Lamont School of Music Musicians coached by Mark Rush, Assistant Professor of Violin Lighting by Robert Wierzel Costumes by Liz Prince Danced by The Company PAUSE CONTINUOUS REPLAY (1977, revised 1991) Choreography by Bill T. Jones and Arnie Zane Music Composed and Assembled by Jerome Begin with material from Ludwig van Beethoven’s String Quartet Op. 18 No. 1 & String Quartet Op. 135 Music performed by students in the Lamont School of Music Musicians coached by Mark Rush, Assistant Professor of Violin Lighting by Robert Wierzel Costumes by Liz Prince and The Company Danced by The Company Erick Montes Chavero as “the clock” * INTERMISSION * D-MAN IN THE WATERS (1989) “In a dream you saw a way to survive and you were full of joy.” –Jenny Holzer Choreography by Bill T. Jones Music by Felix Mendelssohn, Octet for Strings in E-flat major, Op. 20 (1825) Music performed by students in the Lamont School of Music Musicians coached by Mark Rush, Assistant Professor of Violin Lighting by Robert Wierzel Costumes by Liz Prince Danced by The Company D-Man in the Waters is dedicated to Demian Acquavella. The first movement of D-Man in the Waters was commissioned by The St. Luke’s Chamber Ensemble and was made possible with public funds from the New York State Council on the Arts. The 2011 reconstruction of D-Man in the Waters was supported by the American Dance Festival with funding from the SHS Foundation and the Mary Duke Biddle Foundation. The reconstruction was conducted in residence at Bard College and the University of Virginia.

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Bill T. Jones/Arnie Zane Dance Company


COMPANY HISTORY Over the past 32 years, the Bill T. Jones/Arnize Zane Dance Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011, the Bill T. Jones/Arnie Zane Dance Company merged with Dance Theater Workshop to form New York Live Arts, of which Bill T. Jones is the Artistic Director.

BILL T. JONES (Artistic Director/Co-Founder/Choreographer) is the recipient of the 2014 Doris Duke Award; the 2013 National Medal of Arts Award; 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed FELA!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation CALLAWAY Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur “Genius” Award. In 2010, Mr. Jones was recognized as Officier dans l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Mr. Jones “An Irreplaceable Dance Treasure.”

The repertory of the Bill T. Jones/Arnie Zane Dance Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice, and stagecraft and includes musicallydriven works as well as works using a variety of texts. Some of its most celebrated creations are evening length works including Last Supper at Uncle Tom’s Cabin/The Promised Land (1990, Next Wave Festival at the Brooklyn Academy of Music), Still/Here (1994, Biennale de la Danse in Lyon, France), We Set Out Early… Visibility Was Poor (1996, Hancher Auditorium, Iowa City, IA), You Walk? (2000, European Capital of Culture 2000, Bolgna, Italy), Blind Date (2006, Peak Performances at Montclair State University), Chapel/ Chapter (2006, Harlem Stage Gatehouse), Fondly Do We Hope… Fervently Do We Pray (2009, Ravinia Festival, Highland Park, IL), Another Evening: Venice/Arsenale (2010, La Biennale di Venezia, Venice, Italy), Story/Time (2012, Peak Performances), and A Rite (2013, Carolina Performing Arts at the University of North CarolinaChapel Hill). The Company is also currently touring Body Against Body, an intimate and focused collection of duet works drawn from the Company’s 30-year history.

Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company. Mr. Jones is the named Artistic Director of New York Lives Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting and educating. For more information visit www.newyorklivearts.org. ARNIE ZANE (Co-Founder/Choreographer) (1948-1988) was a native New Yorker born in the Bronx and educated at the State University of New York (SUNY) at Binghamton. In 1971, Arnie Zane and Bill T. Jones began their long collaboration in choreography and in 1973 formed the American Dance Asylum in Binghamton with Lois Welk. Mr. Zane’s first recognition in the arts came as a photographer when he received a Creative Artists Public Service (CAPS) Fellowship in 1973. Mr. Zane was the recipient of a second CAPS Fellowship in 1981 for choreography, as well as two Choreographic Fellowships from the National Endowment for the Arts (1983 and 1984). In 1980, Mr. Zane was co-recipient, with Bill T. Jones, of the German Critics Award for his work, Blauvelt Mountain. Rotary Action, a duet with Mr. Jones, was filmed for television, co- produced by WGBHTV Boston and Channel 4 in London.

ARTIST BIOGRAPHIES ANTONIO BROWN (Dancer) native of Cleveland, Ohio, began his dance training at the Cleveland School of the Arts and received his B.F.A. from The Juilliard School in 2007 under the direction of Lawrence Rhodes. While there, he performed works by Ohad Naharin, Jose Limon, Jiri Kylian, Eliot Feld, Aszure Barton, Jessica Lang, Susan Marshall, and Larry Keigwin, among others. Mr. Brown

has also worked with Malcolm Low/Formal Structure, Stephen Pier, Nilas Martins Dance Company, Sidra Bell Dance New York, and Camille A. Brown & Dancers. In addition to working with the company, Mr. Brown also performs with Gregory Dolbashian’s “The Dash Ensemble” and has choreographed on Verb Ballets, August Wilson Center Dance Ensemble, Perry Mansfield Performing Arts Bill T. Jones/Arnie Zane Dance Company

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ARTIST BIOGRAPHIES (continued) School and Camp, and various other companies, schools, and intensives across the United States. Antonio’s work has also been shown at The Juilliard School, Center for Performance Research, NYC Summer Stage, Riverside Church, and Hunter College. Mr. Brown joined the company in 2007 and is grateful to share his gifts and talents with the world.

graduated with honors from the Ailey/Fordham BFA program. She has performed with The Kevin Wynn Collection, Nathan Trice Rituals, Kazuko Hirabayashi, The Francesca Harper Project, Yaa Samar Dance Theater, and A Canary Torsi. In 2008, she was featured in Dance Magazine’s “On the Rise” performers. Ms. Jenkins joined the Company in 2005.

