music
experience the
2013–2014 Season Global performance. World-class entertainment. You have to be here.
BOULDER BALLET & the BOULDER PHILHARMONIC ORCHESTRA present
A whimsical delight for the entire family!
November 29 through December 1 Macky Auditorium, CU campus
Get your tickets today! Box Office: 303.449.1343 or online: boulderballet.org Melissa Heslep. Photo by Sue Daniels
Don’t miss Aaron Copland’s A P P A L A C H I A N S P R I N G November 2 at 7:30 PM!
w E C R E at E u n i q u E O u t d O O R l i v i n g s pa C E s F O R y O u R d R E a m g a R d E n . . .
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4 |
| www.cupresents.org
From the Executive Director
Table of Contents
CU Presents Staff
6
CU Presents Ticket Policy
6
Theatre/Dance Season
8
Program
P 1-4
Faculty Tuesdays
22
Artist Series Donors
24
Takács Quartet Donors
26
CU Opera Donors
28
Upcoming AS Presentations
30
CU Opera
32
CU Presents Season
34
College of Music Advisory Board
Welcome to the 2013-2014 season of CU Presents. As always we have a diverse lineup of world-class entertainment, including the world-renowned guests of the Artist Series, the return of the beloved opera La Bohème, stunning symphonic works, masterful chamber music performances, intriguing theater and dance productions and more. This year also marks the exciting debut of our new, unified ticketing system for the performing arts at CU Boulder, which brings together the Artist Series, Colorado Shakespeare Festival, Takács Quartet, Holiday Festival, CU Opera, College of Music and Theatre & Dance productions under the auspices of CU Presents. Lovers of the performing arts now have an easyto-use, one-stop way to discover all these inspiring programs and order tickets. The box office, located just inside the west entrance of the University Club building at the intersection of Euclid Avenue and Broadway on the CU-Boulder campus, is open from 10 a.m. to 5 p.m. Monday through Friday. Metered parking is available on the street or in the Euclid Avenue Autopark. You may also purchase tickets by calling 303-493-8008 or online at cupresents.org. If you have questions, please don’t hesitate to ask or send us an email at cupresents@colorado.edu. Our goal at CU Presents is to share the joy of diverse, thought-provoking, entertaining and outstanding experiences with the CU, Boulder and broader Colorado communities. We want to thank you for helping us make this possible and invite you to join us for many memorable experiences throughout the coming year. CU Presents: Global performance. World-class entertainment. You have to be here. Warm regards,
Joan McLean Braun Executive Director
James Austin, Interim Dean Christopher Brauchli Robert F. Bunting Jan Burton Coleen Conant Martha Coffin Evans Tyler M. Forman Jonathan R. Fox David W. Fulker Grace Gamm Lissy Garrison Lloyd Gelman Doree D. Hickman Suzanne A. Hoover David G. Hummer Daryl K. James Gary S. Joiner Caryl F. Kassoy Robert Korenblat Thurston E. Manning Erma M. Mantey Joseph T. Negler Susan J. Olenwine Michele Ritter Rebecca J. Roser Steven K. Taniguchi Jeannie Thompson Jack Walker ADVERTISING INFORMATION This program is produced for CU Presents by The Publishing House, a division of Colorado Word Works, Inc. Angie Flachman Johnson, Publisher Annette Allen, Art Director and Production Coordinator Stacey Krull, Graphic Design & Layout Wilbur E. Flachman, President For advertising information, call 303-428-9529 7380 Lowell Blvd., Westminster, CO 80030 www.coloradoartspubs.com
Everyone has a voice. Shouldn’t yours be heard? Don’t take your voice for granted. A weak, breathy, hoarse, scratchy, strained, or graveled voice often indicates a problem. Hoarseness lasting longer than a few weeks probably isn’t “laryngitis.” Dr. J. Michael King treats the full spectrum of ear, nose, and throat disorders. He is an otolaryngologist and a fellowship-trained laryngologist (voice specialist) providing care to singers, performers, and professional speakers. As one of only a few specialists in the Western region who performs minimally invasive office procedures, balloon sinuplasty, and laser surgery, Dr. King is always willing to take the time to explain options to help you decide what treatment is right for you.
J. Michael King, MD Services and treatments include• Minimally invasive office procedures of the throat and sinuses • Laser surgery of the vocal cords • Treatments for pre-cancerous lesions or early throat cancers • Microsurgery for vocal cord polyps or cysts • Botox injections for spasmodic dysphonia • Voice restoration for vocal cord paralysis • Esophagoscopy and evaluation for reflux Offices in Broomfield & Golden 403 Summit Blvd., Suite 204 1030 Johnson Road, Suite 350 Broomfield, CO 80021 Golden, CO 80401
Conveniently located in Broomfield & Golden • 720-401-2139 • PeakENTandVoiceCenter.com
| www.cupresents.org
17 th St.
N
18
University Ave.
th St .
MACKY
Lot 380
Pleasant St. University Theatre Hellems Arts and Science
Education
MACKY AUDITORIUM STAFF Rudy Betancourt, Director Angela Venturo, Associate Director J. P. Osnes, Technical Director Rojana Savoye, House Manager Chelsea Ayers, Assistant House Manager
Event Lot
bike path
Joan McLean Braun, Executive Director Clay Evans, Public Relations Director Laima Haley, Marketing Director Myra Jackson, Programs and Scheduling Manager Nick Vocatura, Operations Director Daniel C. Leonard, Marketing and Public Relations Coordinator Karen Schuster, Graphic Designer Courtney Pomeroy, Public Relations Assistant Emily Scraggs, Public Relations Assistant Stephanie Doctor, Programs and Scheduling Assistant Andrew Metzroth, Box Office Manager Katrina DeVore, Box Office Services Coordinator Sydney Bogatz, Ciara Glasheen-Artem, Starla Doyal, Christine Herwig, Lucas Munce, Harper Nelson, Kayla Pinney, Melanie Shaffer, Box Office Assistants Kevin Harbison, Recording Engineer Nancy Quintanilla, Accounting Technician Ted Mulcahey, Piano Technician
University Theatre Loft Theatre Acting Studio Irey York Theatre
Colorado Avenue
ATLAS
UMC
Mary Rippon Theatre
Euclid Avenue Autopark
Imig Music Building
Lot
Euclid
2 0 4
UNIVERSITY CLUB (Box Office)
Br
oa
dw
18th St.
6 |
ay
Grusin Music Hall Chamber Hall Music Theatre
Lot 310
Program Book Editor/Designer: Myra Jackson • Cover Design: Karen Schuster PATRON INFORMATION
• The venues of CU Presents are fully accessible to patrons in wheelchairs and to those with other special needs and for their companions. Patrons needing accommodations for a disability should call the box office as early as possible at 303-492-8008.
