COMING TO THE BILLE BROWN STUDIO Queensland Theatre Company and Sydney Theatre Company present
7 Jun – 5 Jul
Gloria. By Elaine Acworth
19 Jul – 16 Aug
Call 1800 355 528 queenslandtheatre.com.au
Queensland Theatre Company and Metro Arts present a Monsters Appear production
by Benjamin Schostakowski
Cast 7–17 May 2014 Bille Brown Studio A Tribute of Sorts will run for approximately 75 minutes, no interval.
Juniper Plank
Emily Burton
Ivan Plank
Dash Kruck
Director/Original Design
Benjamin Schostakowski
Directorial Associate
Lucas Stibbard
Designer
Dann Barber
Lighting Designer
Jason Glenwright
Animation
Pete Foley
Production/Stage Manager
Freddy Komp
Assistant Stage Manager
Aimee Monement
Initiating Producer
Ashleigh Wheeler Produced By Metro Arts
A Tribute of Sorts was created with Dash Kruck and Emily Burton. A Tribute of Sorts was originally presented at La Boite Indie 2012.
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Recycle this program COVER: Emily Burton & Dash Kruck SYC Studios – photography by Sean Young
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Support Greening QTC and recycle this program after the performance in the recycling bins provided in the foyer. Read the program before the show at queenslandtheatre.com.au 1
Welcome Note Wesley Enoch, Artistic Director Dear Patron, Supporter and Friends, When Bille Brown passed away almost 18 months ago we made sure he was never forgotten at Queensland Theatre Company. The theatre has his name attached to it, there are photos of Bille in the many shows he did at QTC hanging on the entrance walls and in the foyer hangs a magnificent portrait by artist Ben Quilty. One thing Bille was also well known for was his support of emerging talent and new work. As a writer and actor Bille Brown was a great advocate for developing great talent and as we move back to our home here at The GreenHouse you can experience some of the best new works and best new theatrical talents. I saw A Tribute of Sorts as part of La Boite Indie Season in 2012 and could see straight away the potential in this amazing ensemble of artists. Ben Schostakowski is a name to remember … seriously … he is an artist of the highest order
who will make a huge impact on theatre-making in this city. Combined with the awardwinning performing talents of Dash Kruck and Emily Burton, this is a hit show. This season at QTC represents a return and touring of a hit show. So often shows slink off into the memories of the few who get to see them. This year we had a chance to bring two shows, A Tribute of Sorts and The Magic Hour, back to life and show them to you again. The artists and the shows have a chance to grow and mature. A fantastic opportunity. These two shows are welcome additions to our work at the Bille Brown Studio at The GreenHouse. I’m sure Bille will be watching with eager eyes to see what happens next. Love,
Wesley
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Director's Note Benjamin Schostakowski Hello and welcome. Let's begin. One of A Tribute Of Sorts' original inspirations was Edward Gorey's The Gashlycrumb Tinies; an illustrated abecedarian book of infant deaths. Gorey has this incredible talent for making incidents like a 'fatal assault by bears' beautiful and hilarious. I found a considerable amount of theatrical potential in his ideas. Rather than stage the book, we imagined some awkwardly endearing characters and through their mindset developed our own homage to unfortunate children. This is the story of Ivan and Juniper and their tribute. Our premise smashes two distinctive worlds together: one of macabre incidences of short-lived innocence and one of glitterspangled showiness. These worlds seem rather contrary which is exactly why we ran with them. Dash, Emily and I have had the incredible joy of creating this production from the ground up. We spent a significant amount of time investigating how Gorey constructed his humour, we dove into the world of vaudeville, of what
good and bad performing looks like and everything in between. On the road to creating this work we were inspired by a whole bunch of artists - Edward Gorey, Hillarie Belloc, Wes Anderson, Tim Burton, Lally Katz, Post, Gregory Crewdson, Roald Dahl and The Tigerlillys to name a few. We researched self-taught magicians, homemade dance routines, child actors and our own predilection to shameless theatrics. In February 2012 we had the opportunity to test the ideas of the show at Brisbane Powerhouse's World Theatre Festival. Our scratch showing, A Spectacular Of Sorts, provided us a chance to test the aesthetic and the themes of the show with audiences. The responses were delightfully encouraging and so we pushed forward into two more creative developments to complete the work. Needless to say, we had an outrageous amount of fun working on this production. It was an honour to premiere this show in La Boite's Roundhouse Theatre through their Indie program in 2012. And it's more exciting again to
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be able to remount the show with Queensland Theatre Company and share it with new audiences. This work owes sincere thanks to a long list of people who lovingly helped us bring it all together, and especially to you, our audience - thank you for coming along to experience the show. Our story starts in a small theatre or maybe a living room. Our story lies in the hands of Ivan and Juniper Plank they're new to the idea of live performance, but that isn't to say they haven't rehearsed - a lot. Tonight is the night they present their tribute to unfortunate infants. I hope you enjoy. Benjamin.
