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ChrisDodge

GRAPHICS JoshBaker STAFF alamoejoe Matt Average Erics Beck Jeb Branin RudolfEwrls AthenaKautsch Lydia DennisMiller Ken Pollution JeI Robinson KenSmdeMn GrahamSleightholme Akira lbkeuchi llmojhen Mu\rybd Daw Mtte

REVIEW A .D V E R T I S I N&GC. O N T E NPTO L I C Y Seethe title of the maSeine?

Seethe bandsthat we cover? lfyour stufrfits, thenw€ went t0 hee fmm you. you'rc If not fmiliu with anythingin this m48...

That'syour llBt werninS: You'rebrking up the wrongtree, pal.

PHOTOS Are ffedltcd when we knowwho snappedthem.

Wbneed Soodpica ftom all over the planet!

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COVER Exclaimlive in Japan.

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llljlllu'" issue,mostof their gigsprobably drewabout20- bandstill remember andtalk abouttoday,In the 30 peopleandthis nightwasno exception.But middleof ourset,a smallHispanic manjumped those30peoplewereentranced byNoComment on stage,totallydrunk. HeaskedShawnfor the andthrashed aroundasmuchaspossible. mic and,needinga rest,Shawngladlyhandedit A f t e r N o C o m m e nfti n i s h e d ,I m e t t h e over. In brokenEnglishhe madea speechhow Crossed OutfellowsandtheygaveusT-shirts and all thesepeoplein the barwerenot sodifferent wegavethemcopiesof ourEP(to thisdaythisis andthat basically we couldaccomplish anlthing Dallas'favoriteCCrecord,whichhorrifiesmeto togetherif the barriersof the worldweretorn no end). After clearingtheir equipment Andy down. I don'tthink I've everheardanypunk cameoverand I gushed like a schoolgirl over bandsmakesucha heartfelt,downto earth mydrunkenass, proclamation theirset,probably embarrassing at a show,let alonein front of a but I didn'tcare.Seeing thesetwobandsmade roomof stranger$,With a polite"Gracias" he punkin mefeelsomething I hadnotfelt towards handedthe mic to Shawnandleft to a roundof a coupleof years. I wasexcitedand totally genuineapplause from the punks. Poppunk inspired.Thesongs we wroteno longerseemed bandswereon the stagethe restof the showbut like a wasteof time andtherewerepeoplejust us fourdown-trodden, disliked,un-punklooking asferventanddedicated aswewereto old,real bandscongregated out in the parkinglot to hardcore.CharredRemains tookwhatI would exchange records, shirts,tapesanddiscussion of learnin yearsto cometo be their customary whata greatnightit wasandthe smallHispanic L0ONNGGG setup time. Monolithic homemade man'sspeech.Wegaveall our EPsawayfor free ampssatlike high-rises on the stageas well as to whoever wantedone. LaterI wasapproached an insaneamp,adornedwith knobsandgraffiti by this guy,heartilyintroducinghimself."l'm whichread"Ampsfor Christ".Whatthehellwas MikeThrashead.Youguyshad me doingThe t h a t t h i n g f o r ? S t a r t i n gt h e s e t w i t h t h e Worm,I haven'tdonethat at a showin L.A for statement years".I didn'twantto leavebut eventually our nameto ManIs "Wearechanging we T h e B a s t a r df o l l o w i n gt h i s s h o w " ,M I T B hadto go. Plansweremadefor themto comeup careened into a morassof downtuned despair. to our areafor showsandwe wouldtakeup EricandAaron's dualbassgrmnastics hadtheby Crossed 0ut's offerto comedown..to SanDiego n o wf r e n z i e dc r o w do f f o u r d o z e nf u r i o u s l y andplayand smokea bunchof dirt weed. I h e a d b a n g i nagn d s l a m m i n ign t o e a c ho t h e r . knowfor a fact,yearslater,that all four bands Henry'sastounding arrayof homemade amps discovered something special thatnight. Sureit chirpedandspit noiseas he deftlymatched the wasa poorlyattendedshowby mainlyfriendsof b a s s i s t sf r' e n e t i cr i f f i n go n a i n . d e s c r i b a b l ythe bandsand bar regulars.Surewe got paid beautiful,self craftedguitar. Shiftingfrom maybe$20andbeerfor driving400miles. But torturedslowpainto fastandcrudeblastbeats, despiteeachband'sstruggles for acceptance by whichenhanced their barbaritytenfold,Joel the punksceneof the time and no matterwhat seemed t o p l a yt h e s o n g si n h i s m i n d ,h e a d stupidcriticismsthe punkscenecouldhurl at bobbing, lostin sometwistedformof timingonly us,weall knewwefinallyfound"ourniche". he couldfathom.I don'tthink anybandhas W e m a d et h a t t r i p t o S a n D i e g ot h a t playedtighterfrrra first gig,rippingthroughthe followingyearto playwith Crossed Out,MITB setwith the easeonlyreal musicians seemto andNo Comment again,andplayedwith oneor exude.After that we hadto try andfollowthese m o r eo f t h o s eg r e a tb a n d sm a n yt i m e st h e incredible tryingto convince followingmonthsandyears,Werecordeda full bands,somehow thecrowdto stickaroundfor ourset. Thankfully LPonSlapA Hamto thegreatyawningsilenceof theydid and aftertwo songsmy nerveswere the currentBayAreascene.Wetried to book gone.NI the bandsstayedandyelledbetween s h o w sl o c a l l y a g a i n ,g e t t i n g b a n d s l i k e s o n g sf o r m o r e . I r e m e m b eAr a r o nc l o s e l y Plutocracy andAsbestos Deathto comeplayfor meplaythe introto "BiasHate",trying our 20 friends,evenmanaging watching to play with to figureoutthenotesandmakingmesonervous NapalmDeathin Sonoma Countyto aboutl5 I c h o k e da n d f u m b l e dt h e l a s t n o t e s . W e people.Thoughwewerestill ignoredlocally,we biggrinsand laughteras the song madeour newlyignitedinspirationtake us exchanged Chrisandhis soonto be wife Lydia wherever progressed. it could. Wetouredwith TheDread, stoodupfrontwith buddyWalterGlaserandthe andthoughmusicallyverydifferentfrom us,we usonwith heckling, threecheered thekindthat foundthat samerewardingfeelingof friendship madeus feel unafraidand aroundfriends.At we neverhadwith a bandin years. After that onepointI lookeddownat myfeetandsomeone tourin 1992, quickly.Notcaring thingschanged waswrithingon the floor spastically... he was aboutpleasing the localscene, webecame more doing"TheWorm"to us!!A drunkenwhitetrash focused andinspiredby the international punk galgot up on stageand begangyratingher ass scene.Wereceivedcoolmail from all overthe against mybass,I hearChris'voiceriseabove worldcomplimenting our records.SlapA Ham thecrowdsaying"l'm gonnatell Athena!"That exploded afterreleasing the Crossed Out EP brokeus up and the crowd.in unison,went followedby our LP andNoComment's legendary " 0 o o o o o oB " .u t s h o r t l ya f t e rt h a t s o m e t h i n g and,asofyet,unmatched MITB "Downsided"EP happened incredible of each becamethe leaders,releasing that all members their ownrecords

whetheranyoneboughtthemor not. 0n their selfreleased split EPwith Aunt Marytheywrote a songaboutthe smallHispanic manandthe gMngthese showin PicoBiveracalled"HSMP", four bands(andothers)an identityanda group title: "WestCoastPowerViolence", a title that we worewith honor Finallyin Januaryof 1993 our comrades fromdownsouthfinally madethe trip up northto the BayArea. Chrisand Ken Sanderson had somehowconvincedGilman Streetto havea hardcoreshowto showcase the bandson SlapA Ham. ThankfullyAssuckat the time waslookingfor a showin the BayAreato fill a dateon theirshorttour sothis lookedlike it wasmeantto be. Unprecedented at the time, the ideamusthavebeenmet with hesitationby thetheninbredGilmanStreetscene.Whowould showup? It'sgottaflop! Right?I thinkall of us l o c a l sw e r e s u r p r i s e da n d s h o c k e da t t h e turnout. Oneof the biggershowsat Gilmanin m a n y m o o n ss t a r t e dw i t h u s f o u r b a n d s sandwiched betweenPlutocracy andAssuck.

People camefromall overCalifornia for the first time to seeextremehardcorepunk/ grind/ whateveryouwantedto labelit andpackedthe place.Chrissingle-handedly provedto the East Bay/ Berkeleyscenethat therewasa crowdfor this stuff,that pop punkwasold in 1988and, moreimportantly, hardcoreand bandsplayrng e x t r e m em u s i ch a d a n a u d i e n c ea; h u n g r y , inspired oneat that.

Dverything seemed to changein California after that. Kenwasextremelysupportive and playeda veryimportantand largelyunheralded role in gettingthe krcalextremehardcorebands backinto the scene.Wewereaskedto play showsat Gilmanwith ChaosUK.Rorschach. and any other extremebands. After all, we were aboutthe onlyonesbesidesthe die hardslike Plutocracy, 976,Sleep,Discrepancy andothers fromthe westandsouthbayto playthis noisy crap. It took no time at all for new bandsto springup like Benumb, Spazz, No Less,Utter B a s t a r da n d T h e M i s a n t h r o p i s tasn d s o o n NorthernCalifornia's localhardcorescenewas as strongas any. Showswere frequentand practically all of us starteda labelor zineor bookedshowsor all of the above.At the same time SouthernCaliforniawasexperiencing the samething. After the sadbreak-ups of Crossed OutandNoComment, of newbands anonslaught fueledthemselves off the newfoundpopularity of the bandsthat camebeforethem,reclaiming h a r d c o r e ' sD I Y a s p e c t sa n d t o t a l m u s i c a l destruction that onlybandsfromL.A.canvomit up. Ignoredbandslike Lack0f Interest,Phobia, BadAcidTlip, Dystopia, Excruciating Terrorand othersfinallygotsomerecognition asnewbands like Gasp,Cromand Despise Youblazednew pathsof extremity.The SlapA HamFiesta Grandebecamean annualpilgrimage,soon drawingpeoplefrom all overthe Statesandthe world. By the middleof the '90's,hardcore was backin full forcein California.

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- Beersand Band DAVEWITTE

5 CoLUMNS AB

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ATTENTION BEERDRINKERS! Welcome back. Therehaven'tbeentoo manythingsto seesincelastissuebesides Immortaland"thefilthyparodymaster"John Valbywho I caughtlast weekand produced s o m eo f m y b e t t e r l a u g h si n a w h i l e , I couldn'tfind a worthyinterviewcandidate t h i s t i m e a r o u n de i t h e r ,s o h e r ea r e t w o outingsfrom the wonderfulBeersAnd Bands bashingstaff. Eryoyand be sureto wet your whistlewhileyouread...

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NYCandit wasworththe wait. Theyplayed shewasn'tand I actuallygot a little pissedand mostlyslowermaterialand not the blistering panickedat the sametime andthoughtaboutputting speedtheyareknownfor,whichwaskind of a mypint glassin her skull. I didn't,though.I gota let down,but it's all aboutthe guitarplayer Yeungling Blackand Tan insteadand thoughtto whohadsucha wonderfulcrystal/ razorblade myself,"l hadthe lastGuinness anyray." like guitarsoundwithoutthe harshtreble Gaylordwasthe first bandof the night and they twangthat wouldpierceyourears. He is the wereexcellent.Greatplayersand lots of memorable riff master.Theybustedinto "BattlesIn The parts,oneof the bestguitarplayersI've seenin a North"andI wantedto sellmysoul(again)to while. A styleall his own for sure. The rhythm join Satan's fools sectionwasexcellentalso,like the drumsand bass armyalongwith themindless in the audience.Thefastermaterialwasn'tas wereweldedto eachother. I can't reallygivea SATYRICON. IMMORTAL. ANGELCORPSE, fastastherecords, butveryeffective.I gotthe description of Gaylord.Theyhit all areasof music KRISIUN / Mon.Aprit3. TheWettands, NYC chill fromthe landof snowandice on my andblendthemquitewell. Maybea little Zappa-ish. spine.Immortaldelivered the iciclespikeof Thesecond band,Makersof FineClocks, sucked.

I m i s s e dm y b o y sT h e D . G . Q .t ,h e yw e r e winterstraightthrougheveryone's heart.They Rapand roll crapthat falls shortof anyimpact. I playingThe KnittingFactory,but Immortal werealmostperfectuntil theystartedthe wentto schoolwith the drummer.Niceguy,but hey, hadpriorityby neverbeinghere. Notraffic whole"Howareyou,NewYork?"bullshitand ifyousuck,yousuck. into the HollandT\nnel,I wasamazed.It's holdingtheir handsto their earsto hearroars The DimitriGurevich fires Quintetlit everyones beena whilesinceI've beento the Wetlands fromthecrowds.Veryrockstarlike. I gotoff a andmadeusonceagaina bunchofanimals.Dressed andnothinghaschanged.It's still the side coupleof "Fuckyou"sand "Yousuck"sand I as moomoos,a soldieqClint Eastwood anda green showthat it's alwaysbeen. Womenhanging get a chant head,theyconquered instantly felt I better. tried to all.

We were alljumpin'up and out of their clothes,idiots,jerks,losers,etc. goin',but failed. I did heara "gobackto down,spillin'beeron people(that wasmainlyme, Definitely not the spotto conducta Mensa Norway"thoughand it broughtme a smile. dueto peoplepushingeachotheraroundandgettin' wasthe flrst beer,thenSierra test. Guinness Immortalwasalmostperfect,but fell short. eachotherriledup),andreallylettin'the bandhave Nevada, Bass,Sierra,Siena,Sierra,I'm sure Then again,I guessnothingreallyis. it! Cursin'up a stormat theml Theyloveit though... yougottheideanow.Nooutstanding beerwas gotin a caraccident they'relaughin'the wholetime,while theycurse yeah,AngelCorpse 0h consumed besidesthe understanding that andSatlriconsucks, for them. sonoreviews back. It's something everyonemustexperience.

Guinness is the anchorof beerno matter During all the fun, was whenthe mysteryman,the go. wherewe L O V EA M O N OF R E A K S T . H E D . G . O . drunkest manin the house, a.k.a.the houseidiot,got K r i s i u n ,B r a z i l ' sd e a t hm e t a l a t t a c k just satthereright in the middleof the M A K E R S O F F I N E C L O C K S .

G A Y L O R D on and stage team, blazedawaywith no mercy. They Sat.Oct.31,TheBrighton,LongBranch,NJ stagelikean "Asshole... on the stage"whichbringsus N E V E Rl e t u p a t a l l . P u r eS a t a n i cH a t e backto the beginninghere. Surehe lookedfunny, channeled throughcurrentsof electricity. "Asshole...on the stage"I yelledanda girl but for somereasonhis headlookedlike a football Thisandtheyarenobullshitwhatsoever (too answered backfromacrossthe room"Nohe and his bodythe tee just waitingfor kick off. He b a d t h e i r a l b u m ss u c kt h e b i g g e sct o c k s isn't,fuckyou".Well,that'swhatI wastold at needed a goodkick in the face, I'm laughin'right i m a g i n a b l e )S . e r i o u s l yt h, e s t a m i n aa n d least,as I put the D in drunkthat night. nowjustthinkin' aboutif that happened.It would endurance A n o t h e rn i g h t a t t h e B r i g h t o na n d i t ' s theseguyshaveis a wonderin havebeenthe funniestthing I've seenin a while itself.Krisiunliveis the deal.

Halloween.I go incognitoas a bankrobber besides the Russian weightlifterwhopulledhisarms Theyfinishedandleft the stagein ashes,I with oneof thoseclearmaskswith a mustache offon "SNL".NotonlydidthedrunkannoyJacko,the had1000morebeers,and Immortalappeared on it. I lookedlikean idiot.butwhocares.no crowdalsodid by yelling"onemore"the threetimes 0n stagein corpsepaint to stimulateus with oneknewwhoI was. Hell,no oneknewwho weredone. Finally,theyfinishedand it TheD.G.Q. theirsonicsounds that the Norsemen smiled anyoneelsewaseither,so it wasverycool. s e e m e da s i f t h e r e w a s n o r e a s o nt o b e a t t h e upon. Immortal,the true Vikingblackmetal "Sorryn0 moreGuinness," the bartendersaid.

Brightonanymore,andyaknow,it wastrue soI left...

I reallythoughtshewaskiddingat first but warriorsfromNorway;it wastheir first trip to

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CL 10/3600-808 Itd. to 600...write mareksarba,ul.platynowa poland warsaw, i heard,andnow shitlistflooredmewith a couplecassettes hlve a 7" out on fired up records.blazing,strippeddown no hardcore,6 songs,bad assskankbeats,quickbreakdowns, leads,goodrecording,and tight as fuck. what is it aboutthat can't understand?hell yeah,doooood!write that other.bands at - po box8985,mpls.,mn.66408 firedup records can't remember whetherit waswhenmicrosoftwindows but cameout,or whenlabelsstarteddoingbig"pr0m0"mailings, in a while back"fanzines"took an absolutefuckingswan-dive the qualitydepartment.dumpa bunchof stupidasscd reviews in wordpadand sendit off to the printer. yeah,that'scoolas fuck!..... bloatedsewerzineis a breathof freshair for measthey rely moreon a razorbladeand a gluestick thana couple semesters of computerclassesto put their shit out, interviews with assuck,los crudos,guernica,agoraphobic nosebleed, etc. plus lots of goodphotos,art, and semi-shittyphotocopy whichis coolwith me.secondissueshouldbe out reproduction bynowiVwhenyou'rereadingthis, email:syckincyde@aol.com writeme-pob 4452,in$ewoodca90309 / alamoejoe@hotmail.com

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LatelyI've hearda lot of peoplesayingthat the sceneis startingto suck again...that bandsaren't as goodas theywerea coupleof yearsback.,.that showsdon't seemthat excitinganymore.I, too, do not look forwardto the returnof whatthe scenewaslike in the early90s...small,not a lot of support, a handfulof bands,etc.

But there'sanothersideto this issue,Sure,showsweresmallerandthere wasn'ta lot of supportfor the extremebands,but theystill existed.It's when peoplestart to loseinterestthemselvesthat they begin to feel that things a r e n ' tt h e " s a m e a " n y m o r e .T. .H E Yc h a n g e d .b. .u t t h e s c e n el i v e do n .

Sometimes a specificscenedoesdie...as in the caseof a town that losesits venue/ kids/ bands... here'sa coupleof examples: A couplbof timesI havewatcheda strongscenein a specifictowngrowand decline.Thoexamples standto the fore: oneis the Bayfuea scene.Whilethe thrashscenewasslowlydyingoff (it wasbasedaroundplaceslike The Farm, Ruthie's,theVats...)the Gilmanscenekeptthingsalive. It pumpednewenersl into a scenethat couldhavefadedfromexistence.Butthen the'90'scameand showsstartedto be small,faster/heavierbandswere hard to comeby,and peoplewerenot interestedanymore.

Wewereluckythough...we IIAD Gilman, we HADEpicenter...The otherexampleis DeKalb.This town is a perfect exampleof howa sceneis madeand then fades. Somekids attendingNIU decidedto starta band.Theymadetheir basement into a placeto practiceand haveshows.Nextthing you know,there's6-10bandsfrom this groupof friends...oneof whichturnedout to be oneof yourfavoritebands:CHARLES BR0NS0N,0nce they completedschool...the membersmoved,someto the EastCoast,someto othertownscloseto Chicago.., somestayedin DeKalb,But (don'tkick myass,Ebro). In bothof DeKalbisn't asactiveasit wasin 1996-97 thesecasesthe scenedid appearto die..,at leastin a localsense.

Soyeah,I agree...

I don'twantto seethe BayAreasceneget like it wasin 1990-92... it wassadanddisheartening to seesofewpeopleat the RORSCHACH / B0RNAGAINST show,or earlierthe INFEST/ PHCshow. But you know what?... fuckit. Therewerepeopletherewhohadtheir liveschanged fromsome of thosesmallshows.Therewerepeople(like me) who boughtshirts,who wrote letters,who practiced3-4times a weekwith their bandthat nobody caredabout...who lovedeveryminute of the showslike UNDERT0W, CHOKEH0LD, HELLNAII0N, SLEEP, etc.,that peopledidn't showup to.

Thequestiontums out to be: fue yougoingto measurethe sceneby the popularityit haswith others,or areyougoingto look at it fromwhat it means0o youandyoualone? Everyscenethat I lovesufferedbad in the early90s; grindcore,fastcore,sXe,evenmetalcorein my areawitsveryunpopular.But fuck it, therewereenoughof us,as smallasit was,wherewe got0otalk about goodbands,turn eachotheronto somehardto find demoof someband,etc...

ThereasonI'm writingthis is not to addressothers...just recentlyI've so muchin the pastfew years. startedto listento thosewho havecomplained I'vestartedto seethe numbersdropat shows,to noticethat sometimes, shows aren'tasfunas"theyusedto be." Thiscolumnis a projectto remindmyselfthat that'sfuckingbullshit. WhatI'm comparingtoday'ssceneto werethe showsof the mid-'90'swhenwe had the early exceptional(andphenomenal)

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Therewas a carefullycut out path betweenthe KISStradingcards,the heaps 'zines,an alwaysgrowing of "to-be-read" moundof mail, flyers for showsfrom last month,backissuesof "Kamandi- LastBoy grew 0n Earth",7" recordsthat seemingly like a fungusout of one corner,a box of children'sbooksI ownedwhenI wasthree that my parentssawfit to sendmewhenI was28,photosfrom mytrip to Australiain stackof 1996,sketchbooks, a MASSIVE recordsI still hadn'tlistenedto followed by whateverrecordI hadto listen to every singleday (in the last few weekseither T H EL A S T" L A E x p l o s i o n "F, O R W A R D 0F FAITH "WhileYouAlive"or ARTICLES "GiveThanks"),wanderingmismatched s o c k s t, o n f a ( ? ? ? ? ? )g, r e a tc l a s s i c so f Westernliteraturerangingfrom MobyDick to "SpockMustDie", anda andGilgamesh wholeassemblage of miscellaneous things that meldedinto an undefined,hulking massof splayedout "stuff'. This path led from the doorto my bed and wouldalter and changecourse,and often cut across the teenyoctagonalroom in different directions.Yearsof beingan intensified packrathadlandedon this nerd...hard.

I can'tremember howI startedbeinga collector. I dimly recollectdraggingmy parentsto take my teenifiedself to stand in awe of the toweringold-stylerevolving c o m i cb o o kr a c k a t t h e d r u g s t o r ea n d m e a s u r i n go u t h o w f a r m y h a n d f u lo f changewouldgo. I recall spendingmy paperroutecashin a "gotta hard-earned collect'em all frenzy"to fill out my Star Warstoy collectionwith essentiallifealteringitemslike "ThePowerDroid"and "Lobot". Thenthere'swant adsfor rare to Swedishhardcorerecords,"upgrading" originalpressings andto "mint condition", m u l t i p l e c o v e r s ,m u l t i p l e p r e s s i n g s , multiplecolors,filling in thosemissing l i n k s i n t h e N o r w e g i a nH a r d c o r e collection...anyonegot an extra AKUTT INGELESSE 7'???

Memorabiliareadsin the American things Ileritagedictionaryas "Remarkable worthyof remembrance".A placein time hasdrawncloserby a physicalreminder,

whetheryouwerethere or just wantedor wishedto be. Conllictingwith the "NoMore '77 sensibility, Heroes"STRANGLERS Punk its historyandheroes,its Rockhascanonized reliquariesof limitedpress7" and LPsand spreadand swapped and tradedacrossthe globe.Collectability is basedon the simple rulesof supplyand demand,and in the case of earlypunkrecords,the demandwashard to meet.Therewasnoneat all at the time or the ability to pressmoresimplydidn't exist.

Beingableto buya pieceof it is yourticket D.C. to a part of London1977,Washington 1979,Helsinki 1981, Tokyo1983,LosAngeles 1982- placeswheremusicand ideaswere formedthat alteredhistoryand outlook& definemeaning.Musiccan alsotake you backto long afternoonsafter high school listeningto D,R.l."DealingWith It' overand over,0r what show you met your first girlfriendat, how RUDIMENTARY PENI's yourlife (believeme,anything lyricschanged before"Cacophony" can) or a winterspent d e l i v e r i n gp i z z a sl i s t e n i n gt o A N T I 0 C H ARR0W andCROSSED OUT Musicandrecordsarethe primarysource of communication and ideasof this scene, moreprolificin andeachyearis seemingly o u t p u t . T h i s i s t h e u p s i d eo f t h e d o - i t yourselfrevolution-anyonecan put out a beingit makesa lot of record.Thedownside shit to wadethroughand mostpeopledon't havethe time,moneyor interestto keepup.

It makesit hardto run a recordlabeland a lot of labelsare forcedto flip the collector cardto keeppeopleinterested,ordering,and a cashflow to keepputtingout records.The upsideof thesecollectors'editionsis that theytax 0n people'screativityto createnew gn d r e c o r d s , a n d i n t e r e s t i n gp a c k a g i n a rewardthosepeoplewho go to showsto get "the limited tour version",write and make contactto get the "limitedmail-order only" version, orjustto createsomething specialto markthe occasionof releaseto giveto fans I and friendsof the band. But sometimes is wonderat this point if the memorabilia comingbeforethe memories.