RENA BUTLER (Dancer) is a native of Chicago, IL. She studied under the instruction of Anna Paskevska and Randy Duncan at The Chicago Academy for the Arts high school. Ms. Butler received her BFA from SUNY Purchase Conservatory of Dance, and also studied dance abroad at Taipei National University of the Arts in Taiwan. She graduated cum laude and was the recipient of the Bert Terborgh Dance Award. Ms. Butler has also danced for Kyle Abraham/Abraham.In.Motion, David Dorfman Dance, Luna Negra Dance Theater, Mettin Movement, and salsa dance company Pasos Con Sabor. Ms. Butler is featured in Dance Magazine’s March 2013 article “On the Rise,” FORMA collective magazine, and online fashion and culture site “Refinery29.”

I-LING LIU (Dancer), a native of Taiwan, received her BFA from Taipei National University of the Arts in 2005. She has performed with Ku and Dancers, Taipei Crossover Dance Company, Image in Motion Theater Company, and Neo-Classic Dance Company; she has been in works by Trisha Brown, Lin Hwai-Min, and Yang Ming-Lung. Ms. Liu joined the Company as an apprentice in 2007 and became a member of the Company in 2008.

CAIN COLEMAN, JR. (Dancer) started his dance training in high school at The Center for The Arts at Henrico High. He later joined The City Dance Theatre of Richmond, VA. After training at the Conservatory of Dance at SUNY Purchase, he began dancing with Philadanco and The Martha Graham Dance Company. He has performed works by Paul Taylor, George Balanchine, Martha Graham, Talley Beaty, George Fazon, Christopher Huggins, Ray Mercer, and many more. He has been seen on Good Morning America, Good Morning New York and So You Think You Can Dance. As an emerging choreographer he has presented works at Purchase College, Regional Dance Association, The Girl Effect Project, Bare Bones Dance Project, and has produced a few of his own shows. Mr. Coleman joined the Company in 2014. TALLI JACKSON (Dancer) was born and raised in Liberty, NY. He received his first training with Livia Vanaver at the Vanaver Caravan Dance Institute in upstate New York. He has been a recipient of full scholarships from the American Dance Festival in 2006 and 2008, the Bates Dance Festival, and the Ailey School. Since moving to New York City in 2006, Mr. Jackson has had the pleasure of working with Francesca Harper, Paul Matteson, and Erick Montes. In 2013, Mr. Jackson was honored with a Princess Grace Award in dance and was nominated for a Clive Barnes Award. He has been a member of the Bill T. Jones/Arnie Zane Dance Company since 2009. SHAYLA-VIE JENKINS (Dancer), originally from Ewing, NJ, received her primary dance instruction from Watson Johnson Dance Theater and Mercer County Performing Arts School. In 2004, she

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Bill T. Jones/Arnie Zane Dance Company

ERICK MONTES CHAVERO (Dancer), originally from Mexico City, trained at the National School of Classical and Contemporary Dance. In 2004 he was featured in Dance Magazine’s “25 To Watch.” He holds a fellowship in choreography from The New York Foundation for the Arts. In 2009, he was part of the program In the Company of Men at Dance New Amsterdam. He has been part of the River to River Festival in collaboration with DJ Spooky, The Boogie Down Dance Series at Bronx Academy of Arts and Dance, and has been presenting his work in collaboration with the choreographers Bill Young and Colleen Thomas for the Gorillas-Fest and The LIT Festival, The Tank at DCTV, and E-Moves at The Gatehouse/Harlem Stage. In 2010, he worked in collaboration with choreographers Jennifer Nugent and Yin Mey in the creation of a Ballet for the National Dance Academy of Beijing, China. He has presented his choreography in Mexico, Colombia and Spain. Mr. Montes-Chavero joined the company in 2003. JOSEPH POULSON (Dancer), originally from Philadelphia, PA, received undergraduate and graduate degrees from the University of Iowa and Bennington College, respectively. From 2000 to 2010, he was a member of Susan Marshall & Company, David Dorfman Dance, Bill Young/Colleen Thomas and Dancers, Creach/Co and Acanarytorsi, receiving a New York Dance and Performance “Bessie” Award in 2009. He has also performed with Elena Demyanenko, Jeanine Durning, Mark Morris Dance Group, Lisa Race, Susan Scorbatti, Peter Schmitz, Will Swanson, and Punchdrunk’s New York production of Sleep No More. Mr. Poulson joined the company in the summer of 2012. JENNA RIEGEL (Dancer), a native of Fairfield, IA, has been a New York-based dancer, performer and teacher since 2007. Ms. Riegel holds an MFA in Dance Performance from the University of Iowa and a BA in Theatre Arts from Maharishi University of Management.


ARTIST BIOGRAPHIES (continued) She has performed and toured nationally and internationally as a company member of David Dorfman Dance, Alexandra/ Beller Dances, Bill Young/Colleen Thomas & Dancers, johannes weiland, and Tania Isaac Dance. Ms. Riegel began working with the Company as a guest artist in 2010 and was ecstatic to join the Company in 2011. STACEY BOGGS (Lighting Supervisor) is a New York based lighting designer whose works include Theatre Three’s The Diary of Anne Frank, CAT’s Inside/Out, 651’s Soundtrack 63, Waterwell’s Marco Millions (based on lies), The|King|Operetta, #9, I Love a Piano (national tour). She has designed with choreographers Robert Moses, Troy Powell, Christopher Wheeldon, and Mina Yoo. She has worked as a Lighting Supervisor for The Wooster Group and as the Technical and Lighting Director for Ailey II. Ms. Boggs has worked at Glimmerglass Opera, Florida Grand Opera, and Michigan Opera Theater. She has designed the lighting for many window displays in the New York City area. She graduated from NYU’s Graduate Design program in 2005. Ms. Boggs joined the Bill T. Jones/Arnie Zane Dance Company in 2013. SAM CRAWFORD (Sound Supervisor/Sound Designer) completed degrees in English and Audio Technology at Indiana University in 2003. A move to New York City led him to Looking Glass Studios where he worked on film projects with Philip Glass and Björk. His recent sound designs and compositions have included works for the Bill T. Jones/Arnie Zane Dance Company (Venice Biennale, 2010), Kyle Abraham/Abraham.In.Motion (Pavement, 2012) and David Dorfman Dance (BAM’s Next Wave Festival, 2013). He currently holds positions as both Sound Supervisor for the Bill T. Jones/Arnie Zane Dance Company and Music Director for David Dorfman Dance. Mr. Crawford also plays lap steel and banjo in various groups, including Bowery Boy Blue (Brooklyn) and Corpus Christi (Rome). HANNAH EMERSON (Company Manager) completed her BFA in Contemporary Dance from the University of North Carolina School of the Arts in 2011. While enrolled, she studied with and was selected to perform works by many respected dance artists. She moved to NYC shortly after being awarded the William R. Kenan, Jr. Fellowship at the Lincoln Center Institute. Choosing to remain in the northeast, she has held administrative positions at New York Live Arts and The Yard while continuing to be artistically involved in the dance community. Ms. Emerson joined the Dance Company in 2014. PAULINE KIM HARRIS (Musical Director) is always trying to expand and create a new listening experience. Grammy-nominated for “The Olde School” album (East Village Opera Company, Universal/Decca), she has been described as a “sorceress” of the violin. From ground-