Emily Burton
Synopsis
Ivan and Juniper have a peculiar task. Over the course of one night, these teenage cousins must re-enact a list of alphabetically ordered, but altogether unfortunate, events. With lo-fi charm and eisteddfod zest, each incident is luridly reimagined becoming more outrageous and elaborate as the night progresses. Beneath the shameless theatrics and melancholic gaud of their recreations, something unexpected is happening between Ivan and Juniper. A wickedly funny and absurd jaunt of old-world magic and intrigue - it’s a tribute of sorts ...
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Biographies Benjamin Schostakowski
Benjamin graduated from directing at the National Institute of Dramatic Art (NIDA) in 2013. He directed and wrote A Tribute of Sorts for La Boite Indie (2012), winner of four Matilda Awards (including Best Independent Production and Best New Australian Work). In 2011, Benjamin was appointed an Associate Artist with Queensland Theatre Company.
DIRECTOR AND DESIGNER
Theatre credits include Cosi (La Boite Theatre Company); Private Lives (Melbourne Theatre Company); A Tribute of Sorts (La Boite Indie); A Spectacular of Sorts (World Theatre Festival, Brisbane Powerhouse); Genesis (Brisbane Festival); The Glorious Nosebleed (Metro Arts) and What’s Wrong with Gregor Post? (Brisbane Festival). For NIDA: Klutz, Fireface, 12 Angry Men, June 20,30,40 (Griffin Play Project); A Respectable Wedding (National Theatre Drama School) and The Bear (Actors Centre Australia). Benjamin also directed the music video clip for RIDE FOR ME by Ry (Feat. Shadow Kitsune) for Triple J Unearthed.
Dann Barber DESIGNER
Dann is currently in his third and final year of a Bachelor of Dramatic Art (Design) at NIDA. Prior to this Dann received a Bachelor of Fine Art at RMIT University with a major in drawing. This culminated with his major work being shown in the NotFair Primal Mutation exhibition at Thousand Pound Bend in 2012 and again in the 2013 group show Black and White at Blockprojects, both in the Melbourne CBD. Whilst studying Fine Arts, Dann co-founded a fringe theatre company, What Just Happened, performing Features of Blown Youth (2009) and The Logue Of PT Lawrence (2010) at the Arts Centre in Melbourne. Last year Dann co-designed the set and costumes for Benjamin Schostakowski’s new work Klutz and co-production designed Willow’s music video No Sound for Triple J/Rage. Dann is currently designing the set and costumes for The False Servant at NIDA. Later this year he will complete his NIDA studies by designing the set for a new production of The Light in the Piazza.