I'm at Gilman,and I'm stuckbehinda tablesellingstufffor a bandheadliningfrom Japan.There'san openingbandplaying,I've

seenthemmultipletimes,but tonighttheyare on fouralarmfuckin' blazinglire!!! Onesongafter the next, completely andtotallyintensehardcore,bandmembers airborne,vocalsscreamingawesomelyrics all in a ragingsynthesis of intensefeelingand musicwhereit's I think evidentthat thosefeelingsarereal....everything definesgoodhardcorepunk. I am in awe...bandsthis goodare infectious,sendingout waveafter waveof energrandI feel myselfgettingsuckedin. It's explosive an effortto standstill. ThenI lookoverandthere'sfive peoplelazilypawingthroughrecordboxeskind of bored,not watchingthe bandand I honestlycouldn't for encapsulated intensitywhen believeit. Shopping it's happeningten feet awayfrom them. (Sameway I all the peopleat showswith video neverunderstand like here'sa videoof a showI hada really cameras... greattime at...STANDING IN A ASSTILLASP0SSIBLE CORNERHOLDINGA VIDEOCAMERATHE WHOLE FUCKING TIME!!!!!).Peopleprobablysat outsideat andVOIDshows,walkedto the liquor MIN0RTHREAT wentandplayedPachinko storeduringTHEMISFITS, played,or shotup while theycouldbe whileCONFUSE watching THEGERMS, Thinkaboutit. Priorities.

Everyonehere'sa musicfan on somescaleand wantsto knowthe newsounds andideas,Thistoneof collectingand tradingas a priority part of hardcore yearsago-- a wassteeredby MaximumRockandRoll magazine startedby someintenserecordcollectors and fans,alwaysleaningheavilyon the recordgeek quotientandfocusingon whatnewrecordsare out as the primaryhappening.With yearsof expansionin contentand scope,MRRhas had and continuesto havean indelibleimpact,but aska lot of peoplewhy they read it and it's not for the Mykel Boardnude photos-- it's the "Reviews and Ads" answer.The guideto punkrock. An oddcall for betterconsumer's a s c e n eb a s e dw i t h s o m ea n t i - c a p i t a l i s t a , nticonsumerist tenant,but peopleare people,There's probablyvolumesof dissertations on the collector i m p u l s eb , u t I t h i n k p a r t o f w h y p e o p l es e e k c o m m u n i c a t i od ne , f i n i t i o na n d m e a n i n gt h r o u g h objectsand possessions is becausedealingwith real peopleis awkward,difficult and/orpainful,often throughno fault of their own. Collecting(or at its m o r eb a s er o o t ,s h o p p i n gi)s a m e a n so f e s c a p e , e4joymentandaddsto self-worth.

WhereI grewup therewas no sceneor shows.

Records, mostof themboughtthroughMRR,werethe life-linkto it. I alwaysfelt part of somethingmuch largerby hearingand readingand participatingin keepingup with the scene,andthe lyricsechoedideas

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groan,it was1991, we didn'tknowanybetted).Doing showsat myhousemademefall evenmorein lovewith punkbecause suddenly it wasaboutmorethanjustthe I would music/show; it wasall aboutcommunication! alwayscookfoodandtherewereusuallybigsleepovers wouldstay a lot of the folksfrom Milwaukee because late hangingout andwind up beingtoo tired to drlve punls were home(72miles). TheMadison-Milwaukee all like a big familyandwe spentmostof our time goingbackand forth betweenthe two citiesseeing shows,havingpotluckdinners,andjust hanginSout.

From'91to '93I had66bandsplayat myhouseandwe onlygothassled bythe copsonce!

loadingin gear& merch,settingup merch,selling merch,talkingto kids,hopefullyeatingvegantreats, morecaffeine,packingup & loadingout, g0in8to house,cookingfood,hangingout & telling someone's tales,goingto bedwaytoolate. Repeatsameeveryday for at leasta month.

6. You'vebeeninvolvedin tho punk communityfor msny years. What hae kept you involvedwhere manyothorshavodroppedout?

changed mywholelife forever.Themusicis great,but it's the communication on so manylevelsthat means somuchto me(yeah,I know,I'm verysappy).

8. I thlnk the way you share a job with your husbsndk lntercstlng. Pleaseexplain how thst worksfor the rcadersofSFL. Doesyour bossthink it's welrd?

Robert(my husband)and I sharea job at a small juice bar in SanFrancisco.It's perfectbecause it I guessrqyten-year"punkmck anniversar/'is in Julydoesn'tmatterwhichoneof us showsup.towork (our that's pretty weird to think about,huh? Especially bossjust puts our last nameon the schedule). when because compared to a lot of peopleI know,ten years Aetually,we kind of had a similararrangement ain't nothing!I knowl'm still involvedbecause I was we were both workingat Fuel Cafdin Milwaukee.

3. How did you etart roadieing? What has changed ableto sortof evolwwith the punkthingsI wasdoing. We'vebeenluckyenoughto workfor peoplethat know as a roadie? Who are for you In your experiences we'reboth reliableemployees.The onlytime this is Firstit wassettingup showsanddoinga recorddistro. someof tho bandeyou've roadied for and of thoee ThenI startedtouring,goingall otrerthe world(Hong difficult is whenwe bothneedto goon tour. Ourboss bands,who are tle mostfun to tour with?

Kong,Philippines,Brazil,Argentina,and mostof appreciates the fact that Robertand I are both a bit WesternEurope,in additionto the previously weird ourselvesand somehowsharinga job just fits I startedroadieing(sheesh,that's an awkwardword, into that quitenicely. mentioned AYCEdestinations) andall overthe US huh?)in 1994whenALL YOUCANEATwaskind Australia, many,manytimesover. It seemslike quite a few to takemeon tourto NewZealand, enough L What has beenthe worst or scariestexperience peopleget burnedout by doingthe samethingin the Thailand,andJapan.I hadbeentryingto getsomeof you'vehad as a roadie? sametownyearafteryear.Therealsoseemsto be an the bandsin Milwaukee t0 take me alongfor a few yearsand had beenunsuccessful, unspoken sorta"turning30,I bettergrowup" thing usuallydue to the Gettingshotat in SaoPaulo,Brazil(not mepersonally, goingon aswell. Notfor me,but I'll elaborate girlfriendwasupsetat the notion on this fact that someone's but the car we weredrivingin... neverstopfor a red in question7 (don'tskipahead,okay?!). that a womanmight be goingon tour with their light at night in Brazil). Almostgettingarrestedfor boyfriend's band. I hadt0 go t0 Califomiat0 get my lookinglike a hookerin Dallas,'lX(don'twalk to the 0. What doesyour fanily think about your being a gasstationfor a sodawearinga leopardprint skirt and first opportunity!Thingshaven'tchangedtoo much roadie? in my roadieexpetiences, the dutieshavepretty hat withoutan ID in Texas).Gettingsunoundedand muchalwaysinvolvedsellingmerch,loadinggear, Luckily,myfamilyhasalwaysbeenentirelysupportive then interrogatedby undercover Germanpolice yikes! Seeingtonsof lost socks,and driving,findinglost bandmembers, lookingfor footballhooligans... of myroadieadventures.

Mymomalwayswantsmet0 lost tempers.I've beenluckyenoughto workwith bring photosfrom tourswhen I visit so shecan see copswith sawedoff shotgunsall overBraziland people:ALL YOUCANEAT,HICKDY, what I've beenup to. I think bothof my parentsare someamazing Argentina- sawedoff shotguns- in broaddaylightl S P I T B O YC , I T I Z E N F I S H , B E N D E R ,A V A I L , reallyexcitedthat I've had the opportunityto seeso Needingfive escortsat the AYCEshowin Manila and FUCKFACE, AUSR0TTDN, Y0UNGPIONEERS, muchof theworld. Mydadlaughedsohardat a photo becausebeinga white girl with dreads,tattoos,and WHATHAPPENS NEXT?.There'sno wayI can pick of somedrunk punla with mohawkspassedout in a lots of armpit hair wouldjust be too distractingfor whichbandis/wasthe mostfun, but everytour has heapat a squatin I\rino, Italythat I let himkeepit! I manyof the boysat the show. I thoughtthey were inoediblemoments(is that a copout or what?!)but I think he showedit to all his friendsandsaid,"Thisis kiddinguntil I tried to walk aroundby myselfandhad can definitely say that AYCE was the most whatmydaughterdoesfor work"(takingphotos,that to outruna packof "well-wishers." brake Complete adventurous, HICKEYhad the mostrun-inswith the is). Myhusband toursalmostasmuchasI dosowe're failuregoing80MPHonthe highwayleavingtownfor a cops,SPITB0Ywasthe sexiest,and CITIZENFISH both super supportiveof each other traveling HICKEYtour Almostdrivingoff a cliff a few weeks waslike a grandfamilyreunioneveryyear. I also wewant. whenever laterandjust laughing aboutit. A hugebrawlbetween haveto givea hugeamountof thanksto Richardthe duringa showin "the couragecrew"and SNAPCASE ?. Are you able to makea llving as a roadio? How RoadieandPetethe Roadiefor trainingme"properly" Dayton,0H that ultimatelyinvolvedAVAILas well longdo youthink you'll do it? Whydo youdo it? (nothinglike tryingto packup/loadout merchandise in 1995.Theyhavebeenmy "roadieidols"for a long time and workingwith themwaslike gettingan in the midstof a frghtl). Um,um, I knowthat there's I've nevermadea lMng from touring,but AVAILwas apprenticeship froma roadcrew techcollege. more,butthat'sit for ofrthe topof myhead. with their "paychecks" and they even very generous paid travelexpenses wheneverthey neededRichard 4. Describea typicalday on tour for you. Whata,re 10. What &re someof the best or most rew&rding and I to comeout for tours,whichwasawesome.I yourresponsibilities? you'vehad as a result of being a experiences haveno doubtsthat I will be doingthis in someform roadie?

I usuallygetthe wonderfultaskof wakingeveryone up or anotherfor the rest of my life. My husbandand I ontime to getto the nexttown. I'vefoundthat being hopeto be that "weirdold couple"wholive in the Gettingto travelall overthe world is the thing that because throughthose a roadiecanoftentimesfeellike beinga mom.Youget Midwest,haveshowsat our house,cookfoodfor the standsout the most...especially It doesn't thekidsup,get 'emtheir breakfast(usuallycoffeeand bands,andlet'em crashthereaswell (all contingent travels.I feellike I have"family"everywhere. get 'emin the van,andmakesurenobody on the requirement cigarettes), matterif I don'tseesomeof thosefolksfor years,they that they lookat photos"from in New le{tanythingbehindbeforewe leave(generally backin the day"andlistento ustalk abouthowgreat all havea specialplacein my heart. Especially England, andltaly.

Brazil,Argentina, referred Zealand, Australia, to asan "idiot check").A typicaldayusually the 90'swere.). Scary,huh?l I can'twaitl I do this gettingup far t0o early,drivingall day, involves Also,gettingto tour aroundthe Statesis awesome becauseI can't irnaginelivinganyotherway...the youget to meetnewpeopleall the time and consuming smoke, D.l.Y.(do it yourself)ethicsof punkandthe whole because too muchcaffeineandsecond-hand giggling aboutrandomshit, gettingto the show, communityof peoplethat goeswith that mindset keepin touchwitholdfriendsona regularbasis.

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16. What do you feel a,rethe punk communit/s geatâ&#x201A;Źst strengilN &ndweahnessee? wasn't Yikes,that probably anessayin andof itself. I wouldn'tbedoingthis intewiewtodayif networking of the punkcommunity.Theabilityto booktours(or just travel)andmeet one0f the geateststrengths peoplewith similargoals& ideasall overtheworld. Tbbeinspiredbysonieone's wordVmusic,/actions and or oneyou'rejust visiting. I don't know, then in turn sharethat with eitheryourowncommunity/scene but sharingis a big part of it. Sharingfloor space,a meal,a zine. this soundslike a little kid answer, or a comprecord. Theweaknesses Workingtogetherto build something,be it a venue/infoshopArousing arepretf obviousI guess.All the isms: sexism,racism,homophobia.Drunkpunkvs.straightedge,crusty long... vs.poppunk.Thelist is thousands 17, If you had neverbeeneposed to the punk ecene,what do you think you wouldbe doingnow?

I don'twant to think aboutthat question.Gettinginto punk at age20 savedme from everhavingto (andI'm not embarrassed ponderthat question.Butto put it in perspective aboutthis) I wasthe captain Pom-Pon andyes,thereis a difference!). of thePom-Pon squadin highschool(notcheerleading, just a hobbyfor you or is it more? Wtat do 18. You are a talentedphotogrspher. Is photogpaphy you do with all of the photosyon take? Will we everseea book of photographyftom you? in Milwaukee andalmostfinishedmydegree,but then I gota chanceto I wentt0 schoolfor photography tour with AYCEand I neverwent back. I try to sendcopiesof my photosto the bands,but I tend to procrastinate I'vehada lot of workprintedin variousrecordsandMRR.I'vealsohad onthat sometimes. fromJapan.Basically, my closetis litteredwith andDollmagazine a fewthingsin the SFBayGuardian boxesandboxesof negativesandprints. Devon(AYCE)and I are collaboratingon a bookthat chronicles the adventures of ALL YOUCANEAT,but that's a goup effort betweenthe wholebandand myselfand it mightbe a fewyearsbeforethat getsfinished.Noplansfor a photobookat the moment,but I wouldlike to do a seriesof themeposters.We'llseewhathappens.0h yeah,I got myfirst "backcoverof a book" photocreditlastyearwhenAKPressreprintedCraig0'Hara's"Philosophy of Punk".Veryexciting!

19. Who&resomeartists you admireand why? of peopleis truly amazing to hero. Herstyleof capturingthe strangeness Dianefubusis myphotography Herpassion for her subjectmatter(be it music,rotting ne. ChrisBoartsLarsonis myotherphoto-hero. trees,or people)shinesthroughin all of herwork. structures, 20. Thankseomuehfor taking tlte dme to answerall of thesequestions! Any last eomments? so much in this interview,feel free to write me: Since I've mentionedcommunication roadiegirl@hotmail.com or l00l 41stStreet,0akland,CA94608.Also,for the record,I knowAthena's knowthat she'soneof the mostincredible focusin hercolumnis womenandI'd just like to let everyone andhardworkingwomenin punkrocktoday.I lirst reallyhungout with her overa borvlof ramenverylate at nightin St. louis, Missouriaftera stellarHickey/fheDreadshowin 1995and I've beena hugefan of Beaufor teachingme howto throwa hen eversince!Manythanksto all of myroadfamilies,especially properpunchandAesopfor the blackeye.I'm planningonputtingouta "tourtales"zinein a fewmonths Um,um,okay,I guessI'm done.Thanks! fromall of rnyadventures. with excerpts

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Llrm," whichallowsme to commenta little on yourIssue#5. (Regarding the Heresyarticle)as far asI know,Johnsangin Can'tDecide(at least I'm quitesureI hear& seehimon their12"- no nameslisted)after Heresybrokeup. And I'm prettyconfidentthat Steveplayedwith a 60's punk/garage bandfor a while. Their name escapes mebuttheymadeit quitebig.

Thepicturesyouprintedwith the Heresy youlifted articleweremostlyshotbyme. I guess It's a long themfromthe Lost& Foundreleases. storywhichI'll summarize by tellingyouthey rippedmeoff (andthe bandaswell). Maybeyou in thezine. canrunthatasanannouncement Here'sillustrations to accompany the LArm feature.All photosby me. Flyers...

I don'tknow, If you knowanyonewho wouldgo apeoverthe "NothingIs Hard..."7" & who'sgota nicetrade, plug) let theme-mailme. (lt'sa shameless Thatshouldbe all. Betweenthe five most embarrassing albumsyou play all day,don't forgetto playthe classics: rFireParW- both12" oFideliW Jones- lzu&7' oReptile - MLP House - 7" rDesiderata oRainLikeTheSoundOfTtains- anv Dischord rules!l Gladto seeotherold menin the sceneafter somanyyears.ThoughI guessI'm dropping out, Givemeindie-rock!Later, T h e u nK . / t h e u n k @ d d s . u l ThsunYut.werecorrectahutt the Heresypi,cs. We just li,fted,what we could lind from their releases.AsJar as Eou hauing a stotg about beingripped offfu Lost & Found, what Lost & Foundstory isn't aboutbeingripped ffi I'ue neuerheardone...

I agreethat Dischordrules, but of course I'm not taLkingaboutthesanxereLeoses thntgou are. I liked Embrace,but nerything elseJrom Rites 0f Spring on up, including the shtfr yau mmtioned,shouldbe incineratedand,dunped in an undergroundatomic wastefacilitg.

Magbeif we eliminate the roots of emo,thut, we'II seea positiae effecton the eoentual ertinction of modern-dagemo. That cry-core, -Spock-and-Jall-on-the -like-Mr. dress floor shit is phong& d,eserues a swift & painfuLd.eath.

Thanksa millionJor thegreatLcinnpi,cs& I tlgers! Ant, in caseI didn't mmtion it beJore, Iikejust abouteuerystgleof musi,c,but thnJact remainsthat nxlstindi'erockblows...

- Chris

I

HelloChrisDodge,

Hello-

I just got the first issueof ShortFastand Loudtoday,andholyshitdoesit smokel!!

It looks good,it feelsgood,it's wholesome all around.I haven'tbeenexcitedabouta magazine in a w h i l e . M R Ri s t o o b o r i n g ,H i t L i s t i s t o o rock'n'roll,Heartattackis too P.C.,and Punk Planet,althoughsomeof the interviewsare good,is too poppy.Finally,a magazine that comesprettycloset0 whatI'm all about.I'm considerablyyoungerthan many 0f your c o n t r i b u t o r sa,n d i n s t e a do f m o s to f t h e m comingoff as all jadedand negative, they all seemexcitedashell to bea part of it. Fuckyeah.

I'm lookingfonvardto learningsomenewthings aboutthe daysbeforeI camearound,some historyandinsightinto the shit that'scoming out now,whenthingsseemed a bit morefresh and ready.So thanksfor the new mag,and spreadthewordt0 all, that a stellarjobhasbeen d0neon the first issue,andtell everyone to keep onrochng,..lbke careChris!!Sincerely,

I just a fewweeksbackpickedup my first issueofSH0RI FAST& L0UDandreallyfucking e4joyedthe hell out of everypagel I sit on my assall dayat mylamejob at a bookstoreherein Nashvilleandyourzinesurehelpedpassa lot of time.HowcanI getmyhandson the otherback i s s u e s? ? ? I t ' s a b o u t d a m n t i m e p e o p l e r e m e m b e rb a n d s l i k e H E R E S Ya n d t h e ACCUSED, I'm almost27 and gladto seethe CROSSOVER sceneremembered.

I lovedthose timesandbands.Thanksandtakecare.

by manyzine columns,some ...As'evidenced :peopleare alreadyhavingnostalgicfeelingsfor Nostalgia alread/ Well,thereis "powewi0lence". a 3 0 - m i n u t ien f o m m e r c i af ol r a s e t o f C D s showcasing ihe "Bestof the 90's"in which partiersaskusto uremember smiley-faced when lroudancedall nightto that PaulaAbdulalbum?"

In the faaeof this, powerviolence nostalgia hardlyseemsworthyof ridicule.Haveyou ever seenthe word"powerviolence" written bya zine columnistwithout quotationmarksaroundit?

Lookin'forwarilto the next Hellnationolatterl Sincerely, Davis. CA I

I just thoughtyouandyourfellowpeoples whoworkon that zineshouldknowthat I loveit.

I got the first onewith my SlapA Hamordera coupleweeksagoand I want the newoneas soonasit comesout. A greatbigbreathof fresh air to all the mybabyshit that'sbeengoing aroundfor far too long. SF&Lwill probablybe mypick of zinesnowthat ProfaneExistence has passed away(sobll).Goodcolumns, reviews, and a greattastein music. Keepup the goodwork people.xoxoxo, F r a n k - C a r oAl n n

For thosewho don'tknowaLreadg, thereare rw backissuesof SF&L. Startin4 thefirst issueat #5 was my stupid,senseoJhumor kicki,ngin again....hard,yhar har....well, arenttI Mr. funngpants...

- Chri"s

J a s o nS c h u t m e r i c h

Rick Ele / KDVS djriik@yahoo.com

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RIPC0RD MEMBERS... where aretheynow??

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(guitar): Malc Phelps f'kideawhathe'supta!

Jimmy Briffit(vocals)' I'lev*r sangfara band agai*, rurrenlly wrrks{or nr insuranre company.

'Buzby' Brian B i r c h e(l vl o c a l s )$' a n gi n a l s c * [n e t a lb a n d{ c a n ' t c*rrenlly traveling remenber lhename?). thewrrld. (vocals)' Moved Steve Hazzard tr Milwauk*e, l|ll,I.JSA andgalnTarriad. lfu*n p*nk divorced, moved back totheU(.sangin band $PtTt ahngwiihJohn Iurruntly noiinvolved in musirbutlivinghappily withgirl{riend idrumsi. andlhree kids.

Works inf*rtory i* Westrn-$uper-M*rc. (bass)'l1|asinvarious JimWhitlely hands, including FlLTllKlCK. CRACfit$ t$p playing SKULLS. $0{iAl{ftR[$.furreni{yworkingasa prslmanin Cfreltenham, guitar inS0UAN0fRtS *ndbass in0UMBSTRUIK along with$arandJahn.

"Baz'Ballam (guitar): Steve P{ayed in various bands. including several withfilPC$fiil drummer Jrhn.UNlt$ftt'l ApPR0AI|i. fAl,l'T 0lIiilf & Itl,l F0t0liATi.Alsopiayed in rnckbandfylRCR[[[t{ be{ara teaming backup withJimandJohninilUM$$TRUIK. llforks asanelsctrician inSristol.

JohnMillier(drums)' it*yedin UlllfORM APPR0ACtl, CA}i'T 0lil0f a T[]'l t0til HATI with8ar.thenill$||fL0Tlt covers tiran$PlIt iill$CllAR0[ bandt. v o$c a l i s C t ] .u r r e n tpl lya y i ni g n0UMB$IftUCK. t w i t hS t e vssx - R l P [ 0 R Ilorksasa srlferlrployed inandaround bui{dsr Westcn-Super-Mare. wasco-heddliningwith NAPALMDEATH.10peoplein a van, no seatswith all the equipmentand luggage!Morehassleswith fenies ensued,however,things straightenedthemselvesout and the tour went well with a crowd of 600-700 plus at the first gigl One of the gigs in WestGermanywas videotapedand distributedprettywidely.It officiallycameout in Japansomeyearslater.

Stevedecidedto quit after returning and somemore UK shows,Jim (who'djust left NAPALMDEATHafter the tour also) agreedto join. In November'87, the bandwent into the nearlegendary"Whitehouse" studios for the first of manyvisits. goodgigs, A tourof Holland& Belgiumwith HERESY in early'88produced but Baz and Buzbywere havingproblemsand Buzbygot the boot after the tour, playinghis last showin Notts. It waspossiblythe worst gig they did. In the midst of the upheavalthe band returnedto the Whitehouseand recorded the backingtracks for their "HarvestHardcore"EP.Stevethe ex-bassistwas askedto retutn on vocals.He agreedand laid down the vocalsfor the seven tracksfor the EP: 5 originalsand 2 covers(by SSD& SIEGE).Thereweresix songson the initial UKpressand sevenon the USpresson SoulForce.

The EP soldwell and caughtthe ear of nationalradioDJ JohnPeelwho askedthem in to recorda session, July 12,1988.Beforethis wasa brief tour of Irelandwhich wasa great successas few bandshad touredthere,They madeenough$5Sto buy back all the equipmentthey'd had stolen out of their van in Birminghamon the wayover.

Anothertour of Europein '88 went well, and wasbetter organized.

One gig full of skinheadsturnedout o.k.whenthe banddid coversof SHAM69's REJECTS' "HurryUp Harry"and COCKNEY "PoliceCar"!Therewasa riot at anothershowwith Nazi skinheadswhich was a pitched battle until the policeturnedup.

A live LP was put out by the guy who ran "YourChoiceLive Series" Records,althougha better live tape of the time from Alkamaar,Holland exists.Straight back from Hollandand into the studios(Whitehouseagain!) for the 2nd LP "PoeticJustice"had the band being pretty pleasedwith the overallsoundas the studio was still only eight track. During the recording thoughSteveannouncedhe was leavingthe band for the 2nd time as his Americanwife washomesickand they wereleavingfor the States.After much thought,it wasdecidedto call it a dayrather than goingthroughthe hassleof findinganothervocalist.Ripcordplayedtheir last gig in '88 in their home town of Weston.In just four years,the wholejourneyhad gonefull circle,

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INTERVIEW M{EI I FIRST HEIRD IOUR SITD TII8, I JUSI TflOUGgT, 'IIIIILY, SOIEOIE usED ${IS Xl\I8....tr IAISII: Yeah, that old label froo lorton... but Eore tha! that I ras rt'{.Iy lato g0r I U. S. haralcoro.

AIso rheE I }ookstl up tho rortl rerclaloil i! ths dtctlolary, lt retd loesthrng llke flscreaoil or trrhout out r.

That roulaloal really H.IRDCoREt,o E€.

So, balf of ltrr froB a llttlo for of ry raDoct rnal, tho tho olat labol l-Claln! othor half ls for the Eoanbg of I lioor lt rorDd,8 cony, tho rord. (leught,or) though.

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SO. LI(l YOU SATD. YOU f,IRE IXIO $IOSA SOIS SOUUDS. !IIA$ R&ILII SHOIS IX IOUR SOUID....

LAISU: fhe rGqilty Fscarr EP by tl$ FnEEZX ra. ths flrlt rocoral to hlt ny bead roally hard. tb€a THnEAt rtuff. lot ltk6 that IItoB gou!d,r, you loor, you Uf, haralcoro catrrt really fLDd tbore rar, harsh-soundtng hsralcors ba.ads froe tbsre , YOU GUTS DID GIIG O8EtrI.EID

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rHn$arcoYERs 0x YouRtPs....

IATSU: Yssh, thoso coulal deflnltely bs cttod as our dtrongost bflus[cer.

Uot Ju3t thoto loston bs[d3 but lGf, aud all the other baaalg ar rol.I. 3ut sspsclally thoss tro barals r€re tho franorork for ExclalDrs 8ourld.... ltrs our goal to be llke lut ltrr lryosrlble theE. to re Jurt, keep rur?srs th68..... follori€ l.a thslr footrtops.

HOI CLOSI DO YOU fgITE YOU.ARI TO Fgost 8lrDS BICttT Xor...