breaking classical, genre-bending crossover to the envelope-pushing experimental/avant-garde/ contemporary, Ms. Harris has dazzled audiences worldwide. She has performed with Peter Gabriel, Sting, Jeff Beck; recorded on albums by Jay Z, Lenny Kravitz, Jane Siberry, Tyondai Braxton, and David Byrne/Fat Boy Slim; worked with Merce Cunningham Dance Company, American Ballet Theater, City Ballet of New York, and Savion Glover. Most recently, Ms. Harris performed with choreographer, Margie Gillis, in a new piece for violin and theremin by Gordon Monahan. Soon to be released, albums of new works by John Zorn on Tzadik, composers Index Zero in works written for violin duo, String Noise (husband, Conrad Harris, violinist in FLUX Quartet), and a new release by composer Phill Niblock. Ms. Harris is also a violinist in the highly-acclaimed disco phenomenon, Escort. Upcoming engagements include performances in a production of Samuel Beckett plays, directed by Joy Zinoman, appearances at the “Beyond Cage” festival in NYC (a celebration of the John Cage centennial), and performances of John Cale: “Paris 1919” at the Next Wave Festival, BAM. CARLEY MANION (Stage Manager) is an Oregon native. While studying at the University of Oregon for her BFA in dance, she started stage management. She continued work in dance at Jacob’s Pillow Dance Festival and there worked with many companies throughout four years. The Pillow served as the perfect doorway into the dance world and Ms. Manion stepped through it eagerly. Before taking her position as Stage Manager for the Bill T. Jones/Arnie Zane Dance Company in 2014, she worked with the Trisha Brown Dance Company, Kyle Abraham, and Camille A. Brown among others. KYLE MAUDE (Director of Producing and Touring) graduated from Drake University with a BFA in Theatre. She has worked with Ballet Tech/Feld Ballets New York, The Royal Ballet School of London, Buglisi-Foreman Dance, and Lesbian Pulp-o-Rama! Ms. Maude joined the Company in 2003. LIZ PRINCE (Costume Designer) has worked extensively with Bill T. Jones since 1990. She has also designed for Doug Varone and Dancers, Jose Limon Dance Company, Dayton Contemporary Dance Company, American Ballet Theater, Washington Ballet, Pennsylvania Ballet, PHILADANCO, Houston Ballet, Dendy Dance, Pacific Northwest Ballet, Dortmund Theater Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Meg Stuart, Lucy Guerin, Tamar Rogoff, Claire Danes, PILOBOLUS, Neil Greenberg, Jane Comfort, Bebe Miller, Ralph Lemon, and David Dorfman. Her costumes have been exhibited at The New York Public Library for the Performing Arts, Cleveland Center for Contemporary Art, and Snug Harbor Cultural Center. Bill T. Jones/Arnie Zane Dance Company

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ARTIST BIOGRAPHIES (continued) ROBERT WIERZEL (Lighting Designer) has worked with artists in theatre, dance, new music, opera, and museums on stages throughout the country and abroad. He has worked with choreographer Bill T. Jones and his company since 1985. Projects include Blind Date, Another Evening/I Bow Down, Still/Here, You Walk?, Last Supper at Uncle Tom’s Cabin/The Promised Land, How To Walk An Elephant, and We Set Out Early, Visibility Was Poor. Other works with Bill T. Jones include projects at the Guthrie Theatre, Lyon Opera Ballet, Deutsche Opera Ballet (Berlin), Boston Ballet, Boston Lyric Opera, the Welsh dance company Diversions, and London’s Contemporary Dance Trust. Robert has also worked with choreographers Trisha Brown, Doug Varone, Donna Uchizono, Larry Goldhuber, HeidiLatsky,

Sean Curran, Molissa Fenley, Susan Marshall, Margo Sappington, Alonzo King, and Joann Fregalette-Jansen. Additional credits include national and international opera companies, Broadway and regional theater. Mr. Wierzel is currently on the faculty of New York University’s Tisch School of the Arts and The Yale School of Drama. JANET WONG (Associate Artistic Director) was born in Hong Kong and trained in Hong Kong and London. Upon graduation she joined the Berlin Ballet where she first met Bill when he was invited to choreograph on the company. In 1993, she moved to New York to pursue other interests. Ms. Wong became Rehearsal Director of the Company in 1996 and Associate Artistic Director in August 2006.