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Jason Glenwright
LIGHTING DESIGNER
Jason has accrued over 150 diverse and highly acclaimed freelance lighting design credits. Career Highlights include: Faustus (Bell Shakespeare/ Queensland Theatre Company), The Removalists, Water Falling Down, The Little Dog Laughed, Thom Pain (based on nothing) (Queensland Theatre Company); A Hoax (Griffin Theatre/ La Boite Theatre Company), Ruben Guthrie, Julius Caesar (La Boite Theatre Company); While Others Sleep (Expressions Dance); The Tempest, Revolting Rhymes & Dirty Beasts, Tequila Mockingbird, Out Damn Snot, 1984, Animal Farm (Shake & Stir); Drag Queensland (Queensland Music Festival); Therese Raquin, The Tempest (Zen Zen Zo); The Kursk (Critical Stages/Matrix Theatre); Show Me Yours I’ll Show You Mine, My Name Is Rachel Corrie, Blackbird (La Boite Indie), Tender, The Truth About Kookaburras, The Pillowman, Bronte, The Kursk (Metro Arts); Soph & The Real World, At Sea Staring Up, The Shining Path, Cake (JUTE); Guys & Dolls, Blood Brothers, Oklahoma!, Hairspray, The Wizard Of Oz, James and the Giant Peach, Jesus Christ Superstar, Songs For A New World, Cinderella, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan (Harvest Rain); Gaijin (Gardens Theatre); Boy&Girl, Next To Normal, [Title Of Show], The 25th Annual Putnam County Spelling Bee (Oscar Theatre Company); Chasing The Lollyman (debase); plus many more productions with independent theatre producers. Jason was awarded a Gold Matilda Award for his body of work in 2013 and Groundling Awards in 2010, 2012 and 2013. Jason has also received 6 Dell'Arte awards for Best Lighting Design since 2009. Jason holds a Bachelor of Fine Arts (Technical Production), graduating from Queensland University of Technology (QUT) in 2007.
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Pete Foley
ANIMATION
Pete is an animator, illustrator and motion designer. His distinct point of view holds references to Art Deco, minimalism, mythology and modernism. He likes hard lines, silhouettes and angles. His first film was released in 2005 when he created a stylised and bold animated short, commissioned by Creative Commons. It was translated into seven languages and continues to be shown in conferences around the world. This collaboration with musician Chris Perren gave birth to their indie film duo Black brow. In April 2012, working with Paddington motion graphics house IV Motion, they released their first iPhone game; Penny Time, to rave reviews. Pete’s roles were art direction, character design, character animation and concept. Pete animated Sam Tupou’s artwork for the mid-lake performance of Polytoxic’s internationally touring Trade Winds. He designed the entirely projected sets for The Violent Romantics’ play My Struggle (The Life and Times of an Individ in a World Full of Hipsters) (Anywhere Theatre Festival) and most recently co-directed and co-designed Maxine Mellor’s Trollop with Wesley Enoch, David Morton and Ben Hughes (Queensland Theatre Company). Pete was humbled to receive the 2012 Groundling for Outstanding Contribution to Multimedia Design. Pete completed a Bachelor of Animation at the Queensland College of Art.
Emily Burton
JUNIPER PLANK
Emily graduated from University of Southern Queensland (USQ) in 2010 and has since been a part of a number of independent theatre projects, including the multi-award winning 2012 production of A Tribute of Sorts in which she played the role of Juniper. For this role Emily won the 2012 Matilda Award for Best Actress in a Leading Role. Emily proudly makes up one third of the independent theatre collective All Together Now having debuted their first new work Life ETC. last year, and this year presented Will Eno’s Oh The Humanity as part of the Empire Theatre’s Homegrown Season in Toowoomba. Emily is currently one of the lead actors for The Grin and Tonic Theatre Troupe and is also working with Mixtape Theatre Collective on their new work, Bad Friend. She recently co-directed with David Burton and Kate Murphy this year’s USQ Shakespeare in the Park production of The Winter’s Tale. Other work outside of performance includes teaching acting and drama workshops. 8
Dash Kruck
IVAN PLANK
Dash’s previous theatre credits include Elizabeth: Almost by Chance a Woman and The Works (Queensland Theatre Company), A Tribute of Sorts (Monsters Appear/La Boite Theatre Company), Joy Fear and Poetry (Natasha Budd/ La Boite Theatre Company), Spring Awakening, [Title Of Show] (Oscar Theatre Company), Dani Girl, James and the Giant Peach, Aladdin and the Mysterious Magical Lamp (Harvest Rain), Sven Swenson’s The Bitterling (Pentimento/LaBoite Indie), Amadeus (4MBS), The Amazing Magician (Queensland Ballet), The Night My Brother And Me (Little Big/LaBoite Theatre Company), national tours of Brave Hearts, Verbal Combat, Cheap Thrills (Brainstorm Productions), The Fortitude Project (Queensland Arts Council), Jump To It, Totally Amazing (Perform), Romeo and Juliet (Queensland Shakespeare Festival), The Importance of Being Earnest (Starlight) and four separate productions of A Midsummer Night’s Dream (Queensland Symphony Orchestra, Harvest Rain and Power of Will) which he also directed for Starlight. Dash has been honoured with two Matilda Awards (2007 & 2012), the John Dommett Medal for Outstanding Industry Achievement and 2 Dell'Arte “Favourite Lead Male” commendations. His film and television credits include Radio Pirates, Pipsqueaks (Channel 7) Digger (Bear Cage) K9 (Metalmutt), and The Shak (Channel 9). As a vocalist, Dash performs regularly at cabarets and jazz venues. Dash also works regularly as an acting instructor and director for organisations such as NIDA, QUT, The New York Film Academy and The Actors Conservatory. He is a graduate of QUT. Dash is a proud member of equity.
