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DESIGN THESIS
HIGHRISE DESIGN
URBAN DESIGN
RECYCLE AND UPCYCLE EXPLORATORIUM CREATIVE COMMUNITY CENTRE
AVON HEADQUARTERS OFFICE TOWER
PLACE CELL: BE A PART OF THE SCENE
SHAH ALAM, SELANGOR
KAMPUNG BARU, KUALA LUMPUR
KELUHARAN KEBUN JEROK, BANDUNG, INDONESIA
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UM MASTERPLAN
MULTIDISCIPLINARY PROJECT
AGGRANDIZING THE VICINITY OF KNOWLEDGE
STUDIO KAED ANNEX
UNIVERSITY OF MALAYA, KUALA LUMPUR
INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA, GOMBAK, SELANGOR
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BSc. ARCH YEAR 3
BSc. ARCH YEAR 3
IDIDE WORKSHOP
COMMUNITY INTEGRATED TRANPORTATION HUB AND RELIEF CENTRE
URBAN MOSQUE: THE HEART AND SOUL OF JOHOR BHARU
THE BETAWI PROJECT: COMMUNITY CENTRE
KOTA BHARU, KELANTAN
JOHOR BHARU, JOHOR
JAKARTA, INDONESIA
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ISDC COMPETITION
LAFARGE LOW-COST HOUSING COMPETITION
ECO TOWER HARVESTER: A RECREATIONAL COMMUNITY CENTRE KUALA LUMPUR CITY CENTRE
NEXUS: LINKING ELEMENT IMIAGINARY SITE
PUTERI HIDAYU NAFISAH MEGAT KAMIL AZMI
puterihidayunafisah@gmail.com +6013 6458369 www.linkedin.com/in/puterihidayu www.issuu.com/puterihidayunafisah A graduated Master of Architecture LAM Part II. Dedicated with a keen interest in architecture, green and culture design that benefit the people. Looking forward to gain knowledge and experience in architecture learning environment. To contribute my learnt knowledge, skills and critical thinking with the best of my abilities in becoming an Architect.
MASTER OF ARCHITECTURE PART II (LAM / RIBA) UNIVERSITI TEKNOLOGI MARA
RECYCLE AND UPCYCLE EXPLORATORIUM CREATIVE COMMUNITY CENTRE
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This proposed project is providing recycling facilities which will encourage public participation in order to educate people on the importance of recycling. The building function as a centre for recycle from collecting, processing, reproduced and manufacturing new product which can increase environmental value and generate country’s economy. State-ofart recycling also as an alternative solution to maximise public experience hence create excitement in recycling. These programs function as a datum in promoting Reuse, Reduce and Recycle (3R) concept to public as well as to achieved government’s aim.
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INTRODUCTION
In developed Asian countries such as South Korea, the recycling has increased and reduce the use of landfilling from 62% in 1997 to 28% in 2006, with the successful introduction of obligatory schemes for a volume based waste fee and segregation of food waste system. In European countries, only waste that cannot be considered for recycling will be disposed of landfill, whereas in many developing Asian countries such as Malaysia, Thailand, Vietnam, india and Indonesia, all types of wastes (e.g. municipal waste, industrial waste, construction waste) are disposed in landfills without being pre-treated. These caused non sanitary landfills and open dumping dominate in these countries.
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Majority Malaysian waste ends up in Landfill. Only 3% are Sanitary Landfills. Out of 3% Landfills, only 1% equipped with electricity production.
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Energy, economic and environmental (3E) analysis of waste-to-energy (WTE) strategies for municipal solid waste (MSW) management in Malaysia
BACKGROUND STUDY
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In accordance to the national recycling program, all local authorities were instructed to implement recycling programs in order to achieve government recycling target of 22% by the year 2020. At present, recycling practise is less than 10%
Malaysian produce approximately 30,000 tonnes of waste everyday - and only 5% are recycled. And currently, with this ne implementation, only 10.5% of Malaysians practise recycling their waste.