IATSU: Xot evotr at tholr fest (Iaugbtsr). trs Jurt rlrop a aeedla ottto th6lr rocords ard grl.nil our toeth svery t,f@ (ldghtsr). rll!, IX,FORE f,E CO IITO IE T, .HOf, DID THE I.AXD ST.ARTOUI??

IA:ISU: lle aacl lob r€ro ln thls r6lrd threih-coro bald calleal DSoL, th€! Devi Jousal the band, e[d aftor about 2 EoDtbs, I gurss tho fourdBtloD of that bsc@ ErcIsls. f,HEX t&S $rA8?

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rar about e y€ar alld. lbat IMU: l.to r97? I a half ago, so...,, haal rrtttstl lle alreat thlnk. rhil,e re loEa songs for Exclalo rere gti.Il tn DSoL. fbat raa actu8lly out IqE: poltr!.

Ey Yrttrng sncb turltrtg hard.core typo son€a, re ilsbatod re ghoultl rtth sach othor rbsthor d,o noro hard.coro rtuff or Jurt kes! playfD€ pulk rtuff.

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I'qlrel ?e:ildr fir ?eau lrsop ef, '?eeilr 'solloEe ?ur ,o rlrlrsoc qclqr rtrllTllnlq re&r! e.selsh .I cJorp$q rno to {uTql er lrqf 'no,t reacF f,Ileer 1I 'r1r€ rno,( Jo lno fuIrcrt aT 'ltttTtutlo fulq1coor qII I..J nof ro:{tu lt ?eTdrJ -oqrnl E $IIT nof rlTq oql 'tt fleq lrrTJ !rmo. nof ueqr emboq rI arorprtq frlil er uotreJ eql lOSIttl o[1.fu1q1ou .rt er 'ot (ref6ct) ""1q1 rt/gt rrtgttBrrrT fAEnS ffi.! EOI (ESn OOr SOIEaIIEOIUll t gSOEl OC ilq perlroSelrc loE 'futqtrft! ""arlq$tt 'afuIr{l op o1 afuITc.J .erJ .ro Jo rptrt:I esostr,

cql ltqr roE t rttTlnl.f fuIw.E J.ql JI at olalo.d to alol lng .r.Lr ll .tlr afrrtr qt PE t o1 Pe.u r Eca. loq ar.t.ql l.tr 'rpror {q p.qlrcarp .q ol elq! .q ?oE l€IE 3lqtr, l.rorP.rrq $r| rynd pror .lll u..rl.q .neroo?Jrqr sql rrpqt .oE.r.tJI? ?Jor .qrcl eql ol rrrnlr ,lIelIsIJe? .I' .r tos,trftl 'ISEOCCEI'HI GSOI

I 1l

qgr ,mogrsnolufs rTrwE gtv o0r gxlr sgtnos 'aIoc?.tlld

rI lrru fuIrspsor lnoq! aT 1T illlrcl|lg '(rof6ct) ?ufq eroccltq r s1;I ?spuno3 er '?rocer aql Eo arl&tT lnd Eea. lrspTnoc er Irql urm or 1I epE I 1n8 3IA!C "'ol $t!

losatl aclt/tT iln ITt .1Ig .t ..Iq1 lnoqr qreu :tlgg ert er 'roEl nol '&I IIVC fFS rf,fSOdr

It'cTs.(a fITreJ

'ftor .Iql Eo fuorl .oor sPnlcq 01 ?elutr or 'lnoqr .&ro3.1rc eEo. olrl 1IJ 01 lErr.Lql e.rtc leql fuIql lrrTJ eq1 rI et.llr ro crq.t '1I o1 E.1aII er u.qr ITI 1l Itql lfi\f elu{r !rmo! lrsreoP 1T lnq 'ero./:lcor .lrqr IrTd /til{l rfn oqr fpqfq eaoql .ro; tu ftot 'op re^eE er 'of, lns'n|tl rTqI (ra161tt) rstls

gt!I&

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gElrxs srno nor 0c

'm lnoq! fuIqlf,.reAe .EIJSP '(t.lt$rt) rlq ?Inor fuo. rTql reot el Jtro eq 01 Fq 9uor rTql 'an o& 'fuoa 1n{1 tuti 01 ]tlf.r los Jo UtT:[ TIIIa .tr tq ?sf ' ftor ot .lttls .{:ca rto rNr tarTt rqstrq! olr lrtt d! laT eqt fuT?rocar eJer .r E[l :OSOtl r.r ellt .ql ,fq .tuor tutE$.I lltlr 'atf, &sT 800r gElr lulEr .I,lts r0 o&lslT a&rold illE&l

llro

'.TqT.|o&I ftTlcr./tqal'tuI. lroult .rll ?u| rr1l!|' l(|Id ol cIqT.ro&I 'uoqr l! lng 'fTeltrd.r l.rrd /cre^. ?roc.J ulo cr elnrceq Tr.P t Jo tlq ltql log trll 'rfuor A[?rooer erlrl Eeqr 'tp.I lnS,DtI nE[

EOIIS

lgcSlit-EIEH.l v sr I,I 0c V f,AlE &HrttE CtIlOl IE0IDEI OOt (rcr@trr) r @rorq.1, ltts$tl

.T. ?oltlrrrtc

eEIttE|l!

rrm fiI8 srno nor flc tog 'r.fuIr lrrlJ 'ro9trIl raq .rT!o r.lrtr laE or saqr au lnli! r pQc.n .r .at[aeq eTtqr roJ punofl fuIfr1d .rEltlcrf .l 01 aEtrl ?.rft!ol. trTpnlc! rno ?o'urq? lrlrf er srnl eror! .tr 1I lOSDtl

torlg,rtuftr ro orilmcrE l[,r wr 10sg '0s

cJoE cEol l.E .r ?Inoc (.ro1unoc llrr..q eql 1r itr9 r 01) 'ltrq qiltq artlrtlq tr.r ! tnq 'a4@nrp crtqdu 1rql dIIt lof, :IASC 'oP 01 pelEr .r 1ll{r rI ltltl .rrn9 I 'sPtrEI uorl reEoc t{cTqr fuIT..J 's.l.II t.JtJ 1!ql mld rqrur .lrT?Mt Ary?..(!. to nof E ql .s.d(bq qclqr ?Eno. 'rPeedar ltnltt ?EI{ lrrlL '?.odr ra.Tp.cals :os8!tr ur rPsnoa tttlqrtl.r easql lnoqltr 'rlElOJGf,lHr !0 (EUICa(I nOr CF

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lslero^l - lvyvs / lsPnJol - lA3 / lsseSl- 801,{/ 'l srr{I /v\ale isue JPqlerol e le 0002'glAey{€r?ldlool /$arru3lur

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E X C L A I M- I n t e r v i e w e db v A k i r a T a k e u c h i . T h i s i n t e r v i e w t o o k D l a c eM a v 1 5 . 2 0 0 0a t a l o c a I b a r a f t e r a f e w d r i n k s o l b e e r a n d ' q i n . M A T S U- [ G u i t a r l / M 0 B - [ B a s s ) I E V I - ' [ D r u m s l / S A K A I - l V o c a l s

BIG T I'd.

3I'l Sil IrIItsITG AT IIL?

ffitr

TNTERV

SIOPPEDBEIJASIIO

MSU: f,ell, re tot r Dor sb€rr, for ono, aail rdlve leen rorklng o! our lit LP, rhlch re nat to put out by tho 6nal of thlr su@er. lhrtrr b€s! nakflg tbf!€| go slorly...

it

ll

rBY 1r .|IAI,I rgouog? tu'I.Drrr tr l8 DIFTIOULT 1! IlIilPI! TO XIEP TgE ltrf,SIOT gIGfl taor srlas m trusE?? lgosE Eosm! lltt EAXDSOIC' IBIIO IXD ruIJD....

IATSU: leab, but re hrve put out onr lrt arlat znal IP aad lot! of coqr tracks !o f.r, so I raDteal to nake e recor<l reprorgDtbg our It Btgtrt rou8d like totrl rork q) uatll !or. lttr too early to alD lt, but I thou€bt rg shoulil do lt rhllc re feel m c.a Inrt all the effort togpther rlgbt !or.

DIVI: X'or a 7r record, you caD llrten to lt la<livtctually, but for .tr L!, r. c.r not oBIy have eecb sotg but olto re carl hrva to@ colcrlrt lalse bobbd lt.

IATSU: If ro csa Bkc poople t€o tbat coaccpt tbrng ru,o!r.t throt€h lt, it coulcl be a record that rould bopoful,ly bo dtfflcult for you to ovsn fllp lt ovsr to tho othar !lds.

Lqls 0F 88008DS fEESE DIIS .0crulttr tID ItP GE!'!IIG 3OBIIO OI SIDtr I.IID JUST SIT COLI.ECTIIG DUSTIF1EA OTDIISTII. shors, 8o rs haal to flld a n6r thts guy Sakal, 6r-0AC slrger, Ml T IADT YOU wlXI IATSU:

le

ttldart

BIU TO 3I

ttren iug€r. cane to Dlad.

IATSUI Itrr gorag to bs e o4)ori.DoD! .ail a cbelleng{ng albu8 to ur r! 16ll, but ro far ltrr boor grset. It hr| thi.r flor gotlg throu€h lt fro6 rosg to ao!g.

IX THE 3AXD? elre.

lcoor aDyo!€

(leugbter)

SOTHIS IIAUI IS COTIIG OI'T 1UIS SUUEE Horf,nEtr...

THE! tlltr Etst t'oB ltsE nESr 0r IIID rlIR???

IOE: Xhea re sar our rhors on vlalso. ho rar alreyr rtgbt 1ll froat of the 3ta€p trtch{ng ur.

It lookeal Llke he res alroady the rbgpr. (leu€htor) llATSUr So re only nsodeal to porsoD rar. (taughter) SO, II rIS S.AIOI?

flnal

out

rho

IAISUT f,s 16ro gobg to tour th€ U.S. rlth I{ELIJIAIIoI, but bscrlr|s of u's bohg 1.2y, ltrr po3slbly hrypenrng sarly lsrt ysar.... but re d,Bftaltely r.nt to tour tbo U.S.l!

that

IOUR DB&AII TO 18 IX THIS AIID

SII(II: lsah, Irvs ihts band so.....

faa of

bsen a loDg ttm

IAISU: lctually, rsco@6!d6al Iate alrea{t Sakal to us aad sald that ho roultl be the perfoct p€reoD to replace hlB. (to ths 9W...)

Coulal re hava @ro bsorg, plsago?

SII(AI: ...Last eft€r Xste loft.

Bu@or,

I thtlk.

A ltttle

IAISU: f,6 alrayr rho rstod to havo rb€or srng la JapeD,ese. You }oor tholo olal Jsp-coro ballal. froo ths 80tr, DIlfH, SISfEL{UC oUDOX, otc., rore slDglDg ltt tapssso.

It, roelly ftt tlth our erglc... !o offotrsa to Xato. (lau€htor) .IISO. I CIX HEAR IqTS O8 EXEBGI ITD EIqIIOX GOIIG IX IOUB SOIOS. EUT lX THE SIIE IIID I rElL ATL OT TfiE SOIGS 'IBE TRIrINA If A IOBS FLIIIED oUT, tr.anolulE IoRE Cttcu!{t@ sTrla,

souElio[....

IATSU: (Iau€htor) lo!98. . . .

Thatrs

ttuo.

llho!

ts

DEYI: In tho bogrnnr4g, to thtet svsry psrt ro raatsil to play lnto a !oDg...

ul<s

rlff

I tSU: Tben re s[t out aU tho uar.atoal btts, sttrpoal thoo up a 1lt,t,l,6 .nd tbror mre riffg ltl egab.

Dobg th8t beck anal forth, lt ruro (Ieughtor) t6ksr rooo tfE6.

IS IEAT f,RT YOU TU!

I

OUT YOUB IST lID

ZID EPS

&

ATYOTIILSE??

If you can lano ro@ SINAI: II@..... bardr, I ce Juit go, rYosh, tru€, ihatrs really unforgettablorr (Iau€htor) or caJl ro Just say sou bed| that navsr erlstsd 6nd uk6 p6opl€ 60 Dutl trylng to ftld then???? (l.aueht6r) IATSUT rEIIE RUSSIAX.

ott, r0B rErs Isstt8, comalllnoEs l8E tlsrlxc trIE SEST trVE rORC€Cttt rtt UrtoBolltlllJ EtxDS. n$r Doxr! YoLrc,{JIs Do I!, rco??

NHAIIS THAII? IIVf, TEVERI{&IRD OF TI1ATIITD AETORD....

llAlSU: f,ell....

LAISU: Io, I Just oralereale alrhk... (fru€htsr)

DnVI:

rHN.X DID IOU JOIU?

IAISU: Sf,lXffs, too. .AreBtt thoy roll, loor!??? llor about H&AAI AI110f.

0h and.

RI{IIo 19 for suro.

IiAXIDloufi{ for o!e.

t€ah, thstrr

alsfllltoly

o!. of th@.

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]rr}:. , t:' ::4 pue ured0inlssorca :lvf Durlt?d{ceq tuail pusuetu8 0upuesetr 96, | lFltl J,leqll,uorg lrcllllod u3qll3u03r.drou aa {eql rlir l0 l0l r !! 0s'st^l.sueql I0l Iq guopar,nol0u!qlsu08 $ $qa 193!0rlc lrql sl .d0rnl u pgs?clei r0l uraict !c qsnu0r rpugorle3llllod a q3sud^lls.i lurql 0l aldoad J[oI l0 lsou lrql su3e8ll llsm au nalq ll ulelsqyoullreqlsqu.uet 0l u..s |,uopl.ql loq l8c|!l0d{.dlqper.pr3uoc sq plnocscll{ ir0l l.u$ lr4l eql 8! 0c n.u .||l lno InF l0 uol 3 $?q nol {!00q1ur^l (alrnb aiqgpr0^eun llaqlaueJs rculnq)lsoulgs lt auilqllr il0l0iltflssauaisw 'u101 q uaassuejinopug1rqlmaq u?ceil p3pr0c3r urpu?3il1qloq'a0J09 pug oqllllH ,olseldoed ssouqselnq'auacs cq oqlu ustJsel sgupapuu-pas0lc '3rsnuinoioj 0p$a[qdsseq s?J?Ino leqlqonoue Fou q pealllr ll il?ussrailajoilpeql l0 lq ? lllFq ararll tl0ururuua^aI seop {lmsnI lnqssauuars aql0uqfluru^|duNsrssq aqtI llplcadsa'a3uajagrp afuelI olru l,usaop I lqd usau'llesacaul,usa0p a6sa^s u?l0lgqlual iefuqI q pes0dre lgql u?ilreuv pustal0jFaobrda{l af^osnul0 a[N aqlr0l 'otl lsnlau?u0l $rVasuspjocs]0 srugjaJocpreq aoeJilg u3lgqlsgap untlcads Jsoqs aql alul? \al ;/|vf l0 {u0 I ar '0sr0 Jeatr s roJarard0N s 6uraq raUV0r I ounpalat spuErql0 pacrlou 's66 '0010r0ril 'sar0csrd 'Jarsga 'Ir3'.!s.n ql ur{l 0uFu00i0 {qrpaDupaulduB lp - ouunol 0ur0p ,uq !!uew ,qclu -alsssrl sl u0rl4i0dsl?il ssalqcnur 0s-sluaunfus ssallueu 0s-acardotl ? s?sl !u!lu!ql .ul erours! url l8nrctu0cprsq/pu!! e!u.^. .ql lulql nol 0p 0S qcnuffoqn0.(llalau tal acualslra 8It rarseo Jgatr aillm0urrsl {q asuod$J Naq 'atq$$d$ ourqfus - e 0ttxorll 3qlqlrr urs&or rs r0l aqtparnol ar pueacald 0f,'|e s?paptmal ltq u!{ 66, n s ]lar 0cl01 ue^eeq'{a!r0'esn?d au0au0s ail0IIMI eqrkll louOteer 6utqlauJ0s tol slql(qpelrd$r ser I 'tpautupv luar unql03qtl?l 0S usflsnqluo Uq l0cudaDls '3rard '0S ual0 ualslsl!0]sa[ I purul,uopI pu?qFis a{l | 'saplsaS oal I s?anurlu0c 0l gapreqlpBqlal(?ld Jelrn0 aql'u9tu9 lgqlolullouelear ees q sell[ 0u0saqlle l00l pueJar0I u0 0t peeutrlu0laql asql sau0fl0l{ :Avl tua^aJursjd 0l alqp0qID plnoapu0[me 6umu ssr pueqrnu 0spu[q4l 0lurl,usr aqprnratrqd ss?qaql'86,urJnqI Jaueuaql u3u0elrn!erod0Al3 apurq!0J-u0! I rol nol qqslu ol 0u!0!us qdoedlsql pcpronnol ur s?ourcrlgerd'alqqrersun s?ilra&ldssgqaqluerlrmardorue se{rld 0l panuuu0c 0llll lsrll qlla 0c r pu. llqs e 8!Fql ur r.^03qta Fq oql,,u!q!r a[ 0s ]a'(qdss?qI ou|ssuaranar pacl0ussFlpoqoulal arsagauscaq 'urq uollcunlq p.uuulod ua sldogdpu! pga8aJdgl slB$$lu!ql sal u.qa pugq q000rll 311 AU0 Aql eql ur sfl eq ua^a s66lusnbasqns ml l8 noqlr ",ueFls q.!co. p 0l .cuuslu 3 s ,,$rqu0zl0 llrJ plloi ,, 0Cflournol p sn[ gql I pug00 le|Jinoparkld efflgrllJruurs,ll 'sassalai fl01lsJllrnoJolsnqlfi pa,kt! q patueff oqaratrqd ssErorllou? pueouape proca, eM'96,prupoqs'eurl t00 aqllv ataldofl aql0l lcgqluan'squouffal s lq talqdsssq? pgq'96,utpsq &fl leqlInopau?ls a/U eJuaNrre rnol0 lsour0l aJerd 0o e uaeq a^grleffl :,kl ippar pq6|lpaiarear 'ur?6? pueVoSqlm000lrsl iq u0Nr36p arotllJnqsn lseqeqlwr lr puaerllur0s dleqq pauetsnld'll asealar 0l Flueil pu,lr olurrkr sff vOSte 0109dunqp srllu0 Indpu plnoilpueusals001ssr pesrbql'uaqlq 0ulpocal aqlluas I er ueqih peFaatur ser 0u0pus(pPs[eql0s)lsnq001erernq l|nls {snouas jn()N00q0l p0lu9[ puguoddos aqtpe{l qaqqllell sn aqluraieqeJns0dre ,lasodjnd paul| 'unqpeqlpep0rilil uaqlu als€l att qaqquecuaujv lers^as ur $lurlJnO l0 slnsereigaigqlllugnd0dlnopueadoJnl ,suslSNnuugadornl as()ddns at0uIq s s,t!lsqloulo?rlr uscn()tr 0s'(ia)pl3 l{)us,llll pl0aq | )elnd0d puelanroleltuld,$ql 'aaqsrI seDurql a^gqD sqnlrurs3lc0qlebv s &uaJl s3l()usrcrmuSuauaed0[] ul l8qlau q suaesll adunlurseilesu0dsal l0 {lu0l8usrlllai "srl aqtut4ls0uInq'pfoil0tll,a^0llefeu trqs0uep00[pusspeaq puu0 oqileld0ad lnopuasplpI spj0cu0pq snpera|l0 00trln0q3 1003 le lno340q m ql|t s0u0pl0 sl()ltqonorq l0 lq ? lau 0M""q tuer er slp^usel

utue

-.|J$ euos lo lcruu!0 I sE penelrr0 oulllullcq plnocll elll su.ss ll d,u8eq s{rale s^rq n0[ lr{r teql8l -pueq.ceF 0Al I lureqlnoqe0urlsaIq U?lsr[00 | 0S '9t{[s]u]lilt

lt dil)t ItvlsSv r)il1

s0r{v8IY lt 0uvlH llvHI r)rnErJI srt|l[]$r0s IrHlctsnut l0 oilr srRr u()rlt(|tssvd I Hcns tlvr{| 0t0l[0 srHlsvl11l]rdlro3 0[vluctn||sy]gycl$l slruyu(lr{y ln ssvug 0t Nstul{uolilt3 v llHl tlllo 00rroil st ll tflHl /$ill8]ll{t0l olltvtu I ltHlttuxlI ilHilt'flrvts8Y llouJ0citi]t 3Nt J0llnl 0ll0it,,l0 sxcrur[!200YllvHHgn0BHl lt ]oft{ []At lt0YHI ",sil8l{02

ur (slPlo^/surnr0) Aer- Nlvlsg

M]IAU]INI

TNTERVT

A B S T A I N- J a y ( D r u m s / V o c a l s i)n t e r v i e w e db y

ffi* tBdilion... ney arcsimply embracing thedarftside0f theChristian is a Christian idea... tunny,beliedng in Salanandhisp0viers

.+

Ih! rlnh d.nodq d0nnh.|i lhrl h pnw.nuriq.

Inoyrdndcfud ri$ hb ooi|t rnd lrimbm rd eod bro b .[ mttl|olqt at'bd tt Ch]i'tirrt b c.ntll Cidrlirnr so tir lront i! to "rorship" tirt i! to l.nd cndllility lo Chri{ilinitt. Todmgc $! lulFcl iltt t bil-. d0 tou thhk il fard. b limitnCh fitrft? bim I !|d$h il l0rmeat leasl,andI can'limagine JAY:ilo,it is t0ta[ natural, I w0uldsat "agenda"is hsrdt0 delimtor ary olh€rw4. Although pers0nal kind some 0f anyonr outside 0f theband.lt's delinilely maybe "nn" isa bulbey0nd thalit'shardl0 describe... salislaction w0r0.

0000

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(l,auChs) &n, huh? lou mighth.y! t0 rhb06l! 0n thtt onalor m!!

JAY:Zen,l0 me,is theideallut peotlecangelanintuitiwleeling is "rbN". I gd lhat thatall is asit should be,lhateverylhing fiaing leelingtr0mbeinqintheband, included. anyandallagendas p€ophl0 lislrflc0mes naturally somthinq t0 sayandencouraging il. andwithout effort..I don'terenthir*ab0ut

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In tir lonc "Prrudorcirno"tou dacrt .ninrl brling. ln y o ! 0 p p 0 t r dt 0 a l l y i r i s r c t i 0 n0 r i u ! t m ! r n i I c l r r t ndudrnct in bsting? ln tou vlgltrdtn?

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would savemylile0rthelile JAY;ll yout0ldmethatkilling a rabbit (0rany0l mycbsekiends0r rehtives) I ol myson0r daughter wouldnolhesitate to takeitslile,nord0| thinkanyclearlhinking justity person would.Bul it is hardil nolimp0ssible t0 99ct0l in lhisway. Ljlesaving?| don'llhinls0. Slalus animal lesting

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qu0?Deti0itely. ls lheryslem lesling asa means 0l using animal hcallhcarecosls, 0elinitely. keeping salarier andpmliheleyaled? induslry makinq Clearly.The h lhemedical a m0ney business? liesin lhewavsienceinteracls withbusiness andletme soluti0n you who speak outdon't tell busi0ess always wins.Itn scienlists receive l0r theirresarchandarec0nsequenlly m0ney silenced. it willconlinue.

Unlilit becomes unprofilable t0 d0af,imal lesling, norarewe straightll0,neither memb€r is veoelarian, 0f Abstain torllul maner. edq€ llou dolr th! mahrial0n this nrw CDcomlarrt0 tom! 0l torr rrrlifi 7"rr!? in nalure and JAY|ll's tBrdl0 beunbiNd.butllhinkrl is similar a0da hasbener0fducti0n.I thinkall0l terturc. a lnle bil faster angryard fasl,last lasl. ll youlke lhe oufslutlis veryaogcssrve, youw0uld lke theearlier C0,lhereisa highlrohability stufl. lbstrin s!rm! i0 l0[r e l0l. Dols thel mrk! il h!]d t0 lilc? havra "normal" 0ntheroad.tor us,thatis morethan509t0l JAY:Weloveg0ing wearein a band.Yes, thereas0n il doesmakeit difiicult.Bryan's job old wasveryunderstanding. ll youarea kickas woiler,you gain can a lot0l respecl andlatitude lr0man employer.

I ama gfaduate student anda tearher s0 | qet0pporluflilies durinq winler summer, andUniw6itti0lidayvbreaks whichisawesome. ll tou r.n ebh to do b. bandlull timr .nd n*r N "jut tcnpinC!t" livinelmm it u0uldt0! b! intlnlt d?

JAY: Yes,butI w0uldstillstudybecause I loret0 learnandI w0uldslill leachl0r treebecause I lovelhal.t00 (whichis not muchlesslhanwlBlI getmw). (trughr) l'm .n rduc.lor,loo, t0 | lnm rhrt tou m!.nl lnothcrdrt, .nothrr 35 crnlt... D0tou l.rci pittlcr? llor d0 t0!r lludsnts rlsgondl0 htying a crindcor! musicirn rs. larch!r?

huh?Awes0me!

Yes,I leachphysics. ll0st0f mysludents JAY:You100, l0 lindne appr0acluble.

I hareh€n Mlled"du&"and"man"a bt by seem mystudenls, I don'tmindil a bit, I suppselheythinkI ambidba*, less lanI lhinkit lvhentheycanse I ama bigmusic stillthanltpirpr0lessors. mkesa c0nnecti0n wilhlhekiddios. llowrcc'tionalizrd rh pu lindthr lrin&oc lcrm l0 br? 0o tou !.r crindlaN rr0oliry thlnlrhEr l0 ottrr lind! 0l muric? people lromLou ol music...