Acknowledgements Monsters Appear would like to thank the following people and organisations for their support and contribution in bringing A Tribute of Sorts to life through its various cycles of development: Queensland Theatre Company, La Boite Theatre Company and all the staff who helped with the original 2012 season, Brisbane Powerhouse, QUT Creative Industries, CI Precincts, Krystal Sweedman and her tireless film crew and editors, Shari Irwin, Thomas Bartsch, Samuel Boyd, Jordan Tselepy, Tenneale Rogers, Whitney Eglington, Lucas Stibbard, George Canham, John Saunders, Katrina Torenbeek, Jo Thomas, David Morton, Lauren Makin, Melanie Patella, Kath Schostakowski, Stephanie Tandy, Sean Young, our 13Chairs Reviewers, The Hanger, Youth Arts Queensland and Metro Arts. Production Photography: Amelia Dowd
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The Untold Story of World Queensland Theatre Company and Brisbane Festival, in association with QPAC and The Balnaves Foundation present
A Queensland Theatre Company and Sydney Festival production
One hundred years ago, in 1914, a bullet from an assassin’s gun in Sarajevo sparked a war that ignited the globe. Patriotic young men all over the world lined up to join the fight – including hundreds of Indigenous Australians. Shunned and downtrodden in their own country – and in fact banned by their own government from serving in the military – Aboriginal men
24 Sep – 12 Oct QPAC, Brisbane
War I Indigenous Diggers heroes’ welcome – just a shrug, and a return to drudgery and oppression.
Black Diggers is the story of these men – a story of honour and sacrifice that has been covered up and almost forgotten. Directed by Wesley Enoch and written by Tom Wright, Black Diggers is the culmination of painstaking research into the lives and deaths of the thousand or so Indigenous
soldiers who fought for the British Commonwealth in World War I. Grand in scale and scope, it draws from in-depth interviews with the families of black diggers who heard the call to arms from all over Australia, as well as conversations with veterans, historians and academics. For the Queensland Theatre Company, it has been a privilege to bring the important stories of these men onto the stage in the year of the ANZAC Centenary.
Tickets by calling 136 246 or queenslandtheatre.com.au This project has been assisted by the Australian Government’s Major Festivals Initiative, managed by the Australia Council, its arts funding and advisory body, in association with the Confederation of Australian International Arts Festivals, Sydney Festival and Brisbane Festival.