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Malaysian Digest, July 10, 2015, Fines To Encourage More Recycling - Are Malaysians Ready
MATERIAL RECOVERY FACILITY 06
WHAT? [PURPOSE]
A place that offer an interactive programs for recycling and upcycling for public participation and providing a platform for creative people to gather.
WHO? [USER]
Housing residents, students, creative people, sculpture art enthusiasts, public and family
WHY? [ISSUE]
Malaysian third world mentality with lack of awareness and increament of volume and cost for waste management
HOW? [STRATEGIES]
Experiential, informal, project -based and interactive learning to creatie proenvironmental and creative learning behaviour
WHERE ? [LOCATION]
AIM To propose a centre for recycling and upcycling art facilities with integration of attractive and interactive programs as an encouragement for public involvement and as a platform for the creative people
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Proposed in urban area of Shah Alam, Selangor with surrounded by art making place
OBJ ONE To explore a new solution towards reducing waste management issues
OBJ OBJ TWO THREE To identify recycled materials that will give potential to the building programs
To promote and facilitate successful entrepreneurs of the creative industries
TARGET USER
STUDENT AND PUBLIC To raise public awareness regarding the important of recycling as well as providing services and facilities for waste management.
ARTIST / CREATIVE PEOPLE To provide a platform for the creative people to gather and share their ideas.
HOUSING RESIDENTS To increase awareness and education regarding waste management especially on household and domestic waste.
INDUSTRIAL PEOPLE
VOLUNTEERS AND NGO
To offer job opportunity for them in managing waste from collecting to composing or manufacturing new product.
To involve volunteers and NGO’s in supporting to increase environmental value and recycling activities.
THE CLIENT AND COLLABORATIONS
BACKGROUND
SOLID WASTE MANAGEMENT CORPORATION MALAYSIA GOVERNMENT BODIES
SHAH ALAM CITY COUNCIL Shah Alam City Council as an authority to provide a place and collaborate in the implementation of the rules and regulation related to solid waste management.
The Solid Waste Management and Public Cleansing Corporation (SWCorp Malaysia) was established to complement and ensure the successful implementation of the National Solid Waste Management Policy. The Corporation was established under the Solid Waste Management and Public Cleansing Corporation Act 2007 (Act 673). The Corporation commenced operation on 1st June 2008 under the purview of the Ministry of Housing and Local Government (MHLG). To implement solid waste management and public cleansing policies and strategies in an integrated and effective manner by increasing public awareness and the usage of the latest technologies as well as the enforcement of the law to ensure a clean, healthy and sustainable environment. CREATIVE INDUSTRY
LAMAN SENI, SEKSYEN 7
Back Alley Beautification Programme is an initiative of the Shah Alam City Council can be a platform for an upcycle art where all the recycled materials will be reproduced by the participation of public as a street furniture or a unique sculpture.
EDUCATION AND TRAINING
MALAYSIAN GLOBAL INNOVATIONAND CREATIVITY
Empowering the spirit of entrepreneurship, creativity and innovation, create and ecosystem that is collaborative and provide the necessary support to the development of entrepreneurs
UNIVERSITI SELANGOR UNIVERSITI TEKNOLOGI MARA
Involve university students from various faculty that related to art, design and environment. As a platform for their training and education as well as to polish their other soft skills.
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UPCYCLE Known as creative reuse, is the process of transforming by-products, waste materials, useless, or unwanted products into new materials or products of better quality or for better environmental value.
RECYCLE Process of converting waste materials into new materials and objects which can prevent the waste of potentially useful materials and reduce the consumption of fresh raw materials
CREATIVE
EXPLORATORIUM A museum or similar institution that encourages visitors to explore the exhibits in a handson manner. It allows people to explore the subject matter through science, art, and human perception. Its mission is to create inquiry-based experiences that transform concept of learning worldwide.