Macky Auditorium (2000 Music Theatre
• Parking is available in the Euclid Avenue Autopark, Lot 310, and Lot 204 at a cost of $4 per evening or weekend day. Lot 380 (near Macky) is reserved for VIP members of the Artist Series. Drop-off and handicap parking is available near all venues.
Center
Right Row L
Left
L J
L J
Row L
Row I
Gold Circle
Orch. 1
Orch. 1
• Food and beverages are prohibited in the seating areas of all theaters. • Photographic and recording devices are prohibited.
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Mary MARY Rippon RIPPON OUTDOOR THEATRE Outdoor Theatre STAGE (1000 seats)
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6
Dress Circle Orchestra Upper Circle
4
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(400 seats)
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Dress Circle Orchestra Upper Circle
University University Theatre Stage Theatre
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I H G
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W W 5 13 12 W W 16 15 14 13 12 11 10 9 8 18 17 16 7 19 1 20 22 2 23 24 14 13 12 11 10 18 17 16 15 25 9 8 20 19 7 2 21 23 2 24 25 26 17 16 15 14 13 12 11 10 9 19 18 8 7 21 20 2 2 23 24 25 15 14 13 12 11 10 26 18 17 16 9 8 27 20 19 7 1 2 22 23 24 15 14 13 12 11 10 25 18 17 16 9 8 26 0 19 7 27 21 2 22 23 24 6 15 14 13 12 11 10 25 18 17 1 9 8 26 0 19 7 21 2 27 22 23 24 17 16 15 14 13 12 11 10 25 9 8 9 18 20 1 26 7 21 27 22 23 14 13 12 11 10 5 1 6 24 1 9 8 8 17 25 19 1 7 26 20 6 21 27 22 3 3 1 1 4 2 1 1 2 1 10 15 7 16 9 8 24 18 1 7 19 25 6 20 26 21 22 23 24 25
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| | | |4 W | W 1 | | | | | | | | | | | 6| 5| 4 | | | 3| 2 | | |1 | | | | | | | | | | | | | | | |6 | 5| 4 | | | | 3| 2 | | | | | | | | |1 | | | | | | | | | | 6| 5 | | | | 4| 3 | | | 2| 1 | | | | | | | | | | | | | | | | | 6| 5 | | | 4| 3 | | | 2| | | | | | | | | | | | | | | | 1 | | 6| 5 | | | 4| 3 | | | | | | | | | | | | | 2| | | | |6 1 | | | |5 4 | | | 3| | | | | | | | | | | | 2 | |6 | | | |1 | | |5 4 | | | | | | | | | | | | 3| | | | 2 | | | |1 | | |5 4 | | | 3| | | | | | | | | | 2 | | | | | |1 | | |5 | | 4 | 3| | | 2 |1 | 10
Center 12 11 10 9 16 15 14 13 18 17 0 19 21 2
U 1 2 U 22 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 3 1 2 21 T 1 2 4 5 6 T 2 1 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 Left 1 7 3 22 2 14 13 12 11 10 9 8 7 6 5 4 3 S 1 2 4 5 6 8 9 10 S 21 20 19 18 17 16 15 2 3 7 1 3 7 11 22 11 4 15 14 13 12 11 10 9 8 7 6 8 12 17 16 5 4 5 9 R 1 2 4 5 6 8 9 10 12 13 1 R 19 18 3 2 13 0 0 2 6 2 1 1 3 1 14 13 12 11 10 9 8 7 3 14 7 7 22 2 11 4 11 16 15 14 6 5 4 15 8 8 5 18 17 12 15 4 3 12 Q 5 1 Q 9 1 6 0 19 9 16 2 2 13 2 1 6 16 13 2 10 7 1 10 13 12 11 10 9 8 7 3 22 2 14 3 7 16 15 14 14 11 4 6 5 8 11 4 18 17 15 8 4 3 5 P P 12 1 15 1 9 0 19 5 12 6 2 9 2 16 2 2 1 2 13 7 6 1 10 16 4 13 12 11 10 9 8 7 10 3 13 22 3 16 15 1 6 5 14 8 7 4 11 8 17 4 4 3 14 11 O 5 19 1 1 15 9 8 1 O 5 20 2 12 2 6 1 15 2 1 2 1 1 10 3 12 1 9 2 9 8 7 4 1 6 16 3 7 10 3 22 16 15 1 6 5 13 16 4 8 4 3 11 N 1 2 4 5 6 7 8 10 11 1 13 14 N 21 20 19 18 17 5 14 13 12 11 10 9 8 5 14 1 2 9 2 6 1 9 2 1 1 15 7 6 2 16 22 7 3 15 7 5 4 3 10 8 17 13 8 19 1 4 3 16 M 1 2 4 5 6 8 9 10 11 13 14 16 20 11 2 1 M 14 5 9 14 13 12 11 10 9 8 7 21 1 2 12 16 15 6 15 10 6 5 22 15 12 3 3 10 8 17 7 4 3 19 1 4 16 L 1 2 4 5 7 8 9 11 12 13 14 16 1 13 20 8 11 2 11 10 9 8 1 L 5 7 21 15 14 13 12 1 7 6 2 6 14 9 22 6 1 1 17 16 12 5 4 3 7 15 4 3 10 K 1 3 4 5 7 8 10 11 3 14 5 K 21 20 19 18 6 15 14 13 12 11 10 9 8 7 13 2 8 5 1 1 15 6 5 2 11 9 2 6 9 17 1 1 6 14 22 3 7 10 12 J 21 20 19 18 7 16 15 14 13 12 11 10 9 8 7 4 3 2 1 J 1 3 4 5 7 8 10 11 2 13 4 8 5 3 1 11 1 9 6 2 8 2 2 1 2 9 12 6 12 3 10 10 H 2 21 20 19 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 H 1 3 4 6 7 7 4 11 1 11 8 2 8 5 5 4 17 1 2 2 2 5 18 9 3 19 3 2 11 10 9 8 7 6 G 1 3 4 6 7 9 10 2 20 4 13 1 1 G 6 5 4 1 10 15 1 7 4 2 16 5 3 17 8 3 1 10 9 8 7 6 2 F 1 2 3 56 8 18 1 F 3 12 1 6 4 1 5 4 14 1 2 15 7 5 3 16 3 E 1 2 3 4 56 7 2 6 17 8 1 E 10 9 8 7 6 5 1 4 12 11 4 4 2 13 2 7 5 3 14 5 D 3 2 D 3 5 1 1 1 8 7 6 5 6 6 1 4 1 10 9 4 2 4 2 3 C 5 C 14 13 12 1 5 3 2 3 1 1 1 4 6 6 7 2 B 12 11 10 9 8 6 5 4 3 2 1 B 1 2 3 4 5 5 3 1 4 4 2 2 A A 5 3 3 1 Right
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Wheelchair seating
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16
FF
15
14
GG
6
• The University of Colorado Boulder is a smoke-free campus.