NEW YORK LIVE ARTS ARTISTIC DIRECTOR Bill T. Jones EXECUTIVE DIRECTOR & CEO Jean Davidson DIRECTOR OF PROGRAMS Thomas O. Kriegsmann Tyler Ashley, Executive Assistant/ Board Liaison BOARD OF DIRECTORS Richard H. Levy, Board Chair Helen Haje, Vice Chair Stephen Hendel, Vice Chair Joe Azrack, Treasurer Terence Dougherty, Secretary Jean Davidson, Executive Director & CEO Bjorn Amelan Muna El Fituri Bill T. Jones Helen Mills Slobodan Randjelovic Jane Bovingdon Semel Catherine R. Stimpson David Thomson Kweli Washington Judith Zarin

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Bill T. Jones/Arnie Zane Dance Company

STAFF BILL T. JONES/ARNIE ZANE DANCE COMPANY Janet Wong, Associate Artistic Director Bjorn G. Amelan, Creative Director Kyle Maude, Director of Producing & Touring Joseph Futral, Production Manager Stacey Boggs, Lighting Supervisor Carley Manion, Stage Manager Hannah Emerson, Company Manager Sam Crawford, Sound Supervisor Robert Wierzel, Resident Lighting Designer Liz Prince, Resident Costume Designer Bill Katz, Artistic Consultant Pauline Kim, Musical Director PROGRAMMING AND ENGAGEMENT Jaamil Kosoko, Director of Education and Engagement Leah Cox, Director of the New York Live Arts/ Bard College Partnership Isabella Hrelijanovic, Producing Associate Rakia Seaborn, Associate Artist Program Manager PRODUCTION Anita Shah, Director of Production Michael Zimmerman, Technical Director Laura Bickford, Lighting Supervisor Meredith Belis, Production Coordinator Megan Byrne, Production Coordinator Stephanie Byrnes Harrell, Production Coordinator

Lilli De Armon, Production Coordinator Ashley Vellano, Production Coordinator Rochelle Riley, Production Apprentice Amine Hechehouche, Production Apprentice Jacklyn Hecker, Production Apprentice DEVELOPMENT Dan Zanella, Interim Director of Development, Individuals Royd Climenhaga, Manager of Institutional Gifts Tricia Smit, Manager of Individual Giving and Special Events Alexandra Burke, Development Assistant MARKETING & PUBLIC RELATIONS Liliana Dirks-Goodman, Director of Marketing and Design Elizabeth Cooke, Associate Director of Communications Katie Jennings, Marketing Manager OPERATIONS & FINANCE Andrea Nelis, Interim General Manager Donald Heath, Director of Finance Nupur Dey, Associate Director of Finance & Human Resources Jeff Berzon, Bookkeeper Alyssa Alpine, Rental Manager Xavier Hageman, Receptionist Tyler Ashley, Executive Assistant


ARTIST BIOGRAPHIES (continued) AUDIENCE SERVICES Christine Jacobsen, Audience Services Manager Shantelle Jackson, House Manager Renne Colbert, Front of House Assistant Xavier Hageman, Head Usher Tony Carlson, Tyra Jackson, Denisa Musilova, Eli Tamondong, Nehemoyia Young Front of House Staff CONSULTANTS Marcum LLP, Certified Public Accountants, Inc. Kozyn & Company, Fundraising Ian Douglas, Photographer Lowenstein Sandler, PC, Pro-bono Counsel

North American Representation by Opus 3 Artists of Bill T. Jones/Arnie Zane Dance Company by: 470 Park Avenue South, 9th Floor New York, NY 10016 + 1 212 584-7500 Email: info@opus3artists.com opus3artists.com

New York Live Arts 219 West 19th Street, New York, NY 10011 +1 212 691-6500 / Fax: +1 212 633-1974 www.newyorklivearts.org

European representation of Bill T. Jones/ Arnie Zane Dance Company by: Gillian Newson Associates Office + 44 20 7622 8549 Mobile + 44 7768 166381 Email: gillian@gilliannewson.com

THANK YOU The Newman Center would like to thank Janet Wong (Associate Artistic Director), Pauline Kim Harris (Musical Director), and Stephen Seifert (Executive Director of the Newman Center) for leading this evening’s Behind the Curtain lecture.

UP NEXT See complete event descriptions on pages 8–12 of the Newman Center Presents program. Medeski Martin & Wood + Alarm Will Sound Thu, Feb 5, 2015 / 7:30 p.m. Aspen Santa Fe Ballet Sat, Feb 21, 2015 / 7:30 p.m. Sun, Feb 22, 2015 / 2:00 p.m. Roomful of Teeth with the Colorado Symphony Fri, Mar 6, 2015 / 7:30 p.m. Remember: COMPLIMENTARY parking is available for all Newman Center Presents shows in the Newman Center garage.

BEHIND THE CURTAIN Join us before each Newman Center Presents performance for an opportunity to learn more about anything from the evening’s program to the history and influences of the genre to key moments to watch and listen for during the performance. Tickets are not required for these FREE Behind the Curtain talks, and no RSVP is necessary. Talks take place one hour before curtain in June Swaner Gates Concert Hall, entering on Orchestra Level East for seating. The next Behind the Curtain speaker will be: Medeski Martin & Wood + Alarm Will Sound Thu, Feb 5, 2015 / 7:30 p.m. Members of Medeski Martin & Wood and Alarm Will Sound with moderator Stephen Seifert (Executive Director of the Newman Center)

Bill T. Jones/Arnie Zane Dance Company

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NEWMAN CENTER MEMBERS & DONORS For information about becoming a Newman Center Member and donor opportunities, please see pages 30–36 of the Newman Center Presents program. Memberships and Donations received July 1, 2013–June 30, 2014 are listed on pages 39–42 of the program. Newman Center Memberships since July 1, 2014 BENEFACTOR Community First Foundation Beverlee Henry PARTNER Stephen W. Seifert Davol G. Tedder SPONSOR Sean & Natalie Raborn – Power Quip SUPPORTER Carolyn A. Agosta and William Rauschert Leslie Smith Beltrami Mary Jo Craige Barbara Jean Hamilton Kathryn Heet Montjoy C. and Frank A. Kugeler Marian D. Lauterbach

Newman Center Donors since July 1, 2014 Charmatz Family Antonia & Vladimir Kulaev Cultural Heritage Fund, Inc. Yolanda McAllister Tracy Paige Forest O. Peneton In memory of Fran Seifert Karin Bond

DID YOU KNOW?!