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The proposed Recycle and Upcycle Exploratorium Creative Community Centre will be located at Section 7, Shah Alam. This building function as an education hub or an informal learning centre focusing on the subject of recycling. It will also promotes ecology awareness and integrate community spaces and recreational activities due to the site which is gazzeted to the public. The centre would also provide a program regarding process of recycling on glass to the production of glass art product. This building will be constructed by using recycled materials and blending with the environment. Sustainable design concepts such as durability, recyclability, reducing disturbance will also be included in this project.
A place to accommodate the ability of a person or group to make something new and useful or valuable, through imagination and ideas generation.
COMMUNITY A public locations for members of a community to gather for group activities, social support, public information, and other purposes. They may sometimes be open for the whole community or for a specialized group for a certain period and events.
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STATE-OF-ART RECYCLING FACILITY AS AN ALTERNATIVE SOLUTION FOR EDUCATING AND PROMOTING ‘3R CONCEPT’ WITH HANDS-ON LEARNING EXPERIENCE AS AN ENCOURAGEMENT FOR PUBLIC PARTICIPATION.
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SPACES GENERATED FROM PRECEDENT STUDIES
CLASSIFICATION OF SPACES
HYPOTHETICAL PROGRAM
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SPACE RELATIONSHIP DIAGRAM
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THEORETHICAL STUDY IN GENERATING DESIGN APPROACH
1 REDUCE, REUSE, RECYCLE
Advocate sustainable living through design and in everyday life. Maximise application of waste to reusable material Source : Reduce, Reuse, Recycle - Architecture As Resources
2 DYNAMIC INTEGRATION Changing the building type to a creative social infrastructure helps to attract the community to the building and allowing a dynamic interactions among the community hence people would feel intereseted, safe and ease to give their recyclables out. Basically a one stop centre for people of various background; from creative people, businesses to waste collector and end users. Source : Integrated Buildings: The Systems Basis of Architecture
DESIGN APPROACH
“... Symbol of infinity - infinity production of glass life ...” “... Non orientable surface, One side and one edge. One side surface in the form of a single closed continuous curve with a twist ...” “... The infiniteness and paradox can demonstrate an enclosure, one walk around feel the spatial twist without having to walk upside down... : “... One continuos loop circulation without same (inside - outside - inside) ...”
“... A porous panaromic building between people and activity ...” “... Transition from horizontal environment to vertical one. Effortless view across under distance possible... ” “... outside - inside - outside ...” “... one single linear circulation ...”
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4 CREATIVITY INSIGHT
BUILDING AS A STATEMENT Building act as a statement wich existence is from our current scenarios and resembling the future caused by our action. People are driven by what they see and believe. By making building insideout, it gives impact to the people showing the function of the building and people will start to take the issue seriously hence start to be aware on the waste issue.
Creativity is the result of convergence of basic cognitive processes, core domain knowledge, and environmental, personal, and motivational factors which allow an individual to produce an object or behavior that is considered both novel and appropriate in a particular context. Source : Influential Elements of Creativity in Art, Architecture, and Design Creative Processe
Source : Why Do People Do What They Do? A Social Norms Manual
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VIEW TOWARD BUILDING ENTRANCE
VIEW FROM OUTDOOR AMPHITHEATRE
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SITE PLAN
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GROUND FLOOR PLAN
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FIRST FLOOR PLAN
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SECOND FLOOR PLAN
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THIRD FLOOR PLAN
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SERVICE FLOOR PLAN
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BASEMENT PLAN
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SECTION A-A
WEST ELEVATION
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SOUTH ELEVATION
SECTION B-B
SECTION C-C
EAST ELEVATION
NORTH ELEVATION 24
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SPECIAL STUDIES
Steel is 100% recyclable and is highly recycled and is appropriate for a variety of structural uses. Steel has a relatively high economic value. The versatility of steel means that it can be easily recycled or remanufactured into new applications as demand dictates. Steel as the main structure for foundation and column of this building
Used tyres has been installed within the foundation of the at the Procesing Area of the building. The purpose is to create a heat sink that drains heat from the wall, thus making the building interior cooler as the recycling process occur.