JAY:InEuropq seeml0 listenh 8 tvih spectrum Reed IntheU.S.I sseit asprettydamnlmtioned.funks t0 Cannibal Corpse. canbeEry dcad otl l0 mlal andmehlhad c8nb€chrodotl t0 purt h bytrerd in thet.S.b guided alwrysseems l0 meat leastllBt thsscene whereain [ur0pe(ardtheBl 0l ltp wodd)pe0gle arcbyalto $eit genrDs anarthlona 3rd andlheart'st&ll is quite0ltenthatAmtuanl m sbandon ardthena [umpean hbelpi*s themu0andlheyg0oyerlhen 0r1lhalbum bulne ft. ()ur l0 tourwilhhugesucces.Theysaywe lBw noculture, Ri0htnowpunkis coolaod is thelrendandttp trendis ourculture. culture metal isnotbutI amsureinfumpetlut mlal isasbigase1cl I l0r! thatJtillmlnl! "0ur cultunb lhr tnnd rnd th! tnnd ir 0u. culho." lt th.t youB?CanI slltl it? yeah, it asmineuntilI lhd it s0merrh€re ebe. stealit I willclaim Jay;Thank\ Whet,boutth! llip ridr? 00 tor tr. lcopl. wto m [0] c.llt ldnd hB at llrtrin rhow!? wewillph withh.c.bar$ fi pu* bsndsard JAY: llell n0,buts0mtimes people willbewayinlous Thi!is surprisin$ bulnice.lt 1lAl8fgen€dmarry times,orEeat a lum0il sho'rthocrosdwentilMne,bulwlPnwebtt thq wiowervec. slilldiln'lknow (l.rugiing)lhnb fu th! inllnbr, Dob$or.-

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G I M M EF I V E- C o m o i t e db v J e b E r a n i n . " W h a ta r e t h e 5 m o s t f o r o o t t d n h a r d t o r e b a n d s ? -

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A O F T H E " S H O R TF, A S ] + LOUD!"STAFFT O AN SW ER E A C HI S S U EG I M M EF I V EW I L L A S K M E M B E R S TITLE).THEOUESTION THISTI M EAR OU NIS, THETERRIBLY CLEVER D O U E S T I OW NI T HA L I S TO FFIVE(HENCE

..WHAT HARDCORE BANDS?" ARETHEFIVEMOSTFORGOTTEN .RATIUS - One of the fiercestFinnish thrash bandse$"'r In tte '80's,alter yearc0f lncrediblerecords beingrelemedoverseas, they finally r€leasedan album in the U.S.0n the Batcagelabel. I sawstacksof thosein dollar bins for the next 5 - 6 yeam. Pathetic. As the years80 by,they seemt0 be more& more forgottenor iSnored.I'm not a total retro thrashjunkie,but t still listen t0 theseSulsa lot evennow.

- Great,hook-filledChicagohardcore. Solid and in-your-face.Theycaptured .LIFD SENTENCE that urgencythat a lot 0f bandscompletelymissed. Theywere pretty popularin certain circles backthen,but I haven'theardtheir namementionedan)ryherein at leastl0 years.I evenlikedthe secondalbumthat wasrecordedafter they got in a liSht and split off into two separatebands,each (exactlylike D0GCYSTYLEexceptin this caseb0th bands callingthemselvesLIn0 SENTENCE relere albums). calledLIFE SENTDN00 didn't simultaneously .WRDTCHEDTonsof incrediblethrashcameout 0f ltaly in the early'80's,but th€ wretchedwere alwaystopsin my book. Theywere a hugeinfluencet0 me earlyon. Sttangelyenough,I neverhear a n y o n ee l s e s i t e t h e m a s a n i n f l u e n c e . I l i k e d t h e m w a y b e t t e r t h a n t h e i r m o r e p o p u l a r but th€ c0unterparts like INDIGESTI.I hearthe stuff now& it's prettysloppyby today'sstandards, raw energr and savagedelivery are still there remindinSme why they were a favorite.

Aslor erteryoneelse'slists, it u,as like a u,alk doun mry law uhne I lound myself cowtantlv saying "0h.!!ealt, thosequus!" And thm that pruwted mernories oI nm we (and, in gamal, oaerly obscure) handsJron the d?epcil recessesof my brain... MDCHTMENSCH,InAfI, EUS ABSE,INIERN0, EAT THE RICH, KILLJq\ all o! the early releaseson Pmpaganla Record,s.... sowone slnp mz bel\re nlt h.mdimplodesJrun fLalinq an endlessgame ol "stump tke scetesters"...

GRAHAM SLEIGHTHOLME. - Alwayslingeredin the shadowof CONFLICIunfortunately. rEXIT STANCE .G0! - Neverheardof now,whyweren'tthey huge?

- Greatband,split LP w/JltiAD still fucksme up. Whathappened, .OTTAWA anyoneknOw? .KITCHDNER-UKthrashen.

Drummerwsawesome,iustskSned. lsingle,comptracks,thenzip. .EilIBITTERED' tJKgrind merchants... a split 12"w DYS1OPIA even! Remember nOw?Didn't think sol MATT AVERAGE, .THE0FFENI)ERS .N.0.T.A. .C0l)E0F H0N0R .VERBALASSAULT .ARTISTIC DECLINE

a total classic!!!fttally grsat lyrics, too. HeyJos,where'smy copy of the demo? .DIS0RDERLYC0NDUCT- The Floridaband,not any of the hundr€dsof othen that odsted with the samename,theywere a weird meld of hardcoreand rock $'ith the guy ftom I' on Suitar,squirly weird vocals...they put out the "Amen"LP then leter, I guess,movedt0 L.A and playedshowsunder that name...theydid a demothat poundedthe MOITORHEAD inlluenceand rock and heavinesewn furthet but, man,0n that LR whenthat guitarwall kicksin 0n the llrst song,"CrawlDownlnside0fMe"...whoa!! .SWANKrS NOtforg0ttenby any meansin Japanwhere eachyear a new band cranksout a r"riant 0f pop meetsDTSORDER the SWANKYS thrmh noise. If their ryery Best 0f Hero.."LP w8n't so hard io find, maybethey'd rightfully be placed up where they belongwith KURo, GISM,CoNFUSE,COMES and the other Japanesehardcoregreatsam0ngoverseaslisteners. I sear the Suitar 0n that record soundslike an amplified cheesegrater playinSBeatlesriffs, and the changeoversbetweenthat style of absolutelysickly,sweet,dorky pop and b0mbasticCHAOSU.K. "Short Sherp Shock"style distorted t h r a s h a r e a w e s o mTeh.e r e s t 0 f t h e i r o u t p u t i s s o l i d ' T T s t y l e p u n k e d g e d w i t h a f u n d o r k i n e s s . h res?oh\eto othtr lists: Jeb,ooodmt with MAIMED FORUFE - Pl6 thq wenlml SaULake City!!

MM, S'NS OFISHMAEL!! YeaLgood, b the noint, tnlri,ls thr6h Their secondEP uith tht tetrille Ba!/ Citlf BoUtrs cner saccumbedb the lale 1980'splarye o! nure frill and c(nwdy; and ult, rnfued 'lhe! resuLLs. ako released.an ultra-elreiue I0' in Europe. nu cool lhing abma DEADLESSMUSSis lhe dilJtrmce beluem the "l WiU" 7" uhich is graunchv, typical Japcme ,hr6h and the second EP oJ Amtrican stltle, skate thresh i^slike 360 d,errees,but bolh are really awes(nu. IULr 0F8.. thdr later incamalion as thc Mre metal, BLACK FLAG-y IINWIRE han iB Mntnt1 too (utL.. ,nt 'Looking Dom"...) Nou thre's soruthing gm seein ,he used biw. Je!:, DIE KEAEZEN, tha playing m l.lwt Iirst LP i"sso out oJhand, the b6s smnd /playing is unbeliruable. I rec€n l!! rs-bryht the secmi. LP just to seehot it stood the test ol tim 10-14Vearslatn anl tht wcals STIU ncked. Mau... AEUSTIC DECLINE, this band mles!!! 1he LP thev releasedhts so many clKsir sows on il, lutl oJ uit and irut4ht Likethe bestoJthe earfurtBim oJpunk rcck and hardcme (a la BUCK FLAG, CIRCLEJEH{S, DEADKENNEDVS)and completellt treatiue sowtriting aith lnts o! changesin structure, sutnd, and, deliaery TOTALFEEEDOMFn0M FREED0M! ALL 0F YOA& PB0BLEMS SOIMEDIN ONE SHOT! ITUNDREDMILLIqN G00D EXCASES(just like Uou t0 ne lhov're useless!!!)!!! Cl6sic, cmltleteltl undenated stuff. Ken, SWANKYS!Chis, &ATTUS...the 'WC." 12' is one of my bp fixe Iavorite hardcore renrds nfr; it's aU high otd, and relies on speed,nelodll atd kiuer songs tr get its I,oint across,like th.eDAMNEDptaued,at 400 BPM. thbelinahle. Em mme nobodlt mailioned, D0GGY ROCIA???Ha ha-ha....

BECK. ERICA

- Somepeoplemight say they ain't hardcorebut I still love their hyper,cr0ssover .WEHRMACHT KEN SANDERSON, soundand silliness.Their first albumgot only I point out of 100in Japan'smostwell-knownmetal .CAPITOLPUNISHMENT . Ascribingt0 the schoolwhereeachrecordgetslousierthan the lst througha magand s0 peoplerushedt0 g€t a copy. Another thing I miss is tap€ traders. I wil too lazy to 8et succession of singerVstylistic changevetc.t0 the point whereit's m far fmm the originalpoint that a new i n t o t h e t a p € t r a d i n gs c e n eb u t w i t h o u t d i e - h a r dt a p e t r a d e r s a r o u n dt h a t t i m e , s t u f f l i k e nalne0r ideaprobablyms in orderand nobodyredly cred (*e MDC,7 SEC0NDS, etc.,)...but at their REPULSI0N, SPAZZTIC BLURR,etc.,wouldn'tbe on vinyl,I think. high points "WhenPutschComesto Shove"12"and "IV0 PartySystem"7" - they were the best . M A D C O N r L U X - O r i g i n o f t h e b a n d a n a t h r aTs h e ! !f i l s t t r u e b a n d a n a b a n d i n J a p aTnh. e y w e r e jackhammeringthr6hbandewtand0riginalrccalistRalphy'sraunchyvmalsharener€rbeenbeat.'Iblal armedwith bandanas,flannel, and hyperthrash. Kazuma,the sinSer,still lives in my heart. porverhouse drunmingwith the oddmL\of humorandtenor llrically. Pokemewith a f0rk,I'm done! .VORXRIDGSPHASD, MALINHEADS' Early Germanbandsare underrated! . t J G L YA M E R I C A N S- " T h e D r e a mT u r n s S o u r " i s m y f a v O r i t eg e n e r i ct h r a s h r e c o r d ,S r e a t .RAPI - A few p€oplelike 0livier / SludSeRec'srememberthe greatnessof this crazy French band metallabel,DeathRecordsrelease"Who's Droducti0nand funny lyrics...their BLACKFLAG-esque, a n d a n n o u n c e d r e i s s u i n g t h e i r sAt unfdf .t h e n f a n a t i c s l i k e m e a r e r i p p e d o l f b y S l u dtgi reg!h !

- Nobodygivesa fuck aboutthemin Japan.

BeenSleepingIn My Bed" has one 0r two m0ments,but wN attemptinSthat later metallicFLAG .CRl?TlC SLAUGHTER soundthat even FLAGcouldn'ttotally pull off on vinyl. SimonBObSlnisterwent on to sing for CORRoSI0N 0F CONFORMITY... and,well, that didn't reallyw0rk either.."'Ibchnocracy"!!!

Second KEN POLLUTION. .TH' INBRED' Awesome runnur-upfrom the North Carolinahardcorecamp is STILL BORNCHRISTIANS who were on the bandwith someof the bestl!'ricsever FromWestVirginial .DAMNABLEEXCITEZ0MBIES-'Ibtally overlooked.Greatoverloaded guitr and Mrky's imane voice.

"WhyAre Wellere" compwith a couple0f greatsongs.Som€body sendme their demOl .NEtIROOT- This I)utch banrlreleaseda 7" and an LB and there'salsothe limitedsplit test-press .FLAG 0F DEMoCRACY - "ShatterYourDay"& "23" LPs ile clsica - great combinationof insaneHC with FRATRICID0 from Pusrn0rtthat wes nev€rreleased(it wm the 7" with two extratracksfrom with a little melodythrownin. .MAD CONFLUX- Overuhelmingguitar and bad-assvocals.Derutating HC thrash. Someof the best the sanlcsessi0n).The LP sucks,a bad delvinginto p0gI-METALLICA metalcore,but the 7" is a -. rampaginS porverhouse... total barnst0rnling nlel0dic,crunchinShardcOre with fury and ener$r... songsevermitten. oRAISECAINandCRUCKtie. GrcatenthemicJaDanese HC. "Sm$h Yournriends"!

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dry_ Still it is the mostimportantpart of mylife I suppose, but there are morethings I am interestedin and doingaswell. Oneof the thingsthat happenwhen yougrowolderI suppose...(laughter)

actuallygoingto playa song...

Wealreadyplayedthree, wesaid.Heshutthe PAdownandleft...

wayI cane4joya bandlike that. Consumerism seems to beplayinga veryimportantrolein punknowadays (andoftenI amguiltyasmuchasanyoneelse),but a G I l t EY | l U RO P I I I I ( l IO{ I I T H EC U R R E NSTT A T O EF lot of timesit seemsto bethe onlythingthat matters l|ARllCORE / GRIIIOC(lRE / WHATEVERC(lRE... to a lot of people.Beingaroundfor quitea whileyou ASBAil0SSEEilT0 EilC0Ut{TER L0TS0F WE|R0/ cansaythat this is something that hasbeenaround parts of WHEIIBEIIIOOIITHEROAll, I really must admit that there are some FUIIIIY / SCARY THII{GS probably for a very long time and will be. Onething that I can'trelateto anymore:militant F U I I N Y Punk/Hardcore I I H A TS I I t t S T I C KTS( l Y O UA ST H EM O S T that still amazes me aboutpunkis that it is ableto name few. straight edge, drunkenness, chaos-punks to a THIIIO YOUCAIIREMEMBER? maintaina positionof creatingan alternativewith a In myeyestherearestill a lot of bandsaroundwith good lot of peoplebeingactivein variousthings,be it intentions Thatwouldbe eithera concertwe playedwith a andsomething to say.In thiswayI meant0 say playing in a band,makinga zine,settingup concerts Belgiancrossover bandcalledCYCLONE wherethere that it is not alwaysbecause of the musicI like a band. where wereabout2000peoplethere. Mennosanga bit of the Forinstance, musicwise I don'treallye4joySUBMISSION etc. etc. I think it is oneof the movements peopleactuallydoa lot themselves.

7 SEC0NDS LP ("this is fuckingmagicman,and we HOLD,but I likewhattheydo.0n the otherhand,I don't like all SPAZZ but havea lot of are all a part of this together,woohoohoo etc.") and stuff (sorryRudolf...)

W(IUI-DY(lUFOLIOWUPBAIIDSLIKETHEPISTOTS respectfor their attitudeandthe thingstheydo. I just the crowdrespondedto that as if we were actually (lFT(lllAY AIIDY(IUTH At{Dltl) A LARMREUIII()I{? playingthat song. Whenone of the otherbands meanto saythat I amnotalwaysjust blownawaybysheer played,two peopleweremakinglovebelowthe stage. of bandsanymore.For instance,I If wewouldeverdoa reunion,wewouldjust do it for speedandbrutalness hada listento the INSURANCE RISKrecordandthe the fun but it seemsunlikelvbecause Anotherthing that wasfunnywaswhenwe touredthe Mennois musicwasverygood,but their lyticssuckbig time. No untraceable.

UK toSetherwith HERESY and HEIBELand the peoplefrom HEIBELwere beingvery noisyand mdssing up someguysparent'splace.Weweregetting "li-{fl i':j.:l"ll"illri tIi]FLl ); :- l , ' . r l i i l , . i ' , : r l . , i$ i i . i l I : , i , , , 1 : i ;i { i " ; ' 1 : r : , i , . , . annoyedby that so I said,"Hey,we'reguestsover t * $ l t L L ! i l l t Y h t r i { . : l,"4i : i i , . r : .1;11.:,,r. t i , * I il i.I", = i:. ii;;!i:.li il; I lf'f l.]il|..ri i... :i' h e r e . .b. e h a v e ! " T . h e ya l l w e r eq u i e ti n a s p l i t l j l - J t l " t , f i l {l f d i L l . J i fl ' J l l h | r i .lr: , il j : i r , ' : ! E F l# , i r r i r \ ' . \ r J ' / l ! l"*Y l l . r t f i : : i , i i.l second...

Alsothe soundcheck of our first concertever ljPll;l*f,]. Allil i* ,\n"{.!{i. i :-,'': wasfunny,the PAguykept askingus whenwe were

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TFC RECOKDS ManchurianCandidatesf,BetweenRealityand Shadow"LP, Brrnd new lE songreleaseof brutal musical.bludgeoningstraight out of Ausiin,T)CDon't be shy.--97.00

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ManchurianCandidates"DoubleCrossed'7" 7 songsfocusingon full on tight and raginghardcore.-91.00

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The MonstersIn My Headcomp.7" FeaturingSocietyof Friends,Benumb,AgoraphobicNosebleed, Pisspoor,Deadbodieseverywhere, Supprssion,Line of Fire, Misanthropists'MurderSuicide,andBeasL-s3.00

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U.S. and Canada orders postpaid. World add $3.00.

Distributors please contact us for wholesale prices.

Sind well concealed cash or money order to Roger Guerrero. www.tfc-records.com

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P,O. BOX 150877 AUSTIN, TX 78715-0877

PESSI}IISER RECORDS

GRIEF "And lvtan WillBecome Theflunted" "SettingunRuH FireIo Sinking Ships" cD$10 c0 $10tP $8

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"Ilestroying TheMasses" GD$g10.' $7

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A D E A T HB E T W E E NS E A S O N S Weighing Contradiction Through Gnvity7'

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CDs, vinyt yousend even cassettes!

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ABSTAIN - Wortd Futt 0f Zombies CD lflou int€ndto listento this CDyouhadlntter put 0n you *atbelts bo]s end girls because ABSIAIN are g0ingto take you for one hell of a fast ride, T h e yb l a s t0 u t a b l a z i n gb r a n do f g r i n d c o r e m a y h e mt h a t h a s b e e n f i l t e r e d t h r o u g h a thmsvcrustsound.The bandhailsfmm California but muchof their vibe $unds like it was heavily inlluencedbythe Dumpeanscene.Giventhat frct, it is not surprisingthat the ltalian labelS.0.A. relesed this disc. ABSTAINare violcnt enouch and furious enoughthat they are a perfect complimentt0 an S.OA.rost€rthat includs bands l i k e C 0 M R A D E S .R O T T E N S 0 t l N D a n d MOIORSAOENSERVICB. This is oneofthom CDs that is s0 relentlessin its delilrry that it is almost phlsicallyexhausiing to listento...youalnrosthave t0 takea showefaftergrvingit a spin.(JB) CIARocfldrfE 0ddisida6ubho6?/69.

S1{8 Romalbly

Aussi€thrashers RALlOtn shrc.dit up with sme blisteringhardcorc.Someof it is alongthe linesof f e l l o wO z s p e e dj u n k i e sH E I S Ta n d N A I L E D DO\M!. But it's not all 100li fast. FAILOIr mhes in somepunky breakdownsand a mixture of temposthat addenoughchanges t0 ke€ptheir side listenableild movingalongbriskly. Sonrcslower s t u f f r e m i n d sm e o f P r a n k R c c o r d sb a n d s . hailsfrom Swedcnand soundslike I ACURSED t h o u g h t t h e y w o u l d s o u n d .w h i c h i s n ' t a mind you. Punkan(l thrashthat disappointment, completely reeksof crrstiness.MostlyliO'sScandithrashstylethat'sthicklyrecorrledand casyto pumpy0urfist in the air to. A modernversi0nof the nois that Finlm(l'sftopagandalabel md to relem. \bu'll be doingone-m-ilroshJril lapsin you bednronr oncethis hil3the turntal)le.(CD) Pubidtiffi Cmspincy.Swedrn

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ALL ILL - Symbols of Invocation7" Haveyoil overseenthe nrovie"Cl6s of 1084"?lf s0, then you haveprobablywondcredwhat it feelslikc to be cut t0 pieceson a table saw. Well, w0ndern0 bnger Just put 0n this 7" and you will be instantlyrippedand t0rn into littlc nreaty chunks. ALL ILL havefounda wayto nrergetwo 0 f t h e m o s t i n t e n s es o u n d si n t h e h a r d c o r r underground...breakneckpowerviolenft:thrash andnewbreedhealT-core.

Bestof all, theydo it in sucha waytlrat they rilanageto fr)rgetheir

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REVIEWS

own uniquesoundand avoidthc clichesof both genres. They plow through l0 tracks 0n this suckerand eachone is mofeviciousthan the one beforeit. Their lyrics are a bitter exposd0n modern life and yet still manaSeto be qualitt' poetryat the sametime. The pmductionis dead 0n and the packagingis superb. Any way you want t0 lookat it, this is a masterpiece.

(JB) Sound PolMon.P0.Box17742.

Covington.

KY11017 AMEBIX - Arise +2 CD A reisue of their sminal fimt LP alongwith some preriouslyunrelemeddemotracks. [fyou [en't familir with theseUK blokes,they'reon€ of the earlv bandswho crossedovcr & madecertain fornts of metal acceptablein punk rock circles.

Whetherthey realize it or not, practicallyevery long-haire.d crustybanddonningbullet belts and blackT.shirtswm influencedbt theseguysin som€form or ilother. lf lou listento erery bmd from NEIIROSIS to DYST0PIAto MISERYand then list€n t0 AMEBIXyou'll know how far their roots date back. Pers0nally,then and now, I\e never been much of an AMEBIXfan. The song " S l a v e "i s n y f a v o r i t e ,a n d t h e d i s c h a s i t s momentsoverall,but I realb don't care muchfor the proSmomentswhere thet etually try to sing (1ikrs!)...nravbeif I was into J.R.R.TolkienI'd a p l r e ( i a t 0i t m o r e . .I. d u n n o . l n g e n e r a ll,h e tunes rrlv on a ton of tribal styledrummingand gallol)ingon the E string. It wesindeed"heaw" by early 80sstandards.but for whateverreasonI'vc newr listenedt0 their stulTmorethan onceevery d€cade,y) I guessthis lrtr 2000re-releasecanre Outjust in tinxr for trrylatestperusl. I think yilt know t)y now if it's up your alleyor not. Nicr: packagingin a digipakthat includesa booklel with liner notesby Pusheadannngothers.(C[)) Atsmativelorrtadss P.0.BortI9092.SanFmcisc!. CA9(Ut-9092 ANTISCHISM- Stitt Life CD Don't needt0 sy much hcre cuzyou knowthe drill alrrarly This was originallyrelemedbar:k aroundl09l 0n Allied Recordings and hasjust l)eenlr)issue{lby Prank. Olassiccrustypolitical t h r a s hh e r e . I n a d d i l , i o n to th€ir hook-filled anthems,the tradeofl male& femalemcalswcre alwals one of my favoritequalitiesaboutthis band. The tunes ile grcat but lV€ almys foun{l the srnrples& between-song interludesto be a bit tediousand difficult to weatheron r€pe^ted lislens, But if you'reunawile of ANTISCIIISM or mised 'cm the fiNt time around.this albunlis a "ntrNthave".This is a greatthing to haveamilablc againbut I'd be evenmorepsychedif therewasa completedisoSraphyreleas€(hint hint...).(CI)) PrankRrcords P0.8ox110892.

SanFrarciso.CA961{l-0892 ARTIMUS PYLE - Civil Dead 12" If you'relookingfor Southernfrie(lrock,you'rc barkingup the wong trce. Howcwr,if you want t0 lx: beltedacros the no&{in'by the fiercesttrir) in I'risco,then you'rein thc right camp.fclla.

Sontcex-l'IiCKFACE and cuncnt Wll{I HAPPDNS NE{lpenonnel residehcre. It's all aboutvoluilre, pOwer, anddetOnati0n on inlprut. ARTIMIISPl1,E h a u l s a s s t h r u e i g h t t u n e s t h a t l e a v er l l c o n t e n d c rcso u g h i n gi n t h e d u s t . A d r e n a l i n { l f u e l e d . u r e g a - h e a vt yh r a s h a n d s t r a i g h t u l ) anguishedfury is their specialll & they'redishing it out on olerdrive. lbu'll necda handtruckto carrythis dis il0und... it's that heawl Onlything nrissing i$a wsion of "Freebird"....

(CD) PrankRrcords P0.Box110892.

SanFnncisco.

CA941tl-0892

A ST H ES U NS E T S E a c hI n d i v i d u aVt o i c ei s D e a di n t h eS i t e n c e CD Lct's hope it neverrises again. A very bland n l e t a l / h a r d c o r ee x p e r i e n c e . T h e r e a r ( l practicallyzilchodynamics on this record. Like one big, l(rnginitating screanring/ noisysong. lt seen$thnseguysarereallyintoTHEIIILLINGER

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IX

SMSIASU

[Jl - JoshBaker/ DennisMilter/

- EricaBeck / - KenPollution

E V 0 R Y T H I N Gt h, e s e D e K a l bc o r n b a l l se v e r produced. Fr0m the first demo to the ever collectiblealbum plus outtakes,live stult, and a CD RoM that features drummer Ebro's appearanceon ''tte Jerry SpringerShm" (Jerry calls him "Elbro", by the wqy). I won't rattle on too long about this becauseI know that you alreadyown this & know everythingabout 'em.

