QUENTIN MILLER
2019
ϯϭϬ ƐƋ͘Ō
ϯϬϬ ƐƋ͘Ō
ϯϯϬ ƐƋ͘Ō
module 1
module 3
Table of Contents
module 2
ŚŝŐŚ
ůŽǁ
ĨŽƌŵ
ĂdžŝĂů ƐŚŝŌ
ŵŽĚƵůĂƌŝƚLJ
ƵƐĂďůĞ ĂƌĞĂ
OXFORD AVE SE
ĞŶƚƌLJ ͬ Ğdžŝƚ
ĞŶĞƌŐLJ ƵƐĂŐĞ
T
OXFORD AVE
he mission of ecoMOD is twofold: to develop sustainable design strategies and create
ŚŝŐŚ ƉĞƌĨŽƌŵĂŶĐĞ ĂīŽƌĚĂďůĞ ŚŽŵĞƐ ĨŽƌ ƚŚĞ ůŽĐĂůůLJ ƵŶĚĞƌͲƐĞƌǀĞĚ ĐŽŵŵƵŶŝƚLJ͘ ecoMOD RISE bedroom
ŝƐ Ă ϵϬϬ ƐƋ͘ Ō͕͘ ƉƌĞ ĨĂďƌŝĐĂƚĞĚ͕ ϯ ŵŽĚƵůĞ ;Ϯ ͬϮ ƌͿ ADA accessible home designed to serve living
ŝŶĚŝǀŝĚƵĂůƐ Ăƚ ůŽǁ ĂŶĚ ŵŽĚĞƌĂƚĞ Ͳ ŝŶĐŽŵĞ ůĞǀĞůƐ ǁŚŽ ĐĂŶ ƚƌƵůLJ ďĞŶĞĮƚ ĨƌŽŵ ƚŚĞ ƌĞĚƵĐĞĚ ĞŶĞƌŐLJ͕ ǁĂƚĞƌ ĂŶĚ ŵĂŝŶƚĞŶĂŶĐĞ ĐŽƐƚƐ ĂƐƐŽĐŝĂƚĞĚ ǁŝƚŚ ĞŶǀŝƌŽŶŵĞŶƚĂůůLJ ƌĞƐƉŽŶƐŝďůĞ ŚŽŵĞƐ͘
entrance
ecoMOD RISE ŚĂƐ ĞŶĚĞĂǀŽƌĞĚ ƚŽ ŵŝŶŝŵŝnjĞ ƚŚĞ ĨŽŽƚƉƌŝŶƚ ŽŶ ƚŚĞ ĞŶǀŝƌŽŶŵĞŶƚ͘ ĞĐŽDK Z/^
BUENA VISTA DRIVE SE
ŝƐ ĚĞƐŝŐŶĞĚ ƚŽ ďĞŝŶŐ ĐĞƌƟĮĞĚ > WůĂƟŶƵŵ͖ ƚŚĞ ĞŶĞƌŐLJ ĐŽŶƐƵŵƉƟŽŶƐ ŽĨ ecoMOD RISE is ADA bath
as low as ϰϵϴ ŬtŚ ͬ ŵŽŶƚŚ͕ ǁŚŝĐŚ ŝƐ ĂƉƉƌŽdžŝŵĂƚĞůLJ ϱϬй ůŽǁĞƌ than the average energy use ĨŽƌ Ă ŚŽŵĞ ŝŶ EĞǁ DĞdžŝĐŽ͘ ecoMOD RISE ĐƵůƟǀĂƚĞƐ ƚŚĞƐĞ ĐĞŶƚƌĂů ƉƌŝŶĐŝƉůĞƐ ƚŽ ĐƌĞĂƚĞ Ă ƐƵƐƚĂŝŶĂďůĞ ŚŽŵĞ ƚŚĂƚ ŐƌĂĐĞ ƚŚĞ ƉĂŐĞƐ ŽĨ ĂŶ ĂīŽƌĚĂďůĞ ĂŶĚ ŐƌĞĞŶĞƌ ĨƵƚƵƌĞ͘
laundry
kitchen / dining bath
bedroom
courtyard
2.1
Description
3.1
1.2
Concept Model
2.2
Diagrams Part I
3.2
Ŭ dh ͬ Ō 2 / year
HEATING DOMINATED
kWh / month
Noli Map NORTH ELEVATION
ecoMOD 37
4.1
USD / month
4.2 WEST ELEVATION
0% 15 % 0% 2% 0% 5% 3% 3% 43 % 22 % 3%
HEATING
AHU ZONES HUMIDIFICATION AHU HEAT REJECTION ZONES AHU ZONES LIGHTING EQUIPMENT PUMPS
COOLING
$
HEATING
0% 37 % 0% 2% 0% 4% 4% 3% 32 % 16 % 3%
464
FANS
498
AHU ZONES HUMIDIFICATION AHU HEAT REJECTION ZONES AHU ZONES LIGHTING EQUIPMENT PUMPS
120 POINTS
CO2 EMMISION ANALYSIS
COST SEGMENT ANALYSIS
COOLING
HEATING
HEATING COOLING LIGHTING EQUIPMENT FANS PUMPS
ACTUAL USAGE (17 UNITS) 2030 CHALLENGE (12 UNITS)
Analysis
ENERGY SEGMENT ANALYSIS
Introduction
INTERIOR
Photoessay
ENERGY SEGMENTS
; ĞĐŽDK Z/^ ŝƐ ĐĞƌƟĮĞĚ > WůĂƟŶƵŵ ǁŝƚŚ ƚŽƚĂů > ƉŽŝŶƚƐ ŽĨ ϵϮ Ϳ
FANS
17
1.1
80 POINTS
COOLING
Nob Hill ENERGY USE INTENSITY