8

Nelson Family Foundation/ Mr. W. Peterson Nelson Jean and Ed Onderko Richard K. Replin and Elissa Rae Stein Kathryn Spuhler William A. Stolfus and Andrea G. Richardson Adrian Tinsley CONTRIBUTOR Mary Brothers Charlene S. Byers Herschel and Barbara Cravitz Joel S. Cohen and Kathryn L. Oberdorfer Roger L. and Suzanne O. Kinney Mike Moore Jennifer Newman Paula Roney Kathy A. and Donald D. Rosenkrans

In honor of Susanne W. Hamilton, Edith Berline, and Max Wilmersdoerffer Barbara Hamilton and Paul Primus Newman Endowment for Experiential & Cultural Learning In honor of Margot & Allan Frank In honor of Sue Anschutz Rodgers Beverlee Henry

Ruth Elaine Schoening Carolyn Strand FRIEND Kenneth A. and A. Louise Beard Karin Bond Matt Chalek Russel R. DeWitt Max E. Donaldson Miriam Farrington Andrew Hornbrook Ross and Vicki Kazer Jim LeNoir Isabelle Marques Mark Paller Stephen W. Seifert and Davol G. Tedder Jenene C. and James J. Stookesberry J. Alton and Dorothy J. Templin

In honor of Robert and Judi Newman Jennifer Newman In honor of Jane Quinette Stephen W. Seifert and Davol G. Tedder In honor of Cynthia Secor Adrian Tinsley

For facts about the Newman Center, please go to www.newmancenterpresents.com/didyouknow.

Bill T. Jones/Arnie Zane Dance Company


Founding Partner

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Endowment Recognition

Porter Adventist Hospital is proud to support the Newman Center for the Performing Arts and all those who pursue excellence in our community.

porterhosptial.org | 2525 S. Downing St., Denver, CO 80210 | 303-778-1955 Porter Adventist Hospital is a member of Centura Health, Colorado’s largest hospital and healthcare network. Centura Health complies with the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, and no person shall be excluded from participation in, be denied benefits of, or otherwise be subjected to discrimination in the provision of any care or service on the grounds of race, religion, color, sex, national origin, sexual preference, ancestry, age, familial status, disability or handicap. Copyright Š Centura Health, 2013

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2014-2015 Newman Center Presents


We could not do what we do without your support and your feedback! Your voice matters, and we do listen!

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YOUR OPINION

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(and you could win a pair of tickets to an upcoming performance!)

Please consider completing the survey in the middle of your program, or visit www.newmancenterpresents.com/survey to share your feedback. You may remain anonymous, but if you wish to be entered into our drawing, please include your email address. If you have any additional feedback or comments which are not addressed on the survey, please email natalie.raborn@du.edu.

Thank you!

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ENJOY THE SUITE LIFE IN DENVER! The Embassy Suites Denver Southeast is a proud supporter of the University of Denver and Newman Center Presents. The Embassy Suites Denver Southeast features true, two-room guest suites, a complimentary cooked-to-order breakfast and a complimentary manager’s cocktail reception.

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DID YOU KNOW?! Newman Center Executive Director Stephen Seifert serves on the Board of Directors of the Western Arts Alliance. WAA is a membership association of touring and performing arts professionals engaged in presenting the performing arts throughout the western states and Canadian provinces. Serving members since 1967, WAA’s annual conference brings together over 1,000 artists, artist managers, presenters, leaders of arts service organizations, and administrators of state arts agencies. At the conference, members work together on artist tours for upcoming seasons and engage in professional development for arts leaders.

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2014-2015 Newman Center Presents

THE POWER OF MEMBERSHIP = MAKING A DIFFERENCE

to a Newman Center Presents performance of your choice in the 2014-15 season Invitation to pre-performance and Our mission is to make the best performing • intermission receptions for each Newman arts programming available in our community. Center Presents performance (hosted bar To do this, our ticket prices are held at a and hors d’oeuvres) level that covers less than half of the true costs of our programming, operations and maintenance. The difference is made up by SPONSOR—$500 • All Supporter Membership benefits, plus: your generous membership support. • Invitation to a backstage tour Two complimentary guest passes to a Your membership to Newman Center makes • Newman Center Presents performance of it possible for us to present the best in your choice in the 2014-15 season performing arts from around the world, provide student discounts and master classes for both university and K-12 students, and sustain a landmark facility recognized worldwide for its excellence. Please join the community of members with a partially or fully tax-deductible Membership that makes everything we do possible.

SUPPORTER—$200 • All Contributor Membership benefits, plus: • Four additional complimentary drink vouchers for any Newman Center Presents performance in the 2014-15 season • Two Orchestra seats to a Lamont School of Music Opera production (excludes annual musical) or a Theatre Department BECOME A NEWMAN CENTER MEMBER production of your choice (dates subject to Annual Membership starts for as little as availability) $50, but the more you choose to give, the greater the difference you will make. (See CONTRIBUTOR—$100 below about the matching grant opportunity • All Friend Membership benefits, plus: to double the value of your gift). A portion • Two complimentary drink vouchers for any of your membership may be tax deductible. Newman Center Presents performance in To become a Newman Center Member, or the 2014-15 season for more information about our membership program, please contact the Newman Center FRIEND—$50 Box Office, Mon–Fri, 10 a.m.–4 p.m.; Sat, 12 • Priority notification of subscription renewal p.m.–4 p.m. (Sep–May), or at 303.871.7720. dates • Priority notification of single ticket sale Newman Center Membership Levels* dates • Recognition in each performance program BENEFACTOR—$5,000 for Newman Center Presents performances • All Partner Membership benefits, plus: • Subscription to Curtain Call • Exclusive post-performance “meet the artist” and drinks with one visiting artist during the *The amount paid for your membership is 2014-15 season (pending artist availability) tax deductible minus the fair market value of • Two complimentary Pick Your Own 3 benefits received. If you decline all benefits, guest subscriptions (three shows total) the entire amount of your Membership is to Newman Center Presents 2014-15 tax deductible. Deductible amounts with season shows benefits are: Friend—$50, Contributor—$94, Suppor ter—$142, Sponsor—$366, PARTNER—$1,000 Par tner—$690, Benefactor—$4,474. • All Sponsor Membership benefits, plus: • Two additional complimentary guest passes