A l l I n e e d t o s a y i s t h a t t h i s c o l l e c t i o ni s incredible. I love hearingeveqthing back to back. It's interestingto hear their proSression thru the yeals. They alwayshad a great sound that was raw & snotty but they managedt0 improve upon their simple greatne$ and write catchier,not t0 mention more cynical,songsas the yeamwent by. I'm sadthey aren'teroundbut like mostclmic bandsthey hun8it up while they werestill goodwhich is probablythe bestpossible wayt0 g0 out...with a banginsteadof a whimper l)amn, I didn't ev€n mention the zillion page bookletwith the micr0scopicreproductions of e!€r!'thing.Be sureto alsopurchasea nagniryin8 glasswhenyoubuythis. (CD) You0rAtb* Rrods

l|illMion.P0.Bu1621]hwYck llY10156

C O C K R O A/CMHI H O E -Ns p t i t7 " 'Iho

DutchoutlitsjOin forceson this split record and theydo it well. I wa reallysurprimdwhen I got this recoKl. COCKR0ACH kick it ofrwith six tracks of hyperfasthudcore and I immediately hadto think of CIIARLLSBRONSON. lte vmalist usesa high piiched screechylrice and the music is rushingby like a whirlwind. They us enouSh variationin the musicto keep it enteilaining.

Goodto seeyoungEumpeanbandsplayingmore ertreme music. MIH0ENlllls in their split side with five tracks. one songin Dnglbh,the rest in Dutch. Again h!?erfastsongslike CoCKR0ACH r|res, but MIH0EN is more straightforvard end has a rnorepunky approarh. All this togetheris $ammedontoa thick pieceofvinyl md packedin a lovely cardboardfoldout sleeve. Both bands erlrlain all th€ir lirics and viem on politicsand nore in a little bookletthat'senclosed.The bands relemedthe recordthemsehs to keepup the DIY spirit.Checkthisout.(RE) Mihoen, lltechtsoweg 305.3731 61,0! 8ih.ilothnd

coDEl3 - Discography CD 1994-2000 The title saysit all. You'vegot ererything this l\linneapolispowerhouse hr ewt rccordedall on 0nedisc. ThisCDwru rnainlycoilrpiledto linrnce (roDE l3's tour of the Pacilic Rim Whalewr the reason,I'm glad t0 heveever)'thin8compiledin one place. I'm a big fan 0f discographiesin general(if it's a goodband,that b) andespecially Cl)s (yeah,so fuckingffucify me already...) so lhis rvm a welcornesurprise.For thow arnongthe u n i n i t i a t e d ,C O D E l 3 s p e c i a l i z e si n f a c e flattening thrash that combinesthe straiSht fomard approach0f'80's hildcofe and the over the top speedand harshnessof '90'sfastcore. llearing all 0f the material back to back,the progression of this bandis obvious.Like most bmds. their earliesttracksare mugh aroundthe edgesand not the best,but by the time of their secondrecordingeverythingseemsi0 haveSelled and the ovemll focusof the band is apparentby

- JebBranin / tCDl- ChrisDodqe/ tREl- RudotfEverts/ | il - JeffRobinson / tGSl- Graham Steiohthotme / tMWl- Max

the easewith which the tracks are executed.

Aw$ome stuff, of course,that requhes repeated listens....goodthing you canjust hit the "rep€at disc' button instead 0f continuouslyflipping a bunch of stupid ?'over & over. 'Ihin Cities hardcoreis I forceto be reckonedwithl (CD) lhvoc ftrods. P0.8or 8505,Minneaolis.Mll 554S

Ng:)

w.:+

Tasteof despair.Brutals0litude. Sweetpain.

Peellike stepping0n brokenglasswith bue feet.

It's s0 uSlyand beautiful. I'm down. Rumorhas it that they have a plan t0 destroyEuropethis fall. Preparefor the attack. MACHETM0spit grind and a out their own brand of bloodstained mightyST VITUSc0vel Worthpickingup. (EB) F r i g i d i t y0 i s c o s .# ' 1 1 0 2V i t a K e w a i i 2 , -11-18.

Xpmadibori.l{ishiku.

0saka55&'0O3. hpar C R I P P L E SA C C U S E

0n TheDownLowCDR

COMRADES / AGATHOCLES - sptit CD fitls is my mcond exposuret0 the self desfiibed "dark edgeviolence'of CoMRADDS.They take the ulhe low tuneddeathm€tal deliveryof early CABCASS and combineit with a clmic $indcore sound. They then throw in angrypolitical llrics with a straiShtedSeslant and deliverthe whole thlng wlth the extremelyraw productionfoundin most mlncecore.It is quite the mix of styles actuallyand it worksmost0f the time. Theyare detinitelypised and prusionatein their delivery and that helps to overc0methe rery muddy production. The secondband0n the disc is the who haw got to be one legendaryAGATIOCLES ofthe most prolific extremebandsever While ewn 0n an ofr releasethey re better than most of the Srindinsmincecorebandswho mimic them, this is nOtone 0f their better attempts.

Most 0f the stufi they haverecordedin the lst coupleof yearshad seemedto be a leapfomard for the band into a more dynamicstyle;this however,seemst0 be a step back and morc reflect[€ 0f s0meof their eillier w0rk. Maybeit is the productiOnmore than the songrvriting (evenmore muddythan COMRAD0S), I'm not sure, I just know this doesn'tgrab nre like I expectedit to. Fanswh0 adoredtheir early materialwill be all orer this. (JB) Cl Rrildl Ybffrii & Grfrh 67161 001{8Ronalbty

C O M R A D /ED S U D M A -Ns D t i 7 t" In the liner not€sCoMRADDS mentiontheirsideof this 7" ms recordedfor $20...it soundslike it.

Admittedlythey haw nerer b€ena bandwhofavo6 the hlt€ch recordingproces but this time ilound this arc particulafly mw and murh'. Musicallythe self proclaimedgurusof "drk edge"continueto muta,teintO more and more of a mincecoreband.

Th€y s€emto be more grindinSwith each relem.

The dual stylevox still mix screeching/smeaming wlth the sewergmwlsud their chmge up still has the hardcorefeel but I think that 0vemll they m becomingmoreAGATH0CLDS-like eachtime I hear them. Whetherthat is g00d0r bad will dependon your mBical tast€s,I supp0se.0n the DUDMANside of this record you will lind another r€ry lGli pmductionjob but srnehowit seemsto serueDIIDMANbetter. Probablybecausetheir musicis simpler Straightaheadhildcore retrothrash. Dual vox, machinegun drums,buzzing guitan and lots of chms. Very8ood,althoughnot (JB) memorable. |)drd A CusbmRecods.Japan

This is a CD denrufronrthis two.piece noisecore unit. Talk aboutD.1.Y...besidesbeinga selfproducedCDR,the recordingwm 0bviouslydone at home0n a portabletapeplayer Whatyou get here are 12 primitive blmt attacksakin to early S0RETHR0ATat best. Not exactlytop notch material,but definitelyinspiredand not lacking a sense0f hum0r For obviousfeuons. I cracked up at s0ngtitles like "0ur OwnSp^zzSong, Chris D o d g eW a n t sU s T o " a n d l y r i c s l i k e " A r t f u l D 0 d g e r 'o s n t h e c l o s e t ,m a s t u r b a t i nogn o u r tape". Flatterygetsyou nowhere,bo!s. Anyhow. it's a prettyraw eff0rt overall. Rougharoundthe edgesbut with anotheryear and sOmemoney investedin actualstudiotime, thesefellm coukl a(tuallybe goodinst€adof a novelty.(CI)) Germany?

Ilese goohdidnt induds$eir addrsss...

c R o s s EoDu T- 1 9 9 0 - r 9c9D 3 0ROSSEt) OUTwas in existencefor lessthan threeycars,duringwhichtimetheyrelesed0nly one7",onesplit7",andonesplit5'. Doesn't seenl like the resunlf 0f oile 0l the nlostinfluential bandsin extrenlehardcoredo{rsit? But without questi0nthey wcre.This CD,which is the first (and then officialCROSSED 0llT discography some),is literallya primer0f first wavepower viol€nce.CROSSED OUTare a meldingof raw I h r a s h .p u l v e r i z i nggr i n d a n d b 0 n ej a r r i n g heavinessthat lurchesback and forth between bleing andploddingin what semed, at the time it wm recorded,like inc0n$uentrandomness but is nOweasilyrecognizable as the blueprintfor p0werviolence.As I carefullyrevisitedthese tuneswhile miting this reviewI wasremindedof I 0 w n r u c ht h e C R 0 S S D D 0 l l T i n f l u e n c es t i l l resoundsin thc p.v.bandsof today,I wasalso a s t o u n d e tdo r e a l i z et h a t t h e s et u n 0 sa r e a s relevantand listenablenow as they werewhen first relemed.If thesesongswerenewtheywould still be rnoreintensethan 99%of the extrenre hardcorecuftently beingreleased.What that m e a n si s t h i s 0 D i s r n o r et h a nj u s t a h i s t o r y lessonor a curiouslo0kbrck at the rools0lpower vi0lence,it is an albumthat is gonnakick yOu upsidethe head!YOuue gOingt0 want to listento this CD for what it is, nOtfor what it repre*nts.

Hell,this is so vici0usthat when I put it on ny musicshelfall the other hrdcore and metalCI)s startedt0 cryfor their mommies.(JB) Sla AHan.P0.8ox{2{[43,SanFrancisco.

CA91142-0843

b u n c h0 f l i t t l e d o t s . B u t a m I c 0 m p l a i n i r g ?

Actually,n0. In fact, the thing that strucknte i m m e d i a t e l ya b o u t t h i s r e l e a s e w a s h 0 w aestheticallygeat it looks. Seriouslyone of the m O s te y e - p l € a s i n lga y o u t sI c a n r e m e m b e r .

Somel,hing aboutthe art and the backgrounds and the Overallc0l0r schemereally makethis appealing to me. Music,wis€, it'sequallym much ofa corker lt's superheaw a onewouldexpect from the peachof the Georgiascene,but it's also full of surprises.The wholealbumflowsalong with soundsandsanrples linkingall of the songs together. They'vedefinitely graduatedwith honorsfronr the NEIIRoSISschoolof power.

"Epic" is probablyth€ term I'm grsping for All of the tunesare excellentand totallyuniquefrorr eachotherbut still maintaintheir ownflavorsof heaviness.lbcalist Vict0riaalonegoesthru so nlanyaural switcheroosthat I'm renlinde(l0f Linda Blair'scharacterin "Thc Exorcist". Il's obyiousthat a lot of work went into this one and paidoff bigtinre.(CD) it hs undoubtedly Prank.

P0.80x410892, SanFrancisco, CA941{1-0892 DAMAD - Centric 7' l'rtckkno$show longthis hasbeenout. It was recordcdagesagobut I onlygotnly little ntils{)n one recently.A bandthat seenlst0 hive bcen ar0un(lf0revfi.. whcn di{l lhey start? An}wa}-. an{,therl\vo s0ngs\rhich sh0wthey are geninA l)etterwithtime. I thoughttheirearli(rr Ll "llisc And Fall",wasabit naIIto be honest.0r thosc l\r0 Sr,ngs ho\vever lhcrps .t r, fliriil i n l p r o v e m e i l t . A s l i g h t l c a n t o w a r ( l sl h r l D!'ST0PlAsidc0f things\vith b0thsann)los il(l heavi0sity meansI'm a happyman. I think that the vocalbyVictoriacOuldbe the mostbrutalI'vf heardfrom anywoman,short0f my nrotherin a rage. FuckinggradeA. The llrics are suitablr depressing and fit well with the music,a ilridpacedcrustv/ sludg€affair. The packagingis prettyneat,too.and lookslike a bit of tinte and effort \vasspent on that fr0nt which is alwrls n i c e t o s e e . l l e a r i n gt l l i s m a k e sm e w a n l t r l checkout anyrnorerecentmaterial.(GS) Ctean PtateRecords DAMAD / MEATJACK - sptit CD I)ann, I)AMA[)is on fire. Three releasesfor redew ill oneissue?Their trackshereue equally 'fhe in lino rvith the greatness 0f their newalbum. vocalsue especiallycreepythis time aroun(l.shf soundslike half Beelzebuband haliWickerl\Vitch 0f The West. Heaq, heary,hearytunesthat lvill haveyou bobbingyour headlike a buovin strrrrrv sem. Reallyexcellentqualitytunes. I use(lto think DAMADwa so'so,but they'vequicklywon me overwith eachneweffort. I{EATJACKfrrllorvs u p t h e i r d c b u t a l b u m w i t h s o m ee q u a l l ! d e v a s t a t i n gl u r c h - c o r e . T h e i r f i r s t s 0 [ A i s with trippr{l r)ut Iowedul and aninosity-fueled harftrnics that giveit the extra edgeto set lhosc guysapartfrornthe pack. Their secondsongis like listeningto the birth 0f an evil spawt,aln!)st like a rileanvemion0f the MDL\rINS. Thissl)lilis the perfectcomboif you likc your tunesillrrtr (0D) with a lot ofgristleto boot.

AtA l"oss.P0.8or3597.

Annapolis.

M0 2'1403 DATACLAST - demo CDR

- sptit7' CORRUPTED / MACHETAZO C O R B U P T EtDe a m e du p w i t h S p a n i s hg r i n d monstercthis time and put Outa sweetlittle thing on their own label. Ultra heavy, d€itstating soundsthat slowly squashyou flat.

CORRUPTED deliver two shoil songsfor losers w h o e a g e r l yd e s i r et o b e p u n i s h e di n a g o n ] .

REVIEWS

DAMAD - Burning Cotd C0 A lil' bird t0kl me this albumwm delayeda year or so cuz Pusheadwas slowwith the artwork.

Well,the coverhasth€ bsic Puselernentsrfl. A skull #2.A bunch0l bandag€tlpe thingies#l:].A

T h e s eg u y sp u t a n o r i g i n a ls p i n o n t h c o l ' grindcoreforrnula. Their tracks are specrlr'& grindybut they usesequencers, synthesizfrs & drunl machinest0 createuniqueso[nds. I)0n't worry,it doesn'ts0undlike the HUM,{,\LD\(it:1.

It's different,l)utit's still N kicking.Wto knerv gotsl)lits te(hnolog/couldbesovicious?They've ir the w0rks with PANTAL0NDS AlJA.lo M A R I N D R 0E, X H t l i l l E DI,) E K A P I T A T 0 aI tn d (Ct)) soyouknowit's legit.

IMPALED P0.BoxI 27.Allenhurst ilJ 0771 AnftonySaunders.

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l J l - J o s h B a k e r / I E B J - E r i c a B e c k/ U B l - J e b E r a n i n / t C D l - C h r i s D o d q e/ t R E ] - R u d o t f E v e r t/s [ D D e n n i s M i l l e r/ I K P I - K e n P o l t u t i o n/ t J R l - J e f f R o b i n s o n/ l G S l - G r a h a m S l e i o h t h o t m /e t M W - M a x V

still crazed,if you know what I mean. Eight songsthat movealongpretty nicely,cOveringall the @nilcho baes. The layoutand insert are,as I mentioned,off-putting but 8et past that and you'll lind it wm worth your while. Fansof old Italian thrash take note. It ain't g0nnaslayyou like NECAZIoNE,but it's cool to see bandsfrom "uncool"countriesgettingrecordsout. (GS) 0uinlaSailoAntonio.lote l4-a 2(|0 Loiria Potugat

goodfor it, too. Sevensongs,only one overtwo minutes,so tiere's not muchfucking about. C,ould seethis littinS in w€ll with shff on Havm or labels of that ilk. I4rica[ they only tramlat, sonSsfmm Swedisht0 English but doesn'tlook like we're mising much in the originality depadmentthere.

Basically,if fat, crusty but polishedpunl/hc is your ba8,then you'll b€ all riglrt (GS) lligh Socirly.Ealo#rd 5,?lF 5l Umra.Svrdcn

0 R E A 0l 0 l - c a s s e t t e

- sptit12'lCD EVANCE / JYABARA

Pounding80'sUK style political thmsh from the CzechBepublic. Imagineif the best DIS- bands and MoB 47 wonhippen combinedtheir sounds with 90'sblastbeatsandgrufrmcab. DREADl0l pull it olIwell...Ijut wish this wm on vinyl or CD, too. It fuggin' destrolr! Now that you knowwhat DREADl0l's bagis the only thing left to d0 is 8et oflyour assandsendlor this tape...(CD) Insane SocidyRoords P0.8or6.50101llradecKntove.Cad Ropubllc

Anothergreat slabtom H.G.Fact.EVANCE abeady put out a couple0f 7"sso,ou knowhowtheysound 'Itaditional like I gues.

Japanemhardcorewith t0u8h choruses,hooksand everything. JYABARA was born ftom Nhes 0f MESSEDUP md they're in the same vein. Totally aSgressive sweeping Japcor€. The cml coverart is by legendaryTbm... yeah, five p0ints up! A.ll traditional Japc0refans shouldteke not€. Awmme. (EB) f10l llongo-1,|.

2-36-2.YayoFcho.

1l.6.Fact llakano.

T*p 161-111113. hpan

DROWNING MAN - How They Light

Cigarettes ln PrisonCD

- sptit7" EVOL/ WARTORN NATION

DRoWNINGMAN seem to light their smokes without an''thing, it just happens. Like a line MAN blend the colom of the adist, DROWNING musicalspectrumso smoothlyyou almost misg the fine weavesfull of technicalskill and superb songwiting. llom screamingrage to pin-drOp s i l e n c e ,D R 0 W N I N GM A N a r e a m e m o r a b l e l i s t e n w o r t h y 0 f y o u r h a r d e a r n e dd o l l a r s .

There'seven melody.Theseguyshaveall the basescovered.Buy...Support..,Eqjoy. (DM) Rcvolation Rrcuds

lf you like to hear subhuman,bowel-rattling grind, this would be a safe investmentfor your pennies.Japan'sEVOLpla,ts1990stylecrossover grind with double bms & guitar solos. Lots 0f "call & resp0nse"high/l0wscreaminBv0cals.

Most 0f the stuff i receive these days doesn't havewanky solosand now that t hear'em, I realizehow much I like them! Betro but fiued WAnIORNNATI0N and really c001.Singapore's v0mit forth four tracksof their own styleofgrind with cookiemonstervocab. The $itars arc out of tune, but what they lack in tunefulnes, they gain in all-out energeticaggression.The pink vinyl is pleasantwhich of courseis in direct oppositionto the musicalcontenthere. (CD) In [.du llit' S&r |ltd 1006tustalia P0.Bor1118,hft'Mo Yalloy.

D S - 1 /3 C O D E 1 3- 1 3S o n gs p t i t7 If l3 is your lucky numberor if you like fucking g r e a t , s t r a i g h t ' a h e a df,a s t h a r d c 0 r ey o u ' l l probablylovethis record. Thesebandsare made for each other - matchingnicknames,the same lucky number,they evenmote the samesong ("WorklwideHardcorePride")althoughit sounds different when both bandsplay it. Even if you hate cutoony, emo-lookingrecord covers,you'll probablylovethis record. Actuallyit looksreally good,and with a message, too - it's nice t0 see F e l i x b r a n c h i n go u t i n t h e f e c o r d - d e s i S n department.The whOleconceptis good,the musicfuckingdestrols,DS'13beingmy personal favorite' raw,ripping,energetichardcorewith SEEIN'REDishvocalsbut d0ing it their own (slightly Swedish)way - althoughCODE 13 also pulls togethersomeof their best stull since the only 13"boot. This one is a keeper.(J) Japanese llarocRccnds,P0.8q 8585,l,linnqolis. ft{ll 55tlF USA Swodcn Eustsd llads R*rds. Bor275.90106Umsa,

- StitherCD EARTH CRISIS Wronglmg. I ws newr a fan of these gul8 and I can safelysay I'm still not. Their K0RN / FEAR FACIORY "reachingthe mass" inspired"rcck"(as sals) fallsshOrt0f d0inganythingfOr the one-sheet ilre. Suretheyspeaktheir mindsand get some decentpointsailoss llrically,but it's mOstlyabout the musicfor me. I just don'tget it. Also,I maybe wronghere as I'm not an authorityon anyones viewsbut why the hell is a vegarulegetarianband (iI they ue still) wearingleatherjackets?Mayb€ they're not real leathet who knom, but the orerall imaSinethinS struck me m odd. The 0nly thing that "saves"this record is the Steve Evetts recordingand producing.Crystalclear,you can heil everylittle thing I'm sue it will help them succeedin retrhing the mNs, but I'm mor€fOr theblmkshepmlself. (DM) VictoryReords

EPILEPTIC ATTACK TERROR TheRacket7" How'sthat for a namethen? Y0u'dthink theywere Japanese,but n0, they are from Umea,Sweden, etc. There'sa slight honre0f DS-13,RDrUSED, s i n i l a r i t y i n s o u n db u t t h i s b u n c h a r e m o t e straightup punk with a crustyedgeand fucking

EYEHATEGOO Southern0iscomfortCD Aboutthe Onlything coolerthil this p0sthumoB releaseby EHG is the fect that the band have sincedecidednot t0 breakup making"Southem Discomfort"n0 longerposthumous.This CD is a collection of 7" tracks, outtakesand alternate ve$ions. Their Bovinercleased"RupturedHeart Theory"?" is here (dnerent venion of the song than the Oneon the last album) and both their SlapA Hamand Ax/ctionreleasedsplib with 13 are hereas well. This CD is both a great intmducti0nt0 the bandand a vital piece0f the discographypuzzlefor fans. Many 0f EHG's fastest and most violent songsgrace this disc ( " P e a c eT h t u W a r " a n d " L a c k o f A l m o s t Everything"being my favorites)as well as a couple0f their best dirges("Depres" beingthe most notable). 0HG have helped shapethe sludgegenre but havealso managedto be only poorlyimitatedleavingthem as a relemnt part 0f the overallscene.lt is beyOnd trrycomprehension that you needproddingto go pick this up butjust (JB) in case...c0mid€ryourseuprodded.

CentryMdia 1t5$Al4tr St #I( Sat MmicaCl9'0(|(

ffi lJ':)

TH

I couldsit thm a completecOllecti0n, s0 the "b€st of'approachfor this CDwn the bestcall. For m muchI Reagan sucked,w€ shouldall thankhinl... if he didn'tpmvidesomuchammo.the punkscene might not have developedro strOnglyas it did.

Checkout this discif youneedan enmple. (CD) AHinh&PI.8trtl90n Sa kncbcq CA941fi FISHSTICKS - Disko CD Mil, I hateit whenSreatbandscall it quits,but it tempersmy dispp0intmenta bit if tliey are cool enought0 releae a discography c0llectionbefor€ theyrid€ ofr into the sunset.Suchis the cme with I'ISHS|ICKS.I havefollowedthemfor a fewy€ars and have loved everghing they'vedone. Their back to basicsgaragethrash hs all the clmsic vibesofthe lint genenti0nof hildc0re bandsand appealsto me on severallevels.This CD collects all their releases(at least everythingI know about)on onediv. which is coolsinceaide fronl a l e w c o m p t r a c k s t h e i r m u s i c h a s n ' tb e e n availableon CD before.Their hildcore is s0 fat and furiousthat the CD almostseemsin a race with its€lft0 reachits conclusion.Thiswouldbc a badthing exceptthe musicis s0geat that I can't wait to start the CD over as soon as it ends. play"on y0urCD "Disko"is the reson "continuous playerwa invented.(JB) Iieologian, P.0.8ox1070.

Hermosa Bsad,CA90254

I didn't e!€n know theseguyswere still playing.

Play€da showwith 'em manyyearsago& the sing€r broke up a fight by going into the crowd himselfwith brassknuckles.Yeah,they mean business.lf you ilen't fmiliil with this Southern Cali c0mbo,they play semi-tech,metallically, t i n g e d t h r a s h . T h e p l a y i n gi s t i S h t & t h e productionis clean.There'sa uriety of fastbla.sts, m0shparts, and stop-and-gogallopinghudcore here. Theseguls obviouslydig black metalto an ext€nt,t00. Vocalsee completelyposwd.

No lyrics included,just a statementfrom the band 'You that includes, will be crushedunderthe heel of GDHENNAPreparefor the siege."No needt0 prepare,it's aheadyhere. Checkit out. (CD) Crawhpace.

P0.Bor11031, LongBead.CA9l[53

- 7" FOUNDATION Y O uc a n ' t s t a r t a r e v i e wo f t h i s 7 " w i t h o u t mentioningthe superi0rquality0fthe packaging... f u l l c o l o ra r t , f o l d o p e nc o v e r c, o l 0 r e dv i n y l , excellentgraphicdesign,overallvpry irnl)ressive.

Anotherreasonworth mentioningthe packaging is the fact it is the b€stthing aboutth€ record becausethe musicis rather bland. I like lo-tech productionbut this is muddyand flat. Musically on the right track but there the bandareobviously j u s t i s n ' t a n y t h i n gm e m 0 r a b l eo r e s p c c i a l l y inter€stingin their delivery Theyplay a hard edgedbreedof crushingmetalcorethat hasa lot 0f chanSeupsand mriety in eachsong.The dual vocalsfluctuate betweenHELLNATI0Nstyle screeching,death metal growlsand hardc0r€ screaming.Like I said,ererllhingis doneright, it just isn't doneverywell. I w0ulde&ect that is a band that is goingto developinto s0mething memorablebut right nOwisn't quite readyfor primetimeyet. (JB) P0.8ox97.htdwelLllj 07006 |)ed AliveRscords, FUCK ON THE BEACH Betrayed Again MCD lf you knowF.0.B.'spastreleasesthere are no surpriseshere...which is good. Raw,fast tlc thr8h from Tbkyo.Fivetracks,I shouldsayfour s i n c et h e f i r s t s o n gi s " F u c k0 n T h e B e a c h " which is onjust ab0utall their releases.The four newtracksare sone of their finest. All tht speed and hooks with no filler or experimentation.Lookingfomard t0 more. If only'l\uyoshi'smovieswerethis good.(KP) XittedByFastRecords, 205Yayoi-so 2-6-5.Fudru-cho Fudu-shi.Tokyo 183-005.