LEED PLATINUM
60 POINTS
FANS
Mary Miss
50 POINTS
PERSPECTIVE RENDER
LEED GOLD
INTERIOR
Bosque Del Apache
40 POINTS
FLOOR PLAN LEED SILVER
INTERIOR
SITE PLAN LEED CERTIFIED
AHU ZONES HUMIDIFICATION AHU HEAT REJECTION ZONES AHU ZONES LIGHTING EQUIPMENT PUMPS
0% 64 % 0% 1% 0% 2% 2% 1% 10 % 9% 1%
lb CO2e / month
Proposed Master Plan
SOUTH ELEVATION
EAST ELEVATION
1.3
Site Analysis
2.3
Process Models
3.3
Process Models
4.3
Site Plan
1.4
Pocess Models
2.4
Diagrams Part II
3.4
Diagrams
4.4
Floor Plan
1.5
Digital Panel
3.5
Drawings
4.5
Elevation
1.6
Drawings
3.6
Final Model
4.6
Section
1.7
Final Model
4.7
Supplimentry Drawings / Diagrams
4.8
Energy Analysis/LEED
BOSQUE DEL APACHE A HIDDEN PARADISE
HIDDEN PARADISE
Just over an hour and a half’s drive south of Albuquerque on Interstate 25 is nothing. A dry and barren New Mexico desert with sparse vegetation and nothing in sight, but hidden in the valley of Bosque Del Apache is a hidden gem. This treasure is a green, lush, and humid paradise. This paradise is a bird migrating spot or pit stop on their trip to the south for the winter.
Concept Model
Birds that migrate through the Bosque Del Apache in the winter season are geese, sandhill crane, ducks, hawks, eagles, blackbird, ravens, and coots.
Spring season are ducks, geese, cranes, sandpiper, stilts, plovers, dunlins, curlews, avocets, flycatchers, vireo’s, and even roadrunners.
Summer season are blackchinned birds, calliope, broad-tail, rufous humming birds, and quail.
Fall season are red-winged black birds, cranes, ducks, geese, wild turkeies, northen shovelers, and northern pintail’s.
The Pier Native Americans mainly the Pueblo poeple occupied the Bosque area centuries before thethe spanish explorers. The river left as is and was not really messed with.
The spanish explorers arrived and took over the area. Soon after the village El Camino Real was established. The spanish settlers started to grow crops and livestock. They irrigated some of the Rio Grande’s water for farming.