Glass aggregate, also known as glass cullet, is 100% crushed material that is generally angular, flat and elongated in shape. This fragmented material comes in variety of colors or colorless. Such material is used in concrete construction as fine or course aggregate
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Every building or compartment shall be regarded according to its use within one of the purpose groups set out in 5th Schedule. If the building is used for more than one purpose, only the main purpose shall be taken into account in determining into which purpose group it falls.
When FRTW products are used in areas where the material is exposed to weather or high humidity, it must be treated with special non-leaching chemicals similar to those used for fireretardant treated cedar shakes and shingles.
LANDSCAPE - THEMATIC EXHIBITION AND DISPLAY LAYOUT
One can perceive the space behind it and it is easily recognized. The regularity of the grid that connects each of the building’s faces further informs the viewer of the space presented, and very little is left to the imagination.
It allows for a simultaneous perception of different spatial locations within the same space. The idea is that, like in an optical illusion, forms are suggested –or implied. In other words, it allows for spatial stratification within given limits. Implementing sensory design to establish expreantial and architectural spaces
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DETAIL OF FACADE SYSTEM
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STRUCTURAL SYSTEM WALL FINISHES AND FACADE
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ROOF DETAIL
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CONSTRUCTION DETAIL (PROCESSING AREA)
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CONSTRUCTION DETAIL (AUDITORIUM) Design by the Vienna Architect Delugan Meissel the museum provides 5000 sqm exhibition space for 80 exhibits. A museum shop, a visitor restaurant, a coffe lounge and an exclusive restaurant with roof terrace as well as an underground parking for 300 vehicles are leave nothing to be desired for the visitors.
6000 tons of steel, span length of about 60m from column to column and a building ending levitating makes the whole construction incomparably
135 bored piles each up to 25 metre long support the immense load
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AVON HEADQUARTERS OFFICE TOWER
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CLIENT’S BACKGROUND
CONCEPT IDEAS
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PROGRAMMATIC SECTION DESIGN IDEA
FORM MORPHOLOGY AND DESIGN DEVELOPMENT
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CONTEXT ANALYSIS AND ZONING
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STRUCTURAL COMPONENTS
SERVICES SYSTEM
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DETAILED DRAWING
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STRUCTURAL ANALYSIS
SUSTAINABLE FEATURES
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AGGRANDIZING THE CREATIVE VICINITY OF BANDUNG 45
‘Place cell’ is a manifesto of a design concept which plays critical role in creating identity and sense of place by develop the core activities of the area which are creative and textile industry. Besides, it is important in creating experience in the city from place to place to create memorable episode and as a cognitive map for the user. Using the principle of adaptation and recombination can enhance the spatial organisation of the city to have the right activities at the right place as an organised pattern, structured in space and time. Morover, taking into account the strategies of place making, production of space, space and movement, and typology intervention can enhance the concept in order to achieve the aim of the ioverall intervention
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SITE SETTING The site is located at Pasar Baru area which is one of the central business district of Bandung with the total site approximately is about 10.6 acres. The area is surrounded by shoplots and dwelling for the middle class people where most people living in this area are contribute in the developing the business particularly on the textile industry. Pasar Baru area comprised residential, retail block, textile street and Pasar Baru itself. The current scenario seeing the cities not fluorishing and dull with monotonous and old facade building; and lack of public activities. However, with the existing of core industry which is textile; it is a big potential in developing the business district as well as increasing the density as proposed by the Mayor in Bandung Spatial Planning Strategies 2013. 47
THEORETHICAL APPLICATION
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KEY DESIGN CONCEPT
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PROGRAM AND STRATEGIES MORPHOLOGY
SECTION A-A 51
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DESIGN INTERVENTION
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SECTION B-B
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UM MASTERPLAN COMPETITION
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BSc in ARCHITECTURAL STUDIES PART I (LAM / RIBA) INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA
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STUDIO KAED ANNEX To embrace a creative learning environment, generated by sharing processes and products of its many departments. Places of learning and creating are joined by a shared spaces, where seeing, observing, asking and discovering take place. The unity of all activities and expertise celebrate the alliance of its diverse members 68
CONCEPTUAL IDEAS
SITE PLAN
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GROUND FLOOR PLAN
MEZZANINE FLOOR PLAN
EAST ELEVATION
WEST ELEVATION
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FIRST FLOOR PLAN
SECTION A-A
SECTION B-B
SOUTH ELEVATION
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SECTION C-C
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The intention of the design is to promote togetherness and interaction of the people. ‘Permeability’ is the concept that reflects the objectives of the design. Besides integrating the modern and traditional style that exist in Kelantan, it is also design passively in order to correspond and solve the current urban issues while introduce Urban Islamic City.