Music Theatre (250 seats)
Grusin Music Hall (500 seats)
7
• Can’t use your tickets? Turn your tickets back to the CU Presents Box Office as a tax deductible contribution prior to the beginning of the performance.
Row A
Left
16
• Patrons are encouraged to call CU Presents at 303-492-8008 for information on the suitability of events for children.
Row A
Center Stage
• All programs, artists, and prices are subject to change. • All sales are final, no refunds. Subscribers may exchane tickets for another night or performance with no exchange fee; single-ticket exchanges are subject to a $3 per ticket exchange fee. Exchanges are subject to availability and must be made at least one business day prior to performance; an upgrade fee may apply.
Row A
Right
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8 |
| www.cupresents.org
TICKETS NOW ON SALE colorado.edu/theatredance
Dance
Full season available online
| 303-492-8008 | 9
Congratulations to the University of Colorado College of Music, whose efforts have brought entertainment, learning, melody, percussion and passion to our community. We’re proud to sponsor the University of Colorado College of Music.
For subscription information call 303.444.3444 or visit DailyCamera.com.
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5585 Arapahoe Avenue
(behind Boulder’s Dinner Theatre)
Boulder, CO 80303
303-442-7033
Downtown Hospital
to 24 24 hour hour care. care. 22 to We supplement supplement hospice hospice care. care. Help Help We with all all activities activities & & daily daily living. living. with
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Every Journey Begins with a Single Step. Every gift makes a big difference! Our concerts and productions depend on private donations from audience members like you. We encourage you to use the envelope in the center of this program to make a gift that will help us continue to bring global performance and world class entertainment to Boulder! Simply give your envelope to an usher or mail it back to us. Donations can also be made online at cupresents.org or by calling 303-735-6070. Thank-you for your support!
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16 |
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• Business Formation • Business Purchase & Sale • Civil Litigation & Appeals • Construction Law • Divorce/Family Law
• Employment Law • Energy Law • Estate Planning & Administration • Land Use & Zoning • Local Government Law
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THE TAKÁCS QUARTET EDWARD DUSINBERRE, violin KÁROLY SCHRANZ, violin GERALDINE WALTHER, viola ANDRÁS FEJÉR, cello with ERIKA ECKERT, viola PROGRAM Wolfgang Amadeus Mozart (1756-1791)
ˆ
String Quartet No. 2, “Intimate Letters” Andante - Con moto - Allegro Adagio - Vivace Moderato - Andante - Adagio Allegro - Andante - Adagio
ˆ
String Quartet No. 16 in E-flat Major, K. 428 Allegro non troppo Andante con moto Menuetto. Trio Allegro vivace
Leos Janácek (1854-1928)
Intermission
ˆ
String Quintet No. 3 in E-flat Major, Opus 97 Allegro non tanto Allegro vivo Larghetto Finale. Allegro giusto Erika Eckert, viola
Antonín Dvorák (1841-1904)
T A K Á C S Q U A R T E T, S e p t e m b e r 1 5 & 1 6 , 2 0 1 3
| 303-492-8008 | P-1
| 303-492-8008
P-2 |
PROGRAM NOTES Wolfgang Amadeus Mozart
frequented, and he was smitten by her beauty almost immediately. Kamila’s husband, David, seemed to tolerate their ongoing relationship, while Janácek’s wife, Zdenka, was prone to fits of jealous rage. Trapped in a troubled marriage, wracked with grief over the loss of his two children and incapable of finding happiness with his one true love, Janácek made all his dreams come true in a single piece of music, in which he and Kamila would find happiness together and start a family. The Quartet’s second movement envisions the birth of their son, the third was described to Kamila as “a vision of you,” while the dance-like finale is “fear for you—however it eventually sounds not as fear, but as longing and fulfillment.” It’s easy to read his words and focus solely on the melodramatic back story of “Intimate Letters.” But that would be doing the music a disservice. In this piece, the composer’s final completed work, all of his bold originality is evident. While Schoenberg and others were changing the face of music, Janácek steadfastly remained true to his compositional style, employing traditional tonality, but with strokes of unexpected disonance. As one might expect from a work inspired by a rocky, one-sided romance, there are abundant twists and turns, sudden mood changes and plenty of tension. The opening movement, describing the meeting at the spa, depicts Kamila in an eerie melody introduced by the viola sul ponticello (on the bridge, rather than away from it). That tune is delivered in this fashion by other voices, a suggestion perhaps that Janácek’s life had now entered another, disquieting dimension.
