Qinmeng Yu EDUCATION July, 2017 - May, 2020 Charlottesville VA, USA
Master of Landscape Architecture Candidate 2020 University of Virginia
CONTACT | ADDRESS |
qy7ds@virginia.edu +1434-227-9598 118 IVY DR. Apartment 9 Charlottesville, 22903 VA, USA
Sep., 2018 - Dec., 2018 Barcelona Spain Sept., 2013 - June, 2017 Hangzhou Zhejiang Province China
REFERENCE Leena Cho Assistant Professor of Landscape Architecture University of Virginia, School of Architecture lsc7t@virginia.edu +1434-249-5843
Graduate: University of Virginia
Master of Landscape Architecture path 3.0 School of Architecture
Universitat Politècnica de Catalunya
Study Abroad Program Escola Tècnica Superior d'Arquitectura de Barcelona
Undergraduate: Zhejiang University Landscape Gardening College of Agriculture & Biotechnology
Bachelor's Degree in Agricultural Sciences GPA: 3.88/4
AWARDS AND HONORS June,2017
Outstanding graduate (ZJU)
Dec.,2015/Dec.,2016
School-Level Third-Prize Scholarship (ZJU)
Dec.,2014/Dec.,2015
Outstanding Individual Scholarship (ZJU) School-Level First-Prize Scholarship (ZJU)
Dec.,2014
Manuel Bailo Esteve Associate Professor of Architecture University of Virginia, School of Architecture Founder of BAILORULL ADD+ in Barcelona mb3zr@virginia.edu +1434-924-2514
Jan., 2016-Apr.,2016
LANGUAGE
Sep., 2014-Dec.,2014
Mandarin (Native) English (Proficient)
RESEARCH Student Research Training Program Leader of plants landscape research on communities around Yuhangtang road
Student Quality Training Project
Landscape Planning of connection section between school cam and surrounding streets
mpus
PROFESSIONAL EXPERIENCES Jan., 2019 Washington DC USA May, 2018-July,2018 Shang hai China
July, 2016-Aug.,2016 Hangzhou Zhejiang Province China
Landscape Architecture Bureau | Externship Shadowed staff for a week. Participated in plant research, site visit and coordination meetings. Developed renderings for 7900 Wisconsin Avenue project and Edison project.
July Cooperative Company | Internship Assisted on various landscape projects with conceptual design, constructive design, physical modeling, and digital modeling Projects Included: "It's Habitat" Residential landscape conceptual design "Qianmen Museum" Digital model making "Zhulishangyuan" Physical model making
The Architectural Design&Research Institute of Zhejiang University | Internship Took charge of landscape design in Ningbo University Sci-Tech College Moving project
COMPETITIONS Apr., 2016-July,2016
2016 International Landscape Architecture Competition Submitted
Apr., 2016-July,2016
2016 National Intelligent Community Challenge Competition The First Prize "Best Dream Maker"
SKILLS Sep., 2014-Present
Adobe Photoshop Adobe Illustrator
Sketch up Rhino
Adobe Indesign
Microsoft Office
Auto Cad Lumion
ArcGIS
CONTE PATIOSCAPE
Foundation Studio (III) Paths
FUNGI FUN —— Children’s Foundation Studio (I) Paths:
RUNOFF OASIS
Foundation Studio (II): Charlo
AWAKEN THE MEMORY AND
Design of waterfront green b
WATER GARDEN
Small-Scale School Landsca
REGENERATION OF BROWN
The landscape remolding an
OTHER WORK
SKETCHES, MODELS, SECT Time: 2015/12-2018/12
ENTS 6
s: The X Glories
adventure path
11
Systems of Sequence
15
lottesville without us
D VIGOUR OF THE GRAND CANAL
18
belt
21
ape Design in Zhejiang University
N FIELD
24
nd renewal of Hangzhou Iron&Steel Plant.
TIONS
29
PROJECT 01 PATIOSCAPE
Foundation Studio (III) The X G Instructor: Manuel Bailo Estev Teammates: Qinmeng Yu, Dan
Introduction:Cerda’s plan made Barcelona city famous for its Exiam
block replaced the small parks that were originally planned to accomm that there are limited public spaces for leisure and entertainment. The where most residents living in the block can resort to rest.
Patios are places for buildings to breathe, in the city center, we want t this site is surrounded by blocks and 4 main passages crossing throug understanding and experience of the city, creating Exiample blocks an natural patio, which establish a connection with urban context. At the enhance patios in the park, bringing an experience of different scales
Glories ve nni Jin, Xinhui Chen Time: 2018/9-2018/12
mple blocks. However, unlike Cerda's expectation, the buildings inside the modate the increasing number of people. Barcelona is such a dense city e small patio enclosed by layers of buildings become a “public space�
to create a series of patios for the city to breathe. Located in Les Glories, gh. As a new city park and public space, this project aims to reveal this nd patios by vegetation - inverse the experience between building patio and same time, we use topography and vegetation as our major strategies to of natural patios to the citizens.