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SUPPORT FOR THE PERFORMING ARTS

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In any project, the benefits of leverage can be amazing. The University of Denver is committed to leadership in leveraging our partnership with you. In recent years, DU has committed $5 million to match every new gift of $10,000 or more to support performing arts on campus. A limited amount of funds remain in this matching pool and are available to match your contributions and pledges. Your gift can be personalized and designated for a wide range of purposes, including endowment of Newman Center Presents programming and educational residency activities. We urge you to take advantage of this unprecedented opportunity today. Please consider giving generously to the performing arts at the University of Denver. Seize the chance to leverage your gift for the enrichment and education of current and future generations of students and for the living cultural fabric of our community. To discuss giving opportunities to the Newman Center for the Performing Arts, please contact Isabel Werner, Director of Development— Arts, Humanities and Social Sciences, Isabel. Werner@du.edu or call 303.871.4472.

WHAT GIFT DOLLARS CAN REALLY DO Thank you to the generous donors who have created permanent endowments to support Newman Center Presents: Beverlee Henry and the Honorable Robert Fullerton (Newman Center Endowed Fund for Experiential and Cultural Learning), Celeste Grynberg (The Grynberg Family Endowment for Dance Programming), The Gay and Lesbian Fund for Colorado (The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music), and Porter Adventist Hospital (The Porter Adventist Hospital Endowment for the Performing Arts).

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WHAT GIFT DOLLARS CAN REALLY DO (continued)

During the 2014-2015 season, these funds will help make the following programming a reality: • Educational residency work and master classes with Pinchas Zukerman; Beijing Dance/LDTX; The King’s Singers; Renaud Garcia-Fons; Bill T. Jones/Arnie Zane Dance Co.; Medeski, Martin & Wood and Alarm Will Sound; Aspen Santa Fe Ballet; Roomful of Teeth; Donal Fox; it gets better; and Diavolo are sponsored in part by The Newman Center Endowed Fund for Experiential and Cultural Learning. • Beijing Dance/LDTX, Bill T. Jones/Arnie Zane Dance Co., Aspen Santa Fe Ballet, and Diavolo are supported in part by The Grynberg Family Endowment for Dance Programming and Roger and Meredith Hutson. • Chris Thile and Edgar Meyer; Renaud GarciaFons Quartet; Medeski, Martin & Wood and Alarm Will Sound; and Roomful of Teeth are supported in part by The Gay & Lesbian Fund for Colorado Endowment for Diverse and Innovative Music. • All Newman Center Presents programming is supported in part by The Porter Adventist Hospital Endowment for the Performing Arts. • Bill T. Jones/Arnie Zane Dance Co. and Roomful of Teeth are supported in part by The Antonia and Vladimir Kulaev Cultural Heritage Fund, Inc. If you are interested in supporting Newman Center Presents, please contact Isabel Werner, Director of Development - Arts, Humanities and Social Sciences, Isabel.Werner@du.edu or call 303.871.7467. If you work with a local organization or Denver-area K-12 school and would like to learn more about how Newman Center Presents artists provide educational outreach activities for your school or group, please contact Sarah A. Whitnah (née Johnson), Event and Community Outreach Manager, at Sarah.A.Johnson@du.edu or call 303.871.2862. Please include the following information: your name and position, name of

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2014-2015 Newman Center Presents


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WHAT GIFT DOLLARS CAN REALLY DO (continued)

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organization or school, types of outreach you may be interested in (dance, theatre, world music, jazz, vocal), and email address and phone number.

THE LASTING DIFFERENCE MADE BY ENDOWMENT GIFTS The construction of the Newman Center and all its public and backstage spaces was only made possible by generous donors, many of whose gifts have been recognized through the naming of spaces. Moreover, continued gifts to and income from the Newman Center Building Endowment help ensure constant care and upkeep of our world-class venues and state-ofthe-art systems.

DID YOU KNOW?! The Center Stage Club offers online versions of Newman Center Presents Magazine for patrons to read before performances. And, check out upcoming metro-area performing arts events in the calendar.

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The Center Stage Club is produced by Colorado’s Performing Arts Publications

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2014-2015 Newman Center Presents

The Newman Center Volunteers have given over 78,000 hours of service since the NCPA opened in 2003. Our volunteer program is over 200 strong, and they come from as far away as Evergreen, Castle Rock, and Loveland for the pleasure of giving you a program and helping you locate your seat.


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Educating Minds, Enriching Hearts & Expanding Horizons Visit St. anne’s Episcopal School to see state-of-the-art classrooms nestled among magnificent gardens. • rigorous academics • arts, athletics, technology, Languages • Sports and Extra-curricular activities • Extended day care • daily hot Lunch program • need-Based tuition assistance available grades: preschool (age 3)-grade 8 Enrollment: 424 Student/Faculty: 8:1

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2014-2015 Newman Center Presents

ENDOWMENT GIFTS (continued)

To maintain this excellence, the Newman Center Building Endowment needs to grow, and many naming opportunities remain for your gift to the Endowment. Your gift to name a space in the Newman Center offers lasting recognition of your support of the Newman Center’s programming, operations, and facilities. Both current and testamentary gifts to the Newman Center Building Endowment are welcome. If you have already included the Newman Center in your estate, please let us know so that we may appropriately thank you. If you would like more information about how to make a lasting difference to the Newman Center Building Endowment, to Newman Center Presents, or to help the Newman Center continue to make a lasting contribution to the performing arts in our community, please contact Isabel Werner, Director of Development, at 303.871.7467 (Isabel.Werner@du.edu). DONOR ACKNOWLEDGEMENTS The Newman Center for the Performing Arts would like to express its gratitude to the following individuals and organizations who have given generously in 2013–14 (July 2013– June 2014) to support the Newman Center’s Scholarship, Maintenance, Operations and Programming, and Marketing Funds, the Newman Center Endowments discussed earlier, and Newman Center Memberships initiated during this time period: Newman Center Donors Anonymous (several) Leslie Beltrami Carl Berman and Joyce L. Gioia Karin Bond Bonfils-Stanton Foundation Matt Chalek Vernelle C. Columbus Community First Foundation Robert Downes Kevin Fitzpatrick