ˆ
ˆ
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Leos Janácek
“You stand behind every note, you, living, forceful, loving. ...Those notes of mine kiss all of you. They call for you passionately.” An “intimate letter” indeed. And Janácek compulsively wrote more than 700 of them to Kamila Stösslová, a woman 38 years his junior. Their quirky relationship stands as one of the most fascinating in music, one that inspired the Czech composer to create many of his greatest works during the last 11 years of his life. What made their romantic relationship so unusual was the fact that these “lovers” were never lovers at all. Each was married (she, happily and the mother of two). In addition, from the sheer imbalance in correspondence— she rarely wrote him, and most of those were destroyed by the composer—it appears that Kamila was barely interested in her pen pal. That said, she never discouraged his feelings, and was with him at his bedside as he lay dying (the Quartet was premiered one month after his death). In one of his letters, Janácek admitted that their union was “spiritual,” which never quieted his passion—an ardor displayed forcefully in the second of his two quartets. The first, completed in 1923, was subtitled “Kreutzer Sonata” after the Tolstoy novella, further evidence that Janácek thought of chamber music as a story-telling medium. And what a story “Intimate Letters” tells. In a letter (naturally), Janácek described the work to Kamila in vivid detail, saying it would be called “Love Letters...They’ll be little fires in my soul and they’ll set it ablaze with the most beautiful melodies.” He explained that the work would be unified by a viola d’amore (“the viola of love,” he reminded her). As work on the quartet continued in 1928, the composer abandoned the idea of utilizing that ancient instrument and instead substituted the viola to represent his beloved. The two had met in 1917 at a Moravian spa the composer
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String Quartet No. 2 “Intimate Letters”
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Imagining the birth of the string quartet seems an obvious concept: Simply reduce the four sections of an orchestra’s strings to one player each (basses usually doubled the cellos, remember) and gather them together for an intimate conversation. In fact, the string quartet grew out of the disappearing trio sonata of the Baroque. That style (two violins, typically, plus a continuo of cello and harpsichord) was viewed as old-fashioned in the mid-1700s, particularly the presence of a harpsichord. That said, the remaining string contingent—two violins and cello—offered possibilities. Adding a viola brought richness to the ensemble, creating a more modern sound. Out of this combination of voices, a new transparency emerged, fresh harmonies and challenging counterpoint. Equally important, the genre offered amateur string players the chance to collaborate in private—as long as the first violinist could handle the bulk of the material, while the others were content with simple accompaniment. Such was the original idea when Boccherini, Haydn and others began their experimentations. From 18th-century amusement to profoundly intellectual and musically demanding 19th-century high art, the string quartet evolved like no other genre— growing and stretching in just a few years as the mature Haydn and youthful Mozart (younger by two dozen years) bounced ideas off each other, uncovering secrets no one realized were there. Soon, the dominance of the first violin receded and the four voices achieved greater equality. Haydn took the lead with his “Sun” Quartets (Opus 20) and later with his Opus 33 collection. A big breakthrough came with Mozart’s set of six which he dedicated to Haydn, presenting them with a cover letter that oozed humbleness: “Here they are then, O great Man and my dearest Friend, these six children of mine... the fruit of long and laborious endeavor...” Creating the six, of which K. 428 on this program is third in line, did involve serious work by Mozart, as the revisions and cross-outs in the manuscripts reveal. These “Haydn” Quartets were written over a span of three years, finally published in late summer, 1785. The brilliance of the six is inescapable—each one different from the next, each displaying Mozart’s unending inspiration and an increasing maturity. The E-flat Quartet, K. 428, begins with a bold, unison statement (always a nice way to attract attention, as Beethoven’s Fifth attests). This short bit of throat-clearing achieves surprising significance later in the movement. The following Andante offers solid evidence of the trend toward equality among the voices, while the final two movements brim with confident invention—a Haydnesque wit enlivening the charming finale. Contemporary critics were unimpressed: “His new quartets,” one opined, “are much too highly spiced to be palatable for any length of time.” Haydn knew better. As he famously confessed to Mozart’s father upon hearing the Quartets, Wolfgang was simply “the greatest composer I know.”
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T A K Á C S Q U A R T E T, S e p t e m b e r 1 5 & 1 6 , 2 0 1 3
String Quartet No. 16 in E-flat Major, K. 428
String Quintet No. 3 in E-flat, Opus 97
Antonín Dvořák
Thank goodness for Jan Kovarik. The American-born Czech violist had become Dvořák’s assistant and close friend when the composer took on the directorship of the New York-based National Conservatory of Music in 1892. Almost instantly homesick for Bohemia, Dvořák was in dire need of a change in scenery during his four-month summer vacation the following year. Kovarik suggested a visit to Spillville, Iowa. His father was a prominent member of that tiny farming community, populated by immigrant Bohemians who’d first settled in the Turkey River Valley in the 1850s. It was an irresistible offer: The composer would be among his people, so that language wouldn’t be an issue; he’d be able to take morning walks, play the organ in the venerable St. Wenceslas Catholic Church, compose as he felt the need—and, best of all, he and his family could travel to and from Iowa by train. Dvořák just loved trains. Kovarik’s idea led to the creation of two of the composer’s happiest chamber works: the F-Major String Quartet and the E-flat String Quintet, both written in quick succession at Spillville. These two were part of the flow of American-born compositions that began with the “New World” Symphony, completed in New York, and would continue with the Cello Concerto, begun in the U.S. and finished back in Prague. The excitement of living in the U.S. can be heard in each of those works, particularly the back-to-back chamber pieces. The Quartet came first, published as Opus 96, a composition that Dvořák subtitled “American” upon completing it in a mere two weeks in June, 1893. Three days later, work was begun on the Quintet, Opus 97 (a second viola added to the mix) and completed by the end of July. He also afixed the subtitle “American,” but soon removed it. Nearly all of the music born in this country has caused head-scratching among scholars who sought links to indigenous tunes, rhythms, scales, motifs—anything that could point to specific American sources. They searched in vain. Sure, there are rhythms suggesting Indian drums in the Quintet’s Second Movement, and the prominence of pentatonic (five-note) melodies here and there create a folk-like earthiness. We know that when the Kickapoo Indian Medicine Show visited Spillville, Dvořák planted himself in the front row, enjoying in particular the music and dancing of an Iroquois contingent that lived nearby. It’s possible, too, that he consciously borrowed the initial six-note figure of “My Country ’Tis of Thee” for the Quintet’s exquisite slow movement. But that’s nothing unusual. Wherever he lived, Dvořák used every local influence—be it Bohemian, Moravian, Native American, African-American or just plain American—as a starting point for his own melodies. And all of those tunes from the New World, let’s be honest, are more Bohemian-flavored than American. It’s likely that the biggest influence in the Quintet and Quartet is Spillville itself. In both compositions, one can sense the joy that Dvořák felt during his only summer in Iowa (he’d return to Prague on his next break from the Conservatory a year later). From the opening measures, the Quintet’s air of contentment rarely ceases. Even the minor-key variations of the Larghetto exude more warm, heart-felt soul than self-pitying sadness. The composer described Opus 97 as “something really melodious and simple.” Need we say more? —Marc Shulgold
position as Associate Artists at Wigmore Hall in London, they will give several concerts focusing on Czech music as well as two programs combining late Beethoven Quartets with the music of Shostakovich and Webern. Since 2006 the Takács have recorded for Hyperion Records. Upcoming releases include the Britten Quartets (November 2013) and the Brahms Viola Quintets with Lawrence Power. ©Ellen Appel
The Takács Quartet was formed in 1975 at the Franz Liszt Academy in Budapest by violinists Gabor Takács-Nagy and Károly Schranz, violist Gabor Ormai and cellist András Fejér, while all Edward Dusinberre, András Fejér, GeraldineWalther, Károly Schranz four were students. Following competition The Takács Quartet has established a reputation as one of successes in England and France the Takács launched an international career. After several shorter CU residencies the world’s great ensembles. during which the Takács studied and collaborated with The Takács has won many awards including being the first Denés Kormozay, founding violist of the Hungarian Quartet, string quartet to be inducted into Gramophone magazine’s the Takács moved permanently to Boulder in 1986. Hall of Fame, a 2011 Royal Philharmonic Award (for their Beethoven cycle at the South Bank Centre, London), a Violinist Edward Dusinberre joined the quartet in Grammy, three Gramophone Awards, and awards from the 1993. Violist Roger Tapping joined in 1995. Violist Japanese Recording Academy and Chamber Music America. Geraldine Walther, principal viola of the San Francisco Symphony for 29 years, replaced Tapping in 2005. The members of the Takács Quartet are Christoffersen Faculty Fellows at the University of Colorado Boulder. In 1988 the Takács signed a record contract with In addition to teaching duties they perform 80 concerts D e c c a a n d r e c o r d e d w o r k s b y w o r k s b y per year in North America and throughout Europe, as Beethoven, Bartók, Borodin, Brahms, Chausson, well as in Australia, New Zealand, Japan and Asia. Dvořák, Haydn, Mozart, Schubert and Smetana. In 2013-2014, the Takács returns to Japan and Singapore, and will also perform Bartók Cycles throughout the U.S., including performances at Ravinia, Carnegie Hall, Princeton, Kennedy Center, Stanford, UC Berkeley, Boston and Cleveland. The quartet recently toured in North America with pianists Marc-Andre Hamelin and Garrick Ohlsson, including concerts at New York’s Lincoln Center. Continuing their
In 2001 the Takács Quartet was awarded the Order of Merit of the Knight’s Cross of the Republic of Hungary and in March of 2011 each member of the Quartet was awarded the Order of Merit Commander’s Cross by the President of the Republic of Hungary.