BACKGROUND
DESIGN CONCEPT
Patios in Barcelona
Existing patios around the site
BUILDING PATIO VS CANOPY PATIO
EXTRA
Buildin
Buildin
Building Patio
20m 12
Canopy
Canopy
0 1
Canopy Patio
A central park as a big patio of Barcelona
Small patios inside the central park
Access
Drainage
Elevation
ACT GEOMETRY
ng Geometry
ng Patio Geometry
2m 6m
y Geometry
y Patio Geometry
10 25 50 m
This diagram is drawn by Qinmeng Yu and Danni Jin
2
TREE PLANT RULES
ROOT PLAN
Infrastructure influences vegetation planting
TREE STUDY TREE STUDY TREE STUDY
Cupressus sempervirens Cupressus Cupressus sempervirens sempervirens pseudoacacia Robinia pseudoacacia Robinia pseudoacaci Sophora japonica Sophora japonica SophoraLigustrum japonica lucidum Olea europaea Olea europaea Olea europaea Ligustrum lucidum Ligustrum lucidum Celtis aus Phoenix dactylifera Phoenix dactylifera PhoenixRobinia dactylifera SPECIES SPECIESSPECIES (Mediterranean (Mediterranean cypress) (Mediterranean cypress) (Olive)cypress) (Olive)
(Pagoda tree) (Pagoda tree) (Pagoda (Glossy tree) privet) (Date palm) (Date palm)(Date palm) (Glossy privet) (Glossy privet) (Black locust) (Black locust) (Black locust) (Mediterra
(Olive)
TREE STUDY TREE STUDY ROOT SPECIES SPECIES
ROOT
ROOT
Cupressus sempervirens Cupressus sempervirens Olea europaeaOlea europaea (Mediterranean (Mediterranean cypress) cypress) (Olive) (Olive)
ROOT
Robinia pseudoacacia Robinia pseudoacacia Sophora japonica Sophora japonicaLigustrum lucidum Ligustrum lucidum Phoenix dactylifera Celtis australis Celtis australis Phoenix dactylifera Quercus ilex Quercus ilex (Pagoda tree) (Pagoda tree) (Date palm) (Date palm) (Glossy privet)(Glossy privet) (Holm Oak) (Holm Oak) (Black locust)(Black locust) (Mediterranean (Mediterranean hackberry) hackberry)
Ulmus pumilaUlmus p (Siberian elm)(Siberian
ROOT HEIGHT HEIGHT HEIGHT
10m ~ 25m 10m ~ 25m 10m ~ 25m 8m ~ 15m 8m ~ 15m 8m ~ 15m15m ~ 20m 15m ~ 20m 15m ~ 20m 10m ~ 20m 10m ~ 20m 10m ~ 20m 12m ~ 5m ~ 12m 5m ~ 12m 5m ~ 12m20m ~ 23m 20m ~ 23m 20m ~ 23m
HEIGHT
Shadow-root plants planted on infrastructure
HEIGHT WIDTH
WIDTH WIDTH 2-4m
TREE TREE STUDYSTUDY TREE STUDY
10m ~ 25m
10m ~ 25m
8m ~ 15m
8m ~ 15m
15m ~ 20m
2-4m
2-4m
5m ~ 12m
15m ~ 20m
10-15m
10-15m
10-15m
20m ~ 23m
5m ~ 12m
4m ~ 8m
4m ~ 8m4m ~ 6m
4m ~ 8m 10m ~ 20m
20m ~ 23m
4m ~ 6m
10m ~ 20m
4m ~ 6m
12m ~ 25m
6m
6m
12m ~ 25m
WATER WATER WATER
sempervirens Cupressus sempervirens sempervirens Robinia pseudoacacia Robinia pseudoacacia Robinia pseudoacacia Sophora japonica Sophora japonica Sophora japonica Olea europaea Olea europaea Olea europaea LigustrumLigustrum lucidum Ligustrum lucidum lucidum Celtis australis Celtis australis Celtis australis Quercus ilex Phoenix dactylifera Phoenix dactylifera Phoenix dactylifera Quercus ilex Quercus ilex Ulmus pumila SPECIESSPECIESSPECIESCupressusCupressus Ulmus pumila Ulmus pumila (Mediterranean (Mediterranean cypress) (Mediterranean cypress)(Olive) cypress) (Olive)
WIDTH
WIDTH
(Olive)
2-4m
ROOT
ROOT
(Pagoda tree) (Pagoda tree) (Pagoda tree) (Date palm) (Date palm)(Date palm) (Glossy privet) (Glossy privet) (Glossy privet) (Holm Oak)(Holm Oak)(Holm Oak) (Siberian elm) (Siberian elm) (Siberian elm) (Black locust) (Black locust) (Black locust)(Mediterranean (Mediterranean hackberry) (Mediterranean hackberry) hackberry)
Dry
2-4m
10-15m
10-15m
ROOT
LIGHT WATER
4m ~ 8m
LIGHT
LIGHT
HEIGHT HEIGHT HEIGHT
5m ~ 12m 15m ~ 20m
4m ~ 8m
~ 6m 4m4m ~ 8m
LIGHT
4m ~ 6m
Medium Medium
Medium
6m
4m ~ 6m
Medium
Medium Medium
6m ~ 8m
6m
Medium
6m ~ 8m
Tipuana tipu Tipuana tipu Tipuana tipu (Rosewood) (Rosewood)(Rosewood)
Medium Medium
4m ~ 10m
Medium
4m ~ 10m
8-10m
Medium
VISUAL USE VISUAL USE VISUAL1 USE 2 3 4 color color color
Medium Medium
Medium
Medium
8-10m
Medium
5m ~ 15m
Full light Full Full light light to Full partial light shade toFull partial lightshade to partial shade Full light to Full partial light shade toFull partial light shade toFull partial lightshade to Full shade light toFull shade light to shade Full light to Full partial light shade toFull partial lightshade to partial shade FullDry light to Full shade light Dry toFull shade to Dry shade Dry Medium Medium Medium Medium Full light to light Medium toto M Medium Medium Medium Medium
3 7412 85 961 10 72 11 83 12 94 105 11 16 12 27 38 49 10 51 6112 712 15 611 2 731248 95 10 61 11 72 12 83 94 105 11 16 12 27 38 49 10 5 1 611 7212 3 8 4 9 10 5 11 61 712 2 83 94 105 11 16 12 27 38 49 10 51 611 12 84 95 1061 11 2 7312 84 95 10 61 5 61 72 83 94 105 11 16 12 27 38 49 10 3 84 9 5106111721283 94 105 11 16 12 27 38 49 10 51 611 2 73 72 12 83 94 105 11 16 12 27 38 419 10 52 611