Friends of Chamber Music Kay E. Grice Edie Hori L. Roger and Meredith Black Hutson Susan Martin Yolanda McAllister Joan B. and Richard L. McGee Mile High United Way Douglas G. and Laura B. Moran Jennifer Newman Tina and Tom Obermeier Edward Onderko Paula Roney Marriott and John Smart Kathryn Spuhler Serda D. and Roy S. Tibbs Adrian Tinsley Myranda E. Whitesides Carol Wilson In honor of Karen Lee-Siebels Kay E. Grice In honor of Judi and Robert Newman Margot Gilbert and Allan Frank Newman Endowed Fund for Experiential and Cultural Learning In honor of Margot Gilbert Frank In honor of Margot and Allan Frank and In honor of Sue Anschutz Rodgers Beverlee Henry and Robert Fullerton In memory of Frances E. Seifert Robert C. and Judith S. Newman Christine B. Poe Obermeier Stephen W. Seifert and Davol G. Tedder In memory of Arthur J. Seifert Stephen W. Seifert and Davol G. Tedder In honor of Dee Getchel James and Frances Cosby 2013-2014 MEMBERS BENEFACTORS Robert and Judi Newman PARTNERS Margot and Allan Frank Mike and Diana W. Kinsey Dennis A. Oliver Stephen W. Seifert Davol G. Tedder

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2014-2015 Newman Center Presents

39


DONOR ACKNOWLEDGEMENTS

“The Right Way to Clean” pretreated, cleaned, and sanitized

3 carpeted areas–$124* 200 sq feet per room, *Additional fees may apply

✓ CARPET ✓ UPHOLSTERY ✓ TILE GROUT ✓ AREA RUGS

zerorezdenver.com (303) 471-5150 40

2014-2015 Newman Center Presents

THE ZEROREZ® REVOLUTION Cleaning with Empowered Water™

(continued)

SPONSORS Gene and Dee Garms Milstein Gregg Kvistad and Amy Oaks Jane Quinette PowerQuip Partners – Sean and Natalie Raborn SUPPORTERS Libby L. Bortz and Michael R. Altenberg Edward W. Estlow Teresa Giammanco Walter F. Imhoff Mary Jo Craige Johnson M. D. Lauterbach Joan Markle Francis X. O’Connor Nelson Family Foundation – W. Peterson Nelson Jordon and Essie Perlmutter Rodney L. Smith and Constance A. Brakke Smith Richard Replin and Elissa Stein William Stolfus and Ann Richardson Thomas and Theresa Wheeler Robert A. Zupkus and Donna Howard-Zupkas CONTRIBUTORS Robert M. and Carole Cantor Adelstein Lisa Allen Thomas N. Butler Charlene S. Byers Catherine P. Cole Joel S. Cohen and Kathryn L. Oberdorfer William and Barbara Dolan Michael J. and Laura Fowles Pamela F. Grange Roger L. Kinney David R. and Florence Lynn Linke William Mohrman Harold S. and Sarah M. Nelson Gene E. and Nancy M. Richards Donovan C. and Phyllis A. Rieger Kathy A. and Donald D. Rosenkrans Ruth Schoening Janet L. Schroeder Michel N. and Carla Schuh Thomas Blake Spellman Roger L. Tate


GIVE THEM SOMETHING

to remember you by.

EVERY LIFE IS UNIQUE

and deserves to be remembered in a special way. With whispering pines, picturesque grounds and breathtaking views of the majestic Rocky Mountains and Denver skyline, Olinger Mount Lindo Cemetery offers a resting place unlike any other. The cemetery’s historic lighted cross—the largest in the country—graces the scenic mountaintop and has become a beloved local landmark. As members of the Dignity Memorial® network, we are dedicated to helping you and your loved ones create a meaningful memorial that truly celebrates the life it represents. You can even tell your own unique story by making your final plans now, before the time of need.

Call today to create a lasting tribute that will be celebrated for generations to come.

OLINGER FUNERAL HOMES AND CEMETERIES OLINGER MOUNT LINDO

OLINGER CHAPEL HILL

Cemetery

Mortuary and Cemetery

5928 South Turkey Creek Rd., Morrison, CO

6601 South Colorado Blvd., Centennial, CO

303-771-3960

303-771-3960

OlingerMountLindoCemetery.com

OlingerChapelHillCemetery.com


2013-2014 MEMBERS

(continued)

Reda Walsh Carol A. Wilson Ruth Wolff

STRENGTH STRETCH CONTROL BALANCE

(Gifts and memberships received on and after July 1, 2014 are acknowledged in the show insert in the middle of the program.)

• Certified Pilates Instruction & Education • Private Sessions, Equipment & Mat Classes • Yoga & Barre Classes • Fully Equipped Studio with Amenities • BASI Pilates® Teacher Training Program • Massage Therapy • Men & Women of All Ages & Fitness Levels Welcome • Retail, On-Line Scheduling & More

www.pilatesdenverstudio.com Located at Village Center Station est. 2001

42

FRIENDS Varda and Bernhard J. Abrahamsson Barbara R. and John R. Adams Albert G. Appell Mary Claire Brothers Judith K. Cisney Betty J. Croall and James A. Carney Andrea Elizabeth Faley Frances N. Gray Charles Hanson Andrew Hornbrook Katy Jarusco Ann Marie Kaplan Roger L. and Suzanne O. Kinney Gloria Kubel Sarah Lincoln Robert Roy Montgomery Michael C. and Ann A. Moore Sally G. Plummer Frances E. Seifert Jenene C. and James J. Stookesberry Shirley M. Tanaka Mary Ann Tarpey Mirelly Tierney William B. M. and Susan D. Tracy Roberta Kaye and Leonard N. Waldbaum Carol M. Warner

2014-2015 Newman Center Presents

303.779.0164 6380 S. Fiddler’s Green Circle, Suite 108C Greenwood Village, Colorado


Here for our community because every day counts.