Erika Eckert, Associate Professor of Viola at CU-Boulder and summer faculty member at the Brevard Music Center in North Carolina, also served on the faculties of The Cleveland Institute of Music, Baldwin Wallace College, and the Chautauqua Institution in New York. As co-founder of the Cavani Quartet, she performed on major concert series worldwide and garnered an impressive list of awards and prizes, including first prize at the Naumburg Chamber Music Competition. In recent seasons, Ms. Eckert has performed as guest-violist with the Takács Quartet, appearing with them in Canada,
California, Colorado, Tennessee, Texas, Oregon, and Vermont. Other performing engagements include 400th Galileo Anniversary at the American Academy in Rome, El Paso Pro Musica International Chamber Music Festival, Australian Festival of Chamber Music, Sitka Summer Music Festival Autumn Classics, and Niagara International Chamber Music Festival. Teaching engagements include the North American Viola Institute in Orford, Canada, ASTA International Workshops in Australia and Norway, Perlman Music Program, Quartet Program, Suzuki Association of the Americas, Inc. Ninth Conference, Chamber Music Connection, and Interlochen Arts Academy. Ms. Eckert also served as adjudicator for the NFAA Arts Recognition and Talent Search, the exclusive nominating agency for the Presidential Scholars in the Arts, and appeared in their Academy Nominated Documentary, Rehearsing a Dream.
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T A K Á C S Q U A R T E T, S e p t e m b e r 1 5 & 1 6 , 2 0 1 3
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THE TAKÁCS QUARTET QUARTET IN RESIDENCE • UNIVERSITY OF COLORADO BOULDER
The University of Colorado welcomes applications to one of the most vibrant chamber music programs in the country. With exciting new scholarship opportunities, supported by the Takács Society and the Starling Foundation, the Takács Quartet is accepting students for individual study, and one pre-formed quartet to fill the Graduate Quartet Residency. Distinguished members of the faculty include:
Lina Bahn, violin
Paul Erhard, bass
Charles Wetherbee, violin
Nicolò Spera, guitar
Erika Eckert, viola
Janet Harriman, harp
Judith Glyde, cello
Margaret Berg, music education, strings
for more information about string chamber music at cu and the graduate quartet program, please contact:
Judith Glyde, Chair, String Faculty 301 UCB, College of Music Boulder, Colorado 80309 Judith.Glyde@colorado.edu • 303.492.5921
music.colorado.edu • takacsquartet.com
THE TAKÁCS QUARTET
Geraldine Walther, viola Károly Schranz, violin Edward Dusinberre, violin András Fejér, cello
DEGREE PROGRAMS: • Bachelor of Music • Master of Music • Doctor of Musical Arts • Professional Certificate in String Quartet Performance
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2013 Fall Faculty Tuesdays recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building. All performances are free and open to the public. September 17: The program will feature ethnomusicologist/composer Dr. Brenda M. Romero and guests ethnomusicologist/performer Jay Keister and Mami Itasaka Keister, a Japanese dance specialist formally known as Miko Bando. Romero will begin with a brief lecture recital on early New Mexican folk songs on voice and guitar that will be followed by two short Japanese pieces featuring Keister and Miko Bando. The concert will end with a sampling of Dr. Romero’s formal compositions. September 24: A FRENCH SOIRÉE: Hsing-ay Hsu, piano, will be joined by faculty colleagues Jennifer Bird-Arvidsson, soprano, Andrew Cooperstock, piano, and Charles Wetherbee, violin with piano solos by Ravel including Scarbo and Debussy duets including songs from Recueil Vasnier, Violin Sonata, and Fêtes (4 hands). October 1: Margaret McDonald, collaborative piano, will be joined by new voice faculty Abigail Nims, mezzo-soprano, Jennifer-Bird Arvidsson, soprano, visiting faculty artist Leone Buyse, flute, Charles Wetherbee, violin, and Judith Glyde, cello for an evening of works by female composers Fanny Mendelssohn-Hensel, Clara Schumann, and Mel Bonis followed by Mendelssohn’s popular Piano Trio in D Minor. October 8: ECLECTIC INFLUENCES: Daphne Leong (piano), with John Gunther, saxophone, Patrick Sutton, guitar, Douglas Walter, marimba, Carl Dixon, marimba, and Michael Tetreault, percussion. A cutting-edge mix of avant-garde new music, jazz, and soul influences, this program features the world premiere of Clear Sounds among Hills and Waters for solo piano by Robert Morris, McDermott’s Smoke of Burning Cloves for marimba, and Andriessen’s Hout and Shende’s Throw Down or Shut Up! October 15: Abigail Nims, mezzo-soprano and Nicholas Carthy, piano. Welcome Abigail Nims to our voice facilty and to Boulder. She will be joined on the piano by Nicholas Carthy as they perform works by Schumann, Poulenc, Ives, Ginastera, and Harbison. October 22: FIDDLE FIESTA: Lina Bahn is the leader of the party of wonderful solo and duo violin music with guest colleagues Charles Wetherbee, Károly Schranz, and Edward Dusinberre. October 29: AMERICAN SONGS: Patrick Mason, baritone will present the premiere of Robert Spillman’s song cycle The Branch Will Not Break: Nine Poems of James Wright with the composer at the piano. Included in the program will be songs by Stephen Foster and Leonard Bernstein. November 5: HORNS APLENTY: Join CU Associate Professor of Horn Michael Thornton and his colleagues from the Colorado Symphony Horn Section for an evening of music for horns. Works will include the Schumann Konzertstücke for Four Horns, Mitushin Horn Quartet, and a featured performance of the William Buck Romanza for Four Horns, recently discovered in the American Music Research Center at the University of Colorado. November 19: EN TIEMPO DE TANGO: Enjoy an evening of tangos and tango-inspired pieces with Alejandro Cremaschi and Trio Cordilleras, Beth Kipper, violin, Thomas Heinrich, cello. The program features a few classic tangos, and pieces by Piazzolla, Luis Jorge Gonzalez, Emilio Colon, Juan Maria Solare, Miguel del Aguila, Eduardo Alonso-Crespo and others. December 3: EVENING LIGHT: Charles Wetherbee, violin, and David Korevaar will present a violin and piano duo recital featuring two rarely performed masterpieces, the Saint-Saëns D Minor Violin Sonata and the Dohnanyi Violin Sonata. Also included on the program is the Schubert Sonata in G Minor and 10 preludes by Shostakovich.