10-15m
6m
Deep-root plants planted away from infrastructure
ANIMAL USE ANIMAL USE ANIMAL USE fruit fruit fruit
10-15m
10-15m
Medium
6m6m ~ 8m
4m ~ 8m 4m ~ 8m 4m ~ 8m 4m ~ 6m 4m ~ 6m 4m ~ 6m
10m ~ 20m
6m
6m
6m ~ 8m 6m ~ 8m 6m ~ 8m
6m
10m ~12m 20m~ 25m 12m ~ 25m
12m ~8m 25m ~ 25m 8m ~ 25m 8m ~525m 10m ~ 20m 10m ~ 20m 1 11 2 12 3 4 5 6 17 28 39 10 4 11 612 7 8 9 10 11 12 1 2 3 4 5 6 17 28 39 10 4 11 5 612 7 8 9 10
Medium Medium
Medium
Medium Medium
Medium Medium Medium
Medium
Medium Medium
4m ~ 10m 4m ~ 10m 4m ~ 10m
10m ~ 20m15m ~ 30m 15m ~ 30m
Medium
Medium Medium
8-10m
8-10m
8-10m
5m ~ 15m 5m ~ 15m 5m ~ 15m
15m ~ 25m15m ~ 25m15m ~ 25m
Medium
Medium Medium
6m ~ 12m 6m ~ 12m 6m ~ 12m
15m ~ 30m20m ~1 40m 2 3 20m 4 5 ~640m 17 28 3920m 10 4 11 5~ 40m 612 7 8 9 10 11 12
Medium
Dry
Dry
Dry
Dry to Medium Dry to Medium Dry to Medium
Medium Medium
Medium
Medium toMedium wet to Medium wet to wet
1 12 2 3 4 5 6 17 28 39 10 4 11 5 612 7 8 9 10 11 12 1 2 3 4 5 6 17 28 39 10 4 11 5 612 7 8 9 10 11
6m ~ 8m
6m ~ 8m 4m ~ 10m
4m ~ 10m
4m ~ 10m 8-10m
8-10m
8-10m5m ~ 15m
5m ~ 15m
5m ~ 15m 15m ~ 25m 15m ~ 25m
15m ~ 25m 6m ~ 12m
6m ~ 12m
6m ~ 12m
Medium
Medium Medium
Medium
MediumDry
Dry
DryDry to Medium Dry to Medium Dry to Medium Medium
Medium
Full light to Full partial lightshade toFull partial lightshade to partial shade
Medium to wet Medium to wet Medium Medium to wet
6 27113 812 4 9 51016 11 27 12 38 49 10 5 611 51 6112712 3 84 9 51016 11 27 12 38 49 10 5 611171228 39 10 4 11 51 612 27 3 84 9 51016 11 27 12 38 49 10 5 1611 721238 49 10 51 11 6 2712 3 84 9 51016 11 27 12 38 49 10 5 611 712 4 11 51 61227 3 84 9 51016 11 27 12 38 49 10 5 611 7128 19 10 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 1611271238 49 10 1 712 2 83 94 105111 6 212 7 3 84 9 51016 11 27 12 38 49 10 5 1611 721238 49 10 51 11 6 27123 84 9 51016 11 27 12 38 49 110 5 2611371248 591 10 2 311 412 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 611 7128 9 10 1 8 2 9 3104 1151126 27 3 84 9 51016 11 27 12 38 49 10 5 611171228 39 10 1 11 2 12 3 4 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 611 7128 9 10 11 12
OLFACTORY OLFACTORY USEOLFACTORY USE USE aroma aroma aroma
4 11 51 612 27 3 84 9 51016 11 27 12 38 49 10 5 611 7128 9 10 11 12 1 2 3 4 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 611171228 39 10
ull al shade light to partial Full light toshade partial Full light shade to partial Fullshade light partial shade Full to light to shade Full light to shade shade Full light to partial Full light shade to partial Fullshade light tolight partial Full to shade Full light to shade Full light to shade Full light Full light to partial Full light shade to partial Fullshade light to partial shade Full light
1 2 3 4 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 611 7128 9 10 11 12
Full light Full light light to partial Full light shade to partial Fullshade light to partial shade Full
ANIMALANIMAL USE ANIMAL USE USE fruit fruit fruit
Full light
Full light Full light to partial Full light shade to partial Fullshade light to partial shade
3 411 512 1 6 27 3 84 9 51016 11 27 12 38 49 10 5 611 7128 9 10 11 12 1 2 3 4 51 6 27 3 84 9 51016 11 27 12 38 49 10 5 611 71218 29 10
4 512 56 6717 828939104101151112 6127 18 29 1310 4211351246 75 68 179 10 12511 6127 18 29131024113512 29 3101 4112 512 3 6 4 7 5 8 6 91710281139 12 410 511 6127 18 29131024113512 46 57 68179 28 12 36 47 58 69 171028113912 410 511 6127 18 29 310 411 512 28 311 9 410 10391141012511 6127 18 29 310 411 46 57 68179 210 8 391141012511 6127 181 2923103411 1 6 27 3 8 4 9 510 61117 12 28 39 410 511 6127 18 29 310 411 5126 17 28 39 10 11 61217 28 39 410 511 6127 18 29 310 411 5126 7 8 9 10 11 12 1 512 2 63 74 85 96 10 17 11 28 3 9 410 511 6127 18 29 31014112512 4 5
36 47 58 691710281139 12 410 511 6127 18 29 310 411 5126 7 8 9 10 11 12 8 29 31014112512
Med
5m ~
x hispanica Platanus x hispanica Platanus x hispanica Quercus ilex pumilaUlmus pumila Ulmus pumilaTipuana tipu Tipuana tipu TipuanaPlatanus Ulmus tipu (Holm(Siberian Oak) elm)(Siberian elm) (Siberian elm)(Rosewood) (Rosewood) (London plane) (London plane) (London plane) (Rosewood)
Full light Medium