Farm Land
Cottonwoods
Marsh Lands
Site
The Bosque endured a slue of ecological wreckage by humans in the recent past. This wreckage includes forest destruction, overgrazing, excessive hunting, river diversion, alien plante invasion, loitering in the area, and pollution of the Rio Grande water.
Flood Plains
Under the Franklin Roosevelt administation established the U.S. Fish & Wildlife protection act. Soon after Bosque was recognized “as a Refuge and breeding grounds for migrating birds and other wildlife. ” The Bosque was then cleaned up and restored.
The Bosque Del Apache is now a national wildlife refuge site to protect and preserve wildlife, wild animals, and endangered speices. It is maintianed well kept by the non profit fedral wildlife organization. It has since become a tourist, photographers, and educational hot spot for the state and the country as well.
Deer
Mountain Lion
Black Bears
Coyotes
Gray Wolf
Elk
Sheep
Sandhill Crane
Duck
Vireo
Corn
Pine Tree
Cottonwood Tree
Cactus
Sage Brush
Juniper Tree
Wild Grass
Yucca
Sun Flower
Process Models
The angled cuts from the concept model was the inspiration for the process models that become the design for the final model. While constructing the three separate cubes and then lining them side by side of each other accidentally created the form for the building, a clean horizontal rectangular form. With the angled cut wrapping the process models provides the design an interesting, simple, attractive,and exciting aesthetic.
Digital Panel
Inspirations/Precedents
A Hidden Paradise: The Bosque del Apache Refugee is a man made paradise/safe haven created and designed for migrating birds to either occupy of pass though. the refugee is nestled in the Rio Grande Valley surrounded by desert and is about two and a half miles from the highway tuckedaway from sight, thus the concept a hidden paradise.
Whole
to
P
a
r
t
Semi-private Areas
Circulation Diagram
Quentin Miller
Public Areas
Sun Diagram
Private Areas
Architect: Fran Silvester Arquitectors from Spanish Studio Location: Ayora, Valencia Project Name: Casa en la Ladera de in Castillo Date: Aug 3, 2012 Materials: Glass metal, concrete, and wood
Architect: RO&AD Archtecten Location: Halsteren, Netherlands Project Name: Moses Bridge Date: Nov. 17, 2011 Material: Accoya Wood
Semi Final Model
A concrete sculpture that also serves a doorway leading down a carved out path that path quickly sinks into the ground into the reeds and above the reeds create a natural archway creating shade from the sun engulfing the individual in nature. At the end of the path is a hidden concrete structure situated within the reeds. The structure is placed half on land and half in the water. This secluded building is designed to connect the individual to nature. The angled cut and the small end piece of the conceptual model transformed and evolved into the semi-final models above. It also serves as the entryway to the building.
Final Model
The building is meant to be hidden from sight within the reeds, but with the other end of the building out and exposed overlooking the ponds huge open spaces. The Final Model was created out of concrete to give the building a more natural aesthetic and to fit into its surroundings. Also, the material decided was for environmental reasons. The concrete could store and retain the heat from the sun during the day and release that heat back into the building at night and vice versa. The cuts wrapping around the building allow for ample amount of natural sunlight to enter the building so that no light bulbs usage could be reduced to a minimum or no use at all during the day. The exposed end of the building could be used for a multitude of uses like host a galery, event, or can become a bird observation deck.