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ARTIST SERIES Mission Statement
The Artist Series presents performances of fine music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.
DONORS CONCERT SPONSORS Colorado Public Radio Daily Camera Mark H. Carson and Associates, P.C. Emerson Process/MicroMotion Hotel Boulderado Hurdle’s Jewelry Friends of the Artist Series James and Associates, LLC KUNC KUVO Roser Visiting Artist Fund Western States Arts Federation
PARTNER IN THE ARTS Boulder Weekly Woodsongs Flowers in Bloom Liquor Mart Sage and Savory
BENEFACTOR
Gregory Silvus and Melanie Miller
SPONSOR
Anonymous Dick and Diane Dunn Daryl and Kay James Mary Lamy Louise Pearson and Grant Couch
PATRON
Mark and Margaret Carson Chris and Barbara Christoffersen Olivia Edwards Kahleen and Tony Flippo Suzanne and David Hoover Robert and Sandra McCalmon Corp sponsorship?????
SUPPORTER
Mark H. Carson
Roser Visiting Artist Fund
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FRIENDS OF THE ARTIST SERIES
Scott Wiesner and Janet Ackermann Joan McLean Braun Michael and Carol Gallucci Myra Jackson Susan and Jon Lounsbury Heidi and Jerry Lynch Jerry and Jamie Orten Mikhy and Michael Ritter Alicia and Juan Rodriguez Daniel and Boyce Sher Theodore and Ruth Smith Lawrence and Ann Brennan Thomas
CONTRIBUTOR
A Friend Gil and Nancy Berman Ellen and Dean Boal Norma Ekstrand and Tom Campbell Charles and Martha Everill Judy Gould Kathryn Keller and William Wedum Gregory and Gladeane Lefferdink Harold and Joan Leinbach Jeff and Janet Martin Judy and Alan Megibow Sally Powell-Ashby amd John Ashby Elizabeth Rauch Luana and Paul Rubin Douglas Taylor Center Copy Boulder, Inc.
MEMBER David Beausang Geraldine Boone Chris and Margot Brauchli Otto and Ruth Buhler Pauline and Noel Clark Paul Cohen Sandra and Lawrence Cohn Terry and Colleen Conant Sylvia and Burt Darmour Douglas and Rita Dart Kenneth and Sally Dell Germaine Eagleton Fran Evans Leslie and Merrill Glustrom Jo and David Hill Larry and Barbara Jones Isabel Lee Julia Lee Judah and Alice Levine Kay and Paul McCormick Robert and Marilyn Peltzer Kim and Richard Plumridge Randall Kenneth Rutsch Mary and Andrew Skumanich Courtland and Carolyn Spicer Zoe Stivers Ellen and Adam Tschida Vince and Caroline Wayland
ARTIST SERIES ADVISORY BOARD Gil Berman Rodolfo J. Betancourt Ellen T. Boal Joan McLean Braun John S. Davis Diane Dunn Michael A. Gallucci Lissy Garrson Laima G. Haley Daryl K. James, President Maryan K. Jaross Ruth C. Kahn Kathryn S. Keller Jerry C. M. Orten Louise Pearson Gregory L. Silvus Ellen Taxman Nicholas J. Vocatura
FOUNDATIONS AND MATCHING GIFTS Janet E. Ackermann and Scott R. Wiesner Charitable Fund Paul Bechtner Foundation Carson-Pfafflin Family Foundation A. G. Edwards & Sons, Inc. National Endowment for the Arts Newton Family Fund Western States Arts Federation Tour West Polk Family Charitable Fund George F. Reynolds Endowment Scripps Company Make all gifts payable to the University of Colorado Foundation and mail to ARTIST SERIES, CU College of Music, 301 UCB, Boulder, CO 80309-0301. For credit card payments, questions or additional information, please call the College of Music Development office at 303-735-6070.
Ars Nova Singers 28th Season _ Connections ^ 2013-2014
The Violin and the Voice:
In Concert with Edward Dusinberre Ars Nova Singers welcomes the first violinist of the Takacs Quartet in a special one-night-only collaboration at Macky Auditorium. Join us for this rare opportunity to hear one of the great violinists of our time, performing with Ars Nova Singers in contemporary works by Knut Nystedt, Rudi Tas, and Reed Criddle, as well as Edward’s first Boulder performance of the famous Chaconne (from Partita No. 2 in D minor) by Johann Sebastian Bach.
Saturday, February 8, 2014, 7:30pm Macky Auditorium, Boulder
Tickets: $35 / $25 / $15, available at macky.colorado.edu
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TAKÁCS SOCIETY The Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.