Full light Full light Full light Full light to Full partial lightshade toFull partial lightshade to partial Fullshade light to Full partial lightshade toFull partial lightshade to partial shade Full light Full light Full light Full light to Full shade light toFull shade light to light shade Full to Full partial lightshade toFull partial lightshade to partial shade Full light to Full partial lightshade toFull partial lightshade to partial shade Full light to Full shade light toFull shade light to shade Full light Full light Full light Full light to Full partial lightshade toFull partial lightshade to partial shade Medium Medium
Platanus xPlatanus hispanicax Platanus hispanicax hispanica (London plane) (London plane) (London plane)
Medium
4 12 5 6 17 28 39 10 4 11 5 612 7 8 9 110 2113 12 3 12 4 5 6 17 28 39 10 4 11 5 612 7 8 9 10 1 11 2 12 3 4 5 6 17 28 39 10 4 11 5 612 7 8 91 102 11 3 12 4 5 6 17 28 39 10 4 11 5 612 7 8 9 10 111 2123 4 5 6 17 28 39 10 3 4 5 6 17 28 39 10 4 11 5 612 1 2 3 4 5 6 17 28 39 10 4 11 5 612 7 8 91 102 11 4 5 6 17 28 39 10 4 11 5 612 7 8 91 102 11 3 12 4 5 6 17 28 39 10 4 11 5 612 7 81 92 103 11 4 11 5 612 7 8 9 101 112 12 1 2 3 4 5 61
Dry Dry Medium Medium ANIMAL USE ANIMAL USE fruit fruit 4m ~ 6m
Medium Medium
4m ~ 10m
OLFACTORY OLFACTORY USE OLFACTORY USE USE aroma aroma aroma
OLFACTORY OLFACTORY USE USE ~ 20m ~ 23m 20m ~ 23m 20m10m ~ 23m 5m20m ~ 12m aroma aroma
Dry
LIGHT LIGHT
2-4m
Medium
6m ~ 8m
10m ~ 20m
~ 20m10m 20m 10m 20m 20m ~ 23m ~ 23m 20mto~ partial 23m 10mshade ~Full 12m 8m ~94 25m ~ 825m 8m 25m 10m ~820m ~ 12 20m10m ~ 20m 8m ~ 15m 8m ~ 15m ~ 15m 15m 15m ~ 30m15m ~ 30m15mFull ~ 30m 5m ~ 12m 5mto~ partial 12m 5mshade ~ 12m 111 7to 212 3partial 5 11 68m 1shade 712 2Full 3 94light 10 5 11 16~to 12 27 shade 38Full 49 10 5light 6 11 712 9 10m 10 11 20m 3Full 4~ 40m 5light 6120m 72 ~8340m 94 10 5 11 16 ~light 12 2740m 38 49to10 5partial 611 712light 8shade 9 10 ~ 20m 15m ~Full 20m15m 1 2~light 3 4 to 512m 61 7 225m 83 12m 94 105 ~11 1to 625m 12 27partial 38 49 ~light 10 525m 6 8 10 Full8mlight Full light light~ 20m to partial Full light shade Full light to20m partial Full light shade Full light~to shade Full shade light Full shade Full Full to to shade light1 220m Full light to partial Full light shade to partial shade
5m ~ 12m
WATER WATER WATER
10-15m 4m ~ 8m
2-4m
Medium
VISUAL USE VISUAL USE VISUAL 1 2USE 3 4 color color color
VISUAL USE VISUAL USE color color 2-4m
8m 15m ~ 15m ~ 20m 15m ~ 20m
Medium
LIGHT
10m ~ 25m10m ~ 25m10m ~ 25m
WIDTH WIDTH WIDTH
Medium
Medium
6m ~ 8m
8m ~ 25m
LIGHT
WATER
Dry
Dry
4m ~ 6m
4m ~ 8m
Robiniadactylifera pseudoacacia Robinia pseudoacacia Robinia pseudoacacia Sophora japonica Sophora japonica Sophora japonica a Olea europaea Ligustrum lucidum Ligustrum lucidum Ligustrum lucidum Celtis australis Celtis australis Celtis australis Phoenix dactylifera Phoenix dactylifera Phoenix Quercus ilex Quercus ilex tree) (Olive)(Pagoda tree)(Pagoda tree) (Pagoda (Date palm) (Date palm) (Date palm) (Glossy privet)(Glossy privet) (Glossy privet) (Holm Oak) (Holm Oak) (Black locust)(Black locust) (Black locust) (Mediterranean (Mediterranean hackberry) (Mediterranean hackberry) hackberry)
Dry
Dry
6m ~ 8m
6m
8m ~ 25m
1 2 3 4 5 6 17 28 39 410 511 6127 18 29 310 411 5126 7 8 9 10 11 12
The diagrams are drawn and edited by the group
1 512 2 6 3 7 4 8 5 9 61017 1128 12 39 410 511 6127 18 29 310 411 5126 7 8 9 10 11 12 1 2 3 4 5 6 17 28 39 410 511 6127 18 29 310 411
Final vegetation planting plan The root plan is drawn by Xinhui Chen
N 0
10
25
50
100 m
3
TOPOGRAPHY RULE
MASTER PLAN
Play with circular topography to enhance patio enclosure feeling
Hill: by trunks and leaves
Basin: by elevation difference The master plan is drawn by Xinhui Chen
1
1'
Platanus x hispanica
Olea europaea
Ligustrum lucidum
Celtis australis
Ulmus pumila
Quercus ilex
Phoenix dactylifera
Robinia pseudoacacia
Tipuana tipu
Cupressus sempervirens
Sophora japonica N 0
10
25
50
100 m
4
COLLAGE
AXON
ENVIROMENTAL HEALTH CLINIC Look up the clinic's patio entrance
Collage
SUNKEN PLAZA
Using topography and vegetation as major strategies t
B
Block street noise and enjoy bird song
B’
Collage
VIEWING PLATFORM
Overlook the whole park and patios
N
0 5
25 m
OUTDOOR THEATER road
lawn
lawn
Forroad concert and outdoor lecture lawn path 0
5
path
25 m
lawn
path
The axon is drawn by Qinmeng Yu and Danni Jin// The third collage on the left is drawn by X
to enhance patios in the park, bringing an experience of different scales of natural patios to the citizens.