Japar

FALSE PROPHETS - Btind Roaches

A n d F a tV u l t u r e sP, h a n t a s m a g o r i c BeastsOfTheReaganEraCD This is an antholosr of sorts from this early I.IYC punk unil Whatyou\r got her€ is a compilationof 2l tracks rangingfrom their lirst 7'thru their album plus comp,demo,rehearsal,and other unreleued tunes. Musicallythey ran the gamut from CLASH-Iikepunk to snotty early MIDDLE CLASSstyle thrash i0 moody,jangly, hibal, GANG 0F F0tlR-ish post-punk. Great lyrics that intelliSentlycriticire not only the usualamayof political subjectsbut also social moresand the punk sceneitself. Unlike mostanthologies, this isn't a completecollectionbut ratherselected highlightsftom the band'ssix year career They werc a great band,but t0 be honestI don't knowif

REVIEWS

THE GEROGERIGEGEGE None Friendty CD Beingoneof the older,long-stmdingoutiitsof the Japanese noisescene,THE GEROGDRIGEGEcE hro alwayswt a high water mark by neverbeing predictableand this latestreleaseupholdsthat relemefor tradition. I haven'thearda GGGGG s0illeyem now& ftanklyI wa expectingt0 heil a hundred or s0 shOrt, harsh, and grating disturhances.

Instead,thisdiscisjust Onelooooong track....almost59 minuteslongto be emt. Rather than goingf0r the ridiculously commonrouteof endles,distortedscreeching n0iwslike th€ legions of l0th generationMERZBOW cOpycats, this efrOn, is a continuous, slowlypulsatingbne that changes form & color and hlpnotizesto the p0int 0f near insanity.For me,it's a moreaurallyuniqueversion of JLIATor LULL If that'syour bagthen I highly reconxnend trukingthis dom. (CD) MinkRecords. do tilariko0hkawa17-59Shimoimaike.

Morioka lligashiura-do.

ChiFgun.Aidri(?0-2101 -bpar GOAT SHANTY - 7" $/ell. I've been hearingfor yem that "the South will rise again"so I guessit shouldcomes no surpris that it's linally happeningin the form of this incrediblehio from Athens,GA I usuallygive Awayrnostdernosafter I hear'em,but whenI gota dernofron GOM SHANTYa while backit wm one of the few that I had to keepcuz they'res dilnn good.Gladto seesomeone elre thoughtsoandhad the doughto releme their record. Thereare 12 rip r0aring,fastc0rerag€rsher€. Speedyan(l antag0nistic h[dcore 0n overdrive.lt's the sortof t h i n g t h a t m a k e sy o u w a n t t 0 o p e r a t €l a r g e nlachineryand weck houseswhile listeningt0 it.

Fst, furious,and worthyof r€peatedlistenings.I her theyhavea CD OutnOq to0. Thes guls ile goingt0 be big in the underground md soon.(CD) l)enied A Custom.

Japan

- DogOaysCD GOATSNAKE

GEHENNA N e o o t i u mP e r m b u l a n si n T e n e b r i sC D

Theseguysrock. No other wordsare necessary.... but I supposeI shouldelaborateanyhow.This combo'sdebutalbumfrom lst yearwasone 0f the heaviestthingsI'd everheard. Dver And sincethen I've beeneagerlychompingat the bit for more. G0ATSNAKD c0nsists0f sceneveterans who haveplayedin everybandfrom SCREAMto FALSELIBERTYand then some,but this band s o u n d sn 0 t h i n g l i k e a n y 0 f t h e i r p r e v i o u s incarnati0ns.GOATSNAKE is the missin{link

- -t0uIN03

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REVIEWS

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ffiffi* If you know anlthing about hardcore,you know that STALAGl3 was one of the premierearly thrsh units from Oxnad,.CA Alongwith otheN like ILL REPUIE,their own"Nardcore"scenewas born. And e\€n now that sceneis pumpinS'em out like it's still 1982.IN CONTRoLpa$tshomage to their rmts, riShtdownto their bmd nme lifted from STAL{G l3's LP, and paws a path of their ownwith eigit snSs ofcrunchy,in yourface,singalonghardcore...er, I meanNardcore. Their enthusiasmtranslatesto the gr00vesand this record is a fiery lil' Mini Me of fastcorefury. 'lbtally D.l.Y andreadyto takeover.Getit. (CD) CnC Ctddl Rrcorft. 333Sonst 0r.,0nad, CA93185

m the oriSinaladv€rtisement for the nexi. Also faitMul to the oriSinalis the fact that milorder copiesof the recordcomeon clear blue vinyl (althouShthe flexi wasa seageen / blue color). obviouslythis is a recordthat everyextreme hardcorrfan shouldpick up, but don't think it is ontygmdfor nostal8ia... this suckerstill rips.(JB) 9a Alln P0.Bo (filt SNrFrilcisco.C 9tla2-Oa3

INHUME Oecomposing FromInsideCD 20 megaaongrindcore. It's heaw and tuned so low that it rattles your boweb,but ewn thouSh it's "brutal", there'shonestlynbthing new here.

You'vegot your standardblast beats,rumbly bffi, jibbidy-jibb guitars,and CookieMonsteryocals over songs like "Gargling Guts' and "Meatcleaver". If the band dOesn'twork 0ut, I think they could8et full-timejobsas hah filmeB (check out the band pics & you'll undeBtand).

Good,solid,wind-utrand.8oglind. Crank it uD, bangyouthead,andpretendit's lgg0.(CD) SmrsErigdr, Rurdr Cnct,6211ll &.vilhr. tmcr

I N F E S T / P . H . C .- s p t i t 7 ' Becaus this is a re-isue of the fmt recordever relemd by SlapA Hamthe temptationin writing this reviewis t0 d0 a historyless0n..,y'know, comparethis new 7" t0 the original 8" nexi, ialk about how inlluential to extremehardcoreboth thesebandsturnedout to be,eventhrowthe word "legendary" aroundin referenceto my numberof thingsconnectedto this rec0rd.But as I played this slabwhat struckm€ the mostwN not the histnryit representsbut iNt€ad how listenableit w a s . E v e n b ! t o d a y ' ss t a n d a r d s ,t h i s i s a Inonstfousrelease. lt s0undsmore danSerous than dated,more aggresivethan aged. PH.C.'s soundis lurchingand thunderous.They tune it low and tear it loose. As a bonusthere is one additionalsonghere that didn't appearon th€ originalreleme. 0n the flip sideINFESTspewout their f6t and incensd brand of hardcore.They 8 0 r i S h tf o r t h e t h r o a ta n d s t a r t r i p p i n ga n d trarinS. Sh0ul€dvfr:alsmd relentles thra.sh8iw this bandtheif chasichedcore llawr. Tllereare three additionalLrnckson this side as well to 'lh(r cover is a relatiwly faithful ileetetr the pot. recreationof thrf rtritlinal. On the insidethere is A mprint ofthe r)ri(itrnlMRRreriewofthe 8" eswell

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- H a t tM i c hV e r r u c k tl c h INWARD GehFesl(BumBum)7Gruff AND screechyvocaled,straight-ahead, bl8tins Germanhildcore that has its moments, exceptthat it mixesin somehornsandlokey soundingquiet pafis. I don't sp€akCeman, s I might not 8ei the jokeson the cowr (a set 0f big brests with "BumBum"mitten on them in what miShtb€ lipstick)md in the mngs,but I'd gues this is not too PC,0r political,and if you like Germenhardcoreand aren't botheredby the above,you'll like this. I th0ughtit w 0K and I rememberhearinga 10" by the same(l think?) banda coupleyearsagothat wa3WAYbetter than this, althoughI mightjust hare beenlisteningt0 ACMEandSYSIRAL, stoked0n all thingscernan, andnotrcaltypqyingatt€ntion.(J) Rqurgihd Smrn Rrcads. c,o Sandro6.ssngr.Sb. dr khdns 15.07819tili[dpollniE.6rmny

- s/t 7' JEANX SEBERG This is the last releas€of this Frenchband. And smething it is. Bmwht to lDu are 12haclc that will blowyou amy. It's mostlyinsanef6t grind with sme trahy sl0wer parts thmwn in for 8md measure.All the grind ingredientscomedrifting bf Fastbeats,dar* lOwgrunt, highpikhed scleaming.

JNt like the music,the vinyl is gonnakick in for sure. the plaltpris $ thick that the factorycould eNiV haw madetwo diss out of it. But this thick vinylis comon for a lot 0f Eumpemrelems. Nice dmwirgson the sleereto tnp il ofl. (RE) i{uder c/o0liviorLacoslr 8Pll, 33023 Eadrau Ced* Fnno

INOEX FOR POTENTIAL SUICIDE The Newest Youth Rebettion CD Theselads are all over the map. One minute l l e y ' r e b l a s t i n Sa w a yl i k e t h e m i s s i n gs t e p c h i l d r e n 0 f T H E L O C U S Tt,h e n e x t t h e y ' r e deliveringtrippy $undscapesmd n0irc snatN in the vein of BA$lAffDNOISE(not ircnically,B.N.'s Eric Woodmakesa guest appearancehere).

There'slotsof experimenlation herewilh r"rietis of sounds, recording techniques, and cornbinations of instruments. Layout-wise, it l o o k s l i k e t h e y e s c a p e df r o m t h e C O M B A T WoIINDED\TTIRAN schoolofSraphica.There's partswherethe.yseenlto experimentfor the sake 0f experimentetion itslf. Sometimesthe results are fantstic, other timesthey'reso-so. For a debutefiort,this is reelv damngoodmd certainty better than the 3rd or 4th ellorts by somemore € s t a b l i s h e ( lb a n d s . I ' m a h u g e f a n 0 f c{)erimentation& new sounds,but et the same tinre I think albumcould havebenefiteda tad fton a morefocusfllapprotrh. Halfofthis album couldlrercleasedon GSLandthe Otherhalf could he on Vermifornr.If you'relookingfor snEihing outside0f the pararletersof your genericfast release, thenl.nPS.isyourbestbet. (CD) (lhn P0.Box772121.

Contgrinp. F| 33077

Shlloks.25Linoln An.Cobti.

CA 9tt3l

INSULT The Moshpit ls 0ur Sabbath CD Pisd oll grind!Yes,indeed.lmagineif youwould the mightyRDPUI^S10N.., well, take their fuzzed out grind and add dual vocals,screaming and Srowlingrespectirely,md you'\€ got a goodrecip€ in my bmk. ll songsin l3 nlinul€s,soyouknow ther€ ain't n0 balladson here. Straight dom the line grind trith fun samplesbetweensongs. Fairly decentlyricaand acconrpanying explanations, somethinga lot of grind bandslack thesedays.

AlthouShsying that, theseguls are fun with it.

Liw this band m wherc it's at: Reallytight md keep your ntl€ntion.The bassistrem a gB m$k and they take the pis out 0f "emo"kids. Bonus pointsfor that in mybook!Thecowr art is a bit of a let downthoughand seemslike a last nfnute thought,Don'tl€t it putyouoffthough.(GS) BCo*skiRrcods l|auag 2t7, 67119 RI ll{.ning.n. lllth$lilds

- Virtue0f Progress 7' INTENSITY Oneof the thingsthat struckme the mostabout this recordis the Srippingllrics. they rangeft0nl p0liticalc0mmentarJ on the impersonalnature0f clmsroomsin the Swedishpublic overcrowded educationslstem (certainlysomethingpeoplein the [J.S.canrelat€to) to a call for mcial equality of th€ sx$ to 0bsenetiomof the rape0f m0ther earth. Theyare intelligentlywritten with an individualpempectivethat alloB them t0 emily a v o i d b e i n g c l i c h 6 . A d d i t i 0 n a l l yt,h e y a r e deliffied with a fiery passionthat burnsthrough the wall 0f thrashinghardcorethat they ere couchedin.., A hardcoreihat.is deliwred in th€ thick and healy styl€that hasbeenthe mark of the Scandinavian soundsincethe beginningyet it is not dated soundingor derivative in an'ryay.

Mostof the time the musicis blazingand hellbent but there are enou8hchangeupsto k€ep thingsunpredictable an e(|3e. and giw everything I'm thrilledto se that the eplosion in U.S.thruh and powerviolen.ehB not sallowed up whal Ls c0mingOutof Europe. Yet another"must have" fromthe SirWeekssl,able.(JB)

JLIAT - Stitl Life #4 3' CD Man, I dOn'tewn wBnt to wite this reriew After years 0f following JLIAT and repeatedlybelng amazedat how impacting his minimalistic interpretationsof sound are, he llnally relemd something that dmsn't do anythingfor me. tt m boundto happenconsid€ringthe extrere natue of his "muical" erploratiombut that dmsn't m€an I want h arceptthe fact I don't like this CD. Tllis is ihe 4th inrtallment in his "lstill Life" seriesmd the first releme basedupon his experimenting with soundvia digital pro$anlming on a binary level. This work w8 created by a word set to +32767followedby 44100set tt rero in PCMdata.

Initlally when JLTAT(aka JamesWhitehead) beSantheorizing about running binary code to creat€ sund he eryected to create a \ariation 0f his dronewrk tmtead he disover€dthat what he got wm a "click" or a digital 'pop' if you will.

ConsiderinS the thoughtput int0 the creation0f the w0rk and the oft ignoredand paradoxical i m p a c t o f s i l e n c eo n s o u n dJ a m e ss t i l l w a s interestp.d in what he hed achiewd. By repeating the codlng480timeshe built a strlng0fclicks that becamethis piece of sund sculptur€I am now listeningtI. My problemwith the pieceis enctly what rnkes the pitre legitimat€ut... Silenceac "e.xpresion'isa fNinaiing c0nceptandsilencea "sound"is a brow furrowing idea that wa fully realizedby Philip Glass. And therein lies the problem... the meatof this theoryis not in the actuelsoundilself but in the thoughtprocessof conceptualizing the theory That conceptualizing realv doBn't ned a sundtrack,in fact a lackof a soundtreckis somewhatthe point. In the end, "Still Life #4" fails to contribute to my understanding of the theory. The click is not €noughof a counterpointto allow eleensionvia contral and it alsois not silentenoughto be the "ewrything"that is containedin the "noihing"of sound'sabsnce. (JB) fdilion.126l Bmoklhott lerynncrviU.,0A 3tXI3

J O H NH O L M E/SC A N V A-Ss p t i t7 " 'l\vo

J E N N YP I C C O L /OS u l 9 b - s p t i t 7 ' JEN\ryPICCOLO hasbeencril)plingthe scenefor ageswith their crushinSstyleof red light / Sreen liSit hudcoremd thisefrortis no uception. They speedalonglike a ragingbull, then recoilt0 a snails crawl. Five mngs of raging power and one youthcrew-esque closer SulObdms a CR0SSED O[Il cowr on their sideandit $unds s similarto t h e i r o w n s o n g s t, h e s em i S h ta s w e l l a l l b e CROSSED OLn songs.Sul9bsxecutessluggish style vocals i'hat dirSes with CORRUPTED erupt into d0ublebmeled, hi'speed unexpect€dly barrages.Thisis the l)estnnterial lle everheild from this Fai East outfit. Both bandsdeliver a simitr sffle of HC and on this clee linyl platter they c0ntinueto firmly establishthemselvesas someofthe rnostbrutalunitsuound. (CD) Burbank CA91510-6911 0ro Sir P.0.Bc 6911.

JILTED - La Mia Reatla 7' MidJempo,lcfi, Peareyguitar-sounding anthenic hudcorethat'salmostpoppyat times. Sffeuning, vocals kinda like if JefI frOmCAPITALIST hoarse hada bit of a s0rethroat (andspokc CASUALIIIES Italian). Yep,anotherOK recordfrom ltaty'sS0A. Whenthe tempopickedup,s did myint€rst, md whenthe moshparts lsted a whilc 0ike thev aM"lBshuuld)I thouShrt d like this,bui it rtcsni hold up too well I whole$ngs or as e record...I probablywouldn't list€nagan. (J) S0AR*ads. Vn0drii daGuhbio 67/69.

Ol[6 Rom.lbh

0f the finer UK bandsget it togetherild lay downthe law J0HN HOLMEScarry0n wherethe "El Suevo..."

LP left on Thre songsof chugldng sludgewiih fuckedofr vocals.t gum theylit into that win of bandslike 16but dirtier end thet ain't no badthing. StrongproductionhelF givethb an extra punch and feeling of heaviness.pretty original m well, which is getting dillicult th$e dals. C/NVASon the other side haw turned from a hearychugging,screamingnoisealfair into s0nEthingcompletelyfuckinginsane. 'l\ro songs which manaSet0 incorporatecheesy?0'srock, straiShtup thrash,moshmeteland strangepian0. rewrb, noise/improvisation bits mixed into one!

Let's put it this way,they are getting hard to piSeonhole.lf you like "weird" and heaw then checkthis 0ut. Slewe art is pretty nice and feels good...mal thick cafil. Greateffortall,mundfor a fiNt relese on this newlabel. (cS) DevilRoclcP0.8or 187,[r0&. tS6ltl|. U|(

- split7" KABINBOY / REDMANIFEST0 If you read the lmt issueyou'll know how muchI l o v el , h eK A B I N B o Y .F u c k i n g j a wd r o p p i n g .

Anyonewith a liking fOr the stoner/sludge end 0f thingsshouldcheckthis bud out. Hadthey Inen born in the Statestheyd be huge. Gmgraphyhas slr)w0dtheir world-conquering rilfs, but only for now! lnstrumentalSABBATwMDL\I|NSC0re.

One songonly,but a beauty.RDDMANIFBSI0on the othor side alsogo for the instrumentaltip, Cool with nre,words/vocalsruin too many e grert r{rfl)r(l. Not as heavym the flipside,md I gues more "juzy", but still rcal intemstingand a gmd putner to Bowith the KABINB0Y The pmkaging is clasy a3rell, prettyminimd, printad0n quality card and looksreal nice. The downsideio this record is that there'sonly a criminal 300copies mund!! tio,goodluckin tying to get one. (CS) Kabinboy.

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IJI - Josh Baker / D e n n i sM i l t e r /

- Erica Beck / - Ken Pollution

sizedrecord. Fansof splatterand goregind m goingt0 be grabbingthis babyfastandfuriousand it is limitedt0 1000unitsso ifyou are sick enough and twisted enough to risk exposure to MACHETAZoyou'd better waste n0 time in ordering... andno youcan't havemine!(JB) Infeclion|}istibntion,0 $evin 0r.,lVobum.MA01001 MALEFACTION - A Defining Moment 7" Completeeruption 0f grinding chaoson this r e l e a s ef r o m t h i s C a n a d i a nb a n d .

Japanese Metallic guitar, blast beats and g r u n t i n g / s c r e a m i nm g a y h e mi n a b l e n d e r .

Pentagrmsand what l00kslike an alteredph0t0 (maybejust a poor scan) 0f the band in corpse p a i n t a d O r n st h e i n s e r t a l o n g w i t h l y r i c a l Muchin the vein oftheir hanslationsin Jepanese.

"ManGrms Cold.LP 0f lst yeil, this sunds like a bmd ihat knowswhat theyare doinS!Full scale, Mlting, political,metallichardcoreat its best.

Can't go wr0ngwith a DISRUPTcovereither.

Theseguys don't need corpse paint t0 further tleircause. Ubll worth the ducats.(JR) Oenied 3-5-12-106Hashigadai. llarita-shi, A Custom.

Chiba286-0037 -laan

- J e b B r a n i n / { C D I- C h r i s D o d g e / I - Jeff Robinson / [GSl - Graham Ste

q&em Collaps", etr. LASI SECIEITYmundslike pro-emo U.S.style,post-CHARLES BBONSON, hardcoremixedwith the standardScandinavian thrah style. Nicepackaging,tlo. (CD) Sounds 0f Eetnyal Rodrigo Alhro.Siidn Pa*gatan, 3h. 21422llalmii.Swedsn

M A N C H U R I A NC A N D I D A T E S BetweenReatity AndShadowLP Mega-fierce,gruff hardcore that so0ndsas mighty as their home state 0f Texas.

MANCHURIAN CANDIDATES belt'em out like an i n b r e d c 0 u s i n o f B U R N E DU P B L E D D R Y .

Theyre intense md powerfulwithout playing the same song over & over. There's a iariety 0f approacheshere, but they'reall akin t0 getting punchedin the face...the 0nlything is with each songyou don't know wltich direction the next punchis comingfr0m. Austinha sptmed some really excellent fast HC in recent yeals and the* guls ile right up there in the ranks along with ouuits like SHORTHAIE TtsMPER, SoCIEIY0P PBIENDS,and PISSP00R. Theyle beenaround for a few years& I\e neverheard 'em til now.

Glad I linally did becausethis is one of the b$t releaseslve heardin recentmemory (CD) IFCRocods.

P0.Bu 150877, Austin, II 70705

M C D1 8 2/ C O N T R-As p t i t7 '

- WorshipNothing7' MALEFACTI0N I knowthe namebut I'm not surehowlong these CanuckSrindershavebeenat it. That said, I wish I'd heard 'enl s00ner. Th€y rip thru six b l a s t i n gt r a c k s t h a t l e a n I n 0 r et o w a r d st h e hardcoresidethan the nletalsideof grindcore.

0f course,my desoiption h0ldsn0 water because theyalsod0 a SLAITRcoverhere. And it's damn good,too. If you can do a goodjob of covering S L A Y E Rt,h e n y o u k n o w y o u r b a n d r o c k s .

Refreshingly intelligentlyricsand phihsophies vocal are underneathall of thosescorched-throat attacks. I especiall-v bve the tune "AbusedAnd Unloved"aboutunwantedchildrenand idiotic, selfishparents: "Reproductionis not a right it is a privilege/ And I'm sick of dealingwith y0ur mistakes."Hell yeah! Theseguls rule. (CD) Camde #5U7 2ldAre S1ICCFX 48.IfS m5 Cil&

MAD COWDISEASEl&2 is oneof thosebandsthat unfortunatelyis becomingm0re and more rare in today'spunk scene...a bandthat iekesnothin8, includingtherehres, mriomly. Theym crrcking a joke ewry singlesecond.Theymtrk anythingthat youcan think ol md hm a grandole' time d0ingiL Musically they incorporate all kinds of flmN but Fimuily th€y ue stxaight cOnt€mpomry aheaderly/mid 80's MDC style punk. lf anyone remembersbandslike WI|OPPERSTAS'IEG00D youcouldfile MCD182right nextt0 themor msybe ffin nett to }ou gnKKY albull}s 0n the lip side C0NIRA is morcof a thruher but styli$icalv sull a throstrck t0 a daywhenpunkwasmoresnotry,bs polished,and wasn't willinS to take crap from anyone.lnstead0f hum0rtheys€emto talc a mole political md angrystance.Goodshlfr. (JB) 0uo, 51lmjean ler, hst lla$port llY 11731

LAST

i'{r{NIN S}lACKl.Flssunds like the newgeneration of Dl$core bands. Superbsic thruh that's good & tiSht and easf,t0 destroythe statewhile list€nin8 to. Funnything is nlost 0f their songtitles are namesof bands: "Slavestete", "DeathThreat',

- Max

REVIEWS ffis ffiffi*

MELEE - demo tape

S.0.4 Rccods

Bostonhardcorelike they usedt0 do it. Nine blustery fastc0re assaultsthat arc angry, snotty and catchy. File somewherebetweenAF.U. and CHARLES BRONSoNand you get the picture.

It's a killer debut. lt'll be goodt0 hearwhat they comeup with next. If they stick with it, MELDE will quicklybe crcatinSone. (CD) P0.Box171.Altston.

MA02131

M R ,C A L I F O R N IAAN DT H ES T A T E P o L I C -E2 4 s o n g 7 ' Don'tknowwhothlslsorwhsttherealsioryls

0nthisrel€ase eventhoughlt's ftomthisrrea, butI havea feelingit'sonegWdoingit all. this greyvlnylplatterhas24songs, butit's nota total grind/ blastfestllke you'reprobablyimagining.

Thisrecordi8 moreakln to the VerySmall - M camp...it evenhasthat samelook MELT-BANAN A x B x1 9 9 8 / 1 3 0 0 0 Records layout-wise.

Kindafun& goo&,snotwassvocels, MitesAl LightVetocity CD practiceampguitarsound,andmostlymidThere are very few bandsthat can truly lit the tempo.For beingrecordedon a 4 track,the deliniti0n0f"unique",but MEI.II-BANANA is oneof production good.Th€tunesar€all is surprlsingb thoselucky few This Tbkyofoursomeis an enigna; short,of cours€,but there'sa 8urprisinS amount a bandwith whom no comprimns can be drawn.

0f %rietywlth diflorsntsounds, instruments, They ate equaltyinnuencedby hardcore& fmt spee6,& such.Tte drurns& a fewotherthingr thmh mrell a8noise& iltsymirdns.

If Y0KO arepreprogrmed butthatdoe8n'td€hactftom 0N0 was still a spry,youngmaven0f the early, the sound;that stufris coolif youknowhowto undergoundFlms art morementwho wm just useit & apparentvthis chapdoes.Don'tknw now becominSinvolvedin the musicscene,thig whati0 compar€ it to othorthatlsup€rearlyand would be the type of band she would start today. superrawD.l.Y.punkrclea!€s.Mayb€it's like Completelychallenging the boundaries of Mn.EPPwlth shorter Eaclc?(CD) traditional music (eren of the e*reme rariew) is 218EdoAn ll. Carybl|l.CAtgn MELT-BANANA8 trademark& they nerer ceaseto plem me. this ame, surprim,& simultaneously efrort wasrecordedfor JOHNZORNin NewJers€y duing MEUI-BANANAs U.S.tour in '98. The geat thing ab0utthis discis that it captur€sthe unit in top conditioncrankingout their live set whlch consistsof old and newfawritesspanningtheir 7 yearexbtence.26 songst0tal. IVe beenlistening t0 this for 5 monthsstraiShts that'saboutassolid a recommendatiOn asI cangiveanything.(CD) Tdik 6l hst Eslft SM, gib 126.lowYo& ilYlmts

MUSTAKASI VanhojenSanomalehtienKastaus7' EP Sloppy, fast asfuckpunk-core fromFinland takingcuesfromall thegreatsthiscountryha.s produced thelast20yeaE.Shoutad vocals in the natiwton8ue lashoutowr a ClayRecodssMed UKpunkattackbringingto mindDISCHABGE (of cours€o ) r o B H a n d I w h o l eh o s t0 f Propaganda Records-era Finnishpunk. The healthydoseof rawpunkaggression kgepsthis fromfauingshortlike $me recordsof thlsgenre tendtodothese dqys.(JR) Auvo&(tlbi ircords P*t|tir 16.5S0 Punkrhdt Fdnrd

Previouslyonly availableas a hard to find 10", SoundPollution does us all a favor by making "Lawless Solidarity" widely available for consumption.Nowhopefullythe hrdcore rene is smut enouSht0 c0nsume!MEANWHILS hail from Swedenand they take that Northern Europeanstylechunkyhardcoresoundt0 the 'nth degreeand beyond.They reminiscentin axe all the right waysof bandslike TERVERIKADBI and VAISE TBTSTEor even DISCHARGE(lf you needa non-Scandinavian example).Theykick it out full speedand have a sound as thick as GeorgeW Bush'sskull. Their lyrics are biting social cOmmentarythat attack everythingfrom mediamind controlto nationalisticfascism.This CD shouldattract attentionftom the old school and the new breed,ftom the crustypunk t0 the p.v thrasher Justrcnemberto playit loud!(JB) Sound Pollutim.