ENDOWMENT GIFTS
MEMBER
Takács Scholarship in Memory of Fay Shwayder Duncan Campbell Harry Campbell Margaret and Edward Campbell Norma Johnson Judith and Gary Judd Jonathan Zeschin, Essential Advisors
Lois Abbott Neil and Marcia Geissinger Ashby Maria and Jesse Aweida Harold and Ingrid Becher Kevin and Diana Bunnell Patricia Butler Noel and Pauline Clark Richard Collins and Judith Reid Helen Corbett Charlotte Corbridge Clara Deser Barbara and Carl Diehl Carolyn and Don Etter Jean and Bob Fischer Lloyd and Mary Gelaman Dianne and Kenneth Hacett Richard and Catharine Harris Russell and Ann Hayes Bruce and Kyongguen Johnson Mireille Key Alice and Judah Levine Albert and Virginia Lundell Heidi and Jerry Lynch Caroline Malde John and Nancy Malville J. Richard and Marjorie McIntosh Josef and Sara Michl Sandra Moriarty Sue and James Palmer Faith and Roy Pterson Antonia and Timothy Piwonka-Corle Arthur and Ina Rifkin Joanna and Mark Rosenblum Ruth Shanberge In Memory of Karen McMurray Mary and Andrew Skumanich Todd and Gretchen Sliker Jan and Charles Squier Shirley and Mark Steele Berkley Tague Betty Lou Thacker Mary and Peter Van Etten Betty Van Zandt Christopher and Leanne Walther Rita and Lawrence Weiss Jim and Nurit Wolf Bill Woo
BENEFACTOR
Albert and Nancy Boggess Chris and Barbara Christoffersen Norma Johnson Gary and Judith Judd
SPONSOR Janet and David Robertson The Takács Quartet Marion Thurnauer and Alexander Trifunac
PATRON
Thomas and Carol Cech Carol Lena Kovner Thurston Manning
SUPPORTER
Anne Heinz and Ran Yaron Patricia and William Johnson Robert Kehoe Walter and Eileen Kintsch Ray and Margot LaPanse Newton Family Fund, Inc. Virginia Newton Neil and Martha Palmer Mikhy and Michael Ritter Lawrence and Ann Brennan Thomas
CONTRIBUTOR Stanley and Virginia Boucher William and Alice Bradley Christopher and Margot Brauchli Pamela and Barry Gatz Harold and Joan Leinbach Paul and Nancy Levitt Patricia and Robert Lisensky Annyce Mayer Lise Menn Patricia Thompson Alice Dodge Wallace
Make all gifts payable to the University of Colorado Foundation and mail to TAKÁCS SOCIETY, CU College of Music, 301 UCB, Boulder, CO 80309-0301 For credit card payments, questions or additional information,please call the College of Music Development Office at 303-735-6070.
GRUSIN MUSIC HALL CHAIR PURCHASES Jane Byers Charles (Chuck) Byers Frances Dahlberg Madeline Day Madeline Mahr Day Patsy Lynch Wood L. E. Gatterer Larry Gatterer Charlene Gatterer Lloyd and Mary Gelman Doree Hickman Doree Hickman Jerry Hickman George Lichter George Lichter Family Alice and Judah Levine In Memory of Joyce Gellhorn Maxine Mark In Memory of Thomas R. Mark Maxine Mark Kris McCusker In Memory of Phyllis Sweetland McCusker Lise Menn Valorie Mooney Valorie Mooney William Mooney Mutsumi Moteki In Memory of Hugh and Juanita Kirtley Rebecca Roser In Memory of Pearl and Mel Pedgrift In Honor of Professor David Korevaar Edith Stevens In Memory of Richard C. McLean Theory Department In Honor of Dean Daniel Sher Travis Vardell Kenneth A. Vardell
Chair named In Memory of Joyce Gellhorn Anonymous Linda Boley Alice and William Bradley Ted Engelmann Arthur and Madeline Estin Janice Harvey Jennifer Kamper Jane and Roger Larson Alice Levine Ruby Marr Judi Oser Julie Phillips Barbara Roach Margie Warsavage
If you would like to name a seat in Grusin Music Hall, please call the College of Music Development Office at 303-735-6070.
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FRIENDS OF CU OPERA The CU Opera Program is recognized nationwide as one of the finest programs of its kind in the country. Its success is a reflection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our development office at 303-735-6070.
CORPORATE, FOUNDATIONS, AND ENDOWMENT SUPPORT Corporate and Foundation Support Academy Retirement Community Aetna Foundation, Inc. Blackhawk Trust Boulder Valley Rotary Club Colorado Academy of Lifelong Learning Denver Lyric Opera Guild Frasca Food & Wine JAS Ventures Polk Family Charitable Fund Louis and Harold Price Foundation The Schramm Foundation The following have permanent endowments established in recognition of CU Opera, its donors and its students. Nancy and Ted Anderson Music Awards Daryl and Lauren Boyle Music Theater Scholarship Daryl and Lauren Boyle Voice Scholarship DeWitt and Billie Marie Brennan Memorial Music Scholarship Berton Coffin Graduate Scholarship in Voice Berton Coffin Fellowship Fund Viola Vestal Coulter Foundation Voice Scholarship in Honor of Harold A. Norblom Wilma and Perry Louis Cunningham Scholarship in Voice Barbara M. Doscher Scholarship Wallace F. Fiske Performance Awards Ann and Gordon Getty Foundation Dennis Jackson Opera Scholarship Dale R. Johnson Opera Scholarship Lacy CU Opera Endowment Ed and Kay McDowell Opera Endowment Claudia Boettcher Merthan Vocal Scholarship Trudi Mielziner Graduate Opera Scholarship Charlotte Orr Reid Memorial Vocal Scholarship Gregory Philip Ranno Excellence in Music Scholarship Anthony and Dorothy Riddle Lyric Theater Performance Prize William Earl Rose, Sr. Scholarship Fund Galen & Ada Belle Files Spencer Foundation Beth and Bill Suitts CU Opera Endowment Howard B. Waltz Music Scholarship Paula Marie and H. Rolan Zick Endowment
BENEFACTOR
CONTRIBUTOR
Allen Family Fund Bob Graham Louis and Harold Price Foundation Ann Oglesby and Denny Brown Galen & Ada Belle Spencer Foundation Academy Retirement Community The Schramm Foundation
A Friend Jason and Elizabeth Baldwin Colorado Academy of Lifelong Learning Jeanine Forman-Ham Lloyd and Mary Gelman Curtis and Mary Hill Harold and Joan Leinbach Robert and Patricia Meyers David and Ann Phillips Daniel and Boyce Sher Peter Wall
SPONSOR Denver Lyric Opera Guild
PATRON Eleanor Caulkins Chris and Barbara Christoffersen Betsy and Albert Hand Robert and Mikee Kapelke Rotary Club of Denver Foundation Alan and Martha Stormo
SUPPORTER Mark and Margaret Carson James and Sally Kneser Theodore and Ruth Smith Lawrence and Ann Brennan Thomas Elizabeth and George Ulbrick
MEMBER Judith Auer and George Lawrence James and Judith Bowers Allene Cash Wallace and Beryl Clark Stephen Dilts J. Michael Dorsey Walter and Mary-Ruth Duncan Ellen and John Gille Judy Gould Janet Hanley Barbara and John Hill Pam Jones and Mark Bianchi Susan and Albin Kolwicz Marion and Frank Kreith C. Nicholas and Mollie Lee In Memory of Waye B. Daniels Patricia and Robert Lisensky Heidi and Jerry Lynch Bruce and Jeanette Mackenzie Janet and Scott Martin In Memory of Karen McMurry
Marian Matheson Byron and Catharine McCalmon Denise McCleary and Paul Von Behren Margaret Oakes Robert and Marilyn Peltzer Dennis Peterson Gail Promboin and Robert Burnham Alicia and Juan Rodriguez Andrew and Mary Skumanich Joyce Thurmer In Memory of Karen McMurry Richard and Caroline Van Pelt
VOCAL ADVISORY BOARD Lawrence H. Anderson Stephen Bruns Nicholas R. Carthy Martha Coffin Evans, chair Lissy Garrison Leigh K. Holman Glenny LeGendre Kathleen M. Ness Ann Oglesby Shirley J. Riggs Stephanie Rudy Julie Ann Silver Reed F. Williams
Pumpkin Patch & Fall Festival
A Boulder County Tradition Hours: 10-6 daily Sept. 21 – Oct. 31 FREE ADMISSION 75th & Arapahoe, Boulder, CO www.cottonwoodfarms.com
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Colorado’s oldest piano company is now it’s newest Yamaha dealer
Woods & Joseph Son D.PWoods iano Company 14929 Harrison Street • Brighton, CO 80602
303.457.2361
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www.woodspiano.com
Belgian-inspired beers.