A
A’
Xinhui Chen and the fourth collage is drawn by Danni Jin
5
SUNKEN PLAZA PERSPECTIVE SECTION A-A'
Pedestrian
Road
Grass slope
Sm
ENVIROMENTAL HEALTH CLINIC PERSPECTIVE SECTION B-B'
Pedestrian
Road
Pedestrian
Lawn Lab
Patio entrance 1
Lawn Lab
all Patio
Rec Comtal
Path
Big Patio
0
Rec Comtal water tank
Lawn
5
Patio entrance 2
Observatory room Renfe Rodalies
25 m
Lawn
Path
Reception room
0
5
15
50 m
6
PROJECT 02
FUNGI FUN —— Chi
Foundation Studio (I) Paths: Sy Instructor: Leena Cho/ Brad G
Introduction: This path uses different distance, porosity and suspe
ley to create different sizes of spaces. Introducing fungi as the ecolog create a secret wooden playground for children.
ildren’s adventure path
ystems of Sequence Goetz Time: 2017/8-2018/1
ended height of fallen trees combined with variable slopes of valgical agent which is tightly connected with the site conditions to
CATALOG OF UNITS
Use fallen trees and topography as main medias to create different enclosure and openness
BASIC UNITS 30f
SLOPE
POROS
50f
6f
SUSPENDED HEIGHT
FIELDWORK SKETCHES
Closer distance, lower porosity and suspended height will form smaller spaces, and these diverse spaces can be used by people with varying body height and size. Pre-school children who need to be taken care of by their parents can use the safer spaces with gentle slope, long distance and high porosity which provide them with easy accessibility. Curious school-age children will enjoy navigating. Adding proper obstacles and producing more complex spaces, like intersection small spaces, enable them to improve cognitive and behavior abilities. For those teenagers, who chase for cooperation and competition, the path provides more intricate spaces.
s of spaces
SITY
DISTANCE
DESIGN CONCEPT DIAGRAMS
8
OPERATIONAL DIAGRAM DIFFERENT TYPES OF FUNGI IN CHARLOTTESVILLE
Introducing fungi as the ecological agent
HABITAT
FRUITING SEASON OF FUNGI
RELATIONSHIP WITH TREES
TIMELINE
TREE TYPE: Young conifer or hardwood
SYMBIOTIC FUNGI
Nov.
May
Aug.
Cap
Hemlock Pine
Fir
Oak
Acorn
Temperature range
Optimum
2-3”
PLACES
Stalk
Sprout
Golden Chanterelle
Bottom of trees
60 F
Along trail edge
80 F
6 months
Mycelium 70 F Fruiting 55-60 F
SY
TREE TYPE: Sick/weak conifer of hardwood
PARASITIC FUNGI
Nov.
2-6”
Spet.
Cap
Pine
2-8”
Gill
Oak
July
Young tree 10 years
Birch
PLACES
Ring Stalk 65 F
Honey Mushroom
Stump
80 F
Mycelium 70 F Fruiting 55-60 F
"Stag headed"
Trunk
PA
Feb.
SAPROPHYTIC FUNGI
TREE TYPE: Primarily on dead oaks May
Wound and Infection
35 years
Aug.
Cap
Oak
212 ”
PLACES
60 F Stump
Chicken of the woods
Dead Trunk
80 F
Mycelium 70 F Fruiting 55-60 F
Log Feb.
TREE TYPE: Common on dead broadleaf hardwoods
Dec. May
1-6” Heart-rot
Aug.
≤0.5”
Oak Cap
Maple
Birch
43 years
Poplar
PLACES
SA 40 F
Oyster Mushroom
Stump
Dead Trunk
Log
75 F
Mycelium 70 F Fruiting 55-60 F
Branch 45 years
Apr.
TREE TYPE: Almost all dead hardwoods
Nov.
1-2”
Tree breakage by weather Aug.
Oak
Maple
Birch
Poplar
Cap Turkey Tail Stump
Log
Branch
50 F
90 F
Mycelium 70 F Fruiting 55-60 F
Decay and become nutrition
50 years
IDEAL SECTIONS FOR FUNGI Shadow Dappled sunlight
Little sunlight Young oak
Compacted earth
The most serious decay occurs when the moisture content of the wood is nearly 30%.
Youn sick enou para root
Sugar from tree
YMBIOTIC FUNGI
2-3" height
Mycorrhiza-symbiotic association between a fungus and the roots of a vascular host plant
Water and nutrition from fungi
Fungi get sugar from tree, but not provide benefits to tree. Germination tubes
Tree root
ARASITIC FUNGI
2-3" height
Section of gills-0.5"
Basidium
Basidiospores Spore-2~5um
Wounded root is infected
Mycelium in root
Dark environment
Dappled sunlight and damp environment
Temperature: 70 F
Temperature: 55-60 F
Air Spore
APROPHYTIC FUNGI
Soil Spore
ng oak will become k when sunlight is not ugh, which enables asitic fungi to infect ts.