COMMUNITY INTEGRATED TRANSPORTATION HUB AND RELIEF CENTRE 73
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CONCEPT AND DESIGN STRATEGIES ON URBAN STUDY
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URBAN MOSQUE: THE HEART AND SOUL OF JOHOR BHARU
Propose and Urban Mosque in Taman Tun Sri Lanang, Johor Bharu as a spiritual escapism for the people in urban context and relinking them by reviving the concept of Prophet Muhammad’s Mosque. The concept, ‘Revival’ is about to solve the current issue with the aim to revive the spiritual, youth and the mosque itself. 81
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CONCEPT AND DESIGN STRATEGIES ON URBAN STUDY
CONCEPT
AIM
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DESIGN DEVELOPMENT
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SETU BABAKAN: BETAWI CULTURAL VILLAGE
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ECO TOWER HARVESTER: A RECREATIONAL COMMUNITY CENTRE
The intention of the design is to strive for excellence sustainability approach by designing the Recreational Tower. The congested spaces of the land drive towards designing spaces with optimisation. The highlighted issues are increasing land prices, green issues and health issues to be considered. It reflects the objectives towards reminding the generosity of the Creator, land optimisation, free food, providing sustainable environment, developing healthy community lifestyles, practical multi-purpose community centre and the importance of bonding between the ummah. Therefore, the solutions towards the corresponding issues are by reducing the emission of carbon dioxide by having greens and tree to cover the majority area of the building and its facade. Perhaps, theses trees can also provide people with free fruits and vegetables while act as natural breath to the environment and refreshing avenue. The water elements is being supported by applying rainwater harvesting system collected from the large open area on the top of the tower and the spiral design results to support the irrigation system by corresponding towards the gravity indiactes ramps as continuous circulation in the tower. The building is empowered by lightning harvesting system inspired from the roots of the plants to seize electrical power from the lightning and installation of the solar panel to generate independent electricity. This community centre is also intended to provide stress relief therapy through the acoustic sound of water rippling. Thus, this tower benefits the ummah by giving new breath to the community as a whole.
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CONCEPTUAL IDEA Promoting togetherness and the spirit of neighborhood, NEXUS brings about a series of interconnecting houses that encourage interaction without undermining privacy. NEXUS could be defined as a connection or a series of connections linking two or more things together. This connection is made apparent with the shape of the building itself where the houses interlocked with each other. The linkage between two structures optimises the relationship between neighbours and not to mention the family. The nature of the design allows NEXUS to create a continuous chain that is practical but also accommodating future expansion. The design is divided into two main areas. The Ground Floor act as the public area while the First Floor isolates the private area for privacy. The public area comprises of the living room, dining and kitchen while the private area consists of the family bedrooms. Staying true to the concept, the main emphasis was given to the commune area as we promote bonding and togetherness.
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The chain is continuous and ready for future development. the levels are slotted into one another
The entrances of the houses are sharing common communal area which encourages interaction between neighbours.
The house is rectangular in shape to optimise the space and the furniture arrangeemnt. The spaces are in linear arrangements in order to allow enough light to penetrate as well as allowing cross ventilation throughout. The design is created for a strata housing, garden loyout with pedestrian mobility with the hope of maximising community interaction.
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