9fq egj] Yml`]fla[ Yf\ qgm \ f]]\ Y hYkkhgjl& Creating new traditions every day. www.TheSink.com 303-444-7465 1165 13th St. Boulder CO 80302
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| www.cupresents.org
Perfect Taste THE
DINING TO COMPLEMENT THE PERFORMANCE
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Bart Young Photography Bart Young Photography
Located in the heart of downtown, Located in the heart downtown, Boulder ChopHouse & of Tavern features ChopHouse & Tavern features aBoulder classic steak menu with ever-changing a classic with ever-changing localsteak and menu organic ingredients. local andour organic Join us on patio,ingredients. in our bar, for Join ushour, on our patio, in our for happy or any night forbar, dinner. happy orprogram any night for dinner. Bringhour, in your or ticket stub
The Cheesecake Factory features an extensive and creative menu of more than 200 dishes made fresh from scratch, along with more than 50 low-calorie “SkinnyLicious™” dishes and 50 signature cheesecakes & desserts. Enjoy lunch, dinner, late night dining and Sunday Brunch.
1401 Pearl Street • Suite 100 • Boulder, CO 80302
303-546-0222
and receive 20% off your bill 921 WALNUT STREET | 303.443.1188 | CHOPHOUSE.COM 921 WALNUT STREET | 303.443.1188 | CHOPHOUSE.COM
www.TheCheesecakeFactory.com
Fair Trade Organic In-house Micro-roasted Coffees Founded by musicians, Supporting musicians Come play with us!
dine from our seasonal menu and enjoy an incredible meal in an intimate and casual atmosphere. eclectic american cuisine
Reservations (303) 651-3330 101 Pratt Street, Longmont www.sugarbeetrestaurant.com
Connect with us
Hours (6-6 weekdays, 7-6 weekends)
1132-1 W. Dillon Rd. Louisville, CO 80027 www.parmamozzarellabar.com
956 West Cherry Street Louisville, CO 80027 720.259.1723 www.paulscoffeeandtea.com
10% OFF YOUR BILL IF YOU BRING IN YOUR PROGRAM
V IA T OSCANA r i s t o r a n t e
$20 off
any purchase of $60 or more*
*Limit one discount per table and may not be used for Happy Hour or when any other coupon, offer or discount is used. All restrictions apply EVEN IF the party is seated at separate tables and/or receives more than one check and/or orders separately at the bar or another table. Excludes Specialty Dinners and take-out. Please compute gratuity on pre-discount amount. Expires November 14, 2013.
viatoscana.com 303.604.6960 356 McCaslin Blvd. Louisville | 4pm Mon - Sat
Dizzy’s makes hand crafted, gourmet donuts, using only the finest ingredients.
Eat a good one! creme brulee
maple bacon
1606 Conestoga St. #2 Boulder, CO 80301 303-494-5331 Open 6:30am - 2:00pm CLOSED TUESDAYS pineapple fritters
& more
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CU OPERA
G
reat repertoire, lavish scenery, amazing voices, and outstanding value— these are the hallmarks of CU Opera. Director Leigh Holman and Music Director Nicholas Carthy bring you the best of classical and contemporary opera in three fascinating productions each season and in CU New Opera Workshop in the summer.
La Bohème (sung in Italian)
Hansel and Gretel (sung in English)
Side by Side by Sondheim (sung in English)
by Giacomo Puccini
by Engelbert Humperdinck
by Stephen Sondheim
Directed by guest artist Paolo Panizza
Humperdinck’s enchanting opera of the classic Grimm fairy tale follows two children into the forest, where they find a gingerbread house . . . and its hungry witch.
More than a revue of the incomparable Broadway composer’s work, Side by Side by Sondheim features his bestknown tunes alongside narration exploring the context of each piece.
In the Latin Quarter of Paris, Rodolfo the idealistic poet falls in love with Mimi, a frail but resolute milliner. Around their tender love story, Puccini depicts the exuberant lives of struggling young artists, expressing joie de vivre, love, and ultimately heartbreak.
March 14, 7:30 p.m. March 15, 7:30 p.m. March 16, 2 p.m. Macky Auditorium
April 24, 7:30 p.m. April 25, 7:30 p.m. April 26, 7:30 p.m. April 27, 2 p.m. Music Theatre
October 25, 7:30 p.m. October 26, 7:30 p.m. October 27, 2 p.m. Macky Auditorium OPERA SCENES December 9, 7:30 p.m. Music Theatre Free and open to the public
303.492.8008
SEASON TICKETS ON SALE NOW
www.cupresents.org
POLI-SCI DURING THE WEEK. SCI-FI ON THE WEEKEND. Explore a range of credit and non-credit courses that will challenge whatever you believe.
thrill
feel the
10/2 Armitage Gone! Dance 11/8 Van Cliburn Gold Medalist
11/20 MOMIX - Botanica 12/15 Turtle Island & Tierney Sutton A Solstice Celebration 1/17 Chick Corea & Béla Fleck 2/13 Venice Baroque Orchestra 2/24 TAO - Phoenix Rising 3/19 Fahrenheit 451 by Aquila Theatre 4/5 Eddie Palmieri Salsa Orchestra Plus CU Opera, Takács Quartet, CU Symphony Orchestra, & Holiday Festival
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cupresents.org
303.492.8008
2013–2014 Season
Global performance. World-class entertainment.You entertainment. have to be here.
3 hours of dancing. 30 days in remission. 1 amazing life.
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