Spore
Nutrition accumulation several day sunder
Create mycelium in damp and warm area
suitable conditions
several day sunder
Form fungi fruit in cracks of the log
suitable conditions
Damp and shady environment is ideal for saprophytic fungi to grow.
The initial decay occurs in the connection between the log and the soil.
9
DESIGN STRATEGIES
GRADING PLAN
VALLEY CONDITIONS ORGANIZATION OF NURSE LOGS
CHANGES OVER TIME
Log/wood
Gentle Slope
Nutrition accumulation
Steep Slope Original water flow Changed water flow
Synthetic modules are perpendicular to the water flow direction
The growth of fungi
FOREST CONDITIONS ORGANIZATION OF NEW LANDFORM
Shadow
TYPES OF SPACES
N
Sunlight
S
Close to valley to distribute water
MAZE
LEGEND DIFFERENT ELEVATIONS OF LIVING TREES Small maze SPACES OF ENCLOSURE
Large maze
0
25
50
100 ft
DIFFERENT TYPES OF NURSE LOGS
Nurse logs on the ground
A little bit above the ground
Above the ground
A nurse log is a fallen tree which, as it decays, provides ecological facilitation to seedlings. Broader definitions include providing shade or support to other plants.
DIFFERENT TYPES OF MOVEMENT
Walk Duck under logs Stride or climb logs
10
KEY SECTION Hiding Ducking Climbing Striding Hanging Sitting Crawling
Moisture level
Shadow area Nutrition area/ mushroom
SECTION C-C
COLLAGES
CASTING MODEL
LEGEND
Moisture level
Low
High
CATEGORY OF CHILDREN’S BEHAVIORS Sitting Ducking Hanging Hopping/Striding Climbing Crawling Swinging Hiding
0
25
50 ft
11
PROJECT 03 RUNOFF OASIS
Foundation Studio (II) Charlott Instructor: Teresa Gali-Izard/ A Time: 2018/1-2018/5
Introduction:It is a permeable water drainage system that exposes r
water,purify water,and eventually create a healthier ecosystem for both create a new language for planting can intensify the sense of territoria offer residents a closer experience to appreciate the energetic swales; animals provides people a different fantastic ambiance.
tesville without us Andrea Hansen-Phillips/ Emma Mendel
runoff to sunlight and makes use of a series of ponds to gather h human and wildlife. Taking advantages of property lines to ality. In dry seasons, ponds become recreational parks that ; in wet seasons, sparkling water, lush aquatic plants and small
SITE LOCATION
Master Plan
Scale 1:4000
LEGEND Potential Infiltration Ponds
High point
Low point
Channel width along roads Runoff Entrance + Pipe
Creek Surface Runoff
CHARLOTTESVILLE MAP
INSPIRATION: Concept Drain inputs (nutrients, heavy metals, etc.) Reduced habitat heterogeneity No sunlight / auto trophic system
Underground pipe runoff
C
Residents’ backyards
Sunlight / Auto trophic system
A series of ponds’ infiltration
Discharge to the Meadow Creek
CONTEXT: Research of Existing Conditions NOTATIONAL MAP
A F
B
E
WATERSHED DIAGRAM
D
13
SITE: Existing Drainage System Axon
LEGEND WATER DIRECTION PERMEABILITY
URBAN/ INFRASTRUCTURE
SEMI-URBAN
WILD
1：100
1：200
1：400
GROUND MATERIALS
Concrete/ Asphalt
Gravel
Bare Soil
Leave Dirt
Meadow
Shrub
Forest
Wat
ter
Runoff coefficient calculation C= dimensionless coefficient
Watershed Area
Forest
0 (total permeability/ no runoff) to 1 (no permeability/ all runoff)
206361 m2
211042 m2
58859 m2
65136 m2
128338 m2
50025 m2
55927 m2
122167 m2
37051 m2
38096 m2
67309 m2
22226 m2
96573 m2
81013 m2
14084 m2
22623 m2
23233 m2
15661 m2
53861 m2
7862 m2
7724 m2
4417 m2
37796 m2
12138 m2
10235.41 m 3
5979.9 m 3
1769.8 m 3
1909.64 m 3
5236.38 m 3
2097.7 m 3
2100 m2
1561 m2
3950 m2
4100 m2
4750 m2
1470 m2
1m
1m
0.45 m
0.5 m
1m
1.5 m
C= 0.1
Lawn C= 0.5
Pavement / Road
C= 0.9
Water Quantity (flood: 100mm/M2 )
Pond Area(M2 )
Pond Average Depth(m)
14
PROPOSAL SITE: Key Axons High point with narrow channels. Min width: 0.3 m
Low point with wide channels. Max width: 1m
PROPOSAL SITE: Detail P Channel intersections before discharging runoff
SITE 01
Creating channels along the roads to expose runoff to sunlight and reduce underground pipe runoff
Planting vegetations according to property lines to intensify the sense of territoriality
Changing the form of the pond to provide every resident with access to water
Wet Seasons The original form of the pond only allows limited residents to get access to water
Original topography with ponds Major lens: Topography and Property line
Using plants and permeable materials to infiltrate water
Dry Seasons Creating a series of ponds to slow down the water speed and purify runoff
Switch grass
The original topography enables water to move quickly
Original topography without ponds
Major lens: Topography
Little bluestem
Virginia blue fla
Plans and Key Axons
ag
SITE 02
Water Lily
Switch grass
Little bluestem
SITE 03
Virginia blue flag
Broomsedge Slender rush
Switch grass
Little bluestem
Virginia blue flag
Water Lily
Broomsedge Slender rush
15
PROJECT 04 AWAKEN THE MEMO
Design of waterfront green bel Instructor: Lixia Zhang / Xinyu Time: 2016/4-2016/6
Introduction:The site is located along the Grand Canal, which is one
the developement of the city over hundreds of years. However, even ne monotonous river banks and boring hard-pavement squares. In order t between the site and the neighborhood, I want to choose "sounds" as m different part of the site, you can hear different "sounds", I categorize t and the sound of folk songs.