We provide expert end-of-life care and support so patients can focus on what’s most important: friends, family and the gifts of life. Skilled physicians board certified and fellowship trained in hospice and palliative medicine. • Highly qualified nursing staff with CNA support up to seven days a week. • Experienced counselors, chaplains and volunteers. •

We serve patients wherever they call home.

720.482.1988 www.agape-healthcare.com


DOES EVERYONE MUMBLE?

HEARING AIDS

2-WEEK FREE TRIAL* + Price Match Guarantee‡

Maybe it’s time to get your hearing checked.

With a FREE 2 week trial, you have nothing to lose! Have you heard? Connect Hearing is not only one of the largest hearing healthcare centers in the US, it’s also the place to go for the best state-of-the-art digital hearing aids in the country. We specialize in hearing solutions for every budget! Connect Hearing is offering our customers: •

3 year Free Hearing Aid Battery with Purchase

0% Financing†

Free Hearing Consultation

Call or visit us today and put an end to the mumbling!

connecthearing.com

Unitron Moxi Kiss

CONNECT HEARING

7 Colorado locations to Serve you: · · · · · · ·

Brush enver - Premier Provider of Lyric, the world’s first and only 100% invisible, 24/7 wearable, hearing aid offered at this location D Ft Collins - Provider of Lyric, the world’s first and only 100% invisible, 24/7 wearable, hearing aid offered at this location Greeley - Provider of Lyric, the world’s first and only 100% invisible, 24/7 wearable, hearing aid offered at this location Littleton Loveland - Provider of Lyric, the world’s first and only 100% invisible, 24/7 wearable, hearing aid offered at this location Wheat Ridge

1-888-218-0790

*Certain types of hearing loss may require a hearing aid model that is not appropriate for the Two-Week Free Trial. See clinic for details. Lyric excluded. ‡ As a member of the Connect Hearing network, if we don’t already have the lowest price, we will match any valid competitor quote or advertised price on hearing aids within 60 days of purchase. † 0% financing offer is subject to credit approval. If at the time of your application you do not meet the credit criteria previously established for this offer, or the income you report is insufficient based on your obligations, we may not be able to offer this financing. Complimentary hearing screening and consultation required. Some restrictions apply. Offer expires 5/30/14.


Fresh Mexican Food Prepared Daily Enjoy Our Brand New ROOFTOP Patio & Bar Largest Patio in the DU Area Two Awesome Happy Hours

CONTROL YOUR TREMORS,

UNLEASH YOUR LIFE Deep brain stimulation has helped more than 100,000 patients with Parkinson’s disease, Essential Tremor, and other neurological diseases control their symptoms, reduce medications, and get back their lives. Dr. David VanSickle, board-certified neurosurgeon and founder of the Denver DBS Center, was the first in Colorado to offer the new Asleep DBS and is now utilizing robotic-guided Asleep DBS to achieve more accurate results and improved outcomes.

Everyday 7 days a week 3pm to 7pm 10pm to Midnight

2401 S. University Blvd. Soutwest Corner of University & Wesley

(next to the Newman Center)

Denver 80210

720-536-4802

www.thepioneerbar.com Download our consumer guide to learn more at DenverDBS.com.

An affiliation of South Denver Neurosurgery

7780 S. Broadway, Suite 350 Littleton, CO 80122

855-202-9303

To Book a Private Party, Email: gm@thepioneerbar.com


L

e

e B l l a

Espresso & Wine Bar

R

oset

e t

2423.S.University.-.One.Block.South.of.Newman.Center. LaBelleRosette.com.-.720.508.4469.-.Happy.Hour.5.-.7pm

Your Help Is Needed. Lupus Colorado serves as a vital resource in research and advocacy for lupus patients and their families by providing emotional, practical and financial support. Our continuing success depends solely on donations, especially to Lupus Colorado’s Emergency Assistance Fund.

PLEASE DONATE

www.lupuscolorado.org

1211 South Parker Road, #103, Denver, CO 80231 303-597-4050

46 2014-2015 Newman Center Presents

PATRON INFORMATION • The Newman Center for the Performing Arts is fully accessible to patrons in wheelchairs and to those with other special needs. Patrons needing accommodations for a disability should call the Box Office as early as possible at 303.871.7720. • Parking is available in the Newman Center parking garage (complimentary for all Newman Center Presents events). Patrons are advised not to park in the neighborhood, as most side streets have one-hour parking only. • Food and beverages are prohibited in the seating areas of all theatres. • No audio, photographic, or video equipment of any kind is allowed in the performance venues. • Artists and programs are subject to change without notice. • All sales are final. No refunds or exchanges. • Patrons are encouraged to call the Newman Center for information on the suitability of events for children. • The University of Denver is a smoke-free campus. Smoking is permitted only in the designated smoking area on S. York Street, south of the loading dock.


Navigating Today’s Ever-Shifting Markets. In today’s world, analyzing developments, sidestepping pitfalls and identifying opportunities within the context of your unique financial goals can make all the difference. At Obermeyer Wood Investment Counsel, LLLP, our experienced and professional team is deeply committed to the success of our clients. We offer a highly individualized approach supported by sound, thoughtful investment advice. All delivered by people dedicated to open communication and earned trust. Learn more about our team and process

at www.obermeyerwood.com

ASPEN | DENVER www.obermeyer wood.com | 303.733.4305


Jewelry that Breaks the Mould! Exclusively in Cherry Creek at Eccentricity

290 Fillmore Street • Cherry Creek North Denver, CO 80206 303.388.8877 Free Adjacent Parking • M-F 10-5:30 Sat 10-5

www.Eccentricity.com

|

www.Facebook.com/EccentricityDenver


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