P0.Box 17762.

Coyingbn, XY11017

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mGg$mm MIND - New Homes for the Rich 5'

MEANWHILE - Lawless Solidarity CD

M A N I N S H A C K L E S/ - sptit7" SECURITY

- RudolfEverts / [DMl

tholme /

Srnrt lookinglittle 5" packagehere,repletewith gatefold cover MIND hail from Germanyand come from the ASSUCKschool of grindcore (minus the $6000recordings),addinga healthy dose0f Eurlcrust and USpomr violence.Thes€ fm tracks seemmuch moreshaight fomd than their previousr€leNes,mostlikelydueto the time constrainingformat. Anti government,religion anddelinitelymti-humanllrical cOntentdrhB in the knife. As with most5"s,the soundqualityis prettypoor0n myshittystereo.S0mebody's 8ott0 luure out howt0 makethesethingssoundbetter mastering-wise.

Overalla fairly goodintroduction t0 theseguysbut hy their previousreleasest0 get the full efrectof theirgrindonslaught.(JR) Rcsuscitats, P.0.Box7900.Al| Hoogeveon, llolland M O T O R S A G E N S E R V I C E- D u H a b t Gottes Sagen 3" CD This tiny piece0f plasticpacksplenty of punch.

M0T0RSAGENSERVICD spew out a buzzsaw blend of crust, gind, hardcore,noiseand even somemetal (especially on tracks? & 8). The music is punishingfmm start to finish with an emphasison speedand fury sometimeswith the excessiveness of blur. The varietyof vocalstyle used givesthe disc some distinction although everythingis harsh and maniacal,no clean vocalshere! I know absolutelynothinSabout this band but I certainly hopeI will heat more from them in the future. (JB)

- H u m a n2 . 0C D NASUM lf youve head NASUM'gothor releasos,then you know what you're ln for: Cranium-crushitrg blaskor€! This keepsin the spirit ofthet preyious CD and splii relersesby deliveringnon-stop, cleanly and heavlly pmducedjackhammer glind.

Pissedvocalsthat are shoutedin a style that's more believable than those phony,growly, death metal $unts most bands resod to constantly.

Nothingnew to repod here, but believeme, I'm not the least bit dlsappointedabout thal this is 100 odreme, the way it shouldbe. Chalk another oneupforSweden.(CD) Rotapsr.

10. Bor2060.UpprrOaby.PA19082

- sptit7" NEUROPATHIA / MIXOMATOSIS NEURoPATHIA is fromPoland andplaythash metal. The productionis quite g0odand drives home the headbanglngonslaught. The vocals soundlike someonemic'eda toilet flushin& No lyrics providedbut with song titles like "Sperminator(Gut Convenlon)" I'm sure these 8uys are certified geniuses. MIX0MAT0SISis absolutelyterrible noisefrom Spain. Think if a grindcore band was playinS an outsideshow a mile awayand you taped it on your shitty boom box. Then for vocalsyou taped someonewith excruciatinSdiarrhea. Then you 8ire it to some

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REVIEWS

ffiffi* alth0ughit is dellnitely wodh pointing out it is intelligent youth crew. The combinationworks much better than you might imagine...think HDLLNA'IIONwith slightly more of a gr0or€ and with the occasionalbreakdotrn. the lntemational thrashsceneis probablyhealthiernowthan it has ever been and P0INT 0F FEW are definitely poisd t0 makelheir mk in that scene.Another noteworthyaspectof this releaseis the high quality packaging. CoalitionRec0rdsseemst0 alwalsdo a superbjob andthis is top notch. (JB) CmlitionRoodl, Hugo00 Eroobtad 25.2510& l|sn llaag.lhelle0ubnrh

ThesePolish grinden have been at it for nine years and only now havethey linalb isued thelr fist vinyl release. The intro is super metal and has some unbelievablyannoyingeffectson the vocals,but once that hurdle i3 passed,it's full speedaheadon the Duropeangrindcore express.

Barking dog vox, an unending maze of gultar no0dling,and maniacallyfat blast drumming.

Includes a cowr of an AGATHOCLES tune. 'Ib sumit all up in aword: "Aarrrgghhh'.(CD) R#alPrm. llallcn 10119.41-201!

Scnorirc. Poland

anthem. Remember the lirst time youheardthe f i r s t E N T 0 M B E Da l b u m ? T h i s l s a s i m i l a r experience... this could seriouslypass as an album 0f "Left Hand Path'outtakes. ROTIEN SOUNDeven has that same l6-megat0nguitar tone. The tunes are as memorableas they are brutal. They mix it up with different drum patterns and speeds. There's mosh parts, headbangparts, and stralght up blast parts.

Theyve got the early Earachesounddown to a sciencs and it's actually refteshing to hear that approachagain.Hiotyrecommended.(CD) S.0.LRrcrds. hly

good. Superaggro& 0ver the top. Evil vocals, Iightning fast druro & guitr riffing, scaryefects.

It all equalsa brutal listeningexperience that doesn'tcomeoff as generic 0r as f0rgettableas their c0ntempOraries.This band is what black metal shouldhaveturned into instead0f that cheesykeyboardshit like MORTIIS.No lyrics includedso I don't kn0w how serioustheseguys ile or howmuchthey'rejustdoinSschtick. Great tunesifyou cen lind ii though. Mine is on cruy, splattery blood-clotcoloredvinyl. (CD) Itli*sd Wrtdr.do td P0.8oxS35. l0l APAmsterdam.

Hdland

- BaptizeThis7PONTIUS PILATE

RUID0- s/t 7'

SCALPLOCK / SHANK- Sptit7"

More black metal inlluencedpolitical crust,this time comingfrom Minneapolis.High pitched, screamingover rapid fire cr0ssoverhardcore.

Quiteepic soundingfor suchshort mngs,this takes a few iilluenc€s from their lst EP tom last year and addsa hugedos 0f evil inugery and metallic guitar parts (without g0ing totally overb0ard, thanKulh) while still retaining their lightninSfast thmh blit laie& these kids play this style at the highmt level. Excellentrecord. (JR) PaganPunkRec..21{1Lyndalo Aw S.,lf,nn.,Ml{55{ll5

Thls 7" is a nine songeruptionofwhirlwind thrash that aimsfor the thmat and goesfor the kill. Ihe vocalistdo€sla$ru calisthenicsashe scrcamsand screecheshis way throughwhat appearst0 be polticalv chargedlyrics (althoughwithout a llric sheet I can't t€ll you that for su€). the music is tenaciousand rips at breakneckspeedfrom beginning00endwith a dos€of noisethmwn in for good mea$r€ and distinction. It is r€ry in-yourface, not in a t€stosteroneyouth crnv kinda way, but ln a relentless$violent kinda way. It rcminds ne 0f the classicthruhing of FISHSIICIG in that rc8rrd. Evenwith nine songBthe record is short and dircct just the vry geat ttuash shouldbe. A rmord wo(lry ofyour hard emb€uledcash.(JB) Shlfrts.25 litrcoh An. Cobli.CA91931

Wwhhhhh00ooo0oo0o0aaaaaauaauaaaaaaaa!

Okay,that's out. this record rocksl SCALPLOCK pummelstluough sOmefast songsthat makethe message clear. Intelligentexplmationsincluded.

SIIANKplals Violent'l\ubo Rockas they call it, play meaning fat and mgry. Saxc$mdrips Otrthe btics. Againclearly explained. Both bandsare fromthe UK Stopreading, startlistening!(RE) Retibriion,ordardllilse. BngdsRD,0matlVa&an.

Chslnsford.

EsserCM3IEE U|{

- 7" PREHUMAN BLASPHEMY Mega beefy, crushing 'core from Southern Calilornia I'd heard a few comp tracks before & thoughtthes€gws were Olq but this f kich anus.

They play pissed and powerful hardcore that makesme think mosttyof MAN IS fiE BASIA,RD and, at times, a bit like the early demo days0f GASPbeforethey strted ffiing waclq soundloops.

For mffit of it, it's very much MITFish if you can imagine them with a few more blat pilts and a thick guitar in the mix instead0f a secondba.ss.

Gottahem morecuz this deshoys. (CD) l}aird ACmtqn,Japen

- TheExecutionCD RETALIATION If you like the reliability 0f non-stopgrinding machines like NASUM, then you'll love RETAIIAIIoN. this ofrort is a 22 truk howlinS whiflwind 0f blastcoreat its m03t intense. They combine the speed of 90's grind with the simpllcity of &andinavian haldcoreand comeout 0n 0opwith a winning combothat's gurani€ed to be worth your hard earnedcash. (CD) lHfudorRocoldrm. Bqlil.Hmtukb.

Brcria l*t

- InnerStruggteMCD PREJUDICE Anotherhad hifting, bashand crxh hudcore band from Geievq Switzerland!Youwould think that lmple n'holirc in a counhythat hB not ben to mr in hundredsof yearswould havea hard time general,ing musicthat $unds m violentandhmtile. I guessnot. Ifyou like the complexand metallic lurdcoreofthe bmds onViciory PREIIIDICDis right upyou alky. It is a[ herc...the mniacal mals, the bli$eringguitarsmd the crushingrMhm sction. It eren hasthe technicxlvirtumity thal s0 nlarryof you derud. Awrysolid release.(JB) llmnibals iecods ,|206.

95Rtc0oRo.issilt 6snon, $ritsrlard

P R O N -Es / t 1 0 ' A new bandof which most membeBwere./il€in SIACK.That meansno weakshit on this pieceof vinyl. And it sure isn't. It's fst, angry,loud and aSSressive.Not all songsare hi?erspeed but it's all perfectlydone. The vocalsare not as highpitched as STACKhad and that makes it even more brutal. Somesongsin German,somein English.Ear blowingstum (RE) Flmenioleno. lugdlildras.

15.60165ihnnhcim.

Gcrmfiy

- Cunt0f GodCD RUPTURE

ROT - Sociopathic Behaviour CD Brazil's top mincecoredemonsarc back and in a big my! 'Ihb 33 mng CD is the perfectoomple of why this band hasbeenhming headsdl owr the internationalundergound. It is packedfull of tntalh owr the top puhrrizing mayhem.ROI plqy a savageand nefariousstyle of grindcore that is stripped t0 the bone and as raw as roadkill. N0 frills, no embellishmentsand n0thing falcy on here. InsteadROTis relyingon bludgeoning brutality to maketheir point. AddinSto the elfectivenessof their delivery on 'Sociop8thlc Behaviour"is the pmduction. Like thelr pr€dou8 stufi it is wry pilmitive and basic but this tim€ aroundthere is gooddefinition betweenthe difrerent inshumentslendingthe CD a cladff thAy haw heretoforulacked. RgT arc not for the meek but if }ou hnw yourseua disciple of the exteme yru mqywant t0 track this onedom. (JB) f,hohricRoordr P0.0u 81 li{adi3m.|ll 53fl11

- DrainLP ROTTEN SOUND

- Lite For Money7" PSYCHONEUROSIS

RUINACRE - LP lhis is a rcally damn impressiwdebut efort fton the FlagSafrFirr. Musicallythey createmonshous, chaotichardcore. Lots of high speedtenor but plenty 0f variety with chords, breaks & other chilg$ keep it inter€stin& Vocalsar€ screamed but multi-lalrred at tims givingdepth to what s manyother bmds deliwr ru on*direNional. the trns elonearc r€asonenoughto txackthis down, but the tNnS that immediat€Vgrabbedme about this releas€was the incrediblepackaging.The complexartwork and layout of the cover and the accompanying24 pagebookletreally enhancethe listeningexp€risnce.'lbp n0tch qualitywith no e$€m€ sparsd apparently. Another flawlessone ftomone ofnyfavorite labels.(CD) Sdn's Pimp, P0.Bu l3l1l, Rcno. llV095117

IVe alwaysthought that these guyskick ass and thls 12" doesnothingbut c0nllrm that mln&et.

They don't do anything originel, 80 you would think I'd be boredbythem. But I'm not! Infact, they improvewith each release. This is their most mature efrort t0 date. ROIIEN SoIJNDhas a knack for penning,dare I say,"catchy"gind

Nothln6 new. Bad production. Seemslike RUPIIIREare loosingtheir edgemusicwise,N it ju$t doesn'tmeesureup t0 the earlier stuff. hrlcally, sure they're still pised at everyoneand everything,but don't you think that would wear ofi alter a while? Maybelf theyweren'tsopised abouteverythingthey'dwite better mNic...then aSalnthey may not evencare since that's what it seemslike this time around. "Lynchthe fags,'' their lfics say. What ihe hell is that? Maybe someoneshould lynch RUPTURD... but then aSainthat'sjustmyopinion...(DM) Rhtrric Rrodr. P0.8ox02.l,ladison. lYl53701

SELF INFLICTED - 7" Don'tknowanythingabouttheseSocalspeedstem other than one of 'em cme up at a show& gave this to me out of the bluea few monthsback. This foumme is all abouttorpedo-paced thrash along the lines 0f a less metrllic BENUMB. l2 tracks here md ewry single one of them is insanelyfast.

Shouted,old-schoolt]?e vocalsand memorable, distorted riffs team up with weed-whacker, steamrollingdrums. Impressivetunes. Hope there'smoreon thewal (CD) 16161 llordhoft 51f465.llottt llitls.CA913(l

51',.qtlt1s\to(.\ltlt

RUSSIAN SCHOOL OFBALLET- CD Filst 04 what a geat narnefor a hardcoreband.

Thes€cab hail ftom Bradl and dp thru l5 raw and fast attilks that rem.indme of a cmssbreedof cml 80'sthrash and fall-on-tho-noorEbullitlon style HC. Basic but cetahytunes with agonizedwals.

Tte r€cordingis mugh, but I think it compliments the subtertaneanfeel of this releaserather thil detrrcting from it. PackaSing is done by hand, D.I.Y.cut & pasiesfle. ;Muybien! (CD) - Pr- Eradt 80011-970.

CXMl1860, CEP Cwitiba SANGRML - Wotves 0f Armageddon LP Don't kn0wmuchaboutthls but I waslmmediately intrigued when this arriwd in my mallbox. The backcoverof this album ha a p€ntaSramprinted in actualblood. Itb a.limitededitionof48 copis.

Mrybethe guypassedout after doing,E of'en Ha ha... who know? In any cue, this album is full of satanic metal-grindthat's actually really damn

SENSELESS APOCALYPSE Sensetess Stereotyped ldea CD This blistedngJapanesecombohas beenaround forerer but it ha taken theln until now t0 linally releasea full length album. I thought it would neverhappen,but now that it has,the wait ws well worth it. lf you're at all familir with S.A you knowtheir earlier materialconsisted0f many short & sweetA.C.-ishstyle blsts. over the yea$ theyle finely honedthetustyleof actuallywiting solid,thrNhcore anthems. Erch 0f the 25 songs here havedistinct hooksand speedalong like a starvedgeyhoundchasingthe ChuckWh8on.The

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ib derastatingpower hasyet t0 be discowred. lt ig only April but this is esily the frontrunner for albumof the year. Hell, it is only 2000but albun of the millennlum is a wry real posibill$ Youttry think I am overstatingmy cas€,but that is only becaus€you heven'theardthis yetl (JB) Sulrd hltniil. P0.8ox1ru2 Covhghn.l$ 1l0U

UNDERPRIVILEGEO NATION ... ForWeAre Manyl2' 0ne-sided12",etcheddquotes from th€ Blble popularizedby WiUiam Peter Blatt}r's'Legion' (that later becamethe excellentmvie 'Exorcist lll'). 'Y0umaycall us l€gion,for s€ are mdry." I wish I could rwifl the movie or the book, 'cause b0th are gr€at. This record, however,is not that grcat. In fact it's mid b slw-tempo screamowith an added b0nusof sungf€male vocals. I could comp$e it t0 bandson HydraHead,but that might orcrstate ib heavin6s (and its productlon,and...).

I Justwish all the goodpop-cultureconcepts muldn't get revisit€d unlessth€y were going!0 at leastcomeclos to the original idea in quali$... (J) llcd Alin Rrods. P0.8ox97.Cr5mt U 07O6

U N H O L YG R A V E/ C A P I T A L I S T - sptit 7" CASUALTIES Whatan unstoppable combo,eh? Tlie copyI got is a test presing with blank labelsso it took me a while to figureout tllat one side is at,l5 end the Otheris at 33. CAPITALIST CASUATTIES are the mr-torn throh reterms.ftom NorthernCali who n€ed no iniroduction. After l3 odd years of crankingout high qualityspeedcore, theyshowno signs0f letting up for evena second.0n this latest effort, C.C. continuesto lly the fstcore bannerin their ininlitable style. Three blastinS sngs with enoughbrics to rivel ewn the shortest chapterof"We & Peace'.Theyle kept the speed & urgencyin their musicbut theh tunesofrecent yearshavea more "punk" feel to them...and that's nOt a ptoblem at all. They do it well.

UNHoLYGRAVErips thru five raging gravelvoicedpunk / grind mini-epics. Catchier than mostothers0f the genre,U.G.keepsit fierce and still managesnot 0o sound like they came out 0f the samecookiecutter thrt most grinden mold themselru from. An excellenti€m-up ftom two 0f the tin$t the saenehast0 o[er. (CD) lhClmsica. 13SdrtOtud Rd, 0l$r$ P 17019

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This guy Andrew has been doing his one-man thrash holocans VILENTI,YILL for so nwry ]€ar8 nw I can't ewn rcmemberwhen he darted. OIer all of thh time heb still lo€pin8 V.l. at its root* lMnS mm recoding a le S0I[ER, no mngr orer a ndnute,piss€dof scr€arningowr fed guiter and a dlum ruchine, superlimited prcsslngrof rehases, This one ls a limited pr€ssof 300 copiesand featuresfour iunss that boil downthe basicsof what hedcor€ i8 dl about.. 'l Dont Fit In", "Piss 0n YourAuthoritf, ek. Ilel an old $ry with young. athead ethics and at this rale he's pmbabv stil gonnabe doingslo thruh mng!'til he's00. (CD) |(nd itrsic. P0.Bor5111.

Sorfi lhvri. till lt0t0-0501 VIOLENT HEADACHE - Bombs of Crust/False Term inat CD VI0LENT HEADACI|Eshould have called this album "CLUSIERBombeof Crust"becausecluster bombsthmw their dstructiw materielall owr the place and so do€sthis albun. Tlrcrc b no vry i0 pin down the 7l tracks 0n thir album by llttlng them wlth a neat little 8erustag; Muchof tho tLrE it b obviouslyI crust (DISnUPTmeetsMoRAL SUCKUNG)album with dual vocals;a screeching fenale on€ and a low growling male one. other times it reens to be pure thrash golng no holds ba[ed. Tten just whell you thint ]ou!e got them peggedthey pull out an alnrostgrindcorc sund.

'Iten mme blmore is addedin for gmd meum.

Hell, therc re eron bits ofd€eth metal her€! Not to mnuon the tun€ with horns and aheacoustic diry. Tte onb con$antis that eachhne i8 int€ns€ and rough deliveredwith a cutthro8i abendotr.

Some0f the dir€lrig but W no mearu aU of ltr is due to the fact this CD is ,ctualv a collecti0n of 'llach two differont rccording& l-19 haw the dual vocals and are much more crusty. Ttacks 20-71 heve just male vocals and are far more grlnd/noiserblu munding; I don't cat€ which nry pu lean, f youlike e,:Gen€musictherc is golngi0 b€ somethlngright up you aueyon this CD. (JB) $r l{roks. 35 LincohAn. Clhli. C 94nl

- s/t 7' S0CIETY VIOLENT Ttis ?" isn't exacttynew but l.lNt got it and it is so damn smazingthet I would honestlybe doing all you readersa disseMce by not bringing it to t0ur atl€ntlon! lf you haw mr daed to coroider yourselfa fan of punk and hadcor€ then this lil' slab o'vinyl is goingt0 be a gods€nd.VI0LENI S0CIEIY can't redly be definedW appMngaw of herdcore'smultiple genre tegs but that doesnrt mean that they aren't unleashinga muslcrl lirestorm of rage. Their sound is totslly classic.

Imaginetaking the pure adrenaline0f the lllst g€n€rationof hardcorebandsand combinlnglt wlth the powerhousedelivery of today's most raglng ads ild you hare what amouils to a rn€r€ hint of the poweron tap tom VIoLENI SoClEff. Ttis 7" is a mNt. Get it. Get it nffi. (JB) Cnrg fucadr. Srib.220.252 |h Ed l{rldStt|t Or.rbr. P ltill

- B o o k b u r n e r7 ' VOORHEES All right,I newsixsongEPbyoneof the UK's mostprominont thrashers.

Thisis noletdown. but Mqybenotasftanticn thelreerllerreleases, solid. StraiSntupHC,nofllleqnobullshit.Jud abrasiwHCwith meattasfuckwcals. Iiveseen thomlivethreetirnesb€foroandnotoncedidthey mll ontheflmr. Irng liw Eeditionel HC!(le) Ill0 Rrc&. P0.Bor 10(1.ltnnqdis, li{}l55110 / DB/O|D0F FAFH- split LP VOORHEES I gum a revkwof thlsis pr€ttypolntless asrnost p€oplersadlngwil plckthisupregardless ofwtal I say. Baslcally tso realgoodsolldHCbande wholeb€onaround forewrknockoutnbre0fthe quelitymusicthoy'reknosnfor andneither In erywry. DWoID0F nA,l,IIldowhat disappoint theydob€standbm out0na greatpiee ofvirvl.

Sadh seethemgoe8p€cialh astheynewrplryed owr herein the UK,butyougetthisasa good reminderI don'tthinkthey8otther€Epect they

des€rvedto be honest. I guessnow that th€Vve split tt'll b€ 0K t0 like them mor€. 0h, and the BASXABD colrr is s line m0ve.VoOBHEESon the nip knock it up a geil ftom the "13' LP and go for I mor€ straiSht fomard thrash appmach and it wo*s. Blows the LP lnto the water. Still think the productioncould b€ belter though. 'Ihey loose someof the powerI know they havelocked up.

The SUICIDALTENDENCIES cowr is classand abouttime someonedid it. The whole thing is wrappodup in a simplobut elfectire sleeveand the vlryl is white for thosewhocue. (GS) Gbm Rrods. P0.0c l{253.Albary,llY 12212

crust/thrasi lr full thmttled ftom strrt t0 tlnlsh, with barcU e momenti0 catchyour br€ath botwe€n songr. The lirics are almGt as rage fllled a the mBic with Y taking shotsai everythingAom Nauis to copBto abu3hEhusbandsto tabloid nffipaper& Tlle onv dmlde to th€ r€leaseis that lt look me a coupleof timee thmuSh to core !0 grips with th€ rocalson the mor€recentnut€rial. Ttev arc burled in th€ mix and one-dimensionaleven by thrash standatds,which undercuts$omeofthe diversib in the mngs,maqyofwhich hare a wry stsonggroove budedin the rna€lshomoI sound. (JB)

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WHATHAPPENS NEXT? BrutifulFearing6' 0kry,okqy fnt things llrst...I onbhawacouple of other 6"en in my colltrtion s thh wins instant rccord colloctor dort bonuspoints ftom me. That said...I harc hsardso muchaboutthis bendthat I was nrorc thrn a llttle eageri0 nnally hear their music. I haveto admit h being rather surpris€d end pleassnw so. As pmgenitorsol the ton8uein cheek "bandsnathrash" mmm€nt lllH.N.? were taggedasa thmw backio the skatocore/metal-core soundofthe 1980's.As a r€sult I oe€cted a band that srs more 0f a nowlw than.allything else...a bandthat madea conc€rtedetrort t0 soundlike $mething ftom the pal lmt€ad this r€cordshoffi a band that, although influenced by the afor€mention€dscene,without qu$tion interprets that inlluenceby llliedng it thmugi the n*thrmh soundsof th€ more violent end ferocious90'i mund. 'lhis isn't red$ a thmrtack soundat all. It is simply a dneront navor 0f quasi-thrashthat incorporatesdissimilarvibesthan most of their coniemporaris. 'lteir mund i8 simpler and rnor€ dir€ct than the norm. It utiliz€s conwntions like discernibleleadvocals,moshablegultar bridges fld 8ary wcab duringthe chorus. But I r€sent,as do the bandI'm su€, arv implicationthat because this vlbe is not what is cunenth popularthat it is somehw lx vdld or entertainingthar the more mognlzable powerviolenceof today. ${H.N.?are dellnitev oneof thm bandsthat ar€ ln it for fun so crankthis up rnd haD frm with it Duh!(JB) Sh lllh. ?5 Linoln Aw. Cohli.CA91931

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YACOPSAE / BIZARRE X - sptit7' Be warned: A split record by two Germangind bands. Don't lisien 00thiswhen havingpmblems with your hesrL Both bands brutally grind their way through, of couBe, lots of songsat insane speed. Ibo bad the production ofthe BIZ{RRE X side is bad compued to the lupslde. Both bands defnltely do a Soodjob but YACoPSAEs sids is so well pmducedthat it's alnost unbeatrble.Ifyou dig the Sind, 8fue'em both the opportunity. (nE) Vutglr,do Silb Prids, KPduhkctl. 112625 Bartrn, 0nmly

WILBUR COBB- TheNightof...7' Althor4h candidat$ for the worstbandnamo0f the par, MLBUR C0BBare nonetheless oneabsolute$ ripping herdcorcband. I acquiredthis record becauseone of their fans sent it t0 me (thanks Rudou). It is a rcry 8oodsiSnwhen a band'shns arc so dedicatedthey spend their owtt money to helpryr€adthe wold. I hadnelar heard0f MLBUB COBBand initialv had absolurelyno ideawhrt t0 oq€ct bot it onv took about l0 mond8 beforelrv mindwrs blmn. WILBURCoBBunleashalouthtul end [y!or thrash in the wln of ULCEn or mete srcn HELLI,IAIoN. MBnybmds who Ey and plqy this fast s€€n to losegraspoftheir soundand l€t it rpiral o{rt of mntrol. WILBIJBC,OBB, on the other hand, nunrge i0 be wry tight and focused. They mry be cheotic,but it is a controlledchaos (orymoronanyone?).Their lyrics are reelly lmg€ssiw as$€ll. Itey takea wry crltical atd, in my oplnlon,very accuraielook at the hardcore sceneandtalc it io task. Ttey challengea lot of the ldiocy and mindlesness in the scenethat far t00 often mlrrors the very society it claims t0 be rejtrtin& lbry gmd st|findeed. (JB) llwa Rrcodingror Scmr Polio Rrccds

Y - Pseudo Youth...Human Cesspool CD If you haw beena fm of Y in ths pmt, you will pmbabf dtetfi be familiar with the mterlal on this CD which i8 a collectionof their previously nleas€dvW outsut. lt includ* th€h ?', the 'Ali Bomaye"LB the split 7" with DISCRIPTand a coupleof unreleued tracks as well. If you are amongthe rillc 0f the uninltlated(like I wx) then 8et prepared t0 sit back and be thrashed and bashedand smashed.Y does00the humenbrain what a tornadod0esto I trailer park. Their

YAWPI- ProgressionCD Dldn't knN what t0 think of this by looking at the cover. Honestv, I was eptrting that it muld be lam€. TtanKully I'm totrlvwn& Ttis CD kicks ass! Thesegws play hadcore thrash that's mid. tempo 1980bBtyle. ltey rrite lncrediblycatchy ritrs & sing along parts without d€lving into the borin8, melodic, pop punk trep that most newer bandsfdl Into. The mcals are shouted,the guitars are loud, and the drums gallop alongforcefully.