ORY AND VIGOUR OF THE GRAND CANAL
lt ue Sui
of the most siginificant water courses in Hangzhou. The Grand Canal has witnessed ear the historical treasure, the waterfront green belt is not popular due to its to awaken the memory and vigour of the Grand Canal, and relink the relationship my design media, which is most impressive to me when I walk along the site. In them to: the sound of shaking oars in hometown, The sound of industrial shipping,
SITE ANALYSIS
SITE ANALYSIS
MA
ZONE A Ecological recreation district
Distribution of building Residents
The sound of shaking oars in hometown
Tourists & Pedestrian
Industrial Teahouse Residential Commercial & Entertainment
Distribution of vegetation ZONE B Historical displays and business district The sound of industrial shipping
Trees and grass
Distribution of water
ZONE C Cultural and entertainment district The sound of folk songs
The Grand Canal
Distribution of road network
1 02 3 4 5 6 7
Garden path
8
Main roads
9
Branches
Orna Entra Sma Tearo The F Whar Souv Cres Huap
10
5
ASTERPLAN
1
A
2
B
B
3
4
5
C 6
C
7
D
amental Grass Lawn ance Square all Wetland oom Fitness Site rf venir Shop scent Shape Landform putiying N
50
A
8 9
D
100 m 17
RENDERIN
MASTERPLAN ANALYSIS Entrances
Entrances to the site
Roads
Jogging track Waterfront Trails Main Garden path
Important nodes
Square Huaputiying
Small wetland Fitness site
Wharf
EDGE TREATMENT SECTION
SECTION A-A
The Whar
SECTION B-B
SECTION C-C
SECTION D-D
The Entra
NG
rf
ance Square of Qingsha Park
18
PROJECT 05 WATER GARDEN
Small-Scale School Landscape Instructor: Ke Sun/ Lixia Zhang
Introduction: The site is located next to Zhejiang University's Library
pondings in rainy days. Besides, the site lacks beauty and functions. F make it practical to transform the site to a water garden. This water ga small wetland, which provides students with different scenes in differen seats for students to take a rest and enjoy the beautiful water garden.
e Design in Zhejiang University. g Time: 2016/3-2016/5
y. The hard pavement area is too large, so the site often has Fortunately, the original drainage system and sunken topography arden takes advantage of the rain and runoff water to create a nt seasons. Additionally, I design a series of lawns, walls and
ORIGINAL SECTION ANALYSIS
The site is a sunken area, so it's practical to tran
±0.000
-0.700
concrete
concrete
concrete
soil
cobble
PLAN
LIBRARY ENTRANCE
Inspiration is from the ruffling pages of books.
FLOWER BORDER GRASS SLOPE
Extract curves and straight lines
AQUATIC PLANTS
±0.000 WOOD PLATFORM
STEPS
wl -1.100
Combine with the site
±0.000 LIBRARY
Echo the circle around.
PILLARS
FOUR SEASONS
nsform it to a water garden.
±0.000
concrete
Spring
Summer
FEATURE WALLS SEATS TREE POOL
PLATFORM
Autumn
GABION WALL
Winter
20
MATERIALS Aquatic Herbage
Phragmites
Alisma Linn.
Iris L.
Cyperus Linn.
Typha Linn.
Canna L.
Terrestrial Herbage&Shrub &Arbor
Lythrum L.
Miscanthus
Hydrocotyle L.
Cyperus
Cynodon
Acorus L.
Osmanthus Lour.
Pinus Linn.
Commelina L.
Platycladus
M
Spach
H
Tree box
Step2 Rainwater ecopark Public open space
Waterscape
for living
Relax and communicate
Appreciate the beautiful scenery
Irrigation
Natural habitat
Walkability
Irrigate the plants
Beneficial to biodiversity
Have a direct way to the library
Step3 Storage water
THE SECTION Permeable Materials
Pittosporum
Metasequoia Miki ex
Pavement
Wall
Chair
Gabion Wall
Hu et Cheng
Drainage flow
Step1 Three-level grass swales Infiltration
Plant filtration process
Reduce stormwater runoff
Degrade and stabilize contaminant in the soil
Water purification
Gaseous state of a contaminant Degraded contaminant Contaminant
Purify the runoff water
Stabilized contaminant
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PROJECT 06
REGENERATION OF B
The landscape remolding and Instructor: Xinyue Sui / Lixia Zh
Introduction: The site is in the western foot of the Banshan Mountain
Hangzhou Iron&Steel Plant reached its peak of prosperity in 2004, and started to move. What's the future of the abandoned brownfield is the c the waste land to a recreational open space which combines education
BROWN FIELD
renewal of Hangzhou Iron&Steel Plant. hang Time: 2016/9-2016/11
n.It's one of the most famous Industrial field in Hangzhou. d then it gradually declined. In 2015, it stopped production and challenge we need to concern. In this project, I want to transform n, environmental protection and creation together.
DESIGN CONCEPT
THE RESERVATION OF ARCHITECT
gy
Cu
re
l
nt
Us Ra e i
Har m e n v o ni i r o n o us m e
i
i sit ex ls
tu
lo
ng
ADJUST BUILDINGS
BEFORE Producing buildings Entrepot Office
CHANGE Reservation Demolition Tear down some dilapidated buildings and reserve some attractive Industrial Structures as Memory of the Industrial Age.
AFTER New Outdoor Space
Reserve the most attractive and useful buildings, and make room for outdoor and indoor activities.