MARY MISS
ARTIST INSPIRED CONCEPTUAL MODEL
MARY MISS Mary Miss was born on the 27th of May in the year of 1944 in New York City, New York. Mary attended the University of California in Santa Barbra and learned the ways of a sculptor, but soon after she would grow to become a great American artist and designer. She would push the boundries between sculpting, architecture, landscape design, and public art installations. By doing this Mary has also reshaped how art and architecture work together by creating something beautiful and mind-blowing installations. Mary’s works are not just there to look pretty, but they were all inspired and influenced by the sites history, ecology, and environmental issues that have not yet been told. She collaborates and works closely with architects, planners, engineers, ecologists, and public administration to grasp a better idea of what she wants to design and build. “Biography.” Mary Miss. N.p., Web. 06 Mar. 2017., http://marymiss.com/biography/
BATTERY PARK LANDFILL 1937 250’ x 12’-6” x5’ RECLAIMED WOOD
VOID
SOLID
REPETITION
GEOMETRY
EXTRUSION
SPACIAL SUBTRACTION
GEOMETRY
REPETITION
Use of Mary Miss’ techniques of spacing, repetition, abstraction, and subtractive spaces was integrated into the design of the models. The models represent the differences between natural/organic and man-made along with solid and void. The voids in the models are what create the space, and in the last model the spaces come together and intersect inventing a space that any person can inhabit. The model is so simple and complex that the individual looking at the model will have to walk up to it and look around the model and engage with the model in order to see the full beauty of the design.
VOID
SOLID
EXTRUSION
CIRCULATION
NOB HILL ZEN TEMPLE
NOB HILL FLORA
ETHNICITIES
PONDAROSA JUNIPER YUCCA PRICKLY PEAR COTTENWOOD PAMPOR GRASS
73.0% WHITE 6.80% NATIVE AMERIAN 6.30% HISPANIC
3.1 0% BLACK AFRICAN AMERCIAN
STRESS
ZEN TEMPLES
AIR POLLUTION
AVERAGE AGE
HISTORY
DISTRACTION
CENTRAL: MODERATE HOB HILL: MODERATE ART CONSTRUCTION: HIGH
ALBUQUERQUE ZEN CENTER DESERT MIRROR ZENDO KADAMPA MEDITATION CENTER KTC TIBETAN BUDDHIST CENTER SHANBHALA MEDITATION CENTER
AVERAGAE HIGH:103 AVERAGE LOW: 50
35 YEARS
1880 BEGINING OF ALBUQUERQUE RAILROAD 1889 ESTABLISHMENT OF UNM 1926 ROUTE 66 CONSTRUCTED THROUGH ALBUQUERQUE 1955 COMLETION OF 66 AND NOB HILL
PARK PACE: HEIVY TRAFFIC NOISE NOB HILL CENTRAL HIGH TRAFFIC NOISE NOB HILL HEIGHBORHOOD LOW TRAFFIC NOICE GIRARD UNM LOW LEVES OF TRAFFIC NOISE
ZEN
PRECEDENTS
GEOMETRY
STRUCTURE
MEDITATION LOCATIONS
CIRCULATION
PUBLIC VS PRIVATE
SUN
A ENTRANCE B LOBBY C FLOAT PODS D CLASS/MEDITATION ROOM E GALLARY
H
F OFFICE G APARTMENTS H PARK FIFTH FLOOR PLAN 1/16 =1’- 0” C
C B
C
A
H
WEST ELEVATION 1/16 =1’- 0”
C
G
G
FOURTH FLOOR PLAN 1/16 =1’- 0”
SOUTH ELEVATION 1/16 =1’- 0”
FIRST FLOOR PLAN 3/32=1’- 0” E
F
THIRD FLOOR PLAN 1/16 =1’- 0”
D
D
SECOND FLOOR PLAN 1/16 =1’- 0”
SECTION LOOKING EAST 3/32=1’- 0”
SECTION LOOKING NORTH 3/32=1’- 0”
Final Model The Zen Temple sinks into the ground eleven feet and pulls away from the ground almost mimicking other Zen Temples in Japan. The Temple serves as a place for meditation and relaxation. The first floor is the Float pod center where you can wander away from this world and float into the void. The second floor is either a classroom or lecture hall that can be divided into two rooms or become one great room. The third floor is the gallery that can showcase historical artifacts or host other gallery related events. The fourth floor is the relaxation rooms where either lounging chairs or a bed can be installed for relaxation. The fifth floor is the meditation space where the floor is covered with grass, and you can sit about anywhere and meditate. There is a tall glass wall surrounding this grassy area that acts a sound barrier for better and non-disruptive meditation.
ecoMOD RISE
AFFORDABLE MODULAR HOUSING