The only band I can think of as a comparison would be somoonelike TflE NEICHB0RSwho are exc€llent in their own ri8ht, by the wav. I'm not cmry about slowertunes like 'Pl4'8round" that try to evokesomeemotlon (md fa[), but th€ mqiodty of thir is stralght fonrard and eqlotable enoughto reconmendthis one. (CD) lhnproo Rrcadr, liliddrnrrg 13.1098AAAndrdm. lhdrrLnds

Y E L L o W M A C H I N E c U N- s p o t RemoverCD I can't tell y0u how great it is that this phenonenal CD is avallable in the States.

YELLOWMACHINEGUNarc a trio of unimposing

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:l^i'di r"srjSilirripnu -tj[ri

j o s u t q o g | J e r - [ u - r l . / u o ! l n l l o d - u €y . I d y ] / ] 9 ] . ! r y : | ' u . u . a 0 . - ' '7'-aopog strqi: tocl 7 tituersqar - Ierl t ,l]eg erlrS- l83l / i *#

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I

oF$sw Instead of krllrng S o h e r e ' s t h e n e w h o m e f o r m y z i n e M O S HO F A S S , rt r two and half it 7ears, I decided lhe Les-t thrno to do was to include as a feature cf SHORT, FAST & LOUD. Lately, aLl my other projects have consumed m.rre and nore of my trme, so 1 debated whether to just qurt MoA rha LIS confrrmed tha: peolJle actuall:, Bul lhe ttpes k e e p c o m i n g i n , a n d t h e r e c e n t W H A T H A P P E N SN E X T t o u r . , f entireli'. lead the damn thin9.

At every new denc in the next issle. show, krds asked when the new issue was coming out, o! 1f they could get tlreir I took rt fcr granted that bands and fans t-o MOA. appreciated and lcoked fcrward So think of this as a complomise; on one hand, by being included in another naqazine, I don't have t.r do 1r.0X of the work (MCAwas given out for write f!ee, so it was no! only time consuming, but cash consuming as well), On the other hand, I can still up denos an(l qet the word out on t-he new international bands. on the issues So keep your eyes peeled of SHORT, FAST 6 LOUD for new l{OA reports and more importantl), keep those demos and tapes practice coning in via my address.

The one and only difference is that I will a tiny blt of qual-ity control now (.lue tr) soace limitations) so don,t send in complete crap noise, and never ever send in sexist, homophobic shit-.

Ok, tiII next time, see ya in the pitl Send future

MOA tape

review

submissrons

- d@ BETDACn! ttnnlBr.E know already tlost of you probabl!

Headache Terrible of the mighti awesome EP on by now from their llurred Records. Thls taPe is a iot slower than what I remember nore of the it's tbe EP being'-

C.<r

lllan,

Mrkunt,

1202

ilegurot

Tokyo,

DusLesL what,s

5-27-JB

AC lnsr tolalIy

-

duo thought

gu!,s

r 7 ^ ' ,

Japan

t s a :

n i

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bad,

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was

Bor

a23{13,

Srn

trnncirco,

Cf

9a142-3,113

FIEL COOD CDNOCIDE - LISIEN YOUR OllN RlgX d6o Thi.s rs a crazed one man band.

Itrs really welI done fo! that. A good mix of psycho rioise, hard o!e, lazzy si,^t, I tlae d tr.ix of t he Crucl fucks di..i .ltarL Rdvrr.g Mad. The re^ordin,3 Is home-studro, so it' s rough, l,ut dudible.

E, .Sdskatoon/ Ma).ca)n, 4)) l0th.'lr 5X, J-N 0a9, !-af)ada V/A - COLLECTIVE EFFORI VOL.I1 This tape revives tfre great art of a 'rrnp tape. AII these bands are rippinJ,lapanese lh!ash, moslly reior.leC cn 4-Lraak, anC aI L of which rule I Bands include one River, SIut Judge, Array of Hope, PFEE, and Sonic StamP, Guzzle,

, 1 , , - ' \l u- X}

USl,

rh,? is r.all\

DUDI{AII 9le.l1, been

-

TAP!

ani

I?

avld

featLtred

::::^::'l:";;-"-'i.

This was !ereaser oi.""t.att' .^ wri!e filst ' 'S-c"n,J .f qu 'nt t ' P 'A )121 Australla vrc,

-- ., pt .hr.ilj Box r ) 1

zl - -Y Rrzrac . h-c. aui.s you miqht !enemb4r imi in- 'F.'" '. L' . ; iha! r intervrew rn

t ! om p."i

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know,

OuCman

hardcore

and

GROADIES - tape JOHNNY X These dudes have been around for awhrle, and p1a7 some crazed fucking harrlcore. Ijon't let the name deceive, brutal thrash an,l on the 1t's !ealIy !irite eml And ask ve!ge of grindcore. song "Kent CD as weLMherr for thei!

M.iCIard Can Suck M7 Ass" is classic.

Pcrtlan<l' .lohnn) ):,1426 SE D1vtslon, '98 HANDS ttELD OUT - d4o Harlcore that has a mix ct youth r!ew wiih sone punk,/hardcore elements as welL Good for a demo, and I t-hrnk shit down for therr ha./e thel! theT'Il Recor.led in '9! so sophomore release. 'em.

1 don't know what's neH wlth Braden Govani, P,O. Bax 5583,

has

e!.â&#x201A;Ź

;:il

.,]u?l'.:;::: f a s f . r a p a n e "s n e u . t' h rash.

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so busyt rhis ra!,e r"

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Iu".'n.,no'o'u o""""io'1;'ii1,,

sinqlng

this

fuckj.ng

ale

^ , , \ , c

m;t*r"nt.

bands, new,

- d@ l2-cAo6! flell, thts is a se]f-made CD demo in llopes of getting a lecold con!ract.

The musi.c is stoner rock, whlch I can't stand.

Everyone ta.l.ked up bands llke Hrgh cn Fire, then I saw them and the.r/ sucke.l ass. Fuck ltoner rock.

Dan, 2tt06 ureerddle Dr., :hanpai,ln, IL 61821 |lIfD

f

t55;p-032, Japan

Hj.nonyd,

152-0003

1.4580-8709

bastaad! ), so watch for i!.

Rirchr, lAi Asahi.-so, 2-48-1, Darzawa, Setagaya-Ku, Takyc.

ea!1ie! rapes, vnicir r al6lF-iG see

Nccdb!idqe

from Tokio, taking early B0's Boston and mixrng il with BMX. j.s the shit, Seri.cus. this and from what I heard, this is going

This is a four "trand" noise taPe, feedback Dinly of el.ectronic/ Aural Bands are: @ise proiects.

Zonbie Dead, lolute Mechanis,

Japdn's

1 l 3A

'99 d6o

these I

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P.O.

/

and r^^l I r,

ir

NY

oC ^t.

'''.--.. -.. )o ,.,therr split EP wrth Galvanrzed Head, !ou -anr! mrss thrs. I"s <|np, -h1.ri..1 F-Ft.e' I^.hrash

v/r- l-rAY xotsE cor'rp

ot 'en

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webster,

Ln,,

Morh

/

Re--oICa,

Cn nU -

0015, Japan

30 trrte

frhr

Y^i ^raci

Achre!,e

Scandinavian thrash Persuasion grtnd, but folward than stralqht it's just as enjoYable. l,lrite'em a v a i l a b l e ' to see i.f 1!'s stiIl 1-9-j9 tusuke Adachj, shinizugaoka, Fuchu, Takra 183-

mole.0ne

toi

catchv

than

"t"

actually

t

. II,TPACT !A.PE T3 A docunentation of an awesome show that happened in yokohama in I999, .heck ihese bands ouE: unkrn.l, Real Reqgae, Brdinea!e!s, Trappeci, ?he Little Bastards, Eramticl, Flame, Smash your [-ace, Truth of Arise and couka. sone trve tracks, sone stuciio, atl awesome. But qet thrs, .1ou nad co oe !he!e to qet ttj i clon,r, thrnk rt's d.,'dilable th!ouqh the mar1.

ELaOn DEEP - d@ I'v-o seen chese dudes name around fcr arhile (srnce it,s a side band of Arns Reach), so ftnally here's the product . It's onty a rehearsal

tape,

and

there

are

, tA 23220

Kutlna, crgitia

on thjs LrJ"ot.r" thrs ti-"i,-tn-"tt

i"ro""*jln."tn'

than originars' rs PretL/ lood

ccvers bY crossed

etc' rc 0!t, CoP Out, Flnqwotm' tn"1-t:gru" You u feel o! whete I h.alo LheY wenL ln i*rng rto.. wl rcn r w-ulr i t r e. i u a t o r e i e n ! l i ln Lhe meanLrme' Itk" to cnect crt check tnls. to","n i.i,, 2303, A,str3lia

st

'

Hamrlron'

Nsry

TtE Prss nrgt rRtsrE / x)olr At{D Itrgrs - .Pljc r'P' rnelr amazed me with Valse Trtsle Iength of last-Year' flrst full The first *lch tnis a dub of'

song

but bY the i a cows cover, they kick lnto tracks, and third some crazed Finnish Punk-thrash with insane vocals. one of the on17 rt's sounds like bancis that really aII over again. AdoIf Firrland'81 is from the US and PIaY low-fi but the garage punk. Good as well, VT stuff destroys aI].

Tonchev, Stata Aot) c/o lvajlo l6-Gtaqora 6010, KV "KazansI:i" 115, B0lqa|ia gPlit tAPâ&#x201A;Ź FIAI,IE / BRAINEATERS. Flane is Japan's best kept they pIaY great thrash secret... with tons of good crunchy hooks and fast beats. 1 think they are there best Live, the records don't This is llve sets do 'em justice.

from both and though the recordings are rough, _it ' s strlL good. Brain Eaters are awesome as welL, their recen! EP destrc!.ed ne.

No address.

- dco llTUS lttERS Brulal psychc-qrindcore f!om socaI. Thej/ ha\'e sone funni thtngs going on throughout the music, buL rt's alI prettr. damn brutal.

The samples a!e funny as shit, the approach j,s as weII, bur it. s still reaII!'weI1 played grrnclcore.

F.E., P,O. Box 6488, Burbank, CA 91519-6488

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new

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Get thrs beEter lhan arrithlng I'ae heardl thrash, escc:r- i't! cut of the scenel persooaliy or I wlII Aono, 7-1 1-2A UeIloshlba' Sakar-c'r!y' Iadahlko Csala 59,?-8J0-l .'apa,

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IN\f9oEYl{

I

DISCRU3T - d.rc from fast-thrash primitive Really Confuse and Japan. Take a 1itt1e and mrx it with earlY grindcore OnlY craPPY you get Discrust. i-hing is Ehe taPe doesn't have an addaess, SorrY. . .

rlilf xrrrc / NtNtEr|Do tlExAGt nrcLUltON - rpllt trpa weird minj,malist Thi.s is leall' noj.se, nainly electro-noise.

1t's only vocals and a lrum machrne.

For complete noise freaks onlyl *08il.k 554, Eedok N th st.3, 4b0554, Sinqapore 241, Singapore

CUYS d@ DTSPTRAIOR - DE|\NL IN TBISI This rs the 3rd (?) taPe fron lhese These songs of grindcore. experts ccntinue Desperator's fun grindcore, better and i-hey only keep getting are tape. The song titles with ereri so 1f You get risky, a li.ttle I ' n don'r- bother' cffended easily, t-hat these guys aiways surprised

- d.e Bull.snrr IXCOSI grind crazy, .Loose, fucked-up what do you get when you hardcore. combine members of Plutocraci, Agents of Satan, No Less, Apeshit, with Large amounts of and Eretic reed and booze? Thrs rs fuckrng plus 14 songs rn aII, crazed shit.

I heard

they

do a Madba]l.

don't have any vrnyl out Yet. Mrcke strombe!-g, Grlndvagen 10 A. Sreden 767 62, Narttalje,

cover;

IS MNIT SCREAI{ING CHII.DREN Ul.t!a prrmit rve grrn'icore recl! led l 7 a fou!-track.

It's not bad, I I lst get lnto these tapes too don't really much an)rcre.

If you lrke low-l-u.lget

EN 1., 't t" !

t99 rom

o uc he

Hlpo-Chrrstran r!S ) .

Most of it is recorded wa7 low-fi, but noise fans wr I i :lrg. Plus llarco does a free ziDe so ask for one when you w!rte himl Zas! c/o Matca Taurnajal, via R o n a5 9 , 1 , 0 5 . u u l r t:At, Ita.l, CRISIS - SAVED FROM EXTINCTION Jeb flom the alass Menagerre rs a (we're talkrnq total netal fiend glil and everything).

So Lack rn '811's the early ttrere was a rrtah bed called Crisis wirich plaT rockug early '8ri's rock,/heta1 Iike Motlei Crue/kaven. I Con't kroH then tirey exrsteii, but I llile thrs a lol more than Ehe )ve!-

-d@

ally

Hith

,

and

.

Tne

re

on

55

From the Czech republ.lc comes this straight ellge band Underfrre.

Tlris rs an ultraSlick deho, wrth a llce coYer pro-recordlng, ud but loD't be turned off cuz it's not really fomula youth c!ew style.

It's sometimes Just qood hardco!e, fast, sometlmes slow, with sohe youth crew hixed in here anC there. Good effort, and watch for their track olr the upcohing Comitment Records compilation. ilartin Cesky, Nebtehavjce 7, 8501 Stfakanice, Czech Repub-llc PAPARAZZI DEATH SOUAD - ds R e a fI y c r a z e d h e t a . l . I r c halclcore, kinda on the posthardcore trip, but with more hardcore than lets say Converge, Good shit, I want hea!

hore

from

'em!

has tapes available-dd still !f you're dom, order one!

Jeb Bran)n, SUU Box 9548, Lledar atcy, uT 84720 DACIMATION - d@ Fron 11Lrno1s, Decination rgreat name) plays a mrx of fastcore and grindcore.

The recording rs rI think) a four-track so !t's kin.la hard to hear what's going on. But ludgrng froh what's on thrs tape, they'Il. k!ck some ass i.n a studro.

Barry,1505 Da||son D!,, Champalqn, IL 61820 SAY YOU HATE ME - dso The/ sent me two tapes; the first is from a boombox,

watten,7152 Rd., ,trightsvilJ.e,

, PA

V/A - METAL EGTON t.p.

Straight from Singapore comes thts awesome metal conp tape. Man, this is awesohe. Its '89 ove! agarn, total oId thrash and .leath netal influences aIl throuqh thrs, This rs the true hetal plus the tape underground, ls super pro (oolor good iecoraling, cover, pro tape) so write the label and see what.s up wrth the true underground netal. scene. yjshun Central Candleljght Productions,

ts awesome, if you've never hearcl Swankys befole.

PIus the tape label will have tons more rale thrash tapes com!ng soon.

Matned fot Life, 15289 youngvood Dr,, Whittter.

CA 90605 .98 tcNoRttfct - deo Good dual vocal crust-thrash from Japan. thi.s tape has more of a Japanese thrash souncl than thei! later tracks on the FFf comp Ep and the conp 10'r (I forget the name, it's on Forest Recs). J also got their split tape with Society Attack who al,so plays sohe fierce thlash, lhey,re a really busy band, so write 'em to see if they have any new t

a Iitrle retter.-@ prrhitive haldcore/fastcore.

Didn't do too much for me, but haybe with ti6e and a better recordrng lhese guys will puII off a solid tape.

S.Y,H,Mt P.O. Box 274. Nev Paltz, Ny )2561 IADED GRIY - d.e RealIy f,ell executed melodic positive hardcore from Las Vegas, reminds he of a mix between VerbaI Assault and Statue, cet this cuz I assule you they'Il have sone vinyl soon, cuz thig i.s reall!. weII done !

Faded cray, 4846 sangay Hay, Las vegas, NV Otj-47

o.rirat@ Une, 3-7-9-204, Nanjki, Yokahana-city,

Kanazawa-ku, Japan

POPAT - d@ Froh Nashvi.lle comes pupae who play sone nardcole not unlike the first HeII No EP, Mainly staying within the mid_tehpo range, they actually are strongest when they pla! thlashie! stuff, Pupae, 4A51 Hrqh Sc., Ndsivr_i.le, TN 3j2jl 30 grCOt|D FURY - de 9 songs of old-school punk/hardcore from pretty close to where I Iivel I guess thelt. are only 1.5 and l? which heans rhev,re goj.ng to be a force to reckon wrthl t can hear a little Boston in thei! stuff.

Alessdndro, 104 \,ta Sant Marra, trg.5 Gatos, CA 95A30 -

v/A

Fer

SELF nAfE - prm

Kanaga*a,

trD.

Polard's S.H. kick &r$ sG crazy just what lou wilt grindcore, It's frm grindcore.,. rough r@rding, guitars, Iortued €tchy breakdow, od ultra-fast b.last beats. Nrne songs so get this tw if you're a fd of grind.

R4inds re of early ExhuEd but with pol.itical lyri6.

Nldrev Szpi,rko. ul. Pod.lesna 3a/n8, 95 200 Pabianice, Pafand MEDFUL IHINCA - d.rc Brutal Czech grindcore with Disrupt & Supplession covers to boot. A]most 20 songs in aII, with no slowing dom whatsoever' Grind fans beHare!

Oato 8eran, Anenska 1296, 530 02, Czeh RepubJtc

SCRtrx lt way noise/grind

comp tape

- de o\rSRuME Four song rehearsal tape of a pissed off strarght edge band froh Canada, Lyrics remind me of I Hate You, while the husic ls reall.y good heavy youth crew.

Get these guys in a studio and the?'II be a force to watch out for.

Overtjnedhofte. con HATEBOX - dso For tl.ose who drg one-man grrn,l bands, thrs tape rs for you. It,s a one-han band fastcore/grrnd band recorded by hj,mself as weLl..

The production 1s pretty rough, but I think lhatrs the onlr' way thrs klnC of husrc could be recorcied.

I'm lust amazeC peopl.e can do this by themselves.

Fu).vio Djverio, vja de vit 19, (VB), 28838, Ita)y Stresa

vle|| 17368

DRIPI IOAN 14ER' - DEID ESCIR ultra-IoH-fi grindcore mixed wiLh werrd par!s an.l sdnples. rauntr.!// )aZz etc. are utrlized to break apart the 9rrnd/noise parts.

Ok, but not real_ly my thing.

Josh, 9 W. Lakeside Ave., l,akesrde, Ky 4j0)7 - dao CASTIGAI! lotal Malaysian black metal thrash.

Femal.e vocals, aLmospheric songs (Chat are like 5 minutes lohg), pretty goo.i s!uff, I actually eould have Iiked thj.s nore back tjr 1990, but irs srill good to ltsEen to. Fo! fans of metaL. fuc

(cones in Good packaging to start off with a bag with tons of shtt).

The nusic itself is politically grj,ndcore/fastcore. o!iented The production rs a home recordrng, but rt works welL wrth this band. cood shltl Mjke Gifford, 2940 Oleander Dr llB-4.

Wilningtan, NC 28403

DEIONIC ORGI - SPOR! VOMITING trp.

Well, I would dig this tape for the sheer brutallty of its prj.hitive grindcore, but as with alnost aLl of these bands, the porno-oriented, Iyrrcs are total which I can't stand. If you dig bands like Gut or even worse, The you wilt Meat Shits, dig this.

Ertc, 4312 NW 54th St,, Ft, dale, FL 33

soRRornt& EMIINq NOR T LIVING d@ Wow, this is onlr, bass and vocals.

That,s rE, no drums. A Irttle too m.i.nimalist for -ts6^L drihd-h^i.6 ir .,,r me, but the song ',f1ck Me Down,, has an Jasen, 1508 Jrd Sc., Cua.te, L-A 9iL).10 a w e s o m e c h o r u s .

If Godston r:srrumen!s ror you to ;;;:;: FSF - TOLERATE NO rrORE tape :;:"t::r:"ll r19ht for youl 0k, in countries Iike Mala?sia, spence, 119 N. Maote st-. ottunwa, lndonesia and irnqdpo!e, rA, 52SOj fuII Iengtns S.I'CRILICTOUS - doo ed EPs are !eleased as cassettes Crazy, here,s a tape froh since that's the host uti.lizeC fomat a SF band I,ve never of hardcore phk.

S. mrsl )t the rheT are !rpprnq. r!.s a rorar l:::o.:1.."o !eleases are super slick, as wrth s naldcore ihrash, has sore good breakdowns, fast rrffage, thrs. FSF pla;s some catchi snoti/ ancl some strained punk wrth great lyrras.

I'ocals, Let's say awescme crossor.,e!.

68 Arnafd -st., .Sa, Francjsco, Fabnf . 63 .j.i-idn Lembai, E -lA, cA 94110 40000 Shah rlldm Selaiqor, Wesa SnT.NXYS BtSr OF t.p.

MaI aysj a A good bootleg tape of these Japanese thrash leqends. Tota1 distorted thrash and if youre fahtliar aE all wrth their brother bancl r, you knor what I mean.

Thrs

Plague Rages {Brazil), Hatebox (see review thrs issue) , (Czech Repi and lristed Trutb

Ip I

Awesome band name. Dispose! is not a Dis band, but sound nore Lj.ke the swankys due to thej.! fuzzed out puok-hardcore.

This is awesome, check 'en out if you Iike ol.d Japanese distorted punk-thrash.

Djsposer c/o Kotake,10l A,5-2116, Kawaguchi-cho, Fukuyana-city, 720-0822, Japan

This is a cassette copy of their CD, and while they play Euro-grind, itrs a Iittle slower than what you'd expect. Rehinds me of .Late 80's thrash bands fron Brazi.I playing as fast as they can.

Itts ok, but for conpLetist grind fiends only.

BaJ.nDzette, ?8 Avente de Njnove, 8-5580 Jee.lfe.

France @AT SHA}ITY - d@ This is the fucking shit!

Fron ex-Tres Kids and Rash of Beatings (one of my allti.ne favorite bands) , Holy shit, this is out of control thrash, get thj,s now. It,s a great bLend of hardcole with grindcore beats, and the o-ver by being

screams, la:on.

Atnens,

no Bs! 2SS HiJtcrest GA 3060)

Ave.,

l.'ErcR |l!lo( _ tlo :PEtFrc lron Seeden, these 3 Md thrashels play atesore scando chrash. J heald they have an LY ln the works, and they,II arso appear on a coip CD I,h qolng so watch for that.

But 1n the reantihe. get this 5_ cuz irs awesore ion?.4"*, rwelsh thrash.

Marcus /qxe_lsson, Banjas ttakeL 5' 903 53 OEd, SH€€le, SInAt - dG LMRrf Frm lralaysia.

S. L, are suEr heavy NyfiC styl6 like outb;rst or BreakdM. The first sono rs really good i sgsieqsly Dut the Last B,ong ls a I

tm retal loiR v€als in full effect).

I,bn, there is a glrLar solo tn thts tha! rs lust fucking awesore, B-ob,. 51 Jalan punqa Raya Besar, MaJidee Baru, 8)l0O Jahor Aahru, Johor, Mal.aysia IN lnl - d@ ,99 CLIIR Ok, with a name like that, guess f,nat they play? Rrghto!

Strarght eoge, this reminds of the early '90's Conversion styted stuff, not 100i hardcore, not metaI, sonewhere in betreen, J thrnk thei! next release wiIl be sEronger, but thrs is good in glrite em at: rtself.

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