Photography: Jamie Williams
had to hide their heritage to enlist. Undaunted, these bold souls took up arms to defend the free world in its time of greatest need. For them, facing the horror of war on a Gallipoli beach was an escape from the shackles of racism at home, at a time when Aboriginal people stood by, segregated, unable to vote, unable to act as their children were ripped from them. When the survivors came back from the war, there was no
OPEN FOR BUSINESS Join Queensland Theatre Company, actors and creatives in The GreenHouse. For the ďŹ rst time, we are opening the doors of our freshly refurbished space for hire. The GreenHouse, located at Queensland Theatre Company's Montague Road headquarters, is just a short stroll from the heart of Brisbane's iconic South Bank cultural precinct. The GreenHouse's versatile spaces are the perfect venue for hire in 2014. Whether you are searching for a place to host your next private function or conference, ďŹ lm, book or music video launch, or AGM, The GreenHouse has got you covered. With a variety of spaces available, such as our intimate 250+ seat theatre style venue, the Bille Brown Studio, or our more contemporary meeting and rehearsal rooms, The GreenHouse can accommodate groups of all sizes. Accompanied by our fully licensed bar, spacious foyer and tranquil outdoor garden area, what more could you ask for! For more information making our space yours, contact Deirdree Wallace on (07) 3010 7600 or email dwallace@queenslandtheatre.com.au
L-R: Emily Burton, Dash Kruck 13
PATRON Her Excellency The Governor of Queensland Ms Penelope Wensley, AC MEMBERS OF THE BOARD Richard Fotheringham (Chair) Julieanne Alroe (Deputy Chair) Kirstin Ferguson Erin Feros Simon Gallaher Peter Hudson Elizabeth Jameson Nathan Jarro Liz Mellish Karl Morris ARTISTIC DIRECTOR Wesley Enoch EXECUTIVE DIRECTOR Sue Donnelly Executive Assistant: Tammy Sleeth Artistic Associate: Todd MacDonald Resident Dramaturg: Louise Gough Resident Directors: Jason Klarwein & Andrea Moor Programming Manager/Senior Producer: Katherine Hoepper Theatre Diversity Associate: Chris Kohn Producer (New Work & Development): Shari Irwin Artistic Coordinator: Samantha French Touring & Regional Program Coordinator: Christine Johnstone Education Program Coordinator: Heidi Irvine Youth Program Coordinator: Claire Christian Casual Programming Coordinator: Helen Stephens Chief Financial Officer Michael Cullinan Systems Accountant: Roxane Eden Finance Officer: Robin Koski Front of House & Events Supervisor: Deirdree Wallace
Marketing Manager: Yvonne Whittington Marketing Coordinator: Amanda Solomons Publicist: Kath Rose & Associates Marketing Assistant: Yuverina Shewpersad Digital Marketing Officer: David D’Arcy CRM & Ticketing Services Coordinator: Rory Killen Ticketing Coordinators: Maggie Holmes & Brad Routledge Receptionist & Ticketing Officer: Donna Fields-Brown Administration Trainee Kalisha Soe Philanthropy Manager: Amanda Jolly Corporate Partnerships Manager: Nikki Porter Interim Corporate Partnerships Manager: Fabienne Cooke Development Coordinator: Dee Morris Researcher & Grant Writer: Liz Bissell Production Manager: Toni Glynn Venue & Operations Supervisor: Julian Messer Technical Coordinator: Daniel Maddison Interim Production Coordinator: Scott Klupfel Head of Workshop: Peter Sands Company Carpenter/Head Mechanist: John Pierce Head of Wardrobe: Vicki Martin Apprentice Costume Maker: Savannah Mojidi Affiliate Artists: Tony Brumpton Ben Hughes David Walters
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Associate Artists: Rod Ainsworth Candy Bowers Carol Burns Katherine Lyall-Watson David Morton Gayle MacGregor Paula Nazarski Ngoc Phan Lucas Stibbard
A Tribute of Sorts Production Staff Managing Producer (Metro Arts): Jo Thomas Venue Technician: Thomas Edmiston Carpenter: Aaron Barton
The Magic Hour Production Staff Production Manager: Jason Thelwell Stage Manager: Samuel Johnson Head Mechanist: Craig Kolstad Lighting Operator: Matt Golder
FOUNDING DIRECTOR Alan Edwards, AM, MBE (1925 – 2003) Queensland Theatre Company is a member of Live Performance Australia.
About Monsters Appear Monsters Appear craft contemporary theatre works that meld character-driven story with visual stage imagery, old-world artifice and design activation. We endeavour to captivate modern audiences with unique stories that are intricate,
intimate and immersive. We create works that celebrate theatricality, creative imagination and the darker side of humour. Monsters Appear have presented work through Metro Arts, Brisbane Powerhouse and La Boite Theatre Company.
Works to date include The Glorious Nosebleed, Beverly is Dead, A Spectacular Of Sorts (work-in-progress showing) and A Tribute of Sorts. The company works with artists on a project-by-project basis and is directed by Benjamin Schostakowski.