CRANE
Eco
OVERALL PLAN
ty
Co m m
ra
un
e
a ti vi
tio n R e g en
Cre
ic a
ti o n
Reserve I herita ndust ge r
ial
C o m m u n iti e s
TURAL ELEMENT
ECOLOGICAL STRATEGIES
Current Situation
ENTREPOT
PRODUCING BUILDING
PIPELINE
SKYWALK
First Step: phytoextraction OFFICE RAIL
Second Step: prune
Repeat the First and Second Process for several times
After Plant Purification 23
PLAN Square
Parking Lot
The Train Stop
Indoor Stadium
Train Station
The Main Tour Line
Industrial Museum
Souvenir Shop
The Rail Route
Inquiries
Restroom
Special Plants
Service Station
Creative Park
Restaurant
Cafe
0
RENDERING
BEFORE Children’s Adventure Zone Remove weeds and make room for activities for children. Children can swing, play carts and so on.
AFTER
100
200
300
400 m
ZONING
Creative Park Zone
Special Small Repast
Children's Adventure Zone
Ornamental Plant Zone
Industrial Museum
Tourist Service Center
Large Dining Hall
Fitness Zone
Business Zone
6:00-9:00 am
9:00-12:00 am
12:00-15:00 pm
15:00-18:00 pm
The Sightseeing Tran’s Routine connects different kinds of Zones. You can enjoy yourself there!
BEFORE Large Dining Hall In the Large Dining Hall, people are buying food and having a nice meal. Outside the window is the Ornamental Plant Zone, people can enjoy the beautiful scene of lush plants when eating.
AFTER 24
OTHER WORK SKETCHES, MODELS, SE Time: 2015/12-2019/1
Introduction:This chapter displays sketches, models, line works and other
Practice,Plant Form and Function, etc. These works represent different aspec
ECTIONS
works from different curriculums, including Ecotech (I),(II), Digital cts of my skills.
PUBLIC SPACE DESIGN - RECREATE THE EIXAMPLE BLOCK PARK PRECEDENT STUDY COLLAGE Parc de villa cecilia
Teammates: Qinmeng Yu, Danni Jin
Collage is drawn by Qinmeng Yu and Danni Jin
ADAPT THE PRECEDENT TO THE EIXAMPLE BLOCK
Labyrinth area Increase spatial complexity
Entrance Attract people to enter the park
Playground area Use white pieces to make it fun
Leisure area Open space for communication and relax
PUBLIC SPACE DESIGN - DANCE IN THE SKY DESIGN SARDANA DANCING SHOW The Sardana is a traditional Spanish dance which is danced in a circle while holding hands, and is native to the Spanish region of Catalonia. The site is located in Avinguda Diagonal, which is overwhelmed by cars. We need to design a new public space for SARDANA dancing. Taking advantage of the circular geometry, this project creates platforms with different height. The raised stages allow people to "dance in the sky" and have a fantastic view of the Mediterrainean Sea.
Mediterrainean Sea
Section is drawn by Qinmeng Yu and Danni Jin
26
MODEL TERRACE WATER PURIFICATION MODEL PHOTO COLLAGE
[DIGITAL PRACTICE II]
LANDFO
Plexi
3D Print
Waffle
Section
Combination
INTERNSHIP MODEL MAKING TEAMMATES: DANNI JIN, XIAOWEN WU, BO SHEN, YANG CHEN
TOP FLOOR PLAN
[JULY COOPERATIVE CO
THIRD FLOOR PLAN
ORM MODEL
[SDI]
DETAIL PRECEDENT MODEL
[ECOTECH II]
OMPANY]
DETAIL
27
LINE WORK TERRACE WATER PURIFICATION EXPLODED ISOMETRIC
[DIGITAL PRACTICE II]
STAIRS PLAN AND C
N
LAR 6212: ECO-TECH II E 3.0 | SOURCEBOOK
CONSTRUCTIVE SECTION
[ECHOTECH I]
CONSTRUCTIVE A SECTION
LOCATION: DESIGNER:
[ECHOTECH II]
CHARLOTTESVILLE, VIRGINIA, CAMPBELL HALL XXXX XXXX
QINMENG YU STUDENT NAME: XXXX DATE: 04.17
04.18 [W] 01.31
28
ATLAS OF CONSUME Introduction Module I seeks to unpack the Central Valley through simultaneous research, mapping, and modeling, then finish a refined print publication that synthesizes the research and mapping through different lenses, such as socio-cultural lenses, economic lenses and ecological lenses. The atlas should be cohesively designed, and should include a variety of maps, diagrams, and accompanying text.
Manifesto This Atlas of Consume is telling the story of how human being consumes the natural resources and how this consumption produces consumable. We categorize the natural resources into three elements: water, land and energy. After exploring the geography and geology of Central Valley, we zoom into this loop of consuming and producing through the lens of infrastructure, city development, electricity generation, water supply and logistics. Consumption is shaping the landscape of geomorphology through human activities. This single relationship of “consume and being consumed� between human and nature is un-sustainable, which pushes us to think about the possibilities of expanding the relationship. As agriculture being the leading and most profitable industry in Central Valley, it relies heavily on natural water supply, especially groundwater, which is causing the land subsidence and the shrink of natural habitats of wildlife. We are also consuming land to extend human occupation by transforming the original wetlands to farmlands and cities, which demands a large amount of energy. Although the goal of 33% renewable energy is realized in California, a large portion of Central Valley still consumes natural gas more than renewable energy, such as solar power, wind power, etc. There are some questions arising in the process of making this Atlas. How can we improve the efficiency of consuming? Is there any new relationship between human and nature?
Team: Qinmeng Yu, Yangqianqian Hu, Hangxing Liu The "LAND" chapter of the atlas is drawn by Qinmeng Yu.
Foundation Studio (IV) Mo
odule I:Unpacking the Valley
Instructor: Bradley Cantrell/ Brad Goetz/Andrea Hansen-Phillips Time: 2019/1-2019/2
29
To be conti
inued……