To ensure that patrons enjoy the performance, management asks you to note: • Cameras, tape recorders and paging devices should not be used inside the auditorium. • Switch off alarms and mobile phones prior to the performance. • A single cough measures approximately 65 decibels of sound. The use of a handkerchief helps greatly to soften the sound. The management reserves the right to refuse admission, also to make any alterations to the cast which may be rendered necessary by illness or other unavoidable causes. Patrons are advised that the Bille Brown Studio has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the inhouse trained attendants and move in an orderly fashion to outside the Studio.
78 Montague Rd, South Brisbane PO Box 3310, South Brisbane BC Qld 4101 Tel 07 3010 7600 Fax 07 3010 7699 mail@queenslandtheatre.com.au queenslandtheatre.com.au Ticketing 1800 355 528 © The State of Queensland (Queensland Theatre Company) 2014 Disclaimer: Every endevour has been made to ensure that the contents of this brochure are correct at the time of printing. However, things can change. Queensland Theatre Company reserves the right to vary advertised programs and to add, withdraw or substitute artists as necessary
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L-R: Dash Kruck, Emily Burton
Thanks To Our Sponsors Government Partners
Production Sponsors
Program Sponsors
Season Sponsors
Season Supporters
PLANTUP Greenwalls & Greenroofs
Media Supporters
Promotional Partner: Coev Haircutters
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See Queensland Theatre Company and Sydney Theatre Company present
The Effect by Lucy Prebble 7 Jun – 5 Jul Bille Brown Studio Tickets on sale now
QTC New Work and Development at The GreenHouse As well as a season of performance at The GreenHouse, our development and new work program continues behind the scenes. New plays are being commissioned, projects are being seeded and developed in collaboration with local Independent artists and companies, and ideas for new work are being tossed around. Upcoming works that have been creatively developed with QTC include:
I Want to Know What Love is
The Button Event
by The Good Room 4-13 September
Devised by Todd MacDonald and Bagryana Popov 17-17 September
Talk Play BrieďŹ ng
Night with the Artists
Before you come to see the play, join us in the theatre for a conversation with the director, designers and actors. Monday 2 June 6pm: The Effect Monday 14 July 6pm: Gloria
Stay after the show for a conversation with the actors and creative artists behind the production over a glass of wine from the bar. Friday 16 May: A Tribute of Sorts Friday 30 May: The Magic Hour Thursday 26 June: The Effect Thursday 7 August 6pm: Gloria
The GreenHouse Bar From May to September The GreenHouse bar will be open from 5pm every Friday Night.
May and June
Do Monday Night Masterclasses The Monday Day Night Masterclass program is a series of workshops offered to any interested high school aged participant who will: • Work with professional artists. • Learn new skills. • Work with likeminded young people. • Connect with Queensland Theatre Company
Price: $10 per masterclass Time: 6pm – 8pm Bookings essential as places are limited. Monday 19 May Monday 2 June Monday 23 June Monday 21 July Monday 4 August
Improvisation and Clowning with Louise Brehmer Acting Skills: Finding a Character Acting Skills: Using Your Voice Physical Theatre and Movement Auditions and Monologues
Young Writers Group Interested high school aged young writers will participate in a fivesession workshop program, working with playwrights including David Burton and Elaine Acworth and industry professionals to learn and develop their craft. By the end of the five-sessions, the participants will have completed a range of writing-for-theatre tasks and will have a collection of their own written pieces to include in their portfolio.
Dates: Monday 12 May Monday 26 May Monday 16 June Monday 14 July Monday 28 July
Cost: $150 per participant (includes 5 workshops and workshop materials) Time: 6pm – 8pm each session
For more information on the Young Writers Group or Monday Night Masterclasses go to www.queenslandtheatre.com.au/Education-and-Youth/Youth-Program or contact Youth Program Coordinator, Claire Christian, on cchristian@queenslandtheatre.com.au or 07 3010 7606.
Thank You To Our Current Donors We thank all our generous donors for their contribution to our work. Your assistance makes it possible for us to enrich the cultural life of our community.
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COMING TO THE PLAYHOUSE, QPAC Queensland Theatre Company and Brisbane Festival, in association with QPAC and The Balnaves Foundation present
A Queensland Theatre Company and Sydney Festival production
24 Sep – 12 Oct
Queensland Theatre Company and Black Swan State Theatre Company present
17 Nov – 7 Dec 20
Call 136 246 queenslandtheatre.com.au